Thomas Mann and Czechoslovakia
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ANMERKUNGEN 1 Golo Mann, Die Alte Und Die Neue Historie, S. 79. 2
ANMERKUNGEN 1 Golo Mann, Die alte und die neue Historie, S. 79. 2 Historische Belletristik, S. 6. 3 Meinecke, Werke Bd. VII, S. 119. 4 Ebd. S. 120. 5 Ebd. 6 Ebd. S. 121. 7 Golo Mann, Noch ein Versuch über Geschichtsschreibung, S. 23. 8 Golo Mann, Die alte und die neue Historie, S. 79. 9 Golo Mann, Noch ein Versuch ... S. 23. 10 Ebd. S. 29 und 30. 11 Ebd. S. 31. 12 Ebd. S. 20 und 29. 13 Ebd. S. 29. 14 Ebd. 15 Fernand Braudel, Geschichte u. Sozialwissenschaften, S. 212. 16 Ebd. S. 191. 17 Ebd. S. 192. 18 Ebd. S. 194. 19 Ebd. S. 196. 20 Ebd. S. 201. 21 Ebd. S. 196. 22 Reinhard Kasel/eck, Der Zufall als Motivationsrest der Geschichtsschreibung (1968); Wozu noch Historie (1971); Geschichte, Geschichten und formale Zeitstrukturen (1973). 23 R. Koselleck, Vorwort zu: Geschichte- Ereignis und Erzählung, S. 7. 24 Theodor Schieder, Geschichte als Wissenschaft, S. 138. 25 Ebd. 26 Vgl. etwa Hege/, Vorrede zur Phänomenologie des Geistes, S. 51: >>So soll [auch] im philoso phischen Satze die Identität des Subjekts und Prädikats den Unterschied derselben, den die Form des Satzes ausdrückt, nicht vernichten, sondern ihre Einheit [soll] als eine Harmonie hervorge hen. Die Form des Satzes ist die Erscheinung des bestimmten Sinnes oder der Akzent, der seine Erfüllung unterscheidet; daß aber das Prädikat die Substanz ausdrückt und das Subjekt selbst ins Allgemeine fällt, ist die Einheit, worin jener Akzent verklingt.• 27 Als gelungenes Beispiel dieser Art von Untersuchungen, die natürlich auch ihre Berechtigung haben, sei angeführt: Winfried Hel/mann, Das Geschichtsdenken des frühen Th. -
Benjamin Britten and Luchino Visconti: Iterations of Thomas Mann's Death in Venice James M
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Benjamin Britten and Luchino Visconti: Iterations of Thomas Mann's Death in Venice James M. Larner Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES BENJAMIN BRITTEN AND LUCHINO VISCONTI: ITERATIONS OF THOMAS MANN’S DEATH IN VENICE By JAMES M. LARNER A Dissertation submitted to the Interdisciplinary Program in the Humanities in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the Dissertation of James M. Larner defended on 17 April 2006. Caroline Picart Professor Directing Dissertation Jane Piper Clendinning Outside Committee Member William Cloonan Committee Member Raymond Fleming Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii This dissertation is lovingly dedicated to my wife Janet and my daughter Katie. Their patience, support, and love have been the one constant throughout the years of this project. Both of them have made many sacrifices in order for me to continue my education and this dedication does not begin to acknowledge or repay the debt I owe them. I only hope they know how much I appreciate all they have done and how much I love them. iii ACKNOWLEDGEMENTS I wish to thank the four members of my dissertation committee for their role in the completion of this document. The guidance of Kay Picart as director of the committee was crucial to the success of this project. -
Die Glocken Von Berzona Lebenskunst Im Tessin Von Ariane Eichenberg Und Michael Marek BR/SWR/NDR/HR 2006
1 COPYRIGHT: COPYRIGHT DiesesDieses Manuskript Manuskript ist urheberrechtlich ist urheberrechtlich geschützt. geschützt. Es darf E ohnes darf Genehmigung ohne Genehmigung nicht verwertet nicht werden.verwertet Insbesondere werden. darf Insbesondere es nicht ganz darf oder es teilwe nicht iseganz oder oder in Auszügen teilweise oderabgeschrieben in Auszügen oder in sonstigerabgeschrieben Weise vervielfältigtoder in sonstiger werden. Weise Für vervielfältigRundfunkzwecket werden. darf dasFür Manuskript Rundfunkzwecke nur mit Genehmigungdarf das Manuskript von DeutschlandRadio nur mit Genehmigung / Funkhaus Berlin von Deutsch benutzt landradiowerden. Kultur benutzt werden. Menschen und Landschaften 26.12.2006 Die Glocken von Berzona Lebenskunst im Tessin Von Ariane Eichenberg und Michael Marek BR/SWR/NDR/HR 2006 EINBLENDUNG Hans-Jürg Sommer „Moos-Ruef“ 10 EINBLENDUNG Glockenläuten EINBLENDUNG Viktor Hermann „Ja, ich finde das den schönsten Ort der Welt natürlich. Wenn ich irgendwohin gehe, ans Meer, die Wellen sind wunderschön. Dann komme ich hierher, dann sage ich: ‚Hier ist es doch am schönsten!’“ EINBLENDUNG Max Frisch „Das Tal Val Onsernone hat keine Sohle. Seine Hänge sind waldig, darüber felsig und mit den Jahren wahrscheinlich langweilig. Die einheimische Bevölkerung lebte früher von Strohflechterei, bis zu dem Markt von Mailand plötzlich die japanischen Hüte und Körbe und Taschen erschie- 20 nen. Seither ein verarmendes Tal...“ EINBLENDUNG Lou Nüscheler „Wenn ich ganz ehrlich bin, sicher war ich immer auch ein wenig stolz, dass ich immer dazu ge- höre. Der Kirchenturm, der Glockenturm, wo die Kinder läuten gehen, und die schmale Gasse zu Marta, ihre Blumen auf der Treppe...“ EINBLENDUNG Autoverkehr mit Schweizer Postauto-Horn SPRECHERIN Das Valle Onsernone, sieben Uhr morgens. Der erste Postbus fährt das Tal hinauf. -
Art and the Politics of Recollection in the Autobiographical Narratives of Stefan Zweig and Klaus Mann
Naharaim 2014, 8(2): 210–226 Uri Ganani and Dani Issler The World of Yesterday versus The Turning Point: Art and the Politics of Recollection in the Autobiographical Narratives of Stefan Zweig and Klaus Mann “A turning point in world history!” I hear people saying. “The right moment, indeed, for an average writer to call our attention to his esteemed literary personality!” I call that healthy irony. On the other hand, however, I wonder if a turning point in world history, upon careful consideration, is not really the moment for everyone to look inward. Thomas Mann, Reflections of a Nonpolitical Man1 Abstract: This article revisits the world-views of Stefan Zweig and Klaus Mann by analyzing the diverse ways in which they shaped their literary careers as autobiographers. Particular focus is given to the crises they experienced while composing their respective autobiographical narratives, both published in 1942. Our re-evaluation of their complex discussions on literature and art reveals two distinctive approaches to the relationship between aesthetics and politics, as well as two alternative concepts of authorial autonomy within society. Simulta- neously, we argue that in spite of their different approaches to political involve- ment, both authors shared a basic understanding of art as an enclave of huma- nistic existence at a time of oppressive political circumstances. However, their attitudes toward the autonomy of the artist under fascism differed greatly. This is demonstrated mainly through their contrasting portrayals of Richard Strauss, who appears in both autobiographies as an emblematic genius composer. DOI 10.1515/naha-2014-0010 1 Thomas Mann, Reflections of a Nonpolitical Man, trans. -
The Cultural Ecology of Elisabeth Mann Borgese
NARRATIVES OF NATURE AND CULTURE: THE CULTURAL ECOLOGY OF ELISABETH MANN BORGESE by Julia Poertner Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at Dalhousie University Halifax, Nova Scotia March 2020 © Copyright by Julia Poertner, 2020 TO MY PARENTS. MEINEN ELTERN. ii TABLE OF CONTENTS ABSTRACT ………………………………………………………………………………... v LIST OF ABBREVIATIONS USED ………………………………………………………….. vi ACKNOWLEDGEMENTS ………………………………………………………………….. vii CHAPTER 1: INTRODUCTION ……………………………………………………………… 1 1.1 Thesis ………………………………………………………………... 1 1.2 Methodology and Outline ………………………………………….. 27 1.3 State of Research ……....…………………………………………... 32 1.4 Background ……………………………………………………….... 36 CHAPTER 2: NARRATIVES OF NATURE AND CULTURE …………………………………... 54 2.1 Between a Mythological Past and a Scientific Future ……………………. 54 2.1.1 Biographical Background ………………………………………... 54 2.1.2 “Culture is Part of Nature in Any Case”: Cultural Evolution ……. 63 2.1.3 Ascent of Woman ………………………………….……………… 81 2.1.4 The Language Barrier: Beasts and Men …….…………………… 97 2.2 Dark Fiction: Futuristic Pessimism …………………………………….. 111 2.2.1 “To Whom It May Concern” ………………….………………… 121 2.2.2 “The Immortal Fish” ………………………………………….…. 123 2.2.3 “Delphi Revisited” ……………………………………….……… 127 2.2.4 “Birdpeople” …………………………………………….………. 130 CHAPTER 3: UTOPIAN OPTIMISM: THE OCEAN AS A LABORATORY FOR A NEW WORLD ORDER ……………………………………………….…………….……… 135 3.1 Historical Background …………………………………………………. 135 3.1.1 Competing Narratives: The Common Heritage of Mankind and Sustainable Development ……………………………………….. 135 3.1.2 Ocean Frontiers and Chairworm & Supershark ………………... 175 3.1.3 Arvid Pardo’s Tale of the Deep Sea …………………………….. 184 3.2 Elisabeth Mann Borgese’s Cultural Ecology ………………………….. 207 iii 3.2.1 Law: From the Deep Seabed via Ocean Space towards World Communities ……………………………………………………. 207 3.2.2 Economics ………………………………………………………. 244 3.2.3 Science and Education: The Need for Interdisciplinarity ………. -
Klaus Mann's Mephisto: a Secret Rivalry
Studies in 20th Century Literature Volume 13 Issue 2 Article 6 8-1-1989 Klaus Mann's Mephisto: A Secret Rivalry Peter T. Hoffer Philadelphia College of Pharmacy and Science Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Hoffer, Peter T. (1989) "Klaus Mann's Mephisto: A Secret Rivalry," Studies in 20th Century Literature: Vol. 13: Iss. 2, Article 6. https://doi.org/10.4148/2334-4415.1234 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Klaus Mann's Mephisto: A Secret Rivalry Abstract Critics of the 1960s and 1970s have focused their attention on Klaus Mann's use of his former brother-in- law, Gustaf Gründgens, as the model for the hero of his controversial novel, Mephisto, while more recent critics have emphasized its significance as a work of anti-Fascist literature. This essay seeks to resolve some of the apparent contradictions in Klaus Mann's motivation for writing Mephisto by viewing the novel primarily in the context of his life and career. Although Mephisto is the only political satire that Klaus Mann wrote, it is consistent with his life-long tendency to use autobiographical material as the basis for much of his plot and characterization. Mann transformed his ambivalent feelings about Gründgens, which long antedated the writing of Mephisto, into a unique work of fiction which simultaneously expresses his indignation over the moral bankruptcy of the Third Reich and reveals his envy of Gründgens's career successes. -
The Kpd and the Nsdap: a Sttjdy of the Relationship Between Political Extremes in Weimar Germany, 1923-1933 by Davis William
THE KPD AND THE NSDAP: A STTJDY OF THE RELATIONSHIP BETWEEN POLITICAL EXTREMES IN WEIMAR GERMANY, 1923-1933 BY DAVIS WILLIAM DAYCOCK A thesis submitted for the degree of Ph.D. The London School of Economics and Political Science, University of London 1980 1 ABSTRACT The German Communist Party's response to the rise of the Nazis was conditioned by its complicated political environment which included the influence of Soviet foreign policy requirements, the party's Marxist-Leninist outlook, its organizational structure and the democratic society of Weimar. Relying on the Communist press and theoretical journals, documentary collections drawn from several German archives, as well as interview material, and Nazi, Communist opposition and Social Democratic sources, this study traces the development of the KPD's tactical orientation towards the Nazis for the period 1923-1933. In so doing it complements the existing literature both by its extension of the chronological scope of enquiry and by its attention to the tactical requirements of the relationship as viewed from the perspective of the KPD. It concludes that for the whole of the period, KPD tactics were ambiguous and reflected the tensions between the various competing factors which shaped the party's policies. 3 TABLE OF CONTENTS PAGE abbreviations 4 INTRODUCTION 7 CHAPTER I THE CONSTRAINTS ON CONFLICT 24 CHAPTER II 1923: THE FORMATIVE YEAR 67 CHAPTER III VARIATIONS ON THE SCHLAGETER THEME: THE CONTINUITIES IN COMMUNIST POLICY 1924-1928 124 CHAPTER IV COMMUNIST TACTICS AND THE NAZI ADVANCE, 1928-1932: THE RESPONSE TO NEW THREATS 166 CHAPTER V COMMUNIST TACTICS, 1928-1932: THE RESPONSE TO NEW OPPORTUNITIES 223 CHAPTER VI FLUCTUATIONS IN COMMUNIST TACTICS DURING 1932: DOUBTS IN THE ELEVENTH HOUR 273 CONCLUSIONS 307 APPENDIX I VOTING ALIGNMENTS IN THE REICHSTAG 1924-1932 333 APPENDIX II INTERVIEWS 335 BIBLIOGRAPHY 341 4 ABBREVIATIONS 1. -
Maroh 22, 1939) Eme Bong Tudl0 Anndunoement .L
THE LIBRARY SP AKS (Maroh 22, 1939) eme Bong tudl0 AnnDunoement .L. - at's new in books? For the past eeks many new books have een comng from the presses. Examining the best new books we find the usual crop of historical fiction. Regional novels sellDlto be more bundant than usual, personal memoirs (interesting ones, too, ) supnly n~ titles for our readers. In passing I might mention Edith Bolling I1son 1s, "My Memoir" in which she aims to tell the truth concerning personal matters which have been distorted by the mis informed. )(ra. Wilson IS biography might be used as a forerunner for the group which I am to review briefly today. Events which Mrs. 11son watvhed personally served as the basis for the Europena situation of today. The end of the WOrld war, the Peace conference. are events hloh paved the way for the Europe of today. They paved the way for the whole group of books whlch we shall examine this morning. Heading the 11st 1s tlUeln Ka.mpf' by Adolf HitIer. hloh has been published 1n two unabridged American editions this spring. The one is published by He~ ~Qa-~'~l~-aaQ-~&P&~e~G¥ Reynal and Hitchcock by rrangement with Houghton Mifflin, holders of the oopyright in this oountry. The second edition is be1ng published by Stackpole Sons • The library has purohased the Reynal and Hi~choook ~ditlon. Mein Kampf '8 the sto~y of Hitler's career, hie aims, and his methods. It is the autobiography of the former painter who rose from obscurity to supreme power in Germany and who today has the world tTembllng on hi deoisions. -
Curriculum Vitae Marshall Brown June 11, 2020
Curriculum Vitae Marshall Brown June 11, 2020 Yale University, Department of Comparative Literature Ph.D., 1972; M.Phil., 1969 Freie Universität Berlin, 1965-66 Harvard College (concentration: Germanic Languages and Literatures) A.B., 1965, magna cum laude Languages: German, French, Italian, Latin, Russian, Spanish, Greek, Dutch Awards: 2018-21 Distinguished Visiting Chair Professor of Humanities, Shanghai Jiaotong University 2012 Lifetime Achievement Award, Keats-Shelley Association 2009 Ruth A. Solie Award, American Musicological Society (for Haydn and the Performance of Rhetoric) 2009 Nominated for UW Graduate School Mentoring Award 2007-08 College Alumni Distinguished Term Professor (awarded for impact on students) 2006 Rockefeller Foundation, Residency, Bellagio Study Center 2002 Nominated for UW Graduate School Mentoring Award 2002 Deutsche Forschungsgemeinschaft, Research Fellowship 2001 Research Fellowship, Simpson Center for the Humanities 2000 Nominated for UW Distinguished Teaching Award 1997-98 Woodrow Wilson Center Fellowship 1997-98 National Humanities Center Fellowship (declined) 1994-95 NEH Fellowship 1988 Nominated, BFA Excellence in Service Award 1987 Mentor, Jacob van Ek Award 1984-85 University of Colorado Faculty Fellowship 1984-85 University of Colorado Grant-in-Aid 1984 Honorable mention, William Riley Parker Prize (MLA) 1984 ACLS Travel Grant 1983 Chancellor's Essay Award, University of Colorado 1983 Mentor, Jacob van Ek Award 1981 Honorable Mention, William Riley Parker Prize 1981 Mentor, Jacob van Ek Award 1966-70 -
The Appeal of Fascism to the British Aristocracy During the Inter-War Years, 1919-1939
THE APPEAL OF FASCISM TO THE BRITISH ARISTOCRACY DURING THE INTER-WAR YEARS, 1919-1939 THESIS PRESENTED TO THE DEPARTMENT OF HUMANITIES AND SOCIAL SCIENCES IN CANDIDACY FOR THE DEGREE OF MASTER OFARTS. By Kenna Toombs NORTHWEST MISSOURI STATE UNIVERSITY MARYVILLE, MISSOURI AUGUST 2013 The Appeal of Fascism 2 Running Head: THE APPEAL OF FASCISM TO THE BRITISH ARISTOCRACY DURING THE INTER-WAR YEARS, 1919-1939 The Appeal of Fascism to the British Aristocracy During the Inter-War Years, 1919-1939 Kenna Toombs Northwest Missouri State University THESIS APPROVED Date Dean of Graduate School Date The Appeal of Fascism 3 Abstract This thesis examines the reasons the British aristocracy became interested in fascism during the years between the First and Second World Wars. As a group the aristocracy faced a set of circumstances unique to their class. These circumstances created the fear of another devastating war, loss of Empire, and the spread of Bolshevism. The conclusion was determined by researching numerous books and articles. When events required sacrifice to save king and country, the aristocracy forfeited privilege and wealth to save England. The Appeal of Fascism 4 Contents Chapter One Background for Inter-War Years 5 Chapter Two The Lost Generation 1919-1932 25 Chapter Three The Promise of Fascism 1932-1936 44 Chapter Four The Decline of Fascism in Great Britain 71 Conclusion Fascism After 1940 83 The Appeal of Fascism 5 Chapter One: Background for Inter-War Years Most discussions of fascism include Italy, which gave rise to the movement; Spain, which adopted its principles; and Germany, which forever condemned it in the eyes of the world; but few include Great Britain. -
Modern Group Portraits in New York Exile Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff
Modern Group Portraits in New York Exile Community and Belonging in the Work of Arthur Kaufmann and Hermann Landshoff Burcu Dogramaci In the period 1933–1945 the group portrait was an important genre of art in exile, which has so far received little attention in research.1 Individual works, such as Max Beckmann’s group portrait Les Artistes mit Gemüse, painted in 1943 in exile in Amsterdam,2 were indeed in the focus. Until now, however, there has been no systematic investigation of group portraits in artistic exile during the Nazi era. The following observations are intended as a starting point for further investigations, and concentrate on the exile in New York and the work of the emigrated painter Arthur Kaufmann and photographer Hermann Landshoff in the late 1930s and 1940s, who devoted themselves to the genre of group portraits. 3 New York was a destination that attracted a much larger number of emigrant artists, writers, and intellectuals than other places of exile, such as Istanbul or Shanghai. A total of 70,000 German-speaking emigrants who fled from National Socialism found (temporary) refuge in New York City, including—among many others—the painters Arthur Kaufmann and Lyonel Feininger, and the photographers Hermann Landshoff, Lotte Jacobi, Ellen Auerbach, and Lisette Model.4 Such an accumulation of emigrated artists and photographers in one place may explain the increasing desire to visualize group formats and communal compositions. In the genre of the group picture there are attempts to compensate for the displacement from the place of origin.5 This mode of self-portrayal as a group can be 1/15 found in the photographic New York group portraits where the exiled surrealists had their pictures taken together or with their American colleagues. -
Einladung Zum Vortrag Von Dr. Dirk Heißerer Michael Mann Spielmann
Einladung zum Vortrag von Dr. Dirk Heißerer Michael Mann Spielmann und Professor – zum 100. Geburtstag Michael Mann (1919-1977), der jüngste Sohn Katia und Thomas Manns, war ein künstlerischer Wissenschaftler oder wissenschaftlicher Künstler, der sich dem Vater-Sohn- Konflikt in einer eigenwilligen Synthese von Musik und Dichtung, Familie und Gesellschaft gestellt hat. Als Musiker und Germanist, Spielmann und Professor, ist er seinen ganz eigenen Weg gegangen. Die sicher nicht ganz leichte Rolle als „Beißer“ und damit Gegenstück zum geliebten „Kindchen“ Elisabeth in der Familiennovelle „Unordnung und frühes Leid“ (1925) dürfte ihm ebenso zu schaffen gemacht haben wie sein schulischer Misserfolg. Wie Elisabeth entwickelte er zunächst einen musikalischen Ehrgeiz als Bratschist und gab seinem Vater wertvolle Hinweise für den Musiker-Roman „Doktor Faustus“ (1947). Dann sattelte er beruflich um, wurde Germanistik-Professor an der University of California, Berkeley, arbeitete über Heinrich Heine und stellte intensive Fragen nach Wesen und Werk Thomas Manns. Michael Mann verdient nicht nur die „väterliche Genugtuung“, sondern unser aller Achtung und Aufmerksamkeit. Die Monacensia im Hildebrandhaus bewahrt neben den Nachlässen von Erika und Klaus Mann auch den literarischen Nachlass von Elisabeth Mann Borgese und einen Teilnachlass von Michael Mann. Im Anschluss an den Vortrag werden kürzlich aufgefundene Familien- Dokumente Michael Manns vorgestellt und an die Monacensia im Hildebrandhaus übergeben. In Kooperation mit der Monacensia im Hildebrandhaus Donnerstag, 2. Mai, 19.00 Uhr Monacensia im Hildebrandhaus / Forum Atelier Eintritt frei Anmeldung unter E Mail: [email protected] Schirmherr Prof. Dr. Frido Mann Vorsitzender Dr. Dirk Heißerer – stv. Vorsitzender Erwin Schumacher c/o Hochschule für Musik und Theater München, Arcisstraße 12, 80333 München Büro: Tel: 089 / 89 99 93 20 Fax: 089 / 89 99 93 21 [email protected] www.tmfm.de HypoVereinsbank München IBAN DE90 700 20 270 60 60 77 90 99 BIC HYVEDEMMXXX .