Reading Raphael: "The School of Athens" and Its Pre-Text Author(s): Glenn W. Most Reviewed work(s): Source: Critical Inquiry, Vol. 23, No. 1 (Autumn, 1996), pp. 145-182 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1344080 . Accessed: 01/06/2012 12:49 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Critical Inquiry. http://www.jstor.org Reading Raphael: The School of Athens and Its Pre-Text Glenn W. Most At least since the winter of 1786, when Goethe stood in the Stanza della Segnatura in the Vatican and struggled to decipher the so-called Schoolof Athens (1509-10) as though he were trying "to study Homer in a partially obliterated, damaged manuscript," the question of how this painting is to be understood has often been formulated in terms of whether, and if so how, it is to be read.' The aesthetic appeal of the elegance and vivacity of its colors and forms stands in remarkable tension with the cognitive challenge the figures and their dramatic activity seem to pose.