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'In the Footsteps of the Ancients'
‘IN THE FOOTSTEPS OF THE ANCIENTS’: THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI Ronald G. Witt BRILL ‘IN THE FOOTSTEPS OF THE ANCIENTS’ STUDIES IN MEDIEVAL AND REFORMATION THOUGHT EDITED BY HEIKO A. OBERMAN, Tucson, Arizona IN COOPERATION WITH THOMAS A. BRADY, Jr., Berkeley, California ANDREW C. GOW, Edmonton, Alberta SUSAN C. KARANT-NUNN, Tucson, Arizona JÜRGEN MIETHKE, Heidelberg M. E. H. NICOLETTE MOUT, Leiden ANDREW PETTEGREE, St. Andrews MANFRED SCHULZE, Wuppertal VOLUME LXXIV RONALD G. WITT ‘IN THE FOOTSTEPS OF THE ANCIENTS’ ‘IN THE FOOTSTEPS OF THE ANCIENTS’ THE ORIGINS OF HUMANISM FROM LOVATO TO BRUNI BY RONALD G. WITT BRILL LEIDEN • BOSTON • KÖLN 2001 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Witt, Ronald G. ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. Witt. p. cm. — (Studies in medieval and Reformation thought, ISSN 0585-6914 ; v. 74) Includes bibliographical references and indexes. ISBN 9004113975 (alk. paper) 1. Lovati, Lovato de, d. 1309. 2. Bruni, Leonardo, 1369-1444. 3. Latin literature, Medieval and modern—Italy—History and criticism. 4. Latin literature, Medieval and modern—France—History and criticism. 5. Latin literature, Medieval and modern—Classical influences. 6. Rhetoric, Ancient— Study and teaching—History—To 1500. 7. Humanism in literature. 8. Humanists—France. 9. Humanists—Italy. 10. Italy—Intellectual life 1268-1559. 11. France—Intellectual life—To 1500. PA8045.I6 W58 2000 808’.0945’09023—dc21 00–023546 CIP Die Deutsche Bibliothek - CIP-Einheitsaufnahme Witt, Ronald G.: ‘In the footsteps of the ancients’ : the origins of humanism from Lovato to Bruni / by Ronald G. -
Members List Revised March 2017.Xlsx
Surname Name Title Affiliation Email Main Research Interests Peresent Neo-Latin Project Barton William Dr King's College London [email protected] Landscape; Aesthetics; History of Ideas Change in perception of the mountain landscape in Neo- Latin 1500-1750 Bishop Brian Mr Contemporary Latin Botley Paul Dr University of Warwick paul.botley@warwick,ac,uk Renaissance correspondence; the history of the Bible; early modern The correspondence of Isaac Casaubon (1559-1614) education; translation; the Greek diaspora in Renaissance Europe; editorial method; the history of scholarship; Joseph Scaliger (1540-1609); Isaac Casaubon (1540-1613); Richard Thomson (d. 1613) Buckley Emma Dr St Andrews University [email protected] Academic drama; Tudor/Stuart translations of classical authors MHRA series: Thomas May's Pharsalia (1627) Corcoran Simon Dr Newcastle University [email protected] Late Antiquity; Roman legal history and manuscripts; Slavery ancient and School and University examination and other occasional modern poetry in the Portand Literary Collection, Nottingham Coroleu Alejandro Dr Universitat Autònoma de [email protected] Classical and Comparative Literature: Latin literary culture in Europe (1500-Latin in early-modern Catalonia, 1475-1725 Barcelona 1780); Intellectual History and Renaissance Studies: Hispanic, Italian and European Humanism; The Reception of Greek and Roman literatures in Catalonia (1480-1750) Coulton Nigel Mr Keele University [email protected] Roger Northburgh, C14th Bishop of Coventry -
Review of Printing the Classical Text, by Howard Jones Julia H
Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2005 Review of Printing the Classical Text, by Howard Jones Julia H. Gaisser Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Gaisser, Julia H. Review of Printing the Classical Text, by Howard Jones. Renaissance Quarterly 58 (2005): 683-685. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/classics_pubs/27 For more information, please contact [email protected]. BOOK REVIEWS 683 Howard Jones. Printing the Classical Text. Bibliotheca Humanistica & Reformatorica 62. Utrecht: Hes & de Graaf Publishers BV, 2004. x + 228 pp. index. append. illus. tbls. bibl. €132.50. ISBN: 90–6194–279–9. The History of the Book is booming these days, as Cyndia Susan Clegg justly observes in a recent review essay: “History of the Book: An Undisciplined Discipline” (RQ 54 [2001] 221–45). Jones’s useful book would fit nicely on the shelf with those reviewed by Clegg — probably next to Brian Richardson’s somewhat meatier and more detailed Printing, Writers and Readers in Renaissance Italy (Cambridge, 1999). While Richardson surveys Italian printing through a wide lens that takes in its technology, finances, and audience, as well as its total production through the sixteenth century, Jones focuses on the Latin and Greek texts printed from 1465 to 1500, which constitute only about 6% of the books of the incunable period (9). -
The Renaissance Society of America Annual Meeting
CHICAGO 30 March–1 April 2017 RSA 2017 Annual Meeting, Chicago, 30 March–1 April Photograph © 2017 The Art Institute of Chicago. Institute The Art © 2017 Photograph of Chicago. Institute The Art © 2017 Photograph The Renaissance Society of America Annual Meeting The Renaissance Society of America Annual Meeting Program Chicago 30 March–1 April 2017 Front and back covers: Jacob Halder and Workshop, English, Greenwich, active 1576–1608. Portions of a Field Armor, ca. 1590. Steel, etched and gilded, iron, brass, and leather. George F. Harding Collection, 1982.2241a-h. Art Institute of Chicago. Contents RSA Executive Board .......................................................................5 RSA Staff ........................................................................................6 RSA Donors in 2016 .......................................................................7 RSA Life Members ...........................................................................8 RSA Patron Members....................................................................... 9 Sponsors ........................................................................................ 10 Program Committee .......................................................................10 Discipline Representatives, 2015–17 ...............................................10 Participating Associate Organizations ............................................. 11 Registration and Book Exhibition ...................................................14 Policy on Recording and Live -
Topos, Topography and Topicality in Neo-Latin Epic*
A T ALE OF A FEW CITIES: Topos, Topography and Topicality in Neo-Latin Epic* By Paul Gwynne The city under siege became an essential component in epic narrative when Homer described the Greeks massing around the walls of Troy. In Neo-Latin epic the exploits of Italian condottieri were retold in their victories in siege warfare. Another type of siege epic, however, portrayed events from the perspective of those within the city walls, making the besieged city as much the locus of these epics as Troy had been for Homer. This paper contrasts corporate heroism with heroic individualism in the new age of gunpowder warfare in three epics: Mussato, De Obsidione; De Blarru, Nanceid and Rococciolo, Mutineis. If you intend to blockade our walls and break down our gates by storm, then we are ready: we shall receive firebrands and missiles upon our houses; if you divert our springs, we shall dig for a hasty draught of water and lick with parched tongues the earth we have dug; and, if bread run short, then we shall pollute our lips by gnawing things hideous to see and foul to touch. In defence of freedom we do not shrink from sufferings that were bravely borne by Saguntum when beset by the army of Carthage.1 * The punning subtitle alludes to Ernst Gombrich’s essay “Topos and Topicality in Renaissance Art” in which he defines topos as “the technical term in rhetoric for the commonplace, the general theme with a universal application” and topicality as “the term we use for a specific reference or allusion to events of the time”. -
Pico, Plato, and Albert the Great: the Testimony and Evaluation of Agostino Nifo EDWARD P
Pico, Plato, and Albert the Great: The Testimony and Evaluation of Agostino Nifo EDWARD P. MAHONEY Giovanni Pico della Mirandola (1463-1494) is without doubt one of the most intriguing figures of the Italian Renaissance. It is thus no surprise that he has attracted the attention of many modern scholars. By reason of the varied interests that are reflected in his writings, contrasting interpretations of Pico have been proposed.1 Our purpose here is not to present a new and different picture of Pico but, rather, to offer a contribution to one fruitful area of research pursued by some recent historians of philosophy, namely, Pico's debt to, and 1. For general presentations of Pico's life and thought, see the classic study of Eugenio Garin, Giovanni Pico della Mirandola: Vita e dottirina (Florence: F. Le Monnier, 1937); Garin's magisterial Storia della filosofia italiana, 2d ed. (Turin: G. Einaudi 1966), 1:458-495. Among more recent general accounts are Pierre-Marie Cordier, Jean Pic de la Mirandole (Paris: Debresse, 1958); Engelbert Monnerjahn, Giovanni Pico della Mirandola (Wiesbaden: F. Steiner, 1960); Paul Oskar Kristeller, Eight Philosophers of the Italian Renaissance (Stanford: Stanford University Press, 1964), pp. 54-71; Giovanni di Napoli, Giovanni Pico della Mirandola e laproblemaύca dottrinale del suo tempo (Rome: Desclee, 1965); Charles Trinkaus, In Our Image and Likeness (Chicago: University of Chicago Press, 1970), 2:505-526; and Henri de Lubac, Pic de la Mirandole: Etudes et discussions (Paris: Aubier Montaigne, 1974). 165 166 EDWARD P. MAHONEY use of, medieval philosophy in his overall philosophical enterprise.2 Of particular concern will be the influence of Albert the Great on Pico, which can be established by a connection that has apparently not been noticed by Pico's historians. -
INTRODUCTION Agostino Nifo Was a Prolific Writer. During His
INTRODUCTION Agostino Nifo was a prolific writer. During his lifetime, thirty-five works were published, and after his death another five came out. His books appeared in more than one hundred and sixty editions, from to , at Venice, Pavia, Lyon, Paris, Naples, Florence, Augsburg, Bologna, Rome,Leiden,Basel,Marburg,Troyes,Rouen,Parma,andGenoa.1 In , Nifo published De intellectu,themajorworkofhisearly career, touching on questions of philosophical psychology. Based on a detailed assessment of the views of his predecessors, Nifo in this work presented an analysis of the main issues of Peripatetic noetics, namely origin and immortality of the intellect or rational soul, its relation to the body, its unity and parts, the speculative intellect, and intellectual beatitude. Although the bulk of the work was presumably composed in the early s at Padua, there is good evidence that it was completed and drastically reorientated before publication. This introduction offers a cursory view of Peripatetic noetics and the doctrinal context of Nifo’s work, as well as a short analysis of his shift toward anti-Averroism. It also dwells on Nifo’s use of philosophical and other sources, and on the issue of the ‘lost’ works of Siger of Brabant quoted in De intellectu. Subsequently, the general structure of the work, i.e. its main themes and issues, recurring argumentative strategies, and the fortune of the work are discussed. Finally, I present a note on the transcription of this text and on the works quoted or cited by Nifo. The Introduction is followed by an extensive analytical summary ofthe contents of the work. -
Aulus Gellius
AULUS GELLIUS LEOFRANC HOLFORD-STREVENS (Oxford, U.K.) Fortuna 274 Bibliography I: Fortuna 287 A. General B. Manuscript Tradition C. Use by Later Authors Editions 289 Bibliography II: Complete Editions 298 A. Incunabula B. Sixteenth Century C. Seventeenth Century D. Eighteenth Century E. Nineteenth Century F. Twentieth Century Translations 314 Bibliography III: Complete and Serial Translations 321 A. Eighteenth Century B. Nineteenth Century C. Twentieth Century Commentaries 324 Bibliography IV: Commentaries 328 274 | AULUS GELLIUS Fortuna With the exception of one problematic passage in Fronto, to be discussed below, our knowledge of Aulus Gellius’ life comes entirely from his only known work, a learned miscellany in twenty books covering matters of language, litera- ture, history, law, and much else, presented sometimes in straightforward exposi- tion, sometimes in reports of discourses and debates, and full of quotations from earlier authors whose works in many cases have not survived; the entire collec- tion is preceded by a preface and a summary of contents, chapter by chapter. Produced in an age when the authors who wrote before Cicero were preferred to those who wrote after him (Sallust is an exception, and for Gellius, though not for Fronto, Vergil), it is written in a style that, without consistently imitating the pre-classical authors, often exhibits words and phrases taken from them, many of which Gellius himself discusses in other chapters. The work is calledNoctes Atticae, “quoniam longinquis per hiemem noc- tibus in agro, sicuti dixi, terrae Atticae commentationes hasce ludere ac facere exorsi sumus” (Praefatio 4; “sicuti dixi” refers back to the lost beginning of this preface). -
Dante and Giovanni Del Virgilio : Including a Critical Edition of the Text
Digitized by the Internet Archive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/dantegiovannidelOOdantuoft DANTE AND GIOVANNI DEL VIEGILIO. W^ Dante and Giovanni del Virgilio Including a Critical Edition of the text of Dante's " Eclogae Latinae " and of the poetic remains of Giovanni del Virgilio By Philip H. Wicksteed, M.A. and Edmund G. Gardner, M.A. Solatur maesti nunc mea fata senis Westminster Archibald Constable & Company, Ltd. 1902 GLASGOW: PRINTED AT THE UNIVERSITY PRESS BV ROBERT MACLEHOSB AND CO. TO FRANCIS HENRY JONES AND FRANCIS URQUHART. PREFACE. Our original intention was merely to furnish a critical edition, with a translation and commentary, of the poetical correspondence between Dante and Del Virgilio. But a close study of Del Virgilio's poem addressed to Mussato, with a view to the discovery of matter illustrative of his correspondence with Dante, convinced us that Dante students would be glad to be able to read it in its entirety. And when we found ourselves thus including the greater part of Del Virgilio's extant work in our book, the pious act of collecting the rest of his poetic remains naturally sug- gested itself; and so our project took the shape of an edition of Dante's Latin Eclogues and of the poetic remains of Del Virgilio, The inclusion in our work of the Epistle to Mussato made some introductory account of the Paduan poet necessary ; and his striking personality, together with the many resemblances and contrasts between his lot and that of Dante, encouraged us to think that such an account would be acceptable to our readers. -
On Beautiful Women, Parmigianino
On BeautifulWomen, Parmigianino,Petrarchismo, and the VernacularStyle ElizabethCropper Among PietroTesta's notes on painting,which were unsys- Finallyon this side of the sheet Testa shows the back of tematicallycollected after his deathin 1650, is one foliodedi- the neck, which mustbe rosyand white and not too deeply catedto "Particolariperfetioni che fannola donnabellissima" furrowedby the line of the spine. (Figs. 1 and 2).1 It is devoted, as the heading indicates, The diagrammaticnature of the marginalsketches makes it to the artist'sdefinitions of thosefeatures that render a woman quiteclear that they werenot intendedto be perfectacademic mostbeautiful. The notes areunusually clear and precise, and models,nor were they drawnfrom life. They werebrief aids in the marginnext to the writtendescription of eachparticular to Testa'sunderstanding, to help him visualizethe contents featureTesta drew a smallillustrative sketch. The rectoof the of the noteshe wastaking-notes thatwere not hisown formu- sheet (Fig. 1) is concernedwith qualitiesof the head and lationof the idealfemale beauty, but that he madeas he read shoulders.Testa required that the hairbe long, fine, blonde, Agnolo Firenzuola'sDialogo delle bellezze delle donne.2 This and knottedsimply. For the browhe madea diagramof two book, completedin 1542, a centurybefore Testa readit, it- squares,representing its correctwide proportions.In the left self drawsupon the visionsof manyearlier writers, and it is squarehe showshow the browshould curve in an arctowards probablythe most completeexposition of the beautyof the the top. The eyebrowsare to be dark,and they too should ideal woman among the multitude of sixteenth-century curve in perfectarches that tapergently towardsthe ends. treatmentsof the theme, beingconcerned not only with her Beautifuleyes are largeand prominent,oval in shape, and perfectfeatures, but also with her colors, proportions,and blue or dark chestnut in color. -
On Seneca, Mussato, Trevet and the Boethian "Tragedies"
Heliotropia 10.1-2 (2013) http://www.heliotropia.org On Seneca, Mussato, Trevet and the Boethian “Tragedies” of the De casibus hile good work has been done on the so-called Paduan prehu- manists since Billanovich put them in the critical spotlight half a W century ago,1 very little has subsequently been accomplished with regard to their influence on Boccaccio, especially his ideas on the relationship among poetry, philosophy and theology. I believe that there is a rich vein yet to be mined in this area, one that will aid us in understanding more profoundly not only his pre-Christian sources, which (always mediated, of course, by the influence of medieval interpretations) range broadly from the Pre-Socratics to Plato and Aristotle, to the Stoics and Neoplatonists, but also the way in which he creatively and convincingly interwove them into a tapestry of Christian doctrine. In other words, there is still something to be learned before we can confidently reconstruct his line, or lines, of humanistic thought. Unfortunately, it has become quite commonplace to think of Boccaccio’s defense of poetry in his final works as something that popped up almost spontaneously when, in reality, those pages actually depict a hypothesis of theologia poetica that evolved over a period of twenty-five years or so. Indeed, we may even say that his development of these holistic ideas, his attempts to unlock the wisdom of the ancients — whether enshrined in highly complex cosmological creations like the Calcidian Timaeus or simply glimpsed in flashes of literary brilliance in a handful of carefully chosen passages here and there — never really assumed a definitive form. -
The Granada Venegas Family, 1431-1643: Nobility, Renaissance and Morisco Identity
The Granada Venegas Family, 1431-1643: Nobility, Renaissance and Morisco Identity By Elizabeth Ashcroft Terry A dissertation submitted in partial satisfaction Of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Thomas Dandelet, Chair Professor Jonathan Sheehan Professor Ignacio E. Navarrete Summer 2015 The Granada Venegas Family, 1431-1643: Nobility, Renaissance, and Morisco Identity © 2015 by Elizabeth Ashcroft Terry All Rights Reserved The Granada Venegas Family, 1431-1643: Nobility, Renaissance and Morisco Identity By Elizabeth Ashcroft Terry Doctor of Philosophy in History University of California-Berkeley Thomas Dandelet, Chair Abstract In the Spanish city of Granada, beginning with its conquest by Ferdinand and Isabella in 1492, Christian aesthetics, briefly Gothic, and then classical were imposed on the landscape. There, the revival of classical Roman culture took place against the backdrop of Islamic civilization. The Renaissance was brought to the city by its conquerors along with Christianity and Castilian law. When Granada fell, many Muslim leaders fled to North Africa. Other elite families stayed, collaborated with the new rulers and began to promote this new classical culture. The Granada Venegas were one of the families that stayed, and participated in the Renaissance in Granada by sponsoring a group of writers and poets, and they served the crown in various military capacities. They were royal, having descended from a Sultan who had ruled Granada in 1431. Cidi Yahya Al Nayar, the heir to this family, converted to Christianity prior to the conquest. Thus he was one of the Morisco elites most respected by the conquerors.