Hard, Lucas Niggli, Michal Rataj And

Total Page:16

File Type:pdf, Size:1020Kb

Hard, Lucas Niggli, Michal Rataj And Andres Bosshard : Klanghimmel MQ Live- performance featuring Andres Boss- hard, Lucas Niggli, Michal Rataj © Wolfgang Temmel Zsolt So˝ rés /Jozef psssssst, 2002 Cseres. Fallen Angels' Music 1 and students of the © Jozef Cseres Univer sity of Music and Performing Arts Vienna. MQ main courtyard © Tao G. Vrhovec Sambolec. Conceptual sketch Tiziana Bertoncini © Antonella Bukovaz 9 June 2011, 7pm Lucas Niggli © M. Del Curto Sabine Groschup. Choreophony Land scape at Wipptal in Tyrol with contributions, © maro+partner compositions, and TONSPUR projects by 16 international artists curated by Marie-Thérèse Kerschbaumer Georg © Georg Weckwerth © Magda Stawarska-Beavan Arcade on the west side of Weck- Sukiennice at Rynek Główny/ Kraków Main Square A © Matthias Frommelt. Production of Comet Sounds. © Friederike Mayröcker werth © John Oswald. Eislaufen. project by TONSPUR für einen öffentlichen raum in the context 10.6. Andres Bosshard. Listening on of 10 Jahre MQ top © Georg Weckwerth –1.10.11 Via Lewandowsky Museums Ranula, 2009, Megafon räuspernd Quartier Wien © Thomas Bruns © Maria Blondeel Michal Rataj. Praha (Church St. Freewaystück Maria Schnee) © Sabine Groschup © Astrid Seme. Stamp. TONSPUR_extra ∞ european_TONSPUR videostill Zsolt So˝ rés a.k.a. Ahad /Jozef Cseres a.k.a. HE yeRME arS Matthias Frommelt anfragen und einschläfernden Worthül- so seltsam unakustischen Tones, sen wären ihm alle sprachlichen Bot- den der Lautsprecher nie zu er - Fallen Angels' Music (Tribute to Luci(f)er) Nächtlicher Äther schaften vertraut. Vielleicht bliebe ihm gründ en fähig ist. nur das Räuspern, das in spannungs- — Via Lewandwosky 2011. Sound installation. ~ 20min 2011. TONSPUR 44. 8-channel composition geladenen Momenten seine Membran ruckartig aufstoßen läßt, in Erinne- Born in Dresden, Germany in 1963. Lives and Voice / Text: Jozef Cseres. Music: Zsolt So˝ rés (musical soundscape). 20.45min rung. Dieses unlösbare Rätsel eines works in Berlin. Artist. © Frank Paul © Frank Klanghimmel MQ “Hudba padlých anjelov nému rádu, ktorá spôsobila ich pád z „Ich verstand die Stille des Äthers, der In diesem Sinne schwappt der klang- Friederike Mayröcker TONSPUR extra ∞ european TONSPUR (Pocta Luci(f)erovi)” Nebies, vplyv aj na ich hudbu? Jedno- Menschen Worte verstand ich nie.“ liche Äther durch den Hof des Wiener ducho, boli to enfants terribles nebes- — Friedrich Hölderlin MuseumsQuartiers. Anfangs heller in Poems Individuálne vs. Kolektívne – Ja vs. kej hudby? Alebo skôr boli obrátení der Abenddämmerung, wie im Traum Mehr als 20 Jahre nach Landscape Soundings von Bill Fontana, Iné – Falošná dichotómia propagovaná chrbtom k budúcnosti a nedobrovol’ne Nächtlicher Äther geht von einer dunkler werdend, um am Ende den Recorded at Austrian Broadcasting Corporation ORF on 9 May 2011 der kuratiert von Heidi Grundmann zu den Wiener Festwochen prostredníctvom Médií Kontroly a vystavení víchrici vanúcej z Raja, ako Aufteilung des Nachthimmels in drei neuen Tag zu begrüssen. Fast zähflüssig 1990 den Klang der Donauauen auf den Maria-Theresien-Platz najmä prostredníctvom jazyka. Her- to poeticky napísal Walter Benjamin Ebenen aus: den Äther, die (ruhenden) legt er sich über den Platz und scheint Duration of the recording: 23min més – Anjel – médium je Posol. Všetky (vo svojej eseji O pojme dejín; 1940)? Sterne und bewegte Kometen. die Zeit zu verlangsamen. Die Sterne zwischen Kunst- und Naturhistorisches Museum übertrug, ist formy komunikatívnosti by mali byt’ “Hudba padlých anjelov” vznikla z Der Äther diente in der Physik des prangen darüber und weiten den akus- in Wien wieder eine ähnlich raumgreifende Klanginstallation zu anjelské – sám jazyk by mal byt’ anjels- takýchto pokušitel’ských otázok i 19. Jh. dazu, die Bewegung des Lichts tischen Raum nach oben. Und Kome- 28.4., 27. Gedicht 2011 : oh du mein 17.3., 7. Gedicht 2011 : Radius, erleben. Der große Schweizer Klangkünstler Andres Bosshard ký – akýsi božský chaos. Namiesto z našej túžby preskúmat’ podsta- zu erklären, dessen Ausbreitung im ten ziehen ihre Schweife wie Pinsel- grünes Ästchen mit deinem schönen kleinster schöner Sprache, errötende spannt seine an Kunststoffseilen hängenden transparenten toho je infikovaný samoreplikacˇným tu musica diabolica (nemýlit’ si ju so Raum aufgrund seiner Wellennatur nur striche über die Leinwand aus Äther. Wams Blume bis zum Halse vírom, neurcˇitým kryštálom separácie, známym tritónom diabolus in musica). innerhalb eines Mediums vorstellbar — Matthias Frommelt 22.3., 10. Gedicht 2011 : „bin weder 8.3., 3. Gedicht 2011 : (FM las dieses Lautsprecherobjekte über den Haupthof des MuseumsQuartier gramatikou, ktorá nám zabranˇuje zabit’ Akokol’vek, Vesmír je vesmír je vesmír war. „Äther, Lichtäther, nach allgemei- gut drauf, noch hab ich Schnauze Gedicht ohne Titel) die Gurgel der Wien zum Klanghimmel MQ auf; dazu projizieren Richtlaut- Hocikohotca raz a pre všetkých. a Zvuk je zvuk je zvuk. V uvedených ner Annahme der neueren Physik ein voll PRIMAVERA die Born in Chur, Switzerland in 1975, grown up in sprecher in Form von Satellitenschüsseln von den Dächern des — Hakim Bey súvislostiach nám prichádzajú na um äußerst feiner und höchst elastischer Liechtenstein. Lives and works in Zurich, 12.3., 4. Gedicht 2011 : vom 16.3., 6. Gedicht 2011 : die errötende Fischer von Erlach-Traktes und der Kunsthalle Wien punktu- Vespers Alvina Luciera. Stoff, der [...] im ganzen Weltraume Switzerland. Audio engineer and composer. Rauschen des Äthers vom Lauschen Blume : mein Geschwisterchen Viac než teologické a mystické inter- — Zsolt So˝ rés a.k.a. Ahad /Jozef ausgebreitet ist.“ (Brockhaus 1901) Supported by Kulturstiftung Liechtenstein. einer geliebten Stimme (M.K.) Sprache am Morgen ich elle Klangbilder in den öffentlichen MQ-Raum; und im Bereich pretácie fenoménu padlého anjela, jeho Cseres a.k.a. HEyeRMEarS 27.3., 13. Gedicht 2011 : dieses 14.3., 5. Gedicht 2011 : Vorfrühling's des Leopold Museum an und in den Bäumen etabliert sich eine metaforické a poetické reinterpretá- Vöglein Vögelchen mit der Trompete Akelei = Handschuhe unserer lieben weitere, versteckte Hörsituation, für die von insgesamt 15 inter- cie, cˇi etymologická genéza a význa- Born in Budapest, Hungary in 1969. Lives and Sabine Groschup nämlich im Regen- Frau my “Lucifera”, nás zaujímajú zvuky works in Budapest. Musician, intermedia artist 10.4., 19. Gedicht 2011 : habe Tod 2 weisze Steinchen und Gestrüpp im nationalen KünstlerInnen sowie von Andres Bosshard selbst and writer. spôsobené samotným pádom padlých Born in Nové Zámky, Slovakia in 1961. Lives Vom Leben mit Tieren und dem Singen und Musizieren von den Büschen nächtens nämlich Blumentopf 1 Büschel Moos stammenden Klangbeiträge dieser TONSPUR_extra, die als so anjelov, ako aj fakt cˇi sa ich hudba and works in Brno, Czech Republic and Nové Zeisig in einem nu usw., 8.4., 18. Gedicht 2011 : hinreiszen- vielstimmige wie vielschichtige european_TONSPUR im Rahmen odchyl’ovala od etablovaných ladení a Zámky. Aesthetician, intermedia artist, curator. 2011. Talk with Olga Wille (recorded in 1999). 31min 28.1., 1. Gedicht 2011 : o.T. (gelesen : de Heimsuchung oder Stück Samuel, von 10 Jahre MQ über vier Monate im pulsierenden Herzen von ethe. Bola avantgardná alebo deka- o.T. ohne Titel) fällt aus den Augen der Küsse des ver- dentná? Mala ich rebélia proti zavede- Supported by Slovak Institute Vienna. Voices: Olga Wille, and Sabine Groschup, Elfi Spatt, Serafina Spatt, Schlaf am frühen Morgen fällt Wien erklingen wird. Sie richtet sich wie die wechselnden Arbei- 22.4., 25. Gedicht 2011 : 1 Rosen- Born in Vienna in 1924. Lives and works in ur.at ten in der TONSPUR_passage an all jene Menschen, die der Vienna. Poet. Thanks to Christel Fallenstein. p Georg Weckwerth. Editing: Peter Szely hauch : klassischer Vers : Stadt und der Kunst mit offenen Augen und Ohren begegnen. Tiziana Bertoncini — Georg Weckwerth Incostanti Periferiche .tons Zum zehnten Todesjahr meiner Groß- und in Innsbruck statt. Es geht um John Oswald q mutter Olga und dem 10-Jahres- Erlebnisse des Alltags, dem Zusam- 2011. Contemporary music. 26.04min Jubiläum des MuseumsQuartier Wien, menleben mit den Tieren und dem Eislaufen Klanghimmel MQ erklingt Olgas Stimme am Klanghim­ Glück des gemeinsamen Musizierens Violin: Tiziana Bertoncini mel von Andres Bosshard. und Singens, aber auch um die Qualen 2010. TONSPUR 34. 8-channel composition. 14min Die Geschichten ihrer Jugend, die des Gitarrelernens nach dem Gehör. Dass Klänge fliegen können hört man spätestens, wenn man himmelm meine Großmutter erzählt, fanden vor — Sabine Groschup Klanghimmel MQ bei der nächstbesten Hausecke mit gespitzten Ohren ein paar L‘installazione del Klanghimmel MQ è altoparlanti. Quindi di creare non solo g etwa neunzig Jahren (die ehemaligen TONSPUR is a popular pedestrian gnizable by most fast-walking urban mirata a scolpire e ridefinire lo spazio un movimento orizzontale, ma anche kaiserlichen Hofstallungen wurden passageway. And most people tra- passers-through. A more up-tempo Mal hin und her geht. Dann entpuppt sich ein gewöhnlicher Born in Innsbruck, Austria in 1959. Lives and tramite i suoni diffusi dagli altoparlanti verticale, per dare l‘illusione che alcuni zum Messepalast umfunktioniert im verse the space without any specific version of this music is also played, klan ) works in Vienna and Berlin. Artist, filmmaker Hinterhof als unerwartet feinsinniges Hörlabyrinth. Wenn wir che, combinandosi con quelli ambien- suoni vengano da lontano, più lonta- Tiroler Wipptal, in der Brennergegend and writer. desire to hear more
Recommended publications
  • Vienna for Art's Sake!
    Vienna for Art’s Sake! Archive Austria / Contemporary Art Curated by Peter Noever 2 3 Vienna for Art’s Sake! Archive Austria / Contemporary Art Curated by Peter Noever Contents 5 Inhaltsverzeichnis Introductions | Einführung | Introduzioni Sommario 7 Luciano Benetton – Felix Vienna (EN) Felix Vienna (DE) Felix Vienna (IT) 13 Peter Noever – Exceptional Art Space (EN) Ausnahme-Kunstraum (DE) Spazio espositivo d’eccezione (IT) 26 Markus Mittringer – saith luciano: (EN) sagt luciano: (DE) dice luciano: (IT) 31 Artworks and Artists / Architects / Designers Kunstwerke und Künstler / Architekten / Designer Opere e artisti / architetti / designers 375 Index | Index | Indice Vienna for Art’s Sake! Introductions Einführung Introduzioni Archive Austria / Contemporary Art 7 Luciano Benetton Felix Vienna In art all roads lead to Vienna, today as in the nineteenth century. The intellectual and artistic capital of Mitteleuropa was a melting pot of ideas and experimentation, celebrated by the philosopher Karl Popper: “Vienna really was an incredible city, characterized by unparalleled creativity. It was a fertile mixture of almost all European cultures: the regime encouraged freedom of expression and the meeting of these different traditions”.1 The Vienna of today is an aggregator of artistic experiences, a capital city that fosters culture: from the 60 thousand square metre Museum Quarter – one of the largest cultural districts in the world – to contemporary galleries, from the treasures of the Habsburgs to the riches of this architectural, musical, literary city. Contemporary artistic experience, in particular, makes new headway Englisn everyday, even in strongholds of tradition such as the Winter Palace of Prince Eugene of Savoy, now a location for contemporary art.
    [Show full text]
  • Sayıyı Okuyun
    RES ART WORLD / WORLD ART NO:3 MAY 2009 CONTENTS COVER (detail) Vik Muniz, Action Photo, after Hans Namuth INTERVIEW WITH VIK MUNIZ KATHY BATTISTA (Pictures of Chocolate), 1997 Cibachrome print, 60 x 48 in / 152.4 x 121.9 cm INTERVIEW WITH SEMİHA BERKSOY HANS ULRICH OBRIST © Vik Muniz / Licensed by VAGA, New York, NY WHAT IS CONTEMPORARY IN CONTEMPORARY RUSSIAN ART OLESYA TURKINA A REVIEW OF THE TAIPEI BIENNIAL 2008: NO:3 MAY 2009 (WHEN) GLOBAL ATTACKS ON A LOCAL PARADISE ADNAN YILDIZ INTERVIEW WITH RAINER FUCHS AND PETER KOGLER RES INTERVIEW WITH JAMES COHAN DEBORA WARNER NO EXCEPTION FOR CONTEMPORARY ART: WHY AN EXHIBITION OF THE PRISHTINA ART SCENE COULD NOT OPEN IN BELGRADE SEZGİN BOYNİK VIK MUNIZ / THE CONTEMPORARY ARTS LIBRARY IN PRISHTINA/BERLIN JUDITH RAUM, FITORE ISUFI-KOJA, ‹Z ÖZTAT STATES AND TRAITS OF SERBIAN ART SCENE NIKOLA SUICA SEMİHA BERKSOY INTERVIEW WITH FULYA ERDEMCİ / SKOR BORGA KANTÜRK INTERVIEW WITH SOLMAZ SHAHBAZI ASHKAN SEPAHVAND KOONS IN VERSAILLES SABINE BOEHL SPACES BETWEEN SPACES: AYŞE ERKMEN—WEGGEFÄHRTEN ADNAN YILDIZ / PETER KOGLER BJØRN MELHUS AT THE AMERICAN HOSPITAL’S OPERATION ROOM LILIANA RODRIGUES DER NITSCH UND SEINE FREUNDE (NITSCH AND FRIENDS) FREYA MARTIN SOLMAZ SHAHBAZI RES Art World / World Art Publisher: Dirimart Abdi ‹pekçi Caddesi 7/4 Niflantaş› 34367 Istanbul TR T: +90 212 291 3434 F: +90 212 219 6400 [email protected] www.resartworld.com www.dirimart.org Not for sale Review biannual Not to be cited without permission of the author/s and RES Art World / World Art ISBN 978-605-5815-05-9 Editors: M.
    [Show full text]
  • Ars Electronica Futurelab
    Ars Electronica Futurelab Andreas J. Hirsch Edited by Horst Hörtner, Roland Haring, Hideaki Ogawa Alchemists of the Future Ars Electronica Futurelab The First 25 Years and Beyond ARS ELECTRONICA FUTURELAB 25 Years of Ars Electronica Futurelab The creation of the Futurelab was in equal measure an accident or a stroke of luck (right people, right time, right place) and the unavoidable consequence of the original Ars Electronica idea of a merging of art, technology, and society. It was certainly also an urgent necessity—actually the only chance—to make the planned Ars Electronica Center with its groundbreaking innovations, high artistic standards, and clear didactical goals a fully functioning “Museum of the Future.” In mid-1995, entrusted with this task, we were faced with so many technical and creative challenges that there was simply only one way forward: putting together a team of ambitious and visionary artists and technicians and striving to turn this great vision, which up to that point had existed only on paper, into reality. To realize his idea of an Ars Electronica Center, Hannes Leopoldseder had in advance invited experts and artists from all over the world to develop visions for this new kind of center and, not surprisingly, the invitees outdid themselves with spectacular scenarios ranging from LED wallpaper with which all walls would be covered (at that time there were not yet LED flatscreens on the market) to kinetic components that would change the building constantly. Alas, there was then the reality, a reality in which it was not enough to cobble these kinds of prototypes together for a short demonstration at a fair or art exhibition, but rather one in which they had to stand up to the real world of permanent exhibitions where they were on show six days a week, with only one day for maintenance and repair.
    [Show full text]
  • Marcus Geiger
    MARCUS GEIGER 1957 geboren in Muri AG/Schweiz lebt und wirkt in Wien 1978 -1982 Studium an der Akademie für bildende Künste, Wien, Meisterklassse Bühnenbild, Prof. Lois Egg 2010-11 Gastprofessur an der Academy of Fine Arts Prague Aktuell zu sehen seit 2018 Krieg und Frieden, Doppelrohrpanzer, (mit Persenning im Winter), Burg Forchtenstein, Forchtenstein seit 2016 Projekt 2 für Erste Campus / Die Farben des Geldes, Hausfassaden am Wiedner Gürtel Nr. 2-10, 1040 Wien seit 2013 Kübellampe, Bar, Deckenlampe, roter Teppich im Büro Weltausstellung, Wien seit 2010 Raumwahrnehmung - Sozial, Radikal, Minimal, Kapital, Wohnbauprojekt Brauerei Liesing, Wien Einzelausstellungen / Solo Exhibitions 2020 Marcus Geiger: Wenn2, kuratiert von Stefan Bidner, Galerie Elisabeth und Klaus Thoman, Wien 2018 Einbau, kuratiert von Vitus Weh, Eröffnungsausstellung Kunstverein Eisenstadt 2015 Geiger / Welsh, kuratiert von Michael Hall and Aron Gent, Document Space, Chicago (mit Margaret Welsh) 2013 Vergiss Venedig, kuratiert von Stefan Bidner, Büro Weltausstellung & Kunstraum am Schauplatz, Wien 2012 Marcus Geiger – aufgeigen, Wiener Art Foundation, Wien 2011 Zentrum, Österreichisches Kulturinstitut Prag (mit Dominik Lang und Martin Mazanec) Centrum, Tschechisches Zentrum Wien (mit Dominik Lang und Martin Mazanec) 2010 “Mal 25”, kunstbuero, Wien For one World Foundation Ahungalla, Sri Lanka 2007 Gruppenausstellung, Kerstin Engholm Galerie, Wien (mit Axel Huber) 2006 Portraits und Wurst 2006, Kunstraum Innsbruck Einzelpräsentation, Viennafair, Kerstin Engholm Galerie, Wien 2003 HALLO BAWAG, BAWAG Foundation, Wien (mit Peter Kogler) Marcus Geiger. Überlagerung. Scheisse 2, Kerstin Engholm Galerie, Wien Marcus Geiger, Galerie Thaddaeus Ropac, Salzburg 2002 Grafica 2, Café Corso, Innsbruck 2001 Eugen, Österreichische Galerie Belvedere, Wien 2000 KUB Billboards, Kunsthaus Bregenz, Bregenz Project Fassade, Secession Wien Schaufenster STUDIO, Innsbruck 1999 Kunst auf der Baustelle, kuratiert von Markus Wailand und Vitus H.
    [Show full text]
  • Dissertation
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES Dissertation Titel der Dissertation „Experimentieren – improvisieren – zuhören: Ursprung, Entwicklung und Theorien der heutigen experimentellen elektronischen Musik sowie Beweggründe und Gedanken in Wien tätiger Musikschaffender.“ Verfasserin Mag. phil. Silvia Elisabetta Pagano Angestrebter akademischer Grad Doktor der Philosophie (Dr. phil.) Wien, 2009 Studienkennzahl lt. Studienblatt: A 092 316 Dissertationsgebiet lt. Studienblatt: Musikwissenschaft Betreuer: Univ.-Prof. Dr. Christoph Reuter ii Abstract This research examines contemporary experimental music of an electronic character, with view to understanding the reason this music developed in the way it did together with the motivation of the respective musicians. This information then provides a basis to hypothesise how the listener could regard this music in order to understand it. For this reason the topic is addressed from the point of view of different musicological fields. On the one hand the historic developments and its connections as well as some philosophical aspects are analysed. On the other hand psychological and technical aspects are integrated. Some interviews, which were held with musicians operating in Vienna, complete the work. In the course of this dissertation it is shown that the contemporary experimental electronic music is the result of complex mutual reactions of different musical genres. In the age of globalisation it even has no real cultural identity. Furthermore, the growing affordability of computers has changed the musical world. This also has an effect on electronic music. As far as contemporary experimental music is concerned, free improvisation is very important. As in musical therapy, it also involves subconscious processes.
    [Show full text]
  • Universalmuseum Joanneum Press Kunsthaus Graz a 'Friendly Alien'
    Universalmuseum Joanneum Press Universalmuseum Joanneum [email protected] Mariahilferstraße 4, 8020 Graz, Austria Telephone +43-3168017-9211 www.museum-joanneum.at Kunsthaus Graz A ‘Friendly Alien’ Kunsthaus Graz, Lendkai 1, 8020 Graz, Austria Up into the unknown! Looking back, looking forward ‘Up into the unknown!’ can be read on one of the first drafts for the design of the Kunsthaus Graz. After more than fifteen years of running exhibitions, the ‘Friendly Alien’ has certainly landed, and more besides – having long since established itself as an internationally recognised centre for contemporary art. Architecture as stimulus. On the dialogue between space, exhibition and city Time and again the architecture of the Kunsthaus Graz is faced with challenges both artistic and curatorial. The exhibition rooms are unusual, with no right angles and no white walls, only hanging points into which displays can be affixed. Yet precisely these circumstances allow for out-of-the-ordinary exhibition stagings, something that has been repeatedly and impressively demonstrated over the years by a series of artists. BIX media façade or: high level of interest in low resolution The BIX media façade is a unique medium of urban communication. Their inventors realities:united received the Deutsche Telekom ‘Inspire Award’ for this in 2005. Max Neuhaus. Time Piece Graz. A moment for the Kunsthaus Graz The acoustic sculpture by American sound artist Max Neuhaus is a fixed element of the Kunsthaus Graz – a similar work can be found at Dia:Beacon in Upstate New York in the USA. Programme 2019 The Kunsthaus Graz is showing recent and the latest works of contemporary art.
    [Show full text]
  • Programm-2019-E.Pdf
    Programme Overview 2019 Month Title Page Opening Start End Museum January 100 Years of Border. An Exhibition in 3 Chapters 100 Years of Border III: 1946–2018. Life at the Border 16 31.01., 7 pm 01.02.2019 19.05.2019 History Museum February Too Much Is Not Enough! The “Artelier Collection” Donation 8 14.02., 6 pm 15.02.2019 25.08.2019 Neue Galerie Graz Jun Yang. The Artist, the Work, the Exhibition 4 14.02., 7.30 pm 15.02.2019 19.05.2019 Kunsthaus Graz March Who’s Next? From the ‘Location Nature’ Series 24 03.03.2019 03.03.2019 Natural History Museum/Education Johann Lurf. Earth Series with Laura Wagner and Cavalcade 5 12.03., 7 pm 13.03.2019 22.04.2019 Kunsthaus Graz POP 1900–2000. Popular Music in Styria 17 14.03., 7 pm 15.03.2019 26.01.2020 History Museum World Wood Day 26 20.03. 20.03.2019 23.03.2019 Austrian Open-Air Museum Stübing Incised and Stabbed. The Graphic Works of Günter Brus 12 28.03., 7 pm 29.03.2019 18.08.2019 BRUSEUM, Neue Galerie Graz April The Petrol Station Myth 20 10.04., 7 pm 11.04.2019 06.01.2020 Folk Life Museum Peak Pioneers! Styrian Expeditions to the Roof of the World 28 13.04., 11 am 13.04.2019 31.10.2019 Schloss Trautenfels Between Dying and Dancing. Tales of the early modern period (Relaunch of the Permanent Exhibition) 14 25.04., 7 pm Ab 26.04.2019 Alte Galerie, Schloss Eggenberg Franz Josef Böhm.
    [Show full text]
  • Art, Politics and New Social Imaginaries International
    Curators Art, Politics Elvira Dyangani Ose Mara Ambrožič and New Social Nana Oforiatta Ayim Kodwo Eshun N’Goné Fall Imaginaries Cheryl Finley Henriette Gunkel Srećko Horvat Aliocha Imhoff Doreen Mende International Miran Mohar Marita Muukkonen Kantuta Quiros Symposium at Leigh Raiford Heike Raphael-Hernandez Bisi Silva Dak’Art 2016 Ivor Stodolsky Studio Kakatar & Atelier Graphoui David Zerbib May 7 –8, 2016 Supported by Archive Books Chimurenga Gare Ferroviaire de Mode D-Republic Dakar, Plateau 10.00 – 20.00 INSTANCE NO.4 art, politics and new social imaginaries — States of Opacity invites a prominent group In his quest for a Poetics of Relation —namely, a of cultural agents and producers—artists, artist poetics, that is free of norms, goals and methods, as collectives, curators, writers, intellectuals, scholars , much as it is open, participatory, and is directly in and political thinkers. They formulate their agency contact with everything possible— Édouard Glissant beyond the limits of a canonical criticism, to engage urges us to claim the Right to Opacity . Opacity here with socio-political, artistic and would make reference to the possibility of every cultural processes for the reinvention of history, individual to claim a plural and mutable identity, an memory, futurity and the common good. Ethics and essential condition for a new sense of collectivism art, as Theodor Adorno sustained, are major driving to emerge. History is constituted of a myriad of forces towards the foundation of the new . And the episodes of unachieved utopias, in the manner of emergence of such newness in its full social and movements of sociocultural and political solidarity, political dimension can only take place by means among them, revolutionary movements such as of initiatives that observes opacity as a condition Black Internationalism, the Non-Aligned Movement, a priori.
    [Show full text]
  • Freier Download BA 57 Als
    BAD 57 ALCHEMY 1 2 CIRCLE LIVE Das war doch ein veritables Festival, was da am 17.11.2007 in Würzburg zum 10th Anniversary von Horsts Psychedelic Network über die von der Pforzheimer Psychedelic-Lightshow Kosmik Klaus and his Solar Sea Slideshow bestrahlte AKW-Bühne ging. Natürlich mit Zone Six, den vor 10 Jahren von Dave Smith aka Sula Bassana am Spacebass gegründeten Hawkwind-getriebenen Trance-Trippern, mit Ex-Guru-Guru-Axeman Ax Genrich als Gast- star neben der Spacegitarre von Julius-K; mit den durch Dirk Bitt- ners Gitarre und Dirk Jan Müllers Georgel auf Retrokrautwolken da- hin dampfenden Electric Orange aus Aachen, bei denen Can- und Ashra-Nostalgiker sich einen Bierbauch schlanker fühlen kön- nen; und mit dem Münchner Gitarre-Bass-Drums-Trio Colour Ha- ze, bei dem ich vergeblich auf was zu Futtern in der notorisch des- organisierten AKW-Kneipe wartete. Aber was zählt ein leerer Ma- gen, wenn als Höhepunkt vor 196 psychedelisch animierten Fans nun die finnischen CIRCLE anstanden. Allein schon deren Outfit signalisierte allerdings: Schluss mit Psy- chedelik, wenn auch nicht Schluss mit lustig. Drummer Tomi Leppä- nen, ein Handtuch in Jesuitenschwarz, würde mit seiner überdi- mensionalen Brille eher zu Devo passen, Sänger-Keyboarder Mika Rättö geriert sich mit Strasshosenträgern, Stachelarmbändern und Prinz-Heinrich-Mütze als Glamrock-Tom-of-Finland. Nur Gitarrist Janne Westerlund hält die schlichte Indietradition aufrecht und bei Jussi Lehtisalo am Bass kann sowieso keine Verkleidung den finni- schen 2-Zentner-Knuddel kaschieren. Mit ‚Virsi‘ steigen sie ein, Rät- tö croont wie Peter Hammill und die Band wuchtet Pathos in den Saal.
    [Show full text]
  • Anna Ceeh and Iv Toshain) with Franz Pomassl. Fuckismtc: КОНФЭШН ("Confession" Written with Cyrillic Letters
    Session I 22/09 Performance by fxxxx.me (Anna Ceeh and Iv Toshain) with Franz Pomassl. FUCKismTC: КОНФЭШН ("confession" written with Cyrillic letters). Screening: Pirate TV. 1989 – 1992. Video series, 8’. Sam Mountford. sugartime. 2016. HD video and sound, 8’23”. Sid Iandovka and Anya Tsyrlina. Live the Life You Love. 2020. Video, 5’39’’. Ryan Trecartin. A Family Finds Entertainment. 2004. Video, color, sound, 42’. Duration of the screening: 64’02’’ Performance by fxxxx.me (Anna Ceeh and Iv Toshain) with Franz Pomassl. FUCKismTC: КОНФЭШН ("confession" written with Cyrillic letters) The Austro - Russo-Bulgarian artist duo FUCKismTC, well known for their subversive site specific installations and Red Square Guerilla Performance will show a brand new work in Portugal named FUCKismTC: КОНФЭШН ("confession" written with Cyrillic letters). The performance is based on the project БАЙХТЕ (@Charim Galerie, Vienna 2013), where they cooperated with several amazing artists among others Carolee Schneemann, VALIE EXPORT, Hans Ashley Sheirl. At Pink Flamingos FUCKismTC: КОНФЭШН will present a new crucial slogan by John Waters. Pirate TV. 1989 – 1992. Video series, 8’ "Pirate TV" programme was launched in 1989 in Leningrad (now Saint Petersburg, Russia), by Juris Lesnik, Vladik Mamyshev-Monroe and Timur Novikov (Sergey Shutov was their Moscow correspondent). Pirate TV is one of the best examples of Russian alternative TV, an active introduction of the artist into the mass media space. According to Timur Novikov, one of the organizers of PTV, and leader of a St. Petersburg “New Academy” movement, Pirate Television was focused on an "enlightened audience interested in modern cultural achievements." Pirate TV presents itself as a model of false television, where I am the audience and I am the performer.
    [Show full text]
  • PETER KOGLER 07 NOV > 23 DEC 2017 PRESS
    PETER KOGLER 07 NOV > 23 DEC 2017 PRESS KIT 79 RUE DU TEMPLE 75003 PARIS - T +33 1 43 26 12 05 F +33 1 46 33 44 83 [email protected] WWW.GALERIEMITTERRAND.COM PETER KOGLER 07 NOV > 23 DEC 2017 OPENING 04 NOV 2017 6 PM > 9 PM The Galerie Mitterrand is pleased to announce a new solo exhibition by Peter Kogler. For the occasion, the Austrian artist will present a visual and sound installation (sound by Franz Pomassl), as well as an ensemble of recent collages. Peter Kogler is a pioneering artist in the field of computer-assisted creation. Employing cutting-edge technology, for the past thirty years the artist has made use of a series of recurring motifs, materialized in different forms: bi and tri-dimensional prints, sculpture, furniture, wallpaper, lighting fixtures, collages and other installations. Since the start of his career, his iconography has been made up of ants, brains, terrestrial globes, lightbulbs and wavy lines, and is a metaphor for networks, the constant stream of information and social ties. For his new exhibition at the Galerie Mitterrand, Peter Kogler presents a visual and sound installation created in 2016 produced by and exhibited at the ERES Foundation in Munich the same year, and at K21 Düsseldorf in 2017. The artwork is a box measuring H 240 x 230 x 270 cm, into which the visitor is invited to enter. In the inside, the walls, made up of LED screens and mirrors, endlessly reflect a computer- generated kaleidoscopic video animation. The visitor’s image is also reflected and is an integral part of this psychedelic and moving universe.
    [Show full text]
  • The Last Edition TONSPUR Expanded
    freq _out 1 the last edition 12 TONSPUR_expanded 0 – 25 25 – 65 65 –90 90 –140 140 – 180 180 – 250 250 – 350 350 – 500 500 – 1000 ST/A/R : SPECIAL EDITION 1000 – 2000 2000 – 5 0 0 0 5000 – 1 2 0 0 0 H Z FREQ_OUT 12 IN VIENNA FREQ_OUT 12 IN WIEN WELCOME CARL MICHAEL VON HAUSSWOLFF CARL MICHAEL VON HAUSSWOLFF ANDREAS MAILatH-POKORNY ARTIST & CURATOR KÜNstLER & KUratOR EXECUTIVE CITY COUNCILLOR FOR CULTURAL AFFAIRS, SCIENCE AND SPOrts IN VIENNA In this sound exhibition there is a piece entitled freq_out 12. Diese Klangkunstausstellung ist dem Werk freq_out 12 gewid- Art in public space is an important matter in Vienna, and this very extensive It’s a sound art piece of what is an expansion of the term “mu­ met, das der Erweiterung des Musikbegriffs auf den Grund underground public space with its many tunnels is of key symbolic signifi­ sic”, consisting of twelve pieces of music made out of pure geht. Es besteht aus 12 Klangarbeiten aus reinen Frequenzen cance. I am delighted that the international project TONSPUR_expanded: freq_out 12 [the last edition] is being hosted at a location made famous in film frequencies in the range from 0 to 12,000 Hz. In its complexity im Bereich von 0 bis 12.000 Hz. Bei aller Komplexität und Er- history, in Vienna, with the participation of major artists and numerous coop­ and grandeur, it’s basically a combination of “serious” classi­ habenheit besteht es im Wesentlichen aus einer Mischung eration partners, and following eleven previous venues around the world.
    [Show full text]