The Three Sounds Moods Mp3, Flac, Wma

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The Three Sounds Moods mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Moods Country: Japan Released: 1993 Style: Soul-Jazz MP3 version RAR size: 1710 mb FLAC version RAR size: 1609 mb WMA version RAR size: 1108 mb Rating: 4.4 Votes: 461 Other Formats: MP3 TTA DMF ASF MMF VOC MP1 Tracklist Hide Credits Love For Sale 1 6:34 Written-By – Cole Porter Things Ain't What They Used To Be 2 8:52 Written-By – M. Ellington*, T. Persons* On Green Dolphin Street 3 5:33 Written-By – Kaper*, Washington* Loose Walk 4 4:53 Written-By – Richards*, Stitt* Li'l Darlin' 5 4:48 Written-By – Neal Hefti I'm Beginning To See The Light 6 2:26 Written-By – George*, Ellington*, James*, Hodges* Tammy's Breeze 7 4:25 Written-By – Gene Harris Sandu 8 4:21 Written-By – Clifford Brown Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Manufactured By – Toshiba EMI Ltd Credits Bass – Andrew Simpkins Drums – Bill Dowdy Liner Notes – 原田和典*, Leonard Feather Liner Notes [Translated By] – 林田ひめじ* Photography By [Cover Photo] – Hugh Bell Piano – Gene Harris Producer – Alfred Lion Recorded By [Recording By] – Rudy Van Gelder Notes Recorded on June 28, 1960. Barcode and Other Identifiers Barcode: 4988006688490 Rights Society: JASRAC Other versions Category Artist Title (Format) Label Category Country Year The Three Moods (LP, Album, BLP 4044 Blue Note BLP 4044 US 1960 Sounds Mono) Blue Note, 84044, BST The Three Moods (LP, Album, 84044, BST Blue Note, US 1962 84044, ST-84044 Sounds RP) 84044, ST-84044 Blue Note The Three Moods (CD, Album, CP32-9518 Blue Note CP32-9518 Japan 1987 Sounds RE) Moods (CD, Album, TOCJ-9058, BNST The 3 Blue Note, TOCJ-9058, BNST Ltd, Promo, RE, Japan 1998 84044 Sounds* Blue Note 84044 RM, Pap) BN 4044, BST The 3 Moods (LP, Album, Blue Note, BN 4044, BST Japan 1991 84044 Sounds* Ltd, RE) Blue Note 84044 Related Music albums to Moods by The Three Sounds Ron Carter - Pick 'Em Johnny Hodges & Wild Bill Davis - Wings And Things Duke Ellington Meets Coleman Hawkins - Duke Ellington Meets Coleman Hawkins Stanley Turrentine With The Three Sounds - Blue Hour Cecil Taylor - Conquistador! The Three Sounds - Good Deal The Three Sounds - Bottoms Up! Art Blakey And The Jazz Messengers - The History Of Art Blakey And The Jazz Messengers Gene Ammons & Sonny Stitt With Jack McDuff - Soul Summit The 3 Sounds - Moods.

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60 / Running Head
60 / running head RahsaRahsaaRahsaan Roland Kirk Photo by Michael Wilderman monstrosioso 1965: The Creeper The fussy encyclopedic gravity of the Hammond B-3 overcome and the electric organ lofted to hard-bop orbit, still trailing diapasons of his mother’s church music and the boogie-woogie tap-dance routines of his father’s band—The Incredible Jimmy Smith proclaimed the block letters on a score of albums since the 1956 breakout recordings on Blue Note, those words celebrating a nearly miraculous mating of technology and soul. The thing had ﬁrst stirred to life at a club in Atlantic City where he heard Wild Bill Davis make the Hammond roar like a big wave. It was a monster, upsurged through chocked, choppy chords and backwashed through rilling legatos, wattage enough there to power the entire Basie band. Davis was gruff, brash, gloriously loud, a bumptious lumbering at- tack, great swoops down on the keys and shameless ripsaw goosings of reverb and tremolo, the organ not so much singing as signaling, the music stripped to pure swelling impulse. For a piano player schooled in the over- brimming muscular lines of Art Tatum and the stabbing, nervous prances of Bud Powell, it was almost risible, the goddamned wired-up thing rock- ing on stage like a gurgling showboat. Fats Waller on “Jitterbug Waltz” coaxed over the organ with a percolating ﬁnesse as if running a trapeze artist up a swaying wire, but Davis almost seemed clumsy by design, as if in awe of the organ’s powers yet unable to forego provoking them.
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Igfzleirer 93024-0240 November 1997 Vol
P.O. BOX 24-O Ojai, Calif. igfzleirer 93024-0240 November 1997 Vol. I6 No. 11 Three Favors” be. His private existence was another matter. “My father did a lot of things in his life,” Andy said. “In his younger years he played saxophone and clarinet a little bit. He 1. If you have an e-mail address, I’d love to have it. You can worked for many years on the janitorial staff of the school system send it to me at [email protected]. of Richmond. His real life — all through the years he worked for 2. If you have not resubscribed for I998 but intend to, I’d them — was growing plants. He "grew vegetables andbeautiful appreciate it your doing it now. There’s an easy way to tell ﬂowers and sold them to people in the area. He was a wonderful whether you’ve resubscribed. If there’s a date or letters under your horticulturist. He had greenhouses, and his plants were famous. address on the envelope, you have. If not, you haven’t. Subscrip- “My father was an only child, I’m an only child, and Ihave one tions (in case you’ve misplaced the earlier notice) are $70 U.S. for son, Mark, who is in radio in Denver, Colorado.” Andy laughed. the U.S. and Canada, $80 for other countries. Anyone wishing to “The Simpkins family line runs thin!” send someone a gift subscription can do so for $35. And to anyone Andy combines formidable facility with a deep sound, beautiful who can’t afford the Jazzletter at all, it is, as always, free.
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3 Sounds, Bill Dowdy, Un Nativo Como EL Del Estado De Michigan
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