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CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts. -
Keffiyeh-Clad Heirs of Streicher
VOLUME 2 No. 9 SEPTEMBER 2002 Keffiyeh-clad heirs of Streicher Ihe atrocities of September 11 drew less slaughter gentile children to make matzos '^nan a unanimous reaction from across the for Passover. Cairo, the intellectual capital *orld. The West was divided between a of the entire Muslim cosmos, boasts Ein horror-struck majority and a minority who Shams University. Here Dr Adel Sadeq, deplored the deed but felt they could President of the Arab Psychiatrists 'understand' the perpetrators. The East Association, recently intoned this paean of •displayed a different sort of division. Some praise to suicide bombers: "As a Muslims, exemplified by the ululating professional psychiatrist, I say that the Women caught on camera in the West height of bliss comes with the end of the "3nk, rejoiced, while others professed to countdown: ten, nine, eight, seven, six, "^tect the hand of the Israeli intelligence September 11 Ground Zero five, four, three, two, one. When the service Mossad behind the atrocity. As martyr reaches 'one' and he explodes, he June 28. The article, permed by ex-editor P''oof, they cited the Saudi-manufactured has a sense of himself flying, because he Harold Evans, talked of a "dehumanisation °^ega-lie that 4,000 Jewish employees of knows for certain that he is not dead. It is a of all Jews manufactured and propagated the World Trade Center were absent from transition to another, more beautiful, throughout the Middle East and south *ork on September 11 because they had world. None in the Western world Asia on a scale and intensity that is utterly •^een tipped off. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Theatre Archive Project Archive
University of Sheffield Library. Special Collections and Archives Ref: MS 349 Title: Theatre Archive Project: Archive Scope: A collection of interviews on CD-ROM with those visiting or working in the theatre between 1945 and 1968, created by the Theatre Archive Project (British Library and De Montfort University); also copies of some correspondence Dates: 1958-2008 Level: Fonds Extent: 3 boxes Name of creator: Theatre Archive Project Administrative / biographical history: Beginning in 2003, the Theatre Archive Project is a major reinvestigation of British theatre history between 1945 and 1968, from the perspectives of both the members of the audience and those working in the theatre at the time. It encompasses both the post-war theatre archives held by the British Library, and also their post-1968 scripts collection. In addition, many oral history interviews have been carried out with visitors and theatre practitioners. The Project began at the University of Sheffield and later transferred to De Montfort University. The archive at Sheffield contains 170 CD-ROMs of interviews with theatre workers and audience members, including Glenda Jackson, Brian Rix, Susan Engel and Michael Frayn. There is also a collection of copies of correspondence between Gyorgy Lengyel and Michel and Suria Saint Denis, and between Gyorgy Lengyel and Sir John Gielgud, dating from 1958 to 1999. Related collections: De Montfort University Library Source: Deposited by Theatre Archive Project staff, 2005-2009 System of arrangement: As received Subjects: Theatre Conditions of access: Available to all researchers, by appointment Restrictions: None Copyright: According to document Finding aids: Listed MS 349 THEATRE ARCHIVE PROJECT: ARCHIVE 349/1 Interviews on CD-ROM (Alphabetical listing) Interviewee Abstract Interviewer Date of Interview Disc no. -
Oxford DNB: January 2020
Oxford DNB: January 2020 Welcome to the fifty-ninth update of the Oxford DNB, which adds biographies of 228 individuals who died in the year 2016 (it also includes three subjects who died before 2016, and who have been included with new entries). Of these, the earliest born is the author E.R. Braithwaite (1912-2016) and the latest born is the geriatrician and campaigner for compassionate care in health services, Kate Granger (1981- 2016). Braithwaite is one of nine centenarians included in this update, and Granger one of sixteen new subjects born after the Second World War. The vast majority (165, or 72%) were born in the 1920s and 1930s. Fifty-one of the new subjects who died in 2016 (or just under 23% of the cohort) are women. From January 2020, the Oxford DNB offers biographies of 63,693 men and women who have shaped the British past, contained in 61,411 articles. 11,773 biographies include a portrait image of the subject—researched in partnership with the National Portrait Gallery, London. As ever, we have a free selection of these new entries, together with a full list of the new biographies. The complete dictionary is available, free, in most public libraries in the UK. Libraries offer 'remote access' that enables you to log in at any time at home (or anywhere you have internet access). Elsewhere the Oxford DNB is available online in schools, colleges, universities, and other institutions worldwide. Full details of participating British public libraries, and how to gain access to the complete dictionary, are available here. -
University of Huddersfield Repository
University of Huddersfield Repository Verguson, Christine Jane ‘Opting out’? nation, region and locality Original Citation Verguson, Christine Jane (2014) ‘Opting out’? nation, region and locality. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/23523/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ ‘OPTING OUT’? NATION, REGION AND LOCALITY The BBC in Yorkshire 1945-1990 CHRISTINE JANE VERGUSON A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield January 2014 Copyright statement i. The author of this thesis (including any appendices and/or schedules to this thesis) owns any copyright in it (the “Copyright”) and s/he has given The University of Huddersfield the right to use such copyright for any administrative, promotional, educational and/or teaching purposes. -
A New Voice Gold of the Pharaohs Rector Can Serve and That's Albertina
MONEY MONEY TO ALL Wl10 SELL TO ALL WHO SELL STUDENT STUDENT ASK AT THE OFACES ASK AT THE OFFICES 20p CONTENTS NEVVS • Rectorial elections • Namibian students in Edinburgh • NUS demo in London LETTERS Apathy, answers and arguments. IVIUSIC • Microdisney interview • Deacon Blue competition THE CE\'! RE FOLD Students Guide to the Rectorial Elections '88 ARTS • EUChambe~ Orchestra • Printmakers' Workshop Hear no evil .. Feel no evil ._•. Photos by Victor Steddy • Netherbow FEATURES • Fashiori in Edinburgh • An inside look at The A New Voice Gold of the Pharaohs Rector can serve and that's Albertina. He stressed tha-t as much time as possible to by Tom Bradby exactly what I'd like to be." A lbertina's campaign for doing as good a job as Rector Richard Demarco saw the Rector would be reported inthe as I would now." Despite the uninspiring sur problem in grander terms. black newspaper the New roundings of Cowan House Edinburgh as threatened by "a Nation in Soweto on Wednes likewise Steven Talbot JCR the 1988 Rectorial Hust terrifying extraordinary power, day which would help to bring would baulk no doubt concern ings got off to a brisk start with a kind of machine, quite people together and "cut down ing the commitment of Lindi some of the candidates show devilish, I would imagine, at the communication bloc way, Albertina's daughter in ing a tendency towards lengthy work, I don't want to get into kages." ca rrying out the duties of the speeches in order to get the politics here by saying it is the A member of the Demarco Rectorship; " People from point across. -
Boys Will Be Boys Mt. Kili Madness
Old Stoic Society Committee President: Sir Richard Branson (Cobham/Lyttelton 68) Vice President: THE MAGAZINE FOR OLD STOICS Dr Anthony Wallersteiner (Headmaster) Chairman: Simon Shneerson (Temple 72) Issue 5 Vice Chairman: Jonathon Hall (Bruce 79) Director: Anna Semler (Nugent 05) Members: John Arkwright (Cobham 69) Peter Comber (Grenville 70) Jamie Douglas-Hamilton (Bruce 00) breaks Colin Dudgeon (Hon. Member) two world records. Hannah Durden (Nugent 01) John Fingleton (Chatham 66) Ivo Forde (Walpole 67) Tim Hart (Chandos 92) MT. KILI MADNESS Katie Lamb (Lyttelton 06) Cricket in the crater of Mount Kilimanjaro. Nigel Milne (Chandos 68) Jules Walker (Lyttelton 82) BOYS WILL BE BOYS ’Planes buzzing Stowe. Old Stoic Society Stowe School Stowe Buckingham MK18 5EH United Kingdom Telephone: +44 (0) 1280 818349 Email: [email protected] www.oldstoic.co.uk www.facebook.com/OldStoicSociety ISSN 2052-5494 Design and production: MCC Design, mccdesign.com AR END 2015 EVENTS CAL We have endeavoured to organise a wide range of events in 2015 that will appeal to Old Stoics of all ages. To make enquiries or to book any of the events below please call the Old Stoic Office on01280 818349 or email [email protected] Full details of each event can be found at www.oldstoic.co.uk To see more photos visit the OS Event Gallery at www.oldstoic.co.uk Tuesday, 17 March 2015 Monday, 6 July 2015 Old Stoics in Hong Kong Drinks Reception, Classic Car Track Day, £350 The Hong Kong Club, Hong Kong Goodwood, West Sussex, PO18 0PH Saturday, 21 March 2015 Sunday, 12 -
The Oxford Companion to English Literature, 6Th Edition
F Faòer ffoo^r of Modem Verse, The, an anthology FABIUS (Quintus Fabius Maximus) (d. 203 BC), nick published in 1936, edited by M. *Roberts, which did named Cunctator (the man who delays taking action), much to influence taste and establish the reputations of was appointed dictator after Hannibal's crushing a rising generation of poets, including *Auden, *Mac- victory at Trasimene (217 BC). He carried on a defensive Neice, *Empson, *Graves, Dylan Thomas. In his campaign, avoiding direct engagements and harassing introduction, Roberts traces the influences of *Clough, the enemy. Hence the expression 'Fabian tactics' and G. M. *Hopkins (himself well represented), the French the name of the *Fabian Society (1884), dedicated to ^symbolists, etc. on modern poetry, defines the 'Euro the gradual introduction of socialism. pean' sensibility of such writers as T. S. *Eliot, *Pound, and * Yeats, and offers a persuasive apologia for various fable, a term most commonly used in the sense of a aspects of *Modernism which the reading public had short story devised to convey some useful moral resisted, identifying them as an apparent obscurity lesson, but often carrying with it associations of the compounded of condensed metaphor, allusion, intri marvellous or the mythical, and frequently employing cacy and difficulty of ideas, and verbal play. The poet, animals as characters. * Aesop's fables and the *'Rey- he declared, 'must charge each word to its maximum nard the Fox' series were well known and imitated in poetic value': 'primarily poetry is an exploration of the Britain by *Chaucer, *Henryson, and others, and *La possibilities of language.' Fontaine, the greatest of modern fable writers, was imitated by *Gay. -
WCF Newsletter Summer 2006
13282_WCF 21/7/06 09:12 Page 1 Silver Corn Dolly Lord Mayor’s Show Diary 2006 The Worshipful Company of Farmers PAST MASTER (2000-01) Richard Brooks joined ON 11 NOVEMBER the Company will again be join- Wednesday 16 August the Farmers Company as an Apprentice in March ing the Modern Livery Companies’ Float for the Lord Visit to Surry Docks Farm 1956 and was Clothed in 1962. He celebrated his Mayor’s Show. Any Liverymen wishing to take part in this interesting and very enjoyable day are invited fiftieth anniversary as a member by presenting the to notify the Clerk. Three places are available to join Friday 29 September July 2006 Company, via current Master Lord Plumb, with his The Master. Election of Lord Mayor and Lunch in Hall The procession usually assembles at London Newsletter own hand-made corn dolly, which he had specially silvered. Wall at 10am, follows a two mile route and finishes Tuesday 3 October about 3pm. There is a break near the Aldwych for a Installation Service and Lunch in Butchers Hall Richard - of Melton Constable, free picnic lunch and drinks. Norfolk - learned how to make The Grand Firework Display in the early evening Wednesday 8 November corn dollies as a child and is also well worthwhile watching. Joint visit to the Magic Circle found a West Country silver- smith who was able to spray Saturday 11 November Master hosts a stream of on the molten metal in a Talking turkey! Lord Mayor’s Show and Lunch in Hall vacuum to prevent the straw The Master paid a visit to the Berkshire farm of Tuesday 5 December catching fire. -
At the Playhouse Theatre
Theatre Diary 2015 There will be an interval of 20 minutes between acts. Refreshments (tea, coffee, soft drinks & alcoholic beverages) are available in the upstairs foyer. Booking Times … The box office open s the Sunday three weeks prior to opening night of each production. BOX OFFICE HOURS ARE : Saturday & Sunday 9am – 12noon Bookings can be made during these times , either at the Theatre or by calling us on 4153 1904. Pay by Credit Card (Mastercard & Visa). Tickets must always be collected at least half an hour prior to the performance. ONLINE BOOKING ... Did you know that Bundaberg Players Inc has ONLINE booking? For patrons wishing to pay by credit card you can book via the internet at www.theplayhousetheatre.org.au For more information please visit our website www.theplayhousetheatre.org.au CAST Daniel Hand – Commander Frencham Nigel Dick – Arnold Crouch Commander Frencham is a challenging character with great Nigel has performed in numerous comedies at the Playhouse complexity and nuance that definitely pulls on the heart over the years and acknowledges Ray Cooney as one of his strings…well…not really. But Dan has enjoyed the “Not Now SYNOPSIS favourite playwrights. He enjoys the frantic pace of the cleverly Darling” experience and the challenge it represents. A smaller In a London fur salon, Arnold Crouch, one of the two owners, has difficulty written script but admits that the retention of copious amounts role but by no means a small role. Enjoy the show! keeping everything afloat, while his partner, Gilbert Bodley, is off philandering. of dialogue is getting more difficult with age….Nigel hopes you Bodley decides to sell his new mistress' husband a fur coat for an extremely low enjoy the hapless yet loveable Arnold Couch…that’s Arnold with an “A” and Crouch with an “ouch”. -
Talking out of Tune
Talking Out of Tune Remembering British Theatre 1944-56 Kate Lucy Harris Ph.D. School of English Literature, Language and Linguistics University of Sheffield December 2008 1 Summary of Thesis This thesis explores how British Theatre represented and reacted to cultural and social changes between 1944 and 1956. It is closely linked to the oral history strand of the AHRC University of Sheffield British Library Theatre Archive Project <http://www.bl.ukltheatrearchive>. The five chapters focus on distinct subject areas in order to explore the vibrant diversity of the period. However, they are united by an overarching narrative which seeks to consider the relationship between memory and history. The first chapter is based on the oral history strand. It explores the different ways in which the Project's methodology has shaped both the interviewee testimony and my own research. Chapter 2 focuses on the changing historical perceptions of the popular West End plays of the day. Case studies of plays are used to compare the responses of audiences and critics in the 1940s and 50s, with the critical commentaries that surround the plays and playwrights today. The third chapter explores the relationship between BBC television drama and theatre. It assesses the impact that cross fertilisation had on both media by examining plays, productions and policies. Chapters 4 and 5 focus on two of the theatre companies of the period - Theatre Workshop and the Old Vic Theatre Company. Chapter 4 explores the impact that Theatre Workshop's early years as a touring group had on the development of the company. It draws on new oral history testimonies from former company members who joined the group in the 1940s and early 50s.