Boys Will Be Boys Mt. Kili Madness
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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Victim Assistance: Obligations and Commitments 4 Defining Victims 4
Table of Contents Executive summary 2 Victims and victim assistance: obligations and commitments 4 Defining victims 4 Victim assisstance: what is reaching communities? 5 Targeted victim assistance 5 Other frameworks with potential to benefit victims 9 Transitional justice 10 National development 10 Emergency humanitarian assistance 12 Disability rights and the CRPD 13 The role of international assistance 16 Endnotes 17 Executive summary For close to 15 years, the Monitor has tracked the impact of victim assistance on the lives of victims of landmin- es, cluster munitions, and other explosive remnants of war (hereafter “mine/ERW victims”). Over this time, the international community has strengthened its resolve to promote the rights and address the needs of victims through programs and services that are accessible and adequate in quantity, quality, availability, and consistent with the high standards set by human rights as well as other international humanitarian law. Starting as a landmark, though brief, reference in the Mine Ban Treaty, victim assistance has developed into a detailed set of legal obligations and commitments for States Parties to the Convention on Cluster Munitions, the Mine Ban Treaty and the Convention on Conventional Weapons (CCW) Protocol V. With review conferences for both the Mine Ban Treaty and the Convention on Cluster Munitions fast approaching, the time has come to take stock of victim assistance achievements to date in order to determine how best to close remaining gaps and ensure the fulfillment of victim assistance -
Air Service Newsletters 1918
PROPERTY OF 0.S.'100 ,.,'. ."~''';~ , t"',1.. :1.,•... ,"..A; A/' l .' Of'I:.J~EOF AIR FORCE HISTOR} r-:; .rfiL -:y.t / 1'rOll1 tho if£' .~ lfli"''';;.ewareDeJ;>artment nut:>.orizes the following: Irrespecti ve o f status in the draft, t>e ~Ur Service has been re- opened ro ..' i::lduc tion 0 f :,leC;:18.ni08and. of cand.idat es fo r comcu.ss i.one as " pi lots, bomber-a, observer s an d b8.11ool1ists, z,fter havi ng been. closed EW..oSptfor,a few isolated cLas se s for tile ;?c\st s1::: month s , The fast moving overseas of 2.11' s quad ...~ons, ~?lanes, motors and mate:;'1ial for Junerio8.n airclr<:nnes, fields, and asscl.lb1y :;;>151ts in :i<'rai'lce and E'l1g1and, together with the cOlW,?letion here of 29 flyu-€: :fields, 1200 de Ha'iilar.d 1::>lanes,6000 Mbe:dy motors, 't.l0 parts for ti"le first heavy l1igl:.t bombers, 6pOO trainii'lG planes and 12,500 tro.ini:1C e11c;i11oS,ha s led to the necessity of increasi:'Jg bOt}l tlle coranuas Loned 8:...10. tJJ8 enlis ted ~:~ersonne'l, in 0 rder to m~1nte.in full streng'th in ells count ry and continue t~le nec es sary flow . overseas. As e. r esu l t tl::,e Air Se::,'vice, alone, is now lia Lf as large agD,in as . the whole-,~i1e:dc8.ll )-l":';),y was at ti:e out'bre8Jc of 'Vlar. Ci viJ.iaYts have no t been gi ven an o))orttlni t'~T to ql.lalif;y as :9ilots since last L:ar'cl1. -
Spirit of Africa
FULL SCORE Spirit of Africa For Soprano Soloist, SATB Choir and Chamber Orchestra Photo: David Fanshawe, East Africa Music: Liz Lane Words: Jennifer Henderson Spirit of Africa Programme note Spirit of Africa is written as a companion piece to David Fanshawe’s African Sanctus and is inspired by the colours and symbolic meanings of the flags of Egypt, Sudan, Uganda and Kenya, the countries visited by David during his travels recording music for African Sanctus in 1969-1973. The words and music of the five movements trace a journey through the day, with the colour white for daybreak mist, green for morning freshness, red for midday heat, gold for sunset and black for night; each with its own mood and character, hopes and fears. Spirit of Africa is dedicated to David and his wife Jane. Liz Lane and Jennifer Henderson, May 2012 www.lizlane.co.uk 1. Promise of daybreak veiled in the early mist, hidden in shadows that cling to the night; Earth turning slowly toward a new journey into the morning, unknown, beyond sight. Birdsong dispelling the silence of waiting, lifting the darkness with wings taking flight; spray from the waterfall showering diamonds, carving the rock face with ribbons of white. Sweet is the air in the breath of the morning, spirit of purity, radiant light! 2. Dance, my friends, dance with the Earth, dance with the spring time of the year’s rebirth; dance with the sunshine, dance with the breeze, dance with the butterflies, dance with the bees. Sing, my friends, sing with the hills, sing with the river the rain cloud fills; sing with the green grass, sing with the trees, sing with the birds and the fish in the seas. -
Dairy Farm Byre HILLESDEN • BUCKINGHAMSHIRE View from the Front of the House
Dairy Farm Byre HILLESDEN • BUCKINGHAMSHIRE View from the front of the house Dairy Farm Byre HILLESDEN • BUCKINGHAMSHIRE Approximate distances: Buckingham 3 miles • M40 (J9) 9 miles • Bicester 9 miles Brackley 10 miles • Milton Keynes 14 miles • Oxford 18 miles. Recently renovated barn, providing flexible accommodation in an enviable rural location Entrance hall • cloakroom • kitchen/breakfast room Utility/boot room • drawing/dining room • study Master bedroom with dressing room and en suite bathroom Bedroom two and shower room • two further bedrooms • family bathroom Ample off road parking • garden • car port SAVILLS BANBURY 36 South Bar, Banbury, Oxfordshire, OX16 9AE 01295 228 000 [email protected] Your attention is drawn to the Important Notice on the last page of the text DESCRIPTION Entrance hall with double faced wood burning stove,(to kitchen and entrance hall) oak staircase to first floor, under stairs cupboard and limestone flooring with underfloor heating leads through to the large kitchen/breakfast room. Beautifully presented kitchen with bespoke units finished with Caesar stone work surfaces. There is a Britannia fan oven, 5 ring electric induction hob, built in fridge/freezer. Walk in cold pantry with built in shelves. East facing oak glass doors lead out onto the front patio capturing the morning sun creating a light bright entertaining space. Utility/boot room has easy access via a stable door, to the rear garden and bbq area, this also has limestone flooring. Space for washing machine and tumble dryer. Steps up to the drawing/dining room with oak flooring, vaulted ceiling and exposed wooden beam trusses. This room has glass oak framed doors leading to the front and rear west facing garden. -
Keralda/India) Ecology and Landscape in an Isolated Indian National Park Photos: Ian Lockwood
IAN LOCKWOOD Eravikolam and the High Range (Keralda/India) Ecology and Landscape in an Isolated Indian National Park Photos: Ian Lockwood The southern Indian state of Kerala has long been recognized for its remarkable human development indicators. It has the country’s highest literary rates, lowest infant mortality rates and highest life expectancy. With 819 people per km2 Kerala is also one of the densest populated states in India. It is thus surprising to find one of the India’s loneliest and least disturbed natural landscapes in the mountainous region of Kerala known as the High Range. Here a small 97 km2 National Park called Eraviku- lam gives a timeless sense of the Western Ghats before the widespread encroachment of plantation agriculture, hydro- electric schemes, mining and human settlements. he High Range is a part of the Western Ghats, a heterogeneous chain of mountains and hills that separate the moist Malabar and Konkan Coasts from the semi-arid interiors of the TDekhan plateau. They play a key role in direct- ing the South Western monsoon and providing water to the plateau and the coastal plains. Starting at the southern tip of India at Kanyakumari (Cape Comorin), the mountains rise abruptly from the sea and plains. The Western Ghats continue in a nearly unbroken 1,600 km mountainous spine and end at the Tapi River on the border between Maharashtra and Gujarat. Bio- logically rich, the Western Ghats are blessed with high rates of endemism. In recent years as a global alarm has sounded on declining biodiversity, the Western Ghats and Sri Lanka have been designated as one of 25 “Global Biodiversity Hotspots” by Conservation Inter- national. -
AFRICAN SANCTUS Für Sopran, Chor, Instrumentalensemble Und Tonband Yvonne Friedli • Ölberg-Chor • Ingo Schulz Livemitschnitt Vom 19
David Fanshawe (*1942) AFRICAN SANCTUS für Sopran, Chor, Instrumentalensemble und Tonband Yvonne Friedli • Ölberg-Chor • Ingo Schulz www.emmaus.de Livemitschnitt vom 19. u. 20.5.2006, Emmaus-Kirche, Berlin-Kreuzberg „One World, one Music“ David Fanshawe (*1942): African Sanctus für Sopran, Chor, Instrumentalensemble und Tonband David Fanshawe ist Komponist, Forscher, Musikethnologe, Fotograf und Autor. Er hat zahlreiche internationale Auszeichnungen erhalten. Begonnen hat seine Karriere mit der Filmmontage, später dann wandte er sich am Royal College of Music mit John Lambert dem Studium der Komposition zu. 1970 fand er internationale Anerkennung mit Salaams, einem Werk, das auf Rhythmen der Perlenfischer von Bahrain aufbaut. Andere Konzertstücke: Fantasy on Dover Castle, Requiem for the Children of Aberfan, The Awakening, Dona Nobis Pacem. Neben Gesangsstücken hat er auch die Filmmusik für über 30 Filme und TV-Produktionen komponiert. Eine geglückte Mischung aus Musik und Reisen prägt seine sehr eigenen Werke. Seiner 10 Jahre dauernden Odyssee durch die Inseln des Pazifischen Ozeans verdanken wir unzählige Filme, Dias und handgeschriebene Hefte, die uns die Musik und mündlich überlieferten Traditionen Polynesiens, Mikronesiens und Melanesiens vermitteln. Heute lebt er in Wiltshire / Großbritannien................................ African Sanctus ist eine unorthodoxe Fassung der lateinischen Messe, in Einklang gebracht mit traditioneller afrikanischer Musik, die der Komponist auf seinen Nilreisen (1969-1973) aufgenommen hat. David Fanshawe reiste 1960 das erste Mal nach Afrika. Ihn bewegte die Idee, ein großes Werk zu komponieren, das seine Liebe zum Reisen, zum Abenteuer und zur Tonbanddokumentation vereinen sollte..................... In Kairo, auf dem Hügel der Zitadelle stehend und über den Nil blickend, hatte er zum ersten Mal die Vorstellung einer ungewöhnlichen Kombination von westlicher Chormusik mit dem Gebetsruf des islamischen Muezzin. -
The Four Iron Steamships of William Alexander Lewis Stephen Douglas – Hamilton
The Four Iron Steamships of William Alexander Lewis Stephen Douglas – Hamilton. KT 12th Duke of Hamilton, 9th Duke of Brandon, 2nd Duke of Châtellerault Second Edition. 1863 Easton Park, Suffolk, England (Demolished 1925) Hamilton Palace, Scotland (Demolished 1927) Brian Boon & Michel Waller Introduction The families residing in the village of Easton, Suffolk experienced many changing influences over their lives during the 92 year tenure of four generations of the Hamilton family over the 4,883 acre Easton Park Estate. The Dukes of Hamilton were the Premier Dukedom of Scotland, owning many mansions and estates in Scotland together with other mining interests. These generated considerable income. Hamilton Palace alone, in Scotland, had more rooms than Buckingham Palace. Their fortunes varied from the extremely wealthy 10th Duke Alexander, H.M. Ambassador to the Court of the Czar of Russia, through to the financial difficulties of the 12th Duke who was renowned for his idleness, gambling and luxurious lifestyle. Add to this the agricultural depression commencing in 1870. On his death in 1895, he left debts of £1 million even though he had previously sold the fabulous art and silver collections of his grandparents. His daughter, Mary, then aged 10 inherited Easton and the Arran estates and remained in Easton, with the Dowager Duchess until 1913 when she married Lord Graham. The estates were subsequently sold and the family returned to Arran. This is an account of the lives of the two passenger paddle steamers and two large luxury yachts that the 12th Duke had built by Blackwood & Gordon of Port Glasgow and how their purchase and sales fitted in with his varying fortunes and lifestyle. -
UNLV Magazine UNLV Publications
UNLV Magazine UNLV Publications Spring 1994 UNLV Magazine Barbara Cloud University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/unlv_magazine Part of the Arts and Humanities Commons, Curriculum and Instruction Commons, Curriculum and Social Inquiry Commons, and the Social and Behavioral Sciences Commons Repository Citation Cloud, B. (1994). UNLV Magazine. In S. DiBella (Ed.),, UNLV Magazine, 2(2), 1-17. Available at: https://digitalscholarship.unlv.edu/unlv_magazine/40 This Magazine is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Magazine in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Magazine has been accepted for inclusion in UNLV Magazine by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. es Part()f~at~akes UNLV A National Flagship University JUCG lhe Physics Department knows about motion: it's moving into a $9.2 million, 65,000-square- foot facility that's nothing short of state-of-the-art. .. What's inside that building is even more impressive. Bright students learning from brilliant teachers, teachers specializing in extragalactic astronomy, condensed matter theory, and atomic and molecular theory. \~ Maybe that's why anyone - student or teacher - who's serious about physics is serious about UNLV. -
Download Publication
CONTENTS History The Council is appointed by the Muster for Staff The Arts Council of Great Britain wa s the Arts and its Chairman and 19 othe r Chairman's Introduction formed in August 1946 to continue i n unpaid members serve as individuals, not Secretary-General's Prefac e peacetime the work begun with Government representatives of particular interests o r Highlights of the Year support by the Council for the organisations. The Vice-Chairman is Activity Review s Encouragement of Music and the Arts. The appointed by the Council from among its Arts Council operates under a Royal members and with the Minister's approval . Departmental Report s Charter, granted in 1967 in which its objects The Chairman serves for a period of five Scotland are stated as years and members are appointed initially Wales for four years. South Bank (a) to develop and improve the knowledge , Organisational Review understanding and practice of the arts , Sir William Rees-Mogg Chairman Council (b) to increase the accessibility of the art s Sir Kenneth Cork GBE Vice-Chairma n Advisory Structure to the public throughout Great Britain . Michael Clarke Annual Account s John Cornwell to advise and co-operate wit h Funds, Exhibitions, Schemes and Awards (c) Ronald Grierson departments of Government, local Jeremy Hardie CB E authorities and other bodies . Pamela, Lady Harlec h Gavin Jantje s The Arts Council, as a publicly accountable Philip Jones CB E body, publishes an Annual Report to provide Gavin Laird Parliament and the general public with an James Logan overview of the year's work and to record al l Clare Mullholland grants and guarantees offered in support of Colin Near s the arts. -
Keffiyeh-Clad Heirs of Streicher
VOLUME 2 No. 9 SEPTEMBER 2002 Keffiyeh-clad heirs of Streicher Ihe atrocities of September 11 drew less slaughter gentile children to make matzos '^nan a unanimous reaction from across the for Passover. Cairo, the intellectual capital *orld. The West was divided between a of the entire Muslim cosmos, boasts Ein horror-struck majority and a minority who Shams University. Here Dr Adel Sadeq, deplored the deed but felt they could President of the Arab Psychiatrists 'understand' the perpetrators. The East Association, recently intoned this paean of •displayed a different sort of division. Some praise to suicide bombers: "As a Muslims, exemplified by the ululating professional psychiatrist, I say that the Women caught on camera in the West height of bliss comes with the end of the "3nk, rejoiced, while others professed to countdown: ten, nine, eight, seven, six, "^tect the hand of the Israeli intelligence September 11 Ground Zero five, four, three, two, one. When the service Mossad behind the atrocity. As martyr reaches 'one' and he explodes, he June 28. The article, permed by ex-editor P''oof, they cited the Saudi-manufactured has a sense of himself flying, because he Harold Evans, talked of a "dehumanisation °^ega-lie that 4,000 Jewish employees of knows for certain that he is not dead. It is a of all Jews manufactured and propagated the World Trade Center were absent from transition to another, more beautiful, throughout the Middle East and south *ork on September 11 because they had world. None in the Western world Asia on a scale and intensity that is utterly •^een tipped off. -
In 2021 I Want to Page 20
Reader-Supported News for Philipstown and Beacon IN 2021 I WANT TO PAGE 20 JANUARY 1, 2021 Celebrating 10 Years! Support us at highlandscurrent.org/join COVID ‘Long-Haulers’ Some survivors report 19 are symptom-free within a few weeks, Weaver is a so-called “long-hauler,” a chronic health problems subset of coronavirus survivors who expe- rience sometimes-severe fatigue, muscle By Leonard Sparks aches, shortness of breath, difficulty inda Weaver’s bout with COVID-19 concentrating, forgetfulness and dozens has been longer than most. of other symptoms months after the initial For months after fighting body acute-illness period of roughly two weeks. L A telephone survey by the Centers for aches, fever, neck pain and fatigue as the virus ravaged her body during its initial Disease Control and Prevention of COVID- infection back in late-March, the Cold 19 patients released in July showed that 35 Spring resident fended off recurring health percent reported they had not returned to problems: forgetfulness, mental “foggi- their pre-virus health two to three weeks ness” and fatigue so profound she told her after being tested, including 26 percent business partner she might be unable to of respondents 18-to-34 years old and 47 work some days. percent of those 50 and older. “I’ll be sitting at my desk at my home and A survey of “long-haulers” conducted I just can’t stay awake,” said Weaver, 68, a by an Indiana University School of Medi- cine researcher and the grassroots support talent agent for voice-over artists. “I am so George Hustis Jr.