Wild Bill Davis One More Time Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Wild Bill Davis One More Time Mp3, Flac, Wma Wild Bill Davis One More Time mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: One More Time Country: Australia Style: Easy Listening MP3 version RAR size: 1657 mb FLAC version RAR size: 1836 mb WMA version RAR size: 1537 mb Rating: 4.1 Votes: 649 Other Formats: AU MPC AAC AIFF ADX AUD MOD Tracklist A1 April In Paris A2 Canadian Sunset A3 On A Little Street In Singapore A4 Lisbon Antigua A5 Midnight In Moscow A6 Hawaiian War Chant B1 Brazil B1 The Poor People Of Paris B3 Manhattan B4 On A Slow Boat To China B5 Arrivederci Roma B6 African Waltz Companies, etc. Manufactured For – Festival Records Other versions Category Artist Title (Format) Label Category Country Year Wild Bill One More Time (LP, CRL 57417 Coral CRL 57417 US 1962 Davis Album, Mono) Wild Bill MCA COP/S 1563 One More Time (LP) COP/S 1563 Australia Unknown Davis Records LPCS 119, Wild Bill At The Organ (LP, Coral, LPCS 119, France 1968 LPCS.119 Davis RE) Coral LPCS.119 Wild Bill One More Time (LP, CRL 757417 Coral CRL 757417 US 1962 Davis Album) Wild Bill CRL 57417 One More Time (LP) Coral CRL 57417 US 1962 Davis Related Music albums to One More Time by Wild Bill Davis Gloria Lynne - Miss Gloria Lynne With Wild Bill Davis And His Group Slam Stewart Featuring Milt Buckner, Wild Bill Davis & Jo Jones - Slam Stewart Featuring Milt Buckner, Wild Bill Davis & Jo Jones Wild Bill Davis - Swings My Fair Lady Johnny Hodges & Wild Bill Davis - Wings And Things Wild Bill Davison - The Davison-Brunis Sessions Vol. 3 Wild Bill Davis - Live At Count Basie's Johnny Hodges - Wild Bill Davis - Blue Pyramid Johnny Hodges / Wild Bill Davis - Mess Of Blues Wild Bill Davis / Eddie "Lockjaw" Davis - Live! Vol.2 Wild Bill Davis - Lover.
Recommended publications
  • 60 / Running Head
    60 / running head RahsaRahsaaRahsaan Roland Kirk Photo by Michael Wilderman monstrosioso 1965: The Creeper The fussy encyclopedic gravity of the Hammond B-3 overcome and the electric organ lofted to hard-bop orbit, still trailing diapasons of his mother’s church music and the boogie-woogie tap-dance routines of his father’s band—The Incredible Jimmy Smith proclaimed the block letters on a score of albums since the 1956 breakout recordings on Blue Note, those words celebrating a nearly miraculous mating of technology and soul. The thing had first stirred to life at a club in Atlantic City where he heard Wild Bill Davis make the Hammond roar like a big wave. It was a monster, upsurged through chocked, choppy chords and backwashed through rilling legatos, wattage enough there to power the entire Basie band. Davis was gruff, brash, gloriously loud, a bumptious lumbering at- tack, great swoops down on the keys and shameless ripsaw goosings of reverb and tremolo, the organ not so much singing as signaling, the music stripped to pure swelling impulse. For a piano player schooled in the over- brimming muscular lines of Art Tatum and the stabbing, nervous prances of Bud Powell, it was almost risible, the goddamned wired-up thing rock- ing on stage like a gurgling showboat. Fats Waller on “Jitterbug Waltz” coaxed over the organ with a percolating finesse as if running a trapeze artist up a swaying wire, but Davis almost seemed clumsy by design, as if in awe of the organ’s powers yet unable to forego provoking them.
    [Show full text]
  • 1993 February 24, 25, 26 & 27, 1993
    dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging.
    [Show full text]
  • 10-25-13 Jazz Ensemble
    Williams College Department of Music Williams Jazz Ensemble Kris Allen, Director Introduction: Smile Please - Stevie Wonder, arranged by Kris Allen Young up- and -coming composers and arrangers of the New York scene: After the Morning - John Hicks, arranged by David Gibson Arabia - Curtis Fuller, arranged by Chris Casey Noctilucent Shift - Sara Jacovino Small Combo: Passion Dance - McCoy Tyner Jonathan Dely '15, trumpet; Taylor Halperin '14, piano; Greg Ferland '16, bass; Brian Levine '16, drums Coached by Avery Sharpe My Funny Valentine - Richard Rogers and Lorenz Hart, arranged by Max Seigel SKJ Blues - Milt Jackson, arranged by James Burton Going Somewhere - James Burton Saxophones Trumpets Rhythm Nikki Caravelli '16 Richard Whitney '16 Nathaniel Vilas '17 - piano Max Dietrick '16 Jonathan Dely '15 Austin Paul '16 - vibraphone Jackson Myers '17 Will Hayes '14 Jack Schweighauser '15 - guitar Samantha Polsky '17 Byron Perpetua '14 Greg Ferland '16 - bass Sammi Jo Stone '17 Paul Heggeseth Brian Levine '16 - drumset Trombones Hartley Greenwald '16 Jeff Sload '17 Allen Davis '14 Nico Ekasumara '14 Friday, October 25, 2013 8:00 p.m. Chapin Hall Williamstown, Massachusetts Please turn off cell phones. No photography or recording is permitted. Upcoming Events: See music.williams.edu for full details and additional happenings as well as to sign up for the weekly e-newsletters. 10/27 3:00pm Visiting Artists Freddie Bryant & Shubhendra Rao Brooks-Rogers Recital Hall 10/29 4:15pm Master Class with Visiting Artist Jonathan Biss, piano Chapin Hall
    [Show full text]
  • Fall 2019 Newsletter
    Monday, November 30, 2020 Quarter Notes Volume 6, Issue 2 Fall 2019 In This Issue Madams of the Organ ‣ Madams of the Organ By Matt Silver ‣ And So It Began ‣ The Organ and its Philly/Atlantic Female jazz instrumentalists have long faced an uphill battle for recognition, both from City Connection fellow musicians and, more often, from those charged with shaping the public’s ‣ OGD (Organ Guitar Drum) perception of jazz and those who play it̶jazz journalists. In his 1967 book The Big ‣ Member Spotlight: Phylliss Childs Bands, George T. Simon, one of the most influential jazz writers of the Swing Era, wrote, “Only God can make a tree, and only men can play good jazz.” ‣ Organ + Drums = A Dynamic Duo ‣ The Art in P(ART)nership Philadelphia hasn’t always been on the right side of history, socially speaking̶perhaps ‣ Organ Drummers an understatement to rival some of history’s most flagrant. But the idea that women ‣ The (multi-faceted) purpose of can’t play jazz never gained much purchase here̶because the women who could play, Jazz, and the need for and there’ve been several over the years, were impossible to ignore. Improvisation and jazz education in our lives “One thing you’ll never hear in Philadelphia is that women can’t play,” said organist Rich Budesa, one of many now-accomplished jazz musicians to receive on-the-job training from legendary jazz organist (and pianist) Shirley Scott. “Between Shirley and Trudy [Pitts], we knew better.” Shirley Scott and Trudy Pitts. Different, but forever linked. And where any serious conversation about female jazz organists Order Your Tickets Today! must begin.
    [Show full text]
  • The 2017 NEA Jazz Masters Tribute Concert Honoring the 2017 National Endowment for the Arts Jazz Masters
    4-3 NEA JAZZ.qxp_WPAS 3/24/17 8:41 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN, Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 3, 2017 at 7:30 The Kennedy Center and the National Endowment for the Arts present The 2017 NEA Jazz Masters Tribute Concert Honoring the 2017 National Endowment for the Arts Jazz Masters DEE DEE BRIDGEWATER IRA GITLER DAVE HOLLAND DICK HYMAN DR. LONNIE SMITH Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-3 NEA JAZZ.qxp_WPAS 3/24/17 8:41 AM Page 2 THE 2017 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts KENNY BARRON, NEA Jazz Master DAN MORGENSTERN, NEA Jazz Master GARY GIDDINS, jazz and film critic JESSYE NORMAN, Kennedy Center Honoree and recipient, National Medal of Arts The 2017 NEA JAzz MASTERS Performances by PAQUITO D’RIVERA, saxophone LEE KONITz, alto saxophone Special Guests Bill Charlap, piano Sherrie Maricle and the Theo Croker, trumpet DIVA Jazz Orchestra Aaron Diehl, piano Sherrie Maricle, leader and drummer Robin Eubanks, trombone Tomoko Ohno, piano James Genus, bass Noriko Ueda, bass Donald Harrison, saxophone Jennifer Krupa , lead trombonist Booker T.
    [Show full text]
  • Wild Bill Davis
    BULLETIN NR 1, FEBRUARI 2019, ÅRGÅNG 27 Wild Bill Davis Duke’s Organ Grinder I detta nummer – In this issue Ledare 2 Monsignor John Sanders Cootie Williams i ord, bild och ton 2 in memoriam 13 Wild Bill Davis – A real gone organist 4 Harlem Air Shaft 14 Wild Bill Davis Biography 7 Bensonality och Jam With Sam 17 Wild Bill Davis (by Steve Voce) 9 Duke Ellingtons textförfattare 18 Johnny Hodges interviewed 10 Kallelse 20 1-2019 Gott Nytt År! Nu går vi in i ett nytt DESS-år. Det 25:e I min ledare i vår förra Bulletin gick I sammanhanget är det intressant att året i DESS verksamhet. Kanske värt att jag ut med ett upprop och efterlyste notera att procenten utländska medlem- celebrera vid något tillfälle under året. medlemmar som kunde tänka sig att på mar sakta ökar. Anledningen torde vare Vår första Bulletin kom ut hösten 1994 något sätt delta i styrelsens arbete. An- att dessa medlemmar finner Bulletinens och har sedan rullat på. I början bestod tingen som formell styrelseledamot eller engelskspråkiga artiklar intressanta och medlemstidningen av enbart 12 sidor. adjungerad dylik. Dessvärre har ingen läsvärda och motiverar medlemsavgif- 2010 ökade sidantalet till 16 sidor och i hört av sig. Det är tråkigt. Vi kan behöva ten. och med sista numret 2012 ökades sidan- nytt blod och nya idéer i styrelsen, men Avslutningsvis vill jag hälsa alla talet till 20. Även om det funnits material nu får vi tydligen rulla på i de gamla medlemmar välkomna till årsmötet den tillgängligt för att fylla fler än 20 sidor hjulspåren.
    [Show full text]
  • Chick Willis Uk £3.25
    ISSUE 163 WINTER 2020 CHICK WILLIS UK £3.25 Photo by Merlin Daleman CONTENTS Photo by CHRISTMAS STOCKING FILLERS Merlin Daleman CHICK WILLIS pictured at the Birmingham Jazz Festival. Chick makes an appearance in a new feature for Jazz BIG BEAR RECORDS CD OFFER Rag. We link up with Henry’s Blueshouse in Birmingham to EXCLUSIVELY FOR READERS OF THE JAZZ RAG present Henry’s Bluesletter (pages 32-33) ALL CDS £8 EACH OR THREE FOR £16 INCLUDING P&P 4 FESTIVAL IN TIME OF PLAGUE Birmingham, Sandwell and Westside Jazz Festival goes ahead 5 THE VIRUS IN NUMBERS JAZZ CITY UK VOLUME 2: THE JAM SESSIONS 6 ‘A TRUE NEW ORLEANS CHARACTER’ Coroner/trumpeter Frank Minyard Howard McCrary Various Artists Various Artists Lady Sings Potato Head 7 I GET A KICK OUT OF… Moments Like This Jazz City UK Volume 2 Jazz City UK Volume 1 The Blues Jazz Band Promoter John Billett Laughing at Life Stompin’ Around 8 COMPETITION: LOUIS ARMSTRONG 9 GOODBYE TO A STAR Roger Cotterrell on Peter King 11 BBC YOUNG JAZZ MUSICIAN OF THE YEAR 12 SUPERBLY SWINGING Alan Barnes remembers Dick Morrissey Remi Harris Trio Tipitina King Pleasure & Nomy Rosenberg Django’s Castle 14 FRENCH BOOGIE STAR Ninick Taking Care of The Biscuit Boys Nomy Rosenberg Trio with Bruce Adams Ron Simpson profiles Ben Toury Business Live At Last Swing Hotel du Vin 16 50 BY LOUIS Scott Yanow’s choice FIND US ON FACEBOOK 18 ROY WILLIAMS IN PICS The Jazz Rag now has its own Facebook page. For news of upcoming festivals, gigs and releases, 20 REFLECTING DREAMS Marilyn Mazur interviewed by Ron Simpson features from the archives, competitions and who knows what else, be sure to ‘like’ us.
    [Show full text]
  • Music Guide 13 the Beat 180 Master Class by ELDAR DJANGIROV 194 Blindfold Test Where to Study Jazz 2017 24 Players 182 Pro Session Dr
    October 2016 VOLUME 83 / NUMBER 10 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin
    [Show full text]
  • Masters Thesis
    Hammond Technique and Methods: Music Written for the Hammond Organ JESSE WHITELEY A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO SEPTEMBER 2013 © JESSE WHITELEY, 2013 Abstract The following thesis is made up of four original compositions written between February and September of 2012, with emphasis on the Hammond Organ in the context of jazz and rhythm and blues ensembles. The pieces of music were designed to feature the organ as the lead instrument in order to highlight various playing techniques that are specific to the Hammond Organ within these genres. In addition to my own music and an explanation and analysis of my work, the writing will provide a historical overview of organists I have chosen to highlight as influences to provide a framework for each piece of music. In order to aid this discussion of what has been an under-theorized instrument and performance tradition, I have sought out active contemporary organists to discuss their creative practices on the Hammond, as well as their insight into the notable organists of the past. Finally, of particular interest to me in this thesis is the emphasis on the Hammond Organ as an electric instrument, and the unique musical textures that are possible through the exploitation of the multiple controls that are integral to the instrument's construction. An audio recording of each piece accompanies the scores that are included. ii Acknowledgements A big thanks to my supervisor Rob Bowman for being the perfect person to work on this project with, for his good advice, resources, and above all - enthusiasm, which has charged me up in the writing of this, multiple times.
    [Show full text]
  • Morgenstern, Dan. [Record Review: Duke Ellington: 70Th Birthday
    Records ore reviewed by Chris Albertson, Don DeMicheol, Gilbert M. Erskine, Ira Giller, Alan Heinemon, Wayne Jones, Lawrence Kort, John litweiler, Jahn McDonough, Dan Morgenstern, Don Nelsen, Harvey Pekar, Harvey Siders, Coral Sloone, Jim Szanto,, and Pete Welding. Reviews are signed by the writers. Ratings are: * * * * * excellent, * * * * very good, * * * goad, * * fair, * poor. When two catalog numbers are listed, the first is mono, and the second is stereo. SPOTLIGHTREVIEW salves, Ashby, and Turney, with Paul the Ginger Baker Duke Ellington winner but Ash and Norris (who plays a GINGER BAKER'S AIR FORCE-Atco 2-703: booting, jump-styled tenor) holding their Da Da /\fan; Early in tht Morning; Don't Cart; 70TH BrRTHDAY CONCERT-Solid State SS- Toad; Aiko Biayt; l\lan of Cons/all/ Sorrow; Do 19000: Rocltin' In Rhythm; B.P.; Takt tht "A" own; Fife (mislabeled Fifi), a charming What Y ou Likt; Doin ' It. Train: Tootit For Cootit; 4:30 BlutsL El Gato; bit of whimsy featuring Turney's tasteful, Personnel: Chris Wood, Harold McNair, flute, Black Bulltrf/y; Things Ain't What 1 hty Ustd tenor saxop hone; Graham Bond, aha saxophone; lo B,; Ltying On Mt/low; Satin Doll; Azurt Tt; pretty and witty flute; and Black Swan, Denny Laine. .ruicar. vocals: Sreve Winwood, l,r Triplicatt; Ptrdidol Fift; M,dl ,y : (Pr,ludt to featuring Davis (a new color), Ellington , organ, vocals; Rich Greeb, electric bass, ampli• , Kiss; I' m Just a wcky So-And-So; I L,t a tied violin; Baker, Remi Kabaka, drums; Phil Song Go Out of My Htart; Do Nothin' Till You Gaskin, Jones, and Turney (again on flute; Seamen, percussion; Jeanette Jacobs.
    [Show full text]
  • George Benson Charlie Haden Dave Holland William Hooker Jane Monheit Steve Swallow CD Reviews International Jazz News Jazz Stories
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC George Benson Charlie Haden Dave Holland William Hooker Jane Monheit Steve Swallow CD Reviews International jazz news jazz stories Volume 39 Number 4 Oct Nov Dec 2013 More than 50 concerts in venues all around Seattle Keith Jarrett, Gary Peacock, & Jack DeJohnette • Brad Mehldau Charles Lloyd Group w/ Bill Frisell • Dave Douglas Quintet • The Bad Plus Philip Glass • Ken Vandermark • Paal Nilssen-Love • Nicole Mitchell Bill Frisell’s Big Sur Quintet • Wayne Horvitz • Mat Maneri SFJAZZ Collective • John Medeski • Paul Kikuchi • McTuff Cuong Vu • B’shnorkestra • Beth Fleenor Workshop Ensemble Peter Brötzmann • Industrial Revelation and many more... October 1 - November 17, 2013 Buy tickets now at www.earshot.org 206-547-6763 Charles Lloyd photo by Dorothy Darr “Leslie Lewis is all a good jazz singer should be. Her beautiful tone and classy phrasing evoke the sound of the classic jazz singers like Ella Fitzgerald and Sarah aughan.V Leslie Lewis’ vocals are complimented perfectly by her husband, Gerard Hagen ...” JAZZ TIMES MAGAZINE “...the background she brings contains some solid Jazz credentials; among the people she has worked with are the Cleveland Jazz Orchestra, members of the Ellington Orchestra, John Bunch, Britt Woodman, Joe Wilder, Norris Turney, Harry Allen, and Patrice Rushen. Lewis comes across as a mature artist.” CADENCE MAGAZINE “Leslie Lewis & Gerard Hagen in New York” is the latest recording by jazz vocalist Leslie Lewis and her husband pianist Gerard Hagen. While they were in New York to perform at the Lehman College Jazz Festival the opportunity to record presented itself.
    [Show full text]
  • Main Artist (Group) Album Title Other Artists Date Cannonball Adderley
    Julian Andrews Collection (LPs) at the Pendlebury Library of Music, Cambridge list compiled by Rachel Ambrose Evans, August 2010 Main Artist (Group) Album Title Other Artists Date Cannonball Adderley Coast to Coast Adderley Quintet 1959/62 and Sextet (Nat Adderley, Bobby Timmons, Sam Jones, Louis Hayes, Yusef Lateef, Joe Zawinul) Cannonball Adderley The Cannonball Wes Montgomery, 1960 Adderley Victor Feldman, Collection: Ray Brown, Louis Volume 4 Hayes Nat Adderley Work Songs Wes Montgomery, 1978 Cannonball Adderley, Yusef Lateef Larry Adler Extracts from the film 'Genevieve' Monty Alexander Monty Strikes Ernest Ranglin, 1974 Again. (Live in Eberhard Weber, Germany) Kenny Clare Monty Alexander, Ray Brown, Herb Triple Treat 1982 Ellis The Monty Alexander Quintet Ivory and Steel Monty Alexander, 1980 Othello Molineux, Robert Thomas Jr., Frank Gant, Gerald Wiggins Monty Alexander Ivory and Steel (2) Othello Molineux, 1988 Len Sharpe, Marshall Wood, Bernard Montgomery, Robert Thomas Jr., Marvin Smith Henry Allen Henry “Red” 1929 Allen and his New York Orchestra. Volume 1 (1929) Henry Allen The College Steve Kuhn, 1967 Concert of Pee Charlie Haden, Wee Russell and Marty Morell, Henry Red Allen Whitney Balliett Mose Allison Local Color Mose Allison Trio 1957 (Addison Farmer, Nick Stabulas) Mose Allison The Prestige Various 1957-9 Collection: Greatest Hits Mose Allison Mose Allison Addison Farmer, 1963 Sings Frank Isola, Ronnie Free, Nick Stabulas Mose Allison Middle Class Joe Farrell, Phil 1982 White Boy Upchurch, Putter Smith, John Dentz, Ron Powell Mose Allison Lessons in Living Jack Bruce, Billy 1982 Cobham, Lou Donaldson, Eric Gale Mose Allison Ever Since the Denis Irwin, Tom 1987 World Ended Whaley Laurindo Almeida Laurindo Almeida Bud Shank, Harry quartet featuring Babasin, Roy Bud Shank Harte Bert Ambrose Ambrose and his Various 1983 Orchestra: Swing is in the air Albert Ammons, Pete Johnson Boogie Woogie 1939 Classics Albert Ammons, Pete Johnson, Jimmy Boogie Woogie James F.
    [Show full text]