Snowstorm Defeats Snow Fence
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États-Unis America, Sont Une Républiqueconstitutionnelle
États-Unis Les États-Unis, en forme longue les États-Unis d'Amérique8, en anglais United States ou United States of America, sont une république constitutionnelle fédérale à régime présidentiel d'Amérique du Nord. Les États-Unis sont une union de cinquante États, dont quarante-huit sont adjacents et situés entre l'océan Atlantique et l'océan Pacifique, d'est en ouest, puis bordés au nord par le Canada et au sud par le Mexique. Les deux États non limitrophes sont l'Alaska, situé à l'ouest du Canada, etHawaï, un État insulaire situé au milieu de l'océan Pacifique. De plus, le pays inclut quatorze territoires insulaires disséminés dans la mer des Caraïbes et le Pacifique. La capitale fédérale, Washington, est située dans le District de Columbia, un district fédéral hors des cinquante États. Les États-Unis comptent en 2011 plus de trois cent onze millions d'habitants et constituent le troisième pays le plus peuplé du monde après la Chineet l' Inde 9 . La superficie des États-Unis est de 9 629 048 kilomètres carrés, ce qui en fait le quatrième pays le plus vaste du monde après la Russie, le Canada et la Chine10. L'immigration y est abondante et la population des plus diversifiées sur les plans ethnique et culturel. L'économie nationaleest la plus importante au monde avec un PIB, en 2011, le plus élevé. Les États-Unis sont membres de l'Organisation du traité de l'Atlantique Nord (OTAN), de la Coopération économique pour l'Asie-Pacifique (APEC), de l'Accord de libre-échange nord-américain (ALENA), de l'Organisation des États américains (OEA), de l'ANZUS, de l'Organisation de coopération et de développement économiques (OCDE), du G8, et membres permanents du Conseil de sécurité des Nations unies. -
The Dirty Cheesecake
The Dirty Cheesecake Snickers Bar Cheesecake $10.99 New York cheesecake dipped in Ghirardelli milk chocolate Covered in snickers bites and drizzled with homemade salted caramel sauce. PB and Jelly Time Cheesecake $10.99 New York cheesecake dipped in Ghirardelli milk chocolate Covered with creamy peanut butter and drizzled with homemade strawberry jam. Allergy Shot Cheesecake $10.99 New York Cheesecake dipped in Ghirardelli milk chocolate topped with brownie bites rolled in graham cracker crumbs and covered with homemade torched marshmallows. Oreo Dream Cheesecake $10.99 New York cheesecake dipped in Ghirardelli milk chocolate Covered with crushed Oreo drizzled with homemade chocolate and white chocolate sauce. Raspberry Madness Chocolate $10.99 New York cheesecake dipped in Ghirardelli milk chocolate Triple Chocolate Cheesecake $10.99 rolled in white chocolate chips topped with homemade New York cheesecake dipped Ghirardelli milk chocolate raspberry jam. rolled in brownie bites sprinkled with chocolate sprinkles and drizzled with chocolate sauce. Funfetti Birthday Cheesecake $10.99 Funfetti New York cheesecake dipped in Ghirardelli milk chocolate rolled in rainbow sprinkles and drizzled with chocolate sauce. Dulce de Leche $10.99 New York cheesecake dipped in Ghirardelli milk chocolate drizzled with caramel and salted caramel sauce. Peanut Butter Finger Cheesecake $10.99 New York cheesecake dipped in Ghiradelli milk chocolate rolled into crushed Butterfinger cookies and drizzled with creamy peanut butter. Pecan Pie Cheesecake $10.99 New York cheesecake dipped in Ghirardelli milk chocolate rolled in pecan drizzled with caramel and salted caramel and sprinkled with cinnamon. Oreo Nutella $10.99 New York cheesecake dipped Ghirardelli milk chocolate and rolled in oreo crumbs drizzled with Nutella and topped with oreo. -
Father's Day BRUNCH
Saturday June 19TH & SUNDAY JUNE 20TH • 8AM - 3PM Father’s Day BRUNCH brunch features brunch Cocktails Bellini Southern Benedict Sparkling Wine, Peach Puree, Peach Nectar 8.95 buttermilk biscuits | sausage gravy | poached eggs | homefries 14.95 Mimosa Black and White Cookie Pancakes Sparkling Wine, Housemade Orange Juice 8.95 buttermilk cocoa pancakes | black & white cookies chocolate chips | chocolate and vanilla sauce 15.95 Morning Margarita Avion Silver, Grand Marnier, Housemade OJ 9 Power Bowl Gin Basil Smash Greek Yogurt | granola | banana | peanut butter drizzle 10.95 Bombay Sapphire, Basil, Lime, Simple Syrup, Club Soda 9.95 Santiago Chicken Wrap onion | pepper | avocado | cheddar-jack | chipotle aioli salsa A Little Kick Bloody Mary homemade potato chips 14.95 Absolute Peppar, Horseradish, Olive Garnish 8 Strawberry Cheesecake French Toast Irish Dream Coffee NY Cheesecake | strawberry compote | graham cracker Jameson Irish Whiskey, Baileys Irish Cream, whipped cream 16.95 Whipped Cream 8.95 Nova Avocado Toast Gerber Baby sprouted grain bread | smoked salmon | capers | onion Vanilla Ice Cream, Van Gogh Dutch Chocolate Vodka, Kahlua, cream cheese | olive oil 14.95 Baileys, Ghiradelli Chocolate Sauce 15.95 Oreo Waffle Sundae Night Rider vanilla ice cream | Oreos | fresh whipped cream | chocolate Chocolate Ice Cream, Godiva Chocolate Liqueur, Kahlua 15.95 sauce 14.95 Sweet Chili Shrimp Tacos CafÉ Bar romaine | avocado | jalapeno | rice & beans 16.95 Chai Tea Latte Goffle Farms Half Chicken Nirvana in a cup 4.45 de-boned & charcoal -
Write for Living –Shelby G
A Teen ‘Zine Volume 2 School Live for Drawing College Write for Living –Shelby G. Work World Domination Retirement Persian Gamer -Nadia on and off court -Omeed P. Pi(e) is a Food and a number Still waiting –Justin G. for my Hogwarts letter… -Nicole H. Bored, sleepy, Active, confused, Need Entertainment. -Ryeka N. Left, Came back, Left again. Stayed. –Keshia N. I read, watch, and write stories. –Paloma B. My life in six words…Oops. –Matteo P. Inspired by a writing exercise based on the book Not Quite What I Was Planning: Six Word Memoirs by Writers Famous and Obscure, edited by Rachel Fershleiser and Larry Smith. Write On! A Teen ‘Zine Pieces Inspired by This Summer’s Teen Writers’ Workshop Santa Monica Public Library Summer 2011 Write On! A Teen ‘Zine Special Thanks to: Sarah Blakley-Cartwright Cecil Castellucci Amy Goldman Koss Alan Sitomer Alex Trivas Lisa Yee The Youth Services Department Friends of the Santa Monica Public Library Write On! 2011 A Teen ‘Zine is a publication of writing by participants in the Summer Teen Writers’ Workshop 2011. Please enjoy these pieces, inspired by creative writing exercises, author visits, and teen life experiences. Nobody writes for themselves. It must be that, on some level, you want someone else to read it... someone else to understand it. -Amy Goldman Koss sandwich cookie just before the first bite… Ensemble poem by the WriteOn! 2011 SMPL Teen Writers My cookie is like the soft, warm sun. It will lighten my day, make the cold times bright. It rolls like a hamster wheel. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Yeh, D. ORCID: 0000-0001-8324-5342 (2018). The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts. In: Yeh, D. ORCID: 0000-0001- 8324-5342 and Thorpe, A. (Eds.), Contesting British Chinese Culture. (pp. 31-59). Basingstoke, Hampshire: Palgrave Macmillan. ISBN 978-3-319-71159-1 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/21494/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts Dr Diana Yeh, City, University of London, [email protected] Discourses of British-Chineseness emerged in the late 1980s under the aegis of multiculturalism. Yet, if the 1980s is commonly cited as decade of ‘black cultural renaissance’ in Britain, the 1990s was the decade in which a new generation of artists of Chinese descent emerged on the British cultural landscape, across the visual arts, theatre and performing arts, music and film. -
Oxford DNB: January 2020
Oxford DNB: January 2020 Welcome to the fifty-ninth update of the Oxford DNB, which adds biographies of 228 individuals who died in the year 2016 (it also includes three subjects who died before 2016, and who have been included with new entries). Of these, the earliest born is the author E.R. Braithwaite (1912-2016) and the latest born is the geriatrician and campaigner for compassionate care in health services, Kate Granger (1981- 2016). Braithwaite is one of nine centenarians included in this update, and Granger one of sixteen new subjects born after the Second World War. The vast majority (165, or 72%) were born in the 1920s and 1930s. Fifty-one of the new subjects who died in 2016 (or just under 23% of the cohort) are women. From January 2020, the Oxford DNB offers biographies of 63,693 men and women who have shaped the British past, contained in 61,411 articles. 11,773 biographies include a portrait image of the subject—researched in partnership with the National Portrait Gallery, London. As ever, we have a free selection of these new entries, together with a full list of the new biographies. The complete dictionary is available, free, in most public libraries in the UK. Libraries offer 'remote access' that enables you to log in at any time at home (or anywhere you have internet access). Elsewhere the Oxford DNB is available online in schools, colleges, universities, and other institutions worldwide. Full details of participating British public libraries, and how to gain access to the complete dictionary, are available here. -
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Diplomarbeit Schwert & Faust
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT SCHWERT & FAUST Kultureller Austausch OST-WEST / WEST-OST Am Beispiel physischer Techniken asiatischer Kampf-Kunst-Filme Verfasserin Mag. Art. Hannelore Hanja Dirnbacher angestrebter akademischer Grad Magistra der Philosophie Wien, 2009 Studienkennzahl lt. Studienblatt: A 317 295 Studienrichtung lt. Studienblatt: Theater- Film- und Medienwissenschaft Betreuerin / Betreuer: Prof. Dr. Ulf Birbaumer INHALT Zugang zur Thematik………………..……………………………….……1 1. Kontakte Ost-West Historischer Überblick...……………………….17 1.1. Japonisme………………………………………………………….....18 1.2. Kontakte Ost West in der Theaterkonzeption………………………..22 1.3. Ost-West Kontakte im Film der 1920-er Jahre………………………23 1.4. Fernöstliche Kultur, und Filmschnitt Technik……………………….24 1.5. Japanische Filmkultur und der Westen………………………………25 1.6. Der Japonisme martialer Körperkünste……………………………...26 Filmliste chronologisch…………………………………...................28 2. Beeinflussungen – der Western – die 1950-er und 60-er Jahre…... ..29 2.1. Der Deutsche Western……………………………………………….29 2.2. Der Italo Western – „Spaghetti Western“………………………........30 2.3. „Yojimbo“ ( 1961 ) „Per un pugno die Dollari“ ( 1964 )…………....32 2.3.1. Yojimbo Ken Do……………………………………………......33 2.3.2. Die Thematik…………………………………………………...34 2.4. Western in Italia……………………………………………………...36 2.5. Der neue Rollen Typ…………………………………………………37 2.6. Gesichter im Italo Western…………………………………………...39 2.7. Der zweite Film in Sereie…………………………………………….41 2.7.1. Ein Ken Do Duell……………………………………………….42 2.7.2. Der italienische Folgefilm Sergio Leones……………………....43 2.8. Der Weg des „Spaghetti Western“…………………………………...45 2.8.1. Das Schweigen im Schnee……………………………………...45 2.8.2. Italo Stile………………………………………………………..46 2.9. Il Western „Buffone“………………………………………………...49 2.9.1. Diverse Techniken……………………………………………...50 2.9.2. -
Gather Journal
GATHER JOURNAL SPECTRUM THE COLOR ISSUE Seasonal Recipes and Exceptional Ideas summer 2015 GATHER JOURNAL GATHER Can you see color with your ears? Ken Nordine’s 1966 album Colors did just that. His paean to the spectrum in audio form is best appreciated lying down, eyes closed, ears peeled for Nordine’s iconic voice, rich and resonant, as it spins you around the color wheel, inventing personas for every shade. Lavender, “keeper of dark corners and black-blue blood, lady of the soft edges.” Orange, “the silly old color who lives next to red, the one that is orangely out of its head.” Ecru, “is a critic, loves to see the show, just doesn’t know when to say yes, and when to say no.” And white, “is just a dream of a dream, even now, if you close your eyes tight, and let your brain go to where it’s whiter than snow, you’ll see, you’ll know.” Nordine understood a simple truth: Color is imagination. For artists, color is also possibility. French chemist Michel Eugène Chevreul helped to open up this new world of chromatic prospects; his 1839 book, The Laws of Contrast of Colour, delved into the principles of how colors play off of each other when juxtaposed (e.g., deep purple will look more intense near yellow, than alongside black). His findings would serve as the basis for simultaneous contrast, a concept further elucidated a century later by Bauhaus artist Josef Albers in Interaction of Color. He wrote: “If one says red and there are 50 people listening, it can be expected that there will be 50 reds in their minds.” You see, color is not static, but rather something constantly in flux, often shaped and influenced by individuals and their respective histories. -
Representations of British Chinese Identities and British Television Drama: Mapping the Field
Representations of British Chinese identities and British television drama: mapping the field Article Accepted Version Knox, S. (2019) Representations of British Chinese identities and British television drama: mapping the field. Journal of British Cinema and Television, 16 (2). pp. 125-145. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0465 Available at http://centaur.reading.ac.uk/78894/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.3366/jbctv.2019.0465 Publisher: Edinburgh University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Representations of British Chinese Identities and British Television Drama: Mapping the Field Abstract: While important scholarship exists on the television representations of Asian American identities, research in the UK has been focused on African Caribbean and South Asian identities. Very little scholarly attention has been paid to televisual representations of British Chinese identities, despite the British Chinese constituting one of the larger and fastest growing ethnic minority groups within contemporary Britain. Informed by an understanding of the complexity of the term ‘British Chinese’, this article explores the representation of British Chinese identities in British television drama. Despite the long-standing absence and invisibility of such identities in British television, as perceived within the popular imagination in Britain and British Chinese discourses, the article finds that a larger number of British Chinese actors have found notable employment in British television than is commonly acknowledged or remembered within the popular imagination. -
A Child Needs Your Love Most When He Deserves It Least. —Erma Bombeck NOVEMBER 8,2000
A child needs your love most when he deserves it least. —Erma Bombeck NOVEMBER 8,2000 Dear Franklin, I'm unsure why one trifling incident this afternoon has moved me to write to you. But since we've been separated, I may most miss coming home to deliver the narrative curiosities of my day, the way a cat might lay mice at your feet: the small, humble offerings that couples proffer after foraging in separate backyards. Were you still installed in my kitchen, slathering crunchy peanut butter on Branola though it was almost time for dinner, I'd no sooner have put down the bags, one leaking a clear viscous drool, than this little story would come tumbling out, even before I chided that we're having pasta tonight so would you please not eat that whole sandwich. In the early days, of course, my tales were exotic imports, from Lisbon, from Katmandu. But no one wants to hear stories from abroad, really, and I could detect from your telltale politeness that you privately preferred anecdotal trinkets from closer to home: an eccentric encounter with a toll collector on the George Washington Bridge, say. Marvels from the mundane helped to ratify your view that all my foreign travel was a kind of cheating. My souvenirs—a packet of slightly stale Belgian waffles, the British expression for "piffle" (codswallop!)—were artificially imbued with magic by mere dint of distance. Like those baubles the Japanese exchange—in a box in a bag, in a box in a bag—the sheen on my offerings from far afield was all packaging.