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Gonzo Weekly #165
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 gave it, when we said that it was his best album since Scary Monsters back in 1980. Yes, I think that it probably was, although the 2002 album Heathen gives it a run for its money, but with the benefit of hindsight, it still lacked the hallmarks of a classic David Bowie album, mainly because it didn't break new ground. Between 1969 and 1980 Bowie released thirteen studio albums which basically defined the decade. With the possible exception of Lodger which was basically bollocks, IMHO, each of these albums not only broke new ground, but was a significant advance upon the one that came before it. Bowie defined the concept of the rock star as artist, and where he led many others followed. Each of his stylistic changes spawned a hundred imitators. In the wake of Ziggy Stardust and Aladdin Sane came dozens of glam bands, most of them totally missing the point, and schoolboys across the United My dear friends, Kingdom sported Ziggy haircuts. His plastic soul period not only persuaded his loyal legions that Luther Vandross was where it was at, but also meant that the 2016 is only a couple of weeks old, but we already high street outfitters were full of Oxford Bags and have the first major cultural event of the year. -
Made on Merseyside
Made on Merseyside Feature Films: 2010’s: Across the Universe (2006) Little Joe (2019) Beyond Friendship Ip Man 4 (2018) Yesterday (2018) (2005) Tolkien (2017) X (2005) Triple Word Score (2017) Dead Man’s Cards Pulang (2016) (2005) Fated (2004) Film Stars Don’t Die in Liverpool (2016) Alfie (2003) Fantastic Beasts and Where to Find Them Digital (2003) (2015) Millions (2003) Florence Foster Jenkins (2015) The Virgin of Liverpool Genius (2014) (2002) The Boy with a Thorn in His Side (2014) Shooters (2001) Big Society the Musical (2014) Boomtown (2001) 71 (2013) Revenger’s Tragedy Christina Noble (2013) (2001) Fast and Furious 6 John Lennon-In His Life (2012) (2000) Jack Ryan: Shadow Recruit Parole Officer (2000) (2012) The 51st State (2000) Blood (2012) My Kingdom Kelly and Victor (2011) (2000) Captain America: The First Avenger Al’s Lads (2010) (2000) Liam (2000) 2000’s: Route Irish (2009) Harry Potter and the Deathly Hallows (2009) Nowhere Fast (2009) Powder (2009) Nowhere Boy (2009) Sherlock Holmes (2008) Salvage (2008) Kicks (2008) Of Time in the City (2008) Act of Grace (2008) Charlie Noads RIP (2007) The Pool (2007) Three and Out (2007) Awaydays (2007) Mr. Bhatti on Holiday (2007) Outlaws (2007) Grow Your Own (2006) Under the Mud (2006) Sparkle (2006) Appuntamento a Liverpool (1987) No Surrender (1986) Letter to Brezhnev (1985) Dreamchild (1985) Yentl (1983) Champion (1983) Chariots of Fire (1981) 1990’s: 1970’s: Goin’ Off Big Time (1999) Yank (1979) Dockers (1999) Gumshoe (1971) Heart (1998) Life for a Life (1998) 1960’s: Everyone -
Download Publication
CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts. -
Keffiyeh-Clad Heirs of Streicher
VOLUME 2 No. 9 SEPTEMBER 2002 Keffiyeh-clad heirs of Streicher Ihe atrocities of September 11 drew less slaughter gentile children to make matzos '^nan a unanimous reaction from across the for Passover. Cairo, the intellectual capital *orld. The West was divided between a of the entire Muslim cosmos, boasts Ein horror-struck majority and a minority who Shams University. Here Dr Adel Sadeq, deplored the deed but felt they could President of the Arab Psychiatrists 'understand' the perpetrators. The East Association, recently intoned this paean of •displayed a different sort of division. Some praise to suicide bombers: "As a Muslims, exemplified by the ululating professional psychiatrist, I say that the Women caught on camera in the West height of bliss comes with the end of the "3nk, rejoiced, while others professed to countdown: ten, nine, eight, seven, six, "^tect the hand of the Israeli intelligence September 11 Ground Zero five, four, three, two, one. When the service Mossad behind the atrocity. As martyr reaches 'one' and he explodes, he June 28. The article, permed by ex-editor P''oof, they cited the Saudi-manufactured has a sense of himself flying, because he Harold Evans, talked of a "dehumanisation °^ega-lie that 4,000 Jewish employees of knows for certain that he is not dead. It is a of all Jews manufactured and propagated the World Trade Center were absent from transition to another, more beautiful, throughout the Middle East and south *ork on September 11 because they had world. None in the Western world Asia on a scale and intensity that is utterly •^een tipped off. -
Snowstorm Defeats Snow Fence
Late·night b1usiness plan gets thumbs down f\. 9 ! 0 ...1 «ten !llJ• Communityr: Newspaper Company • www.allstonbrightontab.com FRIDAY, FEBRUARY 17, 2006 Vol. 10, No. 28 40 Pages 3 Sections 75¢ PIKE BARRl~R From Brighto:n to Torino? Snowstorm defeats l snow fence Residents say: I told you so EJy Audit! Guha STAFF WRITER "This was a fence put any promises and $200,000 later, a new up as a snow barrier. M snow fence built by the Well, obviously their Turnpike Authority shielding Lincoln Street from the Massa engineers didn't know chusetts Turnpike came down in what they were doing. the last snowstorm. Area resi dents who had asked for a Too bad they didn't stronger fence in the first place are upset. listen to us to put up 'The fence is a complete fail one good fence in the ure," said Allston resident Paul Berkeley, one of many residents first place." who had asked for a stronger Allston resident Paul Berkeley fence when the Turnpike Author P·IOTO BY MARK THOMSON ity proposed the new cedar one As her 9-year-old sister Angellca looks on, 7-year-old Arlana Torres sleds down a hill behind St. Columbkllle's School In Brighton on at the plans for the new fence, Monday. The girts enjoyed a day of sleddlng as most rea schools were 1:losed due to the weekend snow storm. last year. 'This was a fence put up I as a snow barrier. Well, obviously Berkeley had called it a poor one their engineers didn't know what time solution. -
Ffanzeen: Rock'n'roll Attitude with Integrity: DVD Review: “Eric Clapton: the 1960S
FFanzeen: Rock'n'Roll Attitude With Integrity: DVD Review: “Eric Clapton: The 1960s ... Page 1 of 5 Share Report Abuse Next Blog» Create Blog Sign In FFanzeen: Rock'n'Roll Attitude With Integrity Through the writings and photography of Robert Barry Francos, a view of the arts and culture, including everyday life. FRIDAY, SEPTEMBER 24, 2010 Blog Archive DVD Review: “Eric Clapton: The 1960s Review” ▼ 2010 (116) ▼ September (15) Text © Robert Barry Francos/FFanzeen, 2010 DVD Review: “The Rolling Images from the Internet Stones, 1969-1974: The Mi... Rock’n’Roll Heroes, by Carolyn Lee Boyd DVD Review: “Eric Clapton: The 1960s Review” DVD Review: “Orlok, the Vampire” in 3D, dir FW Mur... Book Review: “A Dead Boy’s Tale” by Cheetah Chrome... Oh, How They Danced... DVD Review: “I Need That Record!” DVD Review: “Night of the Living Dead: Reanimated”... Road Trip to Yellowknife, Day 9: Lac La Biche to S... Eric Clapton: The 1960s Review Directed by Alex Westbrook Road Trip to Yellowknife, Day Sexy Intellectual, 2010 8: Peace River to La... 120 minutes, USD $19.95 DVD Review: “Leonard Cohen’s Chromedreams.co.uk.com Lonesome Heroes” MVDvisual.com Road Trip to Yellowknife, Day 7: Louise Falls, NWT... When I was in school during the early ‘70s, there was some standard DVD Review: “F.A.R.T.: The bathroom graffiti, such as “Frodo Lives”, “I Grok Spock,” and “Clapton Movie” IS God.” At the time I wasn’t into Middle Earth, being a Stranger in a DVD Review: “The Monster and Strange Land, or music that much (that would start in 1975), so they the Ape” were all lost on me back then. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
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Film and the Festival of Britain sarah easen T F Britain, from 3 May to 30 September 1951, aimed to provide respite from the effects of World War II by celebrating the nation’s past achievements in the arts, industry and science, as well as looking hopefully to a future of progress and prosperity. It marked the halfway point of the century, a natural moment at which to take stock and examine advances in British society. The Director General of the Festival, Gerald Barry, promised ‘a year of fun, fantasy and colour’, an interlude of ‘fun and games’ after the long run of wartime austerity.1 Film was integral to the Festival of Britain. It related to the Festival’s three main areas of concern, the arts, industry and science. Britain’s role in international film culture had already been established by the growth of the British documentary movement since the 1930s. The Festival of Britain therefore seemed a natural place to demonstrate the fruits of British film production. The Festival of Britain site in London on the South Bank featured a purpose-built film theatre, the Telekinema, for big-screen public television broadcasts and the showing of specially commissioned Festival films.2 The Television Pavilion also displayed a brief history of the new medium. Cinemas around the nation featured seasons of classic British film- making. The exhibitions themselves also used film as a tool for expressing concepts and processes that could not easily be displayed. So film was not only a medium for the exposition of ideas within the Festival of Britain exhibitions, it also contributed to the entertainment on offer. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
The Big Question: List Prices on Catalog Product Montgomery
Jan. 4, 1975 $1.50 ART ANL bEdORDINGS DEPARTMlI YES/THE ULTIMATE CHART AgFIRMATIVE The Big Question: Here's Our Answer (Ed) Col Canada Drops List Prices On Catalog Product Racks, Retailers, Distribs Separate Meets At NARM Montgomery Named RCA Promo Chief www.americanradiohistory.com 1974 CBS Inc On his first date, Alvin "In Flight" is filled with the Lee went all the way. He superb musicianship that embarked on his new has brought Alvin to the solo career with a simull- forefront of rock 'n' roll- taneous appearance and live recording original tunes and personalized versions at London's prestigious Rainbow Theatre. of classics like "Don't Be Cruel," "Money And the results, captured on his double Honey"and"Keep A KnockinY And a surprise album, "In Flight," are phenomenal. treat: "Freedom for the Stallion." "In Flight"delighted the normally Alvin Lee & Co. are coming right conservative English critics:"the sound behind their new album with an throughout from all angles is exceptional"; extensive international tour, too. "Lee and his band are very tight, almost faultless";"Lee has never played better." Alvin Lee & Co."In Flight." PG 33187` The auspicious beginning of a great new career. On Columbia Records and Tapes THE WINTER TOUR January 16 Pittsburgh, Pa. (Syria Mosque) February 4 Miami, Fla. (Auditorium) 17 Hershey, Pa. (The Arena) 1 St. Louis, Mo. (Ambassador Theatre) 5 Charleston, S.C. (Civic Center) 18 New York, N.Y. (Academy of Music) 6 San Diego, Calif. (Civic Center) 6 Atlanta, Ga. (Municipal Auditorium) 19 Baltimore, Md. (Civic Center) 7 Long Beach, Calif.