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Kennington Parkpark Thethe Birthplacebirthplace Ofof People’Speople’S Democracydemocracy
KenningtonKennington ParkPark TheThe BirthplaceBirthplace ofof People’sPeople’s DemocracyDemocracy StefanStefan SzczelkunSzczelkun KenningtonKennington ParkPark TheThe BirthplaceBirthplace ofof People’sPeople’s DemocracyDemocracy StefanStefan SzczelkunSzczelkun past tense Published by past tense Originally published 1997. Second edition 2005. This (third) edition 2018. past tense c/o 56a Infoshop 56 Crampton Street, London. SE17 3AE email: [email protected] More past tense texts and other material can be f ound at http://www.past-tense.org.uk http://pasttenseblog.wordpress.com https: twitter.com/@_pasttense_ https: www.facebook.com/pastensehistories The Birthplace of People’s Democracy A short one hundred and fifty years ago Kennington Common, later to be renamed Kennington Park, was host to a historic gathering which can now be seen as the birth of modern British democracy. In reaction to this gathering, the great Chartist rally of 10th April 1848, the common was forcibly enclosed and the Victorian Park was built to occupy the site. History is not objective truth. It is a selection of some facts from a mass of evidences to construct a particular view, which inevitably, reflects the ideas of the historian and their social milieu. The history most of us learnt in school left out the stories of most of the people who lived and made that history. If the design of the Victorian park means anything it is a negation of such a people’s history: an enforced amnesia of what the real Kennington Common, looking South, in 1839. On the right is the Horns Tavern; in the distance on the left is St. Marks Church. 1 importance of this space is about. -
Squatting – the Real Story
Squatters are usually portrayed as worthless scroungers hell-bent on disrupting society. Here at last is the inside story of the 250,000 people from all walks of life who have squatted in Britain over the past 12 years. The country is riddled with empty houses and there are thousands of homeless people. When squatters logically put the two together the result can be electrifying, amazing and occasionally disastrous. SQUATTING the real story is a unique and diverse account the real story of squatting. Written and produced by squatters, it covers all aspects of the subject: • The history of squatting • Famous squats • The politics of squatting • Squatting as a cultural challenge • The facts behind the myths • Squatting around the world and much, much more. Contains over 500 photographs plus illustrations, cartoons, poems, songs and 4 pages of posters and murals in colour. Squatting: a revolutionary force or just a bunch of hooligans doing their own thing? Read this book for the real story. Paperback £4.90 ISBN 0 9507259 1 9 Hardback £11.50 ISBN 0 9507259 0 0 i Electronic version (not revised or updated) of original 1980 edition in portable document format (pdf), 2005 Produced and distributed by Nick Wates Associates Community planning specialists 7 Tackleway Hastings TN34 3DE United Kingdom Tel: +44 (0)1424 447888 Fax: +44 (0)1424 441514 Email: [email protected] Web: www.nickwates.co.uk Digital layout by Mae Wates and Graphic Ideas the real story First published in December 1980 written by Nick Anning by Bay Leaf Books, PO Box 107, London E14 7HW Celia Brown Set in Century by Pat Sampson Piers Corbyn Andrew Friend Cover photo by Union Place Collective Mark Gimson Printed by Blackrose Press, 30 Clerkenwell Close, London EC1R 0AT (tel: 01 251 3043) Andrew Ingham Pat Moan Cover & colour printing by Morning Litho Printers Ltd. -
Made on Merseyside
Made on Merseyside Feature Films: 2010’s: Across the Universe (2006) Little Joe (2019) Beyond Friendship Ip Man 4 (2018) Yesterday (2018) (2005) Tolkien (2017) X (2005) Triple Word Score (2017) Dead Man’s Cards Pulang (2016) (2005) Fated (2004) Film Stars Don’t Die in Liverpool (2016) Alfie (2003) Fantastic Beasts and Where to Find Them Digital (2003) (2015) Millions (2003) Florence Foster Jenkins (2015) The Virgin of Liverpool Genius (2014) (2002) The Boy with a Thorn in His Side (2014) Shooters (2001) Big Society the Musical (2014) Boomtown (2001) 71 (2013) Revenger’s Tragedy Christina Noble (2013) (2001) Fast and Furious 6 John Lennon-In His Life (2012) (2000) Jack Ryan: Shadow Recruit Parole Officer (2000) (2012) The 51st State (2000) Blood (2012) My Kingdom Kelly and Victor (2011) (2000) Captain America: The First Avenger Al’s Lads (2010) (2000) Liam (2000) 2000’s: Route Irish (2009) Harry Potter and the Deathly Hallows (2009) Nowhere Fast (2009) Powder (2009) Nowhere Boy (2009) Sherlock Holmes (2008) Salvage (2008) Kicks (2008) Of Time in the City (2008) Act of Grace (2008) Charlie Noads RIP (2007) The Pool (2007) Three and Out (2007) Awaydays (2007) Mr. Bhatti on Holiday (2007) Outlaws (2007) Grow Your Own (2006) Under the Mud (2006) Sparkle (2006) Appuntamento a Liverpool (1987) No Surrender (1986) Letter to Brezhnev (1985) Dreamchild (1985) Yentl (1983) Champion (1983) Chariots of Fire (1981) 1990’s: 1970’s: Goin’ Off Big Time (1999) Yank (1979) Dockers (1999) Gumshoe (1971) Heart (1998) Life for a Life (1998) 1960’s: Everyone -
“We Don't Have Leaders! We're Doing It Ourselves
129 ISSN: 1755-068 www.field-journal.org vol.7 (1) “We don’t have leaders! We’re doing it ourselves!”: Squatting, Feminism and Built Environment Activism in 1970s London. Christine Wall The Feminist Design Collective, which later became the feminist architecture practice and discussion group Matrix, was founded by a group of women architects in London in 1978. It aimed to develop a feminist approach to all aspects of architectural production and also to wider built environment issues. A significant number of founder members were living in squats or short-life housing in response to a housing crisis, which emerged in the late 1960s, and as political statement against housing inequality. By the mid- 1970s London housed over 30,000 squatters, the majority in nineteenth century terraces owned by local authorities and earmarked either for demolition or rehabilitation, and which became vacant during prolonged planning and funding negotiations. In the 1980s squatting became regulated by a number of progressive Inner London Authorities as a way of mediating housing shortage and small grants were made available to organised groups of squatters for repairs. These large numbers of squatters were connected in what Vasudevan (2017) has termed ‘a radical urban social movement’. This paper uses oral history testimony to reveal a link between squatting, which allowed women to directly engage with and shape the physical fabric of their housing, and the emergence of feminist architectural theories and practice in late twentieth century Britain. 130 www.field-journal.org vol.7 (1) Introduction Squatting has long been a response to both housing need and social injustice. -
Oxford DNB: January 2020
Oxford DNB: January 2020 Welcome to the fifty-ninth update of the Oxford DNB, which adds biographies of 228 individuals who died in the year 2016 (it also includes three subjects who died before 2016, and who have been included with new entries). Of these, the earliest born is the author E.R. Braithwaite (1912-2016) and the latest born is the geriatrician and campaigner for compassionate care in health services, Kate Granger (1981- 2016). Braithwaite is one of nine centenarians included in this update, and Granger one of sixteen new subjects born after the Second World War. The vast majority (165, or 72%) were born in the 1920s and 1930s. Fifty-one of the new subjects who died in 2016 (or just under 23% of the cohort) are women. From January 2020, the Oxford DNB offers biographies of 63,693 men and women who have shaped the British past, contained in 61,411 articles. 11,773 biographies include a portrait image of the subject—researched in partnership with the National Portrait Gallery, London. As ever, we have a free selection of these new entries, together with a full list of the new biographies. The complete dictionary is available, free, in most public libraries in the UK. Libraries offer 'remote access' that enables you to log in at any time at home (or anywhere you have internet access). Elsewhere the Oxford DNB is available online in schools, colleges, universities, and other institutions worldwide. Full details of participating British public libraries, and how to gain access to the complete dictionary, are available here. -
Diplomski Skvotiranje
UNIVERZITET U BEOGRADU FAKULTET POLITICKIH NAUKA Diplomski rad: SKVOTERSKI POKRET Mentor: Apsolvent: Damjan Pavlica Docent dr. Zoran Stoiljkovic Odsek: Politikologija SADRŽAJ 1.0. Uvod...........................................................................................................................................4 2.0. Teorijski okvir ....................................................................................................................…...5 2.1. Definicija skvotiranja ..........................................................................................................5 2.2. Tipologija skvotiranja Hansa Prujita ...................................................................................5 2.2.1. Skvotiranje izazvano stambenom nestašicom ...................................................6 2.2.2. Skvotiranje kao alternativno stanovanje .............................................................7 2.2.3. Konzervacijsko skvotiranje .................................................................................7 2.2.4. Preduzetno skvotiranje .......................................................................................8 2.2.5. Politicko skvotiranje ............................................................................................8 2.3. Teorija privremenih autonomnih zona Hakima Beja ..........................................................9 3.0. Autonomni pokreti .................................................................................................................11 3.1. Nastanak -
Advisory Service for Squatters
Advisory Service for Squatters (ASS) ©Bishopsgate Institute Catalogued by Barbara Vesey, April 2014. 1 ASS Advisory Service for Squatters 1970-2012 Name of Creator: Advisory Service for Squatters Extent: 18 boxes, 1 large Mylar sleeve, 1 bundle of folders Administrative/Biographical History: The Advisory Service for Squatters is a non-profit collective of volunteer workers who provide practical advice and legal support for squatters and homeless people. Established in 1975, the organisation grew out of an earlier group called the Family Squatters Advisory Service (founded in the late 1960s). Since 1976 ASS has published The Squatters Handbook, the 13th edition of which was published in 2009. Over 150,000 copies have been sold since 1976. The Handbook offers advice on how to find property to squat in, what to do in confrontations with the police, how to maintain the property and set up temporary plumbing, and generally how to survive while squatting. According to the Advisory Service website, the Squatters' Handbook is in high demand, which speaks to the rising number of squatters in this current [2014 at the time of writing] period of global recession. ASS also has links with squatters’ rights organisations worldwide. After having a base at 2 St Paul’s Road in Islington for many years, ASS moved to premises at Angel Alley (84b Whitechapel High Street, London E1 7QX), in the same building as Freedom Press Custodial History: Deposited with Bishopsgate Institute by Myk Zeitlin, 20 March 2014. Scope and Content: Includes papers, publications, photographs, posters, leaflets, booklets, correspondence and press cuttings regarding squatting and housing protests in the UK and internationally, 1970-2012. -
Remediating the Eighties: Nostalgia and Retro in British Screen Fiction from 2005 to 2011
REMEDIATING THE EIGHTIES: NOSTALGIA AND RETRO IN BRITISH SCREEN FICTION FROM 2005 TO 2011 Thesis submitted by Caitlin Shaw In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2015 2 3 ABSTRACT This doctoral thesis studies a cycle of British film and television fictions produced in the years 2005-2011 and set retrospectively in the 1980s. In its identification and in-depth textual and contextual analysis of what it terms the ‘Eighties Cycle’, it offers a significant contribution to British film and television scholarship. It examines eighties- set productions as members of a sub-genre of British recent-past period dramas begging unique consideration outside of comparisons to British ‘heritage’ dramas, to contemporary social dramas or to actual history. It shows that incentives for depicting the eighties are wide-ranging; consequently, it situates productions within their cultural and industrial contexts, exploring how these dictate which eighties codes are cited and how they are textually used. The Introduction delineates the Eighties Cycle, establishes the project’s academic and historical basis and outlines its approach. Chapter 1 situates the work within the academic fields that inform it, briefly surveying histories and socio-cultural studies before examining and assessing existing scholarship on Eighties Cycle productions alongside critical literature on 1980s, 90s and contemporary British film and television; nostalgia and retro; modern media, history and memory; British and American period screen fiction; and transmedia storytelling. Chapter 2 considers how a selection of productions employing ‘the eighties’ as a visual and audio style invoke and assign meaning to commonly recognised aesthetic codes according to their targeted audiences and/or intended messages. -
The Machinery of Eviction
The Machinery of Eviction: Bailiffs, Power, Resistance, and Eviction Enforcement Practices in England and Wales ! Alexander George Baker ! Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Architecture, Planning, and Landscape Newcastle University January 2017 Abstract This thesis addresses a significant research gap in critical research on forced eviction. It attempts to shift focus from the experiences of the evicted, examined in previous studies, to the work of evictors and eviction enforcement. It asks how the ‘tools, technologies, strategies, and tactics’ of forced eviction develop and are implemented in England and Wales. Using qualitative interviews centred around a case study of a city in the North of England to examine the ‘everyday’ form of evictions, this thesis looks at the work of a Rent Arrears Recovery Team on the ‘Benford’ housing estate in the city, and the working lives of County Court Bailiffs at the local court as they work in the context of a national ‘housing crisis’. Interviews with third party organizations and a High Court Enforcement firm, video footage, and online accounts of large-scale evictions provided by a wide range of sources from social movements are used to explore the ‘exceptional’ forms of displacement that emerge on a national scale. This research shows that Eviction enforcement actors and specialists have to employ forms of coercion which exist on a continuum between the ‘emotional’ and the ‘physical’; these practices are underpinned by ‘intuitive’ tactics built through individual and personal histories and the historical context in which evictions take place. These strategies and tactics of eviction are shaped by the resistance of the evicted, and the development of the disciplinary institutions of eviction happens in response to this resistance, which sets the pace for the development of the capacity of the state and economy to displace. -
Television for Women: Generation, Gender and the Everyday
Television for Women: Generation, Gender and the Everyday Study submitted in part fulfilment of the requirement for the award of PhD Hazel Collie March, 2014 To be awarded by De Montfort University, and undertaken in collaboration with the University of Warwick. Sponsored by the Arts and Humanities Research Council 1 Declaration I declare that this is my own, original work and that all sources used have been cited. Name: Hazel Collie Signed: Date: 2 Abstract This study is part of the AHRC funded project “A History of Television for Women in Britain, 1947-1989”. The research is based upon the data gathered from interviews carried out with thirty geographically and generationally dispersed women about their memories of watching television in Britain between 1947 and 1989. I have used generation and gender as analytical categories, and have paid particular attention to the role of memory work in this type of historical research. This thesis aims to build upon previous work which has investigated the connection between generation and interaction with popular culture, but which has not theorised those relationships (Press, 1991; Moseley, 2002). The shifts and, indeed, continuities in the lives of different generations of British women are considered to gain a sense of the importance of generation in the production of identity. Significant differences arose between generations in terms of reflexivity and around questions of quality, value and taste as generations intersected with feminist and neoliberal cultures at different life stages. What was particularly interesting, however, was that despite the dramatic social change wrought by this post-war period, the narratives of women of different generations were surprisingly similar in terms of their everyday lives. -
Ltieorising Taw* Thesis Submitted for The
·Private and Public aspects of Trespass : Problems of 'ltieorising taW* by: P.c. Vincent-uones Thesis submitted for the degree of PhD Department of Law, Sheffield University October 1982 194 Ch. 5. Concrete p:trticular and concrete totality of law scecurirs relations of p?ssession and se~ration. (1) The concrete p:trticular (initial object): the ~l ri2ht to exclude. The concrete particular, and therefore the point of departure for con- crete analysis, is the ri9ht of the sUbject to exclude the world from interference with F?ssession of land. This is the simplest and most irreducible element of the law as it is expressed in a histor- ically determinate and socially constituted practice, at the concrete level of the Apparent movement and in the corresponding organization of legal categories •. This particular "right" is interp<;>latedwithin the structure of Society at a definite stage in its historical development in accord- ance with an economic determination yet to be specified. It may form the basis of legal claims by private individuals or non-human legal persons such as Corporations and Public Authorities (its limits are not exhaustively defined in its interpellation of human subjectsl). Yet its sphere of influence extends far beyond the resolution of dis- putes, informing the concrete practice of legal subjects in everday social situations: it is the foundation of the Company's exclusive control of production within the enterprise, and of the individual's reaction to intrusion: "Hey, you there, what do you think you're doing 1. Since not all legal subjects are "human", the mechanism of interpellation cannot completely account for their creation (requiring as it does a human "recognizing" subject.) [see Hirst, 1979/813] 195 in my garden?,,2 It is not necessary, to justify this starting-point, that legal sub- jects should "know" that their practice in relation to the possession of land is founded on this simple right, or that they be able to explain their attitudes by reference to it. -
Issue 230 Nov 16, 2017 Download
THE INDYPENDENT #230: DECEMBER 2017 • INDYPENDENT.ORG THE #METOO REVOLUTION, P10 A PUERTO RICAN JOURNEY, P12 MAVIS STAPLES’ NEW ALBUM, P17 LIFEORDER'S IN THE BELLY OF NYC’S UP! RESTAURANT BEAST BY GORDON GLASGOW, P8 GINO BARZIZZA Reverend BillY & The StOPShOPPING Choir Joe’s Pub at The Public / SUNDAYS 2PM Nov26 thru Dec17 $15 / REVBILLY.COM Dec 3rd 2 COMMUNITY CALENDAR The IndypendenT nOVeMBeR/deCeMBeR THE INDYPENDENT, INC. 388 Atlantic Avenue, 2nd Floor Brooklyn, NY 11217 212-904-1282 www.indypendent.org Twitter: @TheIndypendent facebook.com/TheIndypendent BOARD OF DIRECTORS: Ellen Davidson, Anna Gold, SUN NOV 19 Hudson Terrace LIC ART AND CONTROVERSY FRI DEC 1 Alina Mogilyanskaya, Ann 12PM–6PM • $2 suggested 621 W. 46th St. Join leading scholars and artists, 9PM–12AM • $25, 21+ Schneider, John Tarleton donation including painter and sculptor PARTY: ART AFTER DARK LIT: ZINE LAUNCH SUN NOV 26–SUN DEC 17 Audrey Flack, for an examination Join the Guggenheim Mu- EDITOR-IN-CHIEF: Got a Girl Crush — a blog and 2:30PM • $15 of how art in public spaces can seum for an after-hours evening John Tarleton annual print magazine about PERFORMANCE: REVEREND serve as a fl ash point for larger featuring a DJ performance by women, by women, for everyone BILLY AND THE STOPSHOPPING social debates. This talk is part SHYBOI (KUNQ/Discwoman) ASSOCIATE EDITOR: — is teaming up with Brooklyn's CHOIR of the ongoing exhibit, “Art in the and a private viewing of current Peter Rugh New Women Space to feature an Feeling worn down by Year One Open: Fifty Years of Public Art in exhibitions, including “Art and emerging line-up of female, fem- of the orange-haired nightmare? New York City.” Tickets available China after 1989: Theater of the CONTRIBUTING EDITORS: identifying, non-binary, transgen- Reverend Billy and the Church at mcny.org.