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UA-LA958-I Featuring ^ “Days Gone Down On United Artists Records in .C 1979 LIBERTY UNITED RECORDS. INC . LOS ANGELES CALIFORNIA 90028 UNITED ARTISTS RECORDS IS A TRADING NAM.F VOLUME XLI — NUMBER 3 — JUNE 2, 1979 FHE INTERNATIONAL MUSIC RECORD WEEKLY C4SH GEORGE ALBERT President and Publisher ? 5 MEL ALBERT “An Apple A Day Vice President and General Manager EDITORML CHUCK MEYER value. billboard. Director of Marketing Records are your best entertainment DAVE FULTON With near unanimous agreement that the Considering that consumers are looking for the In Chief Editor aforementioned maxim is true, it is time to let others most for their money, the time is right to let them J.B. CARMICLE realize this secret. know the investment value of music. With minimal General Manager. East Coast And the great hook to this is that it can be done care, a consumer can spend $4-6and haveawork of JIM SHARP Director, Nashville without a costly advertising campaign which also re- art for a lifetime. East Coast Editorial quires executives from various labels to agree to a This simple program needs to be coordinated KEN TERRY East Coast Editor CHARLES PAIKERT budget and a creative approach. Quite simply, a through the RIAA or another industry organization LEO SACKS AARON FUCHS series of phone calls and verbal agreements are all that will take the initiative to promote the concept to West Coast Editorial that is needed. the manufacturers. In a matter of days, the plan ALAN SUTTON. West Coast Editor JOEY BERLIN — RAY TERRACE Whenever a manufacturer advertises his albums, could be instituted. COOKIE AMERSON — MARC CETNER MICHAEL GLYNN — RICHARD IMAMURA be it in print, or on radio or television, simply include Educating the buyer is a continual process and FRANK SANELLO the statement, “Records are your best entertain- the constant reinforcement of records tied to value Research KEN KIRKWOOD. Manager ment value.” It can be added vocally to the end of a can only increase sales and create a better image for BILL FEASTER — LEN CHODOSH MARK ALBERT — SEAN THOMAS radio or TV spot and at the bottom of a print ad or the industry in general. JACK CHIPMAN — MARTIN SOBOL HARALD TAUBENREUTHER Nashville Editorial/Research BOB CAMPBELL KEN WOODS DENISE MEEK JENNIFER BOHLER Art Director ews highlight LARRY CRAYCRAFT 3 Circulation N THERESA TORTOSA. Manager • Product “sell-through” key to most summer sales campaigns PUBLICATION OFFICES NEW YORK (page 7). 1775 Broadway. N.Y.. N.Y. 10019 Phone: (212) 586-2640 • Recently formed labels charting with new and re-emerging ar- Cable Address: Cash Box NY Telex: 666123 tists (page 7). CALIFORNIA 6363 Sunset Blvd. (Suite 930) • Korvettes continues lowballing as other retailers react with Hollywood. Ca. 90028 Phone: (213) 464-8241 price cuts (page 7). NASHVILLE 21 Music Circle East. Nashville. Tenn 37203 • Tom Petty files Chapter XI petition for reorganization of debts Phone: (615) 244-2898 CHICAGO (page 7). CAMILLE COMPASIO, Coin Machine. Mgr 1424 S. 61st Ct.. Cicero IL 60650 • Ullanda performs at Ocean Records christening party (page 8). Phone: 863-7440 (312) • WASHINGTON, D.C. “An Evening Of Magic, Chuck Mangione Live AtThe Hollywood JOANNE OSTROW 4201 Massachusetts Ave.. NW Bowl” and “Monolith” by Kansas are top Cash Box Album Picks Washington. D C. 20016 UNITED KINGDOM — NICK UNDERWOOD" (page 17). 25 Denmark St.. London WC 2 England • Phone: 01-836-1362/01-836-4188 “Vengeance” by Carly Simon and James Taylor’s “Up On The MIGUEL SMIRNOFF Roof” are top Cash Box Singles Picks (page 20). Director Of South American Operations ARGENTINA — MIGUEL SMIRNOFF Belqrano 3252, Piso 4 "B” Buenos Aires. Argentina Phone: 89-6796 — BRASIL TOP POP DEBUTS Pandisc-Madison Brizzi Neto RVA Conselheiro Crispiniano, 344 4 Ander Sala 406 — Sao Paula, Brasil 62 DAYS GONE DOWN — Gerry Rafferty — United Artists PHONE: 222-9312/223-8907 SINGLES CANADA — KIRK LaPOINTE 56 Brown's Line 61 STATE OF SHOCK — Ted Nugent— Epic Toronto. Ontario. Canada M8W 359 ALBUMS Phone: (416) 251-1283 HOLLAND — CONSTANT MEYERS P.O. Box 7485 1007 JL Amsterdam. Holland POP SINGLE POPABUM Phone: 020-767472 NUMBER ITALY — GUIDO HARARI HOT STUFF BREAKFAST IN AMERICA via Forze Armate. 260 (II C) 20152 Milan, Italy Donna Summer Supertramp Phone: 02-45-65-065 Casablanca A&M SPAIN— ANGEL ALVAREZ Lopez de Hoyos 178. 5 CD Madrid — 2 Spain Phone: 415 23 98 R&B SINGLE v/INCO R&BABUM AUSTRALIA — ALLAN WEBSTER 4 Stanley Street Richmond. Victoria. Australia 3121 AIN’T NO STOPPIN’ US NOW WE ARE FAMILY JAPAN — Adv. Mgr., SACHIO SAITO McFadden & Whitehead Sister Sledge Editorial Mgr.. KOZO OTSUKA Cotillion/Atlantic 3rd Floor of Chuo-Tatemono bldg. Phila. International/CBS 2-chome, 11-1, Shinbashi. Minato-ku, Tokyo Japan, 105 A Phone: 504-1651 j FRANCE — MS. DILEK KOC COUNTRY SINGLE COUNTRY ABUM 12 Boulevard Exelmans Paris. France 75016 Phone: 524-4784 WHEN 1 DREAM GREATEST HITS WEST GERMANY — GERHARD AUGUSTIN Crystal Gayle Waylon Jennings Herzog Rudolf Str. 3 United Artists RCA 8 Munich 22 Phone: 221363 v Telex: 5-29378 , SUBSCRIPTION RATES $80 per year anywhere in JAZZ DISCO 1 the U.S.A. Published weekly by CASH BOX, 1775 i i Broadway, New York, N.Y. 10019. Printed in the U S A. Second class postage paid at New York, N.Y., PARADISE RING MY BELL and additional mailing offices. Copyright 1979 by the Grover Washington Jr. Cash Box Publishing Co., Inc. All rights reserved. Anita Ward Copyriqht under Universal Copyright Convention. Elektra TK POSTMASTER: Send form 3579 to CASH BOX, 1775 — Broadway, New York, N.Y. 10019. Donna Summer © June 2, 1979 Weeks Weeks Weeks On On On 5/26 Chart 5/26 Chart 5/26 Chart 1 HOT STUFF GOOD TIMIN’ ONE WAY OR ANOTHER DONNA SUMMER (Casablanca NB 978) THE BEACH BOYS (Caribou/CBS ZS8 9020) 39 6 BLONDIE (Chrysalis CHS 2336) — 1 2 REUNITED AIN’T NO STOPPIN’ US SAD EYES PEACHES & HERB (MVP/Polydor PD 14547) NOW* ROBERT JOHN (EMI America P-8015) 78 3 3 WE ARE FAMILY McFADDEN S WHITEHEAD NO TIME TO LOSE SISTER SLEDGE (Cotillion/Atlantic 44251) (Phila. Irrternational/CBS ZS8 3681) 44 6 TARNEY/SPENCER BAND (ASM 2124) 75 3 4 LOVE YOU INSIDE OUT BAD GIRLS* GO WEST* BEE GEES (RSO RS 925) DONNA SUMMER (Casablanca NB 988) 51 2 VILLAGE PEOPLE (Casablanca NB 984) 85 2 5 HEART OF GLASSY SHAKEDOWN CRUISE WEEKEND BLONDIE (Chrysalis CHS 2295) JAY FERGUSON (Asylum E-46041) 42 5 WET WILLIE (Epic 8-50714) 84 2 6 JUSTJ WHEN I NEEDED YOU SUCH A WOMAN PEOPLE OF THE SOUTH TYCOON (Arista AS 0398) 21 13 MOST51 WIND RANDY VANWARMER (Bearsville BSS 0334) GOLD KANSAS (Kirshner/CBS ZS8 4284) — 1 JOHN STEWART (RSO RS 931) 54 3 7 SHAKE YOUR BODY (DOWN IS SHE REALLY GOING OUT TO THE GROUND) WHAT A FOOL BELIEVES* WITH HIM? THE JACKSONS (Epic 8-50656) DOOBIE BROTHERS JOE JACKSON (ASM 2132) 81 4 (Warner Bros. WBS 8725) 15 19 a8 THE LOGICAL SONG IF YOU CAN’T GIVE ME SUPERTRAMP (ASM 2128-S) DOES YOUR MOTHER LOVE 9 IN THE NAVY KNOW SUZI QUATRO (RSO RS 929) 86 2 ABBA (Atlantic 3574) 62 3 VILLAGE PEOPLE (Casablanca NB 973) UP ON THE ROOF YOU CAN’T CHANGE THAT JAMES TAYLOR (Columbia 3-11005) — 1 10 DISCO NIGHTS (ROCK RAYDIO (Arista AS 0399) 50 7 FREAK) (YOU REALLY) ROCK ME SATURDAY NIGHT, NICK GILDER (Chrysalis CHSi 2332)2 87 G.Q. (Arista AS 0388) 11 SUNDAY MORNING* BUSTIN’ OUT 11 GOODNIGHT TONIGHTS THELMA HOUSTON (Motown T-54297) 46 11 RICK JAMES (GordyG 7167F) 79 3 WINGS (Columbia 3-10939) 7 IT MUST BE LOVE MAKE LOVE TO ME 12 CHUCK E.’S IN LOVE ALTON McCLAIN & DESTINY HELEN REDDY (Capitol P-4712) 80 3 RICKIE LEE JONES (Polydor PD 14523) 47 10 (Warner Bros. WBS 8825) 19 CHURCH OLD TIME ROCK & ROLL BOB WELCH (Capitol P-4719) 88 2 13 SHE BELIEVES IN ME BOB SEGER & tHE SILVER BULLET BAND IF I SAID YOU A KENNY ROGERS (Capitol P-4702) 34 9 HAD (United Artists UA-X1273-Y) 22 GEORGY PORGY BEAUTIFUL BODY WOULD 14 AIN’T LOVE A BITCH TOTO (Columbia 3-10944) 52 6 YOU HOLD IT AGAINST ME ROD STEWART (Warner Bros. WBS 8810) 16 BELLAMY BROTHERS 15 YOU TAKE MY BREATH TAKE ME HOME (Warner/Curb WBS 8790) 89 2 AWAY CHER (Casablanca NB 965) 26 17 HEAD FIRST REX SMITH (Columbia 3-10908) 23 I CAN’T STAND IT NO MORE THE BABYS (Chrysalis CHS 2323) — 1 PETER FRAMPTON (ASM 2148) 64 2 16 ROCK N' ROLL FANTASY STAR LOVE BAD COMPANY WISH I COULD FLY (LIKE CHERYL LYNN (Columbia 3-10907) 65 7 (Swan Song/Atlantic SS 70119) 17 11 SUPERMAN) MARRIED MEN 17 LOVE TAKES TIME THE KINKS (Arista AS 0409) 57 5 BETTE MIDLER (Atlantic 3582) — 1 ORLEANS (Infinity INF-50.006) 12 11 HEART OF THE NIGHT SINCE I DON’T HAVE YOU POCO (MCA 41023) 61 4 ART GARFUNKEL (Columbia 3-10999) — 1 18 RENEGADE STYX (ASM 2110-S) 18 12 DON’T EVER WANNA LOSE ONE MORE MINUTE SAINT TROPEZ (Butterfly FLY 41080) 70 6 19 DEEPER THAN THE NIGHT YA NEW ENGLAND (Infinity INF-50,013) 60 5 OLIVIA NEWTON-JOHN (MCA MCA-41008) 20 8 MY LOVE IS MUSIC SPACE (Casablanca NB 974) 67 6 20 MINUTE BY MINUTE MUSIC BOX DANCER DOOBIE BROTHERS FRANK MILLS (Polydor PD 14517) 36 19 WASN’T IT GOOD* — 1 (Warner Bros. WBS 8828) 27 DANCE AWAY CHER (Casablanca NB 987) 21 BOOGIE WONDERLAND ROXY MUSIC (Atco 7100) 56 7 EASY TO BE HARD © EARTH. WINDS FIRE WITH THE EMOTIONS BLOW AWAY CHERYL BARNES (RCA JH-11548) 90 3 (ARC/Columbia 3-10956) GEORGE HARRISON YOU’RE MY WEAKNESS (Dark Horse/Warner Bros DRC 37 15 22 RING MY BELL* 8763) FAITH BAND (Mercury 74068) — 1 ©© ANITA WARD (Juana/TK 3422) CAN’T SLEEP LOVE IS FOR THE BEST IN 23 HONESTY ROCKETS (RSO RS 926) 58 7 US BILLY JOEL (Columbia 3-10959) I WAS MADE FOR LOVIN’ JAMES WALSH GYPSY BAND 24 MAKIN’ IT YOU* (RCA JH-11480) 91 3 DAVID NAUGHTON (RSO RS 916) KISS (Casablanca NB 983) 77 2 92 STUMBLIN’ IN 25 GET USED TO IT DANCIN’ FOOL SUZI QUATRO 8 CHRIS NORMAN ROGER VOUDOURIS FRANK ZAPPA (Zappa/Phonogram Z-10) 45 8 (RSO RS 917) 43 19 ((Warner Bros WBS 8762) 25 DO IT OR DIE 93 I WANT YOUR LOVE* CHIC (Atlantic 3557) 48 17 26 I WANT YOU TO WANT ME ATLANTA RHYTHM SECTION CHEAP TRICK (Epic (BGO/Polydor PD 14568) 74 2 8-50680) 31 94 I GOT MY MIND MADE UP 27 SHINE A LITTLE LOVE SHADOWS IN THE (YOU CAN GET IT GIRL)* ELECTRIC LIGHT ORCHESTRA MOONLIGHT INSTANT FUNK (Salsoul/RCA S7 2078) 53 15 (Jet/CBS ZS8 5057) 33 ANNE MURRAY (Capitol P-4716) 72 3 95 LOVE BALLAD 28 (IF LOVING YOU IS WRONG) HE’S THE GREATEST GEORGE BENSON (Warner Bros.
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    FFanzeen: Rock'n'Roll Attitude With Integrity: DVD Review: “Eric Clapton: The 1960s ... Page 1 of 5 Share Report Abuse Next Blog» Create Blog Sign In FFanzeen: Rock'n'Roll Attitude With Integrity Through the writings and photography of Robert Barry Francos, a view of the arts and culture, including everyday life. FRIDAY, SEPTEMBER 24, 2010 Blog Archive DVD Review: “Eric Clapton: The 1960s Review” ▼ 2010 (116) ▼ September (15) Text © Robert Barry Francos/FFanzeen, 2010 DVD Review: “The Rolling Images from the Internet Stones, 1969-1974: The Mi... Rock’n’Roll Heroes, by Carolyn Lee Boyd DVD Review: “Eric Clapton: The 1960s Review” DVD Review: “Orlok, the Vampire” in 3D, dir FW Mur... Book Review: “A Dead Boy’s Tale” by Cheetah Chrome... Oh, How They Danced... DVD Review: “I Need That Record!” DVD Review: “Night of the Living Dead: Reanimated”... Road Trip to Yellowknife, Day 9: Lac La Biche to S... Eric Clapton: The 1960s Review Directed by Alex Westbrook Road Trip to Yellowknife, Day Sexy Intellectual, 2010 8: Peace River to La... 120 minutes, USD $19.95 DVD Review: “Leonard Cohen’s Chromedreams.co.uk.com Lonesome Heroes” MVDvisual.com Road Trip to Yellowknife, Day 7: Louise Falls, NWT... When I was in school during the early ‘70s, there was some standard DVD Review: “F.A.R.T.: The bathroom graffiti, such as “Frodo Lives”, “I Grok Spock,” and “Clapton Movie” IS God.” At the time I wasn’t into Middle Earth, being a Stranger in a DVD Review: “The Monster and Strange Land, or music that much (that would start in 1975), so they the Ape” were all lost on me back then.
  • The Guardian, May 8, 1979

    The Guardian, May 8, 1979

    Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 5-8-1979 The Guardian, May 8, 1979 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1979). The Guardian, May 8, 1979. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. WSUprofessors elected to OAS fellowship • By DANIEL DEPASQLALE member of the Academy in 1970. Sciences. materials concerning your work supporting publication of a book Guard ten Associate Writer He cited his efforts to retain a WOOD BECAME a member of and past achievements." on Ohio's Natural Heritage. The Francis Jankowski, professor of seat for engineering as his prime the Wright State faculty and the WOOD ELABORATED on society also supports the Junior engineering, and Timothy Wood, contribution. Academy eight years ago. some of the qualities of the Aca- Ohio Academy, which is like a associate professor of biology, "When 1 served as the Aca- "It's quite a privilege being demy, "Unlike other science aca- science fair for advanced high were elected to fellow ship in the demy's Vice-President. I initiated honored bv a societv that has demies, which arc devoted to one school students." Ohio Academy of Si lences April the petition drive to get engineer- been around since 1981," he said.
  • Pirates' $10 Million Haul U

    Pirates' $10 Million Haul U

    JEMPHISir A BILLBOARD SPOTLIGHT r-r^'TTR c `r SECTION COIN MACHINE MARCH 29, 1969 $1.00 PAGES TWO SECTIONS SECTION I 49 TO 54 The A/o r'3 International Music -Record Newsweekly GRT in 1 -Fold Pirates' $10 Million Haul U. S. Car Mart By BRUCE WEBER LOS ANGELES Contract With - Music sales manager of Robbins, Feist, strument representatives for publishers are losing more than Miller. counterfeit product. Breakthrough $10 million a year to illegal The forged music "The worst offenders book and books, often are or- sheet music counter- peddled by traveling gan teachers, professional feiters. salesmen mu- Gamble & Huff or sold under-the-counter at mu- sic studios and musical instru- "Sheet and book music pi- For sic stores, sell in a loose-leaf ment jobbers," said Steiger. "We Cassettes By rates have been active MIKE GROSS for 30 binder for $15-$25 for 1,000 (The Big Three) prosecute every years because copyright laws By HANK FOX are songs, most of which are case our investigators NEW YORK GRT fur- not severe incom- uncover." - enough to halt the plete. The Big The Big ther solidified its foothold in the Three, which pub- Three sells product NEW YORK-The cassette practice," said Herman Steiger, lishes about (Continued recording field by wrapping up 52 hardbound folios on page 15) system will establish a beach- a year, sells its head in a deal with independent pro- books for $1.50- the U. S. automobile $3.95 for 15 IIII I IIII I Ildl I I I IIIIII1mINIIIIIIIII market this to IIIII I I I I I I I I I I 30 I summer when ducers Gamble and Huff that complete III I11111111IIIIIIIIIIOIIIIII111 Mer- songs.
  • Download Complete

    Download Complete

    CHUCK BURGI Drums & Percussion www.chuckburgi.com Chuck Burgi has been performing and recording internationally since teaming up with jazz- rock guitarist Al Di Meola for his first solo venture, theElegant Gypsy Tour. This opportunity led to his joining the English fusion group Brand-X. As a member of Brand-X, he replaced Phil Collins and recorded and toured for the classic album Masques. Returning to his rock and pop roots, Chuck joined Hall and Oates and recorded two platinum albums and did two world tours with the hit writing duo. Subsequent albums with Michael Bolton, Diana Ross, Balance and Bon Jovi followed. He next joined forces with Ritchie Blackmore’s Rainbow, recording two albums and hitting the road for another two world tours. After Rainbow, Chuck toured and recorded with various artists including Joe Lynn Turner, Glen Burtnick and the powerhouse vocalist Meat Loaf. Chuck toured extensively with Meat Loaf and recorded the Live at Wembley album. Directly after Meat Loaf, Chuck began working with Blue Oyster Cult, during which time he recorded the Cult Classics and Heaven Forbid albums, and began playing on national TV commercials. After Blue Oyster Cult, he was once again reunited with Ritchie Blackmore for sold out tours of Europe, South America and Japan for the album Stranger in Us All. In 2001, Chuck completed a three-year commitment to the Latin pop sensation Enrique Iglesias. Beginning with an extensive world tour for the album Vivir, he returned as musical director for the Cosas del Amour world tour and finished with a dense schedule of TV shows and concerts promoting Enrique’s first English album, Enrique.