Translation and Analysis of Two Fragments from Pietro Pomponazzi
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Biblical Trinity Doctrine and Christology Translation of L
Ludwig Neidhart: Biblical Trinity Doctrine and Christology translation of L. Neidhart, Biblische Trinitätslehre und Christologie, published online on http://catholic-church.org/ao/ps/Trinitaet.html, translated by the author, published online on http://catholic-church.org/ao/ps/downloads/TrinityChristology.pdf © Dr. Ludwig Neidhart, Hannover 1990 (original German Version) © Dr. Ludwig Neidhart, Augsburg 2017 (extended German Version and English translation) corrected and extended Version January 09, 2021 Contents: 1. Unity in Essence and Personal Distinction between Father and Son......................................................3 2. The Unity in Essence between the Father and the Son: Ten Biblical Arguments..................................8 3. The Holy Spirit or Holy Ghost..................................................................................................................18 4. The Triune God..........................................................................................................................................21 5. Trinity and Incarnation.............................................................................................................................29 6. Development of the Doctrine of Trinity and Incarnation......................................................................31 7. Summary and Graphic Presentation of the Concepts of Trinity and Incarnation..............................48 8. Discussion: Is the Son subordinated to the Father?...............................................................................50 -
Pomponazzi on Identity and Individuation Han Thomas Adriaenssen Abstract. Aristotle Defines Growing As a Process in Which An
Final version forthcoming in Journal of the History of Philosophy Pomponazzi on Identity and Individuation Han Thomas Adriaenssen Abstract. Aristotle defines growing as a process in which an individual living being persists as it accumulates new matter. This definition raises the question of what enables an individual to persist as its material composition continuously changes over time. This paper provides a systematic account of Pietro Pomponazzi’s answer to this question. In his De nutritione et augmentatione, Pomponazzi argues that individuals persist in virtue of their forms. Forms are individuated in part by their material, causal, and temporal origins, which commits Pomponazzi to the view that individuals necessarily have the material, causal, and temporal origins they do. I provide an account of why Pomponazzi was willing to this view. While his opponents remain unnamed, I argue that his arguments for this view are best read as addressing, among others, Paul of Venice and Gregory of Rimini. In On Generation and Corruption, Aristotle describes growing as a process in which “any and every part of the growing magnitude is made bigger . by the accession of something, and thirdly in such a way that the growing thing is preserved and persists” (321a18–22).1 For instance, when an animal grows as the result of the intake of food, all of its limbs grow larger as the result of the intake of new matter, in such a way that the same individual animal persists throughout the process. 1 All Aristotle translations are taken from the Jonathan Barnes edition of the Complete Works. 1 Final version forthcoming in Journal of the History of Philosophy Simple though it may perhaps appear, this definition confronted Aristotle’s later followers and commentators with a problem. -
The Aeolipile As Experimental Model in Early Modern Natural Philosophy
7KH$HROLSLOHDV([SHULPHQWDO0RGHOLQ(DUO\0RGHUQ1DWXUDO3KLORVRSK\ &UDLJ0DUWLQ 3HUVSHFWLYHVRQ6FLHQFH9ROXPH1XPEHU0D\-XQHSS $UWLFOH 3XEOLVKHGE\7KH0,73UHVV )RUDGGLWLRQDOLQIRUPDWLRQDERXWWKLVDUWLFOH KWWSVPXVHMKXHGXDUWLFOH Access provided by Oakland University (22 Aug 2016 16:29 GMT) The Aeolipile as Experimental Model in Early Modern Natural Philosophy Craig Martin Oakland University What causes winds was regarded as one of the most difficult questions of early modern natural philosophy. Vitruvius, the ancient Roman architectural au- thor, put forth an alternative to Aristotle’s theory by likening the generation of wind to the actions of the aeolipile, which he believed made artificial winds. As Vitruvius’s work proliferated during the sixteenth and seventeenth centu- ries, numerous natural philosophers, including Descartes, used the aeolipile as a model for nature. Yet, interpretations of Vitruvius’s text and of the relation of the aeolipile to natural winds varied according to definitions and concep- tions of air, wind, rarefaction, condensation, and vapor. 1. Introduction Numerous early modern natural philosophers, Aristotelians as well as their detractors, invoked the workings of the aeolipile to explain the origin and matter of winds. An aeolipile, in its simplest form, is a hollow metal ball or vessel that has one or two small openings. An external fire, or other source of heat, warms water placed within the ball until jets of steam and air shoot forth from the aperture or apertures. From antiquity to the seventeenth century, natural philosophers referred to this artificial device as evidence for specific theories of the wind. These writings typically cited Vitruvius, the ancient Roman author of De architectura, who gave the earliest Prelimary versions of the paper were presented at seminars sponsored by the Department of History and Science and Technology at Johns Hopkins University and by the Graduate School Field Committee in Medieval and Early Modern Studies at the University of Maryland, College Park. -
Pietro Pomponazzi – the Most Representative Aristotelian of the Italian Renaissance
188 PIETRO POMPONAZZI – THE MOST REPRESENTATIVE ARISTOTELIAN OF THE ITALIAN RENAISSANCE Anna MAKOLKIN1 ABSTRACT. In European cultural history, the name of Pietro Pomponazzi (1462-1525) is associated with the re-birth of the ancient pagan Graeco-Roman cultural legacy and the revival of the ancient natural philosophy, as well with the debate over the power of Man and God. He is also one of the most prominent neo-Aristotelians of the Renaissance who promoted Aristotle’s natural philosophy, contrasted with the thought of Plato, thus continuing the ongoing comparative analysis of Platonism and Aristotelianism. Pomponazzi who claimed that “a philosopher has to be a heretic” entered European cultural history as a truly radical thinker, having turned his advocacy of Aristotle into a weapon against the Church dogma, Mediaeval scholasticism, theological main arguments, and religion in general. The Renaissance neo-Aristotelianism is unthinkable without Pomponazzi’s battle for the materiality of cosmos and human body, without his denunciation of the immortality of the soul – the main premise of Christian ideology and mythology – that was going on nearly a100 years prior to the burning of Giordano Bruno. This paper brings to the surface of the current philosophical discourse this less known but an extremely significant Renaissance thinker, an alumnus of the University of Padua, “the cradle of Aristotelianism” during the High Renaissance. KEY WORDS: Aristotle, Aristotelianism, natural philosophy, organic essence, Faith, Reason, heresy, heretic, Plato(nism), immortality of the soul, religious myth, Cosmos Contents Introduction 1. Biography of a Heretic 2. Italy – the most Preserved Archive of Aristotelianism 3. Padua – Pomponazzi’s Alma Mater 4. -
As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain
Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Florence, February 2007 EUROPEAN UNIVERSITY INSTITUTE Department of History and Civilization As Above, So Below. Astrology and the Inquisition in Seventeenth-Century New Spain Ana Avalos Thesis submitted for assessment with a view to obtaining the degree of Doctor of History and Civilization of the European University Institute Examining Board: Prof. Peter Becker, Johannes-Kepler-Universität Linz Institut für Neuere Geschichte und Zeitgeschichte (Supervisor) Prof. Víctor Navarro Brotons, Istituto de Historia de la Ciencia y Documentación “López Piñero” (External Supervisor) Prof. Antonella Romano, European University Institute Prof. Perla Chinchilla Pawling, Universidad Iberoamericana © 2007, Ana Avalos No part of this thesis may be copied, reproduced or transmitted without prior permission of the author A Bernardo y Lupita. ‘That which is above is like that which is below and that which is below is like that which is above, to achieve the wonders of the one thing…’ Hermes Trismegistus Contents Acknowledgements 4 Abbreviations 5 Introduction 6 1. The place of astrology in the history of the Scientific Revolution 7 2. The place of astrology in the history of the Inquisition 13 3. Astrology and the Inquisition in seventeenth-century New Spain 17 Chapter 1. Early Modern Astrology: a Question of Discipline? 24 1.1. The astrological tradition 27 1.2. Astrological practice 32 1.3. Astrology and medicine in the New World 41 1.4. -
The Renaissance Society of America Annual Meeting
CHICAGO 30 March–1 April 2017 RSA 2017 Annual Meeting, Chicago, 30 March–1 April Photograph © 2017 The Art Institute of Chicago. Institute The Art © 2017 Photograph of Chicago. Institute The Art © 2017 Photograph The Renaissance Society of America Annual Meeting The Renaissance Society of America Annual Meeting Program Chicago 30 March–1 April 2017 Front and back covers: Jacob Halder and Workshop, English, Greenwich, active 1576–1608. Portions of a Field Armor, ca. 1590. Steel, etched and gilded, iron, brass, and leather. George F. Harding Collection, 1982.2241a-h. Art Institute of Chicago. Contents RSA Executive Board .......................................................................5 RSA Staff ........................................................................................6 RSA Donors in 2016 .......................................................................7 RSA Life Members ...........................................................................8 RSA Patron Members....................................................................... 9 Sponsors ........................................................................................ 10 Program Committee .......................................................................10 Discipline Representatives, 2015–17 ...............................................10 Participating Associate Organizations ............................................. 11 Registration and Book Exhibition ...................................................14 Policy on Recording and Live -
The Cambridge Companion to Age of Constantine.Pdf
The Cambridge Companion to THE AGE OF CONSTANTINE S The Cambridge Companion to the Age of Constantine offers students a com- prehensive one-volume introduction to this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, reli- gion, social and economic history, art, and foreign relations during the reign of Constantine, a ruler who gains in importance because he steered the Roman Empire on a course parallel with his own personal develop- ment. Each chapter examines the intimate interplay between emperor and empire and between a powerful personality and his world. Collec- tively, the chapters show how both were mutually affected in ways that shaped the world of late antiquity and even affect our own world today. Noel Lenski is Associate Professor of Classics at the University of Colorado, Boulder. A specialist in the history of late antiquity, he is the author of numerous articles on military, political, cultural, and social history and the monograph Failure of Empire: Valens and the Roman State in the Fourth Century ad. Cambridge Collections Online © Cambridge University Press, 2007 Cambridge Collections Online © Cambridge University Press, 2007 The Cambridge Companion to THE AGE OF CONSTANTINE S Edited by Noel Lenski University of Colorado Cambridge Collections Online © Cambridge University Press, 2007 cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press 40 West 20th Street, New York, ny 10011-4211, usa www.cambridge.org Information on this title: www.cambridge.org/9780521818384 c Cambridge University Press 2006 This publication is in copyright. -
Thomas Aquinas' Metaphysics of Creatio Ex Nihilo
Studia Gilsoniana 5:1 (January–March 2016): 217–268 | ISSN 2300–0066 Andrzej Maryniarczyk, S.D.B. John Paul II Catholic University of Lublin Poland PHILOSOPHICAL CREATIONISM: THOMAS AQUINAS’ METAPHYSICS OF CREATIO EX NIHILO In keeping with the prevalent philosophical tradition, all philoso- phers, beginning with the pre-Socratics, through Plato and Aristotle, and up to Thomas Aquinas, accepted as a certain that the world as a whole existed eternally. They supposed that only the shapes of particu- lar things underwent transformation. The foundation for the eternity of the world was the indestructible and eternal primal building material of the world, a material that existed in the form of primordial material elements (the Ionians), in the form of ideas (Plato), or in the form of matter, eternal motion, and the first heavens (Aristotle). It is not strange then that calling this view into question by Tho- mas Aquinas was a revolutionary move which became a turning point in the interpretation of reality as a whole. The revolutionary character of Thomas’ approach was expressed in his perception of the fact that the world was contingent. The truth that the world as a whole and eve- rything that exists in the world does not possess in itself the reason for its existence slowly began to sink into the consciousness of philoso- phers. Everything that is exists, as it were, on credit. Hence the world and particular things require for the explanation of their reason for be- ing the discovery of a more universal cause than is the cause of motion. This article is a revised and improved version of its first edition: Andrzej Maryniarczyk SDB, The Realistic Interpretation of Reality. -
Pico, Plato, and Albert the Great: the Testimony and Evaluation of Agostino Nifo EDWARD P
Pico, Plato, and Albert the Great: The Testimony and Evaluation of Agostino Nifo EDWARD P. MAHONEY Giovanni Pico della Mirandola (1463-1494) is without doubt one of the most intriguing figures of the Italian Renaissance. It is thus no surprise that he has attracted the attention of many modern scholars. By reason of the varied interests that are reflected in his writings, contrasting interpretations of Pico have been proposed.1 Our purpose here is not to present a new and different picture of Pico but, rather, to offer a contribution to one fruitful area of research pursued by some recent historians of philosophy, namely, Pico's debt to, and 1. For general presentations of Pico's life and thought, see the classic study of Eugenio Garin, Giovanni Pico della Mirandola: Vita e dottirina (Florence: F. Le Monnier, 1937); Garin's magisterial Storia della filosofia italiana, 2d ed. (Turin: G. Einaudi 1966), 1:458-495. Among more recent general accounts are Pierre-Marie Cordier, Jean Pic de la Mirandole (Paris: Debresse, 1958); Engelbert Monnerjahn, Giovanni Pico della Mirandola (Wiesbaden: F. Steiner, 1960); Paul Oskar Kristeller, Eight Philosophers of the Italian Renaissance (Stanford: Stanford University Press, 1964), pp. 54-71; Giovanni di Napoli, Giovanni Pico della Mirandola e laproblemaύca dottrinale del suo tempo (Rome: Desclee, 1965); Charles Trinkaus, In Our Image and Likeness (Chicago: University of Chicago Press, 1970), 2:505-526; and Henri de Lubac, Pic de la Mirandole: Etudes et discussions (Paris: Aubier Montaigne, 1974). 165 166 EDWARD P. MAHONEY use of, medieval philosophy in his overall philosophical enterprise.2 Of particular concern will be the influence of Albert the Great on Pico, which can be established by a connection that has apparently not been noticed by Pico's historians. -
INTRODUCTION Agostino Nifo Was a Prolific Writer. During His
INTRODUCTION Agostino Nifo was a prolific writer. During his lifetime, thirty-five works were published, and after his death another five came out. His books appeared in more than one hundred and sixty editions, from to , at Venice, Pavia, Lyon, Paris, Naples, Florence, Augsburg, Bologna, Rome,Leiden,Basel,Marburg,Troyes,Rouen,Parma,andGenoa.1 In , Nifo published De intellectu,themajorworkofhisearly career, touching on questions of philosophical psychology. Based on a detailed assessment of the views of his predecessors, Nifo in this work presented an analysis of the main issues of Peripatetic noetics, namely origin and immortality of the intellect or rational soul, its relation to the body, its unity and parts, the speculative intellect, and intellectual beatitude. Although the bulk of the work was presumably composed in the early s at Padua, there is good evidence that it was completed and drastically reorientated before publication. This introduction offers a cursory view of Peripatetic noetics and the doctrinal context of Nifo’s work, as well as a short analysis of his shift toward anti-Averroism. It also dwells on Nifo’s use of philosophical and other sources, and on the issue of the ‘lost’ works of Siger of Brabant quoted in De intellectu. Subsequently, the general structure of the work, i.e. its main themes and issues, recurring argumentative strategies, and the fortune of the work are discussed. Finally, I present a note on the transcription of this text and on the works quoted or cited by Nifo. The Introduction is followed by an extensive analytical summary ofthe contents of the work. -
Igrr 1.1291 = Sb 5.8393
PETER BRENNAN DIOCLETIAN AND ELEPHANTINE: A CLOSER LOOK AT POCOCKE’S PUZZLE (IGRR 1.1291 = SB 5.8393) aus: Zeitschrift für Papyrologie und Epigraphik 76 (1989) 193–205 © Dr. Rudolf Habelt GmbH, Bonn 193 DIOCLETIAN AND ELEPHANTINE: A CLOSER LOOK AT POCOCKE'S PUZZLE (IGRR 1.1291 = SB 5.8393) Two European travellers passed each other on the upper Nile in the busy winter of 1737/1738. Richard Pococke saw and copied a Greek inscription on a wall built round part of a temple on the southern end of the island of Elephantine. For that he deserves gratitude. His published transcription includes many errors and one intriguing riddle, only partly justified by his disclaimer that the inscription was in several parts defaced and that he copied it in a hurry, but there appears to be no other record of it.1 Friedrich Norden seems to have seen the inscription a month earlier, but did not bother to copy it.2 E.Jomard, with the French army expedition at the start of the nineteenth century could already find no trace of it, and it is unlikely to turn up. Unless and until it does, we are left with only Pococke's puzzling copy. J.Franz reproduced Pococke's transcription in CIG 3.4892, substituting some of the ten variant readings which Pococke had noted at the foot of his published copy (clearly as later reflections on his notes, not on site doubts) and a few gratuitous variants of his own. Franz also produced an edited text, but his low regard for Pococke's copy led him to several restorations which ignored, at times needlessly, both his actual letters and his generally meticulous indication of the number of unread letters. -
On Beautiful Women, Parmigianino
On BeautifulWomen, Parmigianino,Petrarchismo, and the VernacularStyle ElizabethCropper Among PietroTesta's notes on painting,which were unsys- Finallyon this side of the sheet Testa shows the back of tematicallycollected after his deathin 1650, is one foliodedi- the neck, which mustbe rosyand white and not too deeply catedto "Particolariperfetioni che fannola donnabellissima" furrowedby the line of the spine. (Figs. 1 and 2).1 It is devoted, as the heading indicates, The diagrammaticnature of the marginalsketches makes it to the artist'sdefinitions of thosefeatures that render a woman quiteclear that they werenot intendedto be perfectacademic mostbeautiful. The notes areunusually clear and precise, and models,nor were they drawnfrom life. They werebrief aids in the marginnext to the writtendescription of eachparticular to Testa'sunderstanding, to help him visualizethe contents featureTesta drew a smallillustrative sketch. The rectoof the of the noteshe wastaking-notes thatwere not hisown formu- sheet (Fig. 1) is concernedwith qualitiesof the head and lationof the idealfemale beauty, but that he madeas he read shoulders.Testa required that the hairbe long, fine, blonde, Agnolo Firenzuola'sDialogo delle bellezze delle donne.2 This and knottedsimply. For the browhe madea diagramof two book, completedin 1542, a centurybefore Testa readit, it- squares,representing its correctwide proportions.In the left self drawsupon the visionsof manyearlier writers, and it is squarehe showshow the browshould curve in an arctowards probablythe most completeexposition of the beautyof the the top. The eyebrowsare to be dark,and they too should ideal woman among the multitude of sixteenth-century curve in perfectarches that tapergently towardsthe ends. treatmentsof the theme, beingconcerned not only with her Beautifuleyes are largeand prominent,oval in shape, and perfectfeatures, but also with her colors, proportions,and blue or dark chestnut in color.