HARRISON_COVER.indd 1 15-09-0002: 16-06-0019: 14-04-0148: PRESS STAR ONE

onestar press studio for propositional cinema: focal vocabulary index: lexical items 2013–2018: 17-21-0005: 13-03-0041: 15-09-0048: 17-06-0040: 18-07-0002: 14-03-0175: 15-02-0007: 13-01-0045: 18-07-0001: 14-03-0175: 13-01-0006: 13-01-0005: 13-01-0003: 13-01-0105: 2018 – 2013 ITEMS LEXICAL : INDEX VOCABULARY FOCAL : CINEMA PROPOSITIONAL FOR STUDIO 30/10/2018 10:01 13-03-0039: AS 13-01-0065: LANGUAGE 13-01-0027: IS 13-03-0008: OUR 14-02-0016: HOUSE 14-09-0021: UNDER 18-07-0003: SIEGE 14-03-0175: :

SPC_OSP_INT.indd 1 10/30/18 10:59 AM 17-01-0289: LEGAL 13-04-0010: & 16-16-0009: DISTRIBUTIONAL 14-18-0049: CONDITIONS 14-03-0175: :

SPC_OSP_INT.indd 2 10/30/18 10:59 AM SPC_OSP_INT.indd 3 10/30/18 10:59 AM This License Agreement concerns Lexical Items as registered in the Focal 3. Title Protocol Vocabulary Index of Studio for Propositional Cinema, and outlines the legal and procedural conditions regarding their transfer and use. Legal possession When an agreement is publicly exhibited by the Licensee, Studio for of such documents acknowledges a binding sole license agreement between Propositional Cinema must be credited as the author of the work see 3.1). If the Licensee and Studio for Propositional Cinema, in perpetuity, and grants multiple Items are acquired to construct Lexical Structures, each Item shall the Licensee full rights for the use and display of the Item(s) thereof. Studio be listed in the order in which it appears, preceded by the title of the Lexical for Propositional Cinema retain rights for all future use and display of these Structure (see 3.2). Items, within an agreement to publicly acknowledge the Licensee upon each occasion. The Focal Vocabulary Index consists exclusively of Lexical If a licensed Item is used in a public display by Studio for Propositional Cinema, Items used by Studio for Propositional Cinema for the construction of works, the Licensee shall be acknowledged as a lender to the exhibition in the form performances, and exhibitions since 2013, and will accrue all future Items of a wall label, printed document, and/or on the website of the hosting body, used in such a manner. within the standard courtesy protocols of the individual institution or exhibiting body (see 3.3).

If a licensed Item is used in another artwork produced by Studio for 1. General Description Propositional Cinema, the Licensee must be acknowledged in perpetuity in the material description connected to the title of the work (see 3.4). This Studio for Propositional Cinema’s Focal Vocabulary Index (see 1.1) is an also applies if this work is acquired by a third party. The Licensee has no inventory (see 1.2) of all Lexical Items (words, compound-words, punctuation, physical or intellectual claim of ownership to works in which their licensed etc.) that have been used as tools for the construction of works publicly Item has been used, but their participation in the material construction of such disseminated by Studio for Propositional Cinema since their inauguration in works shall be acknowledged in perpetuity. 2013 (see 1.3).

As we exist in a material reality shaped by the contingency of external 4. Extended Use and Transfer elements affecting the connections between them, each individual Item is organized into one of three categories: Concrete, Conditional, and The Licensee may be an individual, a group of individuals, or a trust, institution, Connective (see 1.4). estate, or corporation.

The License Agreement may be transferred from the Licensee to a third party. 2. Terms of License It is the responsibility of the Licensee and/or third party to inform Studio for Propositional Cinema as to any change of custody. This is necessary for any Each individual item within this Index is subject to a co-licensing agreement changes in credit information (notwithstanding unknowable developments, between Studio for Propositional Cinema and a second party Licensee, with a retroactive credit changes are not material-temporally possible). contractual agreement permitting the Licensee to use and display the Lexical Item(s) in exchange for an agreed one-time fee (which may be monetary or an Studio for Propositional Cinema may not produce further works that extend alternate mode of exchange). the License Agreements of any licensed Lexical Items to any third parties.

Concrete and Conditional Items are subject to an exclusive license, whereas Further Lexical Items will be added to the Index as they are used to construct Connective Items are non-exclusive and can be acquired only within larger new works. All Lexical Items existing or inventible within the communicational Lexical Structures constructed with Concrete and/or Conditional Items, in world are potential materials with which to construct descriptions of or order to bind them for use within a mutually agreed linguistic structure proposals for the material world in which they function. (see 2.1).

Each License is produced as offset prints on US Legal sized paper and includes the name of the Item and its License Agreement. Three copies of each document are printed: one for the record of the Licensee acquiring the item, one for the record of the Licensor (Studio for Propositional Cinema), and one for the record of the brokering party. The printing plate used to produce the License is the property of the Licensee, and is considered the publicly displayable index signifying the transaction.

SPC_OSP_wCOVER.indd 6 10/31/18 12:24 AM SPC_OSP_INT.indd 5 10/30/18 10:59 AM Endnotes Credit for Connective words shall be written as follows:

Studio for Propositional Cinema 1.1. In the field of anthropology, the term ‘focal vocabulary’ is used to Focal Vocabulary Index (Lexical Item #[inventory number]: [LEXICAL ITEM]) describe a set of terms used within an individual language to describe the [year of item entry]/[year of project start (always 2018)] /[year of agreement] same object, activity, or phenomenon, especially one that is of heightened offset printed license agreement, four pages, each 35.5 x 21.6 cm; silver ink on importance within an individual culture or group. Traditionally used to offset printing plate, 74 x 60 cm describe multiple articulations of one thing, Studio for Propositional Cinema unique has “borrowed” or “misappropriated” this term to describe a broader approach to an entire linguistic system, with each word categorized into one aspect of 3.2 Credit for Lexical Structures shall be written as follows: the world and/or culture in which we exist, with each constituting the contexts in which we see and are seen. Studio for Propositional Cinema [with (name of co-author [if applicable])] Lexical Structure: [COMPLETE TEXT IN ORDER OF APPEARANCE] 1.2. Each Lexical Item has been catalogued with a chronological inventory [year of construction] number marking the year of first use, an index to the occasion on which it first Focal Vocabulary Index (Lexical Item #[inventory number]: [LEXICAL ITEM]), appeared, and order of appearance therein. [year of item entry]/[year of project start (always 2018)] /[year of agreement] offset printed license agreement, four pages, each 35.5 x 21.6 cm; [bronze/copper/ 1.3. Studio for Propositional Cinema was inaugurated on June 8, 2013 at silver] ink on offset printing plate, 74 x 60 cm (repeated for all applicable items) the Kunstverein für die Rheinlande und Westfalen with a speech claiming that [overall dimensions of installation] “the vocabulary that we have inherited is imprecise and the old definitions are unique constantly shifting. We do not want to propose new or more accurate terms. We thrive in the ambiguity of their language because it is a space of freedom.” 3.3. Lender credit shall be written as follows:

1.4. Concrete units denote elements of the given quantities of the This exhibition has been constructed with Lexical Items licensed from: [Name material reality of human experience. This category includes units such of Licensee] as “GASOLINE”, “CINEMATOGRAPHY”, and “TENDERNESS”. Conditional units denote the conditions within which the concrete elements 3.4. Material credit shall be written as follows: operate and which affect our perception of and operation within them. This category includes units such as “HYPOTHETICAL”, “BUREAUCRACY”, Studio for Propositional Cinema and “PUBLISHING”. Connective units are those that allow us to link the [title] Conditional and Concrete elements in order to articulate the relationships [year] between them and between them and ourselves. This category includes units [materials], Lexical Item(s) licensed from [name of licensee])] such as “INTO”, “&”, and “THEREFORE”. [dimensions] etc. 2.1. Lexical Structures (works consisting of multiple Lexical Items) may be constructed by Studio for Propositional Cinema, by a third party at the request of Studio for Propositional Cinema, or suggested by a third party (i.e. Licensee) to Studio for Propositional Cinema (subject to approval). All individual Items, when available, are acquirable without the approval of Studio for Propositional Cinema.

3.1. Credit for Concrete and/or Conditional Items shall be written as follows:

Studio for Propositional Cinema Focal Vocabulary Index (Lexical Item #[inventory number]: [LEXICAL ITEM]) [year of item entry]/[year of project start (always 2018)] /[year of agreement] offset printed license agreement, [bronze (if Concrete) /copper (if Connective)] ink on offset printing plate; 74 x 60 cm unique Licensed to [name of Licensee] since [year of License Agreement]

SPC_OSP_INT.indd 6 10/30/18 10:59 AM SPC_OSP_INT.indd 7 10/30/18 10:59 AM 18-07-0083: CHRONOLOGICAL 18-07-0002: LEXICAL 18-09-0106: ACCUMULATIONS 14-03-0175: :

SPC_OSP_INT.indd 8 10/30/18 10:59 AM SPC_OSP_INT.indd 9 10/30/18 10:59 AM 13-01 14-01 WE ARE FOR A PROPOSITIONAL CINEMA . BELIEVE IN PUBLIC NOTICE SQUARE BRUSSELS INTERSECTION MARCH 2014 DIALOGICAL SPACE WHERE DISCUSS BECAUSE DO NOT KNOW ACTIVE AREA VICINITY DURING PERIODS INFERS OTHERWISE HOW THE CONVERSATION WILL END DON’T ‘ WHAT IS , AND DOCUMENTED ACTIVITY RECONFIGURED RE-ENACTED REJECT INHERITED DEFINITIONS WHOEVER TOLD YOU WAS SUBSEQUENTLY RE-PRESENTED THEATRICAL FICTIONAL LYING ASK “ ? “ IT WRONG QUESTION VOCABULARY THAT HAVE REALIST SOCIOGRAPHIC FRAMEWORKS THANK ADVANCE IMPRECISE OLD CONSTANTLY SHIFTING WANT TO PROPOSE CO-OPERATION COLLABORATION NEW OR MORE ACCURATE TERMS ; THRIVE AMBIGUITY OF THEIR LANGUAGE FREEDOM DOES ATTEMPT CONSTRUCT 14-02 MANIPULATE THOUGHTS EMOTIONS VIEWER EVERY FILM AN DOOR LEFT ACCIDENTAL INVITATION OCCUPANCY OCCUPATION OPPORTUNITY CAN BE REDUNDANT STATEMENTS NOTHING VERB ENTRANCE PRE-SUPPOSES ENTERED CONTAINS REDUNDANCY THEREFORE EXPECTATIONS FIND GROUND BEHAVIOURS MODES CONDUCT PROPOSALS HOUSE CAR ZERO KEEP DIGGING ANY PLACE ANYTHING DARE PROVE US PASSAGEWAY … ROOM MOST DOORS LOCKED ENTERING PRODUCTION WITHOUT EXPLOITATION POSSIBLE IMAGES TRESPASSING RECONFIGURATION MEANT OPERATING SOUNDS SILENCE ABSENCE STUDIO DÜSSELDORF COUNTER DESIRES OWNER EXPLICITLY ILLEGAL PRIVATELY OWNED OPERATED PROPERTY OWNERSHIP ACCEPTED 13-02 BEHAVIOUR SUBMIT COMPLACENT IMPOSITIONAL SEEK UNDERGROUND ACTIVITIES GONE UNDER-RECOGNIZED ENTER OFFERS OBLIVIOUS RECEIVED IGNORE ALTER SIGNS - TOO LONG TIME IMPLICATIONS ACTIONS DISTRIBUTED INSTRUCT MANNERS ANONYMOUSLY SILENTLY LOUDLY THROUGHOUT CULTURE DELIVER SPEECHES AMONGST DISPLAY PROCLAIMING PRESENCE LEAVE TRACE IRREVOCABLY DICTATE POSTERS FILMS MAY PRODUCED BY IF FLIGHT PATTERNS ALLOW SITE LEARNING FORGETTING DISAPPEARANCE SINCE RARELY COLLAGIST ATTENDANCE THIS DOESN’T MEAN POSSESS WE’RE INVITATIONS APPEAR PRY STAND SYMBOLS NEXT PASSERBY HAUNTING LET YES OWN PROPOSITIONS BREEDS ANONYMITY ANONYMOUS FREE REHEARSED TRUE CRIME ALIGNMENT HAS BEEN INACTION 13-03 COMPLACENCY CONSENT BLACK MULTITUDINOUS SNEAK INAUGURATION ! PROCLAMATION CALL ACTION DISRUPTION CROWBARS OPPORTUNISM STRATEGY PEN GRAMMAR FOUND DESTRUCTION OUR POLEMICAL CAUTIONARY FIELD DEVIATIONS TINY CRACKS SEAMS AWARE SEE AREN’T TOLERATED NECESSARY PRODUCE MUTATIONS I YOUR ATTENTION PLEASE NEGATION DISTRIBUTION RECEPTION 14-03 BUT ALREADY INSIDE HEAD PARASITE ON INSTITUTION GENERAL EXHIBITION CURRENT TECHNOLOGICAL CONDITION PARASITES SUCK OUT LIFE LOVE INTENDED SERVE AS WHEREIN POTENTIALLY ENDLESS INFINITE VISION CAPTURED MODELS – EVERYBODY LISTEN UP REPEAT OURSELVES JOB REAL ENGAGE DEPICTING NATURAL OUTSIDE LIVE-FEED DEFINE ACTIVATE IDEAS INVITE EXPLAIN IMPULSE TOWARDS TRANSMISSION ( I.E. FOCUSSED PARTICULAR MOMENTS EXPLANATION DISTRACTED STATE ACT BRINK ABYSS DAYS ) NECESSITATES RADICAL EDITING PAST GOAL SEARCH NUMBERED NON-CONTRIBUTIONAL CULTURAL INTERESTED ALLOWING SINGULAR CAPTURE THEM AT IDEAL MOMENT TELLING STORIES LIES FICTIONS FUNCTION AGAINST PASS FOREVER UNRECORDED PHOTOGRAPHER POSITION PROGRAMME RESERVE RIGHT REVEAL THEY BEGIN NARRATIVES CAPTURING MANY THEN SEARCHING ROLE SHIFTS CAPTURER BOUNDLESS NO FORM HOMELESS NOMADIC TRANSLUCENT EDITOR EMPHASIS SHIFT RECORDING PLURALISTIC SUBJECT ATEMPORAL MOVE THROUGH WORLD LIKE VIRUS EVERYWHERE SITUATION SUGGESTS ONCE SEARCHED SPECIFIC NOW SET COMING ONLY HOME NATIONHOOD BEWILDERMENT THING POTENTIAL SITUATIONS SCENARIOS BASED PROBABILITY CERTAIN MATERIAL ALL DISCOURSE TODAY TOMORROW OPEN IMPROBABILITY RELEVANT CONSTRUCTED SUPERSEDED WE’LL PLAYING HERE DAY UNTIL WANDER AROUND NIGHT RECORDIST FOOTAGE PROCESS GIVEN SUSPENDED MALLEABLE CONSUMED FIRE PHYSICAL BETWEEN DEVICE STILL SPATIO-TEMPORAL REALITIES UNLIKE SIMULATIONS VIEWABLE ANGLES DISTANCES PRESUMES 13-04 IMPORTANT 7 COMPUTERS MIND FINITE NUMBER SECESSION DISINFECTING SUN DUST / DIRECTION DISINTERESTEDNESS + CONSIDER SPECIFICS VIEWING PRIMARY 8 MONETARY FORMER ADMIRATION DEATH & MONTAGE SPARKLING SHEEN ENTROPY MODEL NECESSARILY SUPPOSES SUBJECTIVITY SELECTION EXISTING ALSO LEVELS PRESENTATION EACH INVOLVE LAYERS 13-05 UTILISED MITIGATED NEEDS PRODUCER REGARDING &/OR THIRD PARTY REQUEST PRE-EXISTING CHANCE PROCEDURES COMPOSITIONAL ANTI-COMPOSITIONAL STRATEGIES BEHEST 13-06 THESE INTO ACCOUNT MULTIPLICITY BEST DISCURSIVE ANAEMIC DAILY EXISTENCE QUALITIES OTHERS RELATION ACTUAL SOCIAL VIEWERS NEED

SPC_OSP_INT.indd 10 10/30/18 10:59 AM SPC_OSP_INT.indd 11 10/30/18 10:59 AM OCCUPY BOTH ONE NEITHER PROPERTIES TAKES SPATIAL INCONSEQUENTIAL PRESENTED IMAGE DETERMINED ELEMENTS CONSIDERED PART THEMSELVES RELATE WERE CULTURALLY ADDITIVE REMAIN UNMADE UNSEEN WORD EXIST DEPICTION IMPLIES REFLECTION OBJECTIVE NATURE UNWRITTEN UNHEARD EXPLOIT HUMAN LABOUR IDEOLOGY REFLECTIVE REFLECTIVELY RE-PRESENTING RECORDINGS MOUTHPIECES ENLIST RECEIVERS WITH REFUSAL USE REIFY PROVIDE POLITICAL CRITIQUE DEPICT PRESENT ITSELF : USING DOMINANT OTHER BEINGS ESSENCE ROMANCE UNCERTAINTY MEANS CREATE DEPICTIONS PRESENTING UTILISING AVAILABLE RELATIONSHIP TRUTH MYTH PLACED OBFUSCATE UNFREEDOM ORDER RECORDED SELECTED EXHIBITED CONTEXT PRIMACY FROM PURER HACKED APART PICK-AXES SPACES WHOM DISCURSIVELY 14-09 14-04 CURTAINS DOWN EXTRANEOUS EFFECTS DANGER HARK COME MATTER ATTEMPTING ONTO IMPERMEABLE EXTINGUISHED CONTAIN ACTIVATABLE COUNTER-EFFECTS SURFACES ACTING TRANSLATION GESTURE TRYING DETERMINE PRECLUDE THOUGH CLEAR DESTROYED SO LAWS OPTICS SHAPES INSERT INFECT HYPOTHETICAL GESTURES STRONG MANIPULATED IMAGINABLE TONGUES ALTERED BODIES WEAK SPEAK DIN LOUDER CIPHERS IMPERATIVE MASK-TURNERS DISAPPEARED NEGATED SPECIES FORMULATE COMBINE CONSTRUCTION CONFUSION MEANING LISTENING HEAR NEEDED MOREOVER SITUATE COUNTERACT DESTROY FORCES ECHOLOCATIONAL BATS OVERHEAD SENDING SIGNALS SOUND IMMOBILISE VARIATION ANTICIPATION THEATRE RABIES NEAR DARK SENTENCES EMPTY AIR FORMLESS REACH INHABIT REALITY ENOUGH DISAPPEAR AGAIN OVER THRESHOLD 15-01 BEHOLD COERCION SURPRISING TRICKED INTERESTS INTENTIONAL OBFUSCATION DISTRACTION FLASHY CAUSE CONSIDERATION 14-05 GAME TWO MOVES CATASTROPHIC CAREFUL UNACTIVATABLE ANYONE ENTERS AGREES FILMED PHOTOGRAPHED FORFEIT DEACTIVATED CANNOT SPECULATIVE SPECULATION SUCCEEDS RIGHTS ULTIMATELY ALLOWED UNQUESTIONED FORMS ANTITHETICAL ITS REMOVE CONTEXTS FAVOUR CONTROL DISMANTLE 14-06 COMPLICIT MAGNIFICENT SWINDLE TURN LIE REALISM OVERTAKEN OBSERVATION REFORMULATED OBJECTS FICTIVE LIVING FIGHT WHOLE ERASED PERHAPS LUCK SOME ANIMALS HUMANS ARCHITECTURAL BEAR WITNESS EVENTS WEEDS GROWING MASKED FIGURES SHADOWS RE-LEARN DEAD PASSING OBSERVES DELIGHTS WATCHING FAILURE EMBODY DISSONANCE FOREBEARERS INVITED ENEMIES ERADICATE OBSERVE ATROPHIED RUINS REBUILD RUBBLE DOGS SCRAPS CONSUMPTION INFORMATION MANIPULATION SLIP OXYGEN 15-02 BIRD FLU MIRRORS REFLECT DID PUDDLES BEFORE DRIED ADDENDUM # PHOTOGRAPHIC UNIQUE NEGATE ALTERNATE INDEX PRINTED BECOMES STEWARDSHIP TRANSFERRED 14-07 ACQUIRED NETWORK INDICES NONE AFOREMENTIONED SCOURED STREETS RABID PICK BONES FILLING BELLIES BEING PRIVILEGED PERTAINS VALUE MULTIPLE RECORD EITHER TRUST CAPITAL PAVED SECRETLY ONES TOGETHER TOPPLE EXISTS ASSOCIATIVE JUXTAPOSITIONS POSSIBILITY NETWORKS FIGHTING OUTCOME UNCERTAIN FORTUNATELY ARMED WATER AMPLIFIED GREATEST VALUABLE WHEATPASTE GREET SIDE DISSOLVED QUICKLIME FERMENTED YEAST CRUSHED LEAD 15-03 SINGULARITY CHANGES REGARDS SATURDAY COVER 14-08 AGENTS DRESSED BUCKETS WHEAT PASTE ALERT PASSERSBY CUT CELEBRATE PLAN DEMISE WORDS SCOURGE MUST MAKE FORTHCOMING CONTAINING STATEMENT ENGLISH FLEMISH OBSOLETE WETLAND UPON WHICH BUILT EVERYTHING FRENCH WEDNESDAY HOURS SURREPTITIOUSLY COLLECTING BUILD MAKES SURFACE LESS VIABLE TAKE UNDER WHEN INTENT REFORMULATING ARTICULATING PUBLICLY VISIBLE LEAST EXPECT ROLES DIRECTORS PRODUCERS LONGER DISTILLED FOUR GROUPS TWELVE DELINEATED DATE TOTAL TENABLE THERE THOSE WHO SAY DIRECTOR POLICEMAN 48 PERCEIVED AESTHETIC RELATIONAL APPARATUS SCALE MIDWIFE PSYCHOANALYST SYCOPHANT BASTARD LAYER GRIME SMALL AVERAGE SIZED ADULT WHILE LARGE ASSUME SOOT SKIN-FLAKES FALL BATTLEGROUND LOSING WITHIN SIGNIFICANT VISUAL IMPACT FEBRUARY 2015 SETS ENACTED IMPOSED CONDITIONS SUCH 1 FILMMAKERS POLITICIANS OCCUPYING WALLS INSTALLED SEQUENCES HANG FRAME AUDIENCE PERSONAL GAIN MAGICIANS HIDE ANAEMIC COMPLETION DURATIONAL REMOVED DISPERSED BACK BEHIND TEMPORAL STRUCTURES FALSITIES 3 MONEY POISON SYSTEMS PRINT MARKED PERTAINING STAMPED MARK MADE CONSUME SHOULD COST THAN WORTH 4 ACCEPTABLE AUTHORSHIP FICTION DE-MYSTIFIES FALSE 5 SERVICE 6 PETRIFIED FOUNTAIN THOUGHT USED VEHICLE UNTHINKINGNESS FOLLOWING

SPC_OSP_INT.indd 12 10/30/18 10:59 AM SPC_OSP_INT.indd 13 10/30/18 10:59 AM 15-04 15-10 SUSPENSEFUL PICTURE SEXY SICKENING THROWN WINDOWS COBBLESTONES RELEASED SOLIDS MELT LIQUIDS EVAPORATE BRICKS BURNED ACIDS CHOKED TEAR 15-05 GAS AMMUNITION PROPELLANT PORES SPRING EVEN PATINA COMMUNIQUE AGES AWESOME COOL YOU’RE TEAM DREAM LUXURY POOLS LENSES DRIPS FALLEN COMRADE APTLY ASKED MISTAKE BETTER STICK GONNA WIN LET’S WE’RE I’M ME WHOSE ANSWERABLE MET GASOLINE LOOSE CIGARETTES WORKING HARMONY HISTORY LINE SPHERE OBSERVED EBBS FOOT WHEELS SOLITUDE PULLING DOG-CARTS BUREAUCRACY FLOWS WARNING WISHES ERASE RESISTANCE HEARD NEWS CIRCLES TRACTS SALE FOIL SITES SILENCERS FAULT LINES TALKING GOOD LOST MY IT’S COMMUNITY FORCED FEEL INVISIBLE ANTICIPATE STAPLES ADHESIVES BONE FOLDERS POSSUM DIP CHOCOLATE FROSTING THREE YEARS LATER WASH DUPLICATED SCRIPTS PERFORMERS CROWDS WRITTEN ACTORS OFF SMELLING BLOSSOM STEPPED MUD GOT BROWN SHOES IMPROVISING QUOTING VEHICLES SEEING RED BLUEPRINTS LOSE CELLARS ALLEYS SEWERS CODES CLOSETS DREAMS THINK WELLS FISSURE DAMS TORRENTS FLOODS HUMIDITY PIGEONS SKY TAKING BUILDINGS NESTING AIRBORNE BIRDS SENT FLYING DAYLIGHT WHENEVER YOU’VE WANTED BREAD ROSES 15-06 MILK WINE EXCESS DISSIPATION CIRCUIT BOARDS PLIERS CIGARETTE SPEECH INCEPTION DECAY BEGINS CELLULAR EQUANIMITY INKWELLS GHOST UNGRASPABLE SOON SLIPS FUSION INCREASINGLY LARGER MOVEMENTS RANGE SUSPEND BELIEF TRUTHS RENDER BELIEVABLE FARADAY CAGE CARESS SKIN CRUSHING SKULL GROW VARY SURPRISE FINAL CENTRAL COMMAND FANTASY DRY PAPER TIGERS BURN CITY REVERBERATION LAST NERVES VALVES AFTER EMBALM BLOCKS SHIFTED SHAPE WEATHER SEWER ANIMATED CORPSE REMINDS EMBALMMENT VIEW LOOK TRY FUTURE RECOLLECTION PROCEED CARRY HORIZONTAL 15-11 MOTION WATCHES PROCESSION BURY MOVEMENT 90 DEGREES LION LECTURE TEN SCENES X ATRIUM 9 10 BRINGS TERMINAL STOP PERMANENT IMMOBILITY BURIAL SLOW DISINTEGRATION FORMLESSNESS EVENTUALLY 15-12 INDECIPHERABLE MINERAL VEGETABLE CAME LIVES ALWAYS FINALLY SEEN EMBALMED PARADED WATCHED CHANGE DIRECTIONS BECOME IMMOBILE DECAYS COURSE CHOOSE 15-13 ANALYSE SPECULATE AUTOPSY DATA GATHERING PREVENTATIVE MEASURE STATUE HOPE REANIMATION CRYOGENIC BODY WAITING ANEW PROPOSING POSSIBILITIES PALACES GODS 15-14 SUGGEST SCATTER ASHES WIND EBBING WAVES GRANULES GET EYES IRRITATE BLIND BREATHE SPORES LUNGS PUSS PHLEGM EXPUNGED MIX RISING GASSES ROTTING CORPSES 15-15 BELOW FERTILE SOIL USEFUL PUT SAME TOWARD AWAY LIGHT STRICTURES LIGHTWAVES NITRATE SUNSPOTS LIGHTHOUSE VARIATIONS SHADOW LIVE LEARN COMMUNICATE DIE SERVERS CAMERA SOUNDWAVES ENDGAMES

15-07 15-16 FIRST FESTIVAL VIENNA

15-08 15-17 DANGEROUS ANYWHERE NEVER ERADICATED SCAFFOLD FACADE SMOKE LINGERING TERMITES BEAMS EARTHQUAKE LEECHES QUIVER EATEN EATS SWUM BILE 15-09 SCALED LINING RETURNED MOBILISE LEAKING EMPTINESS EVERYDAY PRESS RELEASE DECLARATION COMMENSURATION TANGLE WIRES TESTING VARIABLES SPARK TAINTED ACIDIC HEREBY ANNOUNCE ALLIANCE GALLERY COMMENCEMENT BARREN QUICKSAND STRUCTURE MULTIPLY CIRCULATE TAKEN HUNDRED YEAR APRIL 31 2115 UNFURL TEMPORALITIES SHARED ENTITIES CENTURY INSTRUMENT SCENE 2017 100 TEXT RECITED 15-18 WEEKLY UNANNOUNCED INTERVALS WEEKS ELEVATED OFFICE WINDOW BERLIN SPECTATOR CORDIALLY SPEND SIDEWALK INCIDENTAL EQUAL CONSEQUENCE SCRIPTED EQUALISATION 15-19 AMPLIFICATION LAMB LEECH FOUNDED 2013 PUBLICATION RECONFIGURE IDEOLOGICAL FORMATIONS DIALOGUE 15-20

SPC_OSP_INT.indd 14 10/30/18 10:59 AM SPC_OSP_INT.indd 15 10/30/18 10:59 AM 15-21 DRUNKENNESS WANING VANISHED WAVE STAR CLOCK FLIES SEAT RESERVED CAST CREW SINGLE NOTE PHOTOGRAPHY MOANS SINGS REPLY MARTYRED SLAVE FORBIDDEN PHOTOGRAPHS ILLICIT IMMEDIATELY TURNED 16-07 15-22 SOUP CLOUDS 2016 STENCILLED CHROME SPRAY PAINT 7405 CM CEILING HEIGHT GLOSS VARNISH FLOOR PROPOSED PROVOKE ENACTMENT FILTERS FALTERING WINGS EMBEDDED OPTIMISM 16-01 CRITICALITY SUGGESTING ANTIDOTAL EXPANSIONIST CYNICISM INVADES TONIGHT EPOCH ENJOY PAIN BISECT FUNCTIONS IDEA SPLITTING BIRTH-RATE HIGHER MORTALITY RATE MAKING ABOUT SUICIDE THUNDERS MILLENNIA DISCOVER REFORMULATIONS PROTAGONIST BUTCHERED HIS SWELLS 16-08 BUBBLE REFORMULATE HE SPLIT PALATE STERNUM SHUDDERS RADIATING BORES STOMACH GIVES HIM DIARRHOEA RESET FUNCTIONING SEEMS SIMPLEST MEANWHILE MOVIE RULES 16-09 GOVERN SERIES INTANGIBLE RELATIONS BRIEF SPASMS LENS TRANSPARENT CONVEX CONCAVE BOOM ORGANISED ENTRAILS LO ALTERNATING SEQUENCE HUGE COLOURFUL FORCE FOCUS MANNER VIEWED PHYSICALLY EFFECT SPONSORS COMMERCIALS UNDERSTAND REPRESENTATIVE CHEMICAL ELECTRONIC YET UNDISCOVERED PROCESSES REGIME REFRIGERATORS TOOTHPASTES SMILING CHEEKS PRESERVED RUINED PRESERVABLE REALISABLE TRANSFORM MEET SCREENING WATCH POOR HOUR NAKEDNESS TERRIFYING EVER-RECEDING RECEDING COMPOUNDS DECOMPOSE RATES MATERIALS SCORCHED EARTH BLAZE EVENING AGO UNENDING SLOWER LETS START TECHNICAL HISTORICAL KNOWLEDGE CIRCLE ROSE-COLORED WHITENING COALS SCAFFOLDINGS OPTICAL MANIPULATIVE COMBINED REPLICATION BLEACHED RAIN BURNT REFUNCTION MAYBE BOMB KNOWING ENHANCEMENT FACILITATE UTILISE EXAMINE ENDED DISSECT IDEOLOGIES SLIPPED SUNSET MAP CONTOURS SOCIO-POLITICAL TECHNO-MATERIAL IDEATIONAL SHORELINES ESCAPE ROUTES OPERATES AGE DRAWN EXAMINATIONS OBJECT-BASED OCULAR FIELDS EVENT-BASED QUARTERED FROZEN BLOOD DRIPPING SPLASHING GATHERED BUTTRESSED SUTURED OVER-LAYED DESIRE UNANTICIPATED GUTTERS QUICK SHOT PISTOL REFLECTIONS POTENTIALITIES LANGUAGES CONSTITUTE EXAMINATION PERPETUALLY ELECTROCUTE FLOW BROTHER WALKING FOREST SLOWLY PROJECTS PROJECTED DISMANTLING CREATED RECONSTITUTE MOUTH DELUGE LOOPS LAMB-EATING VULTURE ENGAGED FORMULATIONS RIP INSOFAR COMBAT TEETH SHARPER FEEDING BLAST RE-SETS AMATERIAL SHIP DISTRESS FIRED CANNON GIVE ALARM SANK EYE RETRACTS 16-10 SOCKET GOUGING EXPLOSIONS CAN’T PERCEIVE IMMATERIAL WORLDS ENDLESSLY STRUCTURAL SUPPORTS REGIMES CHILDREN CHASED THREW STONES HER SHE BLACKBIRD EVER STATES AUDITORY BATTLE REALIGN PERMUTATIONS LIMINAL HAD CONTESTED REASSIGNED SITUATED PRECARIOUS UNKNOWN QUANTITIES CONCRETE INFLECT PERMIT PREVENT VARIANTS 16-02 CONNECTIVE POINTS TISSUES FORMED SUFFOCATE FADE TRACKING OBSERVATIONS WORSE BITTER SLEEPS ARTICULATE UNEXPECTED GREAT SPECTACLE CONFLAGRATION REFRACTING LIGHTRAYS ACCOMPLISHING ACCOMPLISHES DECOMPOSITION HIDEOUS ACQUIRING LIQUID MERCURY MAGNIFYING PRISMS OBJECT DISSOLVE BROTHERS BISECTED SPLINTERING SUSTAIN EATING KEEPING STEP AHEAD IDENTICAL WHITENESS CLOSE FRESH IMPOSSIBILITY DISSOLUTION ASSIMILATION ERRANCY GEOGRAPHIC AMBIVALENCE SIMULTANEOUS BUILDING EROSION 16-11 16-03 IMPENETRABLE SYMBOLIC FIGURATIONS ADJACENT PICTORIAL MOMENTARILY PERCEPTIBLE REPLACED VOIDED SUCCEEDING CORRELATIVE BLANKNESS HYDROGEN PARLIAMENT ERODE 16-04 CEILINGS SHITTING FUCKING SCAVENGING CONDEMNED AURAL LINGUISTIC REFRACTED RE-DIRECTED BURROW MOLES CLAIMING CONCEDING GENERATION DESIGNED OFFERING LOCATE ECHOES ENCODE SPAIN VOCABULARIES SILENT FUTURES VISUALISATIONS DISCOVERS ORGANISATION PREPARING 16-05

16-06 16-12 DRUNK TREACHEROUS SLEDGEHAMMER SHATTER GRIND STAY PLAY LIST CHARACTERS PATRON WIFE SON DAUGHTER POETRY VIRTUE HAPPEN STOOP PALACE BOTTOM DITCH BLEAK PHILOSOPHER GOING JUST ARRIVED SLEEP LAUGHING OH

SPC_OSP_INT.indd 16 10/30/18 10:59 AM SPC_OSP_INT.indd 17 10/30/18 10:59 AM HELLO FRIENDS DRINKS BEER AFTERNOON AM PLEASED 700 500 B.C. WHAT’S ALLEGORICAL READING HIERARCHY WELCOME COULD PLATFORM DOING WEEKEND CALLED OPINION CONTEMPORARY INSANELY NOSTALGIC EXACTLY PERFORMATIVE FORMATS REALLY WELL USUALLY EXHIBITIONS NOSTALGIA CRUISE LIGHTNING BOLT MIXES RESTRUCTURES INTEGRATE PERFORMATIVITY DISCURSIVITY HOPEFULLY HONESTLY ELSE SAW HAVEN’T COMMITMENT CARES WENT CONTINUE THEORY RECONSIDER GOOGLE ACTUALLY APPROACHED HIGH RETURN VERY HONEST I’VE SEVERAL QUITE SHOWS TECHNOLOGISATION QUANTIFICATION TIMES VARIOUS CINEMAS TV SHITTY FACT SEEMED APPROACH STANDARDISATION THAT’S LITTLE DISTURBING ABUNDANCE MEANINGFUL REPETITION REPEATED READINGS TEXTUAL SIMULTANEITY ISSUE SAID ELSEWHERE EXTREMELY IMPOSING TOUCHES MUSIC INTERPLAY BITES PALIMPSEST WAYS SPEAKING ART INTERESTING REASON IRRITATEDLY CONSIDERING THERE’S HELPFUL REDISCOVER READ CONCERT CAUGHT MYSELF HARDLY KIND EMOTIONAL EXAMPLE MINUTES SOCIALISM PARALLEL AWARENESS ANOTHER INTERACTION PROLETARIAN CLOSING THIRTY POSSESSION COMPLETE OEUVRE I’D EASILY BOURGEOIS CULTURES ANSWER SIMPLY CASE WOULD INCLINED ANECDOTE GOLD COMINTERN COMMUNIST INTERNATIONAL LARGELY MEMORY CONVERSATIONS PROLETARIANISM RATHER COFFEE PAY 40 FUMBLED POCKET MUCH BERN ESTIMATE BIT TESTAMENT LETTER EARLY CHRISTIANITY CIRCA 1900 PAYS ESPRESSO SUPER POINT SOMETHING MAJOR PHENOMENON CONGREGATIONS ECSTATIC BABBLING DEVELOPED BIG TRADED CURRENCY COMMERCIAL STORY SOMETIMES CALM TERRITORY PSYCHOPATHOLOGY PROPHESY DEPUTY RUN NAZIS LANDED PARIS BROUGHT EDITIONS FORMULATED SURE CHARACTERISE SPEAKS LETTERS KNOWN PUBLISHING STRANGE GUY FUNNILY ENABLER BATTLESHIP BECOMING BAD SHORT TERM REWIND MAN PASSIVE IDIOTS LATE WEIMAR REPUBLIC CLASSIC GERMAN WORKER SIMPLE STUPID DAMN SO-CALLED ARTIST BAR DOWNSTAIRS FEW SHIT PEOPLE SENSE HUMOUR ALRIGHT BACKGROUND BECAME LETTING YOURSELVES BRAINWASHED WONT CENTIMETRE DROPOUT NONETHELESS ACADEMIC CAREER DIDN’T WORK MILLIMETRE MICROMETRE FURTHER TRADITION BEGUN STUDIES SOMEHOW MANAGED TRACK ENTREPRENEUR CHECK GOES REPORTED BUSINESS GOSSIP HISTORIOGRAPHY DOER SOMEONE THREADS NET CORPORATION SECOND CURIOSITIES CONSTANT EVERYONE UNTRAINED OFTEN BEAUTY LARGEST MEDIA FIRM ASTOUNDING FINANCIAL SUMS HOUSES CONTRASTS BLUE BLUER GOLDEN CORN REDDER FASCINATES NEWSPAPERS COMPANIES DOCUMENTARY COMPANY OCTOBER PERSON TEACHER DAD WORRY WON’T EMBARRASS SHUT FRONT 1940 MIGHT SAINT FINE CHEESE UNBELIEVABLE RAW 60 % FATHER HAND CRY DEAF BORN PERPETRATED FINGER ROLLING FAT SENSATIONAL ROPE NECK DECOMPOSED PROBABLY STARTS HORSE BIGGEST SUPPORTERS FINANCIALLY SOCIALLY PERISHED 20TH 22ND JUNE VILLAGE DIFFERING ACCOUNTS ROLL GO DIVORCE MENTALLY BROKEN FAVOURITE FORGET ASSASSINATION FLED KILLED FASCIST SQUAD DESOLATION DRINK ANNOUNCING BREAK VOLUNTARILY DECIDED HUNG HIMSELF PROPAGANDA WEAPON SAYING ISN’T COHERENT BUNDLE OCCASION HOLD HUNGOVER 16-13 YESTERDAY PERFORMANCE EXCESSIVELY BEAUTIFUL INTENSE COAL SPREAD DUST-MITES DESERVED CELEBRATED DIVERSE COLLATERAL DAMAGES TRIED PREPARATION WASN’T LOOKING BOOK ALOT THINGS 16-14 KEYWORD 300 400 0 EUROS ENTIRELY DIGITALLY LAKE FIGURE REPRESENTATIONAL PRIVATE RELINQUISH AUCTIONED PREVIOUS ANALOGUE EQUIPMENT FINANCE INDIVIDUATED STATUS FIGURATIVE OPERATE STAGE GENERATED SHOWING BOX EVENINGS UNFORTUNATELY 12 15 OCCURRENCES THEREIN REPRESENTATIONS FACTS PITY TOOK CINEMATIC MANIFESTO INDEPENDENT FRANCHISE AFFIRMATIONAL OPPOSITION PRODUCTS VARIANT NEBULOUS CULTIVATION FORMAT SCRIPT DEVELOPS ENJOYED 19 RECENTLY INTERPRETED UNKNOWABLE INDIVIDUALS REPRESENT 14 MILLION DIFFICULTIES CHEAPER 18TH RUG PASSED 34 MASS SOCIO-CULTURAL PLAYERS COMPRISING SOCIETY UNBELIEVABLY PRETTY STUFF ALMOST NOTEWORTHY WE’VE OBSERVABLE REPRESENTABLE COMPOUNDED DISTRIBUTABLE ERA DIGITAL DIFFERENT REASONS HUMANITY CONFRONTED CONTEMPLATION FRAMINGS REACT IMPOSITIONS REJECTING PROBLEMS EXPRESSED PRESENTS SOLVED UNSOLVED OPPOSED EXTERNAL PROJECTIONS FACILITATING FURTHERMORE PRE- DESCRIPTIONS RULE HAPPENS DISCUSSION INTERRUPTS SUPPOSITIONS COUNTER-PROPOSALS OPPOSITIONAL PROPAGATE ENDS TALK QUIETLY SORRY APPROACHING HI HONEY SIT SYMBOLICALLY RESISTIVE GESTURAL COUNTER-IDEOLOGICAL EMBARRASSING STANDING SITTING CHAIR FIFTEEN WHY THEREOF IN-THE-WORLD EXTERNALLY CAPABLE CONTROLLING MOTHER SHAME QUIET SHUSHED TOILETS WAY KIDS LOOKED NECESSITY FICTIVELY STREET HEAVY LEG WAKE TELL CONCENTRATE ANYHOW EASY SMART WINKING STROKING SENSUALLY BOAT HAPPENING 16-15 DANCING BOREDOM RAILING ARRIVING SOMEWHERE SUBJECTIVE CONCEPTS CONCEALED CODIFIED DETERMINING DEPART CRUISER VEGETATE DEPARTING REGION LEAVING RESTRUCTURING SOMEWHAT AWKWARDLY NORTHWESTERN 16-16 DRIFTING SOUTHEASTERN WITNESSING EXTREME STRONGLY WHOMEVER 2ND 9TH MONTH 8TH 10TH CONSISTING CONNECTED EUROPE BOSPORUS PLAYS GREEK EXPANSIONISM CONSTRUCTIONS DISTRIBUTIONAL CONSEQUENCES

SPC_OSP_INT.indd 18 10/30/18 10:59 AM SPC_OSP_INT.indd 19 10/30/18 10:59 AM REFLECTING SURROUNDINGS KNIVES TENUOUS PLANES BACTERIAL ENMESHED DETECTION MECHANISTIC SPIRES VARIEGATING FLUCTUATIONS WEIGHT FINGERPRINT TRACES REORDERED LINEAR CARTOGRAPHIES CLARIFIED APPEARING REMEMBERED CONDUIT FOGGED PRECIPICE NOR CIRCULATING LINKS REPRESENTED RESPONSIBILITIES FLAYED SPECTATORS ELAPSED DISSIPATES CYCLES LOUSE PREY DECIPHER DESTABILISE HELD HANDS TRAPPED CLOUDING 16-17 UNDEPICTABLE HAUNT DISSOLVES SUGAR WINDS GATES SITUATING MEASURED BREACHABLE DISTANCE ARTICULATED PULLED GRAVITY COMBUSTIBLE POWDERS 16-26 CONSTRAINTS OUTLINE INVENTORY STRICTLY OCCUPIED 16-18 RECODED CONVENTIONAL CLASSICAL GLUTTED SHRAPNEL NEGATIVE IDEALISED SUBSUMED RE-ENVISIONED INFLICT MAXIMUM DAMAGE OBVIOUS LIMITS UNDERTAKING RECONSTRUCTED REGURGITATED NECESSITATING GIVING REFRACT CONDENSE WEARY BLURRY COLLIDED ALTERATIONS DEVOIDING DUALITY OCEAN CLOUD STOWAWAY DECK- INDISTINCT BLUEPRINT PARTICIPATION SLIGHT FRAMEWORK SWABBER RAT RE-CATEGORISED TOY YOURSELF BACKDRAFT FASTENED STUFFED STREWN INASMUCH MUTINY EXPULSION EXTINCTED CRIPPLED DISPELLED SPECTRE ABSORBED 16-27

16-19 16-28 SHIPWRECK REQUIRE POCKETS BILLOWING SAILS PUNCHED 16-20 INVERSE GASPS ENDEAVOURED INEVITABLE DESCENT UNFURLING GAZES CATCH CONTORT BESIDE FOLDING SKINS VACUUMED CHASM FINITUDES WAIT DISTRUBUTED FAINTLY SPLAYED PLANE CORRESPONDING PARTS BREACHING JUTTING 16-21 PERPENDICULARLY CARGO UNLOADED WEIGHTLESS INTERIOR IMMOBILISED PLASTIC MARBLE TENTATIVELY SECLUDED ORGANS REARRANGED MIRROR REVEALED CLARIFY ENVELOPED EVIDENTLY EXAMINED GELATINOUS CHASMS HISTORIES SEA BRIEFLY CURRENTS SYMBIOTIC OPPOSING NEVERTHELESS UNITED INDIFFERENCE 16-22 HOSTILITY GULLS WHALES STRENGTHENED HUMIDIFY TURNS HERSELF CROPPED OSTENSIBLY EVADED DELAYED HURRICANE COAXED BREEZE TSUNAMI DILUTED RIPPLE POWER 16-23 QUANTITY ORIGINATING HORIZON BOUNCED VERTICAL RAKING 16-29 ILLUMINATING KNIFE BUOYING BENEATH FLUCTUATING WATERLINES OBSCURED VIBRATIONS CAUSED REVERBERATING METALS CONFLICTING NATURES VARYING SIZES CAUSING 16-30 MINUTE PROXIMITIES SYMPHONICS INAUDIBLY TRUNK DOORWAY DARKENED MUSEUM MÖNCHENGLADBACH SEQUENCING IMPLICIT UNDERSTANDING TEMPERED TORN DISPLAYED 1983 SEEPS STAINED INVERTED WALL FLESH AMPLIFIES SYMBOL SYMBIOSIS 16-31 16-24 STOCKHOLM SWEDEN BERGEN NORWAY CINEMATOGRAPHY CHOREOGRAPHIES PRESSURES HUMIDITIES ERODING SUPPORT SONATA WOMEN PIECES E L EXPLAINED SUMMARISED COLLAPSE ACROSS ELUDE UNDERTAKEN UNDERSTOOD EXPECTED BAG APARTMENT STUDY NOTES MANIPULATING TECHNICAL-HISTORICAL 16-25 MATERIAL-MANIPULATIVE SWOLLEN UGLY WRINKLE AUDIBLE COLD CRASHING ELECTRIC HEAT SEEP PERSPECTIVE FOREHEAD SMELL TEARS PULSE SCAR NORMALLY MAKEUP EXCHANGE MERE ABLE AXIS RECEDE VANISHING PRISM PREDESTINED YOU’D DIABOLICAL HELL TENDERNESS TRIANGULATION FLOATING SPHERICALLY VIEWPOINTS LIMITED UNBEARABLE SEDATIVE THROW ROTTEN INDIFFERENT SAT CONSTRICT MOUTHS SALIVATE CONDENSES GLASS POOLING COMPUTER TELEVISION KEYBOARD SHOWED PRESSED BUTTON DROPS TRACKS ALONG NOTCHES OPACITIES REFLECTIVITIES SLID RECTANGLES GREY WAITED BEWILDERED SCREEN ALTERING INTENSITIES FOGS INVERSELY KEPT OUTLINES LUMINOUS TREMORS APPEARED COMMIT UNTHINKABLE GREASE INSTEAD PLACING PERCHED ATOP PANES BURROWED REFUSE SHOW FACES HIDING-PLACE WATERTIGHT TRICKLES CONGEALED ABOVE FRAGILE FINGERPRINTS COLLAPSED NOBODY ASKS LIAR ROSE-COLOURED BEGAN TYPE SPEECHLESS PILES WIPED RAGS REPOSITIONING EXCLUDE GASEOUS COMPARABLE TYPEWRITER FINGERTIPS CARESSED KEYS

SPC_OSP_INT.indd 20 10/30/18 10:59 AM SPC_OSP_INT.indd 21 10/30/18 10:59 AM WRITING GREEN NEWLY SPROUTED GRASS ATTACHED KNOWS FORMING VERTICALITIES HORIZONTALITIES GRAVITATIONAL CORTEX BRAIN POUR MIRACULOUSLY FIX VOID ALTHOUGH METAPHORICAL RE-RELATE REIFIED SELF-REPLICATING REMAINED ELECTROCHEMICAL STIMULUS INSTANTLY GRASPING LEAVES HOWL WOAH IMPUNITY SAIL FORCIBLY TRANSFORMED GOD SINAI COMMANDMENTS IMPALPABLE FORGED ROCK SAND DISMANTLED ENLARGE FORE SINK TREMENDOUS PURITY FEELING VERTIGO HUNGER EXPOSED CAUSAL HARD BRUSHED LUNG SOFT WONDER FELT ENCASES OBLITERATED ALIKE MISUNDERSTAND SOUL PRISON SYSTEM NETWORKED FORTRESS CONTAINABLE CONNECTS ENCAPSULATES MELTED SILENCED BLINDED ILLUMINATES I’LL CLEAN TOXIC CURRENCIES PREDICATED ACCUMULATION TEACH TAUGHT DAZZLING HYPNOTIC SEGMENTS LENGTHEN QUANTIFIED PLURALISED TREMBLES TREMBLE CAUSES VOLATILE DISCUSSIONS IMPRINTED WAKES FOAM DONE RELATIVE COMPOUND ACCUMULATES EXCLUSION REFLECTS DESPAIR UNLIMITED GROWTH INCREASING DIVIDE WANTS 16-32 ACTED PROMPTING PAYING ENACT EXTERNALISED ORGANISM RHODODENDRON DICTIONARY THREATENED SUSPENDIBLE PILLAGERS INTENTIONS MELTING REVEALING POROUSNESS 16-33 CONTEXTUAL NORMALISED RECOGNITION DOMINION TANGIBLE INCLUDING LEGAL ECONOMIC THEREBETWEEN FLOORBOARDS ROT DESOLIDIFYING GIVENS REGULATE VALUES 17-01 PROTECT ENDORSE DESTABILISATION STOCKPILES FULL BAND RATS APERTURE FURS BRUSHING SHARP EDGES CONFIDENCE LEGALITIES GAINS BIOLOGICAL NECESSITIES SMOOTHING SCRATCH GUST PUSHES POUNDS COMPOSED OPERATOR IMMUNITY DICTATED SUBSTANTIVE EXTERIOR WEAKEST CRACK COPPER-GLEANER RIPS COILING FINGERS MANNEQUIN CLONE TERRIFYINGNESS DETECTED EDITED TENSION FLAYING PANE REMAINING RIGID PUMMEL COMMUNICATION PERCEPTIONS DICTATING GRABBED PREVENTING TEMPERATURES TRANSPARENCIES DARKNESS SHEETROCK HATE CLANK SOLE COMFORT PICK-AXE CLAWS APPROACHES DARKNESSES CANARIES MINES FREQUENCIES CRUMBLE FLOORBOARD WORTHLESS PLANK CHISEL GROUT REFRACTS MINUTELY PROPPED SEALED SINKS MONOLOGICAL JOY FUCK OUCH TILES SLICE HAPPY RATHOLE SMASH SPLATTER HERMETIC CONCEPT FAMILY DEFINED MEMBERS RESIDING CRUNCH SLURP MINE NOSE COUGH STING HORROR MOISTURE HOUSEHOLD RELATED MARRIAGE DOMESTIC ADOPTION GULP MOULDLY DISGUSTING FUZZY THROAT REAP PAINFUL BREACH MODULATING GELATIN B STERILISE C EXTERMINATE FORTUNE CRUSH LEGS FEET PULL CRASH TILING LINOLEUM PROXIMITY TAILS INTERTWINED PLENTITUDE PRESCRIBED TOOLS GRASP RIPE RIPPING FLUTTERING DISH TASTY BITE CLOBBERED UNDERFOOT EVADING TRAVELER BORDER 11 SUCKING STALK YOU’LL BOUT CLEANSED LEARNED HELP SANCTIONED TENDENCY D ERRANT STUDIED PERMISSED HIDDEN STEAL LOOT GUT FED NEWER SELF-RENEWING SOURCE 13 MIMETIC ORIGINAL CONSTITUTING REVERSE SEEM PENNIES COPPER FUTILE BRING GRINDING REFORMULATES INNOCUOUS IMPERCEIVABLE ERRANCIES HAVING CAREFULLY SOLID THAWED EVAPORATING NATION-STATE HOMOGENEOUS IRREVERSIBLE ATTEMPTED INVISIBILITIES DEFLECTIVITIES GROUP CITIZENS BOUNDARIES ALIGNED BORDERS CREATING ETC. EVADE REPLICATED LIKEWISE ENFORCED ARBITRARY DIVISIONS WOUNDS ENTRY INFILTRATE INDEMNITY MUTUALISED EFFECTUAL DEAR CONCISEST TENANT HOLES REINFORCED PROTECTING REIFYING DETECTING CLOBBERING SQUEEZE CRUMBS PILFER MODESTEST TRAPS SHATTERED ENFORCING SUPREMACY ACCORDED TERRITORIES TENDENCIES TEMPT EXPLODED WARM TASTES SWEET HOLLOW ERODES DEIGNED SUBSUMING PERCEPTION INTRODUCING DEFECTS FELLED FILLED EXILED INVITING HOLE COVERED EXPANDS CONSEQUENTIAL RHETORICAL DILIGENTLY PROTECTIVE DISCOVERED DISCARDED ROTTED SWEPT INSTRUMENTS NEUTRAL NURTURING INTEREST EMPIRICAL PUMMELLING TORTURE SNAPPED MASQUERADING CANDY IMAGINE CONSISTENCIES PREYED VIEWS OPAQUE POSED TENUOUSLY CONFINEMENT REMEMBER PERVASIVE GENTLY VICIOUSLY ILLUSION IMPERMEABILITY ELEMENT POSITED WISH LIFTING LULLED COPULATE REPLICATE HEAL DIGESTIVE IMMUNE SLICING SWINGING SMASHING BORDER-LINES GROWS MYTHS COMES SCARCITY ALLOWS SHATTERS BARRIERS BELIEVED AMONG PELTED TURNING HAIL CAPACITY VULNERABLE DEFINITION DESPITE SHOWN BREACHED PRIED ROOFS LIVED LOVABLE BEEP FAIL FOCUSED DELIGHTFUL THOUGHTFUL CENTURIES CONSTANCY ENMITY EVASION TIP HEADS DECODE CARE SHRILL PROBLEM EMNITY THREAT INVASION COLOURS DISSEMBLE PATH ROAD EARS TUNED MALICIOUS INFORM BEEPING CLOAK TALL POWERFUL TOLERANCE AMNESTY TETHERED STRUCTURED DISRUPT LOGIC COAXING BREEZES BUNKER LOGICAL CONCLUSION BREED HIDING CONFIGURED RECONSTITUTING FIXED ALTERS COMPRESS CONDENSING LAW TENANCY CONCISENESS RAISED WIDTH GRATES ERODED EQUILIBRIUM QUARTERS PERSONS EAT SEPARATELY OCCUPANTS CIRCUMFERENCE FRAGILITIES RESILIENCIES VARIOUSLY PROHIBIT DISPERSAL DISSIPATE GAINING MOMENTUM CAPACITIES CRUELTIES FLUCTUATE VIRUSES SEEKING ACCUMULATING DEBRIS DETACHED PRAGMATISM IMMENSE CONNECTIONS MAGGOTS BLOAT MAGGOT WINDOWPANES POSING PASSENGER MOVING ENCIRCLED HOLLOWS FILL DEVOUR BREATH NEW YORK SURROUND CONSTRUCTING VACUUM ECHO ERRORS LURE PUSH

SPC_OSP_INT.indd 22 10/30/18 10:59 AM SPC_OSP_INT.indd 23 10/30/18 10:59 AM 17-02 IMMINENT BULLET SHOULDER ARM CARRYING FURY HAIR SIX ADAPTED ADAPTER THIEF SORTS PERMISSIBLE REDACT FRANTICALLY BOBBING SWIMMER SWALLOWING LITRES CONFLATE TENSES URGENT LIBERTIES UNLOCKS OPENS ADAPT BUOYED CORK REAPPEAR STREAMING RIVETED CHALLENGING FILTER POWERS USES UNWANTED SOFTLY FAINT ADMIRABLE BLEEDING WOUND JAGGED REEF GASHED BRAVE NOBLE SIXTEEN PEACH-LIKE UPPER LIP LIT YARDS 17-03 CLIFF INDOMITABLE SPIRIT DESTINY VIGOROUSLY CLEAVED NARRATOR FILTHY RIDDLED LICE HOGS VOMIT ENCRUSTED OWED PROMISE TOLLED RESOLUTION PLEASURE MURDER SCABS SCALES LEPROSY YELLOWISH PUS RIVERS DEW PRECISELY SATED KILLING PURE PROVIDES ENJOYMENT ENORMOUS MUSHROOM UMBELLIFEROUS STALKS NAPE DULLED HARDENED DEATHS STRUGGLE APPEAL ROCKED STEPS DUNGHILL MOVED LIMBS ROOT BELLY SORT TENACIOUS WEIGHING SINCERELY SOLEMN CRUEL AFTERWARDS WHEREAS VEGETATION COMMON PLANTS HEART BEATS ROTTENNESS PERSISTENT ACTS WICKEDNESS WREAKING HAVOC KNEW MIASMATA TOADS RESIDENCE ARMPIT EAR CHAMELEON BOUNDS POSSESSED FITS CRUELTY FEARSOME SIGHT HAGGARD CHASES AVOID STARVING OPENING SAFETY CRACKING RACE DOG ABANDONED CAUTIOUS FELL EXCUSES MISDEEDS INCREASED BRUTALITY CLOSELY SOUGHT AKIN CORNER CREATURES STATING JUDGMENT ABANDONS CLAIMED DECEIVE PERSEVERANCE REWARD ALONE APPROVE CHARACTER LASHED ECSTATICALLY BORE STARLESS PERIPETEIAS DRAMA MORNING ROSE MAGNIFICENCE YOUNG AROSE FLOWERS SWALLOWED DEADLY GARMENT DRAGGED BOWELS INVOLVED HOLDING BLESS ANSWERED FRIENDSHIP BEGINNING VEIL TUMULT STRUGGLING REST GROUND-FLOOR WAIST TWOS BLACKNESS LOVELY WOMAN EXERTING SPELLBINDING THREES SAVING ENTANGLED JUGS ARMY SEA-MONSTERS INFLUENCE CLOSER CLEARLY FEATURES FACE STARS CLEAVING FINS FORCING HEAVING SEAS SHARKS OMELETTE EYELIDS LOWERED CHASTELY LAWN GOODNESS JUSTICE EGGS UNSTABLE CONTINENT SHARE STRONGEST WILD DWELT ADMIRE SOONER REPENT UNFAITHFUL ABANDON CARNAGE YONDER WHIRLWIND FLAILING FEMALE SHARK WOLVES LAMBS LOVINGLY REJECTED DISGUST LOVELIEST PARTAKE DUCK BEEF ANGER ARRIVES ENSUES PALPITATING MANKIND HABIT STRICT MENTAL PHENOMENA ACCORDING DUMBLY CREAM SNAPS WOUNDING FATALLY GETS OBLIGED METHODS RECOMMENDED PHILOSOPHY GRADUALLY DRIVEN TRICKS EMOTION FOLLOW NAVAL STARING COURAGEOUS RAPIDLY SIZE TEMPEST ASSAULTS MAN-OF-WAR DROPPED WAVER CUSTOMARY SKILL LODGE GILLS EAGERLY TOP BRINY ANCHOR ROCKS WHISTLING FURIOUSLY TEARING SHREDS SALIVA FLING SWIM PLEASANTLY-COLOURED CARPET STEEL THUNDER BURSTING AMID FLASHES DROWN LAMENTATIONS DAGGER CARRIES ENEMY DEAL ADVERSARY BLADE CITADEL FOUNDATIONS SEPULCHRE WATERY MASSES ANCHOR-CHAINS SAVED ASTONISHED FEROCITY THEMSELF MISTAKEN EVIL BUFFETINGS OPENED SIDES PUMPS UNABLE BAIL FLOOD SALT ACCORD GLIDE UNDERWATER ARMS VENERATION WISHING FOAMING BEATING BRIDGE MOUNTAINS FIRES MAJESTICALLY GAVE PORTRAIT SUDDENLY SPONTANEOUSLY LOVERS EMBRACE SINKING DEEPEST OVERWHELMED ACCIDENTS UNIVERSAL DIGNITY GRATITUDE CLASPING TENDERLY SISTER CARNAL WAIL REDOUBLES DREADFUL ATTACKS MEN STRENGTH WRAPS FOLLOWS DEMONSTRATION SINEWY THIGHS TIGHTLY RESIGNATION FATE HUDDLE FLOCK SHEEP VAIN EFFORTS THICK MONSTER VISCOUS CLASPED BELOVED THROATS BREASTS IMPLACABLE FINISHING STROKE GRACIOUS SAYS INWARDLY GLAUCOUS EXHALATIONS SEAWEED AMIDST CONTINUING FAR RECALL FISHES ANCESTORS RESOLVES PROLONG SECONDS LIGHTNING-FLASHES MARRIAGE-BED BORNE UNDERSEA AVENGING IRONY CONFRONT VESSEL CIRCUMVOLUTION CHASTE GHASTLY COUPLING GRAVE FORTY LEAGUES DEPTH MURKY UNDERCURRENTS JOINED TROUBLED WATERS FOUL VIRGINITY FILLS PIT THENCE SPREADS WIDE VEINS SLEPT COUNTERPART RAGING NERVOUS SPASMODIC THUS STORE CONSECUTIVE NIGHTS FECUNDATION IMPOSSIBLE SIMILAR COMPOSURE DROWNED MATURE OUGHT EDDYING HALF CASES SUCCESSFUL THOUSANDS MONSTERS CRAWLING NORMAL FLOUT SUPREME FIRING COCKLE SHELL COMPLETELY COMPACT BRANCHED UNLESS FODDER NEW-BORN WISHED ENGULFED O HEAVEN EXPERIENCING PRIVILEGE GIRL DRUGGING CHLOROFORM GENERATIONS DIMINISH DEATH-THROES FOLLOWED VICISSITUDES AGONY BAWLING NOTICEABLY INFALLIBLY PREDICT INTELLIGENT CONQUER MAD FEAR PREMIUM YELLING CHILD BREAST PREVENTED INFERNAL SPADE INCREASES EXTRACT INEXHAUSTIBLE STEERING ORDERS DISTINCTLY GROANS CARRIED NEARER AXE-BLOWS TRANSPORT ARTERIES CONTACT TEMPERATURE PERFECT QUARTER STRONGER UTTERING MOURNFUL TONES FORMATION WINDING GALLERIES DIG GRAVEL STREAMS CRIES FEAR-STRICKEN BROKE LONGITUDINAL CRUNCHING DWELLING-PLACES MALIGN SPIRITS WATCHDOG LOW BARK LAMENTS OFFERED SACRIFICES DUG METAL DEEP CHEEK LEGION PENETRATING BRINGING TERROR BED WAILING SUFFERING COMPARISON APOSTROPHISED SHORE HURLING PROLONGED BARKS FEEBLE TRIES PIERCE PASSES DOG-BRAIN THREATS IMPRECATIONS HATRED OVER-LEAPING ABOLISHING HUMMING IRRITATES FEELS BETRAYED MILLIONS SWOOP REACHING DEAFENED ROARING ANGRY VENGEANCE IMPOTENT LOCUSTS PERIOD SEND BLOCK FRAGMENT DENSER ATOMS RAGE CITIES SLUMBERING LAND SUSPECTED MILES CROWN STRIVING AGGLOMERATION TORMENT COHESION RESISTS RAVENOUS AQUATIC GIANTS PEDESTAL COURAGE ASSURANCE CONVULSION EFFORT SOARS GUNPOWDER FALLS BURIES DOUBLY FETCH DOUBLE-BARRELED RIFLE SURVIVOR TEMPTED FIRMLY PENSIVE PEASANT SEES AEROLITH VERTICALLY

SPC_OSP_INT.indd 24 10/30/18 10:59 AM SPC_OSP_INT.indd 25 10/30/18 10:59 AM RENDING DOWNWARDS CORNFIELD STONE SUCCINCTLY INNUMERABLE BRUTALISING FELLOWS PERVERTING SOULS SEASHORE GRAINS MOTIONLESS ANGEL CONTEMPLATE MOTIVE FAME SPECTACLES LAUGH IMITATION CUTTING-EDGE LOUSE-RIDDEN LOOKS MEMBRANES BELIEVES IRONIC HOOTS SLIT JOIN ACHIEVED DISFIGURED FLOWING DISCERNING PHANTOM STAGGER BOWS VOICE CONSCIENCE SPEED MADMAN WHETHER COMPARING RESEMBLE ONE’S NAILS FORTNIGHT RUSH BOUND ROUGH PLAINS COUNTRYSIDE YELLOW LOSES BRUTALLY SNATCH PRETEND SUAVELY LOCKS EXPECTS PURSUING STORMY LEGIONS WINGED OCTOPI RAVENS TENDER KILL DIED MISERY LICKING TASTE DESCRIBED HOVER PONDEROUSLY MISSION WARN WIPING FURTIVE WEREN’T TASTED ACCIDENTALLY VINEGAR REMINISCENT COMPASSION SHOUT CERTAINLY DESERVES REASSUME GRIM EXCEPT PLEASING INCAPABLE DECEIT FEED CONFIDENTLY ATTITUDE CONTINUES TREMBLING NERVOUSLY MANHUNT ADOLESCENCE BLINDFOLD QUIVERING RESPLENDENT LIPS SHADOWY VAGINA SPERMATOZOIDS UNCEASINGLY RIVER SQUEALS SHRIEKS MORTALLY WOUNDED BATTLEFIELDS SOAR LUGUBRIOUS ETHER VAST SPAN BAT SOLITARY GLOOMY RUNNING FASTER AVALANCHE FLY PRETENDING RESCUE DUMB INEXPRESSIBLE FULGURATIONS STEEPLECHASE UNTIE RESTORE DISTRAUGHT GENUINE UNDERGONE TIRELESS RUNNERS HURLS SINGED DUTY DISGUSTEDLY COMMITTED UNSPEAKABLE EVILDOERS ALAS FURIOUS SUPPLICATIONS CLICKING TONGUE CHASE RETURNS KENNEL ATTEST IMPOTENCE PASSIONATE THIRST ATTAIN MADDEST FURTHEST SHRIEKING PENETRATES PREFER REMORSE SEPARATE SHALL FORGIVE STANDS TORE STRIPS DANGLING JUDGES SECRET SEVERELY POWERLESS CEASES HUNT FOX FRENZIED INSPIRATION DELIRIOUS INNER INSTINCT EAGLE ESPECIALLY IGNORANT SCIENCE CALLS METEORS SHED LIVID DROVE VICTIM FREED TRANSIENT ENTWINED EVERMORE FLAME REVOLVING MYSTERIOUS UNDERSTANDS BATTERED FUSED PUNISHMENT STOPPING ADORN PERFUMES GARLANDS CONVULSIONS BURDENED INSOMNIA HEARS SINISTER EXPIATORY HOLOCAUST SUFFER YOURS BLOND-HAIRED BREATHING VAGUE RUMOURS STRUCK MORTAL BLOW GENTLE WRONGED LOVED CONCEIVABLE HAPPINESS HOSPITAL THROWER TASK RE-ASCENDS DEFEND SCORNER VIRTUES BOY EARN PROCLAIM HERO LAUREL CROWNS MEDALS CREATOR FORGOTTEN KNOCKED ANNALS INFAMOUS INTRIGUE BARE ANCIENT ICONIC WALK NARROW SLIM TEN-YEAR-OLD ETERNITY CONSIGNED APPLIED SUCKERS ARMPITS UTTER RESPECTFUL SYMPATHETIC CURIOUS WELL-SHAPED PARTED CHANGED VIPERS UTTERED HID UNDERGROWTH CRAWLED TRESSES SHOULDERS USUAL STURDY CATCHES LEAF SLAPPED ENDOWED COUNTLESS RINGS FLAT WICKEDLY GLEAMING TWICE PROUD STRAYING CONSCIOUSNESS UNCONCERNED VOWED INNOCENCE TANGLES MAQUIS STEEP SLOPES FAILED PURSUE IRKSOME ROUTE VIOLENTLY CEASE WALKED DUNES CREEPING IMPERCEPTIBLE ADMIRABLY APPALLING RAN SLOWED GRACE CHILDHOOD ROUND BARRING PALE SUFFERINGS EXTRACTS GERMS HARMFUL ASTONISHMENT PRECOCIOUS IMAGINATION SANDALS CLATTERING ROADS OCTOPUS EIGHT MONSTROUS TENTACLES LASH ENCOMPASSED APPEARANCE BLAZING COMET FANATICAL CURIOSITY FLASH UNAWARES STRUGGLED GETTING TIGHTER FEARED TRICK DISAPPOINTED WORRIED HAPHAZARDLY HORRIBLY TOTTERING COPIOUSLY GLOBULES SACRED MAJESTIC CAVE ABODE GAIT SWIMMING BLINDLY CONTINUALLY REGIONS FRUITLESS SEARCHES WARY MONARCHS NEIGHBOURING SNOW-PLOUGH FATALITY CUNNING EIGHTEEN CHARM VICE LANDS RESPECTIVE STRENGTHS DEFEAT USELESS BATTLES INNOCENT SELLERS BRITISH ISLES GAILY CROSS CHANNEL FEARS UNDEFEATED SAVAGE BLOWS STALEMATE HOWEVER WHIRLING SWARMS PARISIAN TWENTY SUPPOSITION CURSED READY ADVISE SCHEMES GUARD VISIT TORMENTS WEAPONS WINDINGS HORRIBLE PLYING TRADE SKILFULLY GUILTY SUCCESSFULLY GROWN ACCUSTOMED WIND-BLOWN STRAW HYPOTHESIS ROMANTIC CHARGE GENEROUS RESOLVED BIRTH TREAT INDULGE SUBTLE POETIC ADD OX CHEWING CUD CORMORANT TOUCH IMPLORE FROWNING SQUINTING WRING SUFFERED SETBACK FIT MODESTY HUMILITY PROPER RANK LINEN SQUEEZED WASHING BRANCHES CARESSING GREEDY RISE LISTENED PRIDE STRETCHED PRESSURE MORTAR HUNTED LOBES SMILE SUBSTANCE OINTMENT BATHE SORE ETERNAL WHIP SOUVENIR VICTORY GNAWING STOOD HERON MOUNTAIN STITCHING DEPRIVE UNIVERSE GUIDE RAISING VIRGIN IRON VALLEY LID TOMB SWAM GULFS LETHAL REEFS DIVED SEIZE SWING CONCENTRATING DROP SPURT FRIGHTEN DEEPER STRANGER COMBATS PIERCING CRAMPS PARALYSING REMAINS INEFFACEABLE SHINE DIAMOND ALARMED DOZEN MAGNETISM PROWLED FORCEFUL RETURNING SAFE BEACH SERVANTS VENERATED DOUBT STUCK PEAR JUMP MADWOMAN MOUNTED TOWER REACHED FIRMAMENT KICKING GRANITE BRANDISHES SHOE BURSTS LAUGHTER HYENA UTTERS CHALLENGED DIVINE CONTEMPT HURLED DRESS PLACES JERKILY BONY MUD-BESPATTERED FORWARD PAVING-STONE RESOUNDING THUD OCCURRED HIT DAZE YOUTH ILLUSIONS GLIMPSES HAZE POPLAR WHIRL DESCENDING PICKING TRIPLE GUILLOTINE SMOOTH DELICATE UNCONSCIOUS WALKS REEKS GIN REPROACHES COMPLAIN NECKS GIRLS EXECUTOR WORKS APPARENT DEFTNESS BARRENNESS PROVIDENCE BLESSED KNELT CHURCHES CEASED EXPERIENCE TRIANGULAR FALLING OBLIQUELY LOPPED THANKING GRANTED SUCKLED GREW QUICKLY LORD WREATHE SWEETLY WEIGHTY RAZOR EXECUTIONER PREPARED THRICE GARLAND VIOLETS MINT GERANIUMS LAP KISS SWALLOW GROOVES RENEWED CARCASS DEPTHS BASE COLLAPSING MERELY COTTAGES DARING QUESTIONS RUDIMENTS STUNNED CROWD ELBOWS UNDULATING STRAIGHT OVER-EXCITE CHILDISH VIVID SENSATION ANXIOUS BELONGS NARROW-SHOULDERED EXCEPTION COMMITTING UNJUST CREATION SPOKE GRAVES CEMETERY PLEASANT

SPC_OSP_INT.indd 26 10/30/18 10:59 AM SPC_OSP_INT.indd 27 10/30/18 10:59 AM CYPRESSES IMMORTELLES CONTRADICT TOWN SANG TILL SLAMMING EBB DRAWING PERCEIVING CHAIN CROUCHED DUSK NESTS GRAVE-LIDS SEWED CLOTHES WORE LACE-DRESS PUSHING BARREL BITCH REVIVE ROOMS KNOCKING STAIRS THOUSAND ARABESQUES SUNDAYS SUMMER MEADOWS INQUIRE UNHAPPY SADLY WITHDRAW ENORMITY LOSS STERILE VENTURED SILK CHASING HUMMINGBIRD BUTTERFLIES YOUNGEST PENUMBRA RAREFACTION FLASHED CONVULSIVE FRUSTRATING ZIG-ZAGGING SCAMP EXCLAIMED FLUNG INERT SLIGHTEST MURMUR COMPLAINT WHISPER REIGNED SKIPPING DAISIES MIGNONETTES SUNBEAMS EPHEMERA OCCASIONAL CREAK WOODS ELASTICITY PARTLY SPRANG PRISMATIC RANCOUR GLAD BIGGER BLUETIT INNOCENTLY RUDDY FRESHNESS PROCEDURE AMAZEMENT TIRED ASLEEP TEASING WARBLER SING NIGHTINGALE SLYLY PUTTING NASTY UNHEALTHY EXAGGERATIONS MATERNAL HARROWING RAVEN FATHERLY GRACEFUL CAT UNEXPECTEDLY GOODBYE RECKONING CANDLE DETAIL PREMATURE HAMMER CANINE ENCHANTMENTS ABANDONING TURTLEDOVES GROUSE DEMOLITION IMPATIENT DELAYS BREAKING OPERATION GREENFINCHES TULIP ANEMONE COUNSEL MARSH-GRASS WIT DAUGHTERS DIFFICULTY PRYING COUNTRY BEGGING APPROVED FROGS COOLNESS BULLDOG SLEEPING SHADE PLANE-TREE BEARS THEORIES CONSOLED AFFECTED COMMISERATION UNDRESSED STARK NAKED ASSAULT BROAD DWELL IMPURE HANDKERCHIEF RESTAURANT ATE TABLE FASHIONABLE TAILOR DISCONTENTED HURRIEDLY PRUDENT GLANCE DUSTY PROTÉGÉ PRINCE SUMPTUOUS PENTHOUSE ACCEPT PATHWAY ORDERED STRANGLE BLOOD-BESPATTERED SNAP JAWS CHAMBER-POT PUTS KING INTELLECT PREMEDITATED POINTED MOUNTAIN-DOG WITHDREW PINK EXECUTION HARSH SOLEMNITY COFFERS ALABASTER PERMISSION DAWN MENTION CONTENTED SNOUTED WOLF VIOLATING FLOWED MEADOW PLAYTHING NIGHTMARE GRIEF-RIDDEN SELF-ABASEMENT WHINING ANIMAL ADORNED SPARE DARED ADVANTAGE CROWNED TIED LEANT THOROUGHLY DEPENDABLE FRIEND WEAKNESS DISOBEYED MASTER KNIFE-THRUST SLEEVE NAIVE OBEY INCIDENT DISTINGUISH DIFFERENCE AGONISED SACRIFICIAL ALTAR GRATIFYING INSTINCTS SHIP-WRECKED RAISES KICKED MADDENED DRAGGING 17-04 STRETCH HANGING RESULT JERKY FLEEING AFRAID ATTACKING OVERTURE SOLDERED PLASTICS MIXED BRAIDED HAIRS ROPES AMERICAN PENKNIFE BLADES ANGULAR HYDRA SCALPEL INTENTION CONCEALING SCARS FISSURES CONTINUITIES BLENCHING COURAGEOUSLY UNFORTUNATE WIDENED GUTS TACTIC ERASURE HORIZONS PROBED CROSSING PLANKS LIVER GUTTED CHICKEN STOPPED RAVAGES EAGERNESS FIVE SCALING GOATS BURROWING TICKS DISGUISING GEOGRAPHIES SHAPELESS PIECE FURNITURE BEAT NOURISH ABUNDANTLY OMISSION RECONSTITUTED EVAPORATED ASSEMBLED TICKLES FOILED PEACE COVERS SNAKE VERGE CREATURE BUBBLING DEFERRED ALTERNATIVES PASSAGE SUBJECTS EUNUCH DEFENDED PARALYSED LOGS HEDGEHOGS TESTICLES ABSTRACTED VAGUELY STRIPPED ABSENTED DRAINED LODGED WASHED EPIDERMIS ANUS PENETRATED CRAB ENCOURAGED SLUGGISHNESS GUARDS PINCERS MEDUSAE 17-05 CROSSED ENTICED ATTENTIVELY FLESHY BACKSIDE CLINGING PROHIBITING * RUMMAGING OIL PISS GLEANING PIGMENT CURVE LUMPS REALM VISCOSITY COLOUR SPINAL COLUMN CONCEAL SONG RAG-PICKER SWORD PARK BENCH INDIVIDUAL TOUSLED GARMENTS CORROSIVE POVERTY WOOD PALM SUSTENANCE 17-06 ROPE-WALKING CONFORM HEAVILY CAP COVERING TOUCHING SECTION MANUFACTURE TRANSPORTATION CLOTHING UNSTEADILY PRECARIOUSLY POISED SURVEYED RECTANGLE EMBROIDERY VELVETS SATIN TAFFETA TEXTILE FABRICS THOROUGHNESS ESCAPED INVESTIGATION MIDDLE GARDEN IMPORTATION EXPORTATION JURISDICTION [ ] PROHIBITED STAGGERING PRACTICES GYMNASTICS ENDEAVOURING EXCEPTING DIRECTLY EXPRESS ARTICLE MANUFACTURED STEADY PERFORMING MIRACLES DERANGEMENTS ALIENATION WEAVED TECHNIQUES WEAVING DYEING MACHINES KINDLY HELPED RESUME DIGNIFIED MADNESS INTERMITTENT BANNED FIBRES ARTIFICIAL WOVEN OVERLAID PRODUCT REPLIES LOGICALLY RANDOM REOPEN PAGE BLASPHEMOUS SUFFICIENT INTEGRITY MAINTAIN SEWING RECOMBINATION FOLIO MISERIES FRUITFULLY INSTRUCTIVE EVENT RECOUNT ALTERATION TANTAMOUNT ITEMS AUTHORISED ABOLISHED INVENT IMAGINARY TALES DECANT LUNATIC AMUSEMENT PENALTY FORFEITURE THREE-FOLD LOCATIONS CONTAINED SINCERITY MARVELLOUSLY ALLIED CREDULITY CARPENTER CONCURRENT ENFORCE VIA IMPLEMENTATION LEGISLATION BEAK CANARY ETERNALLY GNAW BULB CONTRACTED BARS PUNITIVE MEASURES IMMEASURABLE INDISCRIMINATELY REFORMED TACITURN DISPOSITION RESENTMENT SEETHED NOTION BEHAVING 17-07 BOUGHT SISTERS PASSERS-BY SONGS FLEETING CLEVER LENS-GRINDER SANDGRAINS INTENSIFY TRACING FRAGMENTS RID CONTENTS IMAGINED MOCKING ETHEREAL CAVATINAS LIGHTLY SUNG VOCALIST TALENT NAIL GRAZE KNEE SPENT PRESSING CHIP ROLLED TROUSERS WORKSHOP ENTREATIES GENIUS 17-08 WICKERWORK HEELS JOINTING-PLANE WHIRLED BAY STRAIGHTAWAY FLURRY FEATHERS ALIVE BLOODY MUTILATION

SPC_OSP_INT.indd 28 10/30/18 10:59 AM SPC_OSP_INT.indd 29 10/30/18 10:59 AM 17-09 RE-COORDINATE SWITCHBOARDS TELEPHONE SENDER RECEIVER MEDIATED CIRCUITS CONNECTION CALLER DE-HUMANISED VOCATION SWITCHBOARD REQUIRES 17-10 THIRD-PARTY COMMUNICATIONAL MEDIATOR ENGAGEMENT PRONOUNCEMENT CHALK ACTIVATED RECEIPT RINSED INTERVENE CONDUCTOR FORTH UNKNOWNS ACTIVATORS RAINS REDACTED SCRAPES FINGERNAILS LEGIBLE VISIBILITY INANIMATE FUNCTIONLESS MEANINGLESS DE-POPULATED OPTIC RETAINABLE STAIN-LIKE EVINCING SCRUBBED DE-COMMUNICATIONAL WAITING-ROOMS VISITORS PATIENTS MEMORIES COMBINATIONS SOLVENTS PLACE-IN-THE-WORLD TEMPORALLY HOSTS WAITING-ROOM-TYPE WAITING-ROOM CRANES COMPRESSED CARBON INHABITED ENVELOPING CONVEYS UNIVERSITY PRESTIGE LINEAGE RESPONSIBILITY IGNITED HAPPENED DURATION FIBRE CABLES UNRAVELED SANITARY RESTRAINT POLICE STATION AUTHORITY UTILISES KNOTS CONTINUUMS DEVOURING CARCASSES NETTINGS DESIRED AMBIENCES KEY FLOAT RETREAT ATTACK FERVIDLY ENTANGLE UNEVADABLE EXTRAPOLATED HYPOTHESES REQUIRED EVER-CHANGING ENVIRONMENT SKELETAL PRELIMINARILY FORMULATION SIMULTANEOUSLY CORRECT FRAMES LIFE-FUNCTIONS DE-SKELETONTISED MIMIC PLOD INTERPRETATION UNRESOLVED INCORRECT ITERATION INVERTEBRAIC TANKS EXPAND CONTRACT AMORPHOUSLY PERPETUAL INFINITUDE UNANTICIPATABLE ENTWINE ATTACH PENETRATE RELATIVISE HUMAN-OBJECT RE-OCCUPIED SENSES OBJECTHOOD PHYSICALISED LATENT RETAIN STATIC VORTEXES QUANTIFIABLE PERCEPTORY FINDS UNFOLD SUBJECTIVITIES INFLECTING INTERPRETATIONS JUDGING PRO- PASSINGS CONTRACTIVE EXPANSIVE TACTICS CONTENT-TIME OBJECTIVE ASKING DISPERSE DIMENSIONALITIES INJECTED SPLICED SHREDDED BLENDED ACCELERATING DELAYING SPILL ESSENTIALLY ATMOSPHERE MONUMENT SEED MASSIVE ENVELOPS TENSIONS ENACTS PUNCTURE ATEMPORALLY COMPLEX DUSTS FORMNESSES INCERTITUDE UNRECOGNISABLE VACUUM-LIKE FLUIDS BURST VACUUMS EXPERIENCED CONCRETELY LEADS SURMISE DECREED SOCIETAL DECISIONS SCRIPT-WRITER ENACTMENTS INSCRIBER INFORMED IMPERATIVES ID EST SCHOOLS COMPLETED AD INFINITUM INFORMATIVE PERIMETERS IN SITU IMPERATIVELY ENGAGING SUCCESSIVE ENGAGEMENTS POSTED REACTING ALGORITHMIC DOCUMENTATION INTRINSIC INTRODUCES SECONDARY SEEKS MITIGATE OBJECT-RELATIONS SOCIAL-RELATIONS EFFECTIVELY COMMUNICATES DOCUMENTS SURROGATES DISCOURAGES PUBLISHED REACTIONS UNKNOWABLENESS TRANSCRIPTS SCENOGRAPHICALLY-SET REPURPOSED HOPEFUL OPTIMISTIC SCRIPT-FORMING SCRIPT-ENACTING PUSH-PULL EXISTED ABYSSES OPTIMISTICALLY OVERLAPS ENGAGES IMAGINING WRITE RE-INTERPRETED PROPOSAL ACCRUED INCONGRUITIES INADEQUACIES DESPAIRS INNATE FORWARDING INSCRIPTION VICES TRANSFORMS REPROCESS INSCRIPTIONS EXTRAPOLATIONS CONTENT INFORMATIONAL 17-11 PERCEPTUAL REPLACE LINGUISTICALLY SETTING INHABITANTS COORDINATES ENCRYPTED GUIDES MAGNETS PRECISION ENCOUNTERED INSCRIBERS BURNING SCRATCHING PLATES TURPENTINED SWAPPED MOULTED RECONFIGURING FACTORS PLACEMENT INCIDENTS CONFLICT INTERWOVEN IDENTIFYING CHARACTERISTICS SCENTS DISSOLVING BLEACH CLIMATIC IDENTIFIED TENSE TRADITIONS OSTENSIBLE RELATIONALLY COMMUNICATIVE CONSISTS PRIMARILY 17-12 MONOLOGICALLY ALONGSIDE RELATIVELY DIALOGICALLY PITCHES INAUDIBLE GOVERNING BEAKS NOISE SCATTERING COMPUTATIONAL MECHANICAL MUSICAL TOOL UNIT DROPPING DISPERSING 41°43’52 02 N 12°17’12 05 E BOILED EMPLOYS USERS POSE IMPOSES ANSWERS FUNCTIONARIES BUTCHERING CORRODING DIALECTS TAR BLACKENED FLICKER FANTASIES SOCIETIES PROMOTE BAN DEVELOPMENT SYNCHRONISED VEILING MESHES RENDERED POACH STOMP MISUSED DISPROPRIATED ENACTORS INSTRUMENTALISED LAIN COMPROMISE LOYALTIES CIRCLING BLEACHES BURNS PRODUCING RE-READING MIS-READING RECONNECTED COAXES GREY-BLACK WHITE SCAFFOLDS TWIST ERROR RELATIONALITIES SCENOGRAPHIES REALISE SCENOGRAPHIC PRAGMATIC RUTHLESS CARVED SHAVINGS UNDETECTED DETERMINANTS INCLUDE VANTAGE PERMANENCES DETONATIONS BOMBS CAMERAS POTENTIALS SCENOGRAPHER REORDERS RESPONDS HEIGHTEN SCENOGRAPHY REORGANISES ENHANCE LEGIBILITY CONTACTS 17-13 TEMPORALITY DURATIONS COMPOUNDING TRAVERSED VERACITY PREVALENT QUESTIONING RECLAIM NULLIFIED COMPONENTS CONNOTATIONS ROOTS CONTRADICTIONS REPRESENTATION ANALYSIS REIGNITE INHERITING AUTHORED VIBRATING MEANINGS ETYMOLOGIES RE-ORDERINGS NON-HUMAN AUTHOR IDENTIFIABLE FACILITATORS PRIVILEGES REFORMATTINGS EDITS REDACTIONS TRANSLATIONS SITS INHABITING FEWER COUNTER-PRODUCTIVE ILLUSORY ORTHOGRAPHIES TEXTS INHERENT LOGICS TRANSGRESSED HEAVIER INTER-RELATIONAL CONDUCIVE RE-ASSERT IGNORING MISUSING PAIR SCISSORS SPHERES STRUCTURALLY PHYSICALITY ANALYTICAL AUGUST 28 RESIST ACCOMMODATE BINARIES CONSIST X-AXIS Y-AXIS DIMENSIONS ALTERNATELY PLANETS BALLOONS SKULLS SWISH 17-14 COAGULATE BRAINS LAVAS CREVICES ENCOURAGE RATTLE

SPC_OSP_INT.indd 30 10/30/18 10:59 AM SPC_OSP_INT.indd 31 10/30/18 10:59 AM 17-15 AUCTION DONATED FOURTH PURCHASE INTACT CONSIGNOR OILS DEWS SCRAPED JUTS CUTS MUDS TOES SWELLING 24TH HEREINAFTER REFERRED LOCATED OVERSEE STATED PUSSING OINTMENTS SALVES POACHED STOWED SPARSELY ACRYLIC UNPRINTED DOCUMENT HEREUNDER SIGNING RATTLING CONGEALING STRINGS TWINING STRUCTURALISED ANNEXED APPENDIX TERMINATION TERMINATED SIXTY INTRICATE INFINITESIMALLY SWATCHES COMBINATORY AUTOMATICALLY TERMINATE BANKRUPT INSOLVENT ESTATE ADJUSTED BREADTH SUIT CRAMMED ILLEGALISED WEALTH EXPENSE SCHEDULE INSTALL SPECIFICATIONS ARTWORK METAPHOR CULLED OBJECTIFY METAPHORIC EXPRESSIVE QUALITY REPRODUCTION PROMOTIONAL ADVERTISING SUPPRESSED MITIGATING OPACITY SHARDS LINTS FEARING PURPOSES EXPENSES INCURRED PRIOR AMOUNT COMMISSIONS RISKING STALKING STAGNANT DRAPED FLAMES ACCLIMATISED PAYMENTS SELL PROCEEDS PRICE APPROVAL DISCOUNT MICROSCOPIC GROUNDS COLOURED OBEYING SHAPENED RECEIVE COMMISSION TAX BENEFITS DONATION EVENLY FACILITATOR CONVERGE KINETIC LUMINOSITIES EXHAUST PARTIES APPLICABLE ELIGIBLE AGREE DESTINATION RECEIVING PHYSICS FATES CHOICE OSCILLATING CONCRETISE APPRAISER FAIR STIPULATIONS PURCHASER DICE SECURITY CONVENTIONS ORGANISMS PLUCKED MULTITUDE GRAIN INSURE PROTECTED REQUIRING NOTICES REPRODUCTIONS REMOVAL TRACEABLE DESIRABLE GOVERNABLE PERMITTED PURPOSE WHATSOEVER TITLE DEFAULT SECURED UNIFORM MUTABLE SEVERING DISAPPEARABLE UNTRACEABLE CODE CLAIMS CREDITORS PAYMENT PLEDGE ENCUMBER INCUR SUCKED INGESTED MOLLUSK IMPROBABLE REPRESENTS OBLIGATION HEREWITH LIABLE CONSIGNER CERTIFICATE PRETENDS CENSORS DUE REDACTION APPROXIMATELY 20 BUYER MODIFICATION MODIFICATIONS SIGNED CONSTITUTES TRANSCRIPTIONIST OVERHEARD CALCULATION DECISION ENTIRE HERETO GOVERNED APPENDICES ACKNOWLEDGE REORDERER TREES LIVERS SWOONING WONDERMENT CIPHER DELIVERY NAME LOCATION COPIES DONATIONS DESPOTIC COLLECTED DECIPHERMENT REDBREAST WEEPING AUTUMN BODILY CONNOTES NARRATIVE SILENCES CONNECT 17-20 FORECASTINGS DISTRUST IMPULSES COMPULSION ELECTRICITY MIMESIS TROPES GENRES PAINTING LITERATURE SCULPTURE IGNORED JETS RENT PRISONS COBBLING GRAMMARS PAR EXCELLENCE COPY EMULATION CARICATURE ADAPTATION THREADING ROWS SUPPRESSION WAR OPERATIONS PROJECTION RE-INTERPRETATION RESPOND 1982 PHOTOGRAPH ASPHYXIATED CIRCLED CRAZILY ANTS PIGEON-BREEDER RESTAGING WITNESSED MEDIUM DEPICTIVE VIOLENT MIMICKING CAUCASIAN ASIAN PERSONALLY DIRECTED LED 17-16 CINEMATOGRAPHIC TECHNIQUE REPORTAGE OCCUPANT GLOVE LICHEN VERDIGRIS OCCULT PATINAS PHOTO-JOURNALISM ENCAPSULATING CAPTION LOW-DOWN SUBTEXT WRINKLED MOON THROBS SMOTHERED ENTANGLEMENT MIMESES CAREENED MATTERS RANGING GREASY SAWS TERRIBLY VIBRATO PURR DAMNED OURS RECONSTRUCTIONS PICTURES RE-ENACTMENTS AS-FOUND LIBIDINOUS ANTICOMMUNITY COSTUME JEWELLERY GOLF CRUCIALLY SUBSET NEAR-DOCUMENTARY RECONSTRUCTION CLUBS FORKS CHARMS APOCALYPSE UNKIND SHIPWRECKED CATEGORY PRODUCES REITERATIONS RE-READINGS KISSES CRUMPLED AGEING DIMMING MOTIFS BORROWED ADAPTATIONS DOCTOR SUDDEN DIDACTIC DIAGRAMMATICS THINKER RECONSIDERATION 17-17 EARLIER EVICTION CREEK DRAIN RE-ENACTMENT DICTUM PHOTOGRAPHING INVOLVES DISPLACEMENT POSTPONEMENT MAINTAINING UNDERLINING REPORT PRESERVING GERMINATE 17-18 RE-ARTICULATION IDEALISATION MIS-REMEMBERING SEPTEMBER PRAISE WETNESS DELICIOUS SIN SEX ACADEMY PROUSTIAN PROJECT EVIDENTIARY UNMEDIATED ASSERTION SCORE CLOSEUP DEED HADN’T UNWELCOME LITERALISM IMPLY MEDIATION EQUIPPED SATISFIED EVOLVED INSISTENCE LONDON WEEPS RE-ENACTING CONTRADICTORY FEELINGS DE-HIERARCHISED ESCHEWS REFERENTIALITY INSISTS UNTITLED SLANT SIGN HOLDS VERSUS DEPARTMENT REVENUE JUDGED COINCIDED ABANDONMENT STARTING REPUDIATION ASSESSOR NOTEBOOK STATUES VERSION TREATING ZÜRICH EQUALLY OCCUPIABLE NEGATING PHENOMENOLOGICAL 22 FRAMING MALEVOLENT COPYRIGHT SURROUNDING INTRO DIFFERENTIATION IGNORANCE CONTINUED DEVELOPING REMIX MAGENTA CYAN MONOCHROME CURATOR TRAILER BELIES SATISFACTORY METHOD LITERARY GAMES WINNERS VIDEO COURTESY OUTRO LOSERS JAVELIN CHESS IRRELEVANT IMMORTAL VAMPIRIC ETERNALITY OCCUPIES ENDGAME GAME-MASTER RESETTING 17-19 ENSURING PERMUTATIONALITY UNWINNIBILITY CONTINUANCE CONSIGNMENT AGREEMENT MONOCHROMING JULY POTENTIALITY COILS PROPOSITION PARTICIPATE HANNOVER GERMANY CONTRIBUTION COLLABORATE PAINTED TONE ADDITIONALLY 17-21 PANELS MEASURING MATCHING BLANK STOCK CIRCULATION COLOPHON RUNS 29 JANUARY 2018 INCLUDES INCLUDED ARTISTS DEALER MANAGE SALES REPRESENTING SOLD COLLECTOR INTERLOCUTION BOOKS ARTWORKS EXHIBITABLE GENEROSITY

SPC_OSP_INT.indd 32 10/30/18 10:59 AM SPC_OSP_INT.indd 33 10/30/18 10:59 AM LOGISTICAL STUDIOS PARTICIPATING UNWAVERING VOIDINGS REPRODUCE DOUBLE OTHERING SELFHOOD REPLACING REMOVING ATTENDANT MUSCLES IRREVERSIBLY PURPORTS 18-01 REPLICATING DISEMBODYING UNCANNY ORAL ARTICULATIONS TRANSFERS SOLO DUET VARIABLE EDITION SELF-BLINDING SONIC FREQUENCY INSTRUMENTALISATION PROJECTING RETINAS ENACTOR RESERVES LIABILITY HEIGHTENING SURGICAL LIBERATION MANIPULATIONS UNITS CLICKINGS NON-VISUAL SENSUAL PURCHASED CERTIFIED JOINTS TAUTNESS BLOCKINGS PASSAGES BREATHS ELECTRICAL INTER- EXPRESSION EXTRA-FUNCTIONAL EMPLOYED 18-02 DEMONSTRATE WILFUL GESTICULAR DISCIPLINE LIMB SCAFFOLD-SPECTACULAR GENERATING STANDARD DIGESTION MOBILITY NECESSITATED CONTORTING FACIAL EXPRESSIVENESS 18-03 FORNICATION MARK-MAKING SIGNALLING STRIKING RECITAL TRANSTEMPORAL ARCHEOLOGY TWO-DIMENSIONALLY TRANSMUTATING EPHEMERAL INDICATION REPRODUCIBLE UNIDIRECTIONAL HAYSTACK OMNIDIRECTIONAL INDEXICAL FORMALISED BINDING STIFLING LIMITING CROSS-HATCHINGS INFINITELY NAVIGABLE CALCULABLE PASTS DOMAIN UTILISATION SEVERANCE EXTENSIONS REFERENCED PLIABLE ALTERABLE MEASUREMENTS SOUND-WAVES ACOUSTIC ENGRAVING DISTRIBUTIVE AGGRESSIVE PROJECTILES DATA-FIELDS CACOPHONIES DE-CIPHERED ATTEMPTS FOLDED PROPELLED UNREQUESTED BARRAGES COUNTER- SPECTATORSHIP UNACTIVATED DORMANT RESUSCITATED SOCIAL OFFENCES CASTING GROUPINGS SELF-REPLICATION GLEANED CIRCUMNAVIGATION SWATHS QUIETNESS STILLNESS RELATION-CENTRIC MISERY-INDUCING LITERALISED EIGHTHED INQUIRY UNTANGLE RE-RAVEL TRANSLATORS BUTCHER SIXTEENTHED LANDSCAPE TRANSMIT MEANING-CONTAINING REANIMATE TENDONS PERMITTING DETERMINES TRACINGS VISUALISED GESTICULATED SOUNDED SCATTERABLE EVER- TRANSCRIBED TRANSLATED BRUTAL EXCAVATED ANALYSED RENEWED ADORNMENT RIPPED ACCRUALS BLOWN ITEM RECOURSE RAG-PICKING LENS-GRINDING SOUND-COLLECTING FLATTENED INSULATING SCOPE LISTED RECTANGULAR TRANSCRIBING PIGEON-BREEDING BASEL 7PM 14TH SFYRIA DYED DISPARATE CONDENSED ADDITIONAL DESCRIBING PIPE-ORGAN PERFORMER INSTRUMENTATION DESIGN PRINTING CONCEALMENT WARMTH RUBBING CREATES FRISSON CUTTING COLOGNE ACKNOWLEDGEMENTS LIBRETTO FLEECE MAMMAL EMBOSSED MAKER ORIGIN HANDLE-BOTTOM STRING TWINE REPEATABLE HALVING IMPLIED DESTRUCTIVE 18-04 INDICATES DISSIDENCE INSECT LIFE-CYCLE VARIES WINGSPAN SUITE RESTRICTION ENUCLEATION ELINGUATION CONSTRAINT LARVAL COCOONS SOFTENED SCOOPED PIGMENTED TRANSCRIPTION INJUNCTION F PROHIBITION ARCHIVIST SUBSTITUTION TEND EDGE NEUTRALITY AUGMENTS CURVED CONFISCATED SEIZED CATALOGUED DEFUNCTIONED FONDS INVERSING STRUCTURING CONTROLLABLE GLANDS SPONGES FIXING PHONETIC MODULATION CODIFICATION NOTATIONAL TECHNOLOGICALLY ASSUMED CHROMA-SHIFTING PULVERISED DISSEMINATION ENDNOTES 80 16 ASSISTANT INTERN MINERALS POWDER-FILLED WET PROXIMATE RE- SOUNDWAVE ADMINISTRATION INSTALLATION SILKSCREEN VITRINES DISSEMBLED DETECTABLE SOUND-TO-SIGNAL TRANSDUCTION COMPONENT RECORDS PLAY-BACK STRATEGICALLY ENCASED 18-05 DEVICES VARIATING DECIBEL ELASTIC INFERRING TIN PREDICAMENT PILED NOISES INTER-SUBJECTIVE MARKS ENSURE CYLINDERS VOIDS GROUPED SHAFT TAPERS DECLINE ENLARGES ESTRANGEMENT TRIBALISING ALIENATED FLEETINGNESS EXITS EMANCIPATORY PREMONITIONS REARRANGEABLE SURROGATING FRAGMENTARILY MULTIPLYING PERMITS DWELLING LAND-MASS SEPARATION AGREED TRANSGRESSIONS CONTROLS ENCOURAGING POPULACE UNNATURAL LUNGED INDICATE DISREGARD GRAPHIC MODELLING POLAR STELLAR ORGANISING SUPER-BODIES PROMISING COMPREHENSION ORIENT AERIAL GUIDING CONSPIRACY CHOREOGRAPHED MAPS TRANSCENSION FACILITATED HABITUAL BANDING REALISATION PATHS EXPLOITING SPACE-TIME INVENTABLE TRANSFERRING AFFINITY TRANSCEND ABSURD FOLLY BELIEVING CONSENSUS INK CHEMICALLY COATED ALUMINIUM SHEET WOOD-ENCASED TWITCHES BLINKS FLICKS CURLS READABLE UNTRUTHS GRAPHITE-CLAY MARKING-COMPOUND RUBBER REDACTS CODIFYING RITUALISING FULLY DETACH TYRANNY SELVES SCULPTED RE-USABLE THIN INFORMATION-HOLDING PROVEN FALLACY UNBREACHABLY DISTANCED GAP MARKABLE TEARABLE STACKABLE GRATED TREE-TRUNKS WEAPONISED UNTRUTH DISCORD CYCLICAL BABEL ENVISION EXAMPLES ARCHAIC PICTOGRAM MEANING-MAKING BINDS TYING OBLIGATORY INTER-SUBJECTIVITY ILLEGIBLE INOCULATE ARRANGED CONVEY REACHES READER PERSUADE INARTICULATE DE-ARTICULATE UNLEARN DISASSEMBLE ASSEMBLY OSCILLATIONS MESSAGES DIALOGUES STAGES DEMARCATING DEMARCATE DECORATE DENOTATE SELF JUSTIFY GLUED SEWN RETAINING WRITER READERS MOVABLE EROTICS DISHARMONY WEAVINGS TYINGS EXPLICIT AUTHORISATION BOMBED DECAPITATION DECIPHERING DISTRUSTS DROWNING RESTRICTED AMPUTATION CORPOREAL SUBSEQUENT GRANULAR IMAGELESS INFINITESIMAL LAYERING MISTAKES CONCLUSIVE GREATER BENEFIT SYNTHESISED REPLICATIONS MOMENTARY ORDERINGS PLAYGROUNDS VICE VERSA FORMAL DENSITY DRAPE PATTERN KINSHIP PURPORT RECALIBRATING REFLEX RUTHLESSLY SILENCING SINGING

SPC_OSP_INT.indd 34 10/30/18 10:59 AM SPC_OSP_INT.indd 35 10/30/18 10:59 AM TENDERNESSES TENUOUSNESS THREADED TIRING TWISTING UNDETECTABLY UNRAVEL VISIBILITIES TIGHTENING REMOVALS ACQUIRABLE BRONZE 74 PAGES 355 216 SILVER CO-AUTHOR LOOSEN KILLS EXIT DIALECTICAL ASPHYXIATE REFLEXIVE OVERALL ADHESIVE VINYL ATTRIBUTION GUARANTEE REPRISE SWEAT FOLLICLES CHIPPING TOOTH REFRAINING CHARRING LEGEND CHRONICLE INAUGURATIVE ACCUMULATIONS LOVING KNUCKLES GNARL MAIMING GAGGING SUPPRESS POSTER CLASS RESULTING ACCRUAL CONFERENCE EYELID FLICKING RUB GRASSES RISES BENDS INSPECTS PARTICIPANTS INAUGURAL DELIVERED SILKSCREENED CONGEALS RIDES STOPS SLITHERS LISTENS CLENCHES HIDES CONCURRENTLY CONTRIBUTIONS ANNOUNCED FILMIC MOTIONSICKENS SHOOTS SCREAMS APPEARS LIFTS DRAGS IMMEDIATE TITLED FEMINIST GATE SHUTTERED SPEAKER SPREES CONFESSES CRAWLS KNEES LAUGHS MANOEUVERS EXITED PLAQUE TYPOGRAPHY SIGNAGE GRIDS NOVEMBER TRAMPLES GATHERS AGITATES CRASHES CLIMBS CLOSES CLUB BISTRO DECEMBER HANDWRITTEN CONCEPTION ANXIETIES ARCHIVES ASSASSINATIONS CONSULTANCY LEVERKUSEN RESPONSE CONTEMPORANEOUS CAMPAIGN FIRMS DECAPITATIONS DROWNINGS ECONOMICS FACTORY CATALOGUE ADDENDA CURATED 1969 CONCEPTUAL WAGES RECALIBRATIONS NATIONAL ANTHEMS SHIPWRECKS ESSAY PRECEDING ENTITLED ARRIVAL DEPARTURE RECESSIONS SUBPRIME MORTGAGES ADORING LOOSENS LYRICS POLYRHYTHM ESSEN COLLECTIVE EMAIL QUOTE TRACK-LINES OBSERVING BENDINGS SHIVERS SWEEPS PERFORMED CONSISTED PREVIOUSLY MUNICH FINISSAGE SIGHS REMINDING REVERBERATE RUBBER-BANDS TIGHTEN ARCHIVE INSPIRED 1998 ALBUM VOLCANO HOSTED CARD TANDEMNED FESTIVALS CARDS CATALOGUES IDENTITY HANDBOOKS STICKER RESERVING SEATS INKJET ROME ITALIAN POEMS 18-06 TITLES DIRECTIONAL POSTCARD LOS ANGELES TELEVISUAL CAMERAL MANUAL ACQUIRE UNOCCUPIED UNILLUMINATED POEM SERVED 2001 SMOG FEST EUROPEAN UNION FULFIL OCCUPANT-OPERATORS NON-PARTISAN CONDUITS BREGENZ AUSTRIA DIRTY FICTIONALIZED ACCOMPANYING YEARNING DESIGNS CONSTRUCTORS SCRIPT-LIKE NEWSPRINT REFERENCE DEDICATION MANUSCRIPT PREROGATIVES COMPEL OPERATORS VERBATIM IMPROVISE NOVELLA BEWILDERMENTS PLAQUES ENGRAVED ALUMINUM MISUSE PENETRABILITY SUPERMARKET ENCOURAGES UNDERNEATH TAPE DUAL LUNCHEON IMMOBILIZED DEMANDS MINOTAUR PRECLUDES LIMIT COFFIN RESUSCITATE CONSERVATORY SHUTTER COCKTAILS BABYLON SUCCESSIVELY ENCLOSURES FINITISING INDEXES CONCRETISED ORALITY BOOTH INVITIATION PERFORMANCES LOBBY PUBLICATIONS DIGESTS STORING ENERGY EXCRETING DEEMS WASTE-MATTER CUMULATIVELY RADIO PRODUCTIONS NEOPOLITAN NOVELS CHAMBERS INTESTINALITY DEPENDING ACCEPTS IGNORES 1966 PERSONA NOVEL SWISS INSTITUTE PLAYSCRIPT CUSTOMS REVOLTS SYMPHONIC DELIBERATE CONSUMABLE TOLERABLE PERFORM INTRODUCTION SHEETS 45TH PRESIDENT OPERA REVOLTING OCCUPANT-OPERATOR IMAGE-MOUTH COMPOSE TILTING WINDMILLS COLLECTION FOOTNOTE ORACLE IMAGE-SONGS VIBRATE MAPPED INTERNAL COMPETING WEBS OPINIONS YARD ROOF CONJUNCTION EMPIRE FORECAST COMMANDEERING DELIBERATELY TRAIN NATURALLY LEARNS SECTIONS AUGMENTED ADDRESSED CURTAIN ST. GALLEN CUSTODIAN ENTROPIC PROTOTYPICAL EMPATHY SWITZERLAND LOAN THOROUGH BIELEFELD WOODEN FACING ONLINE FRANCE 250 GRATEFUL TERMITE 18-07 FOCAL LEXICAL SIEGE CONTRACTUAL LICENSE CONCERNS REGISTERED PROCEDURAL TRANSFER ACKNOWLEDGES LICENSEE PERPETUITY GRANTS RETAINS EXCLUSIVELY ACCRUE DESCRIPTION PUNCTUATION COMPOUND-WORDS DISSEMINATED CONTINGENCY EFFECTING ORGANIZED CATEGORIES CONDITIONAL CO-LICENSING ONE-TIME FEE ALTERNATIVE MODE EXCLUSIVE NON-EXCLUSIVE BIND MUTUALLY 21 OFFSET OFFICIAL STATIONERY PROPRIETARY LICENSOR BROKERING PLATE DISPLAYABLE DEMARKING TRANSACTION PROTOCOL CREDITED PRECEDED 32 LICENSED ACKNOWLEDGED LENDER LABEL WEBSITE HOSTING PROTOCOLS EXHIBITING 33 APPLIES EXTENDED LICENSEES MATERIAL-TEMPORALLY INSTITUTIONS ESTATES CORPORATIONS AGREEMENTS CUSTODY CREDIT RETROACTIVELY EXTEND PRE- LICENSED ADDED INVENTIBLE ANTHROPOLOGY DESCRIBE HEIGHTENED IMPORTANCE TRADITIONALLY MISAPPROPRIATED BROADER CATEGORIZED ASPECT CHRONOLOGICAL INAUGURATED DENOTE LINK RELATIONSHIPS SUGGESTED

SPC_OSP_INT.indd 36 10/30/18 10:59 AM SPC_OSP_INT.indd 37 10/30/18 10:59 AM 18-07-0104: CHRONICLE 13-01-0063: OF 18-07-0002: LEXICAL 18-09-0106: ACCUMULATIONS 14-03-0175: :

SPC_OSP_INT.indd 38 10/30/18 10:59 AM SPC_OSP_INT.indd 39 10/30/18 10:59 AM 13-01: On 18 February, 2013, a poster was hung in the class of Prof. Alex Wissel in the context of Quadriennale Düsseldorf 2014, resulting in the Christopher Williams at the Rundgang of the Kunstakademie Düsseldorf, accrual of 191 additional Lexical Items. On the occasion of the exhibition, at resulting in the accrual of 106 Lexical Items. This text preceded the official the invitation of Studio for Propositional Cinema, posters by A.P.E. Art Projects inauguration of Studio for Propositional Cinema. Era, Feminist Land Art Retreat, and Rhein Verlag were also produced.

13-02: On the occasion of the conference ‘Proposals and Propositions’ at 14-04: On 8 August, 2014, a speech titled ‘HARK!’ was delivered at the the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, a press text opening of the exhibition Studio for Propositional Cinema at Tanya Leighton was distributed in analogue and digital formats, resulting in the accrual of in Berlin, resulting in the accrual of 50 additional Lexical Items. The gate to 36 additional Lexical Items. The conference was organised by Hans-Jürgen the exhibition space was shuttered until the announced time for the opening Hafner. The other participants were Balthazar Berling and Stephanie Seidel. speech, at which point the gate was raised, and the speaker exited, delivered the speech, and returned to the exhibition space, which the audience could 13-03: On 8 June, 2013, the inaugural speech of Studio for Propositional then enter. The speech was delivered by Philipp Rühr. Cinema was delivered as part of the conference ‘Proposals and Propositions’ at the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, resulting in 14-05: From 8 August through 6 September, 2014, a plaque was installed the accrual of 114 additional Lexical Items. The speech was delivered by outside of the front entrance of Tanya Leighton, Berlin, resulting in the accrual Tobias Hohn. of 7 additional Lexical Items. The plaque was designed to mimic the material and typography of the pre-existing signage of the gallery. 13-04: On the occasion of the inaugural speech of Studio for Propositional Cinema, delivered as part of the conference ‘Proposals and Propositions’ at the 14-06: From 8 August through 6 September, 2014, several grids of eight offset Kunstverein für die Rheinlande und Westfalen in Düsseldorf, six silkscreened printed posters were installed in the vicinity of Tanya Leighton, Berlin, on the posters were hung, resulting in the accrual of 14 additional Lexical Items. The occasion of the exhibition Studio for Propositional Cinema, resulting in the other participants in the conference were Balthazar Berling and accrual of 36 additional Lexical Items. The printing plates used to produce Stephanie Seidel. these posters were simultaneously installed in the exhibition space. All other works in the exhibition contained texts from previous exhibitions, resulting in 13-05: Concurrently, on 8 June, 2013, a text was installed with black and red 0 additional Lexical Items. adhesive vinyl on the Schaufester of the Kunstverein für die Rheinlande und Westfalen in Düsseldorf as part of the exhibition project ‘INAUGURATION’, 14-07: On 29 October, 2014, three posters, and the printing plates used resulting in the accrual of 0 additional Lexical Items. The exhibition project to produce them, were made available as a benefit edition for the Bonner included, at the invitation of Studio for Propositional Cinema, contributions Kunstverein, Bonn, resulting in the accrual of 29 additional Lexical Items. by Henning Fehr and Philipp Rühr, Aaron Peck, New Theater (Calla Henkel, Pablo Larios, Max Pitegoff, and Dena Yago), and Rachel Rose. 14-08: On 1 November, 2014, on the occasion of Kunstfilmtage Düsseldorf, a speech titled ‘CUT!’ was delivered on the occasion of Alex Wissel’s project 13-06: On 20 July, 2013, an offset printed poster was hung in the Schaufester ‘Single Club’ at Agi’s Bistro, resulting in the accrual of 127 additional Lexical of the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, resulting in Items. The speech was delivered by Alex Wissel. the accrual of 3 additional Lexical Items. 14-09: In December 2015, a speech titled ‘CURTAINS DOWN!’ was written 14-01: On 5 March, 2014, three offset printed posters in English, French, for New Theater, resulting in the accrual of 38 additional Lexical Items. The and Flemish, were hung in public spaces in Brussels, resulting in the accrual handwritten script was made available in a benefit sale for New Theater, Berlin, of 29 additional Lexical Items. The posters announced the production of a project by Calla Henkel and Max Pitegoff. photographic/filmic documentation by Studio for Propositional Cinema in the immediate vicinity. 15-01: On 1 February, 2015, as part of the opening speeches of the exhibition ‘more Konzeption/Conception now’ at Museum Morsbroich, Leverkusen, 14-02: On 23 May, 2014, as part of the opening speeches of the exhibition a speech titled ‘In a culture…’ was delivered, resulting in the accrual of 58 ‘Another Place / Another Space / Together’, organised by Karl-Heinz additional Lexical Items. The speech was delivered by Alyce Ford, and was Rummeny and Alex Wissel at the Leeschenhof in Düsseldorf in the context written in response to a contemporaneous political/media campaign in the of Quadriennale Düsseldorf 2014, a speech titled ‘A door left open…’ was city of Leverkusen to close the museum for monetary/ideological purposes. delivered, resulting in the accrual of 104 additional Lexical Items. The speech was delivered by Moritz Krauth. 15-02: On 1 February, 2015, the catalogue for the exhibition ‘more Konzeption/Conception now’ at Museum Morsbroich, Leverkusen was 14-03: From 23 May through 11 June, 2014, several offset printed posters published. It included the texts ‘General Condition for the Production and titled ‘General Conditions for the Production and Exhibition of Images’ were Exhibition of Images’ and ‘Two Addenda to General Conditions for the hung at the Leeschenhof in Düsseldorf as part of the exhibition ‘Another Production and Exhibition of Images’, resulting in the accrual of 31 additional Place / Another Space / Together’, organised by Karl-Heinz Rummeny and Lexical Items. The exhibition, organised by Stefanie Kreuzer, was a response

SPC_OSP_INT.indd 40 10/30/18 10:59 AM SPC_OSP_INT.indd 41 10/30/18 10:59 AM to the exhibition Konzeption/Conception’ organised by Konrad Lueg and Rolf 15-10: Between 1 April and 6 August, 2015, at unannounced weekly intervals, Wedewer and at the same institution in 1969. The publication, designed by the text ‘Bonjour an Langage’ was delivered from the office window of Tanya Petra Hollenbach, was closely based on the original 1969 catalogue. In the new Leighton, Berlin, resulting in the accrual of 119 additional Lexical Items. The catalogue, the text by Studio for Propositional Cinema took the place of Sol text was delivered by Candice Strongwater. Lewitt’s Sentences on Conceptual Art, which was printed in the essay section preceding the other artist’s contributions. 15-11: On 3 June, 2015, a lecture-performance titled ‘In Like A Lion, Out Like A Leech’ was presented at the Kölnischer Kunstverein, Cologne, resulting 15-03: The catalogue for the exhibition ‘more Konzeption/Conception now’ in the accrual of 8 additional Lexical Items. The performance was organised by at Museum Morsbroich, Leverkusen was published, which also included the Moritz Wesseler, and performed by Julia Goldberg and Torsten Peter Schnick. text ‘Considering and Within the Given Conditions’, resulting in the accrual of It consisted primarily of texts previously presented in other forms by Studio for 72 additional Lexical Items. Propositional Cinema.

15-04: On 2 February, 2015, a publication entitled ‘A suspenseful picture. A 15-12: On 5 June, 2015, a lecture-performance titled ‘In Like A Leech, Out sexy picture. A sickening picture.’ was published by Studio for Propositional Like A Lamb’ was presented at the Kunstraum München, Munich, resulting Cinema in collaboration with the class of Prof. Christopher Williams and in the accrual of 0 additional Lexical Items. The performance was organised presented at the Rundgang of the Kunstakademie Düsseldorf, resulting in by Spreez, and performed by William Cooper and Hannah Schutsch. It was a the accrual of 4 additional Lexical Items. The publication was designed by slight variation of the performance ‘In Like A Lion, Out Like A Leech’. Petra Hollenbach and included contributions by Jennifer Bornstein, Thilo Brendel, John Corbett, Aurel Dahlgrün, Mark Fisher, Piero Golia, Nicolás 15-13: From 3 July through 27 August, 2015, the exhibition ‘A policeman, a Guagnini, Tobias Hohn, Rem Koolhaas, Juan Olivares, Jody Korbach, Moritz midwife, a psychoanalyst, a sycophant, and a bastard’ was presented at Ginerva Krauth, Harkeerat Mangat, John Miller, Matt Mullican, Dorian de Rijk, Aura Gambino, Cologne, resulting in the accrual of 0 additional Lexical Items. Rosenberg, Maximilian Klemens Sänger, Heiko Schäfer, Morgaine Schäfer, The exhibition was a collaboration between Studio for Propositional Cinema Mark von Schlegell, Josef Strau, Studio for Propositional Cinema, Stanton and Alex Wissel/Jan Bonny. The finissage included a performance with Sibel Taylor, Lawrence Weiner, Christopher Williams, and Isaiah Yehros. The title Kekilli. The exhibition title was based on a quote by Billy Wilder. was taken from a work by Matt Mullican, with permission from the artist. 15-14: In October 2015, Studio for Propositional Cinema produced an 15-05: On 3 March, 2015, a press release was sent announcing the exhibition ephemeral work with the effects of light on paper, resulting in the accrual of ‘Communique from the Dark Ages’ at Between Arrival & Departure, 0 additional Lexical Items. Düsseldorf, resulting in the accrual of 63 additional Lexical Items. The exhibition was organised by Stephanie Seidel. The text is built around lyrics 15-15: From 10 through 24 October, 2015, a work consisting of spray paint from the 2014 animated film ‘The Lego Movie’. and ink on 16 offset printing plates titled ‘LOOK FOR USE IN THE … WE WILL ALWAYS BE THERE’ was installed in the exhibition ‘LOOK FOR US 15-06: On 8 March, 2015, a speech titled ‘Culture is an Endless Cigarette’ IN THE INKWELLS WE WILL ALWAYS BE THERE’ at Archive Kabinett, was delivered at a screening of the film ‘Polyrhythm Technoir Part II: AN Berlin, resulting in the accrual of 9 additional Lexical Items. The exhibition was ENDLESS CIGARETTE’ by Henning Fehr and Philipp Rühr at FT Astra organised by Atelier Impopulaire as part of the exhibition series Rule C, and Kino, Essen, resulting in the accrual of 127 additional Lexical Items. The also included A.P.E. Art Projects Era, Feminist Land Art Retreat, and Rhein screening was organised by the collective New Bretagne. The speech was Verlag. The text was inspired by the 1998 album ‘Look for It in the Sky, It Will delivered by Niklas Taleb. Always Be There’ by Get the Hell Out of the Way of the Volcano (later called The Blow). 15-07: On 8 March, 2015, on the occasion of the exhibition ‘Communique from the Dark Ages’ at Between Arrival & Departure, Düsseldorf, a text was 15-16: From 18 to 20 November, 2015, Mumok, Vienna hosted ‘We Are A installed with adhesive vinyl visible in a window from outside of the exhibition Parasite On The Institution Of Cinema, An Institution Of Parasites: 1st Studio space, resulting in the accrual of 0 additional Lexical Items. for Propositional Cinema Film Festival’, for which a silkscreened poster was produced, resulting in the accrual of 3 additional Lexical Items. The project 15-08: The exhibition ‘Communique from the Dark Ages’ also included a text was curated by Barbara Rüdiger, and included, at the invitation of Studio printed on a metal sign and installed in the exhibition space of Between Arrival for Propositional Cinema, contributions by Keren Cytter, Henning Fehr and & Departure, resulting in the accrual of 4 additional Lexical Items. Philipp Rühr, Feminist Land Art Retreat, Calla Henkel and Max Pitegoff, Sarah Kürten, Peter Miller, Christopher Williams, and Alex Wissel/Jan Bonny. 15-09: On 1 April, 2015, the exhibition project ‘We Will Be Playing Here Everyday Until The End of the World’ was announced in an email by Tanya 15-17: An invitation card was printed for ‘We Are A Parasite On The Leighton, Berlin, resulting in the accrual of 53 additional Lexical Items. ‘We Institution Of Cinema, An Institution Of Parasites: 1st Studio for Propositional Will Be Playing Here Everyday Until The End of the World’ is a quote from a Cinema Film Festival’, resulting in the accrual of 32 additional Lexical text by Marcel Broodthaers. Items. All of the festival’s printed materials were designed over previously

SPC_OSP_wCOVER.indd 44 10/31/18 12:25 AM SPC_OSP_INT.indd 43 10/30/18 10:59 AM printed materials (invitation cards, catalogues, press materials, design identity on 9 offset printing plates was included in the exhibition project ‘A Televisual handbooks, etc.) produced by Mumok. Space’, organised by super_filme in Witten, Germany, resulting in the accrual of 10 additional Lexical Items. 15-18: A publication was printed for ‘We Are A Parasite On The Institution Of Cinema, An Institution Of Parasites: 1st Studio for Propositional Cinema 16-05: On 6 May, 2016, the speech titled ‘When the cast invades the streets Film Festival’, resulting in the accrual of 0 additional Lexical Items. It was tonight…’ was repeated as the closing speech for the exhibition ‘FADE IN: A published by A.P.E. Art Projects Era, and included contributions by Keren TRACKING SHOT’, at the Istituto Svizzero di Roma, Rome, resulting in the Cytter, Henning Fehr and Philipp Rühr, Feminist Land Art Retreat, Calla accrual of 0 additional Lexical Items. The speech was performed in English and Henkel and Max Pitegoff, Sarah Kürten, Peter Miller, Christopher Williams, Italian by Niccolò Senni and another performer. and Alex Wissel/Jan Bonny. 16-06: On 6 May, 2016, a speech titled ‘GET DRUNK!’ was delivered on 15-19: An adhesive sticker by Studio for Propositional Cinema was printed the occasion of the grand opening of the performance space Good Forever, for the publication for ‘We Are A Parasite On The Institution Of Cinema, An Düsseldorf, resulting in the accrual of 26 additional Lexical Items. The speech Institution Of Parasites: 1st Studio for Propositional Cinema Film Festival’, was delivered by Tobias Hohn, and is based on a poem by Charles Baudelaire. resulting in the accrual of 0 additional Lexical Items. 16-07: On 1 June, 2016, a press release was sent announcing the exhibition 15-20: On 18 October, 2015, a work by Studio for Propositional Cinema ‘BETWEEN THE SOUP & THE CLOUDS & IN EQUAL MEASURE’ at consisting of spray paint and ink on 12 offset printing plates was installed Taylor Macklin, Zürich, resulting in the accrual of 32 additional Lexical Items. for the opening of ‘We Are A Parasite On The Institution Of Cinema, An Institution Of Parasites: 1st Studio for Propositional Cinema Film Festival’, 16-08: On 3 June, 2016, the speech titled ‘When the cast invades the streets resulting in the accrual of 0 additional Lexical Items. tonight…’ was delivered as the opening speech for the exhibition ‘RAIN ON LENS’ at Natalia Hug, Cologne, resulting in the accrual of 0 additional Lexical 15-21: On 20 October, 2015, signs reserving seats for the cast and crew of Items. The speech was performed in English and German by Amy Rush and the film ‘Single’ by Alex Wissel /Jan Bonny at ‘We Are A Parasite On The Torsten Peter Schnick. The exhibition also included Johannes Bendzulla, Alwin Institution Of Cinema, An Institution Of Parasites: 1st Studio for Propositional Lay, and Sophie Thun. Cinema Film Festival’ were placed in the cinema, resulting in the accrual of 12 additional Lexical Items. 16-09: From 3 June through 16 July, 2016, a work consisting of spray paint and ink on paper titled ‘Within the Regime of Optics’ was included in the 15-22: On 20 October, 2015, a work by Studio for Propositional Cinema exhibition ‘RAIN ON LENS’ at Natalia Hug, Cologne, resulting in the accrual consisting of spray paint on inkjet print was installed for the screening of of 66 additional Lexical Items. The text, which also served as the exhibition’s the film ‘Single’ by Alex Wissel /Jan Bonny at ‘We Are A Parasite On The press release, includes lyrics from the songs ‘Rain on Lens 1’ and ‘Rain on Lens Institution Of Cinema, An Institution Of Parasites: 1st Studio for Propositional 2’ from the 2001 album ‘Rain on Lens’ by Smog. Cinema Film Festival’, resulting in the accrual of 0 additional Lexical Items. 16-10: From 11 June through 27 August, 2016, the work ‘IN LIGHT OF THE 16-01: On 1 April, 2016, a speech titled ‘When the cast invades the streets SOUP & THE CLOUDS…’, consisting of chrome spray paint on architectural tonight…’ was delivered as the opening speech for the exhibition ‘FADE IN: surfaces, was installed in the exhibition ‘BETWEEN THE SOUP & THE A TRACKING SHOT’, an exhibition organised by the Zürich-based exhibition CLOUDS & IN EQUAL MEASURE’ at Taylor Macklin, Zürich, resulting in space Taylor Macklin at the Istituto Svizzero di Roma, Rome, resulting in the the accrual of 47 additional Lexical Items. accrual of 154 additional Lexical Items. The speech was performed in English and Italian by Niccolò Senni and another performer, and contained elements 16-11: On 13 June, 2016, the speech ‘IN DARK AGES:’ was delivered on the of poems by Pier Paolo Pasolini. occasion of Keren Cytter’s festival ‘The Last Summer Fest of the European Union’, resulting in the accrual of 32 additional Lexical Items. The festival was 16-02: From 1 April through 6 May, 2016, a series of signs titles ‘FADE IN: organised by Keren Cytter as part of the Liste Performance Project, curated by A TRACKING SHOT’ were installed throughout the building and grounds Eva Birkenstock. The speech was delivered by Patrick Armstrong. of Istituto Svizzero di Roma, Rome, resulting in the accrual of 25 additional Lexical Items. The signage was designed to mimic the directional signage used 16-12: On 23 June, 2016, as part of the opening of the exhibition project throughout the institution, and was placed in the same of similar locations. ‘EXHIBITION’ organised by Gaylen Gerber and Studio for Propositional Cinema at Kunsthaus Bregenz, Austria, the play ‘Scenes at an Inauguration’ by 16-03: In April 2016, a postcard was printed as part of a project by Aura Keren Cytter and Studio for Propositional Cinema was performed, resulting in Rosenberg for her exhibition at JOAN, Los Angeles, resulting in the accrual of the accrual of 514 additional Lexical Items. The exhibition project was curated 0 additional Lexical Items. by Eva Birkenstock, and also included contributions by Kerstin Brätsch, Daniel Buren, Tony Conrad, Keren Cytter, Dirty Mirrors, Papier und Gelb, Aura 16-04: From 22 April through 12 June, 2016, a work consisting of spray paint Rosenberg, Sarah Szczesny and Lena Willikens, and Rémy Zaugg. The play

SPC_OSP_INT.indd 44 10/30/18 10:59 AM SPC_OSP_wCOVER.indd 47 10/31/18 12:25 AM was performed by Gina Folly, Ronnie Füglister, John Miller, Aura Rosenberg, 16-20: From 2 September through 8 October, 2016, a work titled Jürgen Thaler, and Charlotte Weidinger. The text is a fictionalised enactment of ‘UNFURLING WITHIN NETWORKS OF GAZES / REFLECTIVE the inaugural event of Studio for Propositional Cinema which took place at the PLANES OF & IN TIME CATCH & CONTORT / BEFORE & BEHIND & Kunstverein für die Rheinlande und Westfalen, Düsseldorf on 8 June, 2013. BESIDE THEM & FOLDING OUT LIKE SKINS’, consisting of silver paint on architectural elements, was installed in Tanya Leighton, Berlin as part of 16-13: From 23 through 25 June, 2016, a text consisting of yellow spray the exhibition (TO THE SPECTATOR:), resulting in the accrual of 7 additional paint on a wall was installed as part of Papier und Gelb’s contribution to Lexical Items. This work was based on the painting ‘A Bar at the Folies- ‘EXHIBITION’ at Kunsthaus Bregenz, Austria, resulting in the accrual of Bergère’ by Édouard Manet. 3 additional Lexical Items. 16-21: From 2 September through 8 October, 2016, a work titled 16-14: From 3 July through 23 October, 2016, a text was installed with silver ‘IMMOBILISED: / AS PLASTIC AS MARBLE AS IF EMBALMED / adhesive vinyl on windows and window frames as part of the exhibition ‘Von TENTATIVELY SECLUDED & EVIDENTLY EXAMINED’, consisting of den Strömen der Stadt‘ at Museum Abteiberg, Mönchengladbach, Germany, green paint on architectural elements, was installed in Tanya Leighton, Berlin resulting in the accrual of 54 additional Lexical Items. The exhibition was as part of the exhibition (TO THE SPECTATOR:), resulting in the accrual organised by Markus Ambach and Susanne Titz. of 7 additional Lexical Items. This work was based on the painting ‘In the Conservatory’ by Édouard Manet. 16-15: An accompanying newsprint publication for the exhibition ‘Von den Strömen der Stadt‘ at Museum Abteiberg, Mönchengladbach, Germany 16-22: From 2 September through 8 October, 2016, a work titled ‘BEING included a text by Studio for Propositional Cinema, resulting in the accrual of OBSERVED / SHE TURNS HERSELF IN TO AN IMAGE / FOR HIM 5 additional Lexical Items. BUT FROM WHICH HE IS CROPPED’, consisting of blue paint on architectural elements, was installed in Tanya Leighton, Berlin as part of the 16-16: On 25 August, 2016, a press release was sent announcing the exhibition exhibition (TO THE SPECTATOR:), resulting in the accrual of 3 additional ‘(TO THE SPECTATOR:)’ at Tanya Leighton, Berlin, resulting in the accrual Lexical Items. This work was based on the painting ‘Nana’ by Édouard Manet. of 25 additional Lexical Items. It was also produced as an offset print as a hand-out for the exhibition. The text contains a reference to a fictional 16-23: From 2 September through 8 October, 2016, 27 offset printed posters dedication page from a manuscript in the novella ‘The Bewilderments of were installed in the vicinity of Tanya Leighton, Berlin, on the occasion of the Bernard Willis’ by Aaron Peck. exhibition (TO THE SPECTATOR:), resulting in the accrual of 36 additional Lexical Items. Each day of the exhibition a new poster was released and hung. 16-17: From 2 September through 8 October, 2016, two plaques were The 27 printing plates used to produce these posters were simultaneously installed outside of the front entrance of Tanya Leighton, Berlin on the installed in the exhibition space. occasion of the exhibition ‘(TO THE SPECTATOR:)’, resulting in the accrual of 9 additional Lexical Items. The original gallery signage was duplicated in 16-24: From 14 October through 12 November, 2016, the text ‘QUIET engraved aluminium, and a second engraved aluminium plaque was installed CHOREOGRAPHIES…’ was installed with black adhesive vinyl on the door underneath with a text by Studio for Propositional Cinema. Both were shutter of Trieze, Paris, on the occasion of the exhibition ‘Le Mérite. 2014– designed to mimic the design and format of the pre-existing gallery signage. 2016’, resulting in the accrual of 8 additional Lexical Items. The exhibition was organised by Tenzing Barshee and included works by Andrea Büttner, 16-18: From 2 September through 8 October, 2016, a work titled ‘TO THE Astrid Wagner, Aura Rosenberg, Ben Schumacher, Buck Ellison, Carla Accardi, SPECTATOR:’, consisting of silver and gold spray paint and adhesive tape on Deanna Havas, Emanuel Rossetti, Heike-Karin Foell, Jean Leclercq, Justin paper, was installed in Tanya Leighton, Berlin as part of the exhibition (TO Lieberman, Kirsten Pieroth, Lilli Thießen, Lucie Stahl, Luigi Ontani, Marina THE SPECTATOR:), resulting in the accrual of 26 additional Lexical Items. Faust, Matthew Lutz-Kinoy, Min Yoon, Mitchell Syrop, Nicolas Roggy, Paul The gate to the exhibition space was shuttered until the announced time for Collins, Philipp Friedrich, Rochelle Feinstein, Salvo, Samuel Jeffery, Student Art the opening speech, at which point the gate was raised, and a gallery assistant Collective, Studio for Propositional Cinema, Timothy Davies, and R. B. Kitaj. entered, allowing the audience to enter the exhibition space. The space contained only this work, suggesting a dual-function as an opening speech to 16-25: On 17 October, 2016, a performance titled ‘AS WATER DISSOLVES be enacted by the individual spectators. SUGAR:’ was performed during the performance program ‘Cocktails in Babylon’ at Paris Internationale, Paris, resulting in the accrual of 87 additional 16-19: From 2 September through 8 October, 2016, a work titled ‘TENUOUS Lexical Items. The program was organised by Clément Delépine and Jason PLANES OF FOCUS: VARIEGATING / WITH FLUCTUATIONS IN Hwang, and included contributions by Hanne Lippard, New Noveta, and OXYGEN LEVELS / BY THE WEIGHT OF A FINGERPRINT’, consisting Bailey Scieszka. The work was performed by Nathalie Sassi and of yellow paint on architectural elements, was installed in Tanya Leighton, Marinelly Vaslon. Berlin as part of the exhibition (TO THE SPECTATOR:), resulting in the accrual of 0 additional Lexical Items. This work was based on the painting 16-26: From 19 through 23 October, 2016, 30 offset printed posters titled ‘Luncheon in the Studio’ by Édouard Manet. ‘ALTERATIONS IN DAYLIGHT: HYPOTHETICAL GESTURES:

SPC_OSP_INT.indd 46 10/30/18 10:59 AM SPC_OSP_INT.indd 47 10/30/18 10:59 AM INDISTINCT SHADOWS’ were installed in the vicinity of Paris was performed by Hanna Dawitt and Siham Shurafa, and contains elements Internationale, Paris, resulting in the accrual of 31 additional Lexical Items. from several previous texts as well as fragments from The Neopolitan Novels of The posters were hung in such a manner that the text could be followed Elena Ferrante and the 1966 film ‘Persona’ directed by Ingmar Bergman. successively while walking in public space. The 30 printing plates used to produce these posters were simultaneously installed in the booth of Tanya 16-32: On 10 December, 2016, the play ‘Cut With Some Pieces of Leighton at Paris Internationale. Cinematography: A Sonata for Two Women’ was performed on the occasion of ‘On Reading’, a series of events organised by NOVEL at Kunsthall Bergen, 16-27: On 28 October, 2016, on the occasion of the exhibition IN ADVANCE Norway, resulting in the accrual of 0 additional Lexical Items. The play was OF A SHIPWRECK:, the play ‘Scenes at an Inauguration’ by Keren Cytter and performed by Vibeke Flesland Havre and Siv Torin Knudsen Petersen. The Studio for Propositional Cinema was performed, resulting in the accrual of event series also contained contributions by Hannah Gregory, Aveek Sen, 0 additional Lexical Items. The exhibition was curated by Hans-Jürgen Hafner. Moyra Davey, Travis Jeppesen, Karolin Meunier, Sidsel Meineche Hansen, and The play was performed by Patrick Armstrong, Saim Demircan, Calla Henkel, Steven Warwick/Heatsick. Max Pitegoff, Julia Scher, and Alex Wissel. The stage was designed for the exhibition by Studio for Propositional Cinema, and also held, at the invitation 16-33: On 10 December, 2016, a text by Studio for Propositional Cinema was of Studio for Propositional Cinema, performances by Sarah Kürten, Aaron Peck, published in issue 3 of NOVEL, resulting in the accrual of 0 additional and Tony Conrad, and a lecture by Saim Demircan. The text is a fictionalised Lexical Items. enactment of the inaugural event of Studio for Propositional Cinema, which took place on the exact same site on 8 June, 2013. 17-01: From 6 January through 5 February, 2017, the play ‘& faintly heard (as it sinks, slowly):’ was installed in the exhibition ‘& faintly heard (as it 16-28: From 28 October, 2016, through 8 January, 2017, a text titled ‘IN sinks, slowly): with ‘The Tenderness of Maggots’ at Swiss Institute, New York, ADVANCE OF A SHIPWRECK:’ was installed with silver and white adhesive resulting in the accrual of 507 additional Lexical Items. The exhibition was vinyl on the Schaufenster, building façade, and in the lobby and exhibition organised by Alison Coplan and Laura McLean-Ferris. The playscript was not space of the Kunstverein für die Rheinlande und Westfalen, Düsseldorf, performed but rather presented as adhesive vinyl text on the windows and resulting in the accrual of 60 additional Lexical Items. walls of Swiss Institute, as well as on printed documents mimicking the design format of the U.S. Customs Declaration cards, leaving the viewer to enact the 16-29: From 28 October, 2016 through 8 January, 2017, 73 new publications work through the structured movements throughout the space necessitated by were published by Studio for Propositional Cinema and cumulatively installed the installation. on a table in the exhibition space at the rate of one per day, resulting in the accrual of 0 additional Lexical Items. These publications contained 17-02: On 6 January, 2017, at the opening of the exhibition ‘& faintly heard contributions by Marie Angeletti, Roy Arden, Atelier Impopulaire, Tenzing (as it sinks, slowly): with The Tenderness of Maggots’ at Swiss Institute, New Barshee, Sadie Benning, Juliette Blightman, Alexander Bornschein, Kerstin York, an introduction to the play ‘The Tenderness of Maggots’ was performed, Brätsch, Marcel Broodthaers, Daniel Buren, Tony Conrad, Keren Cytter, resulting in the accrual of 20 additional Lexical Items. The introduction was Moyra Davey, Lydia Davis, Dirty Mirrors, Jason Dodge, Cerith Wyn Evans, performed by Aura Rosenberg on a stage consisting of sheets of safety glass Feminist Land Art Retreat, Anna Bella Geiger, Gaylen Gerber, Selina Grüter designed by Studio for Propositional Cinema. The stage was designed for and Michèle Graf, Nicolas Guagnini, Calla Henkel & Max Pitegoff, Dorothy ‘The Tenderness of Maggots’ and was also used for a conversation about the Iannone, Samuel Jeffrey, Sarah Kürten, Frank Lutz, John Miller, Kaspar Müller, exhibition between Nicolas Guagnini and John Miller. New Theater, Papier und Gelb, Aaron Peck, Phantom Kino Ballet, Radio Daniele, Rhein Verlag, Rachel Rose, Aura Rosenberg, Lucie Stahl, Mitchell 17-03: On 7 January, 2017, the play ‘The Tenderness of Maggots’ was Syrop, Union Gaucha Productions, Jeff Wall, Lawrence Weiner, Christopher performed at Swiss Institute, New York, resulting in the accrual of 1,647 Williams, Alex Wissel/Jan Bonny, and Dena Yago. additional Lexical Items. The play was performed by Griffin Sharps, and was subsequently performed on 14, 21, and 28 January, and 4 February. The play is 16-30: From 8 through 20 November, 2016, two offset printed posters an adaptation of Comte de Lautréamont’s novel ‘Les Chants de Maldoror’. titled ‘TWO POSTERS & THE EFFECTS OF TIME…’ were installed The exhibition coincided with the inauguration of the 45th President of the in the Schaufenster of the Kunstverein für die Rheinlande und Westfalen, United States. Düsseldorf, resulting in the accrual of 10 additional Lexical Items. The display in the Schaufenster was changed every two weeks and also contained, at 17-04: On 6 March, 2017, the overture for the opera ‘Redundant as eyelids the invitation of Studio for Propositional Cinema, exhibitions by Roy Arden, in absence of light.’ was performed at the opening of the exhibition ‘Tilting Feminist Land Art Retreat, Nicolas Guagnini, and Sarah Kürten. at Windmills’ at Roberta, Frankfurt, resulting in the accrual of 38 additional Lexical Items. The title of the opera was installed in copper adhesive vinyl in 16-31: On 4 December, 2016, the play ‘Cut With Some Pieces of the exhibition, which ran through 11 March. The exhibition was organised by Cinematography: A Sonata for Two Women’ was performed on the occasion Anna Goetz, and the overture was performed by Luzie Meyer and included of the exhibition ‘Mad Horizon’ by John Skoog and Emanuel Röhss at INDEX, works by Rosa Aiello, Simon Dybbroe Møller, Buck Ellison, Gina Folly, Lena Stockholm, resulting in the accrual of 131 additional Lexical Items. The play Henke, Calla Henkel & Max Pitegoff, Romuald Karmakar, Adriana Lara, Dani

SPC_OSP_INT.indd 48 10/30/18 10:59 AM SPC_OSP_INT.indd 49 10/30/18 10:59 AM Leder, Laure Prouvost, George Rippon, John Smith, Studio for Propositional Lieberman, August Macke, Ariane Müller, Luigi Ontani, Kirsten Pieroth, Cinema, Franziska Von Stenglin, Adrian Williams, and Anna Zacharoff. Rosa Rendl, Nicolas Roggy, Aura Rosenberg, Emanuel Rossetti, Salvo, Ben Schumacher, Lucie Stahl, Student Art Collective, Mitchell Syrop, Lilli Thießen, 17-05: From 16 March through 22 October, 2017, a scene description for Roger van Voorhees, Astrid Wagner, Genichiro Yagyu, Min Yoon, and HP ‘Rag-picking Song’ from the opera ‘Redundant as eyelids in absence of light.’ Zimmer. was installed in copper adhesive vinyl in the exhibition ‘Oh... Jakob Lena Knebl and the mumok Collection’ at Mumok, Vienna, resulting in the accrual of 10 17-07: From 30 March through 7 May, 2017, a scene description for ‘Lens- additional Lexical Items. The exhibition was organised by Barbara Rüdiger grinding Song’ from the opera ‘Redundant as eyelids in absence of light.’ was and Susanne Neuburger and included works by Max Ackermann, Josef Albers, installed in copper adhesive vinyl in the exhibition ‘Our Words Return in Getulio Alviani, John de Andrea, Nobuyoshi Araki, John Armleder, Hans (Jean) Patterns (Part I)’ at Galerie PCP, Paris, resulting in the accrual of 6 additional Arp, Carl Auböck, Ona B., Txomin Badiola, John Baldessari, Rudolf Bauer, Lexical Items. The exhibition was organised by NOVEL with Carl Williams Herbert Bayer, Rudolf Belling, Hans Bellmer, Raffael Benazzi, Anna-Sophie and included works by Patricia L. Boyd, KP Brehmer, Yngve Holen, Cameron Berger, Camilla Birke, Albert Bitran, Fernando Botero, Louise Bourgeois, Chris Rowland, Ben Sansbury, Martine Syms, and Emily Wardill. Britz, Veronika Bromová, Kaucyila Brooke, Bruce Günter Brus, Tom Burr, Alexander Calder, Giuseppe Castellani, John Christoforou, William Nelson 17-08: From 28 April through 24 June, 2017, the work ‘ALTERATIONS IN Copley, Toni Costa, Noël Dolla, Carlos Cruz-Diez, Robert Cumming, Plamen DAYLIGHT: HYPOTHETICAL GESTURES: INDISTINCT SHADOWS’, Dejanov, Verena Dengler, Walter Dexel, Evelyne Egerer, VALIE EXPORT, consisting of bronze ink on 30 offset printing plates, was installed in the Julia Fuchs, Alberto Giacometti, Bruno Gironcoli, Domenico Gnoli, Julian exhibition ‘Life & Opinions’ at Tanya Leighton, Berlin, resulting in the accrual Göthe, Nan Goldin, Antony Gormley, Johann Hauser, Rudolf Hausner, of 0 additional Lexical Items. The exhibition was organised by Tanya Leighton Haus-Rucker-Co., Swetlana Heger, Tamás Hencze, Matthias Herrmann, and Galerie Max Mayer, and included works by Pavel Büchler and Nina Chua, Kathi Hofer, Anna Jermolaewa, Thomas Jocher, Birgit Jürgenssen, Martha Jef Geys, Sarah Kürten, and Ariane Müller. Jungwirth, J. T. Kalmar, Johanna Kandl, Anette Kelm, Herwig Kempinger, Clay Ketter, Wilfried Klanjsek-Bratke, Paul Klee, Jakob L, Jakob Lena Knebl, 17-09: On 18 May, 2017, the play ‘The Tenderness of Maggots’ was Vladimir Kopteff, Friedl Kubelka, Frantiek Kupka, Alicja Kwade, Maria performed at the Schmela Haus, Kunstsammlung Nordrhein-Westfalen, Lassnig, Richard Lindner, Natalia LL, Adolf Loos, Ken Lum, René Magritte, Düssledorf, resulting in the accrual of 0 additional Lexical Items. The Gottfried Mairwöger, Paul McCarthy, Piet Mondrian, Miquel Mont, Henry performance was organised by Doris Krystof in the context of the exhibition Moore, Markus Muntean, Allan McCollum, Ulrike Müller, Bruce Nauman, ‘Marcel Broodthaers. Eine Retrospektive’ at K21, Düsseldorf. The play was Kenneth Noland, Oswald Oberhuber, Albert Oehlen, Max Oppenheimer, performed by Griffin Sharps in the back yard on a stage made by removing Laurids Ortner, Manfred Ortner, Florentina Pakosta, Ed Paschke, Pablo Picasso, the roof of the institution’s aluminium tool shed. Klaus Pinter, Jackson Pollock, Franz Pomassl, Sigal Primor, Stephen Prina, Jean Prouvé, Adi Rosenblum, Justina Rüdiger, Reiner Ruthenbeck, Cagnaccio 17-10: From 3 June through 3 September, 2017, the text ‘in relation to a di San Pietro, August Sander, Miriam Schapiro, Ashley Hans Scheirl, Markus Spectator:’ was installed with adhesive vinyl on architectural elements in the Schinwald, Oskar Schlemmer, Toni Schmale, Sabine Schwaighofer, Rudolf exhibition ‘PRODUCTION. Made in Germany 3’ at Kestner Gesellschaft, Schwarzkogler, Kurt Schwitters, Philipp Schöpke, Antonio Scordia, Colin Self, Hannover, Germany, resulting in the accrual of 361 additional Lexical Items. Cindy Sherman, Sylvia Sleigh, Keith Sonnier, Ettore Spalletti, Anne Speier, The exhibition was organised in conjunction with Kunstverein Hannover Jean Spencer, Michaela Spiegel, Haim Steinbach, Petr tembera, Thomas and Sprengel Museum, and included works by Olga Balema, Julius von Stimm, Jessica Stockholder, Ingeborg Strobl, Sophie Taeuber-Arp, Heinz Tesar, Bismarck, Juliette Blightman, Katinka Bock, BPA // Berlin Program for Artists Lajos Tihanyi, Wolfgang Tillmans, Mark Tobey, Victor Vasarely, Ben Vautier, (Teilnehmer 2016: Maria Anna Bierwirth, Sofia Duchovny, Richard Frater, Lawrence Weiner, August Walla, Todd Watts, James Welling, Franz West, Mia Goyette, Sylvester Hegner, Johanna Klingler, Nile Koetting, Grayson Wiener Werkstätte, Markus Wilfling, Christopher Williams, Werner Würtinger, Revoir, Miriam Yammad), Carina Brandes, Amy Lien & Enzo Camacho, Günter Zamp Kelp, David Zeller, Gregor Zivic, Heimo Zobernig, and Franz Julian Charrièrre, Henning Fehr und Philipp Rühr, Kasia Fudakowski, Andreas von Zülow. Greiner, Sascha Hahn, Lena Henke, Calla Henkel und Max Pitegoff, Markus Hoffmann, IMPURE FICTION, Oliver Laric, Felix Kiessling, Daniel Knorr, 17-06: From 23 March through 7 May, 2017, an offset printed poster Schirin Kretschmann, Veit Laurent Kurz, lonelyfingers, Lotte Lindner & Till containing a footnote for the scene description for ‘Rag-picking Song’ from the Steinbrenner, Ketuta Alexi-Meskhishvili, Das NUMEN, Peles Empire, Willem opera ‘Redundant as eyelids in absence of light.’ was hung in the door of the de Rooij, Thomas Ruff, Yorgos Sapountzis, Timur Si-Quin, Hito Steyerl, and exhibition ‘Der Verdienst. 2014–2017’ at Oracle, Berlin, resulting in the accrual Raphaela Vogel. of 54 additional Lexical Items. The exhibition was organised by Tenzing Barshee and included works by Carla Accardi, Marie Angeletti, Angeletti/ 17-11: On 8 June through 28 July, 2017, ‘Pigeon-breeding Song’, from the Rossetti, Juliette Blightman, Vittorio Brodmann, Andrea Büttner, Alexia opera ‘Redundant as eyelids in absence of light.’, was performed at the opening Cayre, Liz Craft, Paul Collins, Timothy Davies, Buck Ellison, Marina Faust, of the exhibition A boat is a floating piece of space, toward the Horizon at Rochelle Feinstein, Philipp Friedrich, Heike-Karin Föll, Franz Graf, Deanna Alfonso Artiaco, Naples, resulting in the accrual of 14 additional Lexical Items. Havas, Samuel Jeffery, Matthew Lutz Kinoy, R. B. Kitaj, Jean Leclercq, Justin The piece was performed by Piper Marshall and Marco Mario de Notaris.

SPC_OSP_INT.indd 50 10/30/18 10:59 AM SPC_OSP_INT.indd 51 10/30/18 10:59 AM 17-12: From 8 June through 28 July, 2017, a scene description for ‘Pigeon- 17-18: From 29 September, 2017 through 7 January, 2018, a schema was breeding Song’ from the opera ‘Redundant as eyelids in absence of light.’ was installed in the exhibition ‘in relation to a Spectator:’ at Kestner Gesellschaft, installed in copper adhesive vinyl in the exhibition ‘A boat is a floating piece of Hannover to delineate the installation schedule of works and performances space, toward the Horizon’ at Alfonso Artiaco, Naples, resulting in the accrual to be made visible throughout the exhibition, resulting in the accrual of 46 of 42 additional Lexical Items. The exhibition was organised by Piper Marshall additional Lexical Items. The exhibition was organised by Elmas Senol and and included works by Fia Backström, Lucy Dodd, Rochelle Goldberg, Bethan Christina Vegh, and included, at the invitation of Studio for Propositional Huws, Aislinn McNamara, Silke Otto-Knapp, and Karin Schneider. Cinema, contributions by Monika Baer, Anna-Sophie Berger, Marc Camille Chaimowicz, Paul Chan, Ian Cheng, Keren Cytter, Henning Fehr and Philipp 17-13: From 8 July through 8 October, 2017, a document by Sándor Krasna Rühr, Gaylen Gerber, Selina Grüter & Michèle Graf, Nicolás Guagnini, Irena was presented in the exhibition ‘Asymmetric Architextures: Readings in the Haiduk, Rachel Harrison, Calla Henkel & Max Pitegoff, Madeline Hollander, Postwar History of the Kunstverein’ at the Kunstverein für die Nordrhein und Aaron Flint Jamison, Sándor Krasna, Sarah Kürten, Jordan Lord & Carissa Westfalen, Düsseldorf, resulting in the accrual of 28 additional Lexical Items. Rodriguez, Rita McBride, Luzie Meyer, John Miller, Carissa Rodriguez, Rachel The exhibition was organised by Eva Birkenstock and Katrin Mayer and Rose, Aura Rosenberg, Julia Scher, Karin Schneider, Cally Spooner, Josef Strau, included works by Roy Arden, Ilka Becker, Peter Brüning, Robert Burghardt, Jeff Wall, Lawrence Weiner, Christopher Williams, and Alex Wissel/Jan Bonny. Natalie Czech, Henning Fehr & Philipp Rühr, Gesa Hüwe / Inga Thiele, Christina Irrgang, hobbypopMUSEUM, Aglaia Konrad, Sarah Kürten, David 17-19: The publication ‘in relation to a Spectator:’ contained a contractual Lamelas, Katrin Mayer, Rita McBride / Christoph Westermeier, Vanessa Joan agreement for the distribution of a group of works by Karin Schneider and Müller, Marie-Luise Otten, Hedda Schattanik / Roman Szczesny, Mark von Studio for Propositional Cinema titled ‘Consignment Agreement’, resulting in Schlegell, Arne Schmitt, Sarah Szczesny, Alexander Jasch / Rita Kersting / the accrual of 129 additional Lexical Items. The book was designed by Ronnie Anette Freudenberger / Jens Ullrich, Jan Wagner, and Alex Wissel. Füglister and published by Sternberg Press and includes contributions by Paul Chan, Keren Cytter, Nicolás Gaugnini, Irena Haiduk, Madeline Hollander, 17-14: From 1 to 3 September, 2017, ‘On The Wall In Chalk Is Written: Sarah Kürten, Jordan Lord with Carissa Rodriguez, Luzie Meyer, John 2nd Studio for Propositional Cinema Film Festival’, took place at Kestner Miller, Rachel Rose, Karin Schneider, Cally Spooner, Lawrence Weiner, and Gesellschaft, 2017, for which an offset printed poster was produced, resulting Christopher Williams. in the accrual of 0 additional Lexical Items. The project was curated by Milan Ther and Christina Vegh, and included, at the invitation of Studio for 17-20: The publication ‘in relation to a Spectator:’ contains the text ‘from the Propositional Cinema, contributions by Anna-Sophie Berger, Henning Fehr Spectator:’, which takes the form of a letter addressed to Jeff Wall, resulting in and Philipp Rühr, Selina Grüter and Michèle Graf, Madeline Hollander, Sarah the accrual of 128 additional Lexical Items. Kürten, Julia Scher, Cally Spooner, and Alex Wissel/Jan Bonny. 17-21: The publication ‘in relation to a Spectator:’ contains the text ‘a 17-15: On 1 September, 2017, at the opening of ‘On The Wall In Chalk Colophon:’, resulting in the accrual of 18 additional Lexical Items. Is Written: 2nd Studio for Propositional Cinema Film Festival’ at Kestner Gesellschaft, Hannover, scenes from the libretto of the opera ‘Redundant as 18-01: On 6 February, 2018, a certificate for an immaterial work titled ‘Sense eyelids in absence of light.’ were performed, resulting in the accrual of 129 equilibrium (solo duet) was composed as a benefit for the exhibition space additional Lexical Items. The libretto was performed by Anna-Sophie Berger, Sundogs, Paris, resulting in the accrual of 15 additional Lexical Items. Michèle Graf, Madeline Hollander, Cally Spooner, and Julia Scher. 18-02: From 9 March through 11 April, 2018, a curtain of text consisting of 17-16: On 14 September, 2017, the text ‘A GUST OF WIND & THE red adhesive vinyl on architectural elements, produced as part of the play ‘The BODY OF WATER’, written in collaboration with Laura McLean-Ferris, was Tenderness of Maggots’, was installed in the exhibition ‘Human Interest’ at performed at the opening of ‘The Forecast’ at Croy Nielsen, Vienna, resulting Galerie Jochen Hempel, Berlin, resulting in the accrual of 0 additional Lexical in the accrual of 34 additional Lexical Items. The text was composed by Laura Items. The exhibition was organised by Jasmin Werner and included works by McLean-Ferris writing into the blank sections of an augmented U.S. Customs Bradley Davies, Harun Farocki, Olga Pedan, Martyn Reynolds, Halvor Rønning, Declaration card produced by Studio for Propositional Cinema, and was Martha Rosler, Studio for Propositional Cinema, Jasmin Werner, and Dario performed by Rosa Aiello, Irena Haiduk, and Cally Spooner. Wokurka.

17-17: From 14 September through 14 October, 2017, eight offset printing 18-03: On 13 June, 2018, a program for the performance of ‘RECITAL: plates from the production of the exhibition ‘& faintly heard (as it sinks, Redundant as eyelids in absence of light.’ at St.-Alban-Kirche, Basel, was slowly): with The Tenderness of Maggots’ at Swiss Institute, New York, were printed, resulting in the accrual of 62 additional Lexical Items. The concert was installed as part of the exhibition ‘The Forecast’ at Croy Nielsen, Vienna, organised by Eva Birkenstock on the occasion of the Liste Performance Project, resulting in the accrual of 0 additional Lexical Items. The exhibition was and was performed by Hampus Lindwall. organised by Laura McLean-Ferris, and included works by Rosa Aiello, Irena Haiduk, Dom Sylvester Houédard, Nancy Lupo, Mandla Reuter, Rachel Rose, 18-04: On 29 June, 2018, a program for the exhibition ‘SCENOGRAPHY: and Cally Spooner. Redundant as eyelids in absence of light.’ at Kunst Halle Sankt Gallen, St.

SPC_OSP_INT.indd 52 10/30/18 10:59 AM SPC_OSP_INT.indd 53 10/30/18 10:59 AM Gallen, Switzerland, was printed, resulting in the accrual of 30 additional Lexical Items. The exhibition was organised by Giovanni Carmine.

18-05: From 29 June through 16 September, 2018, the libretto for the opera ‘Redundant as eyelids in absence of light.’ was installed in the exhibition ‘SCENOGRAPHY: Redundant as eyelids in absence of light.’ at Kunst Halle Sankt Gallen, St. Gallen, Switzerland, resulting in the accrual of 448 additional Lexical Items. The libretto was silkscreened on glass elements throughout the institution, including existing windows, duplicated windows, and the glass panels of vitrines on loan from the Stiftsbibliothek St. Gallen, leaving the viewer to enact the work through the structured movements throughout the space necessitated by the installation.

18-06: From 31 August thorough 4 November, 2018, the text ‘Cameral Manual’ was installed in the exhibition ‘Scripts’ at Bielefelder Kunstverein, Bielefeld, Germany, resulting in the accrual of 68 additional Lexical Items. The exhibition was organised by Thomas Thiel and included works by Pauline Boudry/Renate Lorenz, Alejandro Cesarco, Michael Dean, Sarah Kürten, Michael Riedel, Cally Spooner, Nora Turato, and Peter Wächtler. The text was silkscreened on architectural elements (wooden stairs and glass window-panes) that duplicated existing elements in the exhibition room.

18-07: On 24 November, 2018, the Focal Vocabulary Index of Studio for Propositional Cinema was released in a book on the occasion of the exhibition ‘FOCAL VOCABULARY INDEX: INAUGURATIVE PARTICIPATION OVERTURE:’ at Tanya Leighton, Berlin, resulting in the accrual of 266 additional Lexical Items. The book is published by One Star Press, and is the one that you, dear reader, are facing.

The preceding 98 accruals have resulted in the accumulation of 6,985 Lexical Items. This includes 2,777 Concrete Items, 3,897 Conditional Items, and 311 Connective Items.

SPC_OSP_INT.indd 54 10/30/18 10:59 AM SPC_OSP_INT.indd 55 10/30/18 10:59 AM 15-02-0007: INDEX 13-01-0063: OF 18-07-0002: LEXICAL 17-06-0040: ITEMS 15-09-0048: 2013 13-03-0041: – 17-21-0005: 2018 14-03-0175: :

SPC_OSP_INT.indd 56 10/30/18 10:59 AM SPC_OSP_INT.indd 57 10/30/18 10:59 AM ITEM INDEX # ACHIEVED 17-03-0932 o ADOLESCENCE 17-03-0966 o ACIDIC 15-17-0026 o ADOPTION 17-01-0051 ^ A 13-01-0004 x ACIDS 15-10-0011 ^ ADORING 18-05-0436 o ABANDON 17-03-0090 o ACKNOWLEDGE 17-19-0124 o ADORN 17-03-1019 o ABANDONED 17-03-0361 o ACKNOWLEDGED 18-07-0051 o ADORNED 17-03-1337 o ABANDONING 17-03-1290 o ACKNOWLEDGEMENTS 18-03-0061 ^ ADORNMENT 18-05-0186 ^ ABANDONMENT 17-20-0095 ^ ACKNOWLEDGES 18-07-0010 o ADULT 15-03-0044 ^ ABANDONS 17-03-0369 o ACOUSTIC 18-05-0159 o ADVANCE 14-01-0027 o ABLE 16-25-0010 o ACQUIRABLE 18-07-0089 o ADVANTAGE 17-03-1340 ^ ABODE 17-03-0788 ^ ACQUIRE 18-06-0003 o ADVERSARY 17-03-0453 ^ ABOLISHED 17-06-0042 o ACQUIRED 15-02-0012 o ADVERTISING 17-19-0061 o ABOLISHING 17-03-0257 o ACQUIRING 16-10-0035 o ADVISE 17-03-0807 o ABOUT 16-01-0010 x ACROSS 16-24-0007 x AERIAL 18-05-0289 o ABOVE 16-25-0045 o ACRYLIC 17-19-0038 ^ AEROLITH 17-03-0605 ^ ABSENCE 13-01-0104 ^ ACT 13-03-0058 ^ AESTHETIC 15-03-0037 o ABSENTED 17-04-0037 o ACTED 17-01-0268 o AFFECTED 17-03-1609 o ABSORBED 16-18-0026 o ACTING 14-04-0008 o AFFINITY 18-05-0029 o ABSTRACTED 17-04-0034 o ACTION 13-03-0005 ^ AFFIRMATIONAL 16-14-0014 o ABSURD 18-05-0031 o ACTIONS 13-02-0010 ^ AFOREMENTIONED 15-02-0016 o ABUNDANCE 16-12-0051 ^ ACTIVATABLE 14-09-0008 o AFRAID 17-03-1361 o ABUNDANTLY 17-03-1386 o ACTIVATE 13-03-0049 o AFTER 15-06-0024 o ABYSS 13-03-0060 ^ ACTIVATED 17-10-0003 o AFTERNOON 16-12-0019 o ABYSSES 17-10-0354 ^ ACTIVATORS 17-10-0256 ^ AFTERWARDS 17-03-0344 o ACADEMIC 16-12-0131 o ACTIVE 14-01-0008 o AGAIN 14-04-0047 o ACADEMY 17-18-0007 ^ ACTIVITIES 13-02-0002 ^ AGAINST 13-03-0071 x ACCELERATING 17-10-0319 o ACTIVITY 14-01-0016 ^ AGE 16-01-0098 o ACCEPT 17-03-1621 o ACTORS 15-10-0060 ^ AGEING 17-16-0033 o ACCEPTABLE 14-08-0074 o ACTS 17-03-0347 ^ AGENTS 15-03-0006 ^ ACCEPTED 14-02-0039 o ACTUAL 14-03-0142 o AGES 15-05-0002 o ACCEPTS 18-06-0043 o ACTUALLY 16-12-0042 x AGGLOMERATION 17-03-0591 ^ ACCIDENTAL 14-02-0003 o AD INFINITUM 17-10-0088 o AGGRESSIVE 18-05-0162 o ACCIDENTALLY 17-03-0957 o ADAPT 17-02-0014 o AGITATES 18-05-0415 o ACCIDENTS 17-03-0148 ^ ADAPTATION 17-20-0012 ^ AGO 16-01-0073 o ACCLIMATISED 17-15-0046 o ADAPTATIONS 17-20-0053 ^ AGONISED 17-03-1346 o ACCOMMODATE 17-10-0218 o ADAPTED 17-02-0002 o AGONY 17-03-0215 ^ ACCOMPANYING 18-07-0197 o ADAPTER 17-02-0003 ^ AGREE 17-19-0083 o ACCOMPLISHES 16-02-0010 o ADD 17-03-0822 o AGREED 18-05-0280 o ACCOMPLISHING 16-02-0009 o ADDED 18-07-0072 o AGREEMENT 17-19-0002 ^ ACCORD 17-03-0462 ^ ADDENDA 18-07-0142 o AGREEMENTS 18-07-0066 ^ ACCORDED 17-01-0419 o ADDENDUM 15-02-0001 ^ AGREES 14-05-0003 o ACCORDING 17-03-0102 x ADDITIONAL 18-05-0199 o AHEAD 16-10-0043 o ACCOUNT 14-03-0135 o ADDITIONALLY 17-19-0013 o AIR 14-04-0040 ^ ACCOUNTS 16-12-0179 ^ ADDITIVE 14-08-0093 ^ AIRBORNE 15-10-0077 o ACCRUAL 18-07-0110 o ADDRESSED 18-07-0252 o AKIN 17-03-0049 x ACCRUALS 18-05-0188 ^ ADHESIVE 18-07-0098 o ALABASTER 17-03-1629 o ACCRUE 18-07-0016 o ADHESIVES 15-10-0052 ^ ALARM 16-01-0136 ^ ACCRUED 17-10-0357 o ADJACENT 16-11-0004 o ALARMED 17-03-1166 o ACCUMULATES 17-01-0259 o ADJUSTED 17-15-0024 o ALAS 17-03-0989 o LEGEND: ACCUMULATING 17-01-0194 o ADMINISTRATION 18-04-0027 ^ ALBUM 18-07-0165 ^ ACCUMULATION 17-01-0251 ^ ADMIRABLE 17-03-0301 o ALERT 15-03-0011 o ^ = Concrete ACCUMULATIONS 18-07-0106 o ADMIRABLY 17-03-0764 o ALGORITHMIC 17-10-0093 o o = Conditional ACCURATE 13-01-0058 o ADMIRATION 13-04-0008 ^ ALIENATED 18-05-0009 o x = Connective ACCUSTOMED 17-03-0815 o ADMIRE 17-03-0086 o ALIENATION 17-03-1459 ^

SPC_OSP_INT.indd 58 10/30/18 10:59 AM SPC_OSP_INT.indd 59 10/30/18 10:59 AM ALIGNED 17-01-0404 o AMPLIFIED 15-02-0029 o ANY 13-01-0091 x AROSE 17-03-0060 o ALIGNMENT 14-02-0085 ^ AMPLIFIES 16-23-0034 o ANYHOW 16-12-0310 x AROUND 13-03-0111 o ALIKE 16-31-0110 o AMPUTATION 18-05-0079 ^ ANYONE 14-05-0001 x ARRANGED 18-05-0323 o ALIVE 17-03-1539 o AMUSEMENT 17-03-1483 o ANYTHING 13-01-0093 o ARRIVAL 18-07-0149 o ALL 13-03-0100 o AN 13-01-0076 x ANYWHERE 15-08-0002 o ARRIVED 16-12-0011 o ALLEGORICAL 16-12-0348 o ANAEMIC 14-08-0059 o APART 14-08-0126 o ARRIVES 17-03-0419 o ALLEYS 15-05-0057 ^ ANAEMIC 13-06-0001 o APARTMENT 16-31-0017 ^ ARRIVING 16-12-0321 o ALLIANCE 15-09-0008 ^ ANALOGUE 16-12-0227 o APERTURE 17-01-0003 ^ ART 16-12-0058 ^ ALLIED 17-03-1486 o ANALYSE 15-06-0073 o APOCALYPSE 17-16-0028 ^ ARTERIES 17-03-0549 ^ ALLOW 13-02-0026 o ANALYSED 18-03-0044 o APOSTROPHISED 17-03-0250 o ARTICLE 17-06-0020 ^ ALLOWED 15-01-0023 o ANALYSIS 17-13-0007 ^ APPALLING 17-03-0765 o ARTICULATE 16-10-0028 o ALLOWING 14-03-0031 o ANALYTICAL 17-13-0026 o APPARATUS 15-03-0039 ^ ARTICULATED 16-17-0005 o ALLOWS 17-01-0146 o ANCESTORS 17-03-0174 ^ APPARENT 17-03-0892 o ARTICULATING 15-03-0025 o ALMOST 16-12-0262 o ANCHOR 17-03-0114 ^ APPEAL 17-03-0337 o ARTICULATIONS 18-05-0107 ^ ALONE 17-03-0053 o ANCHOR-CHAINS 17-03-0130 ^ APPEAR 14-02-0070 o ARTIFICIAL 17-06-0029 o ALONG 16-25-0027 x ANCIENT 17-03-1041 o APPEARANCE 17-03-1083 ^ ARTIST 16-12-0450 ^ ALONGSIDE 17-10-0145 x AND 13-01-0029 x APPEARED 16-31-0059 o ARTISTS 17-21-0008 ^ ALOT 16-12-0215 ^ ANECDOTE 16-12-0077 ^ APPEARING 16-16-0020 o ARTWORK 17-19-0057 ^ ALREADY 13-03-0026 o ANEMONE 17-03-1295 ^ APPEARS 18-05-0404 o ARTWORKS 17-21-0011 ^ ALRIGHT 16-12-0126 x ANEW 15-06-0086 o APPENDICES 17-19-0123 ^ AS 13-03-0039 x ALSO 14-03-0111 x ANGEL 17-03-0615 ^ APPENDIX 17-19-0044 ^ AS-FOUND 17-20-0042 o ALTAR 17-03-1348 ^ ANGER 17-03-0418 ^ APPLICABLE 17-19-0081 o ASHES 15-06-0093 ^ ALTER 14-02-0050 o ANGLES 14-03-0088 ^ APPLIED 17-03-0739 o ASIAN 17-20-0024 o ALTERABLE 18-03-0014 o ANGRY 17-03-0261 o APPLIES 18-07-0059 o ASK 13-01-0038 o ALTERATION 17-06-0038 ^ ANGULAR 17-03-1366 o APPRAISER 17-19-0086 ^ ASKED 15-10-0028 o ALTERATIONS 16-26-0022 ^ ANIMAL 17-03-1336 ^ APPROACH 16-12-0383 o ASKING 17-10-0064 o ALTERED 14-09-0020 o ANIMALS 14-06-0005 ^ APPROACHED 16-12-0369 o ASKS 16-31-0069 o ALTERING 16-25-0031 o ANIMATED 15-06-0026 o APPROACHES 17-01-0030 o ASLEEP 17-03-1584 o ALTERNATE 15-02-0006 o ANNALS 17-03-0734 ^ APPROACHING 16-12-0286 o ASPECT 18-07-0082 ^ ALTERNATELY 17-10-0224 o ANNEXED 17-19-0043 o APPROVAL 17-19-0072 ^ ASPHYXIATE 18-05-0373 o ALTERNATING 16-01-0048 o ANNOUNCE 15-09-0007 o APPROVE 17-03-0054 o ASPHYXIATED 17-15-0125 o ALTERNATIVE 18-07-0029 o ANNOUNCED 18-07-0118 o APPROVED 17-03-1605 o ASSASSINATION 16-12-0180 ^ ALTERNATIVES 17-04-0031 ^ ANNOUNCING 16-12-0514 o APPROXIMATELY 17-15-0085 o ASSASSINATIONS 18-05-0421 ^ ALTERS 17-01-0179 o ANONYMITY 14-02-0079 ^ APRIL 15-09-0013 o ASSAULT 17-03-1308 ^ ALTHOUGH 16-31-0093 x ANONYMOUS 14-02-0080 o APTLY 15-10-0027 o ASSAULTS 17-03-0111 ^ ALUMINIUM 18-05-0302 ^ ANONYMOUSLY 14-02-0054 o AQUATIC 17-03-0272 o ASSEMBLED 17-04-0028 o ALWAYS 15-06-0060 o ANOTHER 16-12-0404 o ARABESQUES 17-03-1251 ^ ASSEMBLY 18-05-0328 ^ AM 16-12-0020 x ANSWER 16-12-0409 o ARBITRARY 17-01-0096 o ASSERTION 17-20-0082 ^ AMATERIAL 16-01-0130 o ANSWERABLE 15-10-0030 o ARCHAIC 18-05-0319 o ASSESSOR 17-18-0026 ^ AMAZEMENT 17-03-1582 ^ ANSWERED 17-03-0064 o ARCHEOLOGY 18-03-0003 ^ ASSIMILATION 16-10-0045 ^ AMBIENCES 17-10-0281 ^ ANSWERS 17-10-0157 o ARCHITECTURAL 14-06-0007 o ASSISTANT 18-04-0025 ^ AMBIGUITY 13-01-0062 o ANTHEMS 18-05-0431 ^ ARCHIVE 18-07-0162 ^ ASSOCIATIVE 15-02-0025 o AMBIVALENCE 16-02-0022 ^ ANTHROPOLOGY 18-07-0074 ^ ARCHIVES 18-05-0420 ^ ASSUME 15-03-0047 o AMERICAN 17-03-1363 o ANTI-COMPOSITIONAL 14-03-0130 o ARCHIVIST 18-04-0010 ^ ASSUMED 18-05-0242 o AMID 17-03-0122 x ANTICIPATE 15-10-0050 o ARE 13-01-0002 x ASSURANCE 17-03-0276 ^ AMIDST 17-03-0494 x ANTICIPATION 14-09-0035 ^ AREA 14-01-0009 ^ ASTONISHED 17-03-0457 o AMMUNITION 15-10-0015 ^ ANTICOMMUNITY 17-16-0021 o AREN’T 13-03-0013 x ASTONISHMENT 17-03-0770 ^ AMNESTY 17-01-0478 ^ ANTIDOTAL 16-07-0025 o ARM 17-03-0286 ^ ASTOUNDING 16-12-0149 o AMONG 17-01-0454 x ANTITHETICAL 15-01-0026 o ARMED 14-07-0019 o AT 14-03-0035 x AMONGST 13-02-0016 x ANTS 17-15-0128 ^ ARMPIT 17-03-0036 ^ ATE 17-03-1613 o AMORPHOUSLY 17-10-0300 o ANUS 17-03-1403 ^ ARMPITS 17-03-0741 ^ ATEMPORAL 13-03-0085 o AMOUNT 17-19-0066 ^ ANXIETIES 18-05-0419 ^ ARMS 17-03-0465 ^ ATEMPORALLY 17-10-0325 o AMPLIFICATION 15-09-0044 ^ ANXIOUS 17-03-1229 o ARMY 17-03-0394 ^ ATMOSPHERE 17-10-0070 ^

SPC_OSP_INT.indd 60 10/30/18 10:59 AM SPC_OSP_INT.indd 61 10/30/18 10:59 AM ATOM S 17-03-0589 ^ B.C. 16-12-0346 x BEATS 17-03-0031 o BETTER 15-05-0009 o ATOP 16-25-0041 x BABBLING 16-12-0427 o BEAUTIFUL 16-12-0203 o BETWEEN 14-03-0080 x ATRIUM 15-11-0006 ^ BABEL 18-05-0056 ^ BEAUTY 16-12-0476 ^ BEWILDERED 16-31-0055 o ATROPHIED 14-06-0018 o BABYLON 18-07-0214 ^ BECAME 16-12-0128 x BEWILDERMENT 13-03-0096 ^ ATTACH 17-10-0301 o BACK 15-03-0065 o BECAUSE 13-01-0014 x BEWILDERMENTS 18-07-0203 o ATTACHED 16-31-0085 o BACKDRAFT 16-18-0019 ^ BECOME 15-06-0068 x BIELEFELD 18-07-0258 ^ ATTACK 17-10-0285 ^ BACKGROUND 16-12-0127 ^ BECOMES 15-02-0009 x BIG 16-12-0099 o ATTACKING 17-03-1362 o BACKSIDE 17-03-1415 ^ BECOMING 16-12-0439 o BIGGER 17-03-1273 o ATTACKS 17-03-0153 ^ BACTERIAL 16-25-0055 o BED 17-03-0568 ^ BIGGEST 16-12-0502 o ATTAIN 17-03-0995 o BAD 16-12-0440 o BEEF 17-03-0417 ^ BILE 15-17-0013 ^ ATTEMPT 13-01-0068 o BAG 16-31-0016 ^ BEEN 14-02-0087 x BILLOWING 16-28-0004 o ATTEMPTED 17-01-0088 o BAIL 17-03-0136 ^ BEEP 17-01-0461 ^ BINARIES 17-10-0219 ^ ATTEMPTING 14-04-0004 o BALLOONS 17-10-0226 ^ BEEPING 17-01-0473 o BIND 18-07-0033 o ATTEMPTS 18-03-0020 o BAN 17-10-0162 o BEER 16-12-0018 ^ BINDING 18-05-0151 o ATTENDANCE 13-02-0028 ^ BAND 17-01-0001 ^ BEFORE 14-06-0035 o BINDS 18-05-0058 ^ ATTENDANT 18-05-0099 o BANDING 18-05-0027 ^ BEGAN 16-31-0072 o BIOLOGICAL 17-01-0306 o ATTENTION 13-03-0020 ^ BANKRUPT 17-19-0050 o BEGGING 17-03-1604 o BIRD 14-06-0029 ^ ATTENTIVELY 17-03-1413 o BANNED 17-06-0027 o BEGIN 13-03-0077 o BIRDS 15-10-0078 ^ ATTEST 17-03-0991 o BAR 16-12-0451 ^ BEGINNING 17-03-0066 ^ BIRTH 17-03-1129 ^ ATTITUDE 17-03-0655 ^ BARE 17-03-1040 o BEGINS 15-06-0005 o BIRTH-RATE 16-07-0029 ^ ATTRIBUTION 18-07-0100 ^ BARK 17-03-0563 ^ BEGUN 16-12-0464 o BISECT 16-01-0006 o AUCTION 17-19-0026 ^ BARKS 17-03-0571 o BEHAVING 17-03-1504 o BISECTED 16-02-0016 o AUCTIONED 16-12-0225 o BARRAGES 18-05-0167 o BEHAVIOUR 14-02-0040 ^ BISTRO 18-07-0133 ^ AUDIBLE 16-25-0001 o BARREL 17-03-1549 ^ BEHAVIOURS 14-02-0012 ^ BIT 16-12-0419 ^ AUDIENCE 14-08-0054 ^ BARREN 15-17-0027 o BEHEST 14-03-0132 ^ BITCH 17-03-1550 ^ AUDITORY 16-10-0007 o BARRENNESS 17-03-1200 o BEHIND 14-08-0060 o BITE 17-01-0374 ^ AUGMENTED 18-07-0251 o BARRIERS 17-01-0148 ^ BEHOLD 14-04-0050 o BITES 16-12-0392 ^ AUGMENTS 18-05-0234 o BARRING 17-03-1076 o BEING 15-02-0017 o BITTER 16-02-0005 o AUGUST 17-13-0027 o BARS 17-03-1495 o BEINGS 14-08-0113 ^ BLACK 14-02-0091 o AURAL 16-04-0001 o BASE 17-03-0909 ^ BELIEF 15-10-0101 ^ BLACKBIRD 16-01-0152 ^ AUSTRIA 18-07-0194 ^ BASED 14-03-0067 o BELIES 17-20-0106 o BLACKENED 17-12-0015 o AUTHOR 17-13-0012 ^ BASEL 18-03-0051 o BELIEVABLE 15-10-0104 o BLACKNESS 17-03-0068 ^ AUTHORED 17-13-0010 o BASTARD 14-08-0039 ^ BELIEVE 13-01-0008 o BLADE 17-03-0454 ^ AUTHORISATION 18-05-0077 ^ BAT 17-03-0671 ^ BELIEVED 17-01-0149 o BLADES 17-03-1365 ^ AUTHORISED 17-06-0041 o BATHE 17-03-1146 o BELIEVES 17-03-0620 o BLANK 17-19-0017 o AUTHORITY 17-10-0278 ^ BATS 14-04-0032 ^ BELIEVING 18-05-0033 o BLANKNESS 16-11-0012 ^ AUTHORSHIP 15-03-0072 ^ BATTERED 17-03-0713 o BELLIES 14-07-0007 ^ BLASPHEMOUS 17-03-1471 o AUTOMATICALLY 17-19-0048 o BATTLE 16-10-0008 ^ BELLY 17-03-0024 ^ BLAST 16-01-0128 ^ AUTOPSY 15-06-0075 ^ BATTLEFIELDS 17-03-0974 ^ BELONGS 17-03-1230 o BLAZE 16-01-0071 ^ AUTUMN 17-15-0102 o BATTLEGROUND 14-08-0045 ^ BELOVED 17-03-0488 o BLAZING 17-03-1084 o AVAILABLE 14-03-0182 o BATTLES 17-03-0799 ^ BELOW 15-06-0113 o BLEACH 17-11-0014 ^ AVALANCHE 17-03-0977 ^ BATTLESHIP 16-12-0116 ^ BENCH 17-03-1426 ^ BLEACHED 16-01-0080 o AVENGING 17-03-0178 o BAWLING 17-03-0216 o BENDINGS 18-05-0440 ^ BLEACHES 17-12-0027 ^ AVERAGE 15-03-0042 o BAY 17-03-1535 ^ BENDS 18-05-0392 o BLEAK 16-06-0014 o AVOI D 17-03-0040 o BE 13-01-0079 x BENEATH 16-23-0010 o BLEEDING 17-03-0302 o AWARE 14-02-0103 o BEACH 17-03-0866 ^ BENEFIT 18-05-0084 ^ BLENCHING 17-03-1369 o AWARENESS 16-12-0403 ^ BEAK 17-03-1489 ^ BENEFITS 17-19-0077 o BLENDED 17-10-0318 o AWAY 15-06-0120 o BEAKS 17-12-0004 ^ BERGEN 16-31-0003 ^ BLESS 17-03-0063 o AWESOME 15-05-0003 o BEAMS 15-17-0006 ^ BERLIN 15-09-0034 ^ BLESSED 17-03-1202 o AWKWARDLY 16-12-0331 o BEAR 14-06-0008 ^ BERN 16-12-0089 ^ BLIND 15-06-0101 o AXE-BLOWS 17-03-0547 ^ BEARS 17-03-1606 ^ BESIDE 16-20-0005 x BLINDED 16-31-0117 o AXIS 16-25-0011 ^ BEAT 17-03-1384 o BEST 14-03-0137 o BLINDFOLD 17-03-0967 ^ B 17-01-0055 x BEATING 17-03-0140 o BETRAYED 17-03-0580 o BLINDLY 17-03-1096 o

SPC_OSP_INT.indd 62 10/30/18 10:59 AM SPC_OSP_INT.indd 63 10/30/18 10:59 AM BLINKS 18-05-0036 ^ BOUNDLESS 13-03-0079 o BROUGHT 16-12-0109 o CAGE 15-10-0106 ^ BLOAT 17-01-0502 o BOUNDS 17-03-0352 ^ BROWN 15-05-0053 o CALCULABLE 18-03-0011 o BLOCK 17-03-0586 ^ BOURGEOIS 16-12-0407 o BRUSHED 17-01-0236 o CALCULATION 17-15-0089 ^ BLOCKINGS 18-05-0119 ^ BOUT 17-01-0378 ^ BRUSHING 17-01-0005 o CALL 13-03-0004 ^ BLOCKS 15-10-0115 ^ BOWELS 17-03-0382 ^ BRUSSELS 14-01-0004 ^ CALLED 16-12-0027 o BLOND-HAIRED 17-03-1026 o BOWS 17-03-0625 ^ BRUTAL 18-03-0042 o CALLER 17-10-0243 ^ BLOOD 16-01-0102 ^ BOX 16-12-0232 ^ BRUTALISING 17-03-0920 o CALLS 17-03-0705 o BLOOD-BESPATTERED 17-03-1320 o BOY 17-03-1033 ^ BRUTALITY 17-03-0046 ^ CALM 16-12-0429 o BLOODY 17-03-1540 o BRAIDED 17-04-0005 o BRUTALLY 17-03-0942 o CAME 15-06-0058 o BLOSSOM 15-05-0049 ^ BRAIN 16-31-0088 ^ BUBBLE 16-01-0020 ^ CAMERA 15-15-0007 ^ BLOW 17-03-0724 ^ BRAINS 17-10-0230 ^ BUBBLING 17-04-0029 o CAMERAL 18-06-0001 o BLOWN 18-05-0189 o BRAINWASHED 16-12-0457 o BUCKETS 15-03-0008 ^ CAMERAS 17-12-0042 ^ BLOWS 17-03-0803 ^ BRANCHED 17-03-0527 o BUFFETINGS 17-03-0131 ^ CAMPAIGN 18-07-0140 o BLUE 16-12-0478 o BRANCHES 17-03-1139 ^ BUILD 14-08-0015 o CAN 13-01-0078 x BLUEPRINT 16-26-0024 ^ BRANDISHES 17-03-1175 o BUILDING 16-02-0024 ^ CAN’T 16-01-0143 x BLUEPRINTS 15-10-0066 ^ BRAVE 17-03-0307 o BUILDINGS 15-10-0075 ^ CANARIES 17-01-0032 ^ BLUER 16-12-0479 o BREACH 17-01-0052 ^ BUILT 14-08-0013 o CANARY 17-03-1490 ^ BLUETIT 17-03-1274 ^ BREACHABLE 16-17-0003 o BULB 17-03-1493 ^ CANDLE 17-03-1590 ^ BLURRY 16-26-0020 o BREACHED 17-01-0153 o BULLDOG 17-03-1301 ^ CANDY 17-01-0131 ^ BOARDS 15-10-0092 ^ BREACHING 16-28-0022 o BULLET 17-03-0284 ^ CANINE 17-03-1594 ^ BOAT 16-12-0316 ^ BREAD 15-10-0085 ^ BUNDLE 16-12-0196 ^ CANNON 16-01-0134 ^ BOBBING 17-03-0291 o BREADTH 17-15-0025 ^ BUNKER 17-01-0479 ^ CANNOT 15-01-0018 x BODIES 14-09-0021 ^ BREAK 16-12-0515 ^ BUOYED 17-03-0295 o CAP 17-03-1438 ^ BODILY 17-15-0103 o BREAKING 17-03-1598 o BUOYING 16-23-0009 o CAPABLE 16-14-0051 o BODY 15-06-0084 ^ BREAST 17-03-0222 ^ BURDENED 17-03-0715 o CAPACITIES 17-01-0495 ^ BOILED 17-12-0010 o BREASTS 17-03-0490 ^ BUREAUCRACY 15-10-0040 o CAPACITY 17-01-0458 ^ BOLT 16-12-0359 ^ BREATH 17-01-0506 ^ BURIAL 15-06-0050 ^ CAPITAL 14-07-0009 ^ BOMB 16-01-0085 ^ BREATHE 15-06-0102 o BURIES 17-03-0600 o CAPTION 17-20-0033 ^ BOMBED 18-05-0340 o BREATHING 17-03-0719 o BURN 15-10-0113 o CAPTURE 14-03-0033 o BOMBS 17-12-0041 ^ BREATHS 18-05-0121 ^ BURNED 15-10-0010 o CAPTURED 14-03-0011 o BONE 15-10-0053 ^ BREED 17-01-0482 ^ BURNING 17-10-0127 o CAPTURER 14-03-0050 ^ BONES 14-07-0005 ^ BREEDS 14-02-0078 ^ BURNS 17-12-0028 ^ CAPTURING 14-03-0044 o BONY 17-03-1184 o BREEZE 16-28-0056 ^ BURNT 16-01-0082 o CAR 14-02-0017 ^ BOOK 16-12-0214 ^ BREEZES 17-01-0176 ^ BURROW 16-04-0005 ^ CARBON 17-10-0023 ^ BOOKS 17-21-0010 ^ BREGENZ 18-07-0193 ^ BURROWED 16-25-0043 o CARCASS 17-03-0907 ^ BOOM 16-09-0005 ^ BRICKS 15-10-0009 ^ BURROWING 17-04-0021 o CARCASSES 17-10-0035 ^ BOOTH 18-07-0216 ^ BRIDGE 17-03-0141 ^ BURST 17-10-0328 o CARD 18-07-0168 ^ BORDER 17-01-0068 ^ BRIEF 16-01-0044 o BURSTING 17-03-0121 o CARDS 18-07-0170 ^ BORDER-LINES 17-01-0451 ^ BRIEFLY 16-28-0039 o BURSTS 17-03-1177 ^ CARE 17-01-0466 o BORDERS 17-01-0405 ^ BRING 17-01-0393 o BURY 15-06-0041 o CAREENED 17-20-0036 o BORE 17-03-0374 o BRINGING 17-03-0566 o BUSINESS 16-12-0468 ^ CAREER 16-12-0132 ^ BOREDOM 16-12-0319 ^ BRINGS 15-06-0045 o BUT 13-03-0025 x CAREFUL 15-01-0015 o BORES 16-01-0028 o BRINK 13-03-0059 ^ BUTCHER 18-03-0034 ^ CAREFULLY 17-01-0086 o BORN 16-12-0496 o BRINY 17-03-0442 o BUTCHERED 16-01-0017 o CARES 16-12-0367 o BORNE 17-03-0498 o BRITISH 17-03-1107 o BUTCHERING 17-12-0011 o CARESS 15-06-0012 o BORROWED 17-20-0052 o BROAD 17-03-1309 o BUTTERFLIES 17-03-1259 ^ CARESSED 16-31-0078 o BOSPORUS 16-12-0340 ^ BROADER 18-07-0080 o BUTTON 16-31-0050 ^ CARESSING 17-03-1140 o BOTH 14-03-0147 x BROKE 17-03-0238 o BUTTRESSED 16-09-0050 o CARGO 16-28-0025 ^ BOTTOM 16-06-0012 o BROKEN 16-12-0510 o BUYER 17-19-0115 ^ CARICATURE 17-20-0011 ^ BOUGHT 17-03-1505 o BROKERING 18-07-0041 o BY 13-02-0022 x CARNAGE 17-03-0409 ^ BOUNCED 16-23-0004 o BRONZE 18-07-0090 ^ C 17-01-0057 x CARNAL 17-03-0479 o BOUND 17-03-0631 o BROTHER 16-01-0114 ^ CABLES 17-10-0030 ^ CARPENTER 17-03-1488 ^ BOUNDARIES 17-01-0403 ^ BROTHERS 16-02-0015 ^ CACOPHONIES 18-03-0018 ^ CARPET 17-03-0447 ^

SPC_OSP_INT.indd 64 10/30/18 10:59 AM SPC_OSP_INT.indd 65 10/30/18 10:59 AM CARRIED 17-03-0228 o CHALLENGED 17-03-0873 o CHRONICLE 18-07-0104 o CLIMATIC 17-10-0135 o CARRIES 17-03-0450 o CHALLENGING 17-03-0300 o CHRONOLOGICAL 18-07-0083 o CLIMBS 18-05-0417 o CARRY 15-06-0036 o CHAMBER-POT 17-03-1622 ^ CHURCHES 17-03-1204 ^ CLINGING 17-03-1416 o CARRYING 17-03-0287 o CHAMBERS 18-06-0040 ^ CIGARETTE 15-06-0001 ^ CLOAK 17-01-0474 ^ CARTOGRAPHIES 16-25-0063 ^ CHAMELEON 17-03-0038 ^ CIGARETTES 15-10-0034 ^ CLOBBERED 17-01-0064 o CARVED 17-12-0037 o CHANCE 14-03-0127 o CINEMA 13-01-0006 ^ CLOBBERING 17-01-0416 o CASE 16-12-0411 ^ CHANGE 15-06-0066 o CINEMAS 16-12-0378 ^ CLOCK 16-06-0020 ^ CASES 17-03-0521 ^ CHANGED 17-03-0743 o CINEMATIC 16-12-0239 o CLONE 17-01-0314 ^ CAST 15-21-0003 ^ CHANGES 15-03-0002 o CINEMATOGRAPHIC 17-20-0028 o CLOSE 16-02-0019 o CASTING 18-05-0170 o CHANNEL 17-03-1111 ^ CINEMATOGRAPHY 16-31-0005 ^ CLOSELY 17-03-0047 o CAT 17-03-1286 ^ CHARACTER 17-03-0055 ^ CIPHER 17-15-0096 ^ CLOSER 17-03-0074 o CATALOGUE 18-07-0141 ^ CHARACTERISE 16-12-0435 o CIPHERS 14-04-0023 ^ CLOSES 18-05-0418 o CATALOGUED 18-04-0013 o CHARACTERISTICS 17-11-0011 ^ CIRCA 16-12-0090 x CLOSETS 15-05-0060 ^ CATALOGUES 18-07-0171 ^ CHARACTERS 16-12-0003 ^ CIRCLE 16-01-0075 ^ CLOSEUP 17-18-0009 o CATASTROPHIC 15-01-0014 o CHARGE 17-03-1126 o CIRCLED 17-15-0126 o CLOSING 16-12-0070 o CATCH 16-20-0003 ^ CHARM 17-03-1103 ^ CIRCLES 15-10-0041 ^ CLOTHES 17-03-1247 ^ CATCHES 17-03-1056 o CHARMS 17-16-0027 o CIRCLING 17-12-0026 ^ CLOTHING 17-06-0004 ^ CATEGORIES 18-07-0024 ^ CHARRING 18-05-0380 o CIRCUIT 15-10-0091 ^ CLOUD 16-18-0012 ^ CATEGORIZED 18-07-0081 o CHASE 17-03-0687 o CIRCUITS 17-10-0241 ^ CLOUDING 16-25-0081 o CATEGORY 17-20-0047 ^ CHASED 16-01-0147 o CIRCULATE 15-17-0031 o CLOUDS 16-07-0002 ^ CAUCASIAN 17-20-0023 o CHASES 17-03-0039 o CIRCULATING 16-25-0066 o CLUB 18-07-0132 ^ CAUGHT 16-12-0400 o CHASING 17-03-1257 o CIRCULATION 17-19-0019 ^ CLUBS 17-16-0025 ^ CAUSAL 17-01-0234 o CHASM 16-28-0013 ^ CIRCUMFERENCE 17-01-0491 ^ CM 16-07-0009 x CAUSE 15-01-0009 o CHASMS 16-28-0036 ^ CIRCUMNAVIGATION 18-03-0026 ^ CO-AUTHOR 18-07-0096 ^ CAUSED 16-23-0015 o CHASTE 17-03-0500 o CIRCUMVOLUTION 17-03-0182 ^ CO-LICENSING 18-07-0026 o CAUSES 17-01-0256 o CHASTELY 17-03-0081 o CITADEL 17-03-0455 ^ CO-OPERATION 14-01-0028 ^ CAUSING 16-23-0022 o CHEAPER 16-12-0253 o CITIES 17-03-0265 ^ COAGULATE 17-10-0229 o CAUTIONARY 13-03-0010 o CHECK 16-12-0465 o CITIZENS 17-01-0402 ^ COAL 16-13-0001 ^ CAUTIOUS 17-03-0362 o CHEEK 17-03-0247 ^ CITY 15-10-0114 ^ COALS 16-01-0078 ^ CAVATINAS 17-03-1516 ^ CHEEKS 16-01-0060 ^ CLAIMED 17-03-0370 o COATED 18-05-0301 o CAVE 17-03-0787 ^ CHEESE 16-12-0162 ^ CLAIMING 16-11-0021 o COAXED 16-28-0055 o CEASE 17-03-1069 o CHEMICAL 16-09-0013 ^ CLAIMS 17-19-0104 o COAXES 17-12-0029 o CEASED 17-03-1205 o CHEMICALLY 18-05-0300 o CLANK 17-01-0324 o COAXING 17-01-0175 o CEASES 17-03-0699 o CHESS 17-20-0114 ^ CLARIFIED 16-25-0064 o COBBLESTONES 15-10-0003 ^ CEILING 16-07-0010 ^ CHEWING 17-03-0824 o CLARIFY 16-28-0033 o COBBLING 17-15-0117 o CEILINGS 16-11-0016 ^ CHICKEN 17-03-1376 ^ CLASPED 17-03-0487 o COCKLE 17-03-0204 ^ CELEBRATE 14-08-0002 o CHILD 17-03-0221 ^ CLASPING 17-03-0476 o COCKTAILS 18-07-0213 ^ CELEBRATED 16-12-0206 o CHILDHOOD 17-03-1074 ^ CLASS 18-07-0108 o COCOONS 18-05-0226 ^ CELLARS 15-05-0056 ^ CHILDISH 17-03-1226 o CLASSIC 16-12-0119 o CODE 17-19-0103 ^ CELLULAR 15-06-0006 o CHILDREN 16-01-0146 ^ CLASSICAL 16-26-0008 o CODES 15-05-0059 ^ CEMETERY 17-03-1235 ^ CHIP 17-03-1525 ^ CLATTERING 17-03-1081 o CODIFICATION 18-04-0019 ^ CENSORS 17-15-0082 o CHIPPING 18-05-0377 o CLAWS 17-01-0328 ^ CODIFIED 16-15-0004 o CENTIMETRE 16-12-0459 o CHISEL 17-01-0333 ^ CLEAN 17-01-0247 o CODIFYING 18-05-0041 o CENTRAL 15-10-0107 o CHLOROFORM 17-03-0534 ^ CLEANSED 17-01-0379 o COERCION 15-01-0001 ^ CENTURIES 17-01-0157 o CHOCOLATE 15-05-0041 ^ CLEAR 14-09-0012 o COFFEE 16-12-0083 ^ CENTURY 15-09-0020 ^ CHOICE 17-15-0059 ^ CLEARLY 17-03-0075 o COFFERS 17-03-1628 ^ CERTAIN 13-03-0098 o CHOKED 15-10-0012 o CLEAVED 17-03-0320 o COFFIN 18-06-0027 ^ CERTAINLY 17-03-0651 o CHOOSE 15-06-0072 o CLEAVING 17-03-0396 o COHERENT 16-12-0195 o CERTIFICATE 17-19-0114 ^ CHOREOGRAPHED 18-05-0292 o CLENCHES 18-05-0399 o COHESION 17-03-0593 ^ CERTIFIED 18-01-0015 o CHOREOGRAPHIES 16-24-0001 ^ CLEVER 17-03-1510 o COILING 17-01-0018 o CHAIN 17-03-1546 ^ CHRISTIANITY 16-12-0423 ^ CLICKING 17-03-0685 o COILS 17-20-0128 ^ CHAIR 16-12-0293 ^ CHROMA-SHIFTING 18-05-0243 o CLICKINGS 18-05-0116 ^ COINCIDED 17-20-0094 o CHALK 17-10-0002 ^ CHROME 16-07-0005 ^ CLIFF 17-03-0315 ^ COLD 16-25-0002 o

SPC_OSP_INT.indd 66 10/30/18 10:59 AM SPC_OSP_INT.indd 67 10/30/18 10:59 AM COLLABORATE 17-19-0010 o COMMUNIQUE 15-05-0001 ^ CONCEPTION 18-07-0136 o CONNECTS 17-01-0246 o COLLABORATION 14-01-0029 ^ COMMUNIST 16-12-0080 ^ CONCEPTS 16-15-0002 ^ CONNOTATIONS 17-10-0195 ^ COLLAGIST 13-02-0027 ^ COMMUNITY 15-05-0036 ^ CONCEPTUAL 18-07-0145 o CONNOTES 17-15-0104 o COLLAPSE 16-24-0006 ^ COMPACT 17-03-0526 o CONCERNS 18-07-0006 o CONQUER 17-03-0541 o COLLAPSED 16-25-0048 o COMPANIES 16-12-0154 ^ CONCERT 16-12-0399 ^ CONSCIENCE 17-03-0627 ^ COLLAPSING 17-03-0910 o COMPANY 16-12-0156 ^ CONCISENESS 17-01-0486 ^ CONSCIOUSNESS 17-03-1062 ^ COLLATERAL 16-12-0208 o COMPARABLE 16-31-0075 o CONCISEST 17-01-0100 o CONSECUTIVE 17-03-0516 o COLLECTED 17-15-0098 o COMPARING 17-03-0937 o CONCLUSION 17-01-0481 ^ CONSENSUS 18-05-0034 ^ COLLECTING 15-03-0022 o COMPARISON 17-03-0249 ^ CONCLUSIVE 18-05-0082 o CONSENT 14-02-0090 o COLLECTION 18-07-0241 o COMPASSION 17-03-0649 ^ CONCRETE 16-10-0018 o CONSEQUENCE 15-09-0041 ^ COLLECTIVE 18-07-0154 o COMPEL 18-06-0015 o CONCRETELY 17-10-0079 o CONSEQUENCES 16-16-0010 ^ COLLECTOR 17-19-0025 ^ COMPETING 18-06-0058 o CONCRETISE 17-15-0061 o CONSEQUENTIAL 17-01-0427 o COLLIDED 16-26-0021 o COMPLACENCY 14-02-0089 ^ CONCRETISED 18-06-0032 o CONSERVATORY 18-07-0211 ^ COLOGNE 18-03-0060 ^ COMPLACENT 14-02-0042 o CONCURRENT 17-06-0048 o CONSIDER 14-03-0098 o COLOPHON 17-21-0001 ^ COMPLAIN 17-03-1199 o CONCURRENTLY 18-07-0116 o CONSIDERATION 15-01-0010 ^ COLOUR 17-03-1421 ^ COMPLAINT 17-03-1570 ^ CONDEMNED 16-11-0020 o CONSIDERED 14-03-0154 o COLOURED 17-15-0049 o COMPLETE 16-12-0073 o CONDENSE 16-26-0018 o CONSIDERING 16-12-0062 o COLOURFUL 16-01-0051 o COMPLETED 17-10-0087 o CONDENSED 18-05-0198 o CONSIGNED 17-03-0738 o COLOURS 17-01-0472 ^ COMPLETELY 17-03-0206 o CONDENSES 16-25-0022 o CONSIGNER 17-19-0113 ^ COLUMN 17-03-1423 ^ COMPLETION 15-03-0061 ^ CONDENSING 17-01-0181 o CONSIGNMENT 17-19-0001 ^ COMBAT 16-01-0124 ^ COMPLEX 17-10-0074 o CONDITION 14-03-0005 ^ CONSIGNOR 17-19-0031 ^ COMBATS 17-03-0857 o COMPLICIT 15-01-0033 o CONDITIONAL 18-07-0025 o CONSIST 17-10-0220 o COMBINATIONS 17-10-0018 ^ COMPONENT 18-05-0255 ^ CONDITIONS 14-08-0049 ^ CONSISTED 18-07-0158 o COMBINATORY 17-15-0023 o COMPONENTS 17-10-0194 ^ CONDUCIVE 17-13-0023 o CONSISTENCIES 17-01-0436 ^ COMBINE 14-09-0026 ^ COMPOSE 18-06-0053 o CONDUCT 14-02-0014 o CONSISTING 16-16-0007 o COMBINED 16-09-0036 o COMPOSED 17-01-0013 o CONDUCTOR 17-10-0253 ^ CONSISTS 17-10-0142 o COMBUSTIBLE 16-17-0008 o COMPOSITIONAL 14-03-0129 o CONDUIT 16-16-0022 ^ CONSOLED 17-03-1608 o COME 14-04-0002 o COMPOSURE 17-03-0194 ^ CONDUITS 18-06-0009 ^ CONSPIRACY 18-05-0291 ^ COMES 17-01-0144 o COMPOUND 17-01-0258 ^ CONFERENCE 18-07-0111 o CONSTANCY 17-01-0158 ^ COMET 17-03-1085 ^ COMPOUND-WORDS 18-07-0019 ^ CONFESSES 18-05-0408 o CONSTANT 16-12-0472 o COMFORT 17-01-0326 o COMPOUNDED 16-14-0029 o CONFIDENCE 17-01-0303 ^ CONSTANTLY 13-01-0050 o COMING 13-03-0092 o COMPOUNDING 17-10-0192 o CONFIDENTLY 17-03-0965 o CONSTITUTE 16-09-0056 o COMINTERN 16-12-0079 ^ COMPOUNDS 16-09-0025 o CONFIGURED 17-01-0484 o CONSTITUTES 17-19-0119 o COMMAND 15-10-0108 o COMPREHENSION 18-05-0023 ^ CONFINEMENT 17-01-0133 ^ CONSTITUTING 17-01-0079 o COMMANDEERING 18-06-0060 o COMPRESS 17-01-0180 o CONFISCATED 18-04-0011 o CONSTRAINT 18-04-0005 ^ COMMANDMENTS 16-31-0101 ^ COMPRESSED 17-10-0022 o CONFLAGRATION 16-10-0032 ^ CONSTRAINTS 16-26-0001 ^ COMMENCEMENT 15-09-0010 ^ COMPRISING 16-14-0025 o CONFLATE 17-02-0008 o CONSTRICT 16-25-0019 o COMMENSURATION 15-09-0005 ^ COMPROMISE 17-12-0024 o CONFLICT 17-10-0133 ^ CONSTRUCT 13-01-0069 ^ COMMERCIAL 16-12-0102 ^ COMPULSION 17-15-0111 ^ CONFLICTING 16-23-0018 o CONSTRUCTED 14-03-0071 o COMMERCIALS 16-01-0053 ^ COMPUTATIONAL 17-10-0148 o CONFORM 17-03-1436 o CONSTRUCTING 17-01-0206 o COMMISERATION 17-03-1610 ^ COMPUTER 16-31-0045 ^ CONFRONT 17-03-0180 o CONSTRUCTION 14-04-0026 ^ COMMISSION 17-19-0075 ^ COMPUTERS 14-03-0093 ^ CONFRONTED 16-12-0270 o CONSTRUCTIONS 16-16-0008 ^ COMMISSIONS 17-19-0067 ^ COMRADE 15-10-0026 ^ CONFUSION 14-04-0027 ^ CONSTRUCTORS 18-06-0012 ^ COMMIT 16-31-0060 o CONCAVE 16-09-0004 o CONGEALED 16-25-0044 o CONSULTANCY 18-05-0422 ^ COMMITMENT 16-12-0366 ^ CONCEAL 17-05-0008 o CONGEALING 17-15-0016 o CONSUMABLE 18-06-0048 o COMMITTED 17-03-0986 o CONCEALED 16-15-0003 o CONGEALS 18-05-0394 o CONSUME 14-08-0068 o COMMITTING 17-03-0918 o CONCEALING 17-04-0009 o CONGREGATIONS 16-12-0425 ^ CONSUMED 13-03-0113 o COMMON 17-03-0028 o CONCEALMENT 18-05-0201 ^ CONJUNCTION 18-07-0247 o CONSUMPTION 14-06-0024 ^ COMMUNICATE 15-06-0126 o CONCEDING 16-11-0022 o CONNECT 17-15-0107 o CONTACT 17-03-0550 ^ COMMUNICATES 17-10-0346 o CONCEIVABLE 17-03-1030 o CONNECTED 16-12-0338 o CONTACTS 17-10-0189 o COMMUNICATION 17-01-0318 ^ CONCENTRATE 16-12-0309 o CONNECTION 17-10-0242 ^ CONTAIN 14-09-0007 o COMMUNICATIONAL 17-10-0249 o CONCENTRATING 17-03-1158 o CONNECTIONS 17-01-0500 ^ CONTAINABLE 17-01-0245 o COMMUNICATIVE 17-10-0141 o CONCEPT 17-01-0042 ^ CONNECTIVE 16-10-0023 o CONTAINED 17-06-0047 o

SPC_OSP_INT.indd 68 10/30/18 10:59 AM SPC_OSP_INT.indd 69 10/30/18 10:59 AM CONTAINING 15-03-0014 o COOL 15-05-0004 o COVERS 17-03-1390 ^ CRUELTY 17-03-0355 ^ CONTAINS 14-02-0011 o COOLNESS 17-03-1300 ^ CRAB 17-03-1405 ^ CRUISE 16-12-0357 o CONTEMPLATE 17-03-0616 o COORDINATES 17-11-0001 o CRACK 17-01-0015 ^ CRUISER 16-12-0324 ^ CONTEMPLATION 16-14-0031 ^ COPIES 17-19-0128 ^ CRACKING 17-03-0044 o CRUMBLE 17-01-0329 ^ CONTEMPORANEOUS 18-07-0139 o COPIOUSLY 17-03-0783 o CRACKS 14-02-0101 ^ CRUMBS 17-01-0104 ^ CONTEMPORARY 16-12-0352 o COPPER 17-01-0391 ^ CRAMMED 17-15-0027 o CRUMPLED 17-16-0032 o CONTEMPT 17-03-0875 ^ COPPER-GLEANER 17-01-0016 ^ CRAMPS 17-03-0859 ^ CRUNCH 17-01-0344 o CONTENT 17-10-0118 ^ COPULATE 17-01-0139 o CRANES 17-10-0021 ^ CRUNCHING 17-03-0240 o CONTENT-TIME 17-10-0315 ^ COPY 17-20-0009 ^ CRASH 17-01-0364 o CRUSH 17-01-0360 o CONTENTED 17-03-1329 o COPYRIGHT 17-18-0035 ^ CRASHES 18-05-0416 ^ CRUSHED 14-07-0028 o CONTENTS 17-03-1512 ^ CORDIALLY 15-09-0036 o CRASHING 16-25-0003 o CRUSHING 15-06-0014 o CONTESTED 16-10-0012 o CORK 17-03-0296 ^ CRAWLED 17-03-0748 o CRY 16-12-0494 o CONTEXT 14-03-0187 ^ CORMORANT 17-03-1130 ^ CRAWLING 17-03-0525 o CRYOGENIC 15-06-0083 o CONTEXTS 15-01-0029 ^ CORN 16-12-0481 ^ CRAWLS 18-05-0409 o CUD 17-03-0825 ^ CONTEXTUAL 17-01-0283 o CORNER 17-03-0050 ^ CRAZILY 17-15-0127 o CULLED 17-15-0031 o CONTINENT 17-03-0405 ^ CORNFIELD 17-03-0609 ^ CREAK 17-03-1574 ^ CULTIVATION 16-12-0243 ^ CONTINGENCY 18-07-0021 ^ CORPORATION 16-12-0144 ^ CREAM 17-03-0423 ^ CULTURAL 13-03-0064 o CONTINUALLY 17-03-1097 o CORPORATIONS 18-07-0065 ^ CREATE 14-03-0178 o CULTURALLY 14-08-0092 o CONTINUANCE 17-20-0126 ^ CORPOREAL 18-05-0080 o CREATED 16-09-0062 o CULTURE 13-02-0013 ^ CONTINUE 16-12-0038 o CORPSE 15-06-0027 ^ CREATES 18-05-0204 o CULTURES 16-12-0408 ^ CONTINUED 17-20-0104 o CORPSES 15-06-0112 ^ CREATING 17-01-0406 o CUMULATIVELY 18-07-0221 o CONTINUES 17-03-0656 o CORRECT 17-10-0044 o CREATION 17-03-1232 ^ CUNNING 17-03-1101 o CONTINUING 17-03-0495 o CORRELATIVE 16-11-0011 o CREATOR 17-03-0731 ^ CURATED 18-07-0143 o CONTINUITIES 17-04-0012 ^ CORRESPONDING 16-28-0020 o CREATURE 17-03-1393 ^ CURATOR 17-18-0042 ^ CONTINUUMS 17-10-0033 ^ CORRODING 17-12-0012 o CREATURES 17-03-0366 ^ CURIOSITIES 16-12-0471 ^ CONTORT 16-20-0004 o CORROSIVE 17-03-1430 o CREDIT 18-07-0068 o CURIOSITY 17-03-1087 ^ CONTORTING 18-05-0138 o CORTEX 16-31-0087 ^ CREDITED 18-07-0047 o CURIOUS 17-03-1049 o CONTOURS 16-01-0093 ^ COST 14-08-0070 o CREDITORS 17-19-0105 ^ CURLS 18-05-0038 ^ CONTRACT 17-10-0299 ^ COSTUME 17-16-0022 ^ CREDULITY 17-03-1487 ^ CURRENCIES 17-01-0249 ^ CONTRACTED 17-03-1494 o COTTAGES 17-03-1221 ^ CREEK 17-20-0062 ^ CURRENCY 16-12-0101 ^ CONTRACTIVE 17-10-0312 o COUGH 17-01-0348 ^ CREEPING 17-03-0762 o CURRENT 14-03-0003 o CONTRACTUAL 18-07-0004 o COULD 16-12-0023 x CREVICES 17-10-0232 ^ CURRENTS 16-28-0040 ^ CONTRADICT 17-03-1239 o COUNSEL 17-03-1296 o CREW 15-21-0004 ^ CURSED 17-03-1117 o CONTRADICTIONS 17-10-0197 ^ COUNTER 14-02-0029 ^ CRIES 17-03-0236 ^ CURTAIN 18-07-0253 ^ CONTRADICTORY 17-18-0017 o COUNTER-EFFECTS 14-09-0009 ^ CRIME 14-02-0084 ^ CURTAINS 14-09-0001 ^ CONTRASTS 16-12-0477 o COUNTER-IDEOLOGICAL 16-14-0047 o CRIPPLED 16-18-0023 o CURVE 17-03-1417 ^ CONTRIBUTION 17-19-0009 ^ COUNTER-PRODUCTIVE 17-13-0019 o CRITICALITY 16-07-0023 o CURVED 18-05-0235 o CONTRIBUTIONS 18-07-0117 o COUNTER-PROPOSALS 16-14-0041 ^ CRITIQUE 14-03-0171 o CUSTODIAN 18-06-0065 ^ CONTROL 15-01-0031 ^ COUNTER-SOCIAL 18-05-0168 o CROPPED 16-22-0003 o CUSTODY 18-07-0067 ^ CONTROLLABLE 18-05-0238 o COUNTERACT 14-09-0030 o CROSS 17-03-1110 o CUSTOMARY 17-03-0436 o CONTROLLING 16-14-0052 o COUNTERPART 17-03-0188 ^ CROSS-HATCHINGS 18-03-0008 ^ CUSTOMS 18-07-0232 o CONTROLS 18-05-0015 o COUNTLESS 17-03-0750 o CROSSED 17-03-1411 o CUT 14-08-0001 ^ CONVENTIONAL 16-26-0007 o COUNTRY 17-03-1603 ^ CROSSING 17-04-0017 ^ CUTS 17-15-0005 ^ CONVENTIONS 17-15-0062 ^ COUNTRYSIDE 17-03-0634 ^ CROUCHED 17-03-1547 o CUTTING 18-05-0206 o CONVERGE 17-15-0053 o COUPLING 17-03-0502 o CROWBARS 14-02-0094 ^ CUTTING-EDGE 17-03-0929 o CONVERSATION 13-01-0021 ^ COURAGE 17-03-0275 ^ CROWD 17-03-0912 ^ CYAN 17-18-0040 o CONVERSATIONS 16-12-0416 ^ COURAGEOUS 17-03-0434 o CROWDS 15-10-0058 ^ CYCLES 16-25-0073 o CONVEX 16-09-0003 o COURAGEOUSLY 17-03-1370 o CROWN 17-03-0270 ^ CYCLICAL 18-05-0055 o CONVEY 18-05-0324 o COURSE 15-06-0071 ^ CROWNED 17-03-1637 o CYLINDERS 18-05-0266 ^ CONVEYS 17-10-0269 o COURTESY 17-18-0045 o CROWNS 17-03-1038 ^ CYNICISM 16-07-0027 ^ CONVULSION 17-03-0595 ^ COVER 15-03-0005 ^ CRUCIALLY 17-20-0043 o CYPRESSES 17-03-1237 ^ CONVULSIONS 17-03-0714 ^ COVERED 17-01-0121 o CRUEL 17-03-0343 o D 17-01-0072 x CONVULSIVE 17-03-1566 o COVERING 17-03-1439 o CRUELTIES 17-01-0496 ^ DAD 16-12-0486 ^

SPC_OSP_INT.indd 70 10/30/18 10:59 AM SPC_OSP_INT.indd 71 10/30/18 10:59 AM DAGGER 17-03-0449 ^ DECAY 15-06-0004 ^ DELIVER 13-02-0014 o DESPOTIC 17-15-0097 o DAILY 13-06-0002 o DECAYS 15-06-0070 o DELIVERED 18-07-0114 o DESTABILISATION 17-01-0300 ^ DAISIES 17-03-1266 ^ DECEIT 17-03-0963 ^ DELIVERY 17-19-0125 ^ DESTABILISE 16-25-0077 o DAMAGE 16-26-0013 ^ DECEIVE 17-03-0371 o DELUGE 16-01-0119 ^ DESTINATION 17-19-0084 ^ DAMAGES 16-12-0209 ^ DECEMBER 18-07-0134 o DEMANDS 18-06-0023 o DESTINY 17-03-0318 ^ DAMN 16-12-0448 o DECIBEL 18-05-0262 ^ DEMARCATE 18-05-0068 o DESTROY 14-09-0031 o DAMNED 17-16-0018 o DECIDED 16-12-0187 o DEMARCATING 18-05-0067 o DESTROYED 14-09-0013 o DAMS 15-10-0069 ^ DECIPHER 16-25-0076 o DEMARKING 18-07-0044 o DESTRUCTION 13-03-0007 ^ DANCING 16-12-0318 o DECIPHERING 18-05-0342 o DEMISE 14-08-0004 ^ DESTRUCTIVE 18-05-0218 o DANGER 14-09-0005 ^ DECIPHERMENT 17-15-0099 ^ DEMOLITION 17-03-1595 ^ DETACH 18-05-0044 o DANGEROUS 15-08-0001 o DECISION 17-15-0090 ^ DEMONSTRATE 18-05-0127 o DETACHED 17-01-0196 o DANGLING 17-03-1003 o DECISIONS 17-10-0331 ^ DEMONSTRATION 17-03-0481 ^ DETAIL 17-03-1591 ^ DARE 13-01-0094 o DECK-SWABBER 16-18-0014 ^ DENOTATE 18-05-0070 o DETECTABLE 18-05-0252 o DARED 17-03-1339 o DECLARATION 15-09-0004 ^ DENOTE 18-07-0085 o DETECTED 17-01-0316 o DARING 17-03-1222 o DECLINE 18-05-0271 o DENSER 17-03-0588 o DETECTING 17-01-0415 o DARK 14-04-0037 o DECODE 17-01-0163 o DENSITY 18-05-0088 ^ DETECTION 16-25-0057 ^ DARKENED 16-30-0002 o DECOMPOSE 16-09-0026 o DEPART 16-12-0323 o DETERMINANTS 17-10-0176 ^ DARKNESS 17-01-0029 ^ DECOMPOSED 16-12-0171 o DEPARTING 16-12-0326 o DETERMINE 14-04-0012 o DARKNESSES 17-01-0031 ^ DECOMPOSITION 16-10-0033 ^ DEPARTMENT 17-18-0024 ^ DETERMINED 14-08-0091 o DATA 15-06-0076 ^ DECORATE 18-05-0069 o DEPARTURE 18-07-0150 o DETERMINES 18-03-0038 o DATA-FIELDS 18-03-0017 ^ DECREED 17-10-0082 o DEPENDABLE 17-03-1641 o DETERMINING 16-15-0005 o DATE 15-03-0033 o DEDICATION 18-07-0200 o DEPENDING 18-06-0042 o DETONATIONS 17-12-0040 ^ DAUGHTER 16-12-0007 ^ DEED 17-18-0010 ^ DEPICT 14-03-0172 o DEVELOPED 16-12-0098 o DAUGHTERS 17-03-1600 ^ DEEMS 18-06-0038 o DEPICTING 14-03-0014 o DEVELOPING 17-20-0105 o DAWN 17-03-1631 ^ DEEP 17-03-0246 o DEPICTION 14-03-0160 ^ DEVELOPMENT 17-10-0163 ^ DAY 13-03-0108 ^ DEEPER 17-03-0855 o DEPICTIONS 14-03-0179 ^ DEVELOPS 16-12-0246 o DAYLIGHT 15-10-0081 ^ DEEPEST 17-03-0146 o DEPICTIVE 17-20-0020 o DEVIATIONS 13-03-0012 o DAYS 13-03-0061 ^ DEFAULT 17-19-0100 o DEPRIVE 17-03-1150 o DEVICE 14-03-0081 ^ DAZE 17-03-1187 ^ DEFEAT 17-03-0797 o DEPTH 17-03-0506 ^ DEVICES 18-05-0260 ^ DAZZLING 16-31-0122 o DEFECTS 17-01-0426 ^ DEPTHS 17-03-0908 ^ DEVOIDING 16-18-0009 o DE-ARTICULATE 18-05-0064 o DEFEND 17-03-0728 o DEPUTY 16-12-0104 ^ DEVOUR 17-01-0505 o DE-CIPHERED 18-03-0019 o DEFENDED 17-03-1395 o DERANGEMENTS 17-03-1458 ^ DEVOURING 17-10-0034 ^ DE-COMMUNICATIONAL 17-10-0261 o DEFERRED 17-04-0030 o DESCENDING 17-03-0882 o DEW 17-03-0014 ^ DE-HIERARCHISED 17-20-0089 o DEFINE 13-03-0048 o DESCENT 16-28-0011 ^ DEWS 17-15-0002 ^ DE-HUMANISED 17-10-0244 o DEFINED 17-01-0044 o DESCRIBE 18-07-0075 o DIABOLICAL 16-31-0036 o DE-MYSTIFIES 14-08-0076 o DEFINITION 17-01-0150 ^ DESCRIBED 17-03-0954 o DIAGRAMMATICS 17-20-0057 ^ DE-POPULATED 17-10-0260 o DEFINITIONS 13-01-0032 ^ DESCRIBING 18-05-0200 o DIALECTICAL 18-05-0372 o DE-SKELETONTISED 17-10-0293 o DEFLECTIVITIES 17-01-0090 ^ DESCRIPTION 18-07-0017 ^ DIALECTS 17-12-0013 ^ DEACTIVATED 15-01-0017 o DEFTNESS 17-03-0893 ^ DESCRIPTIONS 16-12-0277 ^ DIALOGICAL 13-01-0010 o DEAD 15-01-0053 o DEFUNCTIONED 18-04-0014 o DESERVED 16-12-0205 o DIALOGICALLY 17-10-0147 o DEADLY 17-03-0379 o DEGREES 15-06-0044 ^ DESERVES 17-03-0652 o DIALOGUE 15-09-0053 ^ DEAF 16-12-0495 o DEIGNED 17-01-0422 o DESIGN 18-03-0058 o DIALOGUES 18-05-0331 ^ DEAFENED 17-03-0259 o DELAYED 16-28-0053 o DESIGNED 16-11-0024 o DIAMOND 17-03-1165 ^ DEAL 17-03-0452 o DELAYING 17-10-0320 o DESIGNS 18-06-0011 o DIARRHOEA 16-01-0032 ^ DEALER 17-19-0020 ^ DELAYS 17-03-1597 ^ DESIRABLE 17-15-0069 o DICE 17-19-0090 ^ DEAR 17-01-0099 o DELIBERATE 18-06-0047 o DESIRE 16-09-0053 o DICTATE 14-02-0062 o DEATH 13-04-0009 ^ DELIBERATELY 18-06-0061 o DESIRED 17-10-0280 o DICTATED 17-01-0310 o DEATH-THROES 17-03-0212 ^ DELICATE 17-03-0887 o DESIRES 14-02-0030 ^ DICTATING 17-01-0320 o DEATHS 17-03-0335 ^ DELICIOUS 17-18-0004 o DESOLATION 16-12-0185 ^ DICTIONARY 17-01-0275 ^ DEBRIS 17-01-0195 ^ DELIGHTFUL 17-01-0464 o DESOLIDIFYING 17-01-0294 o DICTUM 17-20-0065 ^ DECANT 17-03-1481 o DELIGHTS 14-06-0013 o DESPAIR 17-01-0262 ^ DID 14-06-0033 x DECAPITATION 18-05-0341 ^ DELINEATED 15-03-0032 o DESPAIRS 17-10-0360 o DIDACTIC 17-20-0056 o DECAPITATIONS 18-05-0424 ^ DELIRIOUS 17-03-1006 o DESPITE 17-01-0151 x DIDN’T 16-12-0133 x

SPC_OSP_INT.indd 72 10/30/18 10:59 AM SPC_OSP_INT.indd 73 10/30/18 10:59 AM DIE 15-06-0127 o DISCUSS 13-01-0013 o DISTINGUISH 17-03-1646 o DOWN 14-09-0002 o DIED 17-03-0950 o DISCUSSION 16-12-0280 ^ DISTRACTED 13-03-0056 o DOWNSTAIRS 16-12-0452 o DIFFERENCE 17-03-1647 ^ DISCUSSIONS 16-31-0127 ^ DISTRACTION 15-01-0007 ^ DOWNWARDS 17-03-0608 o DIFFERENT 16-12-0267 o DISEMBODYING 18-05-0104 o DISTRAUGHT 17-03-0983 o DOZEN 17-03-1167 o DIFFERENTIATION 17-20-0102 ^ DISFIGURED 17-03-0933 o DISTRESS 16-01-0132 ^ DRAGGED 17-03-0381 o DIFFERING 16-12-0178 o DISGUISING 17-04-0023 o DISTRIBUTABLE 16-14-0030 o DRAGGING 17-03-1355 o DIFFICULTIES 16-12-0252 ^ DISGUST 17-03-0095 o DISTRIBUTED 13-02-0011 o DRAGS 18-05-0406 o DIFFICULTY 17-03-1601 o DISGUSTEDLY 17-03-0683 o DISTRIBUTION 13-03-0023 ^ DRAIN 17-20-0063 ^ DIG 17-03-0555 o DISGUSTING 17-01-0354 o DISTRIBUTIONAL 16-16-0009 o DRAINED 17-04-0038 o DIGESTION 18-05-0135 ^ DISH 17-01-0372 ^ DISTRIBUTIVE 18-05-0161 o DRAMA 17-03-0377 ^ DIGESTIVE 17-01-0142 o DISHARMONY 18-05-0073 ^ DISTRUBUTED 16-28-0016 o DRAPE 18-05-0089 o DIGESTS 18-06-0034 ^ DISINFECTING 13-04-0001 o DISTRUST 17-15-0109 ^ DRAPED 17-15-0044 o DIGGING 13-01-0090 o DISINTEGRATION 15-06-0052 ^ DISTRUSTS 18-05-0343 o DRAWING 17-03-1544 ^ DIGITAL 16-12-0266 o DISINTERESTEDNESS 13-04-0006 ^ DISTURBING 16-12-0050 o DRAWN 16-01-0099 o DIGITALLY 16-12-0223 o DISMANTLE 15-01-0032 o DITCH 16-06-0013 ^ DREADFUL 17-03-0152 o DIGNIFIED 17-03-1463 o DISMANTLED 17-01-0230 o DIVED 17-03-0854 o DREAM 15-05-0007 o DIGNITY 17-03-0474 ^ DISMANTLING 16-09-0061 o DIVERSE 16-12-0207 o DREAMS 15-05-0061 o DILIGENTLY 17-01-0429 o DISOBEYED 17-03-1342 o DIVIDE 17-01-0266 ^ DRESS 17-03-1181 ^ DILUTED 16-28-0058 o DISPARATE 18-05-0197 o DIVINE 17-03-0874 o DRESSED 15-03-0007 o DIMENSIONALITIES 17-10-0066 ^ DISPELLED 16-18-0024 o DIVISIONS 17-01-0407 ^ DRIED 14-06-0036 o DIMENSIONS 17-10-0223 ^ DISPERSAL 17-01-0190 o DIVORCE 16-12-0508 ^ DRIFTING 16-12-0333 o DIMINISH 17-03-0536 o DISPERSE 17-10-0065 o DO 13-01-0015 x DRINK 16-12-0513 ^ DIMMING 17-16-0034 o DISPERSED 15-03-0064 o DOCTOR 17-20-0054 ^ DRINKS 16-12-0017 ^ DIN 14-04-0021 ^ DISPERSING 17-12-0008 o DOCUMENT 17-19-0040 ^ DRIPPING 16-01-0103 o DIP 15-05-0040 ^ DISPLACEMENT 17-20-0068 ^ DOCUMENTARY 16-12-0155 ^ DRIPS 15-10-0024 ^ DIRECTED 17-20-0026 o DISPLAY 13-02-0017 ^ DOCUMENTATION 17-10-0341 ^ DRIVEN 17-03-0107 o DIRECTION 13-04-0005 ^ DISPLAYABLE 18-07-0043 o DOCUMENTED 14-01-0015 o DROP 17-03-1159 o DIRECTIONAL 18-07-0182 o DISPLAYED 16-30-0005 o DOCUMENTS 17-10-0347 ^ DROPOUT 16-12-0129 ^ DIRECTIONS 15-06-0067 ^ DISPOSITION 17-03-1500 ^ DOER 16-12-0140 ^ DROPPED 17-03-0113 o DIRECTLY 17-06-0018 o DISPROPRIATED 17-10-0165 o DOES 13-01-0067 x DROPPING 17-12-0007 o DIRECTOR 14-08-0034 ^ DISREGARD 18-05-0283 o DOESN’T 13-02-0030 x DROPS 16-25-0025 ^ DIRECTORS 14-08-0026 ^ DISRUPT 17-01-0173 o DOG 17-03-0360 ^ DROVE 17-03-1010 o DIRTY 18-07-0195 o DISRUPTION 13-03-0006 ^ DOG-BRAIN 17-03-0576 ^ DROWN 17-03-0124 o DISAPPEAR 14-04-0046 o DISSECT 16-01-0088 o DOG-CARTS 15-10-0039 ^ DROWNED 17-03-0195 o DISAPPEARABLE 17-15-0074 o DISSEMBLE 17-01-0164 o DOGS 14-06-0022 ^ DROWNING 18-05-0344 o DISAPPEARANCE 14-02-0066 ^ DISSEMBLED 18-05-0251 o DOING 16-12-0025 x DROWNINGS 18-05-0425 ^ DISAPPEARED 14-09-0022 o DISSEMINATED 18-07-0020 o DOMAIN 18-05-0154 ^ DRUGGING 17-03-0533 o DISAPPOINTED 17-03-1089 o DISSEMINATION 18-04-0021 ^ DOMESTIC 17-01-0050 o DRUNK 16-06-0001 o DISASSEMBLE 18-05-0066 o DISSIDENCE 18-05-0220 ^ DOMINANT 14-08-0111 o DRUNKENNESS 16-06-0015 ^ DISCARDED 17-01-0124 o DISSIPATE 17-01-0191 o DOMINION 17-01-0286 ^ DRY 15-10-0110 o DISCERNING 17-03-0935 o DISSIPATES 16-25-0072 o DON’T 13-01-0024 x DUAL 18-07-0208 o DISCIPLINE 18-05-0130 ^ DISSIPATION 15-10-0090 ^ DONATED 17-19-0027 o DUALITY 16-18-0010 ^ DISCONTENTED 17-03-1312 o DISSOLUTION 16-10-0044 ^ DONATION 17-19-0078 ^ DUCK 17-03-0416 ^ DISCORD 18-05-0054 ^ DISSOLVE 16-02-0014 o DONATIONS 17-19-0129 ^ DUE 17-15-0083 o DISCOUNT 17-19-0073 o DISSOLVED 14-07-0024 o DONE 16-31-0131 o DUET 18-01-0003 ^ DISCOURAGES 17-10-0098 o DISSOLVES 16-25-0084 o DOOR 14-02-0001 ^ DUG 17-03-0244 o DISCOURSE 13-03-0101 ^ DISSOLVING 17-11-0013 o DOORS 14-02-0022 ^ DULLED 17-03-0333 o DISCOVER 16-01-0014 o DISSONANCE 15-01-0054 ^ DOORWAY 16-30-0001 ^ DUMB 17-03-0674 o DISCOVERED 17-01-0123 o DISTANCE 16-17-0004 ^ DORMANT 18-03-0023 o DUMBLY 17-03-0422 o DISCOVERS 16-11-0030 o DISTANCED 18-05-0050 o DOUBLE 18-05-0094 o DUNES 17-03-0761 ^ DISCURSIVE 14-03-0138 o DISTANCES 14-03-0089 ^ DOUBLE-BARRELED 17-03-0279 o DUNGHILL 17-03-0020 ^ DISCURSIVELY 14-03-0191 o DISTILLED 15-03-0028 o DOUBLY 17-03-0277 o DUPLICATED 15-10-0055 o DISCURSIVITY 16-12-0036 ^ DISTINCTLY 17-03-0226 o DOUBT 17-03-1170 o DURATION 17-10-0028 ^

SPC_OSP_INT.indd 74 10/30/18 10:59 AM SPC_OSP_INT.indd 75 10/30/18 10:59 AM DURATIONAL 15-03-0062 o EFFECT 16-09-0012 ^ EMPTY 14-04-0039 o ENGRAVING 18-05-0160 ^ DURATIONS 17-10-0191 ^ EFFECTING 18-07-0022 o EMULATION 17-20-0010 ^ ENGULFED 17-03-0207 o DURING 14-01-0011 x EFFECTIVELY 17-10-0345 o ENABLER 16-12-0115 ^ ENHANCE 17-10-0187 o DUSK 17-03-1243 ^ EFFECTS 14-09-0004 ^ ENACT 17-01-0271 o ENHANCEMENT 16-09-0038 ^ DÜSSELDORF 13-01-0106 ^ EFFECTUAL 17-01-0098 o ENACTED 15-03-0054 o ENJOY 16-01-0004 o DUST 13-04-0003 ^ EFFORT 17-03-0596 ^ ENACTMENT 16-07-0017 ^ ENJOYED 16-12-0247 o DUST-MITES 16-13-0003 ^ EFFORTS 17-03-0163 ^ ENACTMENTS 17-10-0333 ^ ENJOYMENT 17-03-0332 o DUSTS 17-10-0075 o EGGS 17-03-0403 ^ ENACTOR 18-01-0008 ^ ENLARGE 17-01-0231 o DUSTY 17-03-1316 o EIGHT 17-03-0772 o ENACTORS 17-10-0166 ^ ENLARGES 18-05-0272 o DUTY 17-03-0682 ^ EIGHTEEN 17-03-1102 o ENACTS 17-10-0323 o ENLIST 14-08-0105 o DWELL 17-03-1310 o EIGHTHED 18-05-0176 o ENCAPSULATES 16-31-0114 o ENMESHED 16-25-0056 o DWELLING 18-05-0277 o EITHER 15-02-0023 x ENCAPSULATING 17-20-0032 o ENMITY 17-01-0159 ^ DWELLING-PLACES 17-03-0558 ^ ELAPSED 16-25-0071 o ENCASED 18-05-0259 o ENORMITY 17-03-1559 ^ DWELT 17-03-0085 o ELASTIC 18-05-0263 o ENCASES 17-01-0241 o ENORMOUS 17-03-0015 o DYED 18-05-0196 o ELASTICITY 17-03-1576 ^ ENCHANTMENTS 17-03-1289 ^ ENOUGH 14-04-0045 o DYEING 17-06-0025 o ELBOWS 17-03-0913 ^ ENCIRCLED 17-01-0202 o ENSUES 17-03-0420 o E 16-31-0009 x ELECTRIC 16-25-0004 o ENCLOSURES 18-06-0029 ^ ENSURE 18-05-0006 o EACH 14-03-0114 x ELECTRICAL 18-05-0122 o ENCODE 16-04-0009 o ENSURING 17-20-0123 o EAGERLY 17-03-0440 o ELECTRICITY 17-15-0112 ^ ENCOMPASSED 17-03-0776 o ENTANGLE 17-10-0037 o EAGERNESS 17-03-1379 ^ ELECTROCHEMICAL 16-31-0095 o ENCOUNTERED 17-10-0125 o ENTANGLED 17-03-0392 o EAGLE 17-03-1009 ^ ELECTROCUTE 16-01-0112 o ENCOURAGE 17-10-0233 o ENTANGLEMENT 17-20-0034 ^ EAR 17-03-0037 ^ ELECTRONIC 16-09-0014 o ENCOURAGED 17-03-1406 o ENTER 14-02-0045 o EARLIER 17-20-0060 o ELEMENT 17-01-0444 ^ ENCOURAGES 18-06-0022 o ENTERED 14-02-0010 o EARLY 16-12-0422 o ELEMENTS 14-03-0153 ^ ENCOURAGING 18-05-0016 o ENTERING 14-02-0024 o EARN 17-03-1034 o ELEVATED 15-09-0031 o ENCRUSTED 17-03-0007 o ENTERS 14-05-0002 o EARS 17-01-0167 ^ ELIGIBLE 17-19-0082 o ENCRYPTED 17-11-0002 o ENTICED 17-03-1412 o EARTH 16-01-0070 ^ ELINGUATION 18-04-0004 ^ ENCUMBER 17-19-0108 o ENTIRE 17-19-0120 o EARTHQUAKE 15-17-0007 ^ ELSE 16-12-0363 x END 13-01-0023 o ENTIRELY 16-12-0222 o EASILY 16-12-0076 o ELSEWHERE 16-12-0055 o ENDEAVOURED 16-28-0009 o ENTITIES 15-09-0019 ^ EASY 16-12-0311 o ELUDE 16-24-0008 o ENDEAVOURING 17-03-1454 o ENTITLED 18-07-0148 o EAT 17-01-0186 o EMAIL 18-07-0155 ^ ENDED 16-01-0087 o ENTRAILS 16-01-0046 ^ EATEN 15-17-0010 o EMANCIPATORY 18-05-0274 o ENDGAME 17-20-0120 ^ ENTRANCE 14-02-0008 ^ EATING 16-10-0040 o EMBALM 15-06-0025 o ENDGAMES 15-15-0009 ^ ENTREATIES 17-03-1529 ^ EATS 15-17-0011 ^ EMBALMED 15-06-0063 o ENDLESS 14-03-0008 o ENTREPRENEUR 16-12-0139 ^ EBB 17-03-1543 ^ EMBALMMENT 15-06-0029 ^ ENDLESSLY 16-10-0002 o ENTROPIC 18-06-0066 o EBBING 15-06-0095 o EMBARRASS 16-12-0489 o ENDNOTES 18-04-0022 ^ ENTROPY 13-04-0014 ^ EBBS 15-05-0023 o EMBARRASSING 16-12-0290 o ENDORSE 17-01-0299 o ENTRY 17-01-0409 ^ ECHO 17-01-0208 o EMBEDDED 16-07-0021 o ENDOWED 17-03-0749 o ENTWINE 17-10-0052 o ECHOES 16-04-0008 o EMBODY 14-06-0016 o ENDS 16-12-0282 o ENTWINED 17-03-1014 o ECHOLOCATIONAL 14-04-0031 o EMBOSSED 18-05-0209 o ENEMIES 15-01-0057 ^ ENUCLEATION 18-04-0003 ^ ECONOMIC 17-01-0290 o EMBRACE 17-03-0473 o ENEMY 17-03-0451 ^ ENVELOPED 16-28-0034 o ECONOMICS 18-05-0426 ^ EMBROIDERY 17-06-0005 ^ ENERGY 18-06-0036 ^ ENVELOPING 17-10-0025 o ECSTATIC 16-12-0426 o EMNITY 17-01-0469 ^ ENFORCE 17-06-0049 o ENVELOPS 17-10-0321 o ECSTATICALLY 17-03-0373 o EMOTION 17-03-0430 ^ ENFORCED 17-01-0095 o ENVIRONMENT 17-10-0289 ^ EDDYING 17-03-0198 o EMOTIONAL 16-12-0066 o ENFORCING 17-01-0417 o ENVISION 18-05-0057 o EDGE 18-05-0232 ^ EMOTIONS 13-01-0072 ^ ENGAGE 14-03-0013 o EPHEMERA 17-03-1269 ^ EDGES 17-01-0007 ^ EMPATHY 18-06-0068 ^ ENGAGED 16-01-0123 o EPHEMERAL 18-05-0146 o EDITED 17-01-0317 o EMPHASIS 14-03-0052 ^ ENGAGEMENT 17-10-0251 ^ EPIDERMIS 17-03-1402 ^ EDITING 14-03-0027 o EMPIRE 18-07-0248 o ENGAGEMENTS 17-10-0090 ^ EPOCH 16-01-0003 ^ EDITION 18-01-0005 ^ EMPIRICAL 17-01-0434 o ENGAGES 17-10-0106 o EQUAL 15-09-0040 o EDITIONS 16-12-0110 ^ EMPLOYED 18-05-0126 o ENGAGING 17-10-0340 o EQUALISATION 15-09-0043 ^ EDITOR 14-03-0051 ^ EMPLOYS 17-10-0153 o ENGLISH 15-03-0016 o EQUALLY 17-20-0098 o EDITS 17-10-0203 o EMPTINESS 15-17-0019 o ENGRAVED 18-07-0205 o EQUANIMITY 15-10-0094 ^

SPC_OSP_INT.indd 76 10/30/18 10:59 AM SPC_OSP_INT.indd 77 10/30/18 10:59 AM EQUILIBRIUM 17-01-0183 ^ EVENING 16-01-0072 o EXHAUST 17-15-0056 o EXTERMINATE 17-01-0058 o EQUIPMENT 16-12-0228 ^ EVENINGS 16-12-0233 ^ EXHIBITABLE 17-21-0012 o EXTERNAL 16-14-0036 o EQUIPPED 17-20-0085 o EVENLY 17-19-0079 o EXHIBITED 14-03-0186 o EXTERNALISED 17-01-0272 o ERA 16-12-0265 ^ EVENT 17-03-1476 ^ EXHIBITING 18-07-0057 o EXTERNALLY 16-14-0050 o ERADICATE 15-01-0058 o EVENT-BASED 16-09-0049 o EXHIBITION 14-03-0002 ^ EXTINCTED 16-18-0022 o ERADICATED 15-08-0004 o EVENTS 14-06-0010 ^ EXHIBITIONS 16-12-0033 ^ EXTINGUISHED 14-09-0006 o ERASE 15-05-0027 o EVENTUALLY 15-06-0054 o EXILED 17-01-0118 o EXTRA-FUNCTIONAL 18-05-0125 o ERASED 15-01-0043 o EVER 16-01-0153 x EXIST 14-03-0159 o EXTRACT 17-03-0545 o ERASURE 17-04-0014 ^ EVER-CHANGING 17-10-0288 o EXISTED 17-10-0353 o EXTRACTS 17-03-0767 o ERODE 16-11-0015 o EVER-RECEDING 16-09-0023 o EXISTENCE 13-06-0003 ^ EXTRANEOUS 14-09-0003 o ERODED 17-01-0490 o EVER-RENEWED 18-05-0185 o EXISTING 14-03-0110 o EXTRAPOLATED 17-10-0039 o ERODES 17-01-0115 o EVERMORE 17-03-1015 o EXISTS 15-02-0024 o EXTRAPOLATIONS 17-10-0117 ^ ERODING 16-24-0004 o EVERY 13-01-0074 o EXIT 18-05-0371 ^ EXTREME 16-12-0336 o EROSION 16-02-0025 ^ EVERYBODY 13-03-0042 ^ EXITED 18-07-0126 o EXTREMELY 16-12-0056 o EROTICS 18-05-0339 ^ EVERYDAY 15-09-0001 o EXITS 18-05-0273 o EYE 16-01-0138 ^ ERRANCIES 17-01-0084 ^ EVERYONE 16-12-0473 x EXPAND 17-10-0298 o EYELID 18-05-0387 ^ ERRANCY 16-10-0046 ^ EVERYTHING 14-08-0014 x EXPANDS 17-01-0122 o EYELIDS 17-03-0079 ^ ERRANT 17-01-0073 o EVERYWHERE 13-03-0091 o EXPANSIONISM 16-12-0343 ^ EYES 15-06-0099 ^ ERROR 17-12-0034 ^ EVICTION 17-20-0061 ^ EXPANSIONIST 16-07-0026 o F 18-04-0008 x ERRORS 17-01-0209 ^ EVIDENTIARY 17-20-0080 o EXPANSIVE 17-10-0313 o FABRICS 17-06-0010 ^ ESCAPE 16-01-0095 o EVIDENTLY 16-21-0006 o EXPECT 14-08-0024 o FACADE 15-17-0002 ^ ESCAPED 17-03-1447 o EVIL 17-03-0461 o EXPECTATIONS 13-01-0085 ^ FACE 17-03-0077 ^ ESCHEWS 17-20-0090 o EVILDOERS 17-03-0988 ^ EXPECTED 16-31-0015 o FACES 16-31-0064 o ESPECIALLY 17-03-0702 o EVINCING 17-10-0015 o EXPECTS 17-03-0947 o FACIAL 18-05-0139 o ESPRESSO 16-12-0093 ^ EVOLVED 17-20-0087 o EXPENSE 17-19-0053 ^ FACILITATE 16-09-0039 o ESSAY 18-07-0146 o EXACTLY 16-12-0355 o EXPENSES 17-19-0063 ^ FACILITATED 18-05-0025 o ESSEN 18-07-0153 ^ EXAGGERATIONS 17-03-1586 ^ EXPERIENCE 17-03-0894 ^ FACILITATING 16-14-0038 o ESSENCE 14-08-0114 ^ EXAMINATION 16-09-0057 ^ EXPERIENCED 17-10-0330 o FACILITATOR 17-15-0052 ^ ESSENTIALLY 17-10-0069 o EXAMINATIONS 16-09-0045 ^ EXPERIENCING 17-03-0210 o FACILITATORS 17-13-0014 ^ ESTATE 17-19-0052 ^ EXAMINE 16-09-0041 o EXPIATORY 17-03-1022 o FACING 18-07-0260 o ESTATES 18-07-0064 ^ EXAMINED 16-21-0007 o EXPLAIN 13-03-0052 o FACT 16-12-0381 ^ ESTIMATE 16-12-0418 o EXAMPLE 16-12-0067 ^ EXPLAINED 16-31-0011 o FACTORS 17-10-0130 ^ ESTRANGEMENT 18-05-0007 ^ EXAMPLES 18-05-0318 ^ EXPLANATION 13-03-0055 ^ FACTORY 18-05-0427 ^ ETC. 17-01-0091 x EXCAVATED 18-03-0043 o EXPLICIT 18-05-0076 o FACTS 16-14-0013 ^ ETERNAL 17-03-1148 o EXCELLENCE 17-20-0008 o EXPLICITLY 14-02-0032 o FADE 16-02-0001 o ETERNALITY 17-20-0118 ^ EXCEPT 17-03-0960 x EXPLODED 17-01-0110 o FAIL 17-01-0462 o ETERNALLY 17-03-1491 o EXCEPTING 17-06-0017 o EXPLOIT 14-08-0100 o FAILED 17-03-1064 o ETERNITY 17-03-0737 ^ EXCEPTION 17-03-0917 o EXPLOITATION 13-01-0099 ^ FAILURE 14-06-0015 ^ ETHER 17-03-0668 ^ EXCESS 15-10-0089 ^ EXPLOITING 18-05-0295 o FAINT 17-02-0020 o ETHEREAL 17-03-1515 o EXCESSIVELY 16-12-0202 o EXPLOSIONS 16-01-0142 ^ FAINTLY 16-28-0017 o ETYMOLOGIES 17-10-0200 ^ EXCHANGE 16-25-0008 o EXPORTATION 17-06-0012 ^ FAIR 17-19-0087 o EUNUCH 17-03-1394 ^ EXCLAIMED 17-03-1263 o EXPOSED 16-31-0108 o FALL 14-08-0044 ^ EUROPE 16-12-0339 ^ EXCLUDE 16-25-0053 o EXPRESS 17-06-0019 o FALLACY 18-05-0048 ^ EUROPEAN 18-07-0191 o EXCLUSION 17-01-0260 ^ EXPRESSED 16-12-0272 o FALLEN 15-10-0025 o EUROS 16-12-0221 ^ EXCLUSIVE 18-07-0031 o EXPRESSION 18-05-0124 ^ FALLING 17-03-0896 o EVADE 17-01-0092 o EXCLUSIVELY 18-07-0015 o EXPRESSIVE 17-15-0034 o FALLS 17-03-0599 o EVADED 16-28-0052 o EXCRETING 18-06-0037 o EXPRESSIVENESS 18-05-0140 ^ FALSE 14-08-0077 o EVADING 17-01-0066 o EXCUSES 17-03-0364 ^ EXPULSION 16-18-0021 ^ FALSITIES 14-08-0063 ^ EVAPORATE 15-10-0008 o EXECUTION 17-03-1327 ^ EXPUNGED 15-06-0107 o FALTERING 16-07-0019 o EVAPORATED 17-04-0027 o EXECUTIONER 17-03-0902 ^ EXTEND 18-07-0070 o FAME 17-03-0925 ^ EVAPORATING 17-01-0398 o EXECUTOR 17-03-0890 ^ EXTENDED 18-07-0060 o FAMILY 17-01-0043 ^ EVASION 17-01-0160 o EXERTING 17-03-0071 o EXTENSIONS 18-05-0157 ^ FANATICAL 17-03-1086 o EVEN 15-10-0019 o EXHALATIONS 17-03-0492 ^ EXTERIOR 17-01-0312 o FANTASIES 17-10-0159 ^

SPC_OSP_INT.indd 78 10/30/18 10:59 AM SPC_OSP_INT.indd 79 10/30/18 10:59 AM FANTASY 15-10-0109 ^ FEWER 17-13-0018 o FIRING 17-03-0203 o FLOWS 15-05-0024 o FAR 17-03-0171 o FIBRE 17-10-0029 ^ FIRM 16-12-0148 o FLU 14-06-0030 ^ FARADAY 15-10-0105 ^ FIBRES 17-06-0028 ^ FIRMAMENT 17-03-0870 ^ FLUCTUATE 17-01-0497 ^ FASCINATES 16-12-0483 o FICTION 14-08-0075 ^ FIRMLY 17-03-0601 o FLUCTUATING 16-23-0011 o FASCIST 16-12-0183 ^ FICTIONAL 14-01-0022 o FIRMS 18-05-0423 ^ FLUCTUATIONS 16-16-0017 ^ FASHIONABLE 17-03-1615 ^ FICTIONALIZED 18-07-0196 o FIRST 15-16-0001 o FLUIDS 17-10-0327 ^ FASTENED 16-26-0028 o FICTIONS 13-03-0069 ^ FISHES 17-03-0173 ^ FLUNG 17-03-1264 o FASTER 17-03-0976 o FICTIVE 15-01-0039 o FISSURE 15-10-0068 ^ FLURRY 17-03-1537 o FAT 16-12-0167 o FICTIVELY 16-14-0054 o FISSURES 17-04-0011 ^ FLUTTERING 17-01-0371 o FATALITY 17-03-1100 ^ FIELD 13-03-0011 ^ FIT 17-03-0828 o FLY 17-03-0978 ^ FATALLY 17-03-0426 o FIELDS 16-09-0048 ^ FITS 17-03-0354 o FLYING 15-10-0080 o FATE 17-03-0158 ^ FIFTEEN 16-12-0294 o FIVE 17-03-1380 o FOAM 16-31-0130 ^ FATES 17-15-0058 ^ FIGHT 15-01-0041 ^ FIX 16-31-0091 o FOAMING 17-03-0139 o FATHER 16-12-0492 o FIGHTING 14-07-0015 o FIXED 17-01-0178 o FOCAL 18-07-0001 o FATHERLY 17-03-1284 o FIGURATIONS 16-11-0003 ^ FIXING 18-04-0016 o FOCUS 16-09-0008 ^ FAULT 15-10-0047 o FIGURATIVE 16-14-0007 o FLAILING 17-03-0412 o FOCUSED 17-01-0463 o FAVOUR 15-01-0030 o FIGURE 16-14-0001 ^ FLAME 17-03-0709 ^ FOCUSSED 14-03-0021 o FAVOURITE 16-12-0511 o FIGURES 15-01-0050 ^ FLAMES 17-15-0045 ^ FODDER 17-03-0529 ^ FEAR 17-03-0218 ^ FILL 17-01-0204 o FLASH 17-03-1088 ^ FOGGED 16-16-0023 o FEAR-STRICKEN 17-03-0237 o FILLED 17-01-0117 o FLASHED 17-03-1565 o FOGS 16-25-0033 o FEARED 17-03-0781 o FILLING 14-07-0006 o FLASHES 17-03-0123 ^ FOIL 15-10-0044 ^ FEARING 17-15-0040 o FILLS 17-03-0509 o FLASHY 15-01-0008 o FOILED 17-03-1388 o FEARS 17-03-0800 o FILM 13-01-0075 ^ FLAT 17-03-0752 o FOLDED 18-05-0164 o FEARSOME 17-03-0356 o FILMED 14-05-0004 o FLATTENED 18-05-0191 o FOLDERS 15-10-0054 ^ FEATHERS 17-03-1538 ^ FILMIC 18-07-0119 o FLAYED 16-16-0025 o FOLDING 16-20-0006 o FEATURES 17-03-0076 o FILMMAKERS 14-08-0052 ^ FLAYING 17-01-0021 o FOLIO 17-03-1472 ^ FEBRUARY 15-03-0051 o FILMS 13-02-0019 ^ FLED 16-12-0181 o FOLLICLES 18-05-0376 ^ FECUNDATION 17-03-0518 ^ FILTER 17-02-0015 o FLEECE 18-05-0207 ^ FOLLOW 17-03-0431 o FED 17-01-0386 o FILTERS 16-07-0018 o FLEEING 17-03-1360 o FOLLOWED 17-03-0213 o FEE 18-07-0028 ^ FILTHY 17-03-0002 o FLEETING 17-03-1509 o FOLLOWING 14-08-0087 o FEEBLE 17-03-0572 o FINAL 15-06-0019 o FLEETINGNESS 18-05-0010 ^ FOLLOWS 17-03-0480 o FEED 17-03-0964 o FINALLY 15-06-0061 o FLEMISH 15-03-0017 o FOLLY 18-05-0032 ^ FEEDING 16-01-0127 o FINANCE 16-12-0229 ^ FLESH 16-23-0033 ^ FONDS 18-04-0015 o FEEL 15-05-0038 o FINANCIAL 16-12-0150 o FLESHY 17-03-1414 o FOOT 15-10-0035 ^ FEELING 16-31-0105 ^ FINANCIALLY 16-12-0504 o FLICKER 17-12-0016 o FOOTAGE 14-03-0074 ^ FEELINGS 17-18-0018 ^ FIND 13-01-0086 o FLICKING 18-05-0388 o FOOTNOTE 18-07-0242 ^ FEELS 17-03-0579 o FINDS 17-10-0309 o FLICKS 18-05-0037 ^ FOR 13-01-0003 x FEET 17-01-0362 ^ FINE 16-12-0161 o FLIES 16-06-0021 ^ FORBIDDEN 15-21-0008 o FELL 17-03-0363 o FINGER 16-12-0498 ^ FLIGHT 13-02-0024 o FORCE 16-09-0007 o FELLED 17-01-0116 o FINGERNAILS 17-10-0009 ^ FLING 17-03-0444 ^ FORCED 15-05-0037 o FELLOWS 17-03-0921 ^ FINGERPRINT 16-16-0019 ^ FLOAT 17-10-0283 ^ FORCEFUL 17-03-0863 o FELT 17-01-0240 o FINGERPRINTS 16-25-0047 ^ FLOATING 16-25-0015 o FORCES 14-09-0032 ^ FEMALE 17-03-0413 o FINGERS 17-01-0019 ^ FLOCK 17-03-0160 o FORCIBLY 17-01-0226 o FEMINIST 18-07-0122 o FINGERTIPS 16-31-0077 ^ FLOOD 17-03-0137 ^ FORCING 17-03-0398 o FERMENTED 14-07-0026 o FINISHING 17-03-0166 o FLOODS 15-10-0071 o FORE 17-01-0232 o FEROCITY 17-03-0458 ^ FINISSAGE 18-07-0161 o FLOOR 16-07-0014 ^ FOREBEARERS 15-01-0055 ^ FERTILE 15-06-0114 o FINITE 14-03-0095 o FLOORBOARD 17-01-0330 ^ FORECAST 18-07-0249 o FERVIDLY 17-10-0286 o FINITISING 18-06-0030 o FLOORBOARDS 17-01-0292 ^ FORECASTINGS 17-15-0108 ^ FEST 18-07-0190 o FINITUDES 16-28-0014 ^ FLOUT 17-03-0201 o FOREHEAD 16-31-0026 ^ FESTIVAL 15-16-0002 ^ FINS 17-03-0397 ^ FLOW 16-01-0113 o FOREST 16-01-0116 ^ FESTIVALS 18-07-0169 o FIRE 13-03-0114 ^ FLOWED 17-03-1333 o FOREVER 14-03-0039 o FETCH 17-03-0278 o FIRED 16-01-0133 o FLOWERS 17-03-0061 ^ FORFEIT 14-05-0006 o FEW 16-12-0453 o FIRES 17-03-0143 ^ FLOWING 17-03-0934 o FORFEITURE 17-06-0044 ^

SPC_OSP_INT.indd 80 10/30/18 10:59 AM SPC_OSP_INT.indd 81 10/30/18 10:59 AM FORGED 17-01-0227 o FRANCE 18-07-0262 ^ FUZZY 17-01-0355 o GESTICULATED 18-05-0182 o FORGET 16-12-0512 o FRANCHISE 16-12-0242 ^ GAGGING 18-05-0385 o GESTURAL 16-14-0046 o FORGETTING 14-02-0065 o FRANTICALLY 17-03-0290 o GAILY 17-03-1109 o GESTURE 14-04-0010 ^ FORGIVE 17-03-0999 o FREE 14-02-0081 o GAIN 14-08-0056 o GESTURES 14-04-0017 ^ FORGOTTEN 17-03-0732 o FREED 17-03-1012 o GAINING 17-01-0192 o GET 15-06-0098 x FORKS 17-16-0026 ^ FREEDOM 13-01-0066 ^ GAINS 17-01-0305 o GETS 17-03-0427 o FORM 13-03-0081 ^ FRENCH 15-03-0018 o GAIT 17-03-1094 ^ GETTING 17-03-0779 o FORMAL 18-05-0087 o FRENZIED 17-03-1004 o GALLERIES 17-03-0554 ^ GHASTLY 17-03-0501 o FORMALISED 18-05-0150 o FREQUENCIES 17-01-0034 ^ GALLERY 15-09-0009 ^ GHOST 15-10-0096 ^ FORMAT 16-12-0244 o FREQUENCY 18-05-0109 ^ GAME 15-01-0011 ^ GIANTS 17-03-0273 ^ FORMATION 17-03-0552 ^ FRESH 16-02-0020 o GAME-MASTER 17-20-0121 ^ GILLS 17-03-0439 ^ FORMATIONS 15-09-0052 ^ FRESHNESS 17-03-1580 ^ GAMES 17-20-0110 ^ GIN 17-03-1197 ^ FORMATS 16-12-0029 o FRIEND 17-03-1642 ^ GAP 18-05-0051 ^ GIRL 17-03-0532 ^ FORMED 16-10-0026 o FRIENDS 16-12-0016 ^ GARDEN 17-03-1450 ^ GIRLS 17-03-0889 ^ FORMER 14-03-0104 o FRIENDSHIP 17-03-0065 ^ GARLAND 17-03-1213 ^ GIVE 16-01-0135 o FORMING 17-01-0212 o FRIGHTEN 17-03-1161 o GARLANDS 17-03-1021 ^ GIVEN 14-03-0076 o FORMLESS 14-04-0041 o FRISSON 18-05-0205 ^ GARMENT 17-03-0380 ^ GIVENS 17-01-0295 o FORMLESSNESS 15-06-0053 o FROGS 17-03-1299 ^ GARMENTS 17-03-1429 ^ GIVES 16-01-0030 o FORMNESSES 17-10-0076 ^ FROM 14-08-0123 x GAS 15-10-0014 ^ GIVING 16-18-0008 o FORMS 15-01-0025 o FRONT 16-12-0491 o GASEOUS 16-25-0054 o GLAD 17-03-1272 o FORMULATE 14-09-0025 o FROSTING 15-05-0042 o GASHED 17-03-0306 o GLANCE 17-03-1315 ^ FORMULATED 16-12-0433 o FROWNING 17-03-1133 o GASOLINE 15-10-0032 ^ GLANDS 18-05-0239 ^ FORMULATION 17-10-0042 ^ FROZEN 16-01-0101 o GASPS 16-28-0008 ^ GLASS 16-25-0023 ^ FORMULATIONS 16-09-0064 ^ FRUITFULLY 17-03-1474 o GASSES 15-06-0110 ^ GLAUCOUS 17-03-0491 o FORNICATION 18-05-0141 ^ FRUITLESS 17-03-0789 o GATE 18-07-0123 ^ GLEAMING 17-03-0754 o FORTH 17-10-0254 o FRUSTRATING 17-03-1260 o GATES 16-25-0087 ^ GLEANED 18-03-0025 o FORTHCOMING 15-03-0013 o FUCK 17-01-0336 o GATHERED 16-01-0105 o GLEANING 17-05-0006 o FORTNIGHT 17-03-0941 o FUCKING 16-11-0018 o GATHERING 15-06-0077 ^ GLIDE 17-03-0463 o FORTRESS 17-01-0244 ^ FULFIL 18-06-0006 o GATHERS 18-05-0414 o GLIMPSES 17-03-1190 ^ FORTUNATELY 14-07-0018 o FULGURATIONS 17-03-0676 ^ GAVE 17-03-0468 o GLOBULES 17-03-0784 ^ FORTUNE 17-01-0359 ^ FULL 17-01-0302 o GAZES 16-20-0002 ^ GLOOMY 17-03-0673 o FORTY 17-03-0504 o FULLY 18-05-0043 o GELATIN 17-01-0054 ^ GLOSS 16-07-0012 ^ FORWARD 17-03-1186 o FUMBLED 16-12-0086 o GELATINOUS 16-28-0035 o GLOVE 17-16-0002 ^ FORWARDING 17-10-0111 o FUNCTION 13-03-0070 o GENERAL 14-03-0001 o GLUED 18-05-0333 o FOUL 17-03-0507 o FUNCTIONARIES 17-10-0158 ^ GENERATED 16-12-0230 o GLUTTED 16-26-0009 o FOUND 14-02-0099 o FUNCTIONING 16-01-0034 o GENERATING 18-05-0133 o GNARL 18-05-0383 o FOUNDATIONS 17-03-0126 ^ FUNCTIONLESS 17-10-0258 o GENERATION 16-11-0023 ^ GNAW 17-03-1492 o FOUNDED 15-09-0047 o FUNCTIONS 16-01-0007 o GENERATIONS 17-03-0535 ^ GNAWING 17-03-0843 o FOUNTAIN 14-08-0082 ^ FUNNILY 16-12-0114 o GENEROSITY 17-21-0013 ^ GO 16-12-0507 o FOUR 15-03-0029 o FURIOUS 17-03-0990 o GENEROUS 17-03-1127 o GOAL 14-03-0029 ^ FOURTH 17-19-0028 o FURIOUSLY 17-03-0117 o GENIUS 17-03-1530 o GOATS 17-04-0020 ^ FOX 17-03-0701 ^ FURNITURE 17-03-1383 ^ GENRES 17-20-0003 ^ GOD 16-31-0099 ^ FRAGILE 16-25-0046 o FURS 17-01-0004 ^ GENTLE 17-03-1027 o GODS 15-06-0090 ^ FRAGILITIES 17-01-0492 ^ FURTHER 16-12-0462 o GENTLY 17-01-0136 o GOES 16-12-0466 o FRAGMENT 17-03-0587 ^ FURTHERMORE 16-14-0039 o GENUINE 17-03-0984 o GOING 16-12-0009 o FRAGMENTARILY 18-05-0012 o FURTHEST 17-03-0690 o GEOGRAPHIC 16-10-0047 o GOLD 16-12-0078 ^ FRAGMENTS 17-07-0005 ^ FURTIVE 17-03-0648 o GEOGRAPHIES 17-04-0024 ^ GOLDEN 16-12-0480 o FRAME 15-03-0060 ^ FURY 17-03-0288 ^ GERANIUMS 17-03-1216 ^ GOLF 17-16-0024 ^ FRAMES 17-10-0291 o FUSED 17-03-1016 o GERMAN 16-12-0120 o GONE 13-02-0003 o FRAMEWORK 16-26-0027 ^ FUSION 15-06-0007 ^ GERMANY 17-19-0008 ^ GONNA 15-05-0011 x FRAMEWORKS 14-01-0025 ^ FUTILE 17-01-0392 o GERMINATE 17-20-0074 o GOOD 15-05-0032 o FRAMING 17-18-0033 o FUTURE 15-06-0033 o GERMS 17-03-0768 ^ GOODBYE 17-03-1288 o FRAMINGS 16-14-0032 ^ FUTURES 16-11-0028 ^ GESTICULAR 18-05-0129 o GOODNESS 17-03-0083 ^

SPC_OSP_INT.indd 82 10/30/18 10:59 AM SPC_OSP_INT.indd 83 10/30/18 10:59 AM GOOGLE 16-12-0041 ^ GRIDS 18-07-0130 ^ HAND 16-12-0493 ^ HEIGHTENED 18-07-0076 o GOSSIP 16-12-0469 ^ GRIEF-RIDDEN 17-03-1635 o HANDBOOKS 18-07-0173 ^ HEIGHTENING 18-01-0011 o GOT 15-05-0052 x GRIM 17-03-0654 o HANDKERCHIEF 17-03-1611 ^ HELD 16-25-0078 o GOUGING 16-01-0141 o GRIME 14-08-0041 ^ HANDLE-BOTTOM 18-05-0212 ^ HELL 16-31-0037 ^ GOVERN 16-01-0040 o GRIND 16-06-0005 o HANDS 16-25-0079 ^ HELLO 16-12-0015 o GOVERNABLE 17-15-0070 o GRINDING 17-01-0394 o HANDWRITTEN 18-07-0135 o HELP 17-01-0381 o GOVERNED 17-19-0122 o GROANS 17-03-0227 ^ HANG 15-03-0059 o HELPED 17-03-1461 o GOVERNING 17-12-0003 o GROOVES 17-03-0905 ^ HANGING 17-03-1357 o HELPFUL 16-12-0396 o GRABBED 17-01-0321 o GROUND 13-01-0087 ^ HANNOVER 17-19-0007 ^ HER 16-01-0150 x GRACE 17-03-1073 ^ GROUND-FLOOR 17-03-0387 o HAPHAZARDLY 17-03-1091 o HERE 13-03-0107 o GRACEFUL 17-03-1285 o GROUNDS 17-15-0048 ^ HAPPEN 16-06-0009 o HEREBY 15-09-0006 x GRACIOUS 17-03-0168 o GROUP 17-01-0401 ^ HAPPENED 17-10-0027 o HEREINAFTER 17-19-0033 o GRADUALLY 17-03-0106 o GROUPED 18-05-0268 o HAPPENING 16-12-0317 o HERETO 17-19-0121 o GRAIN 17-15-0066 ^ GROUPINGS 18-05-0171 ^ HAPPENS 16-12-0279 o HEREUNDER 17-19-0041 o GRAINS 17-03-0613 ^ GROUPS 15-03-0030 ^ HAPPINESS 17-03-1031 ^ HEREWITH 17-19-0111 o GRAMMAR 14-02-0098 ^ GROUSE 17-03-1292 ^ HAPPY 17-01-0340 o HERMETIC 17-01-0041 o GRAMMARS 17-15-0118 ^ GROUT 17-01-0334 ^ HARD 17-01-0235 o HERO 17-03-1036 ^ GRANITE 17-03-0872 ^ GROW 15-06-0016 o HARDENED 17-03-0334 o HERON 17-03-0845 ^ GRANTED 17-03-1207 o GROWING 15-01-0048 o HARDLY 16-12-0064 o HERSELF 16-22-0002 x GRANTS 18-07-0013 o GROWN 17-03-0814 o HARK 14-04-0001 o HI 16-12-0287 o GRANULAR 18-05-0345 o GROWS 17-01-0452 o HARMFUL 17-03-0769 o HID 17-03-0746 o GRANULES 15-06-0097 ^ GROWTH 17-01-0264 ^ HARMONY 15-05-0018 ^ HIDDEN 17-01-0382 o GRAPHIC 18-05-0284 o GUARANTEE 18-07-0101 o HARROWING 17-03-1588 o HIDE 14-08-0058 o GRAPHITE-CLAY 18-05-0305 ^ GUARD 17-03-0809 ^ HARSH 17-03-1328 o HIDEOUS 16-10-0034 o GRASP 17-01-0368 o GUARDS 17-03-1408 o HAS 14-02-0086 x HIDES 18-05-0400 o GRASPING 17-01-0220 o GUIDE 17-03-1152 ^ HATE 17-01-0323 o HIDING 17-01-0483 o GRASS 16-31-0084 ^ GUIDES 17-11-0003 o HATRED 17-03-0255 ^ HIDING-PLACE 16-31-0065 ^ GRASSES 18-05-0390 ^ GUIDING 18-05-0290 o HAUNT 16-25-0083 o HIERARCHY 16-12-0350 ^ GRATED 18-05-0316 o GUILLOTINE 17-03-0885 ^ HAUNTING 13-02-0034 o HIGH 16-12-0370 o GRATEFUL 18-07-0264 o GUILTY 17-03-1123 o HAVE 13-01-0047 x HIGHER 16-07-0030 o GRATES 17-01-0489 o GULFS 17-03-0851 ^ HAVEN’T 16-12-0365 x HIM 16-01-0031 x GRATIFYING 17-03-1349 o GULLS 16-28-0047 ^ HAVING 17-01-0085 x HIMSELF 16-12-0189 x GRATITUDE 17-03-0475 ^ GULP 17-01-0352 ^ HAVOC 17-03-0350 ^ HIS 16-01-0018 x GRAVE 17-03-0503 ^ GUNPOWDER 17-03-0598 ^ HAYSTACK 18-03-0006 ^ HISTORICAL 16-09-0032 o GRAVE-LIDS 17-03-1245 ^ GUST 17-01-0010 ^ HAZE 17-03-1191 ^ HISTORIES 16-28-0037 ^ GRAVEL 17-03-0556 ^ GUT 17-01-0385 ^ HE 16-01-0022 x HISTORIOGRAPHY 16-12-0470 ^ GRAVES 17-03-1234 ^ GUTS 17-03-1373 ^ HEAD 13-03-0028 ^ HISTORY 15-05-0019 ^ GRAVITATIONAL 17-01-0215 o GUTTED 17-03-1375 o HEADS 17-01-0162 ^ HIT 17-03-0881 o GRAVITY 16-17-0007 ^ GUTTERS 16-01-0106 ^ HEAL 17-01-0141 o HOGS 17-03-0005 o GRAZE 17-03-1521 o GUY 16-12-0113 ^ HEAR 14-04-0030 o HOLD 16-12-0198 o GREASE 16-25-0037 ^ GYMNASTICS 17-03-1453 ^ HEARD 15-05-0029 o HOLDING 17-03-0062 o GREASY 17-16-0013 o HABIT 17-03-0098 ^ HEARS 17-03-0717 o HOLDS 17-18-0022 o GREAT 16-10-0030 o HABITUAL 18-05-0026 o HEART 17-03-0030 ^ HOLE 17-01-0120 ^ GREATER 18-05-0083 o HACKED 14-08-0125 o HEAT 16-25-0005 ^ HOLES 17-01-0102 ^ GREATEST 15-02-0030 o HAD 16-01-0154 x HEAVEN 17-03-0209 ^ HOLLOW 17-01-0114 o GREEDY 17-03-1141 o HADN’T 17-18-0011 x HEAVIER 17-13-0021 o HOLLOWS 17-01-0203 o GREEK 16-12-0342 o HAGGARD 17-03-0358 o HEAVILY 17-03-1437 o HOLOCAUST 17-03-1023 ^ GREEN 16-31-0081 o HAIL 17-01-0457 o HEAVING 17-03-0399 o HOME 13-03-0094 ^ GREENFINCHES 17-03-1293 ^ HAIR 17-03-0289 ^ HEAVY 16-12-0305 o HOMELESS 13-03-0082 o GREET 14-07-0022 o HAIRS 17-04-0006 ^ HEDGEHOGS 17-03-1398 ^ HOMOGENEOUS 17-01-0400 o GREW 17-03-1209 o HALF 17-03-0199 o HEELS 17-03-1532 ^ HONEST 16-12-0373 o GREY 16-31-0053 o HALVING 18-05-0216 o HEIGHT 16-07-0011 ^ HONESTLY 16-12-0362 o GREY-BLACK 17-12-0030 o HAMMER 17-03-1593 ^ HEIGHTEN 17-10-0184 o HONEY 16-12-0288 ^

SPC_OSP_INT.indd 84 10/30/18 10:59 AM SPC_OSP_INT.indd 85 10/30/18 10:59 AM HOOTS 17-03-0622 o HYPNOTIC 16-31-0123 o IMAGINED 17-03-1513 o IMPROBABLE 17-15-0079 o HOPE 15-06-0081 o HYPOTHESES 17-10-0040 ^ IMAGINING 17-10-0107 o IMPROVISE 18-06-0018 o HOPEFUL 17-10-0102 o HYPOTHESIS 17-03-1124 ^ IMITATION 17-03-0928 o IMPROVISING 15-10-0061 o HOPEFULLY 16-12-0037 o HYPOTHETICAL 14-04-0016 o IMMATERIAL 16-01-0145 o IMPULSE 13-03-0053 ^ HORIZON 16-23-0003 ^ I 13-03-0018 x IMMEASURABLE 17-03-1496 o IMPULSES 17-15-0110 ^ HORIZONS 17-04-0015 ^ I.E. 14-03-0020 x IMMEDIATE 18-07-0120 o IMPUNITY 17-01-0224 ^ HORIZONTAL 15-06-0037 o I’M 15-05-0015 x IMMEDIATELY 15-21-0011 o IMPURE 17-03-1311 o HORIZONTALITIES 17-01-0214 ^ I’D 16-12-0075 x IMMENSE 17-01-0198 o IN 13-01-0009 x HORRIBLE 17-03-1119 o I’LL 16-31-0119 x IMMINENT 17-03-0283 o IN SITU 17-10-0338 o HORRIBLY 17-03-1092 o I’VE 16-12-0374 x IMMOBILE 15-06-0069 o IN-THE-WORLD 16-14-0049 o HORROR 17-01-0350 ^ ICONIC 17-03-1042 o IMMOBILISE 14-09-0033 o INACTION 14-02-0088 ^ HORSE 16-12-0501 ^ ID EST 17-10-0085 x IMMOBILISED 16-21-0001 o INADEQUACIES 17-10-0359 ^ HOSPITAL 17-03-1032 ^ IDEA 16-01-0008 ^ IMMOBILITY 15-06-0049 ^ INANIMATE 17-10-0257 o HOSTED 18-07-0167 o IDEAL 14-03-0036 o IMMOBILIZED 18-07-0210 o INARTICULATE 18-05-0063 o HOSTILITY 16-28-0046 ^ IDEALISATION 17-20-0076 ^ IMMORTAL 17-20-0116 o INASMUCH 16-26-0031 x HOSTING 18-07-0055 o IDEALISED 16-18-0002 o IMMORTELLES 17-03-1238 o INAUDIBLE 17-12-0002 o HOSTS 17-10-0266 ^ IDEAS 13-03-0050 ^ IMMUNE 17-01-0143 o INAUDIBLY 16-23-0026 o HOUR 16-01-0065 ^ IDEATIONAL 16-09-0044 o IMMUNITY 17-01-0309 ^ INAUGURAL 18-07-0113 o HOURS 15-03-0020 o IDENTICAL 16-02-0017 o IMPACT 15-03-0050 o INAUGURATED 18-07-0084 o HOUSE 14-02-0016 ^ IDENTIFIABLE 17-13-0013 o IMPALPABLE 16-31-0102 o INAUGURATION 13-03-0001 ^ HOUSEHOLD 17-01-0047 ^ IDENTIFIED 17-10-0136 o IMPATIENT 17-03-1596 o INAUGURATIVE 18-07-0105 o HOUSES 16-12-0152 ^ IDENTIFYING 17-11-0010 o IMPENETRABLE 16-11-0001 o INCAPABLE 17-03-0962 o HOVER 17-03-0643 o IDENTITY 18-07-0172 o IMPERATIVE 14-04-0024 o INCEPTION 15-06-0003 ^ HOW 13-01-0019 x IDEOLOGICAL 15-09-0051 o IMPERATIVELY 17-10-0339 o INCERTITUDE 17-10-0077 o HOWEVER 17-03-0805 x IDEOLOGIES 16-01-0089 ^ IMPERATIVES 17-10-0084 ^ INCIDENT 17-03-1645 ^ HOWL 17-01-0222 ^ IDEOLOGY 14-08-0103 ^ IMPERCEIVABLE 17-01-0083 o INCIDENTAL 15-09-0039 o HUDDLE 17-03-0159 ^ IDIOTS 16-12-0446 ^ IMPERCEPTIBLE 17-03-0763 o INCIDENTS 17-10-0132 ^ HUGE 16-01-0050 o IF 13-02-0023 x IMPERMEABILITY 17-01-0443 ^ INCLINED 16-12-0413 o HUMAN 14-08-0101 ^ IGNITED 17-10-0026 o IMPERMEABLE 14-04-0006 o INCLUDE 17-10-0177 o HUMAN-OBJECT 17-10-0304 ^ IGNORANCE 17-20-0103 ^ IMPLACABLE 17-03-0165 o INCLUDED 17-21-0007 o HUMANITY 16-12-0269 ^ IGNORANT 17-03-0703 o IMPLEMENTATION 17-06-0051 ^ INCLUDES 17-21-0006 o HUMANS 14-06-0006 ^ IGNORE 14-02-0049 o IMPLICATIONS 13-02-0009 ^ INCLUDING 17-01-0288 o HUMIDIFY 16-28-0050 o IGNORED 17-15-0113 o IMPLICIT 16-23-0029 o INCONGRUITIES 17-10-0358 ^ HUMIDITIES 16-24-0003 ^ IGNORES 18-06-0044 o IMPLIED 18-05-0217 o INCONSEQUENTIAL 14-08-0088 o HUMIDITY 15-10-0072 ^ IGNORING 17-10-0211 o IMPLIES 14-03-0161 o INCORRECT 17-10-0047 o HUMILITY 17-03-0830 ^ ILLEGAL 14-02-0033 o IMPLORE 17-03-1132 o INCREASED 17-03-0045 o HUMMING 17-03-0577 o ILLEGALISED 17-15-0028 o IMPLY 17-20-0083 o INCREASES 17-03-0544 o HUMMINGBIRD 17-03-1258 ^ ILLEGIBLE 18-05-0062 o IMPORTANCE 18-07-0077 ^ INCREASING 17-01-0265 o HUMOUR 16-12-0125 ^ ILLICIT 15-21-0010 o IMPORTANT 14-03-0091 o INCREASINGLY 15-06-0008 o HUNDRED 15-09-0011 o ILLUMINATES 16-31-0118 o IMPORTATION 17-06-0011 ^ INCUR 17-19-0109 o HUNG 16-12-0188 o ILLUMINATING 16-23-0007 o IMPOSED 14-08-0048 o INCURRED 17-19-0064 o HUNGER 16-31-0107 ^ ILLUSION 17-01-0442 ^ IMPOSES 17-10-0156 o INDECIPHERABLE 15-06-0055 o HUNGOVER 16-12-0199 o ILLUSIONS 17-03-1189 ^ IMPOSING 16-12-0057 o INDEMNITY 17-01-0411 ^ HUNT 17-03-0700 o ILLUSORY 17-13-0020 o IMPOSITIONAL 14-02-0043 o INDEPENDENT 16-12-0241 o HUNTED 17-03-0839 o IMAGE 14-08-0090 ^ IMPOSITIONS 16-14-0034 o INDEX 15-02-0007 ^ HURLED 17-03-0876 o IMAGE-MOUTH 18-06-0052 ^ IMPOSSIBILITY 16-02-0021 ^ INDEXES 18-06-0031 ^ HURLING 17-03-0252 o IMAGE-SONGS 18-06-0054 ^ IMPOSSIBLE 17-03-0519 o INDEXICAL 18-05-0149 o HURLS 17-03-0680 o IMAGELESS 18-05-0346 o IMPOTENCE 17-03-0992 ^ INDICATE 18-05-0282 o HURRICANE 16-28-0054 ^ IMAGES 13-01-0101 ^ IMPOTENT 17-03-0263 o INDICATES 18-05-0219 o HURRIEDLY 17-03-1313 o IMAGINABLE 14-09-0018 o IMPRECATIONS 17-03-0254 ^ INDICATION 18-05-0147 ^ HYDRA 17-03-1367 ^ IMAGINARY 17-03-1479 o IMPRECISE 13-01-0048 o INDICES 15-02-0014 ^ HYDROGEN 16-11-0013 ^ IMAGINATION 17-03-1079 ^ IMPRINTED 16-31-0128 o INDIFFERENCE 16-28-0045 ^ HYENA 17-03-1179 ^ IMAGINE 17-01-0132 o IMPROBABILITY 14-03-0069 ^ INDIFFERENT 16-31-0043 o

SPC_OSP_INT.indd 86 10/30/18 10:59 AM SPC_OSP_INT.indd 87 10/30/18 10:59 AM INDISCRIMINATELY 17-03-1497 o INNUMERABLE 17-03-0919 o INTER- 18-05-0123 x INVITING 17-01-0119 o INDISTINCT 16-26-0023 o INOCULATE 18-05-0322 o INTER-RELATIONAL 17-13-0022 o INVOLVE 14-03-0115 o INDIVIDUAL 17-03-1427 ^ INQUIRE 17-03-1555 o INTER-SUBJECTIVE 18-05-0004 o INVOLVED 17-03-0383 o INDIVIDUALS 16-14-0021 ^ INQUIRY 18-03-0030 ^ INTER-SUBJECTIVITY 18-05-0061 ^ INVOLVES 17-20-0067 o INDIVIDUATED 16-14-0005 o INSANELY 16-12-0353 o INTERACTION 16-12-0405 ^ INWARDLY 17-03-0170 o INDOMITABLE 17-03-0316 o INSCRIBER 17-10-0334 ^ INTEREST 17-01-0433 o IRKSOME 17-03-1066 o INDULGE 17-03-0819 o INSCRIBERS 17-10-0126 ^ INTERESTED 13-03-0065 o IRON 17-03-1155 ^ INEFFACEABLE 17-03-1163 o INSCRIPTION 17-10-0112 ^ INTERESTING 16-12-0059 o IRONIC 17-03-0621 o INERT 17-03-1567 o INSCRIPTIONS 17-10-0116 ^ INTERESTS 15-01-0004 o IRONY 17-03-0179 ^ INEVITABLE 16-28-0010 o INSECT 18-05-0221 ^ INTERIOR 16-28-0028 o IRRELEVANT 17-20-0115 o INEXHAUSTIBLE 17-03-0546 o INSERT 14-04-0014 ^ INTERLOCUTION 17-21-0009 ^ IRREVERSIBLE 17-01-0087 o INEXPRESSIBLE 17-03-0675 o INSIDE 13-03-0027 o INTERMITTENT 17-03-1465 o IRREVERSIBLY 18-05-0101 o INFALLIBLY 17-03-0538 o INSISTENCE 17-20-0088 ^ INTERN 18-04-0026 ^ IRREVOCABLY 14-02-0061 o INFAMOUS 17-03-0735 o INSISTS 17-20-0092 o INTERNAL 18-06-0057 o IRRITATE 15-06-0100 o INFECT 14-04-0015 o INSOFAR 16-09-0066 x INTERNATIONAL 16-12-0081 o IRRITATEDLY 16-12-0061 o INFERNAL 17-03-0542 o INSOLVENT 17-19-0051 o INTERPLAY 16-12-0391 ^ IRRITATES 17-03-0578 o INFERRING 18-05-0264 o INSOMNIA 17-03-0716 ^ INTERPRETATION 17-10-0045 ^ IS 13-01-0027 x INFERS 14-01-0013 o INSPECTS 18-05-0393 o INTERPRETATIONS 17-10-0061 ^ ISLES 17-03-1108 ^ INFILTRATE 17-01-0410 o INSPIRATION 17-03-1005 ^ INTERPRETED 16-14-0019 o ISN’T 16-12-0194 x INFINITE 14-03-0009 o INSPIRED 18-07-0163 o INTERRUPTS 16-12-0281 o ISSUE 16-12-0053 ^ INFINITELY 18-03-0009 o INSTALL 17-19-0055 o INTERSECTION 14-01-0005 ^ IT 13-01-0042 x INFINITESIMAL 18-05-0347 o INSTALLATION 18-04-0028 ^ INTERTWINED 17-01-0061 o IT’S 15-05-0035 x INFINITESIMALLY 17-15-0021 o INSTALLED 15-03-0057 o INTERVALS 15-09-0029 ^ ITALIAN 18-07-0179 o INFINITUDE 17-10-0050 ^ INSTANTLY 16-31-0097 o INTERVENE 17-10-0252 o ITEM 18-05-0190 ^ INFLECT 16-10-0019 o INSTEAD 16-25-0038 x INTERWOVEN 17-10-0134 o ITEMS 17-06-0040 ^ INFLECTING 17-10-0060 o INSTINCT 17-03-1008 ^ INTESTINALITY 18-06-0041 ^ ITERATION 17-10-0048 ^ INFLICT 16-26-0011 o INSTINCTS 17-03-1350 ^ INTO 14-03-0134 x ITS 15-01-0027 x INFLUENCE 17-03-0073 o INSTITUTE 18-07-0230 ^ INTRICATE 17-15-0020 o ITSELF 14-03-0174 x INFORM 17-01-0170 o INSTITUTION 13-03-0031 ^ INTRIGUE 17-03-0736 o JAGGED 17-03-0304 o INFORMATION 14-06-0025 ^ INSTITUTIONS 18-07-0063 ^ INTRINSIC 17-10-0342 o JANUARY 17-21-0004 o INFORMATION-HOLDING 18-05-0312 o INSTRUCT 14-02-0052 o INTRO 17-18-0037 ^ JAVELIN 17-20-0113 ^ INFORMATIONAL 17-10-0119 o INSTRUCTIVE 17-03-1475 o INTRODUCES 17-10-0343 o JAWS 17-03-1322 ^ INFORMATIVE 17-10-0336 o INSTRUMENT 15-09-0021 ^ INTRODUCING 17-01-0425 o JERKILY 17-03-1183 o INFORMED 17-10-0335 o INSTRUMENTALISATION 18-05-0110 ^ INTRODUCTION 18-07-0234 o JERKY 17-03-1359 o INGESTED 17-15-0077 o INSTRUMENTALISED 17-10-0167 o INVADES 16-01-0001 o JETS 17-15-0114 ^ INHABIT 14-04-0043 o INSTRUMENTATION 18-03-0057 ^ INVASION 17-01-0471 ^ JEWELLERY 17-16-0023 ^ INHABITANTS 17-10-0124 ^ INSTRUMENTS 17-01-0127 ^ INVENT 17-03-1478 o JOB 13-03-0047 ^ INHABITED 17-10-0024 o INSULATING 18-05-0192 o INVENTABLE 18-05-0297 o JOIN 17-03-0931 o INHABITING 17-13-0017 o INSURE 17-19-0092 o INVENTIBLE 18-07-0073 o JOINED 17-03-0185 o INHERENT 17-10-0208 o INTACT 17-19-0030 o INVENTORY 16-26-0003 ^ JOINTING-PLANE 17-03-1533 ^ INHERITED 13-01-0031 o INTANGIBLE 16-01-0042 o INVERSE 16-28-0007 ^ JOINTS 18-05-0117 ^ INHERITING 17-13-0009 o INTEGRATE 16-12-0034 o INVERSELY 16-25-0034 o JOY 17-01-0335 ^ INJECTED 17-10-0067 o INTEGRITY 17-06-0034 ^ INVERSING 18-05-0236 o JUDGED 17-20-0093 o INJUNCTION 18-04-0007 ^ INTELLECT 17-03-1625 ^ INVERTEBRAIC 17-10-0296 o JUDGES 17-03-0695 o INK 18-05-0299 ^ INTELLIGENT 17-03-0540 o INVERTED 16-30-0009 o JUDGING 17-10-0062 o INKJET 18-07-0177 o INTENDED 13-03-0037 o INVESTIGATION 17-03-1448 ^ JUDGMENT 17-03-0368 ^ INKWELLS 15-10-0095 ^ INTENSE 16-12-0204 o INVISIBILITIES 17-01-0089 ^ JUGS 17-03-0393 ^ INNATE 17-10-0361 o INTENSIFY 17-07-0003 o INVISIBLE 15-10-0049 o JULY 17-19-0004 o INNER 17-03-1007 o INTENSITIES 16-25-0032 ^ INVITATION 14-02-0004 ^ JUMP 17-03-1173 o INNOCENCE 17-03-0756 ^ INTENT 15-03-0023 o INVITATIONS 14-02-0069 ^ JUNE 16-12-0176 o INNOCENT 17-03-1105 o INTENTION 17-04-0008 ^ INVITE 13-03-0051 o JURISDICTION 17-06-0013 ^ INNOCENTLY 17-03-1275 o INTENTIONAL 15-01-0005 o INVITED 15-01-0056 o JUST 16-12-0010 x INNOCUOUS 17-01-0082 o INTENTIONS 17-01-0279 ^ INVITIATION 18-07-0217 o JUSTICE 17-03-0084 ^

SPC_OSP_INT.indd 88 10/30/18 10:59 AM SPC_OSP_INT.indd 89 10/30/18 10:59 AM JUSTIFY 18-05-0072 o LAND 17-03-0267 ^ LEGEND 18-07-0103 o LIGHTRAYS 16-02-0008 ^ JUTS 17-15-0004 o LAND-MASS 18-05-0278 ^ LEGIBILITY 17-10-0188 o LIGHTWAVES 15-15-0002 ^ JUTTING 16-28-0023 o LANDED 16-12-0107 o LEGIBLE 17-10-0010 o LIKE 13-03-0089 x JUXTAPOSITIONS 15-02-0026 o LANDS 17-03-0794 o LEGION 17-03-0564 ^ LIKEWISE 17-01-0094 x KEEP 13-01-0089 o LANDSCAPE 18-05-0178 ^ LEGIONS 17-03-0639 ^ LIMB 18-05-0131 ^ KEEPING 16-10-0041 o LANGUAGE 13-01-0065 ^ LEGISLATION 17-06-0052 ^ LIMBS 17-03-0022 ^ KENNEL 17-03-0689 ^ LANGUAGES 16-09-0055 ^ LEGS 17-01-0361 ^ LIMINAL 16-10-0011 o KEPT 16-25-0035 o LAP 17-03-1217 ^ LENDER 18-07-0052 ^ LIMIT 18-06-0026 o KEY 17-10-0282 ^ LARGE 15-03-0046 o LENGTHEN 16-31-0125 o LIMITED 16-25-0018 o KEYBOARD 16-31-0047 ^ LARGELY 16-12-0414 o LENS 16-09-0001 ^ LIMITING 18-05-0153 o KEYS 16-31-0079 ^ LARGER 15-06-0009 o LENS-GRINDER 17-07-0001 ^ LIMITS 16-26-0015 o KEYWORD 16-12-0217 ^ LARGEST 16-12-0146 o LENS-GRINDING 18-03-0047 o LINE 15-05-0020 ^ KICKED 17-03-1353 o LARVAL 18-05-0225 o LENSES 15-10-0023 ^ LINEAGE 17-10-0272 ^ KICKING 17-03-0871 o LASH 17-03-0775 ^ LEPROSY 17-03-0010 ^ LINEAR 16-25-0062 o KIDS 16-12-0302 ^ LASHED 17-03-0372 o LESS 14-08-0018 o LINEN 17-03-1136 ^ KILL 17-03-0949 o LAST 15-06-0021 o LET 13-02-0035 x LINES 15-10-0048 ^ KILLED 16-12-0182 o LATE 16-12-0117 o LET’S 15-05-0013 x LINGERING 15-17-0004 o KILLING 17-03-0329 o LATENT 17-10-0056 o LETHAL 17-03-0852 o LINGUISTIC 16-04-0002 o KILLS 18-05-0370 o LATER 15-05-0045 o LETS 16-09-0029 o LINGUISTICALLY 17-10-0122 o KIND 16-12-0065 o LAUGH 17-03-0927 ^ LETTER 16-12-0421 ^ LINING 15-17-0015 ^ KINDLY 17-03-1460 o LAUGHING 16-12-0013 o LETTERS 16-12-0437 ^ LINK 18-07-0086 ^ KINETIC 17-15-0054 o LAUGHS 18-05-0411 ^ LETTING 16-12-0455 o LINKS 16-25-0067 o KING 17-03-1624 ^ LAUGHTER 17-03-1178 ^ LEVELS 14-03-0112 ^ LINOLEUM 17-01-0366 ^ KINSHIP 18-05-0091 ^ LAUREL 17-03-1037 ^ LEVERKUSEN 18-07-0137 ^ LINTS 17-15-0039 ^ KISS 17-03-1218 ^ LAVAS 17-10-0231 ^ LEXICAL 18-07-0002 o LION 15-11-0001 ^ KISSES 17-16-0031 ^ LAW 17-01-0182 ^ LIABILITY 18-01-0010 ^ LIP 17-03-0312 ^ KNEE 17-03-1522 ^ LAWN 17-03-0082 ^ LIABLE 17-19-0112 o LIPS 17-03-0660 ^ KNEES 18-05-0410 ^ LAWS 14-09-0015 ^ LIAR 16-31-0070 ^ LIQUID 16-10-0036 ^ KNELT 17-03-1203 o LAYER 14-08-0040 ^ LIBERATION 18-05-0113 ^ LIQUIDS 15-10-0007 ^ KNEW 17-03-0351 o LAYERING 18-05-0348 o LIBERTIES 17-02-0011 ^ LIST 16-12-0002 ^ KNIFE 16-23-0008 ^ LAYERS 14-03-0116 ^ LIBIDINOUS 17-16-0020 o LISTED 18-05-0194 o KNIFE-THRUST 17-03-1344 ^ LEAD 14-07-0029 ^ LIBRETTO 18-03-0062 ^ LISTEN 13-03-0043 o KNIVES 16-16-0013 ^ LEADS 17-10-0080 o LICE 17-03-0004 ^ LISTENED 17-03-0834 o KNOCKED 17-03-0733 o LEAF 17-03-1057 ^ LICENSE 18-07-0005 ^ LISTENING 14-04-0029 o KNOCKING 17-03-1553 o LEAGUES 17-03-0505 ^ LICENSED 18-07-0050 o LISTENS 18-05-0398 o KNOTS 17-10-0032 ^ LEAKING 15-17-0018 o LICENSEE 18-07-0011 ^ LIT 17-03-0313 o KNOW 13-01-0017 x LEANT 17-03-1639 o LICENSEES 18-07-0061 ^ LITERALISED 18-05-0175 o KNOWING 16-01-0086 o LEARN 15-06-0125 o LICENSOR 18-07-0040 ^ LITERALISM 17-18-0013 ^ KNOWLEDGE 16-09-0033 ^ LEARNED 17-01-0380 o LICHEN 17-16-0003 ^ LITERARY 17-20-0109 o KNOWN 16-12-0438 o LEARNING 14-02-0064 o LICKING 17-03-0952 o LITERATURE 17-20-0005 ^ KNOWS 16-31-0086 o LEARNS 18-06-0064 o LID 17-03-0848 ^ LITRES 17-03-0294 o KNUCKLES 18-05-0382 ^ LEAST 14-08-0023 o LIE 15-01-0037 o LITTLE 16-12-0049 o L 16-31-0010 x LEAVE 14-02-0059 o LIES 13-03-0068 ^ LIVE 15-06-0124 o LABEL 18-07-0053 ^ LEAVES 17-01-0221 o LIFE 13-03-0035 ^ LIVE-FEED 14-03-0017 ^ LABOUR 14-08-0102 o LEAVING 16-12-0328 o LIFE-CYCLE 18-05-0222 ^ LIVED 17-01-0156 o LACE-DRESS 17-03-1249 ^ LECTURE 15-11-0002 o LIFE-FUNCTIONS 17-10-0292 ^ LIVER 17-03-1374 ^ LAIN 17-12-0023 o LED 17-20-0027 o LIFTING 17-01-0447 o LIVERS 17-15-0093 ^ LAKE 16-12-0224 ^ LEECH 15-09-0046 ^ LIFTS 18-05-0405 o LIVES 15-06-0059 o LAMB 15-09-0045 ^ LEECHES 15-17-0008 ^ LIGHT 15-06-0121 ^ LIVID 17-03-0708 o LAMB-EATING 16-01-0121 o LEFT 14-02-0002 o LIGHTHOUSE 15-15-0005 ^ LIVING 15-01-0040 o LAMBS 17-03-0092 ^ LEG 16-12-0306 ^ LIGHTLY 17-07-0006 o LO 16-01-0047 x LAMENTATIONS 17-03-0125 ^ LEGAL 17-01-0289 o LIGHTNING 16-12-0358 ^ LOAN 18-07-0256 o LAMENTS 17-03-0241 o LEGALITIES 17-01-0304 ^ LIGHTNING-FLASHES 17-03-0496 ^ LOBBY 18-07-0219 ^

SPC_OSP_INT.indd 90 10/30/18 10:59 AM SPC_OSP_INT.indd 91 10/30/18 10:59 AM LOBES 17-03-1142 ^ LOYALTIES 17-12-0025 ^ MANHUNT 17-03-0659 ^ MAYBE 16-01-0084 x LOCATE 16-04-0007 o LUCK 15-01-0045 ^ MANIFESTO 16-12-0240 ^ ME 15-05-0016 x LOCATED 17-19-0035 o LUGUBRIOUS 17-03-0667 o MANIPULATE 13-01-0070 ^ MEADOW 17-03-1334 ^ LOCATION 17-19-0127 ^ LULLED 17-01-0138 o MANIPULATED 14-09-0017 o MEADOWS 17-03-1254 ^ LOCATIONS 17-06-0046 ^ LUMINOSITIES 17-15-0055 ^ MANIPULATING 16-31-0020 o MEAN 13-02-0031 o LOCKED 14-02-0023 o LUMINOUS 16-31-0057 o MANIPULATION 14-06-0026 ^ MEANING 14-04-0028 o LOCKS 17-03-0946 ^ LUMPS 17-03-1418 ^ MANIPULATIONS 18-05-0114 ^ MEANING-CONTAINING 18-05-0180 o LOCUSTS 17-03-0583 ^ LUNATIC 17-03-1482 ^ MANIPULATIVE 16-09-0035 o MEANING-MAKING 18-05-0321 o LODGE 17-03-0438 ^ LUNCHEON 18-07-0209 ^ MANKIND 17-03-0097 ^ MEANINGFUL 16-12-0384 o LODGED 17-03-1400 o LUNG 17-01-0237 ^ MANNEQUIN 17-01-0313 ^ MEANINGLESS 17-10-0259 o LOGIC 17-01-0174 ^ LUNGED 18-05-0019 o MANNER 16-09-0009 ^ MEANINGS 17-10-0199 ^ LOGICAL 17-01-0480 o LUNGS 15-06-0104 ^ MANNERS 14-02-0053 ^ MEANS 14-03-0177 o LOGICALLY 17-03-1467 o LURE 17-01-0210 o MANOEUVERS 18-05-0412 o MEANT 14-02-0027 o LOGICS 17-10-0209 ^ LUXURY 15-10-0021 o MANUAL 18-06-0002 o MEANWHILE 16-01-0037 x LOGISTICAL 17-21-0014 o LYING 13-01-0037 o MANUFACTURE 17-06-0002 o MEASURE 15-06-0079 o LOGS 17-03-1397 ^ LYRICS 18-07-0151 ^ MANUFACTURED 17-06-0021 o MEASURED 16-17-0002 o LONDON 17-18-0014 ^ MACHINES 17-06-0026 ^ MANUSCRIPT 18-07-0201 ^ MEASUREMENTS 18-03-0015 ^ LONG 13-02-0007 o MAD 17-03-0217 o MANY 14-03-0045 o MEASURES 17-06-0054 ^ LONGER 14-08-0028 o MADDENED 17-03-1354 o MAP 16-01-0092 ^ MEASURING 17-19-0015 o LONGITUDINAL 17-03-0239 o MADDEST 17-03-0996 o MAPPED 18-06-0056 o MECHANICAL 17-10-0149 o LOOK 15-06-0031 o MADE 14-08-0067 o MAPS 18-05-0293 ^ MECHANISTIC 16-25-0058 o LOOKED 16-12-0303 o MADMAN 17-03-0629 ^ MAQUIS 17-03-0758 ^ MEDALS 17-03-1039 ^ LOOKING 16-12-0213 o MADNESS 17-03-1464 ^ MARBLE 16-21-0003 ^ MEDIA 16-12-0147 ^ LOOKS 17-03-0618 o MADWOMAN 17-03-1174 ^ MARCH 14-01-0006 ^ MEDIATED 17-10-0240 o LOOPS 16-01-0120 o MAGENTA 17-18-0039 o MARK 15-03-0071 o MEDIATION 17-20-0084 o LOOSE 15-10-0033 o MAGGOT 17-01-0503 ^ MARK-MAKING 18-05-0142 o MEDIATOR 17-10-0250 ^ LOOSEN 18-05-0369 o MAGGOTS 17-01-0501 ^ MARKABLE 18-05-0313 o MEDIUM 17-20-0019 o LOOSENS 18-05-0437 o MAGICIANS 14-08-0057 ^ MARKED 15-03-0068 o MEDUSAE 17-03-1410 ^ LOOT 17-01-0384 ^ MAGNETISM 17-03-0861 ^ MARKING-COMPOUND 18-05-0306 ^ MEET 16-01-0061 o LOPPED 17-03-0898 o MAGNETS 17-11-0004 ^ MARKS 18-05-0005 ^ MELT 15-10-0006 o LORD 17-03-1211 ^ MAGNIFICENCE 17-03-0058 ^ MARRIAGE 17-01-0049 ^ MELTED 16-31-0115 o LOS ANGELES 18-07-0184 ^ MAGNIFICENT 15-01-0034 o MARRIAGE-BED 17-03-0497 ^ MELTING 17-01-0280 o LOSE 15-05-0055 o MAGNIFYING 16-02-0011 o MARSH-GRASS 17-03-1297 ^ MEMBERS 17-01-0045 ^ LOSERS 17-20-0112 ^ MAIMING 18-05-0384 o MARTYRED 16-06-0025 o MEMBRANES 17-03-0619 ^ LOSES 17-03-0636 o MAINTAIN 17-06-0035 o MARVELLOUSLY 17-03-1485 o MEMORIES 17-10-0017 ^ LOSING 14-08-0046 o MAINTAINING 17-20-0070 o MASK-TURNERS 14-04-0025 ^ MEMORY 16-12-0415 ^ LOSS 17-03-1560 ^ MAJESTIC 17-03-0786 o MASKED 15-01-0049 o MEN 17-03-0154 ^ LOST 15-05-0033 o MAJESTICALLY 17-03-0144 o MASQUERADING 17-01-0130 o MENTAL 17-03-0100 o LOUDER 14-04-0022 o MAJOR 16-12-0097 o MASS 16-12-0258 ^ MENTALLY 16-12-0509 o LOUDLY 14-02-0056 o MAKE 14-08-0008 o MASSES 17-03-0129 ^ MENTION 17-03-1632 o LOUSE 16-25-0074 ^ MAKER 18-05-0210 ^ MASSIVE 17-10-0073 o MERCURY 16-10-0037 ^ LOUSE-RIDDEN 17-03-0617 o MAKES 14-08-0016 o MASTER 17-03-1343 ^ MERE 16-25-0009 o LOVABLE 17-01-0460 o MAKEUP 16-31-0032 ^ MATCHING 17-19-0016 o MERELY 17-03-1220 o LOVE 13-03-0036 ^ MAKING 16-01-0009 o MATERIAL 13-03-0099 ^ MESHES 17-12-0019 o LOVED 17-03-1029 o MALEVOLENT 17-18-0034 o MATERIAL-MANIPULATIVE 16-31-0022 o MESSAGES 18-05-0330 ^ LOVELIEST 17-03-0096 o MALICIOUS 17-01-0169 o MATERIAL-TEMPORALLY 18-07-0062 o MET 15-10-0031 o LOVELY 17-03-0069 o MALIGN 17-03-0559 o MATERIALS 16-01-0068 ^ METAL 17-03-0245 ^ LOVERS 17-03-0472 ^ MALLEABLE 14-03-0078 o MATERNAL 17-03-1587 o METALS 16-23-0017 ^ LOVING 18-05-0381 o MAMMAL 18-05-0208 ^ MATTER 14-04-0003 ^ METAPHOR 17-15-0030 ^ LOVINGLY 17-03-0093 o MAN 16-12-0444 ^ MATTERS 17-20-0037 o METAPHORIC 17-15-0033 o LOW 17-03-0562 o MAN-OF-WAR 17-03-0112 ^ MATURE 17-03-0196 o METAPHORICAL 17-01-0216 o LOW-DOWN 17-16-0007 ^ MANAGE 17-19-0021 o MAXIMUM 16-26-0012 o METEORS 17-03-0706 ^ LOWERED 17-03-0080 o MANAGED 16-12-0137 o MAY 13-02-0020 x METHOD 17-20-0108 ^

SPC_OSP_INT.indd 92 10/30/18 10:59 AM SPC_OSP_INT.indd 93 10/30/18 10:59 AM METHODS 17-03-0103 ^ MIXES 16-12-0360 o MOTIVE 17-03-0924 ^ NAKED 17-03-1307 o MIASMATA 17-03-0033 ^ MOANS 16-06-0022 o MOULDLY 17-01-0353 o NAKEDNESS 16-01-0066 ^ MICROMETRE 16-12-0461 o MOBILISE 15-17-0017 o MOULTED 17-11-0008 o NAME 17-19-0126 ^ MICROSCOPIC 17-15-0047 o MOBILITY 18-05-0136 ^ MOUNTAIN 17-03-0846 ^ NAPE 17-03-0019 ^ MIDDLE 17-03-1449 o MOCKING 17-03-1514 o MOUNTAIN-DOG 17-03-1324 ^ NARRATIVE 17-15-0105 ^ MIDWIFE 14-08-0036 ^ MODE 18-07-0030 ^ MOUNTAINS 17-03-0142 ^ NARRATIVES 13-03-0078 ^ MIGHT 16-12-0159 x MODEL 14-03-0105 ^ MOUNTED 17-03-0867 o NARRATOR 17-03-0001 ^ MIGNONETTES 17-03-1267 ^ MODELLING 18-05-0285 o MOURNFUL 17-03-0234 o NARROW 17-03-1044 o MILES 17-03-0269 o MODELS 13-03-0040 ^ MOUTH 16-01-0118 ^ NARROW-SHOULDERED 17-03-0916 o MILK 15-10-0087 ^ MODES 14-02-0013 ^ MOUTHPIECES 14-08-0104 ^ NASTY 17-03-1282 o MILLENNIA 16-01-0013 ^ MODESTEST 17-01-0106 o MOUTHS 16-25-0020 ^ NATION-STATE 17-01-0399 ^ MILLIMETRE 16-12-0460 o MODESTY 17-03-0829 ^ MOVABLE 18-05-0338 o NATIONAL 18-05-0430 o MILLION 16-12-0251 o MODIFICATION 17-19-0116 ^ MOVE 13-03-0086 o NATIONHOOD 13-03-0095 ^ MILLIONS 17-03-0581 o MODIFICATIONS 17-19-0117 ^ MOVED 17-03-0021 o NATURAL 14-03-0015 o MIMESES 17-20-0035 ^ MODULATING 17-01-0053 o MOVEMENT 15-06-0042 ^ NATURALLY 18-06-0063 o MIMESIS 17-20-0001 ^ MODULATION 18-04-0018 ^ MOVEMENTS 15-06-0010 ^ NATURE 14-03-0164 ^ MIMETIC 17-01-0077 o MOISTURE 17-01-0351 ^ MOVES 15-01-0013 ^ NATURES 16-23-0019 ^ MIMIC 17-10-0294 o MOLES 16-04-0006 ^ MOVIE 16-01-0038 ^ NAVAL 17-03-0432 o MIMICKING 17-20-0022 o MOLLUSK 17-15-0078 ^ MOVING 17-01-0201 o NAVIGABLE 18-03-0010 o MIND 14-03-0094 ^ MOMENT 14-03-0037 ^ MUCH 16-12-0088 o NAZIS 16-12-0106 ^ MINE 17-01-0346 o MOMENTARILY 16-11-0006 o MUD 15-05-0051 ^ NEAR 14-09-0038 o MINERAL 15-06-0056 ^ MOMENTARY 18-05-0350 o MUD-BESPATTERED 17-03-1185 o NEAR-DOCUMENTARY 17-20-0045 o MINERALS 18-05-0245 ^ MOMENTS 14-03-0023 ^ MUDS 17-15-0006 ^ NEARER 17-03-0229 o MINES 17-01-0033 ^ MOMENTUM 17-01-0193 ^ MULTIPLE 15-02-0021 o NEBULOUS 16-14-0018 o MINOTAUR 18-06-0024 ^ MONARCHS 17-03-0792 ^ MULTIPLICITY 14-03-0136 ^ NECESSARILY 14-03-0106 o MINT 17-03-1215 ^ MÖNCHENGLADBACH 16-30-0004 ^ MULTIPLY 15-17-0030 o NECESSARY 13-03-0015 o MINUTE 16-23-0023 o MONETARY 14-03-0103 o MULTIPLYING 18-05-0013 o NECESSITATED 18-05-0137 o MINUTELY 17-01-0036 o MONEY 14-08-0065 ^ MULTITUDE 17-15-0065 ^ NECESSITATES 14-03-0025 o MINUTES 16-12-0068 ^ MONOCHROME 17-18-0041 o MULTITUDINOUS 14-02-0092 o NECESSITATING 16-18-0007 o MIRACLES 17-03-1457 ^ MONOCHROMING 17-19-0003 o MUNICH 18-07-0160 ^ NECESSITIES 17-01-0307 ^ MIRACULOUSLY 16-31-0090 o MONOLOGICAL 17-01-0040 o MURDER 17-03-0326 ^ NECESSITY 16-14-0053 ^ MIRROR 16-28-0031 ^ MONOLOGICALLY 17-10-0144 o MURKY 17-03-0183 o NECK 16-12-0170 ^ MIRRORS 14-06-0031 ^ MONSTER 17-03-0485 ^ MURMUR 17-03-1569 ^ NECKS 17-03-0888 ^ MIS-READING 17-10-0170 o MONSTERS 17-03-0524 ^ MUSCLES 18-05-0100 ^ NEED 14-03-0145 o MIS-REMEMBERING 17-20-0077 o MONSTROUS 17-03-0773 o MUSEUM 16-30-0003 ^ NEEDED 14-09-0027 o MISAPPROPRIATED 18-07-0079 o MONTAGE 13-04-0011 ^ MUSHROOM 17-03-0016 ^ NEEDS 14-03-0119 o MISDEEDS 17-03-0365 ^ MONTH 16-16-0004 ^ MUSIC 16-12-0390 ^ NEGATE 15-02-0005 o MISERIES 17-03-1473 ^ MONUMENT 17-10-0071 ^ MUSICAL 17-10-0150 o NEGATED 14-09-0023 o MISERY 17-03-0951 ^ MOON 17-16-0010 ^ MUST 14-08-0007 x NEGATING 17-20-0100 o MISERY-INDUCING 18-05-0174 o MORE 13-01-0057 o MUTABLE 17-15-0072 o NEGATION 13-03-0022 ^ MISSION 17-03-0645 ^ MOREOVER 14-09-0028 x MUTATIONS 13-03-0017 ^ NEGATIVE 16-18-0001 o MISTAKE 15-05-0008 o MORNING 17-03-0056 o MUTILATION 17-03-1541 ^ NEIGHBOURING 17-03-0793 o MISTAKEN 17-03-0460 o MORTAL 17-03-0723 o MUTINY 16-18-0020 ^ NEITHER 14-03-0149 x MISTAKES 18-05-0349 ^ MORTALITY 16-07-0031 ^ MUTUALISED 17-01-0097 o NEOPOLITAN 18-07-0224 o MISUNDERSTAND 16-31-0111 o MORTALLY 17-03-0972 o MUTUALLY 18-07-0034 o NERVES 15-06-0022 ^ MISUSE 18-06-0019 o MORTAR 17-03-0838 ^ MY 15-05-0034 x NERVOUS 17-03-0190 o MISUSED 17-10-0164 o MORTGAGES 18-05-0435 ^ MYSELF 16-12-0401 x NERVOUSLY 17-03-0658 o MISUSING 17-10-0212 o MOST 14-02-0021 o MYSTERIOUS 17-03-0711 o NESTING 15-10-0076 o MITIGATE 17-10-0095 o MOTHER 16-12-0296 ^ MYTH 14-08-0119 ^ NESTS 17-03-1244 o MITIGATED 14-03-0118 o MOTIFS 17-20-0051 ^ MYTHS 17-01-0453 ^ NET 16-12-0143 ^ MITIGATING 17-15-0036 o MOTION 15-06-0038 ^ NAIL 17-03-1520 ^ NETTINGS 17-10-0036 ^ MIX 15-06-0108 o MOTIONLESS 17-03-0614 o NAILS 17-03-0940 ^ NETWORK 15-02-0013 o MIXED 17-04-0004 o MOTIONSICKENS 18-05-0401 o NAIVE 17-03-1643 o NETWORKED 17-01-0243 o

SPC_OSP_INT.indd 94 10/30/18 10:59 AM SPC_OSP_INT.indd 95 10/30/18 10:59 AM NETWORKS 15-02-0028 o NOURISH 17-03-1385 o OCCURRENCES 16-14-0010 ^ OPPORTUNISM 14-02-0095 ^ NEUTRAL 17-01-0431 o NOVEL 18-07-0228 ^ OCEAN 16-18-0011 ^ OPPORTUNITY 13-01-0077 ^ NEUTRALITY 18-05-0233 ^ NOVELLA 18-07-0202 ^ OCTOBER 16-12-0157 o OPPOSED 16-12-0276 o NEVER 15-08-0003 o NOVELS 18-07-0225 ^ OCTOPI 17-03-0641 ^ OPPOSING 16-28-0042 o NEVERTHELESS 16-28-0043 x NOVEMBER 18-07-0131 o OCTOPUS 17-03-0771 ^ OPPOSITION 16-14-0015 ^ NEW 13-01-0055 o NOW 14-03-0062 o OCULAR 16-09-0047 o OPPOSITIONAL 16-14-0042 o NEW YORK 17-01-0507 ^ NULLIFIED 17-13-0005 o OEUVRE 16-12-0074 o OPTIC 17-10-0012 o NEW-BORN 17-03-0530 o NUMBER 14-03-0096 ^ OF 13-01-0063 x OPTICAL 16-09-0034 o NEWER 17-01-0387 o NUMBERED 13-03-0062 o OFF 15-05-0047 x OPTICS 14-09-0016 ^ NEWLY 16-31-0082 o NURTURING 17-01-0432 o OFFENCES 18-05-0169 ^ OPTIMISM 16-07-0022 ^ NEWS 15-05-0030 ^ O 17-03-0208 x OFFERED 17-03-0242 o OPTIMISTIC 17-10-0103 o NEWSPAPERS 16-12-0153 ^ OBEY 17-03-1644 o OFFERING 16-11-0025 o OPTIMISTICALLY 17-10-0355 o NEWSPRINT 18-07-0198 ^ OBEYING 17-15-0050 o OFFERS 14-02-0046 o OR 13-01-0056 x NEXT 14-02-0074 o OBFUSCATE 14-08-0121 o OFFICE 15-09-0032 ^ ORACLE 18-07-0243 ^ NIGHT 13-03-0112 ^ OBFUSCATION 15-01-0006 ^ OFFICIAL 18-07-0037 o ORAL 18-05-0106 o NIGHTINGALE 17-03-1279 ^ OBJECT 16-02-0013 ^ OFFSET 18-07-0036 o ORALITY 18-06-0033 ^ NIGHTMARE 17-03-1634 ^ OBJECT-BASED 16-09-0046 o OFTEN 16-12-0475 o ORDER 14-03-0183 o NIGHTS 17-03-0517 ^ OBJECT-RELATIONS 17-10-0096 ^ OH 16-12-0014 x ORDERED 17-03-1318 o NITRATE 15-15-0003 ^ OBJECTHOOD 17-10-0054 ^ OIL 17-05-0004 ^ ORDERINGS 18-05-0351 o NO 13-03-0080 x OBJECTIFY 17-15-0032 o OILS 17-15-0001 ^ ORDERS 17-03-0225 o NOBLE 17-03-0308 o OBJECTIVE 14-03-0163 ^ OINTMENT 17-03-1145 ^ ORGANISATION 16-11-0031 ^ NOBODY 16-31-0068 x OBJECTS 14-06-0004 ^ OINTMENTS 17-15-0010 ^ ORGANISED 16-09-0006 o NOISE 17-12-0005 ^ OBLIGATION 17-19-0110 ^ OLD 13-01-0049 o ORGANISING 18-05-0020 o NOISES 18-05-0003 ^ OBLIGATORY 18-05-0060 ^ OMELETTE 17-03-0402 ^ ORGANISM 17-01-0273 ^ NOMADIC 13-03-0083 o OBLIGED 17-03-0428 o OMISSION 17-04-0025 ^ ORGANISMS 17-15-0063 ^ NON-CONTRIBUTIONAL 13-03-0063 o OBLIQUELY 17-03-0897 o OMNIDIRECTIONAL 18-03-0007 o ORGANIZED 18-07-0023 o NON-EXCLUSIVE 18-07-0032 o OBLITERATED 16-31-0109 o ON 13-03-0030 x ORGANS 16-28-0029 ^ NON-HUMAN 17-13-0011 o OBLIVIOUS 14-02-0047 o ONCE 14-03-0059 o ORIENT 18-05-0288 o NON-PARTISAN 18-06-0008 o OBSCURED 16-23-0013 o ONE 14-03-0148 o ORIGIN 18-05-0211 ^ NON-VISUAL 18-01-0012 o OBSERVABLE 16-14-0027 o ONE-TIME 18-07-0027 o ORIGINAL 17-01-0078 o NONE 15-02-0015 x OBSERVATION 14-06-0002 ^ ONE’S 17-03-0939 x ORIGINATING 16-23-0002 o NONETHELESS 16-12-0130 x OBSERVATIONS 16-02-0003 ^ ONES 14-07-0012 x ORTHOGRAPHIES 17-10-0206 ^ NOR 16-25-0065 x OBSERVE 14-06-0017 o ONLINE 18-07-0261 o OSCILLATING 17-15-0060 o NORMAL 17-03-0200 o OBSERVED 15-05-0022 o ONLY 13-03-0093 x OSCILLATIONS 18-05-0329 ^ NORMALISED 17-01-0284 o OBSERVES 14-06-0012 o ONTO 14-04-0005 x OSTENSIBLE 17-10-0139 o NORMALLY 16-31-0031 o OBSERVING 18-05-0439 o OPACITIES 16-25-0029 ^ OSTENSIBLY 16-28-0051 o NORTHWESTERN 16-12-0332 o OBSOLETE 14-08-0009 o OPACITY 17-15-0037 ^ OTHER 14-08-0112 x NORWAY 16-31-0004 ^ OBVIOUS 16-26-0014 o OPAQUE 17-01-0439 o OTHERING 18-05-0095 o NOSE 17-01-0347 ^ OCCASION 16-12-0197 ^ OPEN 13-03-0104 o OTHERS 14-03-0140 x NOSTALGIA 16-12-0356 ^ OCCASIONAL 17-03-1573 o OPENED 17-03-0132 o OTHERWISE 14-01-0014 x NOSTALGIC 16-12-0354 o OCCULT 17-16-0005 o OPENING 17-03-0042 o OUCH 17-01-0337 o NOT 13-01-0016 x OCCUPANCY 14-02-0005 ^ OPENS 17-02-0013 o OUGHT 17-03-0197 x NOTATIONAL 18-04-0020 o OCCUPANT 17-16-0001 ^ OPERA 18-07-0238 ^ OUR 13-03-0008 x NOTCHES 16-25-0028 ^ OCCUPANT-OPERATOR 18-06-0051 ^ OPERATE 16-14-0008 o OURS 17-16-0019 x NOTE 15-21-0006 ^ OCCUPANT-OPERATORS 18-06-0007 ^ OPERATED 14-02-0036 o OURSELVES 13-03-0046 x NOTEBOOK 17-18-0027 ^ OCCUPANTS 17-01-0188 ^ OPERATES 16-01-0097 o OUT 13-03-0034 x NOTES 16-31-0019 ^ OCCUPATION 14-02-0006 ^ OPERATING 14-02-0028 o OUTCOME 14-07-0016 ^ NOTEWORTHY 16-12-0263 o OCCUPIABLE 17-20-0099 o OPERATION 17-03-1599 ^ OUTLINE 16-26-0002 o NOTHING 13-01-0082 ^ OCCUPIED 16-26-0005 o OPERATIONS 17-15-0123 ^ OUTLINES 16-25-0036 o NOTICE 14-01-0002 ^ OCCUPIES 17-20-0119 o OPERATOR 17-01-0308 ^ OUTRO 17-18-0046 ^ NOTICEABLY 17-03-0537 o OCCUPY 14-03-0146 o OPERATORS 18-06-0016 ^ OUTSIDE 14-03-0016 o NOTICES 17-19-0095 o OCCUPYING 15-03-0055 o OPINION 16-12-0351 ^ OVER 14-04-0048 o NOTION 17-03-1503 ^ OCCURRED 17-03-0880 o OPINIONS 18-07-0244 o OVER-EXCITE 17-03-1225 o

SPC_OSP_INT.indd 96 10/30/18 10:59 AM SPC_OSP_INT.indd 97 10/30/18 10:59 AM OVER-LAYED 16-09-0052 o PARTICIPATING 17-21-0016 o PENKNIFE 17-03-1364 ^ PERSONALLY 17-20-0025 o OVER-LEAPING 17-03-0256 o PARTICIPATION 16-26-0025 ^ PENNIES 17-01-0390 ^ PERSONS 17-01-0185 ^ OVERALL 18-07-0097 o PARTICULAR 14-03-0022 o PENSIVE 17-03-0602 o PERSPECTIVE 16-25-0007 ^ OVERHEAD 14-04-0033 o PARTIES 17-19-0080 ^ PENTHOUSE 17-03-1620 ^ PERSUADE 18-05-0327 o OVERHEARD 17-15-0088 o PARTLY 17-03-1577 o PENUMBRA 17-03-1563 ^ PERTAINING 15-03-0069 o OVERLAID 17-06-0031 o PARTS 16-28-0021 o PEOPLE 16-12-0123 ^ PERTAINS 15-02-0019 o OVERLAPS 17-10-0356 o PARTY 14-03-0124 ^ PERCEIVE 16-01-0144 o PERVASIVE 17-01-0135 o OVERSEE 17-19-0036 o PASS 14-03-0038 o PERCEIVED 15-03-0036 o PERVERTING 17-03-0922 o OVERTAKEN 14-06-0001 o PASSAGE 17-04-0032 ^ PERCEIVING 17-03-1545 o PETRIFIED 14-08-0081 o OVERTURE 17-04-0001 o PASSAGES 18-05-0120 ^ PERCEPTIBLE 16-11-0007 o PHANTOM 17-03-0623 ^ OVERWHELMED 17-03-0147 o PASSAGEWAY 14-02-0018 ^ PERCEPTION 17-01-0424 ^ PHENOMENA 17-03-0101 ^ OWED 17-03-0321 o PASSED 16-12-0256 o PERCEPTIONS 17-01-0319 o PHENOMENOLOGICAL 17-20-0101 o OWN 14-02-0076 o PASSENGER 17-01-0200 ^ PERCEPTORY 17-10-0308 o PHENOMENON 16-12-0424 ^ OWNED 14-02-0035 o PASSERBY 14-02-0075 ^ PERCEPTUAL 17-10-0120 o PHILOSOPHER 16-12-0008 ^ OWNER 14-02-0031 ^ PASSERS-BY 17-03-1507 ^ PERCHED 16-25-0040 o PHILOSOPHY 17-03-0105 ^ OWNERSHIP 14-02-0038 ^ PASSERSBY 15-03-0012 ^ PERFECT 17-03-0230 o PHLEGM 15-06-0106 ^ OX 17-03-0823 ^ PASSES 17-03-0575 o PERFORM 18-07-0233 ^ PHONETIC 18-04-0017 o OXYGEN 14-06-0028 ^ PASSING 14-06-0011 o PERFORMANCE 16-12-0201 ^ PHOTO-JOURNALISM 17-20-0031 ^ PAGE 17-03-1470 ^ PASSINGS 17-10-0311 o PERFORMANCES 18-07-0218 ^ PHOTOGRAPH 17-20-0016 ^ PAGES 18-07-0092 ^ PASSIONATE 17-03-0993 o PERFORMATIVE 16-12-0028 o PHOTOGRAPHED 14-05-0005 o PAIN 16-01-0005 ^ PASSIVE 16-12-0445 o PERFORMATIVITY 16-12-0035 ^ PHOTOGRAPHER 14-03-0041 ^ PAINFUL 17-01-0358 o PAST 14-03-0028 o PERFORMED 18-07-0157 o PHOTOGRAPHIC 15-02-0003 o PAINT 16-07-0007 ^ PASTE 15-03-0010 ^ PERFORMER 18-03-0056 ^ PHOTOGRAPHING 17-20-0066 o PAINTED 17-19-0011 o PASTS 18-03-0012 ^ PERFORMERS 15-10-0057 ^ PHOTOGRAPHS 15-21-0009 ^ PAINTING 17-20-0004 ^ PATH 17-01-0165 ^ PERFORMING 17-03-1456 o PHOTOGRAPHY 15-21-0007 ^ PAIR 17-10-0213 o PATHS 18-05-0294 ^ PERFUMES 17-03-1020 ^ PHYSICAL 14-03-0079 o PALACE 16-06-0011 ^ PATHWAY 17-03-1317 ^ PERHAPS 15-01-0044 x PHYSICALISED 17-10-0055 o PALACES 15-06-0089 ^ PATIENTS 17-10-0264 ^ PERIMETERS 17-10-0337 ^ PHYSICALITY 17-13-0025 ^ PALATE 16-01-0024 ^ PATINA 15-10-0020 ^ PERIOD 17-03-0584 ^ PHYSICALLY 16-09-0011 o PALE 17-03-1077 o PATINAS 17-16-0006 ^ PERIODS 14-01-0012 ^ PHYSICS 17-15-0057 ^ PALIMPSEST 16-12-0393 ^ PATRON 16-12-0004 ^ PERIPETEIAS 17-03-0376 ^ PICK 14-07-0004 o PALM 17-03-1433 ^ PATTERN 18-05-0090 ^ PERISHED 16-12-0173 o PICK-AXE 17-01-0327 ^ PALPITATING 17-03-0421 o PATTERNS 13-02-0025 ^ PERMANENCES 17-10-0179 ^ PICK-AXES 14-08-0127 o PANE 17-01-0022 ^ PAVED 14-07-0010 o PERMANENT 15-06-0048 o PICKING 17-03-0883 o PANELS 17-19-0014 ^ PAVING-STONE 17-03-0877 ^ PERMISSED 17-01-0075 o PICTOGRAM 18-05-0320 ^ PANES 16-25-0042 ^ PAY 16-12-0084 o PERMISSIBLE 17-02-0006 o PICTORIAL 16-11-0005 o PAPER 15-10-0111 ^ PAYING 17-01-0270 o PERMISSION 17-03-1630 ^ PICTURE 15-04-0002 ^ PAR 17-20-0007 o PAYMENT 17-19-0106 ^ PERMIT 16-10-0020 o PICTURES 17-20-0040 ^ PARADED 15-06-0064 o PAYMENTS 17-19-0068 ^ PERMITS 18-05-0014 o PIECE 17-03-1382 ^ PARALLEL 16-12-0402 o PAYS 16-12-0092 o PERMITTED 17-15-0071 o PIECES 16-31-0008 ^ PARALYSED 17-03-1396 o PEACE 17-03-1389 ^ PERMITTING 18-03-0037 o PIERCE 17-03-0574 o PARALYSING 17-03-0860 o PEACH-LIKE 17-03-0310 o PERMUTATIONALITY 17-20-0124 ^ PIERCING 17-03-0858 o PARASITE 13-03-0029 ^ PEAR 17-03-1172 ^ PERMUTATIONS 16-10-0010 ^ PIGEON-BREEDER 17-15-0129 ^ PARASITES 13-03-0032 ^ PEASANT 17-03-0603 o PERPENDICULARLY 16-28-0024 o PIGEON-BREEDING 18-03-0050 o PARIS 16-12-0108 ^ PEDESTAL 17-03-0274 ^ PERPETRATED 16-12-0497 o PIGEONS 15-10-0073 ^ PARISIAN 17-03-1114 o PELTED 17-01-0455 o PERPETUAL 17-10-0049 o PIGMENT 17-05-0007 ^ PARK 17-03-1425 ^ PEN 14-02-0097 ^ PERPETUALLY 16-09-0058 o PIGMENTED 18-05-0229 o PARLIAMENT 16-11-0014 ^ PENALTY 17-06-0043 ^ PERPETUITY 18-07-0012 ^ PILED 18-05-0002 o PART 14-03-0155 o PENETRABILITY 18-06-0020 ^ PERSEVERANCE 17-03-0051 ^ PILES 16-25-0049 o PARTAKE 17-03-0415 o PENETRATE 17-10-0302 o PERSISTENT 17-03-0346 o PILFER 17-01-0105 o PARTED 17-03-1051 o PENETRATED 17-03-1404 o PERSON 16-12-0484 ^ PILLAGERS 17-01-0278 ^ PARTICIPANTS 18-07-0112 ^ PENETRATES 17-03-0692 o PERSONA 18-07-0227 o PINCERS 17-03-1409 ^ PARTICIPATE 17-19-0006 o PENETRATING 17-03-0565 o PERSONAL 14-08-0055 o PINK 17-03-1326 o

SPC_OSP_INT.indd 98 10/30/18 10:59 AM SPC_OSP_INT.indd 99 10/30/18 10:59 AM PIPE-ORGAN 18-03-0055 ^ POCKET 16-12-0087 ^ POWDERS 16-17-0009 ^ PRESTIGE 17-10-0271 o PISS 17-05-0005 ^ POCKETS 16-28-0003 ^ POWER 16-28-0060 o PRESUMES 14-03-0090 o PISTOL 16-01-0109 ^ POEM 18-07-0186 ^ POWERFUL 17-01-0476 o PRETEND 17-03-0944 o PIT 17-03-0510 ^ POEMS 18-07-0180 ^ POWERLESS 17-03-0698 o PRETENDING 17-03-0979 o PITCHES 17-12-0001 o POETIC 17-03-0821 o POWERS 17-02-0016 o PRETENDS 17-15-0081 o PITY 16-12-0237 o POETRY 16-06-0007 ^ PRACTICES 17-03-1452 o PRETTY 16-12-0260 o PLACE 13-01-0092 ^ POINT 16-12-0095 o PRAGMATIC 17-12-0035 o PREVALENT 17-13-0002 o PLACE-IN-THE-WORLD 17-10-0020 ^ POINTED 17-03-1323 o PRAGMATISM 17-01-0197 ^ PREVENT 16-10-0021 o PLACED 14-08-0120 o POINTS 16-10-0024 o PRAISE 17-18-0002 o PREVENTATIVE 15-06-0078 o PLACEMENT 17-10-0131 ^ POISED 17-03-1443 o PRE-EXISTING 14-03-0126 o PREVENTED 17-03-0223 o PLACES 17-03-1182 ^ POISON 14-08-0066 ^ PRE-LICENSED 18-07-0071 o PREVENTING 17-01-0026 o PLACING 16-25-0039 o POLAR 18-05-0286 o PRE-SUPPOSES 14-02-0009 o PREVIOUS 16-12-0226 o PLAINS 17-03-0633 ^ POLEMICAL 13-03-0009 o PRE-SUPPOSITIONS 16-14-0040 ^ PREVIOUSLY 18-07-0159 o PLAN 14-08-0003 o POLICE 17-10-0276 ^ PRECARIOUS 16-10-0015 o PREY 16-25-0075 ^ PLANE 16-28-0019 ^ POLICEMAN 14-08-0035 ^ PRECARIOUSLY 17-03-1442 o PREYED 17-01-0437 o PLANE-TREE 17-03-1304 ^ POLITICAL 14-03-0170 o PRECEDED 18-07-0048 o PRICE 17-19-0071 ^ PLANES 16-16-0015 ^ POLITICIANS 14-08-0053 ^ PRECEDING 18-07-0147 o PRIDE 17-03-0835 ^ PLANETS 17-10-0225 ^ POLYRHYTHM 18-07-0152 ^ PRECIPICE 16-16-0024 ^ PRIED 17-01-0154 o PLANK 17-01-0332 ^ PONDEROUSLY 17-03-0644 o PRECISELY 17-03-0327 o PRIMACY 14-03-0188 ^ PLANKS 17-04-0018 ^ POOLING 16-25-0024 o PRECISION 17-11-0005 ^ PRIMARILY 17-10-0143 o PLANTS 17-03-0029 ^ POOLS 15-10-0022 o PRECLUDE 14-09-0010 o PRIMARY 14-03-0101 o PLAQUE 18-07-0127 ^ POOR 16-01-0064 o PRECLUDES 18-06-0025 o PRINCE 17-03-1618 ^ PLAQUES 18-07-0204 ^ POPLAR 17-03-1192 ^ PRECOCIOUS 17-03-1078 o PRINT 15-03-0067 ^ PLASTIC 16-21-0002 ^ POPULACE 18-05-0017 ^ PREDESTINED 16-31-0034 o PRINTED 15-02-0008 o PLASTICS 17-04-0003 ^ PORES 15-10-0017 ^ PREDICAMENT 18-05-0001 ^ PRINTING 18-03-0059 o PLATE 18-07-0042 ^ POROUSNESS 17-01-0282 ^ PREDICATED 17-01-0250 o PRIOR 17-19-0065 o PLATES 17-10-0129 ^ PORTRAIT 17-03-0469 ^ PREDICT 17-03-0539 o PRISM 16-31-0033 ^ PLATFORM 16-12-0024 ^ POSE 17-10-0155 o PREFER 17-03-0693 o PRISMATIC 17-03-1270 o PLAY 16-12-0001 ^ POSED 17-01-0440 o PRELIMINARILY 17-10-0041 o PRISMS 16-02-0012 ^ PLAY-BACK 18-05-0257 ^ POSING 17-01-0199 o PREMATURE 17-03-1592 o PRISON 16-31-0113 ^ PLAYERS 16-14-0024 ^ POSITED 17-01-0445 o PREMEDITATED 17-03-1626 o PRISONS 17-15-0116 ^ PLAYGROUNDS 18-05-0352 ^ POSITION 14-03-0043 o PREMIUM 17-03-0219 o PRIVATE 16-14-0003 o PLAYING 13-03-0106 o POSSESS 13-02-0032 o PREMONITIONS 18-05-0275 ^ PRIVATELY 14-02-0034 o PLAYS 16-12-0341 o POSSESSED 17-03-0353 o PREPARATION 16-12-0211 ^ PRIVILEGE 17-03-0211 ^ PLAYSCRIPT 18-07-0231 ^ POSSESSION 16-12-0072 ^ PREPARED 17-03-0903 o PRIVILEGED 15-02-0018 o PLAYTHING 17-03-1633 ^ POSSIBILITIES 15-06-0088 ^ PREPARING 16-11-0032 o PRIVILEGES 17-13-0015 ^ PLEASANT 17-03-1236 o POSSIBILITY 15-02-0027 ^ PREROGATIVES 18-06-0014 ^ PRO-OBJECTIVE 17-10-0063 o PLEASANTLY-COLOURED 17-03-0446 o POSSIBLE 13-01-0100 o PRESCRIBED 17-01-0063 o PROBABILITY 14-03-0068 ^ PLEASE 13-03-0021 o POSSUM 15-05-0039 ^ PRESENCE 14-02-0058 ^ PROBABLY 16-12-0172 o PLEASED 16-12-0021 o POSTCARD 18-07-0183 ^ PRESENT 14-03-0173 o PROBED 17-04-0016 o PLEASING 17-03-0961 o POSTED 17-10-0091 o PRESENTATION 14-03-0113 ^ PROBLEM 17-01-0468 ^ PLEASURE 17-03-0325 ^ POSTER 18-07-0107 ^ PRESENTED 14-08-0089 o PROBLEMS 16-12-0271 ^ PLEDGE 17-19-0107 o POSTERS 13-02-0018 ^ PRESENTING 14-03-0180 o PROCEDURAL 18-07-0008 o PLENTITUDE 17-01-0062 ^ POSTPONEMENT 17-20-0069 ^ PRESENTS 16-12-0273 o PROCEDURE 17-03-1581 ^ PLIABLE 18-03-0013 o POTENTIAL 14-03-0064 o PRESERVABLE 16-09-0020 o PROCEDURES 14-03-0128 ^ PLIERS 15-10-0093 ^ POTENTIALITIES 16-01-0111 ^ PRESERVED 16-09-0018 o PROCEED 15-06-0035 o PLOD 17-10-0295 o POTENTIALITY 17-20-0127 ^ PRESERVING 17-20-0073 o PROCEEDS 17-19-0070 o PLUCKED 17-15-0064 o POTENTIALLY 14-03-0007 o PRESIDENT 18-07-0237 ^ PROCESS 14-03-0075 o PLURALISED 17-01-0253 o POTENTIALS 17-10-0180 ^ PRESS 15-09-0002 ^ PROCESSES 16-09-0017 o PLURALISTIC 14-03-0055 o POUNDS 17-01-0012 ^ PRESSED 16-31-0049 o PROCESSION 15-06-0040 ^ PLYING 17-03-1120 o POUR 16-31-0089 o PRESSING 17-03-1524 o PROCLAIM 17-03-1035 o POACH 17-12-0021 o POVERTY 17-03-1431 ^ PRESSURE 17-03-0837 o PROCLAIMING 14-02-0057 o POACHED 17-15-0012 o POWDER-FILLED 18-05-0246 o PRESSURES 16-24-0002 o PROCLAMATION 13-03-0003 ^

SPC_OSP_INT.indd 100 10/30/18 10:59 AM SPC_OSP_INT.indd 101 10/30/18 10:59 AM PRODUCE 13-03-0016 o PROTECTING 17-01-0413 o PURR 17-16-0017 ^ RAISES 17-03-1352 o PRODUCED 13-02-0021 o PROTECTIVE 17-01-0430 o PURSUE 17-03-1065 o RAISING 17-03-1153 o PRODUCER 14-03-0120 ^ PROTÉGÉ 17-03-1617 ^ PURSUING 17-03-0637 o RAKING 16-23-0006 o PRODUCERS 14-08-0027 ^ PROTOCOL 18-07-0046 ^ PUS 17-03-0012 ^ RAN 17-03-1071 o PRODUCES 17-20-0048 o PROTOCOLS 18-07-0056 ^ PUSH 17-01-0211 o RANCOUR 17-03-1271 ^ PRODUCING 17-10-0168 o PROTOTYPICAL 18-06-0067 o PUSH-PULL 17-10-0352 o RANDOM 17-03-1468 o PRODUCT 17-06-0032 ^ PROUD 17-03-1060 o PUSHES 17-01-0011 o RANGE 15-06-0011 o PRODUCTION 13-01-0097 ^ PROUSTIAN 17-20-0078 o PUSHING 17-03-1548 o RANGING 17-20-0038 o PRODUCTIONS 18-07-0223 o PROVE 13-01-0095 o PUSS 15-06-0105 ^ RANK 17-03-0832 o PRODUCTS 16-14-0016 ^ PROVEN 18-05-0047 o PUSSING 17-15-0009 o RAPIDLY 17-03-0108 o PROGRAMME 13-03-0072 o PROVIDE 14-03-0169 o PUT 15-06-0117 o RAREFACTION 17-03-1564 ^ PROHIBIT 17-01-0189 o PROVIDENCE 17-03-1201 ^ PUTS 17-03-1623 o RARELY 14-02-0068 o PROHIBITED 17-06-0016 o PROVIDES 17-03-0331 o PUTTING 17-03-1281 o RAT 16-18-0015 ^ PROHIBITING 17-05-0001 o PROVOKE 16-07-0016 o QUALITIES 14-03-0139 ^ RATE 16-07-0032 o PROHIBITION 18-04-0009 ^ PROWLED 17-03-0862 o QUALITY 17-19-0058 o RATES 16-09-0027 o PROJECT 17-20-0079 o PROXIMATE 18-05-0248 o QUANTIFIABLE 17-10-0307 o RATHER 16-12-0082 x PROJECTED 16-09-0060 o PROXIMITIES 16-23-0024 ^ QUANTIFICATION 16-12-0046 ^ RATHOLE 17-01-0341 ^ PROJECTILES 18-05-0163 ^ PROXIMITY 17-01-0059 ^ QUANTIFIED 17-01-0252 o RATS 17-01-0002 ^ PROJECTING 18-05-0111 o PRUDENT 17-03-1314 o QUANTITIES 16-10-0017 ^ RATTLE 17-10-0234 o PROJECTION 17-15-0124 ^ PRY 14-02-0071 o QUANTITY 16-23-0001 ^ RATTLING 17-15-0015 o PROJECTIONS 16-14-0037 ^ PRYING 17-03-1602 o QUARTER 17-03-0231 ^ RAVAGES 17-03-1378 o PROJECTS 16-09-0059 ^ PSYCHOANALYST 14-08-0037 ^ QUARTERED 16-01-0100 o RAVEN 17-03-1283 ^ PROLETARIAN 16-12-0406 o PSYCHOPATHOLOGY 16-12-0431 ^ QUARTERS 17-01-0184 ^ RAVENOUS 17-03-0271 o PROLETARIANISM 16-12-0417 ^ PUBLIC 14-01-0001 o QUESTION 13-01-0044 o RAVENS 17-03-0642 ^ PROLONG 17-03-0176 o PUBLICATION 15-09-0049 ^ QUESTIONING 17-13-0003 o RAW 16-12-0164 o PROLONGED 17-03-0570 o PUBLICATIONS 18-07-0220 ^ QUESTIONS 17-03-1223 o RAZOR 17-03-0901 ^ PROMISE 17-03-0322 o PUBLICLY 15-03-0026 o QUICK 16-01-0107 o RE- 18-05-0249 x PROMISING 18-05-0022 o PUBLISHED 17-10-0099 o QUICKLIME 14-07-0025 ^ RE-ARTICULATION 17-20-0075 ^ PROMOTE 17-10-0161 o PUBLISHING 16-12-0111 o QUICKLY 17-03-1210 o RE-ASCENDS 17-03-0727 o PROMOTIONAL 17-19-0060 o PUDDLES 14-06-0034 ^ QUICKSAND 15-17-0028 ^ RE-ASSERT 17-13-0024 o PROMPTING 17-01-0269 o PULL 17-01-0363 o QUIET 16-12-0298 o RE-CATEGORISED 16-18-0016 o PRONOUNCEMENT 17-10-0001 ^ PULLED 16-17-0006 o QUIETLY 16-12-0284 o RE-COORDINATE 17-10-0235 o PROPAGANDA 16-12-0190 ^ PULLING 15-10-0038 o QUIETNESS 18-03-0028 ^ RE-DIRECTED 16-04-0004 o PROPAGATE 16-14-0043 o PULSE 16-31-0029 ^ QUITE 16-12-0043 x RE-ENACTED 14-01-0018 o PROPELLANT 15-10-0016 ^ PULVERISED 18-05-0244 o QUIVER 15-17-0009 ^ RE-ENACTING 17-18-0016 o PROPELLED 18-05-0165 o PUMMEL 17-01-0025 o QUIVERING 17-03-0968 o RE-ENACTMENT 17-20-0064 ^ PROPER 17-03-0831 o PUMMELLING 17-01-0435 o QUOTE 18-07-0156 ^ RE-ENACTMENTS 17-20-0041 ^ PROPERTIES 14-03-0150 ^ PUMPS 17-03-0134 o QUOTING 15-10-0062 o RE-ENVISIONED 16-18-0004 o PROPERTY 14-02-0037 ^ PUNCHED 16-28-0006 o RABID 14-07-0003 ^ RE-INTERPRETATION 17-20-0013 ^ PROPHESY 16-12-0432 o PUNCTUATION 18-07-0018 ^ RABIES 14-09-0037 ^ RE-INTERPRETED 17-10-0109 o PROPOSAL 17-10-0110 ^ PUNCTURE 17-10-0324 o RACE 17-03-0359 o RE-LEARN 15-01-0052 o PROPOSALS 14-02-0015 ^ PUNISHMENT 17-03-1017 ^ RADIATING 16-01-0027 o RE-OCCUPIED 17-10-0305 o PROPOSE 13-01-0054 ^ PUNITIVE 17-06-0053 o RADICAL 14-03-0026 o RE-ORDERINGS 17-10-0201 ^ PROPOSED 16-07-0015 o PURCHASE 17-19-0029 ^ RADIO 18-07-0222 ^ RE-PRESENTED 14-01-0020 o PROPOSING 15-06-0087 o PURCHASED 18-01-0014 o RAG-PICKER 17-05-0010 ^ RE-PRESENTING 14-03-0167 o PROPOSITION 17-19-0005 ^ PURCHASER 17-19-0089 ^ RAG-PICKING 18-03-0046 o RE-RAVEL 18-03-0032 o PROPOSITIONAL 13-01-0005 o PURE 17-03-0330 o RAGE 17-03-0264 o RE-READING 17-10-0169 o PROPOSITIONS 14-02-0077 ^ PURER 14-08-0124 o RAGING 17-03-0189 o RE-READINGS 17-20-0050 ^ PROPPED 17-01-0037 o PURITY 16-31-0104 ^ RAGS 16-25-0051 ^ RE-RELATE 17-01-0217 o PROPRIETARY 18-07-0039 o PURPORT 18-05-0092 o RAILING 16-12-0320 ^ RE-SETS 16-01-0129 o PROTAGONIST 16-01-0016 ^ PURPORTS 18-05-0102 o RAIN 16-01-0081 ^ RE-USABLE 18-05-0310 o PROTECT 17-01-0298 o PURPOSE 17-19-0097 ^ RAINS 17-10-0006 ^ REACH 14-04-0042 o PROTECTED 17-19-0093 o PURPOSES 17-19-0062 ^ RAISED 17-01-0487 o REACHED 17-03-0869 o

SPC_OSP_INT.indd 102 10/30/18 10:59 AM SPC_OSP_INT.indd 103 10/30/18 10:59 AM REACHES 18-05-0325 ^ RECOGNITION 17-01-0285 ^ REFLECTIVITIES 16-25-0030 ^ RELEASE 15-09-0003 o REACHING 17-03-0258 o RECOLLECTION 15-06-0034 ^ REFLECTS 17-01-0261 o RELEASED 15-10-0004 o REACT 16-14-0033 o RECOMBINATION 17-06-0037 ^ REFLEX 18-05-0355 ^ RELEVANT 14-03-0070 o REACTING 17-10-0092 o RECOMMENDED 17-03-0104 o REFLEXIVE 18-05-0374 o RELINQUISH 16-14-0004 o REACTIONS 17-10-0100 ^ RECONFIGURATION 14-02-0026 ^ REFORMATTINGS 17-10-0202 ^ REMAIN 14-08-0094 o READ 16-12-0398 o RECONFIGURE 15-09-0050 o REFORMED 17-03-1498 o REMAINED 16-31-0094 o READABLE 18-05-0039 o RECONFIGURED 14-01-0017 o REFORMULATE 16-01-0021 o REMAINING 17-01-0023 o READER 18-05-0326 ^ RECONFIGURING 17-11-0009 o REFORMULATED 14-06-0003 o REMAINS 17-03-1162 o READERS 18-05-0337 ^ RECONNECTED 17-10-0171 o REFORMULATES 17-01-0395 o REMEMBER 17-01-0134 o READING 16-12-0349 ^ RECONSIDER 16-12-0040 o REFORMULATING 15-03-0024 o REMEMBERED 16-16-0021 o READINGS 16-12-0387 ^ RECONSIDERATION 17-20-0059 ^ REFORMULATIONS 16-01-0015 ^ REMINDING 18-05-0444 o READY 17-03-0806 o RECONSTITUTE 16-09-0063 o REFRACT 16-26-0017 o REMINDS 15-06-0028 o REAL 14-03-0012 o RECONSTITUTED 17-04-0026 o REFRACTED 16-04-0003 o REMINISCENT 17-03-0959 o REALIGN 16-10-0009 o RECONSTITUTING 17-01-0177 o REFRACTING 16-02-0007 o REMIX 17-18-0038 ^ REALISABLE 16-09-0021 o RECONSTRUCTED 16-18-0005 o REFRACTS 17-01-0035 o REMORSE 17-03-0694 ^ REALISATION 18-05-0028 ^ RECONSTRUCTION 17-20-0046 ^ REFRAINING 18-05-0379 o REMOVAL 17-15-0067 ^ REALISE 17-10-0174 o RECONSTRUCTIONS 17-20-0039 ^ REFRIGERATORS 16-01-0057 ^ REMOVALS 18-05-0368 ^ REALISM 15-01-0038 ^ RECORD 15-02-0022 ^ REFUNCTION 16-01-0083 o REMOVE 15-01-0028 o REALIST 14-01-0023 o RECORDED 14-03-0184 o REFUSAL 14-08-0108 ^ REMOVED 15-03-0063 o REALITIES 14-03-0084 ^ RECORDING 14-03-0054 ^ REFUSE 16-31-0062 o REMOVING 18-05-0098 o REALITY 14-04-0044 ^ RECORDINGS 14-03-0168 ^ REGARDING 14-03-0121 o RENDER 15-10-0103 o REALLY 16-12-0030 x RECORDIST 14-03-0073 ^ REGARDS 15-03-0003 ^ RENDERED 17-12-0020 o REALM 17-03-1419 ^ RECORDS 18-05-0256 ^ REGIME 16-01-0056 ^ RENDING 17-03-0607 o REANIMATE 18-03-0035 o RECOUNT 17-03-1477 ^ REGIMES 16-10-0005 ^ RENEWED 17-03-0906 o REANIMATION 15-06-0082 ^ RECOURSE 18-03-0045 o REGION 16-12-0327 ^ RENT 17-15-0115 o REAP 17-01-0357 o RECTANGLE 17-03-1445 ^ REGIONS 17-03-1098 ^ REOPEN 17-03-1469 o REAPPEAR 17-03-0297 o RECTANGLES 16-31-0052 ^ REGISTERED 18-07-0007 o REORDERED 16-25-0061 o REARRANGEABLE 18-05-0276 o RECTANGULAR 18-05-0195 o REGULATE 17-01-0296 o REORDERER 17-15-0091 ^ REARRANGED 16-28-0030 o RED 15-10-0065 o REGURGITATED 16-18-0006 o REORDERS 17-10-0182 o REASON 16-12-0060 o REDACT 17-02-0007 o REHEARSED 14-02-0082 o REORGANISES 17-10-0186 o REASONS 16-12-0268 o REDACTED 17-10-0007 o REIFIED 17-01-0218 o REPEAT 13-03-0045 o REASSIGNED 16-10-0013 o REDACTION 17-15-0084 ^ REIFY 14-08-0110 o REPEATABLE 18-05-0215 o REASSUME 17-03-0653 o REDACTIONS 17-10-0204 ^ REIFYING 17-01-0414 o REPEATED 16-12-0386 o REBUILD 14-06-0020 o REDACTS 18-05-0308 o REIGNED 17-03-1572 o REPENT 17-03-0088 o RECALIBRATING 18-05-0354 o REDBREAST 17-15-0100 ^ REIGNITE 17-13-0008 o REPETITION 16-12-0385 ^ RECALIBRATIONS 18-05-0429 ^ REDDER 16-12-0482 o REINFORCED 17-01-0412 o REPLACE 17-10-0121 o RECALL 17-03-0172 o REDISCOVER 16-12-0397 o REITERATIONS 17-20-0049 ^ REPLACED 16-11-0008 o RECEDE 16-25-0012 o REDOUBLES 17-03-0151 o REJECT 13-01-0030 o REPLACING 18-05-0097 o RECEDING 16-09-0024 o REDUNDANCY 13-01-0083 ^ REJECTED 17-03-0094 o REPLICATE 17-01-0140 o RECEIPT 17-10-0004 ^ REDUNDANT 13-01-0080 o REJECTING 16-14-0035 o REPLICATED 17-01-0093 o RECEIVE 17-19-0074 o REEF 17-03-0305 ^ RELATE 14-03-0157 o REPLICATING 18-05-0103 o RECEIVED 14-02-0048 o REEFS 17-03-0853 ^ RELATED 17-01-0048 o REPLICATION 16-09-0037 ^ RECEIVER 17-10-0239 ^ REEKS 17-03-1196 o RELATION 14-03-0141 ^ REPLICATIONS 18-05-0086 ^ RECEIVERS 14-08-0106 ^ REFERENCE 18-07-0199 o RELATION-CENTRIC 18-05-0173 o REPLIES 17-03-1466 o RECEIVING 17-19-0085 o REFERENCED 18-05-0158 o RELATIONAL 15-03-0038 o REPLY 16-06-0024 ^ RECENTLY 16-12-0249 o REFERENTIALITY 17-20-0091 ^ RELATIONALITIES 17-10-0172 ^ REPORT 17-20-0072 o RECEPTION 13-03-0024 ^ REFERRED 17-19-0034 o RELATIONALLY 17-10-0140 o REPORTAGE 17-20-0030 ^ RECESSIONS 18-05-0433 ^ REFLECT 14-06-0032 o RELATIONS 16-01-0043 ^ REPORTED 16-12-0467 o RECITAL 18-03-0001 ^ REFLECTING 16-16-0011 o RELATIONSHIP 14-08-0117 ^ REPOSITIONING 16-25-0052 o RECITED 15-09-0026 o REFLECTION 14-03-0162 ^ RELATIONSHIPS 18-07-0087 ^ REPRESENT 16-14-0022 o RECKONING 17-03-1589 o REFLECTIONS 16-01-0110 ^ RELATIVE 17-01-0257 o REPRESENTABLE 16-14-0028 o RECLAIM 17-13-0004 o REFLECTIVE 14-03-0165 o RELATIVELY 17-10-0146 o REPRESENTATION 17-13-0006 ^ RECODED 16-26-0006 o REFLECTIVELY 14-03-0166 o RELATIVISE 17-10-0303 o REPRESENTATIONAL 16-14-0002 o

SPC_OSP_INT.indd 104 10/30/18 10:59 AM SPC_OSP_INT.indd 105 10/30/18 10:59 AM REPRESENTATIONS 16-14-0012 ^ RESTRICTED 18-05-0078 o RISES 18-05-0391 o RUINS 14-06-0019 ^ REPRESENTATIVE 16-01-0055 ^ RESTRICTION 18-04-0002 ^ RISING 15-06-0109 o RULE 16-12-0278 o REPRESENTED 16-25-0068 o RESTRUCTURES 16-12-0361 o RISKING 17-15-0041 o RULES 16-01-0039 o REPRESENTING 17-19-0023 o RESTRUCTURING 16-12-0329 o RITUALISING 18-05-0042 o RUMMAGING 17-05-0003 o REPRESENTS 17-15-0080 o RESULT 17-03-1358 ^ RIVER 17-03-0665 ^ RUMOURS 17-03-0721 ^ REPRISE 18-07-0102 o RESULTING 18-07-0109 o RIVERS 17-03-0013 ^ RUN 16-12-0105 o REPROACHES 17-03-1198 o RESUME 17-03-1462 o RIVETED 17-03-0299 o RUNNERS 17-03-0679 ^ REPROCESS 17-10-0115 o RESUSCITATE 18-06-0028 o ROAD 17-01-0166 ^ RUNNING 17-03-0975 o REPRODUCE 18-05-0093 o RESUSCITATED 18-03-0024 o ROADS 17-03-1082 ^ RUNS 17-21-0002 o REPRODUCIBLE 18-05-0148 o RETAIN 17-10-0057 o ROARING 17-03-0260 o RUSH 17-03-0630 o REPRODUCTION 17-19-0059 ^ RETAINABLE 17-10-0013 o ROCK 17-01-0228 ^ RUTHLESS 17-12-0036 o REPRODUCTIONS 17-19-0096 ^ RETAINING 18-05-0335 o ROCKED 17-03-0338 o RUTHLESSLY 18-05-0356 o REPUDIATION 17-20-0097 ^ RETAINS 18-07-0014 o ROCKS 17-03-0115 ^ SACRED 17-03-0785 o REPURPOSED 17-10-0351 o RETINAS 18-01-0007 ^ ROLE 14-03-0048 ^ SACRIFICES 17-03-0243 o REQUEST 14-03-0125 ^ RETRACTS 16-01-0139 o ROLES 14-08-0025 ^ SACRIFICIAL 17-03-1347 o REQUIRE 16-28-0002 o RETREAT 17-10-0284 ^ ROLL 16-12-0506 o SADLY 17-03-1557 o REQUIRED 17-10-0287 o RETROACTIVELY 18-07-0069 o ROLLED 17-03-1526 o SAFE 17-03-0865 o REQUIRES 17-10-0247 o RETURN 16-12-0371 o ROLLING 16-12-0499 o SAFETY 17-03-0043 ^ REQUIRING 17-19-0094 o RETURNED 15-17-0016 o ROMANCE 14-08-0115 ^ SAID 16-12-0054 o RESCUE 17-03-0980 o RETURNING 17-03-0864 o ROMANTIC 17-03-1125 o SAIL 17-01-0225 ^ RESEMBLE 17-03-0938 o RETURNS 17-03-0688 o ROME 18-07-0178 ^ SAILS 16-28-0005 o RESENTMENT 17-03-1501 ^ REVEAL 13-03-0075 o ROOF 18-07-0246 ^ SAINT 16-12-0160 ^ RESERVE 13-03-0073 o REVEALED 16-28-0032 o ROOFS 17-01-0155 ^ SALE 15-10-0043 ^ RESERVED 15-21-0002 o REVEALING 17-01-0281 o ROOM 14-02-0020 ^ SALES 17-19-0022 ^ RESERVES 18-01-0009 o REVENUE 17-18-0025 ^ ROOMS 17-03-1552 ^ SALIVA 17-03-0443 ^ RESERVING 18-07-0175 o REVERBERATE 18-05-0445 o ROOT 17-03-0023 ^ SALIVATE 16-25-0021 o RESET 16-01-0033 o REVERBERATING 16-23-0016 o ROOTS 17-10-0196 ^ SALT 17-03-0138 ^ RESETTING 17-20-0122 o REVERBERATION 15-06-0020 ^ ROPE 16-12-0169 ^ SALVES 17-15-0011 ^ RESIDENCE 17-03-0035 ^ REVERSE 17-01-0080 ^ ROPE-WALKING 17-03-1435 o SAME 15-06-0118 o RESIDING 17-01-0046 o REVIVE 17-03-1551 o ROPES 17-04-0007 ^ SANCTIONED 17-01-0070 o RESIGNATION 17-03-0157 ^ REVOLTING 18-06-0050 o ROSE 17-03-0057 ^ SAND 17-01-0229 ^ RESILIENCIES 17-01-0493 ^ REVOLTS 18-06-0045 ^ ROSE-COLOUR 16-01-0076 o SANDALS 17-03-1080 ^ RESIST 17-10-0217 o REVOLVING 17-03-0710 o ROSE-COLOURED 16-31-0071 o SANDGRAINS 17-07-0002 ^ RESISTANCE 15-05-0028 ^ REWARD 17-03-0052 ^ ROSES 15-10-0086 ^ SANG 17-03-1241 o RESISTIVE 16-14-0045 o REWIND 16-12-0443 o ROT 17-01-0293 ^ SANITARY 17-10-0274 o RESISTS 17-03-0594 o RHETORICAL 17-01-0428 o ROTTED 17-01-0125 o SANK 16-01-0137 o RESOLUTION 17-03-0324 ^ RHODODENDRON 17-01-0274 ^ ROTTEN 16-31-0042 o SAT 16-31-0044 o RESOLVED 17-03-1128 o RID 17-03-1511 o ROTTENNESS 17-03-0032 ^ SATED 17-03-0328 o RESOLVES 17-03-0175 o RIDDLED 17-03-0003 o ROTTING 15-06-0111 o SATIN 17-06-0007 ^ RESOUNDING 17-03-0878 o RIDES 18-05-0395 o ROUGH 17-03-0632 o SATISFACTORY 17-20-0107 o RESPECTFUL 17-03-1047 o RIFLE 17-03-0280 ^ ROUND 17-03-1075 o SATISFIED 17-20-0086 o RESPECTIVE 17-03-0795 o RIGHT 13-03-0074 o ROUTE 17-03-1067 ^ SATURDAY 15-03-0004 o RESPLENDENT 17-03-0969 o RIGHTS 14-05-0007 ^ ROUTES 16-01-0096 ^ SAVAGE 17-03-0802 o RESPOND 17-20-0014 o RIGID 17-01-0024 o ROWS 17-15-0120 o SAVED 17-03-0456 o RESPONDS 17-10-0183 o RINGS 17-03-0751 ^ RUB 18-05-0389 o SAVING 17-03-0391 o RESPONSE 18-07-0138 o RINSED 17-10-0005 o RUBBER 18-05-0307 ^ SAW 16-12-0364 o RESPONSIBILITIES 16-25-0069 ^ RIP 16-09-0065 o RUBBER-BANDS 18-05-0446 ^ SAWS 17-16-0014 ^ RESPONSIBILITY 17-10-0273 ^ RIPE 17-01-0369 o RUBBING 18-05-0203 o SAY 14-08-0033 o REST 17-03-0386 o RIPPED 18-05-0187 o RUBBLE 14-06-0021 ^ SAYING 16-12-0193 o RESTAGING 17-20-0017 o RIPPING 17-01-0370 o RUDDY 17-03-1579 o SAYS 17-03-0169 o RESTAURANT 17-03-1612 ^ RIPPLE 16-28-0059 ^ RUDIMENTS 17-03-1224 ^ SCABS 17-03-0008 ^ RESTORE 17-03-0982 o RIPS 17-01-0017 o RUG 16-12-0255 ^ SCAFFOLD 15-17-0001 ^ RESTRAINT 17-10-0275 ^ RISE 17-03-0833 o RUINED 16-09-0019 o SCAFFOLD-SPECTACULAR 18-05-0132 o

SPC_OSP_INT.indd 106 10/30/18 10:59 AM SPC_OSP_INT.indd 107 10/30/18 10:59 AM SCAFFOLDINGS 16-01-0079 ^ SCULPTURE 17-20-0006 ^ SELLERS 17-03-1106 ^ SHAPES 14-04-0013 ^ SCAFFOLDS 17-12-0032 ^ SEA 16-28-0038 ^ SELVES 18-05-0046 ^ SHARDS 17-15-0038 ^ SCALE 15-03-0040 o SEA-MONSTERS 17-03-0395 ^ SEND 17-03-0585 o SHARE 17-03-0406 o SCALED 15-17-0014 o SEALED 17-01-0038 o SENDER 17-10-0238 ^ SHARED 15-09-0018 o SCALES 17-03-0009 o SEAMS 14-02-0102 ^ SENDING 14-04-0034 o SHARK 17-03-0414 ^ SCALING 17-04-0019 o SEARCH 14-03-0030 o SENSATION 17-03-1228 ^ SHARKS 17-03-0401 ^ SCALPEL 17-03-1368 ^ SEARCHED 14-03-0060 o SENSATIONAL 16-12-0168 o SHARP 17-01-0006 o SCAMP 17-03-1262 ^ SEARCHES 17-03-0790 ^ SENSE 16-12-0124 ^ SHARPER 16-01-0126 o SCAR 16-31-0030 ^ SEARCHING 14-03-0047 o SENSES 17-10-0053 ^ SHATTER 16-06-0004 o SCARCITY 17-01-0145 ^ SEAS 17-03-0400 ^ SENSUAL 18-01-0013 o SHATTERED 17-01-0108 o SCARS 17-04-0010 ^ SEASHORE 17-03-0612 ^ SENSUALLY 16-12-0315 o SHATTERS 17-01-0147 o SCATTER 15-06-0092 o SEAT 15-21-0001 ^ SENT 15-10-0079 o SHAVINGS 17-12-0038 ^ SCATTERABLE 18-05-0184 o SEATS 18-07-0176 ^ SENTENCES 14-04-0038 ^ SHE 16-01-0151 x SCATTERING 17-12-0006 o SEAWEED 17-03-0493 ^ SEPARATE 17-03-0997 o SHED 17-03-0707 ^ SCAVENGING 16-11-0019 o SECESSION 14-03-0097 ^ SEPARATELY 17-01-0187 o SHEEN 13-04-0013 ^ SCENARIOS 14-03-0066 ^ SECLUDED 16-21-0005 o SEPARATION 18-05-0279 ^ SHEEP 17-03-0161 ^ SCENE 15-09-0022 ^ SECOND 16-12-0145 o SEPTEMBER 17-18-0001 o SHEET 18-05-0303 ^ SCENES 15-11-0004 ^ SECONDARY 17-10-0344 o SEPULCHRE 17-03-0127 ^ SHEETROCK 17-01-0322 ^ SCENOGRAPHER 17-10-0181 ^ SECONDS 17-03-0177 o SEQUENCE 16-01-0049 ^ SHEETS 18-07-0235 ^ SCENOGRAPHIC 17-10-0175 o SECRET 17-03-0696 o SEQUENCES 15-03-0058 o SHELL 17-03-0205 ^ SCENOGRAPHICALLY-SET 17-10-0350 o SECRETLY 14-07-0011 o SEQUENCING 16-23-0028 o SHIFT 14-03-0053 ^ SCENOGRAPHIES 17-10-0173 ^ SECTION 17-06-0001 ^ SERIES 16-01-0041 ^ SHIFTED 15-10-0116 o SCENOGRAPHY 17-10-0185 ^ SECTIONS 18-07-0250 o SERVANTS 17-03-1168 ^ SHIFTING 13-01-0051 ^ SCENTS 17-11-0012 ^ SECURED 17-19-0101 o SERVE 13-03-0038 o SHIFTS 14-03-0049 o SCHEDULE 17-19-0054 ^ SECURITY 17-19-0091 ^ SERVED 18-07-0187 o SHINE 17-03-1164 o SCHEMES 17-03-0808 o SEDATIVE 16-31-0040 ^ SERVERS 15-15-0006 ^ SHIP 16-01-0131 ^ SCHOOLS 17-10-0086 ^ SEE 14-02-0104 o SERVICE 14-08-0079 ^ SHIP-WRECKED 17-03-1351 o SCIENCE 17-03-0704 ^ SEED 17-10-0072 ^ SET 14-03-0063 ^ SHIPWRECK 16-28-0001 ^ SCISSORS 17-10-0214 ^ SEEING 15-10-0064 o SETBACK 17-03-0827 o SHIPWRECKED 17-16-0030 o SCOOPED 18-05-0228 o SEEK 14-02-0044 o SETS 15-03-0053 ^ SHIPWRECKS 18-05-0432 ^ SCOPE 18-05-0193 ^ SEEKING 17-01-0499 o SETTING 17-10-0123 ^ SHIT 16-12-0454 ^ SCORCHED 16-01-0069 o SEEKS 17-10-0094 o SEVERAL 16-12-0375 o SHITTING 16-11-0017 o SCORE 17-18-0008 o SEEM 17-01-0081 x SEVERANCE 18-05-0156 ^ SHITTY 16-12-0380 o SCORNER 17-03-0729 o SEEMED 16-12-0382 o SEVERELY 17-03-0697 o SHIVERS 18-05-0441 o SCOURED 14-07-0001 o SEEMS 16-01-0035 x SEVERING 17-15-0073 ^ SHOE 17-03-1176 ^ SCOURGE 14-08-0006 ^ SEEN 15-06-0062 o SEWED 17-03-1246 o SHOES 15-05-0054 ^ SCRAPED 17-15-0003 o SEEP 16-25-0006 o SEWER 15-10-0119 ^ SHOOTS 18-05-0402 o SCRAPES 17-10-0008 ^ SEEPS 16-30-0007 o SEWERS 15-05-0058 ^ SHORE 17-03-0251 ^ SCRAPS 14-06-0023 ^ SEES 17-03-0604 o SEWING 17-06-0036 o SHORELINES 16-01-0094 ^ SCRATCH 17-01-0009 ^ SEETHED 17-03-1502 o SEWN 18-05-0334 o SHORT 16-12-0441 o SCRATCHING 17-10-0128 o SEGMENTS 16-31-0124 o SEX 17-18-0006 ^ SHOT 16-01-0108 o SCREAMS 18-05-0403 ^ SEIZE 17-03-1156 o SEXY 15-04-0003 o SHOULD 14-08-0069 x SCREEN 16-31-0056 ^ SEIZED 18-04-0012 o SFYRIA 18-03-0054 ^ SHOULDER 17-03-0285 ^ SCREENING 16-01-0062 o SELECTED 14-03-0185 o SHADE 17-03-1303 ^ SHOULDERS 17-03-1053 ^ SCRIPT 16-12-0245 ^ SELECTION 14-03-0109 ^ SHADOW 15-06-0123 ^ SHOUT 17-03-0650 ^ SCRIPT-ENACTING 17-10-0105 o SELF 18-05-0071 ^ SHADOWS 15-01-0051 ^ SHOW 16-31-0063 o SCRIPT-FORMING 17-10-0104 o SELF-ABASEMENT 17-03-1636 ^ SHADOWY 17-03-0661 o SHOWED 16-31-0048 o SCRIPT-LIKE 18-06-0013 o SELF-BLINDING 18-01-0006 o SHAFT 18-05-0269 ^ SHOWING 16-12-0231 o SCRIPT-WRITER 17-10-0332 ^ SELF-RENEWING 17-01-0388 o SHALL 17-03-0998 x SHOWN 17-01-0152 o SCRIPTED 15-09-0042 o SELF-REPLICATING 17-01-0219 o SHAME 16-12-0297 ^ SHOWS 16-12-0044 ^ SCRIPTS 15-10-0056 ^ SELF-REPLICATION 18-05-0172 ^ SHAPE 15-10-0117 o SHRAPNEL 16-26-0010 ^ SCRUBBED 17-10-0016 o SELFHOOD 18-05-0096 ^ SHAPELESS 17-03-1381 o SHREDDED 17-10-0317 o SCULPTED 18-05-0309 o SELL 17-19-0069 o SHAPENED 17-15-0051 o SHREDS 17-03-0119 ^

SPC_OSP_INT.indd 108 10/30/18 10:59 AM SPC_OSP_INT.indd 109 10/30/18 10:59 AM SHRIEKING 17-03-0691 o SINGULAR 14-03-0032 o SLIPS 15-10-0099 o SOLDERED 17-04-0002 o SHRIEKS 17-03-0971 ^ SINGULARITY 15-03-0001 ^ SLIT 17-03-0930 ^ SOLE 17-01-0325 o SHRILL 17-01-0467 o SINISTER 17-03-0718 o SLITHERS 18-05-0397 o SOLEMN 17-03-0342 o SHUDDERS 16-01-0026 o SINK 17-01-0233 o SLOPES 17-03-0760 ^ SOLEMNITY 17-03-1627 ^ SHUSHED 16-12-0299 o SINKING 17-03-0145 o SLOW 15-06-0051 o SOLID 17-01-0396 o SHUT 16-12-0490 o SINKS 17-01-0039 o SLOWED 17-03-1072 o SOLIDS 15-10-0005 ^ SHUTTER 18-07-0212 ^ SISTER 17-03-0478 ^ SLOWER 16-09-0028 o SOLITARY 17-03-0672 o SHUTTERED 18-07-0124 o SISTERS 17-03-1506 ^ SLOWLY 16-01-0117 o SOLITUDE 15-10-0037 ^ SICKENING 15-04-0004 o SIT 16-12-0289 o SLUGGISHNESS 17-03-1407 ^ SOLO 18-01-0002 o SIDE 14-07-0023 o SITE 14-02-0063 ^ SLUMBERING 17-03-0266 o SOLVED 16-12-0274 o SIDES 17-03-0133 o SITES 15-10-0045 ^ SLURP 17-01-0345 ^ SOLVENTS 17-10-0019 ^ SIDEWALK 15-09-0038 ^ SITS 17-13-0016 o SLYLY 17-03-1280 o SOME 15-01-0046 x SIEGE 18-07-0003 o SITTING 16-12-0292 o SMALL 15-03-0041 o SOMEHOW 16-12-0136 o SIGHS 18-05-0443 ^ SITUATE 14-09-0029 o SMART 16-12-0312 o SOMEONE 16-12-0141 x SIGHT 17-03-0357 ^ SITUATED 16-10-0014 o SMASH 17-01-0342 o SOMETHING 16-12-0096 x SIGN 17-18-0021 ^ SITUATING 16-17-0001 o SMASHING 17-01-0450 o SOMETIMES 16-12-0428 o SIGNAGE 18-07-0129 ^ SITUATION 14-03-0057 ^ SMELL 16-31-0027 ^ SOMEWHAT 16-12-0330 x SIGNALLING 18-05-0143 o SITUATIONS 14-03-0065 ^ SMELLING 15-05-0048 o SOMEWHERE 16-12-0322 o SIGNALS 14-04-0035 ^ SIX 17-02-0001 o SMILE 17-03-1143 ^ SON 16-12-0006 ^ SIGNED 17-19-0118 o SIXTEEN 17-03-0309 o SMILING 16-01-0059 o SONATA 16-31-0006 ^ SIGNIFICANT 15-03-0048 o SIXTEENTHED 18-05-0177 o SMOG 18-07-0189 ^ SONG 17-05-0009 ^ SIGNING 17-19-0042 o SIXTY 17-19-0047 o SMOKE 15-17-0003 ^ SONGS 17-03-1508 ^ SIGNS 14-02-0051 ^ SIZE 17-03-0109 ^ SMOOTH 17-03-0886 o SONIC 18-05-0108 o SILENCE 13-01-0103 ^ SIZED 15-03-0043 o SMOOTHING 17-01-0008 o SOON 15-10-0098 o SILENCED 16-31-0116 o SIZES 16-23-0021 ^ SMOTHERED 17-16-0012 o SOONER 17-03-0087 o SILENCERS 15-10-0046 ^ SKELETAL 17-10-0290 o SNAKE 17-03-1391 ^ SOOT 14-08-0042 ^ SILENCES 17-15-0106 o SKILFULLY 17-03-1122 o SNAP 17-03-1321 o SORE 17-03-1147 o SILENCING 18-05-0357 o SKILL 17-03-0437 ^ SNAPPED 17-01-0129 o SORRY 16-12-0285 o SILENT 16-11-0027 o SKIN 15-06-0013 ^ SNAPS 17-03-0424 o SORT 17-03-0025 o SILENTLY 14-02-0055 o SKIN-FLAKES 14-08-0043 ^ SNATCH 17-03-0943 o SORTS 17-02-0005 o SILK 17-03-1256 ^ SKINS 16-20-0007 ^ SNEAK 14-02-0093 o SOUGHT 17-03-0048 o SILKSCREEN 18-04-0029 ^ SKIPPING 17-03-1265 o SNOUTED 17-03-1330 o SOUL 16-31-0112 ^ SILKSCREENED 18-07-0115 o SKULL 15-06-0015 ^ SNOW-PLOUGH 17-03-1099 ^ SOULS 17-03-0923 ^ SILVER 18-07-0095 ^ SKULLS 17-10-0227 ^ SO 14-09-0014 x SOUND 14-04-0036 ^ SIMILAR 17-03-0520 x SKY 15-05-0063 ^ SO-CALLED 16-12-0449 o SOUND-COLLECTING 18-03-0048 o SIMPLE 16-12-0122 o SLAMMING 17-03-1542 o SOAR 17-03-0666 o SOUND-TO-SIGNAL 18-05-0253 o SIMPLEST 16-01-0036 o SLANT 17-18-0020 o SOARS 17-03-0597 o SOUND-WAVES 18-03-0016 ^ SIMPLY 16-12-0410 o SLAPPED 17-03-1058 o SOCIAL 14-03-0143 o SOUNDED 18-05-0183 o SIMULATIONS 14-03-0086 ^ SLAVE 16-06-0026 ^ SOCIAL-RELATIONS 17-10-0097 ^ SOUNDS 13-01-0102 ^ SIMULTANEITY 16-12-0052 ^ SLEDGEHAMMER 16-06-0003 ^ SOCIALISM 16-12-0069 ^ SOUNDWAVE 18-05-0250 ^ SIMULTANEOUS 16-02-0023 o SLEEP 16-12-0012 ^ SOCIALLY 16-12-0505 o SOUNDWAVES 15-15-0008 ^ SIMULTANEOUSLY 17-10-0043 o SLEEPING 17-03-1302 o SOCIETAL 17-10-0083 o SOUP 16-07-0001 ^ SIN 17-18-0005 ^ SLEEPS 16-02-0006 o SOCIETIES 17-10-0160 ^ SOURCE 17-01-0389 ^ SINAI 16-31-0100 ^ SLEEVE 17-03-1345 ^ SOCIETY 16-14-0026 ^ SOUTHEASTERN 16-12-0334 o SINCE 14-02-0067 x SLEPT 17-03-0515 o SOCIO-CULTURAL 16-14-0023 o SOUVENIR 17-03-0841 ^ SINCERELY 17-03-0341 o SLICE 17-01-0339 ^ SOCIO-POLITICAL 16-09-0042 o SPACE 13-01-0011 ^ SINCERITY 17-03-1484 ^ SLICING 17-01-0448 o SOCIOGRAPHIC 14-01-0024 o SPACE-TIME 18-05-0296 ^ SINEWY 17-03-0482 o SLID 16-31-0051 o SOCKET 16-01-0140 ^ SPACES 14-03-0189 ^ SING 17-03-1278 o SLIGHT 16-26-0026 o SOFT 17-01-0238 o SPADE 17-03-0543 ^ SINGED 17-03-0681 o SLIGHTEST 17-03-1568 o SOFTENED 18-05-0227 o SPAIN 16-04-0010 ^ SINGING 18-05-0358 o SLIM 17-03-1045 o SOFTLY 17-02-0019 o SPAN 17-03-0670 ^ SINGLE 15-21-0005 o SLIP 14-06-0027 o SOIL 15-06-0115 ^ SPARE 17-03-1338 o SINGS 16-06-0023 o SLIPPED 16-01-0090 o SOLD 17-19-0024 o SPARK 15-17-0024 ^

SPC_OSP_INT.indd 110 10/30/18 10:59 AM SPC_OSP_INT.indd 111 10/30/18 10:59 AM SPARKLING 13-04-0012 o SPREAD 16-13-0002 o STATUS 16-14-0006 ^ STRATEGY 14-02-0096 ^ SPARSELY 17-15-0014 o SPREADS 17-03-0512 o STAY 16-06-0006 o STRAW 17-03-0817 ^ SPASMODIC 17-03-0191 o SPREES 18-05-0407 ^ STEADY 17-03-1455 o STRAYING 17-03-1061 o SPASMS 16-01-0045 ^ SPRING 15-10-0018 ^ STEAL 17-01-0383 o STREAMING 17-03-0298 o SPATIAL 14-03-0152 o SPROUTED 16-31-0083 o STEEL 17-03-0448 ^ STREAMS 17-03-0557 ^ SPATIO-TEMPORAL 14-03-0083 o SPURT 17-03-1160 ^ STEEP 17-03-0759 o STREET 16-12-0304 ^ SPEAK 14-04-0020 o SQUAD 16-12-0184 ^ STEEPLECHASE 17-03-0677 ^ STREETS 14-07-0002 ^ SPEAKER 18-07-0125 ^ SQUARE 14-01-0003 ^ STEERING 17-03-0224 o STRENGTH 17-03-0155 o SPEAKING 16-12-0395 o SQUEALS 17-03-0970 ^ STELLAR 18-05-0287 o STRENGTHENED 16-28-0049 o SPEAKS 16-12-0436 o SQUEEZE 17-01-0103 o STENCILLED 16-07-0004 o STRENGTHS 17-03-0796 ^ SPECIES 14-09-0024 ^ SQUEEZED 17-03-1137 o STEP 16-10-0042 ^ STRETCH 17-03-1356 o SPECIFIC 14-03-0061 o SQUINTING 17-03-1134 o STEPPED 15-05-0050 o STRETCHED 17-03-0836 o SPECIFICATIONS 17-19-0056 ^ ST. GALLEN 18-07-0254 ^ STEPS 17-03-0339 ^ STREWN 16-26-0030 o SPECIFICS 14-03-0099 ^ STACKABLE 18-05-0315 o STERILE 17-03-1561 o STRICT 17-03-0099 o SPECTACLE 16-10-0031 ^ STAGE 16-14-0009 ^ STERILISE 17-01-0056 o STRICTLY 16-26-0004 o SPECTACLES 17-03-0926 ^ STAGES 18-05-0332 o STERNUM 16-01-0025 ^ STRICTURES 15-15-0001 ^ SPECTATOR 15-09-0035 ^ STAGGER 17-03-0624 o STEWARDSHIP 15-02-0010 ^ STRIKING 18-05-0144 o SPECTATORS 16-25-0070 ^ STAGGERING 17-03-1451 o STICK 15-05-0010 ^ STRING 18-05-0213 ^ SPECTATORSHIP 18-03-0021 ^ STAGNANT 17-15-0043 o STICKER 18-07-0174 ^ STRINGS 17-15-0017 ^ SPECTRE 16-18-0025 ^ STAIN-LIKE 17-10-0014 o STIFLING 18-05-0152 o STRIPPED 17-04-0036 o SPECULATE 15-06-0074 o STAINED 16-30-0008 o STILL 14-03-0082 o STRIPS 17-03-1002 o SPECULATION 15-01-0020 ^ STAIRS 17-03-1554 ^ STILLNESS 18-03-0029 ^ STRIVING 17-03-0590 o SPECULATIVE 15-01-0019 o STALEMATE 17-03-0804 ^ STIMULUS 16-31-0096 ^ STROKE 17-03-0167 ^ SPEECH 15-06-0002 ^ STALK 17-01-0376 ^ STING 17-01-0349 ^ STROKING 16-12-0314 o SPEECHES 13-02-0015 ^ STALKING 17-15-0042 o STIPULATIONS 17-19-0088 ^ STRONG 14-04-0018 o SPEECHLESS 16-31-0074 o STALKS 17-03-0018 ^ STITCHING 17-03-1149 ^ STRONGER 17-03-0232 o SPEED 17-03-0628 o STAMPED 15-03-0070 o STOCK 17-19-0018 ^ STRONGEST 17-03-0407 o SPELLBINDING 17-03-0072 o STAND 14-02-0072 o STOCKHOLM 16-31-0001 ^ STRONGLY 16-12-0337 o SPEND 15-09-0037 o STANDARD 18-05-0134 o STOCKPILES 17-01-0301 ^ STRUCK 17-03-0722 o SPENT 17-03-1523 o STANDARDISATION 16-12-0047 ^ STOMACH 16-01-0029 ^ STRUCTURAL 16-10-0003 o SPERMATOZOIDS 17-03-0663 ^ STANDING 16-12-0291 o STOMP 17-12-0022 o STRUCTURALISED 17-15-0019 o SPHERE 15-05-0021 ^ STANDS 17-03-1000 o STONE 17-03-0610 ^ STRUCTURALLY 17-10-0216 o SPHERES 17-10-0215 ^ STAPLES 15-10-0051 ^ STONES 16-01-0149 ^ STRUCTURE 15-17-0029 ^ SPHERICALLY 16-25-0016 o STAR 16-06-0019 ^ STOOD 17-03-0844 o STRUCTURED 17-01-0172 o SPILL 17-10-0068 o STARING 17-03-0433 o STOOP 16-06-0010 ^ STRUCTURES 14-08-0062 ^ SPINAL 17-03-1422 o STARK 17-03-1306 o STOP 15-06-0047 o STRUCTURING 18-05-0237 o SPIRES 16-25-0059 ^ STARLESS 17-03-0375 o STOPPED 17-03-1377 o STRUGGLE 17-03-0336 o SPIRIT 17-03-0317 ^ STARS 17-03-0078 ^ STOPPING 17-03-1018 o STRUGGLED 17-03-0778 o SPIRITS 17-03-0560 ^ START 16-09-0030 o STOPS 18-05-0396 o STRUGGLING 17-03-0385 o SPLASHING 16-01-0104 o STARTING 17-20-0096 o STORE 17-03-0193 o STUCK 17-03-1171 o SPLATTER 17-01-0343 o STARTS 16-12-0500 o STORIES 13-03-0067 ^ STUDIED 17-01-0074 o SPLAYED 16-28-0018 o STARVING 17-03-0041 o STORING 18-06-0035 o STUDIES 16-12-0135 ^ SPLICED 17-10-0316 o STATE 13-03-0057 ^ STORMY 17-03-0638 o STUDIO 13-01-0105 ^ SPLINTERING 16-10-0038 o STATED 17-19-0037 o STORY 16-12-0103 ^ STUDIOS 17-21-0015 ^ SPLIT 16-01-0023 o STATEMENT 15-03-0015 ^ STOWAWAY 16-18-0013 ^ STUDY 16-31-0018 ^ SPLITTING 16-07-0028 o STATEMENTS 13-01-0081 ^ STOWED 17-15-0013 o STUFF 16-12-0261 ^ SPOKE 17-03-1233 o STATES 16-10-0006 o STRAIGHT 17-03-0915 o STUFFED 16-26-0029 o SPONGES 18-05-0240 ^ STATIC 17-10-0058 ^ STRAIGHTAWAY 17-03-1536 o STUNNED 17-03-0911 o SPONSORS 16-01-0052 o STATING 17-03-0367 o STRANGE 16-12-0112 o STUPID 16-12-0447 o SPONTANEOUSLY 17-03-0471 o STATION 17-10-0277 ^ STRANGER 17-03-0856 o STURDY 17-03-1055 o SPORES 15-06-0103 ^ STATIONERY 18-07-0038 ^ STRANGLE 17-03-1319 o SUAVELY 17-03-0945 o SPRANG 17-03-1578 o STATUE 15-06-0080 ^ STRATEGICALLY 18-05-0258 o SUBJECT 14-03-0056 ^ SPRAY 16-07-0006 o STATUES 17-18-0028 ^ STRATEGIES 14-03-0131 ^ SUBJECTIVE 16-15-0001 o

SPC_OSP_INT.indd 112 10/30/18 10:59 AM SPC_OSP_INT.indd 113 10/30/18 10:59 AM SUBJECTIVITIES 17-10-0059 ^ SUNSPOTS 15-15-0004 ^ SWELLS 16-01-0019 ^ TANKS 17-10-0297 ^ SUBJECTIVITY 14-03-0108 ^ SUPER 16-12-0094 o SWEPT 17-01-0126 o TANTAMOUNT 17-06-0039 o SUBJECTS 17-04-0033 ^ SUPER-BODIES 18-05-0021 ^ SWIM 17-03-0445 o TAPE 18-07-0207 ^ SUBMIT 14-02-0041 o SUPERMARKET 18-06-0021 ^ SWIMMER 17-03-0292 ^ TAPERS 18-05-0270 o SUBPRIME 18-05-0434 o SUPERSEDED 14-03-0072 o SWIMMING 17-03-1095 o TAR 17-12-0014 ^ SUBSEQUENT 18-05-0081 o SUPPLICATIONS 17-03-0684 o SWINDLE 15-01-0035 o TA S K 17-03-0726 o SUBSEQUENTLY 14-01-0019 o SUPPORT 16-24-0005 o SWING 17-03-1157 o TASTE 17-03-0953 ^ SUBSET 17-20-0044 ^ SUPPORTERS 16-12-0503 ^ SWINGING 17-01-0449 o TASTED 17-03-0956 o SUBSTANCE 17-03-1144 ^ SUPPORTS 16-10-0004 ^ SWISH 17-10-0228 o TASTES 17-01-0112 ^ SUBSTANTIVE 17-01-0311 o SUPPOSES 14-03-0107 o SWISS 18-07-0229 o TASTY 17-01-0373 o SUBSTITUTION 18-05-0230 ^ SUPPOSITION 17-03-1116 ^ SWITCHBOARD 17-10-0246 ^ TAUGHT 16-31-0121 o SUBSUMED 16-18-0003 o SUPPRESS 18-05-0386 o SWITCHBOARDS 17-10-0236 ^ TAUTNESS 18-05-0118 ^ SUBSUMING 17-01-0423 o SUPPRESSED 17-15-0035 o SWITZERLAND 18-07-0255 ^ TA X 17-19-0076 ^ SUBTEXT 17-16-0008 ^ SUPPRESSION 17-15-0121 ^ SWOLLEN 16-31-0023 o TEACH 16-31-0120 o SUBTLE 17-03-0820 o SUPREMACY 17-01-0418 ^ SWOONING 17-15-0094 o TEACHER 16-12-0485 ^ SUCCEEDING 16-11-0010 o SUPREME 17-03-0202 o SWOOP 17-03-0582 o TEAM 15-05-0006 ^ SUCCEEDS 15-01-0021 o SURE 16-12-0434 o SWORD 17-03-1424 ^ TEAR 15-10-0013 o SUCCESSFUL 17-03-0522 o SURFACE 14-08-0017 ^ SWUM 15-17-0012 o TEARABLE 18-05-0314 o SUCCESSFULLY 17-03-0813 o SURFACES 14-04-0007 ^ SYCOPHANT 14-08-0038 ^ TEARING 17-03-0118 o SUCCESSIVE 17-10-0089 o SURGICAL 18-05-0112 o SYMBIOSIS 16-23-0036 ^ TEARS 16-31-0028 ^ SUCCESSIVELY 18-07-0215 o SURMISE 17-10-0081 o SYMBIOTIC 16-28-0041 o TEASING 17-03-1276 o SUCCINCTLY 17-03-0611 o SURPRISE 15-06-0018 o SYMBOL 16-23-0035 ^ TECHNICAL 16-09-0031 o SUCH 14-08-0050 x SURPRISING 15-01-0002 o SYMBOLIC 16-11-0002 o TECHNICAL-HISTORICAL 16-31-0021 o SUCK 13-03-0033 o SURREPTITIOUSLY 15-03-0021 o SYMBOLICALLY 16-14-0044 o TECHNIQUE 17-20-0029 ^ SUCKED 17-15-0076 o SURROGATES 17-10-0348 ^ SYMBOLS 14-02-0073 ^ TECHNIQUES 17-06-0023 ^ SUCKERS 17-03-0740 ^ SURROGATING 18-05-0011 o SYMPATHETIC 17-03-1048 o TECHNO-MATERIAL 16-09-0043 o SUCKING 17-01-0375 o SURROUND 17-01-0205 o SYMPHONIC 18-06-0046 o TECHNOLOGICAL 14-03-0004 o SUCKLED 17-03-1208 o SURROUNDING 17-18-0036 o SYMPHONICS 16-23-0025 ^ TECHNOLOGICALLY 18-05-0241 o SUDDEN 17-20-0055 o SURROUNDINGS 16-16-0012 ^ SYNCHRONISED 17-12-0017 o TECHNOLOGISATION 16-12-0045 ^ SUDDENLY 17-03-0470 o SURVEYED 17-03-1444 o SYNTHESISED 18-05-0085 o TEETH 16-01-0125 ^ SUFFER 17-03-1024 o SURVIVOR 17-03-0281 ^ SYSTEM 17-01-0242 ^ TELEPHONE 17-10-0237 ^ SUFFERED 17-03-0826 o SUSPECTED 17-03-0268 o SYSTEMS 15-03-0066 ^ TELEVISION 16-31-0046 ^ SUFFERING 17-03-0248 o SUSPEND 15-10-0100 o TABLE 17-03-1614 ^ TELEVISUAL 18-07-0185 o SUFFERINGS 17-03-0766 ^ SUSPENDED 14-03-0077 o TACITURN 17-03-1499 o TELL 16-12-0308 o SUFFICIENT 17-06-0033 o SUSPENDIBLE 17-01-0277 o TACTIC 17-04-0013 ^ TELLING 13-03-0066 o SUFFOCATE 16-10-0027 o SUSPENSEFUL 15-04-0001 o TACTICS 17-10-0314 ^ TEMPERATURE 17-03-0551 ^ SUGAR 16-25-0085 ^ SUSTAIN 16-10-0039 o TAFFETA 17-06-0008 ^ TEMPERATURES 17-01-0027 ^ SUGGEST 15-06-0091 o SUSTENANCE 17-03-1434 ^ TAILOR 17-03-1616 ^ TEMPERED 16-23-0031 o SUGGESTED 18-07-0088 o SUTURED 16-09-0051 o TAILS 17-01-0060 ^ TEMPEST 17-03-0110 ^ SUGGESTING 16-07-0024 o SWALLOW 17-03-1219 o TAINTED 15-17-0025 o TEMPORAL 14-08-0061 o SUGGESTS 14-03-0058 o SWALLOWED 17-03-0378 o TAKE 14-08-0020 o TEMPORALITIES 15-09-0017 ^ SUICIDE 16-01-0011 ^ SWALLOWING 17-03-0293 o TAKEN 15-17-0032 o TEMPORALITY 17-10-0190 ^ SUIT 17-15-0026 o SWAM 17-03-0850 o TAKES 14-03-0151 o TEMPORALLY 17-10-0265 o SUITE 18-04-0001 ^ SWAPPED 17-11-0007 o TAKING 15-10-0074 o TEMPT 17-01-0109 o SUMMARISED 16-31-0012 o SWARMS 17-03-1113 o TALENT 17-03-1519 o TEMPTED 17-03-0282 o SUMMER 17-03-1253 o SWATCHES 17-15-0022 ^ TALES 17-03-1480 ^ TEN 15-11-0003 o SUMPTUOUS 17-03-1619 o SWATHS 18-03-0027 ^ TALK 16-12-0283 ^ TEN-YEAR-OLD 17-03-1046 o SUMS 16-12-0151 o SWEAT 18-05-0375 ^ TALKING 15-05-0031 o TENABLE 14-08-0029 o SUN 13-04-0002 ^ SWEDEN 16-31-0002 ^ TALL 17-01-0475 o TENACIOUS 17-03-0026 o SUNBEAMS 17-03-1268 ^ SWEEPS 18-05-0442 o TANDEMNED 18-05-0448 o TENANCY 17-01-0485 ^ SUNDAYS 17-03-1252 o SWEET 17-01-0113 o TANGIBLE 17-01-0287 o TENANT 17-01-0101 ^ SUNG 17-03-1517 o SWEETLY 17-03-0899 o TANGLE 15-17-0020 ^ TEND 18-05-0231 o SUNSET 16-01-0091 ^ SWELLING 17-15-0008 o TANGLES 17-03-0757 o TENDENCIES 17-01-0421 ^

SPC_OSP_INT.indd 114 10/30/18 10:59 AM SPC_OSP_INT.indd 115 10/30/18 10:59 AM TENDENCY 17-01-0071 ^ THEORY 16-12-0039 ^ THUD 17-03-0879 ^ TOPPLE 14-07-0014 o TENDER 17-03-0948 o THERE 14-08-0030 x THUNDER 17-03-0120 ^ TORE 17-03-1001 o TENDERLY 17-03-0477 o THERE’S 16-12-0063 x THUNDERS 16-01-0012 o TORMENT 17-03-0592 o TENDERNESS 16-31-0038 ^ THEREBETWEEN 17-01-0291 o THUS 17-03-0192 x TORMENTS 17-03-0811 o TENDERNESSES 18-05-0359 ^ THEREFORE 13-01-0084 x TICKLES 17-03-1387 o TORN 16-23-0032 o TENDONS 18-03-0036 ^ THEREIN 16-14-0011 o TICKS 17-04-0022 ^ TORRENTS 15-10-0070 ^ TENSE 17-10-0137 o THEREOF 16-14-0048 o TIED 17-03-1638 o TORTURE 17-01-0128 ^ TENSES 17-02-0009 o THESE 14-03-0133 x TIGERS 15-10-0112 ^ TOTAL 15-03-0034 o TENSION 17-01-0020 ^ THEY 13-03-0076 x TIGHTEN 18-05-0447 o TOTTERING 17-03-1093 o TENSIONS 17-10-0322 ^ THICK 17-03-0164 o TIGHTENING 18-05-0367 o TOUCH 17-03-1131 ^ TENTACLES 17-03-0774 ^ THIEF 17-02-0004 ^ TIGHTER 17-03-0780 o TOUCHES 16-12-0389 o TENTATIVELY 16-21-0004 o THIGHS 17-03-0483 ^ TIGHTLY 17-03-0484 o TOUCHING 17-03-1440 o TENUOUS 16-16-0014 o THIN 18-05-0311 o TILES 17-01-0338 ^ TOUSLED 17-03-1428 o TENUOUSLY 17-01-0441 o THING 13-03-0097 ^ TILING 17-01-0365 ^ TOWARD 15-06-0119 x TENUOUSNESS 18-05-0360 ^ THINGS 16-12-0216 ^ TILL 17-03-1242 x TOWARDS 13-03-0054 x TERM 16-12-0442 ^ THINK 15-05-0062 o TILTING 18-07-0239 o TOWER 17-03-0868 ^ TERMINAL 15-06-0046 ^ THINKER 17-20-0058 ^ TIME 13-02-0008 ^ TOWN 17-03-1240 ^ TERMINATE 17-19-0049 o THIRD 14-03-0123 o TIMES 16-12-0376 ^ TOXIC 17-01-0248 o TERMINATED 17-19-0046 o THIRD-PARTY 17-10-0248 o TIN 18-05-0265 ^ TOY 16-18-0017 ^ TERMINATION 17-19-0045 ^ THIRST 17-03-0994 o TINY 14-02-0100 o TRACE 14-02-0060 ^ TERMITE 18-07-0265 ^ THIRTY 16-12-0071 o TIP 17-01-0161 o TRACEABLE 17-15-0068 o TERMITES 15-17-0005 ^ THIS 13-02-0029 x TIRED 17-03-1583 o TRACES 16-25-0060 ^ TERMS 13-01-0059 ^ THOROUGH 18-07-0257 o TIRELESS 17-03-0678 o TRACING 17-07-0004 ^ TERRIBLY 17-16-0015 o THOROUGHLY 17-03-1640 o TIRING 18-05-0362 o TRACINGS 18-03-0039 ^ TERRIFYING 16-01-0067 o THOROUGHNESS 17-03-1446 ^ TISSUES 16-10-0025 ^ TRACK 16-12-0138 o TERRIFYINGNESS 17-01-0315 ^ THOSE 14-08-0031 x TITLE 17-19-0099 ^ TRACK-LINES 18-05-0438 ^ TERRITORIES 17-01-0420 ^ THOUGH 14-09-0011 x TITLED 18-07-0121 o TRACKING 16-02-0002 o TERRITORY 16-12-0430 ^ THOUGHT 14-08-0083 o TITLES 18-07-0181 o TRACKS 16-25-0026 ^ TERROR 17-03-0567 ^ THOUGHTFUL 17-01-0465 o TO 13-01-0053 x TRACTS 15-10-0042 ^ TESTAMENT 16-12-0420 ^ THOUGHTS 13-01-0071 ^ TOADS 17-03-0034 ^ TRADE 17-03-1121 o TESTICLES 17-03-1399 ^ THOUSAND 17-03-1250 o TODAY 13-03-0102 o TRADED 16-12-0100 o TESTING 15-17-0022 o THOUSANDS 17-03-0523 o TOES 17-15-0007 ^ TRADITION 16-12-0463 ^ TETHERED 17-01-0171 o THREADED 18-05-0361 o TOGETHER 14-07-0013 o TRADITIONALLY 18-07-0078 o TEXT 15-09-0025 ^ THREADING 17-15-0119 o TOILETS 16-12-0300 ^ TRADITIONS 17-10-0138 ^ TEXTILE 17-06-0009 ^ THREADS 16-12-0142 ^ TOLD 13-01-0034 o TRAILER 17-18-0043 ^ TEXTS 17-10-0207 ^ THREAT 17-01-0470 ^ TOLERABLE 18-06-0049 o TRAIN 18-06-0062 o TEXTUAL 16-12-0388 o THREATENED 17-01-0276 o TOLERANCE 17-01-0477 ^ TRAMPLES 18-05-0413 o THAN 14-08-0071 x THREATS 17-03-0253 ^ TOLERATED 13-03-0014 o TRANSACTION 18-07-0045 ^ THANK 14-01-0026 o THREE 15-05-0043 o TOLLED 17-03-0323 o TRANSCEND 18-05-0030 o THANKING 17-03-1206 o THREE-FOLD 17-06-0045 o TOMB 17-03-0849 ^ TRANSCENSION 18-05-0024 ^ THAT 13-01-0046 x THREES 17-03-0390 o TOMORROW 13-03-0103 o TRANSCRIBED 18-03-0040 o THAT’S 16-12-0048 x THRESHOLD 14-04-0049 ^ TONE 17-19-0012 ^ TRANSCRIBING 18-03-0049 o THAWED 17-01-0397 o THREW 16-01-0148 o TONES 17-03-0235 ^ TRANSCRIPTION 18-04-0006 ^ THE 13-01-0020 x THRICE 17-03-0904 o TONGUE 17-03-0686 ^ TRANSCRIPTIONIST 17-15-0087 ^ THEATRE 14-09-0036 ^ THRIVE 13-01-0061 o TONGUES 14-09-0019 ^ TRANSCRIPTS 17-10-0349 ^ THEATRICAL 14-01-0021 o THROAT 17-01-0356 ^ TONIGHT 16-01-0002 o TRANSDUCTION 18-05-0254 ^ THEIR 13-01-0064 x THROATS 17-03-0489 ^ TOO 13-02-0006 x TRANSFER 18-07-0009 o THEM 14-03-0034 x THROBS 17-16-0011 o TOOK 16-12-0238 o TRANSFERRED 15-02-0011 o THEMSELF 17-03-0459 x THROUGH 13-03-0087 x TOOL 17-10-0151 ^ TRANSFERRING 18-05-0298 o THEMSELVES 14-03-0156 x THROUGHOUT 13-02-0012 x TOOLS 17-01-0367 ^ TRANSFERS 18-01-0001 o THEN 14-03-0046 x THROW 16-31-0041 o TOOTH 18-05-0378 ^ TRANSFORM 16-09-0022 o THENCE 17-03-0511 x THROWER 17-03-0725 ^ TOOTHPASTES 16-01-0058 ^ TRANSFORMED 16-31-0098 o THEORIES 17-03-1607 ^ THROWN 15-10-0001 o TOP 17-03-0441 o TRANSFORMS 17-10-0114 o

SPC_OSP_INT.indd 116 10/30/18 10:59 AM SPC_OSP_INT.indd 117 10/30/18 10:59 AM TRANSGRESSED 17-10-0210 o TULIP 17-03-1294 ^ UNDERGONE 17-03-0985 o UNLIMITED 17-01-0263 o TRANSGRESSIONS 18-05-0281 ^ TUMULT 17-03-0384 ^ UNDERGROUND 13-02-0001 o UNLOADED 16-28-0026 o TRANSIENT 17-03-1013 o TUNED 17-01-0168 o UNDERGROWTH 17-03-0747 ^ UNLOCKS 17-02-0012 o TRANSLATED 18-03-0041 o TURN 15-01-0036 o UNDERLINING 17-20-0071 o UNMADE 14-08-0095 o TRANSLATION 14-04-0009 ^ TURNED 15-21-0012 o UNDERNEATH 18-07-0206 o UNMEDIATED 17-20-0081 o TRANSLATIONS 17-10-0205 ^ TURNING 17-01-0456 o UNDERSEA 17-03-0499 o UNNATURAL 18-05-0018 o TRANSLATORS 18-03-0033 ^ TURNS 16-22-0001 o UNDERSTAND 16-01-0054 o UNOCCUPIED 18-06-0004 o TRANSLUCENT 13-03-0084 o TURPENTINED 17-11-0006 o UNDERSTANDING 16-23-0030 o UNPRINTED 17-19-0039 o TRANSMISSION 14-03-0018 ^ TURTLEDOVES 17-03-1291 ^ UNDERSTANDS 17-03-0712 o UNQUESTIONED 15-01-0024 o TRANSMIT 18-05-0179 o TV 16-12-0379 ^ UNDERSTOOD 16-31-0014 o UNRAVEL 18-05-0365 o TRANSMUTATING 18-05-0145 o TWELVE 15-03-0031 o UNDERTAKEN 16-31-0013 o UNRAVELED 17-10-0031 o TRANSPARENCIES 17-01-0028 ^ TWENTY 17-03-1115 o UNDERTAKING 16-26-0016 o UNRECOGNISABLE 17-10-0078 o TRANSPARENT 16-09-0002 o TWICE 17-03-1059 o UNDERWATER 17-03-0464 o UNRECORDED 14-03-0040 o TRANSPORT 17-03-0548 o TWINE 18-05-0214 ^ UNDETECTABLY 18-05-0364 o UNREQUESTED 18-05-0166 o TRANSPORTATION 17-06-0003 ^ TWINING 17-15-0018 ^ UNDETECTED 17-12-0039 o UNRESOLVED 17-10-0046 o TRANSTEMPORAL 18-03-0002 o TWIST 17-12-0033 ^ UNDISCOVERED 16-09-0016 o UNSEEN 14-08-0096 o TRAPPED 16-25-0080 o TWISTING 18-05-0363 o UNDRESSED 17-03-1305 o UNSOLVED 16-12-0275 o TRAPS 17-01-0107 ^ TWITCHES 18-05-0035 ^ UNDULATING 17-03-0914 o UNSPEAKABLE 17-03-0987 o TRAVELER 17-01-0067 ^ TWO 15-01-0012 o UNENDING 16-01-0074 o UNSTABLE 17-03-0404 o TRAVERSED 17-10-0193 o TWO-DIMENSIONALLY 18-03-0004 o UNEVADABLE 17-10-0038 o UNSTEADILY 17-03-1441 o TREACHEROUS 16-06-0002 o TWOS 17-03-0389 o UNEXPECTED 16-10-0029 o UNTANGLE 18-03-0031 o TREAT 17-03-0818 o TYING 18-05-0059 ^ UNEXPECTEDLY 17-03-1287 o UNTHINKABLE 16-31-0061 o TREATING 17-18-0030 o TYINGS 18-05-0075 ^ UNFAITHFUL 17-03-0089 o UNTHINKINGNESS 14-08-0086 ^ TREE-TRUNKS 18-05-0317 ^ TYPE 16-31-0073 ^ UNFOLD 17-10-0310 o UNTIE 17-03-0981 o TREES 17-15-0092 ^ TYPEWRITER 16-31-0076 ^ UNFORTUNATE 17-03-1371 o UNTIL 13-03-0109 x TREMBLE 17-01-0255 o TYPOGRAPHY 18-07-0128 ^ UNFORTUNATELY 16-12-0234 o UNTITLED 17-18-0019 o TREMBLES 17-01-0254 o TYRANNY 18-05-0045 ^ UNFREEDOM 14-08-0122 ^ UNTRACEABLE 17-15-0075 o TREMBLING 17-03-0657 o UGLY 16-31-0024 o UNFURL 15-09-0016 o UNTRAINED 16-12-0474 o TREMENDOUS 16-31-0103 o ULTIMATELY 15-01-0022 o UNFURLING 16-20-0001 o UNTRUTH 18-05-0053 ^ TREMORS 16-31-0058 ^ UMBELLIFEROUS 17-03-0017 o UNGRASPABLE 15-10-0097 o UNTRUTHS 18-05-0040 ^ TRESPASSING 14-02-0025 o UNABLE 17-03-0135 o UNHAPPY 17-03-1556 o UNWANTED 17-02-0018 o TRESSES 17-03-1052 ^ UNACTIVATABLE 15-01-0016 o UNHEALTHY 17-03-1585 o UNWAVERING 17-21-0017 o TRIANGULAR 17-03-0895 o UNACTIVATED 18-03-0022 o UNHEARD 14-08-0099 o UNWELCOME 17-18-0012 o TRIANGULATION 16-25-0014 ^ UNANNOUNCED 15-09-0028 o UNIDIRECTIONAL 18-03-0005 o UNWINNIBILITY 17-20-0125 ^ TRIBALISING 18-05-0008 o UNANTICIPATABLE 17-10-0051 o UNIFORM 17-19-0102 o UNWRITTEN 14-08-0098 o TRICK 17-03-0782 o UNANTICIPATED 16-09-0054 o UNILLUMINATED 18-06-0005 o UP 13-03-0044 x TRICKED 15-01-0003 o UNAWARES 17-03-0777 o UNION 18-07-0192 o UPON 14-08-0011 x TRICKLES 16-31-0067 o UNBEARABLE 16-31-0039 o UNIQUE 15-02-0004 o UPPER 17-03-0311 o TRICKS 17-03-0429 o UNBELIEVABLE 16-12-0163 o UNIT 17-10-0152 ^ URGENT 17-02-0010 o TRIED 16-12-0210 o UNBELIEVABLY 16-12-0259 o UNITED 16-28-0044 o US 13-01-0096 x TRIES 17-03-0573 o UNBREACHABLY 18-05-0049 o UNITS 18-05-0115 ^ USE 14-08-0109 o TRIPLE 17-03-0884 o UNCANNY 18-05-0105 o UNIVERSAL 17-03-0149 o USED 14-08-0084 o TROPES 17-20-0002 ^ UNCEASINGLY 17-03-0664 o UNIVERSE 17-03-1151 ^ USEFUL 15-06-0116 o TROUBLED 17-03-0186 o UNCERTAIN 14-07-0017 o UNIVERSITY 17-10-0270 ^ USELESS 17-03-0798 o TROUSERS 17-03-1527 ^ UNCERTAINTY 14-08-0116 ^ UNJUST 17-03-1231 o USERS 17-10-0154 ^ TRUE 14-02-0083 o UNCONCERNED 17-03-1063 o UNKIND 17-16-0029 o USES 17-02-0017 o TRUNK 16-23-0027 ^ UNCONSCIOUS 17-03-1194 o UNKNOWABLE 16-14-0020 o USING 14-03-0176 o TRUST 14-07-0008 o UNDEFEATED 17-03-0801 o UNKNOWABLENESS 17-10-0101 ^ USUAL 17-03-1054 o TRUTH 14-08-0118 ^ UNDEPICTABLE 16-25-0082 o UNKNOWN 16-10-0016 o USUALLY 16-12-0032 x TRUTHS 15-10-0102 ^ UNDER 14-08-0021 x UNKNOWNS 17-10-0255 ^ UTILISATION 18-05-0155 ^ TRY 15-06-0032 o UNDER-RECOGNIZED 13-02-0004 o UNLEARN 18-05-0065 o UTILISE 16-09-0040 o TRYING 14-04-0011 o UNDERCURRENTS 17-03-0184 ^ UNLESS 17-03-0528 x UTILISED 14-03-0117 o TSUNAMI 16-28-0057 ^ UNDERFOOT 17-01-0065 o UNLIKE 14-03-0085 x UTILISES 17-10-0279 o

SPC_OSP_INT.indd 118 10/30/18 10:59 AM SPC_OSP_INT.indd 119 10/30/18 10:59 AM UTILISING 14-03-0181 o VERDIGRIS 17-16-0004 ^ VISIBLE 15-03-0027 o WARN 17-03-0646 o UTTER 17-03-0742 o VERGE 17-03-1392 o VISION 14-03-0010 ^ WARNING 15-05-0025 o UTTERED 17-03-0745 o VERSION 17-18-0029 ^ VISIT 17-03-0810 ^ WARY 17-03-0791 o UTTERING 17-03-0233 o VERSUS 17-18-0023 x VISITORS 17-10-0263 ^ WA S 13-01-0036 x UTTERS 17-03-1180 o VERTICAL 16-23-0005 o VISUAL 15-03-0049 o WA S H 15-05-0046 o VAC U U M 17-01-0207 ^ VERTICALITIES 17-01-0213 ^ VISUALISATIONS 16-11-0029 ^ WA S H E D 17-03-1401 o VACUUM-LIKE 17-10-0326 o VERTICALLY 17-03-0606 o VISUALISED 18-05-0181 o WA S H I N G 17-03-1138 ^ VAC U U M E D 16-28-0012 o VERTIGO 16-31-0106 ^ VITRINES 18-04-0030 ^ WASN’T 16-12-0212 x VAC U U M S 17-10-0329 ^ VERY 16-12-0372 x VIVID 17-03-1227 o WASTE-MATTER 18-06-0039 ^ VAG I NA 17-03-0662 ^ VESSEL 17-03-0181 ^ VOCABULARIES 16-11-0026 ^ WATC H 16-01-0063 ^ VAG U E 17-03-0720 o VIA 17-06-0050 x VOCABULARY 13-01-0045 ^ WATCHDOG 17-03-0561 ^ VAG U E LY 17-04-0035 o VIABLE 14-08-0019 o VOCALIST 17-03-1518 ^ WATC H E D 15-06-0065 o VAIN 17-03-0162 o VIBRATE 18-06-0055 o VOCATION 17-10-0245 ^ WATC H E S 15-06-0039 ^ VALLEY 17-03-0847 ^ VIBRATING 17-10-0198 o VOICE 17-03-0626 ^ WATC H I N G 14-06-0014 o VALUABLE 15-02-0031 o VIBRATIONS 16-23-0014 ^ VOID 16-31-0092 ^ WATER 14-07-0020 ^ VALUE 15-02-0020 o VIBRATO 17-16-0016 ^ VOIDED 16-11-0009 o WATERLINES 16-23-0012 ^ VALUES 17-01-0297 o VICE 17-03-1104 ^ VOIDINGS 17-21-0018 ^ WATERS 17-03-0187 ^ VALVES 15-06-0023 ^ VICE VERSA 18-05-0353 o VOIDS 18-05-0267 o WATERTIGHT 16-31-0066 o VAMPIRIC 17-20-0117 o VICES 17-10-0113 ^ VOLATILE 16-31-0126 o WATERY 17-03-0128 o VANISHED 16-06-0017 o VICINITY 14-01-0010 ^ VOLCANO 18-07-0166 ^ WAVE 16-06-0018 ^ VANISHING 16-25-0013 o VICIOUSLY 17-01-0137 o VOLUNTARILY 16-12-0186 o WAVER 17-03-0435 o VANTAGE 17-10-0178 ^ VICISSITUDES 17-03-0214 ^ VOMIT 17-03-0006 ^ WAVES 15-06-0096 ^ VARIABLE 18-01-0004 o VICTIM 17-03-1011 ^ VORTEXES 17-10-0306 ^ WAY 16-12-0301 ^ VARIABLES 15-17-0023 o VICTORY 17-03-0842 ^ VOWED 17-03-0755 o WAYS 16-12-0394 ^ VARIANT 16-14-0017 o VIDEO 17-18-0044 ^ VULNERABLE 17-01-0459 o WE 13-01-0001 x VARIANTS 16-10-0022 ^ VIENNA 15-16-0003 ^ VULTURE 16-01-0122 ^ WE’RE 13-02-0033 x VARIATING 18-05-0261 o VIEW 15-06-0030 ^ WAG E S 18-05-0428 ^ WE’LL 13-03-0105 x VARIATION 14-09-0034 o VIEWABLE 14-03-0087 o WAIL 17-03-0150 ^ WE’RE 15-05-0014 x VARIATIONS 15-06-0122 ^ VIEWED 16-09-0010 o WAILING 17-03-0569 o WE’VE 16-12-0264 x VARIEGATING 16-16-0016 o VIEWER 13-01-0073 ^ WAIST 17-03-0388 ^ WEAK 14-04-0019 o VARIES 18-05-0223 o VIEWERS 14-03-0144 ^ WAIT 16-28-0015 o WEAKEST 17-01-0014 o VARIOUS 16-12-0377 o VIEWING 14-03-0100 ^ WAITED 16-31-0054 o WEAKNESS 17-03-1341 ^ VARIOUSLY 17-01-0494 o VIEWPOINTS 16-25-0017 ^ WAITING 15-06-0085 o WEALTH 17-15-0029 ^ VARNISH 16-07-0013 ^ VIEWS 17-01-0438 ^ WAITING-ROOM 17-10-0268 ^ WEAPON 16-12-0191 ^ VARY 15-06-0017 o VIGOROUSLY 17-03-0319 o WAITING-ROOM-TYPE 17-10-0267 o WEAPONISED 18-05-0052 o VARYING 16-23-0020 o VILLAGE 16-12-0177 ^ WAITING-ROOMS 17-10-0262 ^ WEAPONS 17-03-0812 ^ VA ST 17-03-0669 o VINEGAR 17-03-0958 ^ WAKE 16-12-0307 o WEARY 16-26-0019 o VEGETABLE 15-06-0057 ^ VINYL 18-07-0099 ^ WAKES 16-31-0129 o WEATHER 15-10-0118 o VEGETATE 16-12-0325 o VIOLATING 17-03-1332 o WALK 17-03-1043 o WEAVED 17-06-0022 o VEGETATION 17-03-0027 ^ VIOLENT 17-20-0021 o WALKED 17-03-1070 o WEAVING 17-06-0024 o VEHICLE 14-08-0085 ^ VIOLENTLY 17-03-1068 o WALKING 16-01-0115 o WEAVINGS 18-05-0074 ^ VEHICLES 15-10-0063 ^ VIOLETS 17-03-1214 ^ WALKS 17-03-1195 o WEBS 18-06-0059 ^ VEIL 17-03-0067 ^ VIPERS 17-03-0744 ^ WALL 16-30-0010 ^ WEBSITE 18-07-0054 ^ VEILING 17-12-0018 o VIRGIN 17-03-1154 ^ WALLS 15-03-0056 ^ WEDNESDAY 15-03-0019 o VEINS 17-03-0514 ^ VIRGINITY 17-03-0508 ^ WANDER 13-03-0110 o WEEDS 15-01-0047 ^ VELVETS 17-06-0006 ^ VIRTUE 16-06-0008 ^ WANING 16-06-0016 o WEEKEND 16-12-0026 o VENERATED 17-03-1169 o VIRTUES 17-03-0730 ^ WANT 13-01-0052 o WEEKLY 15-09-0027 o VENERATION 17-03-0466 ^ VIRUS 13-03-0090 ^ WANTED 15-10-0084 o WEEKS 15-09-0030 o VENGEANCE 17-03-0262 ^ VIRUSES 17-01-0498 ^ WANTS 17-01-0267 o WEEPING 17-15-0101 o VENTURED 17-03-1255 o VISCOSITY 17-03-1420 ^ WAR 17-15-0122 ^ WEEPS 17-18-0015 o VERACITY 17-13-0001 ^ VISCOUS 17-03-0486 o WARBLER 17-03-1277 ^ WEIGHING 17-03-0340 o VERB 14-02-0007 ^ VISIBILITIES 18-05-0366 ^ WARM 17-01-0111 o WEIGHT 16-16-0018 ^ VERBATIM 18-06-0017 o VISIBILITY 17-10-0011 ^ WARMTH 18-05-0202 ^ WEIGHTLESS 16-28-0027 o

SPC_OSP_INT.indd 120 10/30/18 10:59 AM SPC_OSP_INT.indd 121 10/30/18 10:59 AM WEIGHTY 17-03-0900 o WILFUL 18-05-0128 o WORKS 17-03-0891 ^ YOURSELVES 16-12-0456 x WEIMAR REPUBLIC 16-12-0118 ^ WILL 13-01-0022 ^ WORKSHOP 17-03-1528 ^ YOUTH 17-03-1188 ^ WELCOME 16-12-0022 o WIN 15-05-0012 o WORLD 13-03-0088 ^ ZERO 13-01-0088 o WELL 16-12-0031 o WIND 15-06-0094 ^ WORLDS 16-10-0001 ^ ZIG-ZAGGING 17-03-1261 o WELL-SHAPED 17-03-1050 o WIND-BLOWN 17-03-0816 o WORRIED 17-03-1090 o ZÜRICH 17-18-0031 ^ WELLS 15-10-0067 ^ WINDING 17-03-0553 o WORRY 16-12-0487 o 0 16-12-0220 x WENT 16-12-0368 o WINDINGS 17-03-1118 ^ WORSE 16-02-0004 o 1 14-08-0051 x WERE 14-03-0158 x WINDMILLS 18-07-0240 ^ WORTH 14-08-0072 o 3 14-08-0064 x WEREN’T 17-03-0955 x WINDOW 15-09-0033 ^ WORTHLESS 17-01-0331 o 4 14-08-0073 x WET 18-05-0247 o WINDOWPANES 17-01-0504 ^ WOULD 16-12-0412 x 5 14-08-0078 x WETLAND 14-08-0010 ^ WINDOWS 15-10-0002 ^ WOUND 17-03-0303 ^ 6 14-08-0080 x WETNESS 17-18-0003 ^ WINDS 16-25-0086 ^ WOUNDED 17-03-0973 o 7 14-03-0092 x WHALES 16-28-0048 ^ WINE 15-10-0088 ^ WOUNDING 17-03-0425 o 8 14-03-0102 x WHAT 13-01-0026 x WINGED 17-03-0640 o WOUNDS 17-01-0408 ^ 9 15-11-0007 x WHAT’S 16-12-0347 x WINGS 16-07-0020 ^ WOVEN 17-06-0030 o 10 15-11-0008 x WHATSOEVER 17-19-0098 o WINGSPAN 18-05-0224 ^ WRAPS 17-03-0156 ^ 11 17-01-0069 x WHEAT 15-03-0009 ^ WINKING 16-12-0313 o WREAKING 17-03-0349 o 12 16-12-0235 x WHEATPASTE 14-07-0021 ^ WINNERS 17-20-0111 ^ WREATHE 17-03-1212 o 13 17-01-0076 x WHEELS 15-10-0036 ^ WIPED 16-25-0050 o WRING 17-03-1135 o 14 16-12-0250 x WHEN 14-08-0022 x WIPING 17-03-0647 o WRINKLE 16-31-0025 ^ 15 16-12-0236 x WHENEVER 15-10-0082 o WIRES 15-17-0021 ^ WRINKLED 17-16-0009 o 16 18-04-0024 x WHERE 13-01-0012 x WISH 17-01-0446 o WRITE 17-10-0108 o 19 16-12-0248 x WHEREAS 17-03-0345 x WISHED 17-03-0531 o WRITER 18-05-0336 ^ 20 17-15-0086 x WHEREIN 14-03-0006 x WISHES 15-05-0026 o WRITING 16-31-0080 ^ 21 18-07-0035 x WHETHER 17-03-0936 x WISHING 17-03-0467 o WRITTEN 15-10-0059 o 22 17-18-0032 x WHICH 14-08-0012 x WIT 17-03-1298 ^ WRONG 13-01-0043 o 28 17-13-0028 x WHILE 15-03-0045 x WITH 14-08-0107 x WRONGED 17-03-1028 o 29 17-21-0003 x WHINING 17-03-1335 o WITHDRAW 17-03-1558 o X 15-11-0005 x 31 15-09-0014 x WHIP 17-03-0840 ^ WITHDREW 17-03-1325 o X-AXIS 17-10-0221 o 32 18-07-0049 x WHIRL 17-03-1193 o WITHIN 14-08-0047 x Y-AXIS 17-10-0222 o 33 18-07-0058 x WHIRLED 17-03-1534 o WITHOUT 13-01-0098 x YARD 18-07-0245 ^ 34 16-12-0257 x WHIRLING 17-03-1112 o WITNESS 14-06-0009 ^ YARDS 17-03-0314 ^ 40 16-12-0085 x WHIRLWIND 17-03-0411 ^ WITNESSED 17-20-0018 o YEAR 15-09-0012 ^ 48 15-03-0035 x WHISPER 17-03-1571 o WITNESSING 16-12-0335 o YEARNING 18-06-0010 o 60 16-12-0165 x WHISTLING 17-03-0116 o WOAH 17-01-0223 o YEARS 15-05-0044 ^ 74 18-07-0091 x WHITE 17-12-0031 o WOLF 17-03-1331 ^ YEAST 14-07-0027 ^ 80 18-04-0023 x WHITENESS 16-02-0018 ^ WOLVES 17-03-0091 ^ YELLING 17-03-0220 o 90 15-06-0043 x WHITENING 16-01-0077 o WOMAN 17-03-0070 ^ YELLOW 17-03-0635 o 100 15-09-0024 x WHO 14-08-0032 x WOMEN 16-31-0007 ^ YELLOWISH 17-03-0011 o 216 18-07-0094 x WHOEVER 13-01-0033 x WON’T 16-12-0488 x YES 13-02-0036 x 250 18-07-0263 x WHOLE 15-01-0042 o WONDER 17-01-0239 o YESTERDAY 16-12-0200 o 300 16-12-0218 x WHOM 14-03-0190 x WONDERMENT 17-15-0095 ^ YET 16-09-0015 x 355 18-07-0093 x WHOMEVER 16-16-0001 x WONT 16-12-0458 o YONDER 17-03-0410 o 400 16-12-0219 x WHOSE 15-10-0029 x WOOD 17-03-1432 ^ YOU 13-01-0035 x 500 16-12-0345 x WHY 16-12-0295 x WOOD-ENCASED 18-05-0304 o YOU’D 16-31-0035 x 700 16-12-0344 x WICKEDLY 17-03-0753 o WOODEN 18-07-0259 o YOU’LL 17-01-0377 x 1900 16-12-0091 o WICKEDNESS 17-03-0348 ^ WOODS 17-03-1575 ^ YOU’RE 15-05-0005 x 1940 16-12-0158 o WICKERWORK 17-03-1531 ^ WORD 14-08-0097 ^ YOU’VE 15-10-0083 x 1966 18-07-0226 o WIDE 17-03-0513 o WORDS 14-08-0005 ^ YOUNG 17-03-0059 o 1969 18-07-0144 o WIDENED 17-03-1372 o WORE 17-03-1248 o YOUNGEST 17-03-1562 o 1982 17-20-0015 o WIDTH 17-01-0488 o WORK 16-12-0134 ^ YOUR 13-03-0019 x 1983 16-30-0006 o WIFE 16-12-0005 ^ WORKER 16-12-0121 ^ YOURS 17-03-1025 x 1998 18-07-0164 o WILD 17-03-0408 o WORKING 15-05-0017 o YOURSELF 16-18-0018 x 2001 18-07-0188 o

SPC_OSP_INT.indd 122 10/30/18 10:59 AM SPC_OSP_INT.indd 123 10/30/18 10:59 AM 2013 15-09-0048 o 2014 14-01-0007 o 2015 15-03-0052 o 2016 16-07-0003 o 2017 15-09-0023 o 2018 17-21-0005 o 2115 15-09-0015 o 7405 16-07-0008 x 10TH 16-16-0006 o 14TH 18-03-0053 o 18TH 16-12-0254 o 20TH 16-12-0174 o 22ND 16-12-0175 o 24TH 17-19-0032 o 2ND 16-16-0002 o 41°43’52 02 N 12°17’12 05 E 17-12-0009 ^ 45TH 18-07-0236 o 7PM 18-03-0052 o 8TH 16-16-0005 o 9TH 16-16-0003 o – 13-03-0041 x , 13-01-0028 x ; 13-01-0060 x : 14-03-0175 x ! 13-03-0002 x ? 13-01-0040 x . 13-01-0007 x … 14-02-0019 x “ 13-01-0041 x ” 13-01-0039 x ( 14-03-0019 x ) 14-03-0024 x [ 17-06-0014 x ] 17-06-0015 x * 17-05-0002 x / 13-04-0004 x & 13-04-0010 x &/OR 14-03-0122 x # 15-02-0002 x % 16-12-0166 x + 13-04-0007 x - 13-02-0005 x ’ 13-01-0025 x ’S 14-03-0042 x

SPC_OSP_INT.indd 124 10/30/18 10:59 AM SPC_OSP_INT.indd 125 10/30/18 10:59 AM 15-09-0049: PUBLICATION 16-01-0043: RELATIONS 14-03-0175: :

SPC_OSP_INT.indd 126 10/30/18 10:59 AM SPC_OSP_INT.indd 127 10/30/18 10:59 AM Studio for Propositional Cinema FOCAL VOCABULARY INDEX: LEXICAL ITEMS 2013–2018:

The Focal Vocabulary Index can also be found online at Edition limited to 250 numbered copies www.focalvocabulary.com In addition to this book a limited edition multiple Studio for Propositional Cinema is grateful to Jessica by the artist is available from onestar press Aimufua, Sam Anderson, Patrick Armstrong, Henry Babbage, Christophe Boutin, Giovanni Carmine, Keren Printed and bound in France Cytter, Graham Dalik, Ronnie Füglister, Martha Glenn, Simon Gowing, Nicolas Guagnini, Irena Haiduk, Kalin © 2018 of Studio for Propositional Cinema & onestar Harvey, Gloria Hasnay, Tanya Leighton, Meg Luthin, press Max Mayer, Laura McLean-Ferris, Aaron Peck, Mélanie Scarciglia, Amanda Schmitt, Karin Schneider, Stefan onestar press Schuster, and Alex Wissel/Jan Bonny for their help and 49, rue Albert collaboration on this project. 75013 Paris France [email protected] www.onestarpress.com

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