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The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters
04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBORAH F. RUTTER , President CONCERT HALL Monday Evening, April 4, 2016, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2016 NEA Jazz Masters Tribute Concert Honoring the 2016 National Endowment for the Arts Jazz Masters GARY BURTON WENDY OXENHORN PHAROAH SANDERS ARCHIE SHEPP Jason Moran is the Kennedy Center’s Artistic Director for Jazz. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 04-04 NEA Jazz Master Tribute_WPAS 3/25/16 11:58 AM Page 2 2016 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, pianist and Kennedy Center artistic director for jazz With remarks from JANE CHU, chairman of the NEA DEBORAH F. RUTTER, president of the Kennedy Center THE 2016 NEA JAZZ MASTERS Performances by NEA JAZZ MASTERS: CHICK COREA, piano JIMMY HEATH, saxophone RANDY WESTON, piano SPECIAL GUESTS AMBROSE AKINMUSIRE, trumpeter LAKECIA BENJAMIN, saxophonist BILLY HARPER, saxophonist STEFON HARRIS, vibraphonist JUSTIN KAUFLIN, pianist RUDRESH MAHANTHAPPA, saxophonist PEDRITO MARTINEZ, percussionist JASON MORAN, pianist DAVID MURRAY, saxophonist LINDA OH, bassist KARRIEM RIGGINS, drummer and DJ ROSWELL RUDD, trombonist CATHERINE RUSSELL, vocalist 04-04 NEA Jazz Master Tribute_WPAS -
Notre Dame Collegiate Jazz Festival Program, 2005
Archives of the University of Notre Dame Archives of the University of Notre Dame ro WEDNESDAY, FEB. 23, 2005 Preview Night. LaFortune Ballroom. FREE .-> 8:00 p.m. University of Notre Dame Jazz Band II and Jazz Combo -I-J (J) FRIDAY, FEB. 25, 2005 Evening concert block. Washington Hall. FREE for Students; Non-students $3 for 1 night, $5 for both nights OJ U 6:00 p.m. Oberlin College Small Jazz Ensemble N N 6:45 p.m. Western Michigan UniversityCombo ro 7:30 p.m. University of Illinois Concert Jazz Band --, 8: 15 p.m. Oberlin College Jazz Ensemble 9:00 p.m. Western Michigan UniversityJazz Orchestra OJ 9:45 p.m. Judges' Jam ro-I-J :Jro Frank Catalano (saxophone) c· Andre Hayward (trombone) cO) Lynne Arriale (piano) <{OJ Jay Anderson (bass) ...c:= Steve Davis (drums) ~O ~U SATURDAY, FEB. 26, 2005 Clinic. Notre Dame Band Building. FREE 2-3:00 p.m. Meet in main rehearsal room. Evening concert block. Washington Hall. Free for Students; Non-students $3 for 1 night, $5 for both nights 6:00 p. m. University of Notre Dame Jazz Band I 6:45 p.m. Middle Tennessee State UniversityJazz Ensemble I 7:30 p.m. Jacksonville State UniversityJazz Ensemble I 8: 15 p.m. Carnegie Mellon University 6:30 Jazz Ensemble 9:00 p.m. University of Notre Dame Brass Band 9:45 p.m. Collegiate Jazz Festival Alumni Combo Archives of the University of Notre Dame Festival Director: Greg Salzler OJ Assistant to the Director: WillSeath OJ ~ Festival Graphic Designer: Melissa Martin ~ Student Union Board Advisor: Erin Byrne , Faculty advisorto the festival: Larry Dwyer E SUB E-Board: Jimmy Flaherty E Patrick Vassel e Lauren Hallemann u - HeatherKimmins ro John McCarthy > Caitlin Burns .- ~ MarkHealy (J) OJ (J) 1 Jazz Festival Committee Special Thanks to: Ourguests L.L. -
Rese4b Instituti
RESE4B INSTITUTI The International Food Policy Research Institute was established in 1975 to identify and analyze alternative national and international strategies and policies for meeting food needs of the developing world on a sustainable basis, with particular emphasis on low- income countries and on the poorer groups in those countries. While the research effort is geared to the precise objective of contributing to the reduction of hunger and malnutrition, the factors involved are many and wide-ranging, requiring analysis of under lying processes and extending beyond a narrowly defined food sector. The Institute's research program reflects worldwide collaboration with governments and private and public institutions interested in in creasing food production and improving the equity of its distribution. Research results are disseminated to policymakers, opinion formers, administrators, policy analysts, researchers, and others concerned with na tional and international food and agricultural policy. IFPRI is a member of the Consultative Group on Inter national Agricultural Research and receives support from a number of governments, multilateral organiza tions, foundations, and other sources. INTERNATIONAL FOOD POLICY RESEARCH INSTITUTE IFPRI REPORT 1993 CONTENTS Introduction: The Year in Review Per Pinstrup-Andersen Research Results 1 1 Environment and Production Technology Division 15 Markets and Structural Studies Division 19 Food Consumption and Nutrition Division 23 Trade and Macroeconomics Division Outreach 25 Outreach Division 29 Collaboration 33 Publications and Papers 43 Personnel 47 Financial Statements BOARD OF TRUSTEES Gerry Helleiner, Chairman James Charles Ingram Professor of Economics Director University of Toronto The Australian Institute of Toronto, Canada International Affairs Canberra, Australia Sjarifuddin Baharsjah Junior Minister Dharma Kumar Ministry of Agriculture Professor of Economic History Jakarta, Indonesia Delhi School of Economics New Delhi, India David E. -
60 / Running Head
60 / running head RahsaRahsaaRahsaan Roland Kirk Photo by Michael Wilderman monstrosioso 1965: The Creeper The fussy encyclopedic gravity of the Hammond B-3 overcome and the electric organ lofted to hard-bop orbit, still trailing diapasons of his mother’s church music and the boogie-woogie tap-dance routines of his father’s band—The Incredible Jimmy Smith proclaimed the block letters on a score of albums since the 1956 breakout recordings on Blue Note, those words celebrating a nearly miraculous mating of technology and soul. The thing had first stirred to life at a club in Atlantic City where he heard Wild Bill Davis make the Hammond roar like a big wave. It was a monster, upsurged through chocked, choppy chords and backwashed through rilling legatos, wattage enough there to power the entire Basie band. Davis was gruff, brash, gloriously loud, a bumptious lumbering at- tack, great swoops down on the keys and shameless ripsaw goosings of reverb and tremolo, the organ not so much singing as signaling, the music stripped to pure swelling impulse. For a piano player schooled in the over- brimming muscular lines of Art Tatum and the stabbing, nervous prances of Bud Powell, it was almost risible, the goddamned wired-up thing rock- ing on stage like a gurgling showboat. Fats Waller on “Jitterbug Waltz” coaxed over the organ with a percolating finesse as if running a trapeze artist up a swaying wire, but Davis almost seemed clumsy by design, as if in awe of the organ’s powers yet unable to forego provoking them. -
1993 February 24, 25, 26 & 27, 1993
dF Universitycrldaho LIoNEL HmPToN/CHEVRoN JnzzFrsrr\Al 1993 February 24, 25, 26 & 27, 1993 t./¡ /ìl DR. LYNN J. SKtNNER, Jazz Festival Executive Director VtcKt KtNc, Program Coordinator BRTNoR CAtN, Program Coordinator J ¡i SusnN EHRSTINE, Assistant Coordinator ltl ñ 2 o o = Concert Producer: I É Lionel Hampton, J F assisted by Bill Titone and Dr. Lynn J. Skinner tr t_9!Ð3 ü This project is supported in part by a grant from the National Endowment for the Arts We Dedicate this 1993 Lionel Hømpton/Chevron Jøzz Festivül to Lionel's 65 Years of Devotion to the World of Juzz Page 2 6 9 ll t3 r3 t4 l3 37 Collcgc/Univcrsity Compctition Schcdulc - Thursday, Feh. 25, 1993 43 Vocal Enserrrbles & Vocal Conrbos................ Harnpton Music Bldg. Recital Hall ...................... 44 45 46 47 Vocal Compctition Schcrlulc - Fridav, Fcli. 2ó, 1993 AA"AA/AA/Middle School Ensenrbles ..... Adrrrin. Auditoriunr 5l Idaho Is OurTenitory. 52 Horizon Air has more flights to more Northwest cities A/Jr. High/.Ir. Secondary Ensenrbles ........ Hampton Music Blclg. Recital Hall ...............,...... 53 than any other airline. 54 From our Boise hub, we serve the Idaho cities of Sun 55 56 Valley, Idaho Falls, Lewiston, MoscowÆullman, Pocatello and AA/A/B/JHS/MIDS/JR.SEC. Soloists ....... North Carnpus Cenrer ll ................. 57 Twin Falls. And there's frequent direct service to Portland, lnstrurncntal Corupctilion'Schcrlulc - Saturday, Fcll. 27, 1993 Salt Lake City, Spokane and Seattle as well. We also offer 6l low-cost Sun Valley winter 8,{. {ÀtûåRY 62 and summer vacation vt('8a*" å.t. 63 packages, including fOFT 64 airfare and lodging. -
Fall 2019 Newsletter
Monday, November 30, 2020 Quarter Notes Volume 6, Issue 2 Fall 2019 In This Issue Madams of the Organ ‣ Madams of the Organ By Matt Silver ‣ And So It Began ‣ The Organ and its Philly/Atlantic Female jazz instrumentalists have long faced an uphill battle for recognition, both from City Connection fellow musicians and, more often, from those charged with shaping the public’s ‣ OGD (Organ Guitar Drum) perception of jazz and those who play it̶jazz journalists. In his 1967 book The Big ‣ Member Spotlight: Phylliss Childs Bands, George T. Simon, one of the most influential jazz writers of the Swing Era, wrote, “Only God can make a tree, and only men can play good jazz.” ‣ Organ + Drums = A Dynamic Duo ‣ The Art in P(ART)nership Philadelphia hasn’t always been on the right side of history, socially speaking̶perhaps ‣ Organ Drummers an understatement to rival some of history’s most flagrant. But the idea that women ‣ The (multi-faceted) purpose of can’t play jazz never gained much purchase here̶because the women who could play, Jazz, and the need for and there’ve been several over the years, were impossible to ignore. Improvisation and jazz education in our lives “One thing you’ll never hear in Philadelphia is that women can’t play,” said organist Rich Budesa, one of many now-accomplished jazz musicians to receive on-the-job training from legendary jazz organist (and pianist) Shirley Scott. “Between Shirley and Trudy [Pitts], we knew better.” Shirley Scott and Trudy Pitts. Different, but forever linked. And where any serious conversation about female jazz organists Order Your Tickets Today! must begin. -
The Hard Bop Trombone: an Exploration of the Improvisational Styles of the Four Trombonist Who Defined the Genre (1955-1964)
Graduate Theses, Dissertations, and Problem Reports 2019 The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett Curtis Goods West Virginia University, [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Music Performance Commons Recommended Citation Goods, Emmett Curtis, "The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964)" (2019). Graduate Theses, Dissertations, and Problem Reports. 7464. https://researchrepository.wvu.edu/etd/7464 This Dissertation is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Dissertation has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. The Hard Bop Trombone: An exploration of the improvisational styles of the four trombonist who defined the genre (1955-1964) Emmett C. Goods Dissertation submitted to the School of Music at West Virginia University in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Trombone Performance H. -
June 2009 Editor: Tim Coakley WEBSITE: DAILY
A P A PLACE FOR JAZZ O R June 2009 Editor: Tim Coakley WEBSITE: HTTP://WWW.APLACEFORJAZZ.ORG—UPDATED DAILY Ready, Get Set . Swing! by Tim Coakley Not to rush you through the last few years and have always The management of APFJ summer, but plans are already delighted their audiences. continually strives to find ways in place for the 2009 fall season to better serve the jazz lovers of A Place for Jazz. So, as you of the Capital District. Would- enjoy the sounds and warmth of On Oct. 23, organist Gene Ludwig will bring his big- n't it be good if we could get June, July and August, be sure this newsletter in front of your to mark your calendar for an- sounding trio to our stage, fea- turing guitarist Dave Stryker, eyes quicker? And if we could other series of diverse and en- reduce our printing and post- tertaining concerts at the First who played so well with Karrin Allyson last fall. age costs, we wouldn't have to Unitarian Society of raise our concert prices. Schenectady. Rounding out the year on Nov. So we're going to start to dis- Kicking off our season on Sept. 6 will be one of the Capital Re- gion’s outstanding group of tribute this newsletter by e- 11 will be the dynamic tenor mail to as many of you as pos- saxophonist Eric Alexander young players, the Steve Lam- bert Sextet. Those who at- sible. We'll continue to mail it and his quintet, featuring trom- to the non-techies among you, bonist Steve Davis, in an eve- tended the Schenectady Musical Union’s bash in April will attest but if you've got a computer, ning of straight-ahead yet ad- please give us your e-mail ad- venturous music. -
Wild Bill Davis One More Time Mp3, Flac, Wma
Wild Bill Davis One More Time mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: One More Time Country: Australia Style: Easy Listening MP3 version RAR size: 1657 mb FLAC version RAR size: 1836 mb WMA version RAR size: 1537 mb Rating: 4.1 Votes: 649 Other Formats: AU MPC AAC AIFF ADX AUD MOD Tracklist A1 April In Paris A2 Canadian Sunset A3 On A Little Street In Singapore A4 Lisbon Antigua A5 Midnight In Moscow A6 Hawaiian War Chant B1 Brazil B1 The Poor People Of Paris B3 Manhattan B4 On A Slow Boat To China B5 Arrivederci Roma B6 African Waltz Companies, etc. Manufactured For – Festival Records Other versions Category Artist Title (Format) Label Category Country Year Wild Bill One More Time (LP, CRL 57417 Coral CRL 57417 US 1962 Davis Album, Mono) Wild Bill MCA COP/S 1563 One More Time (LP) COP/S 1563 Australia Unknown Davis Records LPCS 119, Wild Bill At The Organ (LP, Coral, LPCS 119, France 1968 LPCS.119 Davis RE) Coral LPCS.119 Wild Bill One More Time (LP, CRL 757417 Coral CRL 757417 US 1962 Davis Album) Wild Bill CRL 57417 One More Time (LP) Coral CRL 57417 US 1962 Davis Related Music albums to One More Time by Wild Bill Davis Gloria Lynne - Miss Gloria Lynne With Wild Bill Davis And His Group Slam Stewart Featuring Milt Buckner, Wild Bill Davis & Jo Jones - Slam Stewart Featuring Milt Buckner, Wild Bill Davis & Jo Jones Wild Bill Davis - Swings My Fair Lady Johnny Hodges & Wild Bill Davis - Wings And Things Wild Bill Davison - The Davison-Brunis Sessions Vol. -
The 2017 NEA Jazz Masters Tribute Concert Honoring the 2017 National Endowment for the Arts Jazz Masters
4-3 NEA JAZZ.qxp_WPAS 3/24/17 8:41 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN, Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 3, 2017 at 7:30 The Kennedy Center and the National Endowment for the Arts present The 2017 NEA Jazz Masters Tribute Concert Honoring the 2017 National Endowment for the Arts Jazz Masters DEE DEE BRIDGEWATER IRA GITLER DAVE HOLLAND DICK HYMAN DR. LONNIE SMITH Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio. WPFW 89.3 FM is a media partner of Kennedy Center Jazz. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-3 NEA JAZZ.qxp_WPAS 3/24/17 8:41 AM Page 2 THE 2017 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts KENNY BARRON, NEA Jazz Master DAN MORGENSTERN, NEA Jazz Master GARY GIDDINS, jazz and film critic JESSYE NORMAN, Kennedy Center Honoree and recipient, National Medal of Arts The 2017 NEA JAzz MASTERS Performances by PAQUITO D’RIVERA, saxophone LEE KONITz, alto saxophone Special Guests Bill Charlap, piano Sherrie Maricle and the Theo Croker, trumpet DIVA Jazz Orchestra Aaron Diehl, piano Sherrie Maricle, leader and drummer Robin Eubanks, trombone Tomoko Ohno, piano James Genus, bass Noriko Ueda, bass Donald Harrison, saxophone Jennifer Krupa , lead trombonist Booker T. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Ending and New Beginnings 22 to 25 February 2016, Addis Ababa, Ethiopia
WHO/IVB/16.01 CONFERENCE REPORT Closure conference of the Meningitis Vaccine Project Ending and new beginnings 22 to 25 February 2016, Addis Ababa, Ethiopia The conference was jointly hosted by the World Health Organization and PATH, partners in the Meningitis Vaccine Project. Special thanks to the Bill & Melinda Gates Foundation and the National Philanthropic Trust for their generous financial support © World Health Organization 2016. All rights reserved. The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the World Health Organization concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. Dotted and dashed lines on maps represent approximate border lines for which there may not yet be full agreement. All reasonable precautions have been taken by the World Health Organization to verify the information contained in this publication. However, the published material is being distributed without warranty of any kind, either expressed or implied. The responsibility for the interpretation and use of the material lies with the reader. In no event shall the World Health Organization be liable for damages arising from its use. Contents Photo Credits .................................................................................................................................3 Abbreviations and acronyms ..........................................................................................................4