Richard Franklin (1630-1698)
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Pedigrees of the County Families of Yorkshire
94i2 . 7401 F81p v.3 1267473 GENEALOGY COLLECTION 3 1833 00727 0389 Digitized by the Internet Archive in 2010 with funding from Allen County Public Library Genealogy Center http://www.archive.org/details/pedigreesofcount03fost PEDIGREES YORKSHIRE FAMILIES. PEDIGREES THE COUNTY FAMILIES YORKSHIRE COMPILED BY JOSEPH FOSTER AND AUTHENTICATED BY THE MEMBERS, OF EACH FAMILY VOL. fL—NORTH AND EAST RIDING LONDON: PRINTED AND PUBLISHED FOR THE COMPILER BY W. WILFRED HEAD, PLOUGH COURT, FETTER LANE, E.G. LIST OF PEDIGREES.—VOL. II. t all type refer to fa Hies introduced into the Pedigrees, i e Pedigree in which the for will be found on refer • to the Boynton Pedigr ALLAN, of Blackwell Hall, and Barton. CHAPMAN, of Whitby Strand. A ppleyard — Boynton Charlton— Belasyse. Atkinson— Tuke, of Thorner. CHAYTOR, of Croft Hall. De Audley—Cayley. CHOLMELEY, of Brandsby Hall, Cholmley, of Boynton. Barker— Mason. Whitby, and Howsham. Barnard—Gee. Cholmley—Strickland-Constable, of Flamborough. Bayley—Sotheron Cholmondeley— Cholmley. Beauchamp— Cayley. CLAPHAM, of Clapham, Beamsley, &c. Eeaumont—Scott. De Clare—Cayley. BECK.WITH, of Clint, Aikton, Stillingfleet, Poppleton, Clifford, see Constable, of Constable-Burton. Aldborough, Thurcroft, &c. Coldwell— Pease, of Hutton. BELASYSE, of Belasvse, Henknowle, Newborough, Worlaby. Colvile, see Mauleverer. and Long Marton. Consett— Preston, of Askham. Bellasis, of Long Marton, see Belasyse. CLIFFORD-CONSTABLE, of Constable-Burton, &c. Le Belward—Cholmeley. CONSTABLE, of Catfoss. Beresford —Peirse, of Bedale, &c. CONSTABLE, of Flamborough, &c. BEST, of Elmswell, and Middleton Quernhow. Constable—Cholmley, Strickland. Best—Norcliffe, Coore, of Scruton, see Gale. Beste— Best. Copsie—Favell, Scott. BETHELL, of Rise. Cromwell—Worsley. Bingham—Belasyse. -
Ackworth School Catalogue Being a List of All the Boys and Girls
A C K W O R T H S C H O O L C A T A L O G U E ; LIST O F THE BO YS AN D GIRLS T PERIO D . “ COMPILED F R OM THE OFFI CIAL REGISTERS . LO N DO N 7 I i ZE ST AL I) li D "A. I \ IN I) Al L G R A C E C H U R C H S T R E E L 1 83 1 . Lu ll’d in n le b of b i the cou t ss cham ers the ra n , O u rthoug hts lie link e d by many ahidde n chain 5 _ A k b u t afl d 10 w m fialds i wa e one, , hat y r se E c its i fl ies a h stamp s mag e, as the other E i s of e ach, as the var ou avenues sens , D li to sou l i e g ht or sorrow the d sp ense, B i f all i iart r g htens or ades ; and , w th mag c , r s Controlthe latent fib e ofthe heart . R O GE R S . LO N D O N ' P R I N T D B \ J M A T R ALD R S G AT S T R EET . E S E S , E E AD V E R T I S E ME N T . I T would be quite a waste of time t o attempt an analysis of the feel v ings of interest, with which an Ackworth Scholar will recei e and refer to . -
Cornwall Parish Registers. Marriages. VIII
Co r nwall Par is h ( m arriages. ED ITE D B Y M R E . W . PH I LLI O P W . , M A , R THOMAS TAYLO , M . A . , ’ V ar . t i i c of S t j us n P enwzth . A N D H MR S . J. G LEN C ROSS . VOL . VI I I . 10110011 I S SUE D TO xm: S UB S CRIBERS BY PH I LLI MOR E Co 12 H A C Y A 4 , C N ER L NE , I 90 5 P R E F A C E . Those who have wat ch ed the patient laborious effort by whi c h only it has become possible to issue two volumes of Cornish Registers every year , will appreciate the feeling o fsatisfaction wherewith the editors again commit the results the of the of their labours into hands subscribers . I t was B o c — a rad . o r hoped th t Boconnoc , , and St Winnow som e of e —w e e the th m ould hav b en included in present volume , was e out the but , as point d in a previous issue , contents of a volume are condition ed by the amount of available e e w a e material , and it seemed b tt r to print h t was alr ady in hand than to wait until the entries of the above parishes were transcribed . Not th at subscribers hav e any reason to be disappointed with the contents of the volum e as it ff is here presented . -
Furbish'd Remnants
UNIVERSITY OF CALIFORNIA Los Angeles “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Angelina Marie Del Balzo 2019 Ó Copyright by Angelina Marie Del Balzo 2019 ABSTRACT OF THE DISSERTATION “Furbish’d Remnants”: Theatrical Adaptation and the Orient, 1660-1815 by Angelina Marie Del Balzo Doctor of Philosophy in English University of California, Los Angeles, 2019 Professor Felicity A. Nussbaum, Chair Furbish’d Remnants argues that eighteenth-century theatrical adaptations set in the Orient destabilize categories of difference, introducing Oriental characters as subjects of sympathy while at the same time defamiliarizing the people and space of London. Applying contemporary theories of emotion, I contend that in eighteenth-century theater, the actor and the character become distinct subjects for the affective transfer of sympathy, increasing the emotional potential of performance beyond the narrative onstage. Adaptation as a form heightens this alienation effect, by drawing attention to narrative’s properties as an artistic construction. A paradox at the heart of eighteenth-century theater is that while the term “adaptation” did not have a specific literary or theatrical definition until near the end of the period, in practice adaptations and translations proliferated on the English stage. Anticipating Linda Hutcheon’s postmodernist theory of adaptation, eighteenth-century playwrights and performers conceptualized adaptation as both process and product. Adaptation created a narrative mode that emphasized the process and labor of performance for audiences in order to create a higher level of engagement with ii audiences. -
List of Fellows of the Royal Society 1660 – 2007
Library and Information Services List of Fellows of the Royal Society 1660 – 2007 A - J Library and Information Services List of Fellows of the Royal Society 1660 - 2007 A complete listing of all Fellows and Foreign Members since the foundation of the Society A - J July 2007 List of Fellows of the Royal Society 1660 - 2007 The list contains the name, dates of birth and death (where known), membership type and date of election for all Fellows of the Royal Society since 1660, including the most recently elected Fellows (details correct at July 2007) and provides a quick reference to around 8,000 Fellows. It is produced from the Sackler Archive Resource, a biographical database of Fellows of the Royal Society since its foundation in 1660. Generously funded by Dr Raymond R Sackler, Hon KBE, and Mrs Beverly Sackler, the Resource offers access to information on all Fellows of the Royal Society since the seventeenth century, from key characters in the evolution of science to fascinating lesser- known figures. In addition to the information presented in this list, records include details of a Fellow’s education, career, participation in the Royal Society and membership of other societies. Citations and proposers have been transcribed from election certificates and added to the online archive catalogue and digital images of the certificates have been attached to the catalogue records. This list is also available in electronic form via the Library pages of the Royal Society web site: www.royalsoc.ac.uk/library Contributions of biographical details on any Fellow would be most welcome. -
Unusual Punishments” in Anglo- American Law: the Ed Ath Penalty As Arbitrary, Discriminatory, and Cruel and Unusual John D
Northwestern Journal of Law & Social Policy Volume 13 | Issue 4 Article 2 Spring 2018 The onceptC of “Unusual Punishments” in Anglo- American Law: The eD ath Penalty as Arbitrary, Discriminatory, and Cruel and Unusual John D. Bessler Recommended Citation John D. Bessler, The Concept of “Unusual Punishments” in Anglo-American Law: The Death Penalty as Arbitrary, Discriminatory, and Cruel and Unusual, 13 Nw. J. L. & Soc. Pol'y. 307 (2018). https://scholarlycommons.law.northwestern.edu/njlsp/vol13/iss4/2 This Article is brought to you for free and open access by Northwestern Pritzker School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of Law & Social Policy by an authorized editor of Northwestern Pritzker School of Law Scholarly Commons. Copyright 2018 by Northwestern University Pritzker School of Law `Vol. 13, Issue 4 (2018) Northwestern Journal of Law and Social Policy The Concept of “Unusual Punishments” in Anglo-American Law: The Death Penalty as Arbitrary, Discriminatory, and Cruel and Unusual John D. Bessler* ABSTRACT The Eighth Amendment of the U.S. Constitution, like the English Bill of Rights before it, safeguards against the infliction of “cruel and unusual punishments.” To better understand the meaning of that provision, this Article explores the concept of “unusual punishments” and its opposite, “usual punishments.” In particular, this Article traces the use of the “usual” and “unusual” punishments terminology in Anglo-American sources to shed new light on the Eighth Amendment’s Cruel and Unusual Punishments Clause. The Article surveys historical references to “usual” and “unusual” punishments in early English and American texts, then analyzes the development of American constitutional law as it relates to the dividing line between “usual” and “unusual” punishments. -
Trips to the Moon, by Lucian
Trips to the Moon, by Lucian This eBook was prepared by Les Bowler, St. Ives, Dorset. TRIPS TO THE MOON by Lucian. Translated from the Greek by Thomas Francklin, D.D. CONTENTS. Introduction by Professor Henry Morley. Instructions for Writing History. The True History. Preface. Book 1. Book 2. Icaro-Menippus—A Dialogue. INTRODUCTION. Lucian, in Greek Loukianos, was a Syrian, born about the year 120 at Samosata, where a bend of the Euphrates brings that river nearest to the borders of Cilicia in Asia Minor. He had in him by nature a quick flow of wit, with a bent towards Greek literature. It was thought at home that he showed as a boy the artist nature by his skill in making little waxen images. An uncle on his mother’s side happened to be a sculptor. The home was poor, Lucian would have his bread to earn, and when he was fourteen he was apprenticed to his uncle that he might learn to become a sculptor. Before long, while polishing a marble tablet he pressed on it too heavily and broke it. His uncle thrashed him. Lucian’s spirit rebelled, and he went home giving the comic reason that his uncle beat him because jealous of the extraordinary power he showed in his art. After some debate Lucian abandoned training as a sculptor, studied literature and rhetoric, and qualified himself for the career of an advocate and teacher at a time when rhetoric had still a chief place in the schools. He practised for a short time unsuccessfully at Antioch, and then travelled for the cultivation of his mind in Greece, Italy, and Gaul, making his way by use of his wits, as Goldsmith did long afterwards when he started, at the outset also of his career as a writer, on a grand tour of the continent with nothing in his pocket. -
The Reception of Ancient Greek Tragedy in England 1660- 1760
THE RECEPTION OF ANCIENT GREEK TRAGEDY IN ENGLAND 1660- 1760 Michael Waters, University College London Submitted for the degree of Doctor of Philosophy 1 I, Michael Waters confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 ABSTRACT The dissertation enquires into some of the forms that the reception of ancient Greek tragedy took in England between 1660 and 1760. It looks at those critics and translators who engaged most with ancient Greek tragedy and whose engagement was accompanied by an interest in ancient theory and native English literature. Chapter 1, after examining works by George Gascoigne and Francis Kinwelmershe, Thomas Goffe, Thomas May and Christopher Wase, considers William Joyner’s original tragedy The Roman Empress (1670) in order to see what use Joyner made of Sophocles’ Oedipus and Euripides’ Hippolytus and Medea. Chapter 2 turns to the writings of, especially, John Dryden, Thomas Rymer, John Dennis and Charles Gildon, who were the most prolific and interesting commentators on dramatic theory in England at this time, and assesses their different perspectives on the questions of tragedy and the modern stage. Chapter 3 addresses separately comments on ancient Greek tragedy contained in Jeremy Collier’s attack on contemporary English theatre in A Short View of the Immorality, and Profaneness of the English Stage (1698) and in replies to him. Chapter 4 concentrates on Lewis Theobald’s translations of Sophocles’ Electra (1714) and Oedipus (1715) and how his views of ancient Greek tragedy influenced, and were influenced by, his interest in Shakespeare, an edition of whose plays he published in 1733. -
4 ` Cicero' on the (Theatre) Stage
4 CI` CERO' ON THE(THEATRE) STAGE The earliest dramas in which ‘Cicero’ appears on stage as acharacter date from the last quarter of the sixteenth century: apiece in France, one in Germany and (at least) three in Britain were produced in fairly quick succession. In all of these ‘Cicero’ is not the protagonist after whom the plays are named; instead, he is a more or less important figure involved in the dramatic action. 4.1 Robert Garnier, Corne´ lie (1574) Context Robert Garnier ( c. 1545–1590) studied law and did legal work in Paris before becoming amagistrate in his native district of Maine (a region in France) and later amember of the Grand Conseil du Royaume in Paris. From his student days onwards Garnier wrote literary works, starting with lyric and later turning to dramatic poetry.Heisnow regarded as one of the most significant French dramatists of the sixteenth century. The majority of Garnier’splays dramatize stories from the ancient world: Porcie (1568), Corne´ lie (1574), Hippolyte (1574), Marc-Antoine (1578), La Troade (1579) and Antigone (1580). At the same time the themes have contemporary resonance: the pieces share an emphasis on civil war,are characterized by arepublican outlook and were published during the turbulent period of the French Wars of Religion.1 As for their form, Garnier’splays feature little dramatic action and rather consist of an alternation of rhetorically developed speeches and choruses; they are based on the model of Seneca’sLatin tragedies.2 28 R EVIVING C ICEROIN D RAMA Corne´ lie was first performed in 1573; it was first published in 1574 and then included in an edition of Garnier’stragedies in 1585. -
John Larpent Plays
http://oac.cdlib.org/findaid/ark:/13030/tf1h4n985c No online items John Larpent Plays Processed by Dougald MacMillan in 1939; supplementary encoding and revision by Diann Benti in January 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © 2000 The Huntington Library. All rights reserved. John Larpent Plays mssLA 1-2503 1 Overview of the Collection Title: John Larpent Plays Dates (inclusive): 1737-1824 Collection Number: mssLA 1-2503 Creator: Larpent, John, 1741-1824. Extent: 2,503 pieces. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: This collection consists of official manuscript copies of plays submitted for licensing in Great Britain between 1737 and 1824 that were in the possession of John Larpent (1741-1824), the examiner of plays, at the time of his death in 1824. The collection includes 2,399 identified plays as well as an additional 104 unidentified pieces including addresses, prologues, epilogues, etc. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher. -
Martial Women in the British Theatre: 1789-1804
MARTIAL WOMEN IN THE BRITISH THEATRE: 1789-1804 SARAH CATHERINE BURDETT PHD UNIVERSITY OF YORK ENGLISH AND RELATED LITERATURE AUGUST 2016 II ABSTRACT In the period of the French Revolution, the armed or martial woman comes to stand in Britain as the representative of extreme political and social disruption. She embodies, in striking form, the revolutionary chaos witnessed across the channel, which threatens to infect British culture. This thesis traces shifting representations of the female warrior, and examines the complex processes by which the threat that she personifies is handled in British tragedies and sentimental comedies, written and performed in London and Dublin between 1789 and 1804. The study presents the British theatre as an arena in which the significance of the arms-bearing woman is constantly re-modelled and re-appropriated to fulfil diverse ideological functions. Used to challenge as well as to enforce established notions of sex and gender difference, she is fashioned also as an allegorical tool, serving both to condemn and to champion political rebellion in England, France and Ireland. Combining close readings of dramatic texts with detailed discussions of production and performance histories, this thesis tells a story of the martial woman’s evolution in British dramas, which emphasises her multifaceted and protean identity, and shows her development not to have followed a stable or linear pattern, but to have been constantly redirected by an expansive range of contextual factors: historical, social, and theatrical. -
“Monuments of Unageing Intellect”
“Monuments of Unageing Intellect” by Melvyn New Which one of us would not dream that it might be said of his work of a lifetime: “He wrote a few good footnotes”? Simon Leys, The Hall of Uselessness. Several years ago Janine Barchas wrote an review essay of the first three volumes of the Cambridge Edition of the Works of Samuel Richardson (Eighteenth-Century Life, 38.3 [2014], 118-24), entitled “First and Last,” a title reflecting the fact that the Cambridge Works will be “the first-ever annotated edition of this author’s complete output” (my italics) and her opinion that it will be the last such print edition. Perhaps this caught my attention because in the same year I had just published the ninth and final volume of my thirty-five-year project of a scholarly edition of Laurence Sterne’s works, and had opined in its introduction that “what a scholarly editor learns, and I believe my coeditors will agree with this, is that after the final volume of the Florida Sterne, nothing remains but to start over again. A new scholarly edition of Sterne’s works will perhaps not be undertaken for another decade or two, but if Sterne is to continue to be read, his work must be edited and annotated anew for different times and new readers.” Or, just as likely, her review caught my eye because I am a coeditor of four volumes in the Richardson project, a scholarly edition of Sir Charles Grandison. Whatever the reason, I found her essay-review captivating, if also disturbing, and was even temporarily persuaded by many of her cogent arguments against the seemingly endless proliferation of very costly scholarly editions in the electronic era.