Cable Authority Annual Reports and Accounts 1988-89
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Child Pornography in the “Send Nudes” Era 239
University of Baltimore Law Review Volume 49 Issue 2 Article 6 2020 Reevaluating Maryland’s Child Pornography Laws in the “Send Nudes” Era Shannon Hayden Follow this and additional works at: https://scholarworks.law.ubalt.edu/ublr Part of the Law Commons Recommended Citation Hayden, Shannon (2020) "Reevaluating Maryland’s Child Pornography Laws in the “Send Nudes” Era," University of Baltimore Law Review: Vol. 49 : Iss. 2 , Article 6. Available at: https://scholarworks.law.ubalt.edu/ublr/vol49/iss2/6 This Article is brought to you for free and open access by ScholarWorks@University of Baltimore School of Law. It has been accepted for inclusion in University of Baltimore Law Review by an authorized editor of ScholarWorks@University of Baltimore School of Law. For more information, please contact [email protected]. REEVALUATING MARYLAND’S CHILD PORNOGRAPHY LAWS IN THE “SEND NUDES” ERA Shannon Hayden* I. INTRODUCTION In 2018, A24 Films released the film Eighth Grade.1 Critics and audiences alike immediately praised the film for its “painfully real” depiction of what it is like to grow up in the age of social media.2 The film follows protagonist Kayla, a bit of a “quiet outcast,”3 as she navigates her way through the last week of middle school, trying desperately to fit in.4 Kayla’s middle school experience is similar to that of many adolescents; she is socially awkward at school and riddled with anxiety, but at home she comes alive, where she self- produces videos for her YouTube channel.5 Like many of her real life counterparts, Kayla has a crush on the resident cool kid Aiden, a classmate of hers.6 In one memorable scene, Kayla’s middle school is having an active shooter drill.7 During the drill, Kayla hears from * J.D. -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
Virtual Prostitution: New Technologies and the World's Oldest Profession David Cardiff
Hastings Communications and Entertainment Law Journal Volume 18 | Number 4 Article 6 1-1-1996 Virtual Prostitution: New Technologies and the World's Oldest Profession David Cardiff Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation David Cardiff, Virtual Prostitution: New Technologies and the World's Oldest Profession, 18 Hastings Comm. & Ent. L.J. 869 (1996). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol18/iss4/6 This Note is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Virtual Prostitution: New Technologies and the World's Oldest Profession by DAVID CARDIFF* Table of Contents I. Outline of the New Technologies .......................................... 874 II. A Brief History of the Laws Relating to Pornography ....... 877 A . Pornography in G eneral ................................................... 877 B . D ial-a-Porn C ases .............................................................. 882 C. Pornography as Prostitution Cases .................................. 887 III. Arguments For and Against Aggressive Porn R egulation ............................................................................... -
442 Final FOURTH COMMUNICATION from the COMMISSION TO
COMMISSION OF THE EUROPEAN COMMUNITIES Brussels, 17.07.2000 COM(2000) 442 final FOURTH COMMUNICATION FROM THE COMMISSION TO THE COUNCIL AND THE EUROPEAN PARLIAMENT on the application of Articles 4 and 5 of Directive 89/552/EEC "Television without Frontiers" for the period 1997-8 CONTENTS Introduction 3 I. Commission's opinion on the application of Articles 4 and 5 for the period 1997-1998 4 1. Application by EU Member States 4 1.1. Broadcasting of a majority proportion of European works. 4 1.2. Works by independent producers 9 2. Application by the Member States of the European Free Trade Area participating in the European Economic Area 11 II. Summary of reports from Member States 12 III. Summary of reports from the Member States of the European Free Trade Area that are part of the European Economic Area 61 IV. ANNEXES 65 Annex 1 : Document "Suggested new guidelines for monitoring application of Articles 4 and 5 of the "Television without frontiers" Directive 66 Annex 2 : List of European television channels, by country, not achieving the target for the proportion of European works and independent productions 71 Annex 3: Parameters used to calculate the weighted averages of broadcasts of European works by the channels of the European Union with a major audience. 77 2 INTRODUCTION This is the fourth Commission monitoring report on the application of Articles 4 and 5 of Directive 89/552/EEC1 as amended by Directive 97/36/EC2, for the years 1997 and 1998. It was drawn up on the basis of the reports sent in by the Member States concerning the application of Articles 4 and 5 over the reference period. -
Telewest Communications Is Building a National Brand. from Our History of Separate Franchises, We Are Developing a United Company Under One Name
Annual report 1996 The 4.3 million households in Telewest Communications’ seven franchise areas and three affiliate groups represent 24% of the UK homes under cable licence. Telewest is steadily building out its advanced broadband cable network. Gathering No other telecommunications system matches cable’s capacity and flexibility in delivering television and telephone services today and digital multi-media services tomorrow. CONTENTS 2 The facts & figures 4 Cable into the future 6 Chairman’s statement 8 Chief Executive’s statement 10 Operational review 24 Financial review 32 Board of directors 34 Operating statistics 36 Financial statements under UK GAAP 67 Financial statements under US GAAP 87 Five year summary 88 Shareholder information 89 Advisers 89 Glossary of terms TELEWEST COMMUNICATIONS plc • 1 Telewest Communications is playing a leading role in the development of UK communications services. A major force within a dynamic, evolving industry, Telewest made significant progress in 1996 as a leading supplier of entertainment, telecommunications and information services to UK homes and businesses. momentum • Focus on customers is unlocking value in Telewest’s network • Uniform branding and new marketing strategies are raising market penetration and revenues • Increased network size and capability are enhancing Telewest’s operating efficiency, market influence and product strength 2•TELEWEST COMMUNICATIONS plc A year of expansion has strengthened Telewest Communications’ presence in key markets. Our network is 65% built out and we achieved -
Building a Prevention Framework to Address Teen “Sexting” Behaviors
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Building a Prevention Framework to Address Teen “Sexting” Behaviors Author(s): Andrew J. Harris, PhD ; Judith Davidson ; Elizabeth Letourneau ; Carl Paternite ; Karin Tusinski Miofsky Document No.: 244001 Date Received: 10/30/2013 Award Number: 2010-MC-CX-0001 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant report available electronically. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Building a Prevention Framework to Address Teen “Sexting” Behaviors Funded by U.S. Department of Justice, Office of Justice Programs, Office of Juvenile Justice and Delinquency Prevention (OJJDP GRANT # 2010-MC-CX-0001) BUILDING A PREVENTION FRAMEWORK TO ADDRESS TEEN “SEXTING” BEHAVIORS Principal Investigator Andrew J. Harris, PhD University of Massachusetts Lowell Co-Investigators Judith Davidson, PhD University of Massachusetts Lowell Elizabeth Letourneau, PhD Johns Hopkins University Carl Paternite. PhD Miami University, Ohio Karin Tusinski Miofsky, PhD University of Hartford This project was supported by Grant No. 2010-MC-CX-0001, awarded by the Office of Juvenile Justice and Delinquency Prevention, Office of Justice Programs, U.S. Department of Justice. Points of view or opinions in this document -
Computer Winter 99
Winter 1999 Volume 17, No. 1 In the News... Editor Christopher J. Falkowski By Christopher J. Falkowski, Counsel, CSC Health Care, Inc. [email protected] and Jeremy D. Bisdorf, http://www.michbar.org/sections/computer/ Associate, Raymond & Prokop, P.C. “As it happened, the lightning struck early. The public got a taste of interactivity on the Internet’s World Wide Web and said, ‘We’re not waiting for a better solution! Let’s go’.” — Bill Gates (cofounder and chairman of Microsoft Corporation) Web Entanglements: A Copyrights Analysis of Linking on the World Wide Web By Mario J. Fiorucci Part I: Introduction This excerpt by author Stephen Wilson encapsulates the power of the Web. It is linking that makes the WWW web- In June 1998, Matrix Information and Directory Ser- like, with documents seamlessly referencing and cross-refer- vices reported that there were 102 million people access- encing each other. The result is that browsing the WWW dif- ing the Internet in the world. They estimate this number fers fundamentally from traditional means of research, in that will increase to 707 million by the year 2001.1 There is no it is inherently non-linear. Users can jump from one document doubt this astonishing growth is due in large part to the to another, following a unique course on an indirect pathway 4 World Wide Web (‘WWW’ or ‘Web’). The dramatic through cyberspace. However, WWW linking raises some in- growth the Web has experienced in recent years has teresting legal questions. Does the provision of a link impli- transformed the Internet from -
219-Page Antitrust Complaint
INTRODUCTION This action arises under federal antitrust laws in the context of the worldwide motion picture industry (the “movie industry” or the “WMPI”). Defendant LIONSGATE ENTERTAINMENT CORP. (“LIONSGATE”),1 a corporate entity of foreign origin which currently trades on the New York Stock Exchange, has become a dominant market force in the movie industry during the last five years on the strength of a fresh WMPI business model known as the “tentpole franchise.” Beginning in 2001 with the theatrical debut of the highly successful movie series Harry Potter, the tentpole franchise has proven to be the most lucrative way of doing business for largescale (i.e., billion-dollar-plus annual revenue) movie studios. This business model contemplates a series of motion pictures as one “brand” or single property under which all economic and speech activity can be consolidated, owned, controlled and monetized by the studio. But as this case demonstrates, the newfangled model – which actually has roots in 19th century popular entertainment - has the potential to threaten the existence of the already limited “Fair Use Zones” populated by independent filmmakers, parodists and other “counter-cultural” artists who create separate or derivative works that may be related to, inspired by or comment upon the pop culture events that dominate the national Cineplex and, by extension: the attitudes, perspectives and behaviors of the populace. Defendants’ anticompetitive conduct sets the benchmark example for why James Madison and Thomas Jefferson were apprehensive in the months leading up to the Philadelphia Convention about granting authors even limited copyright monopolies over their works: the 1 Defendant SUMMIT ENTERTAINMENT, LLC (“SUMMIT”) is a fully-integrated and wholly-owned division or department of LIONSGATE. -
1 Historie V/D
1 Historie v/d Rai BIBLiOTHEBx . ;..ÜV ELEKTROMDCM jaarboek 1996 Enk^red^ctie: Ad van Dongen R B Elektronica 49ste editie Technisch wetenschappelijke uitgeverij De Muiderkring B.V. Postbus 313 - 1380 AH Weesp - Nederland 1 COLOFON Bronvermelding: Alutronic, Amplimo, BRTN, CIR, Deutsche Vitrohm GmbH, Hitachi, JAES 1985, Lineair Technology, MK archief, National Scmiconduclor, NNI, NOB, PBNA, Philips, PTT, Radio Nederland, RB Elektronica, Redactie WRTH, Rutronik, Shiva DMA, Studiosound, Tclefunkcn, Texas Instruments, Van der Veen, Van Dammen Engineering, Wereldomroep en andere. Bijdragen: Johan Messchendorp KVI, Tonny Norder, Jan Brouwer c. rk c, cc* CIP-GEGEVENS KONINKLIJKE BIBLIOTHEEK, DEN HAAG Elektronica Jaarbock/samengest. door_Adrnir"önngEn, redactie RB Elek- tronica et al. Wcesp, De Muiderkring Verschijnt jaarlijks Elektronica 1996-, 49ste editie - ill. *5 \ 5 n Met reg. ISBN 90-6082-388-5 ISSN 0926-9975 NUGI 832 Trefw.: Elektronica • <^6 © 1W5- De Muidcrkring B.V. ISBN 9(£6Ö82-38Ï- DTP ComSult, Groningen mu. jlu:< Niets uit deze uitgave mag worden verveelvoudigd en/of openbaar gemaakt doormiddel van druk, fotokopie, microfilm, CD (-ROM, -I), dis kette of op welke andere wijze ook, zonder voorafgaande schriflelijke toe stemming van de uitgever. z. Persoonlijke gegevens Bibliotheek Naam: Adres: Postcode/plaats: Telefoon: Zakenadres Naam bedrijf: Adres: Postcode/plaats: Telefoon: Telefax: Waarschuwen in geval van nood Naam: Adres: 5 Postcode/plaats: Telefoon: 3 UJ Handboek U PC troubleshooting en upgrading G Welk type PC u ook bezit, dit handboek geeft antwoord op al uw reparatie- en upgradingproblemen. O Niet zomaar een reparatiehandleidmg, maar gewoon de -I ï li I I meest veelomvattende PC-ondersteuning die u kunt vin den. -
Video Games and Gender-Based Violence
Available online at www.sciencedirect.com ScienceDirect Procedia - Social and Behavioral Sciences 132 ( 2014 ) 58 – 64 6th International Conference on Intercultural Education “Education and Health: From a transcultural perspective” Video games and gender-based violence Enrique Javier Díez Gutiérreza * aUniversidad de León. Facultad de Educación 146, León 24071, España Abstract Gender-based violence is violence perpetrated against women, which is primarily or exclusively motivated by their sex, and includes both intimate partner abuse and physical or sexual assault by strangers. The aim of the present research was to investigate whether gender-based violence is depicted in the world of video games and whether video games contribute to the socialisation of young people in this regard. The methodology employed went beyond the administration of questionnaires to ascertain the perceptions of those who use video games or an analysis of the associated advertising, the habitual research strategies in this field. Rather, an analysis was conducted of the videogames themselves, examining their contents, dynamics and development, and the possibilities that they offer, etc., based on a "videographic analysis" of the variables explored. The results show that video games, which contain explicit incitements to violence, are widely available on the Internet, from the "anime", with various subgenres such as eroge and hentai, to the famous GTA, one of the best-selling video games worldwide, which contains a clear incitement to violence in the sense defined by the Comprehensive Law against Gender-Based Violence. The conclusion drawn from this research leads us to ask whether, as Amnesty International claims, we are in breach of the Convention on the Elimination of All Forms of Discrimination against Women, which requires States to take steps to remove such discrimination in all its manifestations. -
Pornotopia-Beatriz-Preciado.Pdf
Beatriz Preciado Pornotopía Arquitectura y sexualidad en «Playboy» durante la guerra fría H EDITORIAL ANAGRAMA BARCELONA Diseño de la colección: Julio Vivas y Estudio A Ilustración: Al Brulé Primera edición: mayo 2010 Primera edición mexicana: mayo 2010 ©Beatriz Preciado, 2010 © EDITORIAL ANAGRAMA, S. A., 2010 Pedro de la Creu, 58 08034 Barcelona ISBN: 978-607-7720-66-9 La presente edición ha sido realizada por convenio con Colofón S A. de C.V. Impreso en México. Acabados de Impresión y Encuadernación Fusión S. A. de C. V. Trigo 121, col. Granjas Esmeralda, 09810, Iztapalapa, México, D. F. El día 15 de abril de 2010, el jurado compuesto por Salvador Clotas, Román Gubern, Xavier Rubert de Ven tos, Fernando Savater, Vicente Verdú y el editor Jorge Herralde, concedió, por unanimidad, el XXXVIII Premio Anagrama de Ensayo a €®0$, de Eloy Fernández Porta. Resultó finalista Pornotopía, de Beatriz Preciado. ADVERTENCIA Este texto es pura ficción. Algunos de los capítulos proyectan los nombres de figuras pú blicas «reales» en unos personajes inventados y en unas situaciones inventadas. Cuando en esta obra se utilizan los nombres de empresas, de medios de comunicación o de políticos, con ellos sólo se quiere denotar personajes, imáge nes, la materia de los sueños colectivos; no de notan ni pretenden dar una información priva da de personas existentes, en carne y hueso, ni vivas, ni muertas, o nada que se le parezca. DAVID FOSTER WALLACE, La niña del pelo raro, 1989 Este proyecto surgió de una noche de insomnio. Veía la televisión, mientras intentaba dormir sin éxito en mi apartamento de Brooklyn, cuando, de repente, escuché a Hugh Hefner, el director de Playboy, la más influyente re vista para adultos del mundo, vestido con pijama, batín y zapatillas de estar en casa, hablando sobre la importancia de la arquitectura en el imperio que él mismo había crea do en 1953: palabras como «domesticidad», «liberación es pacial» o «ático de soltero» tenían una resonancia especial en el discurso de Hefner.