PUBLICATIONS Autumn 2011 CORNERHOUSE PUBLICATIONS AUTUMN 2011 INDEX TO FEATURED PUBLISHERS

Cornerhouse provides a specialist sales and distribution service for many of the most $UQRO¿QL  innovative galleries, museums and publishers working in contemporary visual arts. Our list Art Editions North 2 encompasses all the visual arts including architecture, art theory and education, design, British Council 2 GLJLWDOPHGLDIDVKLRQ¿OPDQGYLGHRSDLQWLQJSKRWRJUDSK\SHUIRUPDQFHDQGVFXOSWXUH Coracle 3 For further information about our services, please contact Paul Daniels, Publications Cornerhouse 3 Director DuMont Buchverlag 4 In addition to the new titles featured in this catalogue, our backlist includes over 2,700 Engage (National Association for Gallery Education) 5 titles that are currently available. If you require further details or if you want to order any of Firstsite 6 these titles, please contact us or visit our online bookstore GlobalArtAffairs Publishing 6 Haunch of Venison 6 Cornerhouse Publications Hayward Publishing 7 70 Oxford Street, Manchester M1 5NH, Institute 9 Publications Director Paul Daniels Ikon Gallery 9 John Hansard Gallery 10 orders / customer services contact Debbie Fielding, James Brady or Suzanne Davies To The River Self Portrait JRP|Ringier* 11 trade orders / enquiries +44 (0)161 200 1501 $UQRO¿QL Sophy Rickett $UQRO¿QL Kerber Verlag** 19 mail order / enquiries +44 (0)161 200 1502 distributed by Cornerhouse world-wide texts by Sacha Craddock, Barry Schwabsky artist: Neil Cummings general enquiries +44 (0)161 200 1503 Verlag der Buchhandlung Walther König 22 fax +44 (0)161 200 1504 Liverpool Biennial 33 edited by Elena Hill text by Neil Cummings, Julian Warren, Tom Trevor email [email protected] Manchester Metropolitan University 34 contributions by Nav Haq, Lucy Badrocke online bookstore: www.cornerhouse.org/books Matt’s Gallery 34 Salad Dressing This publication accompanies Verlag für moderne Kunst Nürnberg 35 Performance Re-enactment the tour of Sophy Rickett’s video 2YHUWKHFRXUVHRI$UQRO¿QL¶V (1988) Ltd 41 Society and Tom Sowden and sound installation, To The TRADE TERMS Photoworks 41 River. During the vernal equinox of 50th anniversary year, artist Neil Please email orders to [email protected] Rakennustieto Publishing 42 Salad Dressing is a cover of Ed 2010, Sophy Rickett set up a rig of Cummings in collaboration with Standard discount 35% Richter Verlag 42 Ruscha and Mason Williams’ photo spotlights along the of the River Stephen Coates has developed A small order surcharge of £3.00 will be added to orders of less than £25 invoice value 43 novel Crackers, 1969. Ruscha’s Severn, and over several nights a series of self-portraits of the UK orders carriage free. Overseas carriage charged at cost Sainsbury Centre for Visual Arts 45 original book became the script, ¿OPHGDQGUHFRUGHGWKHFURZGV organisation using data from RETURNS Site Gallery 46 score, instruction, and inspiration for of people who clustered together $UQRO¿QL¶VDUFKLYHSelf Portrait: Returns by permission only. In case of damage, defect or dispatch error please contact Stour Valley Arts 46 this new performative bookwork by to watch the Severn Bore – a tidal $UQRO¿QL is a relational timeline Cornerhouse Publications at the address above artists Performance Re-enactment surge that sweeps up the estuary presented throughout the social Authorised returns must be sent to: Cornerhouse Returns, c/o NBN International, *JRP|Ringier titles are distributed by Cornerhouse in the UK and Europe Society and Tom Sowden. The at times throughout the year. To spaces of the building during (excluding , , and France) the year, and expanded for this Airport Business Centre (ABC), 10 Thornbury Road, Plymouth, PL6 7PP, England **Kerber Verlag titles are distributed by Cornerhouse in the UK, Scandinavia ¿QDOFKDSWHURIWKHERRNZRUNZDV The River is a three screen video Please note that returns sent to Cornerhouse’s Manchester address will not be accepted and Eastern Europe DSHUIRUPDQFHDW$UQRO¿QLLQVSULQJ installation with 12 track sound that celebratory publication. Neil dynamically evokes the excitement, Cummings is an artist based in PAYMENT 2011. This event was documented Cornerhouse also distributes titles for the following publishers: anticipation and uncertainty of . He is professor at Chelsea Cheques should be made payable to &RUQHUKRXVH3XEOLFDWLRQV and drawn on a UK here and is also now available to standing there on the bank, in the College of Art and Design, and a bank. Payment can be made directly into our bank account – please contact us for further $UWDQG6DFUHG3ODFHV_$UWDQJHO_7KH$UWV&DWDO\VW_$UWV&RXQFLO(QJODQG view online. member of Critical Practice, a cluster details. We also accept payment by American Express, Eurocard, Maestro, MasterCard $VSH[_$XJXVW3URMHFWV_$XWRJUDSK$%3_$\H$\H%RRNV_%HDP dark, under the light, and waiting. &DPHUDZRUN_7KH&DUDYDQ*DOOHU\_&DVWOH¿HOG*DOOHU\3XEOLFDWLRQV $UQRO¿QL  Including texts by Sacha Craddock of artists, researchers and academics or VISA. All payments must be made in £ sterling &HQWUHIRU$UW,QWHUQDWLRQDO5HVHDUFK &$,5 _&HQWUHIRU&RQWHPSRUDU\ ,6%1 DQG%DUU\6FKZDEVN\DORQJZLWK¿OP who explore critical practice $UWV &&$ _&KLQHVH$UWV&HQWUH_&RQWURO0DJD]LQH_7KH'UDZLQJ5RRP VRIWEDFNSDJHV SALES REPRESENTATIVES eGLWLRQV5HYXH1RLUH_)IRWRJDOOHU\_,QIRUPDWLRQDV0DWHULDO_,QVWLWXWH ZLWKLQDUWWKH¿HOGRIFXOWXUHDQG E ZLOOXVWUDWLRQV stills, transcripts of sound, research RI&RQWHPSRUDU\$UWV ,&$ _,QVWLWXWHRI,QWHUQDWLRQDO9LVXDO$UWV ,QLYD  For details of our sales representatives please refer to the Trade Information page on our [PP material, and a text by the artist; this organisation. website www.cornerhouse.org/books ,QYHQWRU\_.KDGLMD3URGXFWLRQV_/HQ*UDQW3KRWRJUDSK\_/RZU\3UHVV 0DQFKHVWHU$UW*DOOHU\_0HDG*DOOHU\_0LOWRQ.H\QHV*DOOHU\_0RGHUQ$UW publication examines parallels in 2[IRUG_1DWLRQDO0XVHXPV/LYHUSRRO_7KH1HZ$UW*DOOHU\:DOVDOO_3KDURV Rickett’s distinctive use of landscape $UQRO¿QL  ONLINE BOOKSTORE $UWV)RXQGDWLRQ_3LFWXUH7KLV_5HVHDUFK*URXSIRU$UWLVWV3XEOLFDWLRQV ,6%1 Full details of all titles distributed by Cornerhouse are available from our online bookstore 5*$3 _6DDWFKL*DOOHU\3XEOLFDWLRQV_6DORQ_6KLVKD_6KRUHGLWFK and its translation from photography VRIWEDFNSDJHV www.cornerhouse.org/books where customers can purchase titles quickly and securely %LHQQDOH_6RXWKDPSWRQ&LW\$UW*DOOHU\_7UDPZD\_7XUQSLNH*DOOHU\ to video and sound. To The River FRORXUE ZLOOXVWUDWLRQV hPUDQ3URMHFWV_8QLYHUVLW\RI+HUWIRUGVKLUH*DOOHULHV_8UELV_9HOYHW3UHVV was commissioned by Elena Hill, [PP Greater Manchester Arts Centre Limited trading as Cornerhouse Publications 9LHZSRLQW3KRWRJUDSK\*DOOHU\_7KH:HOOFRPH7UXVW_:LWWHGH:LWK  LQDVVRFLDWLRQZLWK$UQRO¿QLDQG Reg no. 1681278 VAT no. GB383410758 Reg Charity no. 514719 ArtSway. Cornerhouse is Greater Manchester’s international centre for contemporary visual arts DQG¿OP/RFDWHGLQWKHKHDUWRI0DQFKHVWHU8.WKHFHQWUHKDVÀRRUVRIFRQWHPSRUDU\ $UQRO¿QL  ,6%1 DUWJDOOHULHVFLQHPDVFUHHQVDEDUFDIpDQGERRNVKRS)RUZHHNO\XSGDWHVRQ¿OPV VRIWEDFNSDJHV exhibitions, events and the latest news, log on to www.cornerhouse.org FRORXULOOXVWUDWLRQV [PP While every effort has been made to ensure that the contents of this catalogue are accurate, all details are subject to change at any time and without notice Production still, courtesy the artist and Brancolini Grimaldi

Cover image: Rashid Rana, %RRNV,,. UV print on aluminium, 62 x 62 x 62 cm Image courtesy the artist and , London. Photo: Ken Adlard

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Gagarin in Britain Mike Nelson Art Editions North British Council texts by Piers Bizony, Chris Riley, Coracle Cornerhouse distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Vix Southgate, Svetlana Boym distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide text by Dan Cameron edited by Andrea Rose interview with the artist by Rachel Withers and guests James Hutchinson Dandelion 7KLVLVWKHVWRU\RIWKH¿UVWPDQHYHU edited by Richard Riley, Emma Williams, dubh Magda Archer to leave earth’s orbit, and of the Gemma Latty Dialogues in Black Crazy Mad TO THE FUTURE The Making of the UK Pavilion FXOWXUDODQGVFLHQWL¿FLQQRYDWLRQV texts by Marianne Mays, Richard Deming texts by Mike Chavez-Dawson, Len Horsey texts by Alistair Robinson, Ele Carpenter at Shanghai World Expo 2010 that lay behind his achievements. Mike Nelson was selected to text by Kate Goodwin Little known in the West, the history represent Britain at the Venice This title, dubh – Dialogues in Black Crazy Mad is a solo painting This title concentrates on the work of of the early Soviet space programme Biennale in 2011. This new is the second publication to co-incide exhibition by British artist Magda James Hutchinson from 2007 – 2011. The UK Pavilion – nicknamed is told here through a selection of publication designed by the artist, with a three year programme of Archer, presenting a cross section of Extensively illustrated, it features ‘Dandelion’ by the Chinese people photographs and drawings, many features two new texts, colour exhibitions, a collaboration between works made from her home studio work from the series, Shaggy – was designed by Thomas never published before. They illustrate images of the Venice work in STUDIOpractice and the American over the last decade. Inspired by modernism, Breeze Block Beauties, Heatherwick. Over the six month the life story of a man from modest progress and a rich collection of Irish Historical Society and follows her vast collection of paraphernalia The Hairy Project; performance work period of the World Expo 2010 it was beginnings who became the most documentation and archive materials on from 2010’s MATERIALpoetry. from the 1950s onwards – sweet with H+M; as well as images from the visited by almost eight million people, famous face on the planet; and of the relating both to the development Each exhibition places the work jars, biscuit tins, toys and other artist’s forays into Second Life and winning the Expo’s Gold Medal for political and diplomatic hand-wringing of the exhibition and to previous of contemporary Irish designers ephemera – her playful yet dark AW. It also includes documentation of design and the RIBA’s Lubetkin that went on during his visit to Britain, works such as The Deliverance and within a wider context. The colour paintings straddle a surreal-pop Hutchinson’s work in the BildMuseet, Prize. This book tells the story of the when his huge popularity caused the Patience (2001) and Magazin, black has long held a fascination kitsch sensibility. For this exhibition, Umeå University, ; Museum creation of the pavilion, uncovering the British Government to overturn Büyük Valide Han (2003), both of in art, craft and design. dubh – alongside her paintings, Archer of Craft and Folk Art, San Francisco; the roots of Thomas Heatherwick’s caution and provide him with a hero’s which informed the 2011 Venice Dialogues in Black looks at black as installed a replica of her studio Gare de Metz (salons d’honneur), idea and following the project through welcome. This title is published to FRPPLVVLRQ7KH¿QDOUHVXOWLV both a physical and an emotional with all the trimmings, which she Metz, Lorraine; Cité des sciences development and experimentation accompany the unveiling of a statue a beautiful, intimate book which starting point for a group of Irish describes as ‘a beautiful cosy grotto’. et de l’Industrie, ; Liste, to realisation. The hugely ambitious of Gagarin on the Mall, London in July formally echoes the fading, ‘lived and American artists, crafts people Published on the occasion of the Germany; and Unit 24 Gallery, design was comprised of over 60,000 2011, to mark the 50th Anniversary of in’ world Nelson has created within and designers. Pairing people from exhibition Magda Archer: Crazy Mad London. James Hutchinson has transparent rods which moved in the Manned Space Flight. the solid walls of the British Pavilion across a range of disciplines ranging at Cornerhouse, Manchester, June – exhibited extensively both nationally breeze. Seeds from the Millennium for his exhibition I, IMPOSTOR. from architecture, ceramics, furniture, August 2011. and internationally. He was born in Seed Bank at Kew Gardens were %ULWLVK&RXQFLO  Published on the occasion of glass, jewellery, metal, painting, London in 1968, and graduated from embedded in each of these rods ,6%1 the exhibition Mike Nelson: I, VRIWEDFNSDJHV photography, textiles and wood this &RUQHUKRXVH3ROLWH  Chelsea College of Art and Design forming a ‘Seed Cathedral’ which was IMPOSTOR at the 54th International ,6%1 FRORXUE ZLOOXVWUDWLRQV exhibition features work from the with a degree in painting in 1990, set in a park-like space that provided [PP Art Exhibition, La Biennale Di VRIWEDFNSDJHV most interesting creative voices DQGLQ¿QHDUWSULQWPDNLQJIURP7KH an area of rest and relaxation for Venezia, June – November 2011. FRORXULOOXVWUDWLRQV from Ireland in dialogue with their [PP in 1998. He now visitors. Written by Kate Goodwin, American peers. lives in Newcastle upon Tyne and Drue Heinz, Curator of Architecture at %ULWLVK&RXQFLO  is a Senior Lecturer in Fine Art at ,6%1 the Royal Academy, the book shows KDUGEDFNSDJHV &RUDFOH  Sunderland University. the development from competition FRORXUE ZLOOXVWUDWLRQV ,6%1 VWDJHWR¿QLVKHGSDYLOLRQ [PP KDUGEDFNSDJHV $UW(GLWLRQV1RUWK WEF FRORXULOOXVWUDWLRQV ,6%1 [PP %ULWLVK&RXQFLO  VRIWEDFNSDJHV (QJOLVKDQG,ULVKWH[W ,6%1 LOOXVWUDWHGLQFRORXU VRIWEDFNSDJHV [PP FRORXUE ZLOOXVWUDWLRQV [PP (QJOLVKDQG0DQGDULQWH[W

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Is Britain Great? 3 Rashid Rana Matt Mullican Emil Nolde engage (National Association artists: Jan Williams, Chris Teasdale Everything Is Happening DuMont Buchverlag Conversations Master of Watercolour distributed by Cornerhouse in the UK for Gallery Education) texts by Sara-Jayne Parsons, Malcolm At Once edited by Ulrich Wilmes text by Joerg Garbrecht distributed by Cornerhouse world-wide Dickson, Dan Thompson texts by David Elliott, Alnoor Mitha, edited by Manfred Reuther Sarah Perks Questions about the meaning of life Roving photographers Jan Williams interview with Rashid Rana by Hans Ulrich Mallorca and the order of the world are at the Emil Nolde (1867 – 1956) was a engage 27: Exchange and Chris Teasdale are back with Obrist A Circumnavigation core of the work by the concept artist pioneering virtuoso of watercolour Artists, Young People and an eagerly awaited third book in Stephan Kaluza and sculptor Matt Mullican. He has SDLQWLQJ+HFRQ¿GHQWO\DSSOLHG Galleries their bestselling Is Britain Great? Cornerhouse, with Asia Triennial worked on an artistic systemisation colour on paper with a never-before introduction and edited by Karen Raney series. Since 2000 The Caravan Manchester 11, presents this of his world view since the 1970s that seen intensity, in the process Gallery has travelled extensively in accompanying publication on the The largest and best-known of the he tries to capture and visualise in creating pictorial worlds whose engage 27 asks what artists can offer the UK and abroad, documenting RFFDVLRQRIWKH¿UVWPDMRU8. Balearic Islands draws millions of expansive installations. His art forms a abundance of light are still teeming to young people in projects brokered the reality and surreality of ‘the way public solo show from Rashid tourists annually from all corners of dense system that makes completely with life today. Nolde’s wife Jolanthe by visual arts organisations. We we live today’. Photos of places Rana (Cornerhouse, Manchester, the world. Numerous illustrated books surprising points of view possible. provided an eyewitness account consider which artists choose this visited form the basis of a constantly October – December 2011; New Art have already attempted to capture )RUWKH¿UVWWLPHWKHVHLQWHUYLHZV of his working method: ‘You would sort of work and how it relates to changing exhibition in this unique Exchange, Nottingham, January – its incomparable charm. Thomas demonstrate the basic ideas of think that the material took on a life their practice, as well as what kind mobile exhibition venue and mini March 2012); widely considered to Katzorke and Stephan Kaluza have Mullican’s ‘Five Worlds’ concepts: the RILWVRZQ«LWÀRZHGIURPKLVKDQG¶ of mediation is required in different social club on wheels. Williams be the most prominent and original now found an entirely new way of city, cosmology, hypnosis, collecting The book features some 90 of the contexts – galleries, formal education and Teasdale’s burgeoning archive contemporary artist working in South accessing this beloved vacation spot: and collaboration. most beautiful watercolours from and community and public realm depicts a land of contrast and Asia today. Rashid Rana: Everything the complete circumnavigation of the the treasures in the collection of the settings. Exchange is a double- contradiction that somehow manages Is Happening At Once includes new Spanish island. This book presents 'X0RQW%XFKYHUODJ  Nolde Foundation Seebüll, including sized issue of the engage journal, to look both endearingly familiar and recent work that cuts across the whole of the rocky island’s varied ,6%1 over 30 masterpieces published here featuring contributions from artists, and terrifyingly alien. ‘You couldn’t conventional notions of the scale and FRDVWOLQHHQFRPSDVVLQJPDJQL¿FHQW VRIWEDFNSDJHV FRORXUE ZLOOXVWUDWLRQV IRUWKH¿UVWWLPH teachers and gallery professionals make it up’, ‘I’ve lived here all my status of the photographic object, sandy beaches, rugged cliffs and [PP including: Sarah Cole, artist; Nanna life and never noticed that’ and ‘I opening up its potential to represent densely inhabited or sparsely (QJOLVKDQG*HUPDQWH[W 'X0RQW%XFKYHUODJ  Lüth, artist and educator at the Edith wish I’d had my camera with me’ cultural, social and physical realities. developed areas. This picture book ,6%1 Russ Site for Media Art, Oldenburg, are typical responses to Caravan The works in this exhibition, spanning is a must for every visitor to Mallorca KDUGEDFNSDJHV FRORXULOOXVWUDWLRQV Germany; Sarah Mossop, Head of Gallery photos. The Caravan Gallery 2006 to the present, blur the divide because it follows the island’s coastal [PP Learning and Partnerships at Modern presents a thought provoking, between two and three-dimensional landscape, portraying its magic entirely (QJOLVKDQG*HUPDQWH[W Art Oxford; and Veronica Sekules, sometimes tragi-comic, view of forms to challenge the viewer’s from the water, a perspective which the Head of Education and Research, %ULWDLQZKHUHLQGLYLGXDOLW\GH¿DQFH understanding of the world in which tourist only rarely gets to see. Sainsbury Centre for Visual Arts. DQGDEVXUGLW\ÀRXULVKLQWKHIDFH they live. Photo , large- It also includes an excerpt from a of homogenisation and piecemeal scale photo mosaics, installations 'X0RQW%XFKYHUODJ  ,6%1 previously unpublished report, Artists’ regeneration schemes. Williams and and new video work subvert KDUGEDFNSDJHV Insights, originally commissioned 7HDVGDOHPDQDJHWR¿QGµEHDXW\LQ perception of size and structure FRORXULOOXVWUDWLRQV by Arts Council England, and a new the squalor’, glimmers of hope in the and urge us to look deeper into the [PP comic strip by the artist David Blandy most unpromising situations and are relationship between the fragment (QJOLVK*HUPDQDQG6SDQLVKWH[W about his collaborative projects with happy to report that humour is alive and the bigger picture. young people. and well. &RUQHUKRXVH WEF HQJDJH  &RUQHUKRXVH7KH&DUDYDQ*DOOHU\  ,6%1 ,661 ,6%1 KDUGEDFNSDJHV VRIWEDFNSDJHV VRIWEDFNSDJHVWEF FRORXULOOXVWUDWLRQV LOOXVWUDWHGLQFRORXUDQGE Z LOOXVWUDWHGLQFRORXU [PPWEF [PP [PP Rashid Rana, 'HVSHUDWHO\6HHNLQJ3DUDGLVH,, The Caravan Gallery, (GJH+LOO/DQH/LYHUSRRO Photo: Vipul Sangoi, Raindesign, 2010 4 5 $87801

GlobalArtAffairs Al Taylor George Grosz ¿UVWVLWH Haunch of Venison Hayward Publishing The Big No distributed by Cornerhouse in the UK distributed by Cornerhouse world-wide Publishing distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide Haunch of Venison, London exhibited and Europe text by Lutz Becker WKH¿UVW8.H[KLELWLRQRIZRUNE\ American artist Al Taylor in 2006, Inspired by the same society that Camulodunum PERSONAL Giuseppe Penone outlining the breadth and richness gave rise to Christopher Isherwood’s Joy in People texts by Michelle Cotton, Charlotte Higgins, STRUCTURES texts by Ben Tuffnell, Adachiara Zevi of his practice from the late 1980s ‘Berlin’ stories and novels, the and 1990s. The show included work La Biennale di Venezia 2011 texts by Stuart Hall, Rob Young, Ralph Rugoff drawings in George Grosz: The Big UHÀHFWLQJWKHDUWLVW¶VH[WUDRUGLQDULO\ In his summer 2011 Haunch of interview with the artist by No present a caustic, comic view of Camulodunum celebrates artists include: Marina Abramovic, Carl Andre, diverse body of work, including Peter Halley, Joseph Kosuth, Lee Ufan, Tony Venison show, Giuseppe Penone Germany in the troubled years of WKHRSHQLQJRI¿UVWVLWH¶VQHZ sculptures in steel, wood, wire, Matelli, Judy Millar, Tatsuo Miyajima, Hermann exhibited new and recent works -winning artist Jeremy the Weimar Republic. Ranging from contemporary art space in Nitsch, Arnulf Rainer, and found materials, as well as in wood and bronze as well as Deller has been a pioneering and SULPLWLYHDQGJUDI¿WLOLNHGUDZLQJV . The exhibition takes its texts by Karlyn De Jongh, Sarah Gold, Bruno drawings in mixed media. Taylor documentation relating to a series KLJKO\LQÀXHQWLDO¿JXUHRYHUWKH to complex Futurist street scenes title from the town’s original name Cora, Peter Lodermeyer sees drawing and as two of ground-breaking projects made past two decades, helping to rewrite with teeming crowds of overlapping when it was established as a Roman in 1968 and an installation of his aspects of a single process, a form ¿JXUHVWKLVFROOHFWLRQVKRZV*URV] This publication accompanies the rules of contemporary artistic legionary fortress and looks back extraordinary Skin of Graphite of speculative investigation into his at the height of his satirical powers, the exhibition PERSONAL practice. This comprehensive WRLWVULFKKHULWDJHDVWKH¿UVWFLW\ drawings. Penone’s work is surroundings. His work proposes an through a selection of works from STRUCTURES at Palazzo Bembo, catalogue is published on the of Britain. Featuring commissioned concerned with perception, sculpture, entirely individual take on the visual his largest portfolio, Ecce Homo. part of the 54th International Art RFFDVLRQRI'HOOHU¶V¿UVWPDMRU work by Michaela Eichwald, and our relationship with nature. and spatial properties of the world Pimps, black-marketeers, prostitutes, Exhibition, La Biennale di Venezia survey exhibition, staged at London’s Aleksandra Mir, Karin Ruggaber He is best known for his work using around him; from the urine stains left demobbed soldiers and the nouveau- 2011. The exhibition presents Hayward Gallery. With essays by and Danh Vo alongside selected trees although he also uses bronze, by dogs on the pavement, to wave riche rub shoulders in drawings of 28 artists from 5 continents, esteemed cultural theorist Stuart works by artists including Ai Weiwei, clay and stone and uses traditional theory, and the possibilities of x-ray razor-sharp acuity and technical representing 12 countries and Hall, music historian Rob Young Subodh Gupta, Richard Hawkins, techniques such as casting or YLVLRQ7KHDUWLVW¶VZRUNLVW\SL¿HGE\ precision. Also included are the brings together an extraordinary and Hayward Gallery’s Ralph , , carving. This is the largest exhibition an engaging wit, a love of language, powerful, anti-militarist Hintergrund combination of established artists Rugoff, alongside a fascinating Henry Moore, Robert Smithson, of the Italian artist’s work to date in curiosity and a searching intellect. drawings, originally published in and others whose oeuvre is less conversation between Deller and Andy Warhol, Rebecca Warren and London. Published on the occasion of Taylor was Robert Rauschenberg’s 1928 to accompany Erwin Piscator’s known. What they have in common curator Matthew Higgs, this beautiful Bill Woodrow, Camulodunum draws the exhibition at Haunch of Venison, studio assistant 1975 – 1982 and production of The Good Soldier is a dedication to the concepts Time, FDVHERXQGERRNLVWKH¿UVWFRPSOHWH GLUHFWO\RQ¿UVWVLWH¶VQHZDUFKLWHFWXUH London, May – August 2011. while he exhibited widely in his Schwejk, which resulted in criminal Space and Existence. The artists survey of the artist’s multi-faceted and situation in a town where modern lifetime he has become known as charges being brought against Grosz have their roots in diverse cultures practice. Re-mapping compelling buildings neighbour monuments to +DXQFKRI9HQLVRQ  an ‘artist’s artist’ who knew and was for ‘blasphemy and defamation of and have very different ages. The social and cultural territories, Deller antiquity. Practices of archaeological ,6%1 admired by, a diverse group including the German military’. Published to VRIWEDFNSDJHV has alternately taken on the roles excavation, ritual and re-enactment observation that even in the most Rauschenberg, Brice Marden, James FRORXUE ZLOOXVWUDWLRQV of artistic producer, publisher, accompany the UK touring exhibition are themes within an exhibition distant places artists are occupied Rosenquist and Cy Twombly. [PP ¿OPPDNHUFROODERUDWRUFXUDWRU in 2012. that explores the development of with Time, Space and Existence, parade organiser and cultural historical narrative and the idea led to the idea of bringing several of +DXQFKRI9HQLVRQ  +D\ZDUG3XEOLVKLQJ  archivist. of contemporary culture as future these artists together in publications, ,6%1 ,6%1 symposia and exhibitions. VRIWEDFNSDJHV KDUGEDFNSDJHVWEF historical record. LOOXVWUDWHGLQFRORXU The exhibition is part of the +D\ZDUG3XEOLVKLQJ  E ZLOOXVWUDWLRQVWEF [PP ,6%1 [PP ¿UVWVLWH WEF international art project PERSONAL FDVHERXQGSDJHV $SULO ,6%1 STRUCTURES, initiated in 2002 by FRORXULOOXVWUDWLRQV QRWDYDLODEOHWRFXVWRPHUVLQ1RUWK6RXWKDQG&HQWUDO VRIWEDFNSDJHV the Dutch artist Rene Rietmeyer. [PP $PHULFD RWKHUGHWDLOVWEF )HEUXDU\ QRWDYDLODEOHWRFXVWRPHUVLQ1RUWK6RXWKDQG&HQWUDO *OREDO$UW$IIDLUV3XEOLVKLQJ  George Grosz, 'U+XHOVHQEHFNDP(QGH (The End for Dr $PHULFD ,6%1 Huelsenbeck), 1923 © 2011 Estate of George Grosz KDUGEDFNSDJHV FRORXULOOXVWUDWLRQV Jeremy Deller, 9DOHULH¶V6QDFN%DU 2009 © Jeremy Deller [PP Image courtesy Cornerhouse. Photo: Brian Slater 6 7 $87801

Gary Hume David Shrigley Transmitter / Receiver Robert Orchardson Flashback texts by Cliff Lauson, Martin Herbert, The Persistence of Henry Moore Institute Ikon Gallery Endless Façade Jonathan Monk distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide text by Dave Hickey artists include: Eileen Agar, David Batchelor, text by Matthew Rampley interview with the artist by Dave Eggers interview with the artist by Caroline Douglas 3DWULFN&DXO¿HOG0DUF&DPLOOH&KDLPRZLF] Steve Claydon, Richard Hamilton, Margaret Harrison, Susan Hiller, Idris Khan, Linder, Ben 7KLVLVWKH¿UVWVRORSXEOLFDWLRQRQ %ULWLVKDUWLVW*DU\+XPH¿UVWIRXQG Best-known for his wry and witty 1LFKROVRQ&KULV2¿OL(GXDUGR3DROR]]L7RE\ United Enemies Marjolijn Dijkman the work of British artist Robert international fame in the early drawings, British artist David Patterson, Roland Penrose, , The Problem of Sculpture in Theatrum Orbis Terrarum Orchardson, who makes sculptures , Armando Andrade Tudela 1990s, with his series of bold, Shrigley’s artistic practice extends Britain in the 1960s and 1970s LQVSLUHGE\VFLHQFH¿FWLRQDQG well beyond drawing to include texts by Kate Brindley, Caroline Douglas abstract ‘door paintings’. As one of artists include: Liliane Lijn, Keith Arnatt, This title was published to coincide futuristic design. Using low-tech the YBAs, his work was featured photography, sculpture, neon signs, Stuart Brisley, Tony Cragg, John Hilliard, ZLWKWKH¿UVW8.VRORH[KLELWLRQ materials such as wood and resin, Transmitter / Receiver traces the in and ’s animation, painting, printmaking, Stephen Willats, Anthony Caro, Bruce McLean, of work by Dutch artist Marjolijn he is unashamedly nostalgic for uses of collage in British art from John Davies, Bill Woodrow, Barry Flanagan, Sensation exhibition and he has publishing and music. In an unusually Dijkman. Theatrum Orbis Terrarum modernist idealism, appropriating WKH¿UVWLQÀXHQFHVRIWKH3DULVLDQ John Latham exhibited internationally since, complete look at Shrigley’s diverse is an ever expanding collection of LWVIRUPVDQGUHFRQ¿JXULQJWKHVH avant-garde, in the early work of Ben texts by Jon Wood, David Briers and others becoming best known for vibrant, creative approach, this book photographs, assembled since 2005, as objects devoid of apparent showcases a body of conceptual Nicholson and Surrealists Eileen large-scale paintings, executed in This exhibition (at Henry Moore that observe how people organise function. Containing installation ZRUNWKDWLV¿OOHGZLWKVDUGRQLF Agar and Roland Penrose, through planes of bold, glossy colour. Institute, 1 December 2011 – 11 their living environments across views from the exhibition at Ikon caricatures, slapstick situations and to present-day practitioners such as A Turner-Prize nominee and Royal March 2012) explores sculpture the world. These images form the (February – April 2011), the book black humour. With an immediate Steve Claydon, David Noonan and $FDGHPLFLDQ+XPHLVDNH\¿JXUH made in Britain in the 1960s and heart of the exhibition. Referencing also has a new essay by Professor and accessible appeal to diverse Idris Khan. This book includes not in twentieth century painting and 1970s. It invites contemporary Abraham Ortelius’ Theatre of the Matthew Rampley. The exhibition audiences, Shrigley’s work offers only traditional collage on paper, but DSRZHUIXOLQÀXHQFHRQ\RXQJHU readers both to reconsider World (1570), thought to be the will also show at the Contemporary an insightful commentary on the SDLQWLQJVFXOSWXUH¿OPDQGVOLGH generations of contemporary artists. differences between practices, whilst ¿UVWDWODVLWLVDQDPELWLRXVDUFKLYH Art Gallery, Vancouver (November absurdities of human relationships. projections to explore ways in which This beautifully presented hardback also thinking retrospectively about seeking to map the planet through 2011 – January 2012), which has co- Published on the occasion of the the idea of collage has developed book is published to accompany the what shared ideas about sculpture thousands of digital images. The published this title with Ikon Gallery. DUWLVW¶V¿UVWPDMRUVXUYH\VKRZLQ since the early twentieth century. third exhibition in the Arts Council circulated at this time. It is structured LPDJHVDUHFODVVL¿HGLQWRWKUHH London’s Hayward Gallery, this Transmitter / Receiver is an Arts Collection’s acclaimed Flashback through three themes: ‘Manual groups: Gestures, depicting human ,NRQ*DOOHU\&RQWHPSRUDU\$UW*DOOHU\9DQFRXYHU  beautifully appointed volume features Council Collection exhibition touring ,6%1 series, in which early acquisitions Thinking’, which focuses on the role intervention in the natural world; an interview by writer Dave Eggers, the UK in 2011 – 2013 to MIMA, KDUGEDFNWEFSDJHV from key international artists are of the touch in sculpture; ‘Standing’, References, which geographically FRORXUE ZLOOXVWUDWLRQV essays by Martin Herbert and Cliff Middlesborough; The Lightbox, juxtaposed with newer work from which looks at the treatment of translate architectural and design [PP Lauson and an original piece of Woking; The New Art Gallery, British collections. joins vertical form; and ‘Ground work’ language from other locations; prose contributed by artist Jonathan Walsall; Usher Gallery, Lincoln; and which considers the importance and Speculations, recreations Monk. The book also features a Aberystwyth Arts Centre; and Tullie in this popular series of survey attached to the ground in these of other times, past and future. new animation by the artist, created , Carlisle. publications. years, looking at the relationship Theatrum Orbis Terrarum is a VSHFL¿FDOO\IRUWKH+D\ZDUG*DOOHU\ +D\ZDUG3XEOLVKLQJ  between the three-dimensional kind of anthropological survey, +D\ZDUG3XEOLVKLQJ WEF ,6%1 playfully revealing basic behavioural +D\ZDUG3XEOLVKLQJ WEF representation of landscape and ,6%1 VRIWEDFNSDJHV ,6%1 its two dimensional, photographic similarities around the world and KDUGEDFNSDJHV FRORXUE ZLOOXVWUDWLRQV FDVHERXQGSDJHV universal human systems of thought LOOXVWUDWLRQVWEF [PP rendition. FRORXULOOXVWUDWLRQV [PP QRWDYDLODEOHWRFXVWRPHUVLQ1RUWK6RXWKDQG and values. Published with Spike GLPHQVLRQVWEF )HEUXDU\ &HQWUDO$PHULFD +HQU\0RRUH,QVWLWXWH WEF Island to coincide with exhibitions at )HEUXDU\ QRWDYDLODEOHWRFXVWRPHUVLQ1RUWK6RXWKDQG&HQWUDO ,6%1 QRWDYDLODEOHWRFXVWRPHUVLQ1RUWK6RXWKDQG&HQWUDO Ikon Gallery (February – April 2011); $PHULFD VRIWEDFNSDJHVWEF $PHULFD and Spike Island (April – June 2011). E ZLOOXVWUDWLRQVWEF Gary Hume, )RXU)HHWLQWKH*DUGHQ, 1995 © Gary Hume GLPHQVLRQVWEF Image courtesy the artist David Shrigley,,¶P'HDG © David Shrigley 'HFHPEHU ,NRQ*DOOHU\  Image courtesy the artist ,6%1 VRIWEDFNSDJHV Bruce McLean, +DOI+RXU6WDQGDQG:DON$ERXW3LHFH LOOXVWUDWHGLQFRORXU (1969). 15 black and white photographs on board, [PP 81.3 x 102 cm, Leeds Art Gallery 8 9 $87801

John Salt Atsuko Tanaka Andy Warhol Alex Bag The Art of Connecting John Hansard Gallery ARTIST ROOMS On Tour JRP|Ringier texts by Dieter Roelstraete, Jonathan Watkins distributed by Cornerhouse in the UK and texts by Raphael Gygax, Bruce Hainley, distributed by Cornerhouse world-wide Glenn Phillips texts by Lorenza Barboni, Yuko Hasegawa, with the Art Fund Europe Mizuho Kato, Jonathan Watkins edited by Raphael Gygax, Heike Munder Salt holds a unique place in Ikon’s texts by Ros Carter, Alice Workman, KLVWRU\EHLQJWKH¿UVWDUWLVWWRH[KLELW edited by Jonathan Watkins, Mizuho Kato Anthony d’Offay at the gallery in its original Bullring Charlotte Posenenske Artist-Run Spaces Since the mid 1990s, the American venue in 1965. Since then, his This is the most comprehensive The Same but Different This publication documents the texts by AA Bronson, Christophe Cherix, artist Alex Bag has been one of the Gabriele Detterer, György Galántai, Peggy most interesting protagonists of video artistic output has been more or less survey to date of work by Atsuko texts by Jessica Morgan, Astrid Wege, exhibition Andy Warhol: ARTIST Gale, Tom Marioni, Maurizio Nannucci, Darlene Tanaka, striking an unprecedented Burkhard Brunn ROOMS On Tour with the Art Fund. performance, and she is regarded as dedicated to the portrayal of cars; Tong, Keith Wallace, Martha Wilson a subject rooted in his upbringing balance between all aspects of her Part of the ARTIST ROOMS scheme a vital reference point by an entire edited by Gabriele Detterer, Maurizio Nannucci in Birmingham, a city of car practice. Ranging from her earliest Charlotte Posenenske began working run by and National Galleries generation of younger artists. Bag gestures, including documentation from the early 1950s as an artist of Scotland, this exhibition brought became known for her technically manufacturing, and then developed This volume was developed in of Gutai performances in the 1950s, and designer. During the 1960s together nearly 200 works by one simple video performances, in while studying for a scholarship at collaboration with founders of to paintings made shortly before her she developed a seminal body of of the icons of twentieth century art. which she humorously took on and Maryland Institute College of Art, important and exemplary artist-run death in 2005. Through variety it constructivist related drawings, The exhibition was shown across exploited TV culture and its most Baltimore. Salt’s early car paintings spaces of the 1960s and 1970s. conveys a remarkable consistency of sculptures and sculptural installations two galleries: Southampton City varied formats, as well as the art are reproductions of the slick images ,WUHSUHVHQWVWKH¿UVWH[WHQVLYH vision, connecting art and everyday that heralded, along with artists such Art Gallery exhibited over 100 of system and its romantic (artist) found in Buick sales brochures, research on this subject and life as we know it. It articulates as Donald Judd, the development of Warhol’s prints and posters, as well conceptions. With convincing produced to sell the American introduces spaces such as Art an artistic proposition that makes minimalism. Her development as an as a selection of major paintings. precision, Bag cultivated a profound Dream. Bride (1969), for example, Metropole in Toronto, Artpool in Tanaka one of the most important artist followed a logical progression These covered a range of subjects critique of the market system and with its view through the passenger’s , Ecart in Geneva, Franklin ¿JXUHVRIWKH-DSDQHVHSRVWZDU and after an intense period of work, across Warhol’s career, from early society, and often appeared herself, door, encourages us to linger on the Furnace in New York, MOCA in avant-garde. Published alongside she felt that she could take this works made in the Factory in 1962 as an extraordinarily agile and luxurious red upholstery. This booklet San Francisco, La Mamelle in San exhibitions at Ikon Gallery (July – trajectory no further and, in 1968, until his death in 1987. John Hansard transformable actor taking on a has been produced by Ikon Gallery Francisco, Printed Matter in New September 2011); EACC (October stopped making art altogether to Gallery focused on Warhol’s hugely multitude of roles. In many videos to complement John Salt’s exhibition York, Western Front in Vancouver, – December 2011); and MOT work as a sociologist. It was not until LQÀXHQWLDO¿OPDQGSKRWRJUDSK\ she has frequently investigated the (May – July 2011) and includes and Zona in Florence, whose (February – May 2012). 2007, when her work was included showcasing rarely-seen stitched advertising structures in network TV illustrations of the exhibited works founders include Carl Andre, John in Documenta XII that its importance photographs and self-portraits (Coven Services, 2004), or diverse dating from 1969 to the present. Armleder, AA Bronson, Sol LeWitt, ,NRQ*DOOHU\  was brought to a wider public. This DORQJVLGHLFRQLF¿OPZRUNVIURPWKH TV genres and formats (Fancy Pantz, ,6%1 Lucy Lippard, Tom Marioni, and ,NRQ*DOOHU\   7KLVLVWKH¿UVWPRQRJUDSK VRIWEDFNSDJHV publication documents two key Andy Warhol Museum in Pittsburgh, ,6%1 Maurizio Nannucci. At a time LOOXVWUDWHGLQFRORXUDQGE Z exhibitions which ran concurrently at including a number of Screen Tests, DERXW%DJ¶VLQÀXHQWLDOZRUNDQG VRIWEDFNSDJHV of transition to new aesthetic [PP includes essays, a complete FRORXULOOXVWUDWLRQV John Hansard Gallery (Southampton, Factory DiariesDQGWKH¿OPZRUN (QJOLVKDQG6SDQLVKWH[W approaches, these artists promoted [PP UK) and Konrad Fischer Galerie Lupe (1965). Texts by the galleries’ videography with transcripts, scripts, community spirit and organizational (Dusseldorf, Germany). Both curators, Alice Workman and Ros stills, as well as ephemera, and skills, pioneering a revaluation of exhibitions included paintings and Carter, contextualise the works other reference material. Published traditional art concepts. Published as drawings, steel wall-based structures shown, along with an interview with with the Migros Museum für part of the and is DQGWKHXQLWEDVHGVLWHVSHFL¿F Anthony d’Offay, founder of ARTIST Gegenwartskunst, . co-published with Zona Archives. constructions for which she is best ROOMS. known. -53_5LQJLHU  -53_5LQJLHU WEF ,6%1 -RKQ+DQVDUG*DOOHU\  ,6%1 KDUGEDFNSDJHV ,6%1 -RKQ+DQVDUG*DOOHU\ WEF VRIWEDFNSDJHV FRORXUE ZLOOXVWUDWLRQV VRIWEDFNSDJHV ,6%1 E ZLOOXVWUDWLRQV [PP FRORXUE ZLOOXVWUDWLRQV VRIWEDFNSDJHVWEF [PP (QJOLVKDQG*HUPDQWH[W RWKHUGHWDLOVWEF [PP 2FWREHU (QJOLVKDQG*HUPDQWH[W

Charlotte Posenenske, 6HULHV'6TXDUH7XEHV UHFRQVWUXFWLRQ  1967/68 Photo: Steve Shrimpton 10 11 $87801

Gabriele Basilico / Raymond Bellour AA Bronson / Valentin Carron Collage Culture The Complete Dan Graham Between-the-Images Peter Hobbs texts by Andrea Bellini, Christy Lange, texts by Mandy Kahn, Aaron Rose Designers Lights Fabrice Stroun 8QLGHQWL¿HG0RGHUQ&LW\ edited by Lionel Bovier Queer Spirits 1940 – 1990 edited by Lionel Bovier 7KH¿UVWGHFDGHRIWKHWZHQW\¿UVW texts by Gabriele Basilico, Maurizio Bortolotti, texts by AA Bronson, Peter Hobbs 3XEOLVKHGIRUWKH¿UVWWLPHLQ century appears to belong to the texts by Alex Coles, Pierre Doze, Didier Dan Graham, Massimo Minini Krzentowski, Constance Rubini – its original title is L’Entre-images: The sculptures of Valentin Carron collagist, for whom the creative act is edited by Maurizio Bortolotti, Lionel Bovier, AA Bronson, the New York-based edited by Clémence & Didier Krzentowski Massimo Minini mark a renewal of appropriationist not invention from scratch but rather Photo, Cinéma, Vidéo – this volume artist is best known for his 25 years brings together 20 illustrated essays discourse: through the re- the collecting, cutting and pasting with the artists’ collective General Didier and Clémence Krzentowski Under the title8QLGHQWL¿HG0RGHUQ written between 1981 and 1989 by employment of vernacular forms that of the already extant. Collage, Idea. Here he joins up with Toronto- are the founders and directors of the City lies a unique collaboration Raymond Bellour, one of the world’s are not part of the dominant culture, which began as an art meant to based artist and academic Peter leading contemporary design Galerie between Gabriele Basilico and PRVWSURPLQHQW¿OPWKHRULVWV$VKH the artist develops a project that confound the brain with its disparate Hobbs to spin a tale in images and kreo, whose program includes world Dan Graham around the city of writes in his foreword to this English confuses genres. Neither authentic FRPSRQHQWVKDVMXPSHGWKHÀDW ZRUGVRI¿YHSHUIRUPDQFHVDOOWLWOHG acclaimed designers such as the Brescia, commissioned by gallerist edition, Between-the-Images is now nor kitsch, neither readymade surface, so that an astonishing Invocation of the Queer Spirits. Bouroullec Brothers, Martin Szekely, Massimo Minini. The publication a kind of archeological corpus. It nor really craft, these objects play number of musicians, designers and From 2008 to 2010 Bronson and and Konstantin Grcic. Focusing attempts to translate the dialogue recalls how the landscape of the with ambiguity (fake wood, fake writers might be described as collage Hobbs brought together small groups particularly on Italian and French between the Italian photographer moving image was constituted concrete, fake bronze, etc.) and artists. This book contains two of men – in Banff, New Orleans, design, the Krzentowski’s collection and the American Conceptual artist DQGKLVWRULFLVHVWKH¿UVWFUHDWLYH with an iconography of power essays by Aaron Rose and Mandy Winnipeg, Manhattan, and Fire Island is the most important of its kind into book form. It is accompanied SDVVDJHVEHWZHHQ¿OPYLGHRDQG and authority (public sculptures Kahn that explore the effect of this – in a secret group ritual that was today, spanning creations from the by a discussion between the two photography. Considering the works and commemorative monuments, widespread trend, vividly typeset by different every time and yet always 1940s to the 1990s with special protagonists and an essay by and the strategies of artists and traditional forms, etc.). Alongside graphic designer Brian Roettinger. the same. Invoking the ‘queer’ and attention to the 1950s, 1960s and Maurizio Bortolotti. Never-before- ¿OPPDNHUVVXFKDV-HDQ(XVWDFKH several artists such as Andro An additional centre section by marginalized histories of each site, 1970s. It includes large groups of seen images and a cutting-edge Jean-Luc Godard, Thierry Kuntzel, Wekua, Mai-Thu Perret, and Vidya Roettinger includes original works the men performed something that works by Paulin, Garrice, Castiglioni, design make this publication, printed Chris Marker, and Bill Viola, Bellour Gastaldon, Valentin Carron, whose created especially for this book that Bronson has characterized as ‘a and Sarfatti. The Krzentowskis have in a limited edition, a collector’s item. examines the slow but inexorable work has been shown in the last few imagine what might follow the age of hybrid between group therapy, been collecting lights for 30 years. rise of moving images, putting his years at the Kunsthalle Zürich, the collage. ceremonial magic, a séance, a circle This publication provides priceless -53_5LQJLHU  emphasis on a dual relationship: Palais de in Paris, and the ,6%1 jerk, and a quilting bee.’ This book documentation and a visual guide KRZ¿OPORRNVDWSDLQWLQJDQGKRZ Conservera in Murcia, marks the -53_5LQJLHU WEF VRIWEDFNSDJHV H[SORUHVHDFKVLWHLQ¿YHFKDSWHUV ,6%1 for those interested in light design language inspires images. At once emergence of a new artistic scene FRORXUE ZLOOXVWUDWLRQV of photographic images, primarily by VRIWEDFNSDJHV and furniture history. Conceived as [PP poetical and concisely argued, in Switzerland. This book offers AA Bronson, together with a brilliant FRORXUE ZLOOXVWUDWLRQV a catalogue raisonné of nearly 500 (QJOLVKDQG,WDOLDQWH[W DFFRPSDQLHGE\QXPHURXV¿OPVWLOOV an overview of his work and newly [PP DQGRIWHQKXPRURXVUHÀHFWLRQRQ lights, this book contains an essay Bellour’s essays are an invaluable commissioned essays by Andrea 2FWREHU queer animals, forest rangers, by the art critic Alex Coles and also and still relevant analyses that Bellini and Christy Lange. Published shamanism, and park sex by Peter includes a discussion between Didier contribute to an understanding of the with the support of Galerie Eva Hobbs. Drawings by Chicago artist Krzentowski and the design historian issues of today’s creation. Published Presenhuber, Zurich and 303 Gallery, Elijah Bergher complete the volume. and curator of the Musée des Arts as part of the Documents series, co- New York. Published with Creative Time, New décoratifs, Constance Rubini and the published with Les presses du réel, York, and Plug in Editions, Winnipeg. -53_5LQJLHU  journalist/design critic Pierre Doze. and dedicated to critical writings. ,6%1 Published with Galerie kreo, Paris. -53_5LQJLHU  VRIWEDFNSDJHV -53_5LQJLHU WEF FRORXUE ZLOOXVWUDWLRQV ,6%1 -53_5LQJLHU WEF ,6%1 [PP KDUGEDFNSDJHV ,6%1 VRIWEDFNSDJHV FRORXUE ZLOOXVWUDWLRQV KDUGEDFNSDJHV E ZLOOXVWUDWLRQV [PP FRORXULOOXVWUDWLRQV [PP [PP 2FWREHU 2FWREHU

12 13 $87801

The Garden of Das Institut It’s Not a Garden Table Ben Kinmont Armin Linke & Srdjan Christian Marclay Forking Paths artists: Adele Röder, Kerstin Brätsch texts by Jennifer Allen, Martin Boyce, Martino Prospectus 1988 – 2010 Jovanovic Weiss Cyanotypes Gamper, Jerszy Seymor, Andrea Zittel edited by Ben Kinmont text by Noam Elcott artists: Pablo Bronstein, Liz Craft, Ida Ekblad, Socialist Architecture: edited by Jörg Huber, Burkhard Meltzer, Heike Geoffrey Farmer, Kerstin Kartscher, Ragnar For many years now, the Ringier edited by David Louis Norr Munder, Tido von Oppeln The Vanishing Act Kjartansson, Fabian Marti, Peter Regli, Thiago Annual Report, edited by Beatrix Ben Kinmont is an artist, publisher, Rocha Pitta texts and edited by Tobia Bezzola, Srdjan Ruf, has been made in collaboration and antiquarian bookseller living in Jovanovic Weiss Cyanotypes documents six distinct texts by Lars Bang Larsen, Michael Bracewell, Artists, designers, and theorists are with an artist. After the projects by California. His work is concerned series of cyanotypes produced by Horst Bredekamp, Brian Dillon, Patrick Eyres, discussing the consequences of Richard Prince, Fischli/Weiss, Josh with the value structures surrounding Heike Munder, Anthony Vidler, Catherine design as a self-referential practice, Socialist Architecture: The Vanishing visual artist, performer and composer Wood Smith, and John Baldessari, of which an art practice and what happens the aesthetics of everyday life in Act is a collaborative project Marclay in collaboration with edited by Heike Munder we released a trade book version, when that practice is displaced into the art context, as well as many between photographer Armin Linke Graphicstudio. Known as the inventor the current report is made by Das a non-art space. Since 1988 his other topics, with a special focus on and architect Srdjan Jovanovic of ‘turntablism’, Marclay has explored From May – October 2011 the Institut, i.e. Kerstin Brätsch and Adele work has been project-based with furniture. This publication proposes Weiss. The Socialist Federation the relationship between visual and Migros Museum für Gegenwartskunst Röder. Part Vietnamese magazine, an interest in archiving and blurring three approaches toward the of Yugoslavia vanished during the sonic phenomena through his work in sculpture project The Garden of part artists’ portfolio, part fashion the boundaries between artistic H[SDQGHGGH¿QLWLRQRIGHVLJQWRGD\ early 1990s and the former Socialist diverse media. In the cyanotypes, he Forking Paths will be a guest on publication, part Report of the Swiss production, publishing, and curatorial and its relation to the art context: states were Balkanized into a reclaims the obsolete technology of the Froh Ussicht estate, owned by group, it includes a special give-away practices. 3URVSHFWXV± Distinction with texts by Sven number of emerging democracies. the audio cassette as a tool for visual the Blum family in Samstagern, of fake nails designed by the artists. is a collection of Kinmont’s project Lütticken, Klaus Spechtenhauser, Each of these new states inherited abstraction. First developed in the Zurich. The project alludes to the Published with Ringier AG. descriptions, written over a 22-year Tido von Oppeln, Mateo Kries, monuments, buildings, landscapes, 1840s, the cyanotype is a camera- Sacro Bosco in Bomarzo (), the period. The projects occur in places Burkhard Meltzer. Participation with and infrastructure, which were less photographic process performed enchanted Renaissance garden, -53_5LQJLHU  as varied as his own home, out by placing objects directly onto a ,6%1 texts by Alexander García Düttmann, FRQVWUXFWHGVSHFL¿FDOO\IRUWKHIRUPHU which features sculptures shrouded on the street, in stranger’s homes, photosensitive surface, resulting VRIWEDFNSDJHV Monika Kritzmöller, Jennifer Allen, Socialist context and needs. After in mystery, and eccentric architecture and in various exhibitions such as FRORXULOOXVWUDWLRQV Judith Welter, and a conversation Yugoslavia vanished, most of the in a silhouetted image. Commonly that over time became overgrown [PP Documenta XI. This book replaces with Martin Boyce, Frédéric Dedelley, inherited architecture was left vacant known as ‘blueprints’, cyanotypes (so-called ‘follies’). The invited the sold-out eponymous title from and Max Borka. Discussion with and in a state of limbo between were famously used by nineteenth artists will create their own fantastic 1997. It is printed with lead type on Jerszy Seymor, Julia Lohmann, being repurposed and reused century botanist Anna Atkins and narratives. The project title refers to acid-free paper and Smythe-sewn; Jurgen Bey, Martino Gamper, Front for new content, or simply being later by architects and engineers a story by Argentinean novelist Jorge the colour illustrations are printed Design, Martin Boyce, David Renggli, declared ‘Socialist archaeology’, as a way of reproducing drawings. Luis Borges, indicating the analogy with polymer plates. This monograph Matthew Smith, Andrea Zittel, Florian and continuing its life as ruins. By Marclay’s cyanotypes capture the between imagination and spatial is sponsored by the Kunstverein Slotawa, and Mamiko Otsubo. creating documentation, this project abstract tangles made by unspooled structures, in which he described + New York, the Kadist Published on the occasion of a FDSWXUHVWKHLQGHFLVLRQRI¿YH cassette tapes, inviting comparisons the labyrinth as possibly the most Art Foundation, Air de Paris, and the research collaboration of the Institute particular emerging democracies with the paintings of Jackson Pollock fundamental human experience. Fales Library at New York University. of Critical Theory (Zurich University today: Croatia, Bosnia-Herzegovina, and other twentieth century artists. Published with Antinomian Press. of the Arts) and the Migros Museum Montenegro, Macedonia, and 'HVLJQHGE\6ZLVVGHVLJQ¿UP -53_5LQJLHU WEF NORM in collaboration with the ,6%1 für Gegenwartskunst, Zurich. Serbia, and the distinct effects -53_5LQJLHU  KDUGEDFNSDJHV their irresolution creates spatially artist, this volume includes a study ,6%1 FRORXUE ZLOOXVWUDWLRQV of Marclay’s experimentation and -53_5LQJLHU WEF VRIWEDFNSDJHV and visually on former Yugoslav [PP ,6%1(QJOLVKHGLWLRQ FRORXULOOXVWUDWLRQV architecture. Published with Codax utilization of the cyanotype process (QJOLVKDQG*HUPDQWH[W ,6%1*HUPDQHGLWLRQ [PP Publishers, Zurich. and its broader contextualisation VRIWEDFNSDJHV with the history of the avant-garde by FRORXUE ZLOOXVWUDWLRQV [PP -53_5LQJLHU WEF scholar Noam Elcott. ,6%1 KDUGEDFNSDJHV -53_5LQJLHU WEF FRORXULOOXVWUDWLRQV ,6%1 [PP VRIWEDFNSDJHV (QJOLVKDQG*HUPDQWH[W FRORXULOOXVWUDWLRQV 'HFHPEHU [PP

14 15 $87801

Allan McCollum John Miller Boris Ondreicka Mai-Thu Perret Archiv Peter Piller Jason Rhoades text by Rhea Anastas, Martha Buskirk, MaryJo The Ruin of Exchange Spoken Word / Written World text by Diedrich Diederichsen, Elisabeth Kraft Perfect World / Perfect Model Marks, Catherine Quéloz Lebovici, Jacob Proctor, Dorothea Strauss text by Alexander Alberro, Mike Kelley, edited by Vit Havranek edited by Christoph Keller texts by Paul McCarthy, Eva Meyer-Hermann, edited by Rhea Anastas John Miller edited by Lionel Bovier Ralph Rugoff edited by Alexander Alberro This project by artist, singer, curator, All of the photographs in this book Since the late 1970s, Allan McCollum and visual poet Boris Ondreicka is Mai-Thu Perret studied at Cambridge were taken between 2007 and 2011 The installation Perfect World, has addressed the production, The texts in this collection of John in fact two books in one: John Doe University and the Whitney from the artist’s car, during his job- which Jason Rhoades created for distribution, acquisition, display, Miller’s writing and criticism span & Joe Bloggs is a long poem, laid Independent Study Program, related journeys between Hamburg the Deichtorhallen in Hamburg in and reading of the artwork. Art as a 20-year period, 1989 to 2009, out in a portrait-oriented format, 1HZ

16 17 $87801

Texte zur Kunst Oriol Vilanova Ai Weiwei Patrick Weidmann Heimo Zobernig They Cannot Die Fairytale: A Reader Photographies Ohne Titel (in Red) Kerber Verlag 1990 – 1998 distributed by Cornerhouse in the UK, texts by Joerg Bader, Nicolas Buri, Philippe text by Gregor Stemmrich Scandinavia and Eastern Europe texts by Benjamin Buchloh, Sabeth text by Oriol Vilanova texts by Daniel Birnbaum, Roger Buergel, Cuenat, Emmanuel Grandjean, Gauthier Huber Buchmann, Judith Butler, Timothy J. Clark, edited by Christoph Keller Raphael Gygax, Christian Höller edited by Beatrix Ruf Diedrich Diederichsen, Isabelle Graw, Tom edited by Lionel Bovier, Salome Schnetz edited by Lionel Bovier Holert, Mike Kelley, Rosalind Krauss, John Art & Fashion Miller %HVLGHVEHLQJRQHRIVFLHQFH¿FWLRQ¶V Heimo Zobernig has been viewed as In 2007 Ai Weiwei, architect, curator, Patrick Weidmann’s work today Between Skin and Clothing edited by Catherine Chevalier, Andreas Fohr top subjects, immortality is one of DNH\¿JXUHRQWKH$XVWULDQDUWVFHQH humanity’s most debated issues. DQGGRFXPHQWDU\¿OPPDNHU consists mainly of photography and since the early 1980s. The Kunsthalle artists/designers: Sandra Backlund, presented Fairytale at Europe’s writing. While his early ‘combined Walter Van Beirendonck, BLESS, Louise 7KLV¿UVW)UHQFKDQWKRORJ\EDVHGRQ They Cannot Die by Catalan artist Zürich launched its exhibition season PRVWLQQRYDWLYH¿YH\HDUO\DUWHYHQW photographs’, as they could be Bourgeois, Nick Cave, , the German journal Texte zur Kunst Oriol Vilanova is a possible portrait of at the Museum Bärengasse with Hussein Chalayan, Comme des Garçons / Rei Documenta 12 in Kassel. He invited called, included objects of a gives a new use value to a selection how the twentieth century dealt with Zobernig’s solo exhibition ohne Titel Kawakubo, Christophe Coppens, Salvador 1,001 Chinese citizens of different fetishistic nature (such as chains, for Dalí, Naomi Filmer, Robert Gober, Maison of texts published between 1990 KLVWRU\DQGIDPH,WVWDUWVZLWKD¿FWLRQ (in Red). In keeping with the rooms ages and from various backgrounds instance), he later chose depicted Martin Margiela, Charlie Le Mindu, Dai Rees, and 1998. It is intended to allow an written as a theatre-essay in which in the buildings of the Museum Freddie Robins, Elsa Schiaparelli, ManfreDu to Germany to experience their own objects to incarnate fetishism. incisive dialogue to be started – or Dalí, Lenin, and Disney enter into Bärengasse the works selected for Schu, Jana Sterbak, , Viktor fairytale for 28 days. Fairytale was He brings this dimension of the & Rolf, Anna-Nicole Ziesche FRQWLQXHG±ZLWKFHUWDLQKLJKSUR¿OH a lively argument about immortality presentation focused on the topics judged one of the most sensational commodities that surround us to the American theoretical approaches in an empty exhibition room, which of ‘furnishing’ and ‘light’, and played artworks of Documenta 12. This fore in images depicting a jacuzzi, The boundaries ‘between skin (October or Artforum) as well as becomes the fourth voice. Through with the domesticated interior of the reader, which accompanies the an airplane seat, an electronic DQGFORWKLQJ¶DUHÀXLG±DVWKH\ with the various reactions to French the discussion of these three icons former residential buildings. Zobernig PLQXWH¿OPGRFXPHQWLQJWKH circuit, a soft toy, a cross-section of are between art and fashion. Theory or the response to cultural, of mass-culture, empty of any of submerged the exhibition spaces in red whole process, gathers together texts a car, or some random techno-style Both meet in the space where feminist and post-colonial studies. It the spatial or temporal restrictions light with his work ohne Titel produced by Roger M. Buergel, Artistic Director setup, framing the image so as to new visual discoveries are made, also demonstrates a purposefully and that so often condition mortals, we in 1994. By doing so, concepts such of Documenta 12; Daniel Birnbaum, accentuate its fragmentary nature, where materials are tried out and methodically tested form of writing DUHDEOHWRUHÀHFWRQWKHUHODWLRQV as ‘display’, ‘installation’, ‘setting Director of the Moderna Museet in itself characteristic of photography. current concepts of beauty are criticism. Finally it reconstructs the between time and memory. At the up’, and ‘representation’, as well as Stockholm; Christian Höller, the editor In addition, as Joerg Bader puts it, critiqued. Fashion designers use immediate context in which the texts core of this artist’s book can be found µVLWHVSHFL¿FLW\¶IRUWKHLGLRV\QFUDWLF of Springerin magazine; Raphael ‘his handling of light – worthy of a extreme hyperbole and fantastical were written and – more broadly – the a facsimile print of a short, nineteenth context of the spaces, were put up Gygax, Curator at the Migros Museum marketing handbook, with cascading exaggeration to re-interpret traditional intellectual and artistic environment century introductory guide to human for discussion and confronted with für Gegenwartskunst in Zurich; and UHÀHFWLRQVDQGDFOHDUSUHIHUHQFHIRU ideas about clothing, or even the of in those years, while taxidermy, along with a visual archive the traditional understanding of the Ai Weiwei. Published with Galerie Urs UHÀHFWLYHVXUIDFHV±LVDVLJQL¿FDQW entire fashion system, and so change avoiding going along with the myth of of postcards of museums, which are installation. This publication attempts Meile, Beijing/Lucerne. tool in persuading us that we live in our understanding of these. The a scene focused round a few central presented as mausoleums. Humorous to transform the exhibition, treated as the realm of commodities, in a world exhibition and catalogue explore DUWLVWLF¿JXUHV7KLVERRNLVSDUWRIWKH and metaphysical, this publication is a retrospective – it showed a cross- part of the series of artists’ projects -53_5LQJLHU WEF WKDWLVVRPHUFHQDU\WKDWLWQRZ¿OOV section of Zobernig’s artistic oeuvre this intriguing border region and Documents series, co-published with ,6%1 the entire life of everyone on the demonstrate how these disciplines Les presses du réel and dedicated to edited by Christoph Keller. VRIWEDFNSDJHV from 1985 to the present – into book planet…’ Published with the support are interlinked in a constant process critical writings. E ZLOOXVWUDWLRQV form. Published with Kunsthalle Zürich. -53_5LQJLHU  [PP of Mamco, Geneva. of investigation and inspiration. ,6%1 2FWREHU -53_5LQJLHU  -53_5LQJLHU WEF Published on the occasion of the VRIWEDFNSDJHV -53_5LQJLHU WEF ,6%1 ,6%1 exhibition Art & Fashion: Between FRORXULOOXVWUDWLRQV ,6%1 VRIWEDFNSDJHV VRIWEDFNSDJHV [PP KDUGEDFNSDJHV Skin and Clothing, at Kunstmuseum E ZLOOXVWUDWLRQV FRORXULOOXVWUDWLRQV (QJOLVK&DWDODQDQG6SDQLVKWH[W FRORXULOOXVWUDWLRQV Wolfsburg, March – August 2011. [PP [PP [PP )UHQFKWH[W .HUEHU9HUODJ  ,6%1 KDUGEDFNSDJHV FRORXUE ZLOOXVWUDWLRQV [PP

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Big Picture Robert Breer Imi Knoebel Laura Owens That’s Me Visions & Fashion artists: Dominique Gonzalez-Foerster, Jason texts by Andres Pardey, Laurence Sillars, Stained Glass Windows in texts by Stephan Berg, Stefan Gronert, Photographic Self-Images Capturing Style 1980 – 2010 Rhoades, Mark Lewis, Rodney Graham, Shirin Roland Wetzel, Ute Holl Sarah Lehrer-Graiwer Reims Cathedral texts by Michael Kröger, Thomas Niemeyer artists include: Ruben Alterio, François Neshat, Steve McQueen Berthoud, Cem Bora, Michel Comte, Mats texts by Olivier Kaeppelin, Klaus Lueb, Serge edited by Michael Kröger texts by Doris Krystof, Maria Bierwirth, Marion Gustafson, Gregor Hohenberg, Françoise In unusual independence from the Lemoine, Frédéric Murienne, Marc Nouschi, /DXUD2ZHQVLVDVLJQL¿FDQW Ackermann Huguier, Katerina Jebb, Antonio Lopez, art world, the American artist Robert Martin Schulz, Johannes Stüttgen and prominent painter, whose 'H¿QLQJDQGTXHVWLRQLQJRQH¶VUROH Christin Losta, Martin Mago, Sarah Moon, Breer has created a diverse and apparently romantic-naive visual Helmut Newton, Rico Puhlmann, Carola Big Picture is the title of a work as an artist using photography has individual oeuvre since the 1950s. He Imi Knoebel, one of the most language dissolves any separation Seppeler, Eric Traoré, Tony Viramontes, Nancy by Jason Rhoades, a Californian been used since the 1960s. This Wilson-Pajic has examined central human themes important contemporary abstract EHWZHHQDEVWUDFWDQG¿JXUDWLYH artist who died young in 2006. catalogue contains around 100 LQG\QDPLFDEVWUDFWLRQV¿OPHG painters, has concentrated for over art. Her paintings move between texts by Jan May, Adelheid Rasche, Hildegard In an ironic reversal of the title, it photographs by Valie Export, Aino Ringena, Moritz Wullen and poetic meditations. 15 years on the primary colours of vital colourism and an apparently shows a large garden on a small Kannisto, Elke Krystufek, Jürgen %UHHU¶VKLJKVSHHG¿OPVDQGVXSHU blue, yellow and red; these have symbolic representation that portrays ÀDWVFUHHQ7KLVODYLVKO\LOOXVWUDWHG Klauke, Martin Liebscher, Christopher There have been images of fashion SloMo sculptures stand at odds with a similar architectural function to both the world of the abyss and FDWDORJXHSUHVHQWV¿OPDQGYLGHR Makos, Rudolf Schwarzkogler and as long as there has been fashion: the art landscape of their time and that of foundation stones. Based on the world of dreams. The childlike installations by international artists, Cindy Sherman, and negotiates these are as diverse as fashion often go beyond both technical and the artist’s proposal – an abstract handwriting in her ornamental each of whom takes a different themes like self-questioning, itself. Visions & Fashion provides aesthetic borders of their medium composition of these colours – in paintings raises the issue of the approach to the cinematographic ambivalence, the staged discovery a comprehensive view of the multi- and of contemporary taste. It is only 2008 Knoebel received a commission limits of painting as an art form, or as installation as a genre. The focus is of the self in poses of strangeness IDFHWWHGGHYHORSPHQWVLQWKLV¿HOG from the viewpoint of today that to design six church windows for part of everyday life. Published on RQWKHLPSRUWDQFHRIVSDFHWR¿OP and social exclusion. This reveals over the last 30 years. Photographs their true explosive force can be the Cathedral of Notre Dame in the occasion of the exhibition Laura and video art installations, which the real and symbolic formulation of and fashion illustrations from the recognised. This catalogue presents Reims. These were inaugurated Owens, 19 September 2011 – 8 DVPHGLDDUWKDYHWRUHGH¿QHWKHLU the fragility of the body, the testing international world of fashion make IRUWKH¿UVWWLPHDUHWURVSHFWLYHRI in June 2011 in the high Gothic January 2012, Kunstmuseum . performance parameters at each of social taboos and the blurring of up the main part of the book. A large the extraordinary work of Robert cathedral where the French kings new presentation. Published on the the boundaries between gender and section focuses on the print media Breer, aiming to contribute to the were crowned. This opulent volume .HUEHU9HODJ WEF occasion of the exhibition Big Picture identity. Today ‘the self’ has in many and visual communication of fashion rediscovery of this major ‘artists’ provides both a richly colourful ,6%1 at Kunstsammlung Nordrhein- VRIWEDFNSDJHVWEF ways become an open medium. labels and presents themes like ‘Glitz artist’. Published on the occasion documentation and an in-depth Westfalen, K21 Ständehaus, LOOXVWUDWHGLQFRORXU Published on the occasion of the and Glamour and Myths of Modernity’ of the solo exhibition Robert Breer description of the entire project, [PP Düsseldorf, March – August 2011. exhibition at MARTa Herford, March in posters, lookbooks, advertising which, following the tradition of Marc (QJOLVKDQG*HUPDQWH[W at BALTIC, Gateshead (June – – May 2011. campaigns and videos. Published September 2011), and Museum Chagall and Brigitte Simon who both .HUEHU9HUODJ  to accompany the exhibition at Tinguely, (October 2011 – designed church windows, creates Laura Owens: Untitled, 2009. Oil, acrylic, felt/ ,6%1 canvas, 169 x 152 cm, private collection, .HUEHU9HUODJ  Kulturforum, Staatliche Museen zu KDUGEDFNSDJHV a fascinating symbiosis between the ,6%1 January 2012). Brookville (NY) Berlin, June – October 2011. FRORXUE ZLOOXVWUDWLRQV old and the new. KDUGEDFNSDJHV [PP .HUEHU9HUODJ  FRORXUE ZLOOXVWUDWLRQV .HUEHU9HUODJ  (QJOLVKDQG*HUPDQWH[W ,6%1 [PP .HUEHU9HUODJ  ,6%1 VRIWEDFNSDJHV (QJOLVKDQG*HUPDQWH[W ,6%1 VRIWEDFNSDJHV FRORXUE ZLOOXVWUDWLRQV KDUGEDFNSDJHV FRORXUE ZLOOXVWUDWLRQV [PP FRORXULOOXVWUDWLRQV [PP [PP (QJOLVKDQG*HUPDQWH[W

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Verlag der Buchhandlung Marcus Coates Concept Action Tony Cragg Jimmie Durham Harun Farocki The Trip Figure out Figure in Amoxohtli. Libro de Carretera. Soft Montages Walther König Language distributed by Cornerhouse in the UK text by Marcus Coates Pop-Art, Fluxus, Concept Art, texts by Catherine Grenier, Henri Loyrette, A Road Book texts by Christina Blümlinger, Jan Verwoert, Marie-Laure Bernadac, Tony Cragg Matthias Rajmann, Seamus Kealy, Stuart text by Jimmie Durham Nouveau Realisme, Comer, Thomas Keenan In this newly commissioned work Vija Celmins artists: , Arman, Barry Le On the occasion of the exhibition of edited by Yilmaz Dziewior for the Serpentine Gallery, artist Va, , Daniel Buren, Daniel Amoxohtli. Libro de Carretera. A Desert, Sea & Stars 0DUFXV&RDWHVUHÀHFWVRQWKH Spoerri, John Cage, Joseph Kosuth, Mel his work at the Louvre in Paris, Cragg Road Book is a book full of photos Bochner, On Kawara, Yoko Ono presents eight recent sculptures in This publication brings together texts by Hubertus Butin, Julia Friedrich, intimate conversations he had with and drawings, which came together knowledgeable essays on the work Kasper König, Poul Erik Tøjner outpatients at St. John’s Hospice in texts by Edelbert Köb, Liz Kotz, Michelle Kuo the Cour Marly and the Cour Puget from a project the artist Jimmie RISROLWLFDO¿OPDNHUDUWLVW+DUXQ edited by Julia Friedrich London. Exploring the possibilities edited by Achim Hochdörfer, Susanne classical sculpture galleries, and a Durham developed in Mexico City. Neuburger, Wilfried Kuehn Farocki by internationally renowned for dialogue between artists and new work Versus, under M. Pei’s Durham describes the book as a authors. Organized by the Kunsthaus Vija Celmins reproduces photographic those facing the end of life, The Trip pyramid. In Figure out Figure in, the ‘road book’ after, he says, Homer’s The latest presentation of the Bregenz, the exhibition spans the templates in paintings and graphic documents exchanges between celebrated British artist explores, Odyssey, Cervantes’ Don Quixote, MUMOK collection in Vienna period from 1968 to the present and ZRUNV6KHPRVWO\FRQ¿QHVKHUVHOI Coates and the late Alex H., which through sculpture and drawing, the and Kerouac’s On the Road. It begins is devoted to important art IRUWKH¿UVWWLPHLQ(XURSHVKRZV to using the colours black, white and led the artist on a mission to a relationship between the inner energy with the French founding of Detroit developments of the late 1950s three video installations that, with the grey, and to a very small range of small community on the Amazon. of bodies and their outer envelopes. and moves quickly past the race-riots to the 1970s, particularly the support of the KUB, were created motifs, each of which she examines Published for an exhibition at the This catalogue features a text by there in the twentieth century to a interconnection of linguistic, especially for this occasion and form again and again, as if researching Serpentine Gallery, London, March – Tony Cragg, as well as an essay by brief history of the U.S. automobile visual and performative forms part of the series Serious Games. For them. This catalogue collects the May 2011. Catherine Grenier and an interview industry. That brings the ‘story’ into of representation. In this major these new video installations, which results of this research and presents with the artist by Marie-Laure Mexico and the uses various Mexican collection exhibition were important each last eight minutes, Farocki shot 60 versions of the artist’s four main 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  Bernadac, curator of the exhibition. governmental agencies have ,6%1 new acquisitions and holdings in the footage in military facilities in the USA motifs: the surface of the sea, the Published on the occasion of the employed for the Chrysler-Dodge VRIWEDFNSDJHV area of . Viennese and combined these sequences with night sky, the desert and spider webs. exhibition Tony Cragg: Figure out FRPSDQ\FDUV7KH¿UVWODQJXDJHRI E ZLOOXVWUDWLRQ art movements in the 1960s that are material from computer simulations. Texts by Julia Friedrich and Hubertus [PP Figure in at Musée du Louvre, Paris, the book is Nahuatl, the language of usually dealt with separately were Reminiscent of computer games, Butin place the work in a larger art- January – April 2011. Published with the Aztecs, followed by Spanish, with mutually contextualised from the these programs are used by soldiers historical context. Louvre editions, Dilecta, and Galerie English, as Durham originally wrote point of view of linguistic analysis. On to practice for real emergency Thaddaeus Ropac. it, almost as a footnote in the back. 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  a further level they corresponded with situations in Iraq, Afghanistan, and ,6%1 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  potential crisis zones. Published on the international interplay between 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  KDUGEDFNSDJHV ,6%1 , Fluxus and Conceptual Art. ,6%1 the occasion of the exhibition Soft FRORXULOOXVWUDWLRQV KDUGEDFNSDJHV Selected loans, such as the Learning KDUGEDFNSDJHV Montages, October 2010 – January [PP FRORXULOOXVWUDWLRQV FRORXUE ZLOOXVWUDWLRQV (QJOLVKDQG*HUPDQWH[W Machines of Fluxus-founder Georges [PP 2011 at Kunsthaus Bregenz. [PP (QJOLVKDQG)UHQFKWH[W Maciunas were shown. Published 1DKXDWO6SDQLVKDQG(QJOLVKWH[W retrospectively, to document the 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  exhibition Concept Action Language ,6%1 VRIWEDFNSDJHV at MUMOK, Vienna, December 2006 FRORXULOOXVWUDWLRQV – June 2008. [PP (QJOLVKDQG*HUPDQWH[W 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  ,6%1 KDUGEDFNSDJHV LOOXVWUDWHGLQFRORXUDQGE Z [PP (QJOLVKDQG*HUPDQWH[W

22 23 $87801

Hans-Peter Feldmann Dan Graham / Hans Wade Guyton Insight Bahman Jalali Anish Kapoor Voyeur Ulrich Obrist Zeichnungen für ein kleines Micha Bar-Am’s Israel texts by Ali Behdad, Dariush Shayegan, Hamid Sketchbook Dabashi The Conversation Series 25 Zimmer texts by Gisela Kayser, Stef Wertheimer, text by Marie-Laure Bernadac ,QWKLV¿IWKHGLWLRQRI+DQV3HWHU Maxim Biller, John le Carré, Gisela Dachs, edited by Inka Schube, Katja Roßocha Thomas L. Friedman, Naama Haikin, Yoram Feldmann’s continually updated As part of his exhibition at the Kaniuk, Herlinde Koelbl, Simon Schama and This concertina-format notebook The iconic artist Dan Graham and -DODOLLVRQHRIWKHNH\¿JXUHVLQ Voyeur project he continues one of Secession in Vienna, Wade Guyton others presents 10 of Kapoor’s previously interviewing curator Hans Ulrich contemporary Iranian photography. the original zeitgeist image-trawls has produced an artist’s book, which edited by Alexandra Nocke unpublished gouaches that compose Obrist met on several occasions to His artistic position is increasingly (alongside Gerhard Richter’s Atlas). discuss the artist’s work, life and the links back to the book he made for an astonishing symphony for the A chaotic compendium of movie the Museum Ludwig exhibition in Bar-Am began taking photographs perceived in the art world as a eyes. Abstract, curvilinear marks form numerous interests he passionately major contribution to photography. stills, photojournalism, ads, amateur follows. The conversation wanders Cologne in 2010. He sums up his in the early 1950s and after some oval frames around central spaces SKRWRVDUWVFLHQWL¿FLPDJHU\DQG artistic work, as it were, on more years of military service and work His work is a testimony to the using a palette of deep blacks, seamlessly from architecture to rock Iranian Revolution, the Iran-Iraq much else, Voyeur dips into the and roll, philosophy to astrology, than 60 double-sided colour pages. as a photographic reporter in Israel oranges and purples. Raw and iconographic whirlpool of our times He visually demonstrates his artistic he became Israel’s photographic War and the post-war years. It also intuitive, sensual and referential, the Graham’s early performance pieces, documents daily life as well as and presents a world both familiar SKRWRJUDSK\DQGDUWLFOHVWRWKH¿OPV working method, which often involves correspondent for the New York paintings create a constant feeling and utterly bizarre. using images and extracts from Times in 1968, a position he held traditional architectural forms. His of motion, giving life to the depths and glass pavilions for which he is role in conserving, studying, and most well known. A veritable fountain books or art magazines that have until 1992. In 1974 he co-founded the of internal spaces and exploring the 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  already been reproduced. The pile of International Center of Photography transmitting the cultural heritage of spiritual within the corporeal realm. ,6%1 of knowledge, his recollections of images and cut-outs from magazines in New York and from 1977 – 1992 his country in his photographs has In contrast to the grand gesture of VRIWEDFNSDJHV friends and colleagues, art work and made him one of the most important E ZLOOXVWUDWLRQV RQWKH¿UVWSDJHVKULQNVWKHIXUWKHU he was also head of the department his previous sculptural work, it’s this LQÀXHQFHVSURYLGHDQLQYDOXDEOH chroniclers of contemporary Iranian [PP one leafs through the book. Guyton of photography at the Tel Aviv vibrant world within the void, the rich insight not only into the New York society and culture. art scene of the 60s and 70s, but explains where he found which motif, Museum of Art. Since 1968 Bar- landscapes of mysterious realms that why he chose which format. In turn, Am has also been a correspondent Kapoor investigates and opens up DOVRRQHRILWVPRVWLQÀXHQWLDO 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  to the viewer in this striking artist’s representatives. Wade Guyton’s painting, which – like for Magnum Photos. Of his ,6%1 the book – refers to the production photojournalism he writes, ‘I keep KDUGEDFNSDJHV book. In 2011, Kapoor is the guest of 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  process and the source material my internal eye open for that other, FRORXUE ZLOOXVWUDWLRQV honour of Monumenta in Paris. ,6%1 itself, is opened up to the reader. metaphorical image that transcends [PP (QJOLVK*HUPDQDQG)DUVLWH[W VRIWEDFNSDJHVWEF illustration to achieve a wholeness of 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  E ZLOOXVWUDWLRQV 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  its own. I strive for the elusive entity ,6%1 [PP KDUGEDFNSDJHV ,6%1 that is both evidence and evocation, VRIWEDFNSDJHV FRORXULOOXVWUDWLRQV FRORXULOOXVWUDWLRQV public record and personal vision.’ [PP [PP Published for the exhibition in 2011 at (QJOLVKDQG)UHQFKWH[W Willy-Brandt-Haus, Berlin and Open Museum of Photography, Israel.

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Kippenberger Jutta Koether Ansel Krut Mark Leckey Lumière Noire Making Art Global meets Picasso texts by Daniel Birnbaum, David Joselit, text by Nigel Cooke SEE, WE ASSEMBLE New Art from France (Part 1) Iris Muller-Westermann, Isabelle Graw edited by Stuart Shave / Modern Art contributors: Mark Leckey, Neil Mulholland, DUWLVWV6DDGDQH$¿I'RYH$OORXFKH artists: Martin Kippenberger, Pablo Picasso The Third Havana Biennial edited by Iris Müller-Westermann Simon Reynolds, Catherine Wood Ismail Bahri, Guillaume Bresson, Sophie texts by Eva Meyer-Hermann, José Lebrero 1989 edited by Kathryn Rattee, Melissa Larner Bueno-Boutellier, Nicolas Chardon, Damien Stals There is a measured and psychedelic Deroubaix, Nick Devereux, Vincent Ganivet, For many years Jutta Koether has texts by Charles Esche, Coco Fusco, Geeta cast of protagonists in Ansel Krut’s Benjamin Swaim, Vincent Tavenne, Yann Toma Kapur, Gerardo Mosquera, Luis Camnitzer, been an artist’s artist, producing In 1988, Martin Kippenberger moved paintings that revel in absurd creativity. In a multi-disciplinary practice that texts by Cédric Aurelle, Katia Baudin, Rachel Weiss works that combine painting, to Spain with Albert Oehlen. The Fans, vortexes, geometric angles, encompasses sculpture, sound, Alexander Eiling, Pia Müller-Tamm, Dorit edited by Afterall Books in association with Schäfer, Jens Emil Sennewald self-portraits in huge underpants he performance, and music. This dynamic shapes and judiciously ¿OPDQGSHUIRUPDQFH/HFNH\ the Academy of Fine Arts Vienna and Van Abbemuseum, Eindhoven painted there are directly linked to book, containing 50 colour plates placed eyebrows recur throughout his explores the potential of the human Contemporary French art has the famous photo from 1962, in which that document her work from compositions – suggesting physical imagination to appropriate and become increasingly prominent in This is the second book in Afterall’s Picasso poses in giant underpants. 2005 to the present day, is the form to a menagerie of exotic dancers, to animate a concept, an object the international scene over the past Exhibition Histories series and 7KHDXWKRUORRNVVSHFL¿FDOO\DWWKH ¿UVWFRPSUHKHQVLYHPRQRJUDSK pipe smokers and deviants. An essay or an environment, and returns 10 years. Lumière Noire is a group focuses on the third edition of the works by Kippenberger that link to examine her multifaceted art from Nigel Cooke accompanies this frequently to the themes of desire exhibition that illustrates this trend Bienal de La Habana, which took to his big role model Picasso: the practice in detail. Koether was selection of Krut’s abject portraiture and transformation. Meticulously by example of 12 French artists, place in 1989. In the core essay, Jacqueline Serie, the paintings Pablo born in Cologne in 1958. She lives from 2004 – 2011. Ansel Krut was born VRXUFHGDQGUHFRQ¿JXUHGDUFKLYDO each with an introductory text, Rachel Weiss examines the ways in couldn’t paint anymore and (OLWH. and works in New York, and more in 1959, in Cape Town, South Africa. footage is a predominant feature recently in Berlin. She is professor at He now lives and works in London. of some of his best-known works. colour illustrations and biographies. which this exhibition extended the Published on the occasion of the global territory of contemporary art 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  the Hochschule fur Bildende Kunste Fiorucci Made Me Hardcore (1999) ,6%1 in Hamburg. 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  is a seminal exploration of the history exhibition Lumière Noire: New Art DQGUHGH¿QHGWKHELHQQLDOPRGHO$ VRIWEDFNSDJHV ,6%1 of underground dance culture in the from France, June – September 2011 key member of the curatorial team, FRORXUE ZLOOXVWUDWLRQV 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  KDUGEDFNSDJHV UK from the mid 1970s to the early at Staatliche Kunsthalle Karlsruhe. Gerardo Mosquera, contributes a [PP ,6%1 FRORXULOOXVWUDWLRQV UHÀHFWLRQRQWKHSURMHFWDQGLWV [PP 1990s. In the recent performance VRIWEDFNSDJHV 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  constituent exhibitions and events FRORXULOOXVWUDWLRQV piece GreenScreenRefrigeratorAction ,6%1 are documented photographically. [PP (2010), Leckey sought to KDUGEDFNSDJHV (QJOLVKDQG6ZHGLVKWH[W communicate the inner life of a FRORXULOOXVWUDWLRQV The book also includes a paper ‘smart’ fridge – one that keeps an [PP delivered by Geeta Kapur at the electronic tally of its contents – and to (QJOLVKDQG*HUPDQWH[W Bienal conference and republishes render audible its ‘voice’. Published reviews of the Bienal by Coco Fusco on the occasion of the exhibition at and Luis Camnitzer. Included are Serpentine Gallery, London, May – interviews with artists Alex Ángeles, June 2011. Included is an interview José Bedia, Alfredo Márquez and between the artist and Julia Peyton- Lázaro Saavedra. Crucial texts from Jones and Hans Ulrich Obrist, and an the time are complemented by vital extract from a script by Mark Leckey new material. and Martin McGeown. 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  ,6%1 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  VRIWEDFNSDJHV ,6%1 FRORXUE ZLOOXVWUDWLRQV VRIWEDFNSDJHV [PP FRORXUDQGE ZLOOXVWUDWLRQV [PP

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Teresa Margolles Measuring the World Jonathan Meese / Walter Niedermayr Roman Ondák Evan Penny Frontera Heterotopias and Knowledge Dash Snow Mose LOOP Re Figured texts by Alpha Escobedo, Leobardo Alvarado, Spaces in Art Fanzine text by Tiziana Serena texts by Brigitte Huck, Christine Macel, texts by Alberto Fiz, Daniel J. Schreiber, Letizia Ragaglia, Rein Wolfs Giovanni Carmine, Kasper König, Kathrin David Moos, Veit Ziegelmaier artists include: Ai Weiwei, Alighiero e Boetti, edited by William Guerrieri, Tiziana Serena Rhomberg, Lynne Cooke, Vivian Rehberg edited by Letizia Ragaglia, Rein Wolfs Marcel Broodthaers, Daniel Spoerri, Dieter edited by Daniel J. Schreiber Roth, Florian Pumhösl, Franz Ackermann, Following the early death of Dash edited by Kathrin Rhomberg Gabriel Orozco, Grayson Perry, Hanne Snow, the artist Jonathan Meese This volume collects the photographs Frontera presents works by the Darboven, Hiroshi Sugimoto, Joseph Kosuth, taken by Walter Niedermayr in Evan Penny makes the kind of and Contemporary Fine Arts Gallery LOOP accompanies Roman Ondák’s DUWLVW7HUHVD0DUJROOHVWKDWUHÀHFW Mark Dion, Martin Kippenberger, Matt Venice 2008 at the Mose work sites sculpture that is so realistic, so Mullican, , Thomas Berlin published Fanzine in memory internationally acclaimed work in the on the implications of the drugs in the lagoon inlets and some of detailed and so obviously a display Struth, Zoe Leonard of Dash Snow. Fanzine presents Czech and Slovak pavilion at the war on Mexican society, but which the islands affected by the system of skill that it literally stops people texts by Elke Krasny, Hans Dieter Huber 44 pages of photographs, which 53rd Venice Biennale in 2009. The also tackle a more general taboo of intended to safeguard the Venetian in their tracks. But this alone isn’t edited by Katrin Bucher Trantow, Peter were taken during Dash Snow’s book comprises drawings, notes and GHDWKDQGYLROHQFH$W¿UVWJODQFH lagoon. Niedermayr’s images why the artist’s work grabs the Pakesch stay in Berlin on the occasion of photographs as well as texts on the her work seems minimalist in form, are characterised by the use of viewer, holds onto their gaze and his exhibition entitled Dash Snow: artist’s work by renowned authors. It yet on closer inspection it reveals a dazzling light that renders the then begins to choreograph their Collecting, preserving, researching, The End of Living, the Beginning of documents Ondák’s artistic approach deep emotion and drama. The space evanescent. They seem to movements around the solid objects exhibiting: all museums are based on Survival in 2007, which Jonathan WRWKHSDYLOLRQWKH¿UVWGUDZLQJVWKH large painterly work Frontera on suggest the probability of breaking he has planted in their space. these four cornerstones. The group Meese has reworked for the Fanzine. realisation of the work as well as the the outer façade of the Kunsthalle free in space and dissolving the 3HQQ\¶VVWDQGLQJQXGH¿JXUHVDQG exhibition Measuring the World and continual transformation of the work Fridericianum envelops the entire presupposition of perspectival portrait heads invite you to stare, to its accompanying catalogue explore 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  over the duration of the exhibition building – 40 lengths of cloth dipped ,6%1 construction or, rather, the possibility H[DPLQHHYHU\ZULQNOHEXPSÀHVK\ the museum as such and in so doing and through the different seasons. LQVRLODQGERGLO\ÀXLGVPDNHWKH engages with these four principles VRIWEDFNSDJHV of describing the objects, collocated imperfection and intimate crevasse. FRORXULOOXVWUDWLRQV Fridericianum ‘bleed’ when subjected of order. How does contemporary art in space, through a geometrical- 3HQQ\¶VOLIHOLNH¿JXUHVPRGHOOHGZLWK WRZHDWKHULQÀXHQFHV0DUJROOHV [PP 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  great craftsmanship out of aluminium, create order? How does it develop mathematical model. ,6%1 also shows relics of victims of systematic structures? How does KDUGEDFNSDJHV silicone, epoxy resin and pigments, criminal violence, presenting glass it generate an ordered image of 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  FRORXULOOXVWUDWLRQV have a physical, highly sensuous ,6%1 [PP display cabinets with jewellery of the world? In this richly illustrated presence. Nevertheless, they seem VKRWSROLFHRI¿FHUVJRYHUQPHQW VRIWEDFNSDJHV DUWL¿FLDO7KHZRUNUHÀHFWVRQKRZWKH catalogue, authors and curators seek FRORXULOOXVWUDWLRQV RI¿FLDOVSDVVHUVE\DQGWRXULVWV out answers to these questions and [PP human image is presented by modern In her video work, she documents explore the human drive to create (QJOLVKDQG,WDOLDQWH[W technologies such as photography, places with no future in a disturbing order, to systematise and to survey electronic image editing, offset printing way. Her new works include the our world. Published on the occasion and 3D scanning. theme of hopelessness in Mexican of the exhibition at Kunsthaus Graz, 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  towns bordering the USA. Published Austria, June – September 2011. on the occasion of the exhibition at ,6%1 KDUGEDFNSDJHV Kunsthalle Fridericianum, Kassel, 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  FRORXULOOXVWUDWLRQV December 2010 – February 2011. ,6%1 [PP VRIWEDFNSDJHV (QJOLVK*HUPDQDQG,WDOLDQWH[W 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  FRORXUE ZLOOXVWUDWLRQV ,6%1 [PP KDUGEDFNSDJHV (QJOLVKDQG*HUPDQWH[W FRORXULOOXVWUDWLRQV [PP (QJOLVK*HUPDQDQG,WDOLDQWH[W

28 29 $87801

Photography for Michelangelo / Stephen Shore Thomas Stimm Katja Strunz Architects Pistoletto Hans Ulrich Obrist Mose: A Preliminary Report Terra Nachzeit / Aftertime The Photographic Collection The Mirror of Judgement The Conversation Series 26 text by Antonello Frongia edited and text by Claudia Emmert text by Birgit Sonna edited by Antonello Frongia, William Guerrieri interview with Thomas Stimm by Hans Ulrich of the Architekturmuseum texts by , Julia Peyton-Jones, Obrist and an artist text in 18 languages München Hans Ulrich Obrist, Michelangelo Pistoletto Hans Ulrich Obrist caught up Contemporary Fine Arts, Berlin edited by Sophie O’Brien, Melissa Larner, This volume collects the photographs presented the exhibition Nachzeit edited by Winfried Nerdinger with the celebrated architect and Rosalind Furness Floral objects larger than human designer Kazuyo Sejima on several taken by Stephen Shore in Venice (Aftertime) with works by Katja in the summer of 2008. Stephen beings characterise the work of Strunz. The works, made between Photography mediates architecture occasions over the past few years. Winner of the Golden Lion Award for Shore’s Preliminary Report on artist Thomas Stimm. The artistic 1998 and 2010, were assembled and also often shapes its perception. They discussed her projects – both Lifetime Achievement at the Venice 9HQLFH¶V0RVH¿UVWDSSHDUVOLNHD transformation of the dimensions of LQ%HUOLQIRUWKH¿UVWWLPHDQG Since its invention, photography built and unrealised – collaborations Biennale in 2003, Michelangelo collation of materials documenting humanity and nature is something presented as a retrospective. has served architecture in the with other architects and artists and Pistoletto is acclaimed worldwide as the phenomenon of acqua alta that has occupied him for many Strunz’s installations, sculptures, and presentation of buildings as well as the changing role of women within a foremost exponent of Arte Povera ÀRRGLQJ DQGWKHFRQVWUXFWLRQ years. His most recent work is an ZRUNVRQSDSHUJUDVSDQGUHÀHFW in the education of architects. The architecture. She is often joined by and conceptual art. For his exhibition of the mobile gates intended to extensive series of large-scale temporal and spatial resonances and themes, functions and possibilities , her partner in the at the Serpentine, the artist has protect the Venetian lagoon. Archive VFXOSWXUHVVKRZQKHUHIRUWKH¿UVW historical references, and thus create of photography in the mediation of RI¿FH6$1$$PRVWUHFHQWO\GXULQJ GHYLVHGDVLWHVSHFL¿FODE\ULQWKLQH photographs, newspaper articles, time. This block of work by the artist, a kind of ‘after-effect’ with echoes of architecture are introduced here by their curation of the 12th International installation that guides visitors though historical maps, technical reports, until now little known to the public, the past in the present. Typical for means of the Architekturmuseum’s Architecture Exhibition at the Venice the Gallery’s interior spaces to engineering plans, and landscapes consisting of suns, earth balls, Katja Strunz’s work is the folding of large photographic collection. In the Biennale 2010. This book enables a discover a series of sculptural works follow one after the other like ‘Terranians’, speech bubbles, logos, materials: she plays with the act of ¿UVWVHFWLRQWKHPRWLIVDQGIRUPVRI unique insight into the thinking and concealed within. This catalogue dissimilar elements in an open emblems, and a shop for ‘Terranian’ covering and uncovering, of hiding a collection of exemplary architecture philosophy behind the clear, delicate is published on the occasion of the investigation. Every page in this lifestyle allows a new, colourful image and revealing. The exhibition title are presented. Further examples and sensitive architecture of one exhibition Michelangelo Pistoletto: seemingly linear expositive structure of our planet to emerge: Terra as a Nachzeit chosen by the artist, refers show the application of photography of the most important architects The Mirror of Judgement at the continues to subtly yet insistently ‘home in space’ for Terranians of not just retrospectively to her works during the design phase. of our time. Serpentine Gallery, London, question us about the fragmentary all continents. created in the past, but also suggests 12 July – 17 September 2011. 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  nature of what we see and think. echoes of Walter Benjamin’s notion 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  ,6%1 Shore’s photographs achieve a of Jetztzeit – a moment which strikes ,6%1 ,6%1 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  VRIWEDFNSDJHV KDUGEDFNSDJHV frankness that can be disarming; VRIWEDFNSDJHV the present like lightening, in which ,6%1 E ZLOOXVWUDWLRQV FRORXULOOXVWUDWLRQV FRORXULOOXVWUDWLRQV all of previous history resonates. VRIWEDFNSDJHV [PP ]HURGRZQHGREVHUYDWLRQVSXUL¿HGDV [PP [PP FRORXULOOXVWUDWLRQV far as possible of any sort of cultural (QJOLVKDQG*HUPDQWH[W (QJOLVKDQG*HUPDQWH[W [PP reference and pre-conception. 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  ,6%1 VRIWEDFNSDJHV 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  FRORXULOOXVWUDWLRQV ,6%1 [PP VRIWEDFNSDJHV (QJOLVKDQG*HUPDQWH[W FRORXULOOXVWUDWLRQV [PP (QJOLVKDQG,WDOLDQWH[W

30 31 $87801

Variantology 5 Francesco Vezzoli Andro Wekua Jakub Julian Peter Zumthor Neapolitan Affairs Greed Pink Wave Hunter: Parts 1 – 3 Ziolkowski Hortus Conclusus: Serpentine Liverpool Biennial distributed by Cornerhouse world-wide texts by Amador Vega, Anthony Moore, texts by Bruce Hainley, Cristiana Perrella, texts by Douglas Fogle, Miciah Hussey In Utero Gallery Pavilion 2011 Elisabeth von Samsonow, Hans Belting, John 1HYLOOH:DNH¿HOG1LFKRODV&XOOLQKDQ edited by Rein Wolfs, Gerald Matt, texts by Alexander Kluge, Julia Peyton-Jones, Berger, Nils Röller, Quay Brothers, Siegfried text by Ziba Ardalan edited by Cristiana Perrella Andrea Bellini Hans Ulrich Obrist, Peter Zumthor Zielinski, Vilem Flusser, and others edited by Ziba Ardalan, Parasol unit edited by Sophie O’Brien, with Claire Feeley, Touched edited by Eckhard Fürlus, Siegfried Zielinski Greed replicates the strategy Andro Wekua brings together Rosalind Furness, Melissa Larner Liverpool Biennial 2010 and aesthetics of a commercial collective and personal memories Jakub Julian Ziolkowski’s paintings The Biblioteca Nazionale di Napoli are a wild hallucinatory journey artists: Alfredo Jaar, Allan Kaprow, Antti perfume launch. Just as Marcel to form vivid, at times disturbing, Providing visitors with a tranquil Laitinen, Carlos Amorales, Danica Dakic, is one of Europe’s most beautiful Duchamp created Belle Haleine: representations in installations, into a strange and often frightening KDYHQIRUUHVWDQGUHÀHFWLRQ3HWHU Daniel Knorr, Franz West, Lars Laumann, collections of books and manuscripts. Laura Belém, Lee Mingwei, Magdalena Eau de Voilette in 1921 using a sculptures, collages, pictures and universe. Skeletons battle soldiers in Zumthor’s Pavilion centres around There the Variantologists met for their murky swamps; towers of eyeballs Abakanowicz, Markus Schinwald, Meschac Rigaud perfume bottle with an ¿OPV+HPHUJHVPRWLIVIRXQGLQ a hortus conclusus, a hidden inner Gaba, Nina Canell, Raymond Pettibon, last congress (for the time being) and altered label, Francesco Vezzoli magazines or old photo albums with JRJJOHFDUWRRQLVKO\ÀHVKSHHOVZHWO\ garden, conceived by award-winning Sachiko Abe, Song Dong, Tim Eitel, Y. Z. Kami, attempted Vesuvian thinking, initiated Yves Netzhammer has created a signature perfume painting to create multi-layered, off bare bones. Ziolkowski has an Dutch designer Piet Oudolf. The most by the vulcanologist and Vesuvius for the contemporary moment. kaleidoscope-like collages. The XQÀLQFKLQJDWWLWXGHWRWKHFRUSRUHDO comprehensive publication on the texts by AbdouMaliq Simone, Alison Rowley, expert Giovanni P. Ricciardi’s Alphonso Lingis, Coco Fusco, Frances Greed’s label features Vezzoli in focus is on the search for a way to the body takes centre stage, at Serpentine Gallery Pavilion 2011, this introduction. Their discussions /RHIÀHU)UDQFR%HUDGL/HZLV%LJJV/RUHQ]R drag, photographed by Francesco deal with that which is past and that RQFHGH¿OHGDQGGLVVHFWHG7RPDUN catalogue features stunning artwork Fusi, Lynn Hershman, Mark Waugh, Nina traversed the deep time of the city Scavullo, where Duchamp which is present, the experienced the occasion of his solo exhibition, and photography of Zumthor’s Power, Paul Domela, Simon Critchley, Steven and explored its media, philosophers, Connor, Tony Chakar, Ziauddin Sardar appeared on his perfume bottle as and the passed-on overlap in Parasol unit has produced a unique Pavilion as well as a fully illustrated scientists, and scholars. Those who edited by Paul Domela Rrose Sélavy, photographed by Wekua’s art on both visual and and comprehensive publication. index of the plant varieties included engaged with Neapolitan affairs in Man Ray. The bottle of perfume narrative levels. The installations, This catalogue features insightful in Piet Oudolf’s garden design. Naples, and whose contributions Touch is the mark of truth, the is accompanied by a 60-second often dramatically staged, testify to essays by Parasol unit’s Director/ This catalogue is published on the are published in this volume, were most intimate gesture and the commercial for the perfume – this narrative leaning. Andro Wekua Curator Ziba Ardalan and Jakub occasion of the Serpentine Gallery the art experts Hans Belting and greatest commitment. To touch or directed by Roman Polanski and presents his biggest exhibition yet at Bana critic and curator, currently 3DYLOLRQ designed by Peter John Berger, the artists Rosa Barba to be touched is the performance of starring Natalie Portman and the Kunsthalle Fridericianum (March running Wydawnictwo 40000 Zumthor, July – October 2011. and Peter Blegvad, the papyrologist truth, when incredulity is displaced Michelle Williams – as well as a new – June 2011), showing numerous Malarzy, a publishing project, and Luciano Canfora, the mathematician and the world condenses into a series of needlework portraits of new sculptures, including a group KolonieGallery in Warsaw. The 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  Chen Cheng-Yih, the physicist Otto ,6%1 moment of all enveloping realisation, OHDGLQJIHPDOH¿JXUHVLQDUWKLVWRU\± of works that recalls the severely second part comprises approximately E. Rössler, and the philosopher KDUGEDFNSDJHV changing everything. Touched: including Tamara de Lempicka, Eva damaged and abandoned buildings 30 selected works and is a general and artist Elisabeth von Samsonow. FRORXULOOXVWUDWLRQV The Book traverses topical issues Hesse, Leonor Fini – as immortalized of his hometown Sukhumi. A new overview of the artist’s oeuvre, with [PP Early machine poetry texts by the that surrounded and informed the endorsements of Vezzoli’s fragrance. ¿OPEULQJVWRJHWKHUVFLHQFH¿FWLRQ images and explanatory text for his experimental poet Nanni Balestrini making of the sixth Liverpool Biennial Vezzoli has staged his ongoing and horror elements. This three PRVWVLJQL¿FDQWZRUNV3XEOLVKHG DUHSXEOLVKHGKHUHIRUWKH¿UVWWLPH on the occasion of the exhibition In (September – November 2010); preoccupation with the fundamental volume catalogue is published in from the unnamable image of war, to ambiguity of truth, the seductive collaboration with the Rein Wolfs, Utero at Parasol unit, London, 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  June – July 2011. religion and sacrilege, the endurance ,6%1 powers of language, and the Kunsthalle Fridericanium. of Marx and the acceleration of VRIWEDFNSDJHV instability of the human persona in 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  the infosphere. This survey book E ZLOOXVWUDWLRQV 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  a series of works that explore the ,6%1 [PP ,6%1 also features over 60 artists undisputed power of contemporary KDUGEDFNSDJHV VRIWEDFNYROXPHVLQVOHHYH who participated in the Touched FRORXULOOXVWUDWLRQV media culture. 9ROXPHSDJHVFRORXUE ZLOOXVWUDWLRQV [PP exhibition, photographed by Thierry 9ROXPHSDJHVFRORXUE ZLOXVWUDWLRQV Bal and Liz Lock & Mishka Henner. 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  9ROXPHSDJHVFRORXULOXVWUDWLRQV ,6%1 [PP KDUGEDFNSDJHV /LYHUSRRO%LHQQLDO  FRORXULOOXVWUDWLRQV ,6%1 [PP VRIWEDFNSDJHV FRORXUE ZLOOXVWUDWLRQV [PP

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Manchester Metropolitan TAPS Verlag für moderne Kunst Artistbooks by Leiko The Cabinet of Jan Matt’s Gallery Improvisations with Paul Ikemura Švankmajer University distributed by Cornerhouse world-wide Nürnberg distributed by Cornerhouse world-wide Burwell distributed by Cornerhouse in the UK text by Maria Linsmann texts by Gerald A. Matt, Gaby Hartel, Norbert artists: Anne Bean, Robin Klassnik, M. Schmitz, Bert Rebhandl Richard Wilson edited by Maria Linsmann, Burg Wissem, Barbara Hofmann-Johnson edited by Ursula Blicke Foundation, Addendum Imogen Stidworthy edited by Anne Bean, Chris Bishop Anonymous Kunsthalle Wien Architecture, Sculpture and (.) Sculptures the Space of Transition Paul Burwell was infamous This two volume edition provides a Video and Form in 7KH&]HFKDQLPDWLRQ¿OPPDNHU IRUH[XEHUDQWIXVLRQVRI¿QH systematic examination of the artist’s text by Steven Gartside This artist’s book designed by Jack Contemporary Art Jan Švankmajer is one of the most art installation, percussion and books produced by Leiko Ikemura, Fisher focuses on encounters and internationally renowned practitioners explosive performance. In 2010, artists: Nathalie Djurberg, Matias Faldbakken, a part of her work that until now has Addendum: Architecture, Sculpture spaces between languages through Zilla Leutenegger, Aernout Mik, Yves within the genre. The spectrum of his an event called TAPS combined largely been undocumented. Leiko and the Space of Transition is the work of Imogen Stidworthy with Netzhammer, Tony Oursler, Paul Pfeiffer, creative activity ranges from political ¿OPLQVWDOODWLRQDQGSHUIRUPDQFH Tracey Snelling, Fiona Tan, Diana Thater Ikemura has always understood something of a literal title, designed contributions from writers Caroline ¿OPVWRO\ULFDOZRUNVDQGZRUNV portraying layers of interpretation texts by Jürgen Tabor, Martina Dobbe, the artist’s book, especially in the purely as an addition, or a decorative Bergvall, Steven Connor, Mladen based on adaptations of literature, from more than 80 collaborators, Rein Wolfs classical sense, to be a medium postscript even. In relation to the Dolar and Alphonso Lingis, and and on to lyrical explorations of his in response to Burwell’s poem edited by Sylvia Martin, Beate Ermacora EHWZHHQOLWHUDWXUHDQG¿QHDUW work of Kurt Schwitters and the artists Werner Feiersinger, Aglaia ¿OPLFPDWHULDO+LVVKRUWHU¿OPV Adventures in the House of Memory, coming together and entering into concept of Merz, which forms the Konrad and Willem Oorebee. Taking often leaning towards the surreal, which was the last work the artist Anonymous Sculptures examines a new composition. This is why the VXEMHFWRIWKH¿UVWHVVD\LWDFWV Stidworthy’s artistic practice as a dissolve logical contexts of meaning, recorded before he died in 2007. The how a selection of 10 contemporary focus in her work is on those artist’s as a footnote to a much more starting point, it traces paths between construing, instead, weird, dreamlike ¿OPZDVVKRZQDVSDUWRIDYHUWLFDO artists have explored the sculptural books in which she deals visually comprehensive body of literature. the images and texts to address stories that appear to exist outside split-screen installation, designed presence of the video image and ZLWKWH[WVE\RWKHUZULWHUVRU¿QGV The second essay which follows is related questions. Central to these WKHFRQ¿QHVRIVSDFHDQGWLPH+H and constructed by Richard Wilson the video screen. Works by Nathalie images for her own texts. Included is a different and more elaborate kind LVDUHÀHFWLRQRQWKHYRLFHDQGWKH breathes life into dead matter, and VSHFL¿FDOO\WRFRPSOHPHQWWKH Djurberg, Matias Faldbakken, Zilla an interview between Leiko Ikemura of addendum, beginning where the social and cultural borders which goes in search of those morbid traits architecture of Dilston Grove where Leutenegger, Aernout Mik, Yves and Barbara Hofmann-Johnson. ¿UVWHVVD\HQGV,WXVHVWKHWKHPHV manifest in it. How are we located in the living that suggest the dark the event took place. Diverse live Netzhammer, Tony Oursler, Paul Published to accompany the of translation and transformation to in the voice and language, and side of existence, the uncanny, and performances occurred at various Pfeiffer, Tracey Snelling, Fiona Tan exhibition at Museum Burg Wissem, construct a speculative reading on how does this shape our relation to the labyrinthine ways of the psyche. times across TAPS’ three-day run. and Diana Thater are considered. Troisdorf, March – June 2011. the nature of the contemporary city. ourselves, our bodies and the spaces These unfamiliar perspectives give The DVD, TAPSLVWKHRULJLQDO¿OP we inhabit? Stidworthy’s voice runs 9HUODJIUPRGHUQH.XQVW1UQEHUJ  birth to incomparable, fairytale-like shown at Dilston Grove viewed as 9HUODJIUPRGHUQH.XQVW1UQEHUJ  008  through the book in the form of ,6%1 ,6%1 satires. Included is an interview with ,6%1 video stills, photographs, transcripts a horizontal split-screen, designed VRIWEDFNSDJHV VRIWEDFNYROXPHVLQDVOLSFDVH VRIWEDFNSDJHV Jan Švankmajer by Gerald A. Matt. and research materials which are expressly to be seen on a television FRORXULOOXVWUDWLRQV YROXPHSDJHVFRORXULOOXVWUDWLRQV E ZLOOXVWUDWLRQV [PP YROXPHSDJHVFRORXULOOXVWUDWLRQV FRQ¿JXUHGZLWKWKHFRQWULEXWLRQV or computer monitor. In the second 9HUODJIUPRGHUQH.XQVW1UQEHUJ  [PP (QJOLVKDQG*HUPDQWH[W [PP into new images and relationships. DVD, PAST, Burwell’s notebooks of (QJOLVK*HUPDQDQG6SDQLVKWH[W ,6%1 Published by Matt’s Gallery, London over 30 years are used to create a KDUGEDFNSDJHVWEF dialogue with him. LOOXVWUDWLRQV and the Jan van Eyck Academie, The [PP . (QJOLVKDQG*HUPDQWH[W 0DWW¶V*DOOHU\  ,6%1 0DWW¶V*DOOHU\-DQYDQ(\FN$FDGHPLH WEF '9'VHW ,6%1 7$36'9'PXOWLUHJLRQUXQQLQJWLPH VRIWEDFNSDJHVWEF 3$67'9'PXOWLUHJLRQUXQQLQJWLPH FRORXULOOXVWUDWLRQV [PP [PP (QJOLVK)UHQFKDQG6ZHGLVKWH[W Courtesy Matt’s Gallery, London. Photograph by Miyako Narita

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Francesco Clemente Exploring North Nathalie Grenzhaeuser Industrial Furniture Richard Long Alessandro Mendini Palimpsest Korean Arts Trespassing Prototypes of the Modern Era Berlin Circle texts by Peter Weiß, Alessandro Mendini foreword by Angelika Nollert, Florian Hufnagl texts by Derek Walcott, Andrei Voznesensky texts by Koen De Ceuster, Aidan Foster-Carter, texts by Gabi Schaffner, Ludwig Seyfarth texts by Sebastian Hackenschmidt, Martina texts by Eugen Blume, Katharina Schluter, poems by Gregory Corso, Robert Creeley, 5GLJHU)UDQN0DUVKD+DXÀHU6RQMD+lX‰OHU edited by Nathalie Grenzhaeuser, Ursula Kandeler-Fritsch, Monika Wagner Udo Kittelmann Allen Ginsberg, Peter Handke Kate Hext, Jim Hoare, Frank Hoffmann, Keith Schöndeling edited by MAK, Vienna This title accompanies a major foreword and edited by Max Hollein Howard, Ross King, Brian R. Myers, Peter Richard Long is one of the leading Noever, Jane Portal, Dafna Zu exhibition at Neues Museum on the TrespassingLVWKH¿UVWH[WHQVLYH To this day, some of the furniture protagonists of Land Art. He has Italian designer Alessandro Mendini, edited by Rüdiger Frank Francesco Clemente has pioneered monograph on artist Nathalie used in factories and other industrial been creating outside works for more RQHRIWKHRXWVWDQGLQJ¿JXUHVLQ an extraordinary pictorial language Grenzhaeuser and combines facilities was made by the workers than 40 years all over the world This title complements the 2010 Italian and international design. that draws on a variety of timeless pictures from two sparsely populated and mechanics themselves for using photographs to document exhibition Flowers for Kim-Il-Sung After studying architecture, Mendini symbols, myths, cultures, and regions – Spitzbergen in the arctic, particular purposes and activities, these transient works. But right from at MAK – Museum for Applied Art/ became a theorist of Italian avant- philosophies. The variety of media and the Australian outback. In these and adapted to highly specialized the beginning the artist has also Contemporary Art, Vienna and garde design, and as co-founder of which he employs and the subject locations, where civilisation seems to production processes. In their strict designed works for the museum features new essays by international the alternative design college ‘Global matter of his work are deeply stop, massive human interventions orientation towards functionality, space. The centre and inspiration writers on a wide spectrum of issues. Tools’, editor-in-chief of Domus and informed by Clemente’s nomadic have left behind their mark which these simple and utilitarian pieces for this exhibition at the Hamburger The relationship between North other magazines, and as the key artistic life. The catalogue brings Grenzhaeuser clearly depicts. of industrial furniture, which usually Bahnhof, March – July 2011, is the Korean art and ideology is examined, person behind the Studio Alchimia WROLJKWIRUWKH¿UVWWLPHWKHFORVH However, her photographs do not feature screwed together or welded eponymous work Berlin Circle. The how modern and traditional values design collective, he brought a resemblance of Clemente’s aesthetic just document these places. If you iron plates, sheet metal, steel pipes circle of stone, 12 metres in diameter, are dealt with, as well as the strong streak of irony to bear on the to the manner in which references look more closely, you will notice that and wooden boards, differ from the ODLGRXWRQWKHÀRRULVDQLPSRUWDQW commercial conditions of artistic rigid world of industrial design. His are actualised in a palimpsest: shadows fall in different directions, typical smooth, uniform aesthetics work in the Sammlung Marx and work – the market value of art. It utopian visions have been realised in effacement, partial erasure, and GLIIHUHQWYLVXDOHOHPHQWVGRQRW¿W of contemporary designer furniture. ZDV¿UVWXQYHLOHGDQGLQVWDOOHGE\ also considers how a country’s art architecture: the Groninger Museum, superimposition of writing surfaces. together in terms of perspective, Since the 1970s, industrial furniture the artist for the opening of the is received abroad, together with Naples’ Villa Communale and In so doing it reveals a concern at or an added dramatic sky gives has increasingly been used in Hamburger Bahnhof in 1996. This is WKHGLI¿FXOWLHVIDFHGE\FXUDWRUVLI Hanover’s Medienzentrum; and in his the centre of his oeuvre: Clemente’s the bare scenery a more intensive private living quarters, particularly IROORZHGE\¿YHPRUHJURXQGZRUNV they want to show this work outside 2D and 3D artworks, design objects, conviction in his role as an artist effect. Nathalie Grenzhaeuser uses in the furnishing of lofts and big- and by a work that was created on the country’s borders. The concept and designs for ornaments, patterns as a kind of universal witness of digital processing to create valid city apartments. But even if this site. ‘My art is in the nature of things’, of art including the question of its and selected materials. Created by consciousness. Taking as its starting images from the photos of found furniture has long been valued and Long says, referring to the actuality VLJQL¿FDQFHWRVRFLHW\LVH[SORUHG Mendini, the exhibition features some point Clemente’s early works on locations which are also icons of collected by connoisseurs and will of his works, which as consequent WKURXJKWKH¿HOGRI¿QHDUWVWDPS 80 pieces from over 40 years of his paper, the catalogue includes not just globalisation. Included is an interview sometimes even fetch high prices, settings of locations on which the design, book illustrations, wall work. Published on the occasion of large format paintings but also more with Nathalie Grenzhaeuser by it so far represents a hitherto nature of things appears in the mosaics, literature and music. exhibition Alessandro Mendini at recent, spectacular monumental Ursula Schöndeling. Published to entirely neglected phenomenon work, also illustrate questions of the Neues Museum – State Museum for accompany the group exhibition of art and design history. This is contemporary discourse concerning watercolours. Included is an interview 9HUODJIUPRGHUQH.XQVW1UQEHUJ  Art and Design in , July – between Francesco Clemente ,6%1 Forbidden Worlds at Galerie Christa WKH¿UVWFDWDORJXHGHYRWHGWRWKLV relationality, performativity and October, 2011. and Pamela Kort. Published to VRIWEDFNSDJHV Burger, , September – barely recognised phenomenon of crossing borders. accompany the exhibition at Schirn LOOXVWUDWLRQV October 2011; and Margins, 7th design history and accompanies the 9HUODJIUPRGHUQH.XQVW1UQEHUJ  [PP Kunsthalle Frankfurt, June – Biennial of Photography Poznan, exhibition at MAK – Austrian Museum 9HUODJIUPRGHUQH.XQVW1UQEHUJ  ,6%1 September – October, 2011. of Applied Arts/Contemporary Art, ,6%1 KDUGEDFNSDJHV September 2011. KDUGEDFNSDJHV FRORXULOOXVWUDWLRQV Vienna, May – October 2011. LOOXVWUDWHGLQFRORXU [PP 9HUODJIUPRGHUQH.XQVW1UQEHUJ  9HUODJIUPRGHUQH.XQVW1UQEHUJ  [PP (QJOLVKDQG*HUPDQWH[W ,6%1 ,6%1 9HUODJIUPRGHUQH.XQVW1UQEHUJ  (QJOLVKDQG*HUPDQWH[W KDUGEDFNSDJHV KDUGEDFNSDJHV ,6%1 FRORXULOOXVWUDWLRQV FRORXULOOXVWUDWLRQV VRIWEDFNSDJHV [PP [PP FRORXULOOXVWUDWLRQV (QJOLVKDQG*HUPDQWH[W (QJOLVKDQG*HUPDQWH[W [PP (QJOLVKDQG*HUPDQWH[W

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Carlo Mollino Sarah Morris Personal Kill Markus Schinwald Markus Schinwald Le Surréalisme, Un Messaggio dalla Camera You Cannot Trust a Surface Beate Geissler & Oliver Sann texts by Roland Meyer, Ute Stuffer, Wolfgang La Biennale di Venezia c’est moi! Ullrich, Stella Rollig, René Zechlin Oscura texts by Beate Geissler, Oliver Sann, Johan texts by Thomas Macho, Mirjam Schaub Homage to Salvador Dalí Frederik Hartle texts by Napoleone Ferrari, Lucas Gehrmann, The abstract patterns of her large- preface and edited by Eva Schlegel Markus Schinwald is one of the most artists: , Glenn Brown, Gerald A. Matt scale paintings have become a kind Markus Schinwald, Francesco Vezzoli In the text and photo essay Personal important contemporary Austrian of trade mark of Sarah Morris, who is ‘In his Biennale work, Schinwald texts by Wolfgang Fetz, Belinda Grace Born in 1905 as the son of a well- not only an internationally acclaimed Kill, Beate Geissler and Oliver Sann artists. Since the end of the 1990s, FRQ¿GHQWO\FRPELQHVDUFKLWHFWXUDO Gardner, Synne Genzmer, David Lomas, to-do builder, Carlo Mollino SDLQWHUEXWDOVRD¿OPPDNHU,QKHU document military training areas the human body as the projection elements with pictorial, sculptural, Gerald A. Matt, Catherine Millet, August Ruhs, Katarzyna Uszynska studied art history and architecture ¿OPLFH[DPLQDWLRQRIWKHJODPRXU used by the US Army. The interiors screen of individual existence and DQG¿OPLFRUSHUIRUPDWLYHRQHV and became known as a designer world of Hollywood, Peking as a of empty houses can be seen in as a cultural construct has been at He subtly explores the dispositifs Le Surréalisme, c’est moi! presents of furniture and interior furnishings. venue for the Olympic Games or the the pictures, alternating between the centre of his works. Playfully of control, discipline, and self- Salvador Dalí, one of the most Mollino’s obsession was with the political establishment of Washington, the aesthetics of the shell of a located in the visual arts as well as correction. These are inscribed VLJQL¿FDQWDUWLVWVRIWKHWZHQWLHWK formal language of the female body, she creates psychograms of building and a building in ruins. In in dance and performance, his work in the human body, shaping and century, in a contemporary context. a passion which he pursued secretly contemporary society. A mistrust these architectural simulacra the combines diverse media ranging permeating it; they re-emerge on the Dalí’s visionary and multi-faceted in his photographs. Between 1962 of surface is common to all her reality of war is present in a subtle IURPPDJLFDOP\VWLF¿OPVDQG body surface, in visible and tangible ZRUNFRQWLQXHVWRLQÀXHQFHERWK and 1973 he took some 2,000 works. Robert Eikmeyer and way: through labyrinth-like tunnels, photographs to prosthetic fashion form, as psychologically charged artists and surrealist tendencies in staged nude and semi-nude Polaroid Thomas Knoefel met Sarah Morris through the tracks of boots in the designs, and reworked historical inner worlds.’ (Eva Schlegel) This contemporary art. The paintings, portraits of female beauties of the in Düsseldorf for an interview during FOD\DQGJUDI¿WLRQWKHZDOOV

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unExhibit World Images 4 Erwin Wurm New Contemporaries The Myth of the Narrow House Photoworks artists: Maria Eichhorn, Richard Hamilton, Ann artists: Darren Almond, Edward Burtynsky, (1988) Ltd Airborne Warrior Veronica Janssens, Willem Oorebeek, Karthik Georg Gatsas, Aglaia Konrad, Uriel Orlow, distributed by Cornerhouse world-wide texts by Ingrid Adamer, Hans Dünser, Robert distributed by Cornerhouse world-wide Pandian, Mathias Poledna, Joëlle Tuerlinckx, Beat Streuli, Mette Tronvoll, Ester Vonplon 6WXDUW*ULI¿WKV Fabach, Wolfgang Hermann Heimo Zobernig texts by Andreas Fiedler, Simon Maurer edited by Gordon MacDonald texts by Sabeth Buchmann, Sabine Folie, Ilse Lafer, Eva Meyer, Willem Oorebeek, Johannes Austrian sculptor Erwin Wurm puts Bloomberg New Daniel Meadows Porsch, Christian Teckert This is the fourth volume in the into question our ideas concerning Edited Photographs from the This Photoworks publication is the series World Images published Contemporaries 2011 result of an ongoing engagement preface by Dietrich Karner, Sabine Folie reality and identity. His examination 70s and 80s to accompany the exhibitions at of sculptural issues such as the artists: Alicja Dobrucka, Alison Stolwood, RIWKHZRUNRI6WXDUW*ULI¿WKVPDGH Helmhaus Zurich which began Anna Ilsley, Anne Kathrin Schuhmann, edited by Val Williams during his time as a member of the unExhibit looks back to the year alteration of dimensions and volumes Cornelia Baltes, Dagmar Schurrer, David 1957, when a loose association of in 2005. This new volume in the opens up surprising new views of the Ben White, David Buckley, George Petrou, 3rd Paratrooper Regiment serving Daniel Meadows was one of a artists, designers, architects, and series which has now become world. In the Kunstraum Dornbirn, Georgina McNamara, Hyewon Kwon, Hyun in Northern Ireland in the late 1980s Woo Lee, Ian Marshall, Jessica Sarah Rinland, group of photographers who theorists called the Independent a multi-faceted compendium of Erwin Wurm takes visitors on a and early 1990s. These photographs Jonathan Trayte, Joshua Bilton, Kate Groobey, spearheaded the independent Group, whose members included current photography, presents a journey back through time to the Katie Goodwin, Kim Kielhofner, Leah Capaldi, DUHPDGHEHIRUH*ULI¿WKVUHFHLYHG photography movement in the Richard Hamilton, Victor Pasmore, living spectrum of exemplary artistic Austria of the 1960s and 1970s. Lisa Wilkens, Marco Palmieri, Marie Angeletti, any formal training in photography Minae Kim, Nick Nowicki, Noel Hensey, Peles early 1970s, breaking with tradition and Lawrence Alloway, held the positions. A primary aim of this Into the exhibition hall he places and are documents of his experience Empire, Poppy Whatmore, Rafal Zawistowski, and infusing the medium with new legendary show an Exhibit. The SURMHFWLVWR¿QGRXWPRUHDERXW the prototype of a classic detached Rasmus Nilausen, Samuel Williams, Sarah of soldiering towards the end of the energies and ways of seeing. His premise of an Exhibit was to show how artists, in a time of visual media house with a gabled roof. The Narrow Brown, Savinder Bual, Se-jin Kim, Selma ‘Troubles’. They are raw snapshots Parlour, Sophie Neury, Sui Kim, Tomas practice is complex, passionate and ‘no objects, no ideas’: a show that overload, transpose their view of the House, a copy of his parent’s house made for his own personal album, Downes, Ute Klein, Yelena Popova sometimes deeply autobiographical. consisted of colourful panels loosely world to the medium of photography. in Styria built to scale, has been but powerfully evoke a sense of text by Sacha Craddock, Peter Osborne He produced an astonishing record suspended in space so that visitors squeezed in width to 1.1 metres. Its boredom, frustration and fear felt 9HUODJIUPRGHUQH.XQVW1UQEHUJ  edited by Eileen Daly, Rebecca Heald of urban society across Britain, could amble freely between them. ¿[WXUHV±WKHIXUQLVKLQJVIURPWKH by the group of very young men he ,6%1 working in a uniquely collaborative was serving alongside. The images Its formal decision was to do without KDUGEDFNSDJHV plumbing down to individual objects This 2011 exhibition catalogue is way with his subjects. This book, DUHDFFRPSDQLHGE\*ULI¿WKV¶¿UVW exhibits and make the display itself LOOXVWUDWLRQV such as the telephone and the cutlery published alongside the annual [PP WKH¿UVWPDMRUVXUYH\RIKLVZRUN person narrative describing his the subject of the show. Transforming – are all formed in the style of the show that launches at S1 Artspace (QJOLVKDQG*HUPDQWH[W brings together recently discovered changing feelings towards his choice the Generali Foundation’s exhibition 1970s and have also been integrated DQG6LWH*DOOHU\6KHI¿HOGDQGWKHQ unpublished work from Meadows’ to become a soldier and the validity space unExhibit goes one step into the house in compressed form. tours to ICA, London featuring the RZQDUFKLYHZLWKKLV¿YHEHVWNQRZQ of the British Army’s position in the further by exhibiting, both literally Visitors can force themselves into the work of 40 artists across a range of projects: Shop on Graham Street FRQÀLFW)LYHIDFVLPLOHDUWHIDFWVIURP DQG¿JXUDWLYHO\WKHDFWRIQRW completely furnished house interior, media. Established in 1949, New 1972, Butlin’s by the Sea 1972, WKHHSKHPHUDFROOHFWLRQ*ULI¿WKV exhibiting. With a series of in-depth and experience the claustrophobia Contemporaries has been dedicated June Street, Salford 1973, The Free assembled himself during his tour essays, this publication triggers an DQGGLVWRUWHGVHQVHRIUHDOLW\DW¿UVW WRSUR¿OLQJWKHZRUNRI\RXQJQHZ Photographic Omnibus 1973 – 74 of duty are included with each copy. exciting discussion on the strategies hand. Included is an interview with and emerging artists at the start and Nattering in Paradise 1984. Limited edition of 500 each including of non-exhibiting, of refusal and Erwin Wurm by Ingrid Adamaer. of their professional careers. The Published alongside an exhibition at a signed and numbered mini-lab withdrawal. Published to accompany selectors for New Contemporaries National Media Museum, Bradford in SULQW6WXDUW*ULI¿WKVZRQD1DWLRQDO the exhibition at Generali Foundation, 9HUODJIUPRGHUQH.XQVW1UQEHUJ   are: Pablo Bronstein, Sarah ,6%1 September 2011. Media Museum Photography Award February – July 2011. Jones and Michael Raedecker. KDUGEDFNSDJHVWEF in 2010. LOOXVWUDWHGLQFRORXU 3KRWRZRUNV  9HUODJIUPRGHUQH.XQVW1UQEHUJ  GLPHQVLRQVWEF 1HZ&RQWHPSRUDULHV  /WG  ,6%1 3KRWRZRUNV  ,6%1 (QJOLVKDQG*HUPDQWH[W ,6%1 KDUGEDFNSDJHV ,6%1 VRIWEDFNSDJHV KDUGEDFNSDJHV LOOXVWUDWHGLQFRORXUDQGE Z KDUGEDFNSDJHV FRORXULOOXVWUDWLRQV FRORXULOOXVWUDWLRQV [PP FRORXULOOXVWUDWLRQVORRVHLQVHUWV [PP [PP (QJOLVKDQG*HUPDQWH[W [PP © Daniel Meadows from The Free Photographic Cornelia Baltes, Untitled (bird), 2010. Giclee print Omnibus, 1974 ‹6WXDUW*ULI¿WKV1RUWKHUQ,UHODQG$UFKLYH 45 x 60 cm

40 41 $87801

Heinz Mack Gerhard Merz Tim Davies Rakennustieto Publishing Richter Verlag Kinetik / Kinetics Über den Granit / On Granite Ridinghouse distributed by Cornerhouse in the UK and texts by Tessa Jackson, Owen Sheers, Tom distributed by Cornerhouse in the UK distributed by Cornerhouse in the UK Rowland, Ann Jones texts by Anina Baum, Lisa Bosbach, Sabine texts by Johann Wolfgang von Goethe, Europe Fabo, Julia Giebeler, Jee-Hae Kim, Heinz Ute Riese Mack, Eva Rieß, Raphael Smazoch, Susanne Representing Wales at the 54th Titz, Francesca Valentini, Franziska Wagner Alvar Aalto Gotthard Graubner In his work, Gerhard Merz has Michael Bracewell Venice Biennale in 2011, Tim Davies The Mark of the Hand Zeichnungen / Drawings concentrated on depicting the The Space Between: Collected is known for his installations that The kinetically active sculptures and autonomy of pure colour, the reduced challenge power structures and texts and edited by Harry Charrington, texts by Erich Franz, Volker Kahmen light pieces by Heinz Mack, one Writings geometric plane and form, which he question the effects of colonial Vezio Nava of the three founding members of amalgamates with the architecture power and globalisation. Famously, foreword by Esa Laaksonen Gotthard Graubner’s drawings, in an ZERO, testify to the group’s effort Cultural critic and writer, Michael and the light in consummate spatial Davies once returned a Victorian elementary form, embody what his to replace traditional artistic media Bracewell has written widely ¿JXUDWLRQV7KHZRUNSUHVHQWHGLQ SDUTXHWÀRRUWRWKHUDLQIRUHVWRI This book reveals Alvar Aalto’s entire artwork, his canvas paintings, with immaterial light and movement, and increasingly on modern and this publication encompasses four Belize where the wood was originally creative performance through a his paintings on paper, his graphic so as to create sculpture in space. contemporary art and has been sections that Merz conceived for an sourced and mined by slaves. His series of conversations with the SULQWVDQGKLVLQVWDOODWLRQVGH¿QH ,QWKLVZD\OLJKWUHÀHFWLQJPDWHULDOV a regular contributor to Frieze exhibition in 2010 – 11 at Kunsthalle ongoing Cadet Series features members of his atelier spanning a for art. They show a becoming, VXFKDVSUHVVHGDOXPLQXPIRLOÀXWHG magazine since its inception. He Gießen: high-gloss paint, granite gray Davies’ own hand-held video footage period of 50 years from 1944 to 1994. a genesis; you experience them glass or plexiglass in Mack’s early has written extensively for museums RAL 7026, a concept for luminescent as he moves around ceremonies Over 60 projects covering the full as a process that leads you to reliefs generate a new perceptual and galleries on artists including boxes and phosphorescent paint, as at war monuments throughout the range of Aalto’s work are discussed, what in them becomes visible. experience. In the large-scale Gilbert & George, Richard Hamilton, well as the colour grey and a text by UK, questioning the role of youth in giving the reader a sense of Aalto’s Their visuality is not a given, it out-door installations, such as the Bridget Riley, Wolfgang Tillmans, Johann Wolfgang von Goethe, Über war. Davies’ :DOHVDW9HQLFH work that goes far beyond the limited materializes, and in its manifestation Sahara project, nature and art fuse Anish Kapoor, , John den Granit (On Granite), from 1784. exhibition includes a range of video canon of buildings usually discussed lies their content. The form-evolving to produce an endless illusion of Stezaker, Glenn Brown and Damien The effect of the monochrome grey and sculptural installations, largely in critiques of Aalto’s work. The intensity of the line comes about space via a synthesis of natural and Hirst. This collection of Bracewell’s area is achieved by the presence produced in Venice especially for conversations place these projects in from its hatched penetration and DUWL¿FLDOOLJKW:KLOHWKHVHDUHRQO\ writing on art explores connections of light that challenges the viewer’s the Biennale. The catalogue focuses their time, and among the people and variation, its concentration or YLHZDEOHRQ¿OPWKHEURDGSXEOLF between the visual arts, pop music, optical discernment, while the on this new work, while examining milieu that wrought them, so we hear disintegration. Published in this book can today see his kinetic sculptures modern iconography and sub- quotation chosen by Gerhard Merz the context of his previous works about the buildings not just as art is a chronological cross-section of of light, dynamism and movement in cultures, while appraising the vision and reproduced on the museum wall and process and includes texts by historical artefacts, but also as part his drawings since the end of the the public domain: on city squares or and ideas of individual artists and the of Goethe’s text on the sublimity of cultural theorist Tessa Jackson, who of a dynamic, and often contentious, 1940s to the present that show how LQRI¿FHEXLOGLQJV7KLVSXEOLFDWLRQ relation of their work to its broader granite induces us to pause presents an overview of Davies’ environment, as well as how the much his works ensue from within on the occasion of Heinz Mack’s 80th cultural context. Bracewell was born DQGUHÀHFW ZRUN2ZHQ6KHHUVSRHWDQG¿FWLRQ atelier itself formed an integral part of and move outwards and, in their in London in 1958 and is the author birthday presents a comprehensive ZULWHUZKRUHVSRQGVWR'DYLHV¶¿OPV Aalto’s achievement. WUDQVLWLRQ¿QGWKHPVHOYHV view of his early and partly unknown of six novels and three works of non- 5LFKWHU9HUODJ  and installations from a creative kinetic sculptures. ,6%1 ¿FWLRQLQFOXGLQJPRVWUHFHQWO\QHZ 5DNHQQXVWLHWR3XEOLVKLQJ WEF standpoint; and an interview between 5LFKWHU9HUODJ  VRIWEDFNSDJHV editions of his novel The Conclave ,6%1 ,6%1 the artist and curators Tom Rowland 5LFKWHU9HUODJ  LOOXVWUDWLRQV VRIWEDFNSDJHVWEF KDUGEDFNSDJHV (1991) and his acclaimed study ,6%1 [PP and Ann Jones discusses the E ZLOOXVWUDWLRQVWEF FRORXULOOXVWUDWLRQV of Englishness in popular culture, KDUGEDFNSDJHVWEF (QJOLVKDQG*HUPDQWH[W Biennale project in detail. [PPWEF [PP FRORXUE ZLOOXVWUDWLRQV England Is Mine. Throughout the (QJOLVKDQG*HUPDQWH[W [PP 1990s he contributed a series of long 5LGLQJKRXVH  Alvar Aalto: Finlandia Hall, , 1962–75. (QJOLVKDQG*HUPDQWH[W interviews with leading musicians, ,6%1 Photo © Alvar Aalto Museum artists and actors to both The KDUGEDFNSDJHV Guardian and The Times. FRORXULOOXVWUDWLRQV [PP

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The Medium of The Peripatetic School Bridget Riley John Stezaker Sainsbury Centre for Itinerant Drawing from Latin Paintings and Related Work Film Stills Art School Drawings from the Contingency Visual Arts America 1983 – 2010 1960s and 70s texts by Elie Ayache, Matthew Poole, Reza text and interview with the artist by distributed by Cornerhouse world-wide Negarestani artists: Brigida Baltar, Jose Tony Cruz, Andre texts by Bridget Riley, Lynne Cooke, Robert text by Peter Cartwright edited by Robin Mackay Komatsu, Mateo Lopez, Jorge Macchi, Gilda Kudielka Mantilla & Raimond Chaves, Nicolas Paris, John Stezaker began his ongoing Mary Webb Ishmael Randall Weeks This catalogue presents 12 drawings The notion of ‘contingency’ has A focussed, unique retrospective VHULHVRI¿OPVWLOOFROODJHVLQ from Alison Wilding’s art school years Journeys in Colour texts by Moacir dos Anjos, Tanya Barson, the result of a period which marked become crucial both in contemporary Pablo Leon de la Barra, Isobel Whitelegg exhibition catalogue for the Bridget during the 1960s and early 1970s. texts by Alastair Grieve, Mel Clark a crucial change in the direction of philosophy and art, as the artists edited by Tanya Barson, Kate Macfarlane Riley: Paintings and Related Work Coinciding with her exhibition of interview with the artist by Sarah Bartholomew the artist’s work which had previously in this book and the accompanying ± exhibition at Galerie the same title at , edited by Sarah Bartholomew been centred around a text based exhibition at Thomas Dane Gallery, The Peripatetic School features eight Max Hetzler in Berlin (February – London (June – July 2011), the ‘conceptualism’. The series moves London, demonstrate. Transcriptions artists from across Latin America who April 2011), this large format book ¿UVWQLQHZRUNV±FROOHFWLYHO\ Journeys in Colour is a major with Stezaker’s changing interests, of lectures by Reza Negarestani, Elie journey out of the studio, into the presents an exhibition curated by referred to as the Ethos of the retrospective exhibition of works using stills from classic American- Ayache and Matthew Poole discuss neighbourhood, the city, the territory Bridget Riley herself, including Petrol Station drawings – were a by Mary Webb, covering a period SHULRG+LWFKFRFN¿OPVDVUDZ the need for artists to abandon or continent beyond. For these works from private collections and response to a project during the from 1967 to the present day. The material before shifting towards the notions of autonomy and knowledge artists, drawing travels off the page some works never before shown artist’s time at Nottingham College exhibition comprises large-scale undistinguishable mass of 1940s the greater networks to which they and into the environment itself. The in Germany. The focus is on the of Art. Accompanying full colour abstract paintings, bold screen prints, and early 1950s low-budget studio belong. This publication also includes individual bodies of work destabilise last three decades of the artist’s reproductions of these works, Peter watercolours, drawings and collages. ¿OPV)HDWXULQJFROODJHVEDVHGRQD a group discussion with the exhibition assumptions about the continent. work, and the book includes her Cartwright discusses his recollection This catalogue includes two essays FRPELQDWLRQRI¿OPVWLOOH[FLVLRQVDQG organizer, gallerist Miguel Abreu, and Instead they present individual 2009 essay, Work, and her 2005 of teaching Wilding and the project which place Webb’s work in an art superimpositions, this ongoing series artists Scott Lyall and Sam Lewitt, testaments to the extraordinary conversation with Lynne Cooke. In from which the drawings were borne. historical context, looking at working is catalogued comprehensively for that explores how a contemporary heterogeneity of its people, culture, 2009, Riley received Germany’s 7KH¿QDOWKUHHZRUNVLQWKHFDWDORJXH methods and collaborations. An WKH¿UVWWLPHKHUH%ULQJLQJWRJHWKHU reading of the notion of ‘contingency’ languages, cities and landscape, most prestigious prize, the Goslar are from the artist’s time at the exclusive interview discusses early 6WH]DNHU¶VHDUOLHVW¿OPVWLOOFROODJHV is relevant to contemporary artists. whilst simultaneously examining Award for Modern Art, and in 2012 Royal College of Art, used as a tool LQÀXHQFHVWUDYHOVDQGFXUUHQWZRUN to his most recent, this publication Published on the occasion of the the parameters of drawing, often she will be awarded the Rubenspreis for documenting and furthering her Published on the occasion of the follows on from Ridinghouse titles exhibition New York to London and using unconventional materials or der Stadt Siegen. The book includes ¿QLVKHGVFXOSWXUHSURYLGLQJDJOLPSVH exhibition at Sainsbury Centre for Masks and Marriages, with full Back at Thomas Dane Gallery, strategies. For these artists drawing crisp reproductions, several fold- into her progress in the studio at that Visual Arts, Norwich, 27 September – colour illustrations accompanied by London, January – February 2011. becomes a focus of expanded out pages and a rare photographic time and connecting the drawings not 4 December 2011. an essay by David Campany and a practices that engage with the portrait of Riley, in front of a study for only to student sculptures, but also to conversation between the critic and 5LGLQJKRXVH  landscape and culture as a subject her Composition with Circles series. drawings and sculptures made almost 6&9$  ,6%1 the artist. ,6%1 and source for exploration, as well as 40 years later. VRIWEDFNSDJHV 5LGLQJKRXVH  VRIWEDFNSDJHV philosophical speculation. Published E ZLOOXVWUDWLRQV ,6%1 5LGLQJKRXVH  FRORXUE ZLOOXVWUDWLRQV 5LGLQJKRXVH  [PP in partnership with Drawing Room, KDUGEDFNSDJHV ,6%1 [PP ,6%1 FRORXULOOXVWUDWLRQV VRIWEDFNSDJHV London. VRIWEDFNSDJHV [PP FRORXULOOXVWUDWLRQV San Filippo IV (Version2), 2010, oil on canvas, FRORXULOOXVWUDWLRQV [PP 152 cm x 152 cm. Collection of the artist 5LGLQJKRXVH'UDZLQJ5RRP WEF [PP ,6%1 VRIWEDFNSDJHVWEF FRORXUSODWHV [PP

Jorge Macchi, Guide to immobility 2003, 20 x 28 cm. Buenos Aires street guide. Photo Mark Ritchie. Courtesy Centro Galego de Arte Contemporánea CGAC

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Dutton & Swindells Is Britain Great? 2 Power Up George Condo

Site Gallery Institute of Beasts Stour Valley Arts 7KH&DUDYDQ*DOOHU\  Female Pop Art Mental States distributed by Cornerhouse world-wide distributed by Cornerhouse world-wide ,6%1 text by Emma Crocker 'X0RQW%XFKYHUODJ  +D\ZDUG3XEOLVKLQJ  ,6%1 ,6%1 Dutton and Swindells have been Brutalist Speculations working together since 1998. The Mike Marshall and Flights of Fancy Institute of Beasts project tacitly Open Space suggests or invokes a realm texts by Mike Marshall, Christopher artists in Berlin: Christl Mudrak, Dominique within which doubt, reticence and Hurth, Olivia Reynolds, Ines Lechleitner, Irene Townsend, Robin Wilson Pätzug, Antonia Low, Oliver Zwink, Valentin inconclusiveness may be privileged edited by Peter Bonnell, Dan Howard-Birt Hertweck over certain forms of knowledge. DUWLVWVLQ6KHI¿HOG-DVSDU-RVHSK/HVWHU This book outlines the artists’ current This book contains extensive Sharon Kivland, T C McCormack, Gary work, bringing together suites of Simmonds, Becky Shaw, Mathew Harrison, documentation of four new Hester Reeve, Chloe Brown, Penny McCarthy, works from a number of exhibitions. video works and a new series of Michelle Atherton, Julie Westerman In the book the artists search for photographs by British artist Mike texts by Owen Hatherley, Steve Pile, Jane and play with images, objects Marshall. In 2010 Marshall was Rendell and texts through processes of commissioned by Stour Valley Arts collage, and multiple- and ArtSway to spend extended This project is based around six of association. Dutton and Swindells’ periods of time in King’s Wood, 6KHI¿HOG¶VIDPRXVDQGQRWVRIDPRXV most recent project, The Stag and Kent (home to SVA) and the New brutalist buildings. Twenty artists and Hound at PSL prioritised a sense Forest, Hampshire (where ArtSway Anish Kapoor / ZULWHUVIURP6KHI¿HOGDQG%HUOLQZHUH of ‘drift’ from one approach or is based). This body of work quietly Love Is What You Want Flashback Michael Joo invited to contribute to a book which position to the next, manifested in unpicks common presumptions contains speculations, proposals, +D\ZDUG3XEOLVKLQJ  +D\ZDUG3XEOLVKLQJ  Have You Ever Really Looked the work through unruly groupings or clichés associated with English ,6%1 ,6%1 enquiries, and challenges founded at the Sun? DQGFRQÀDWLRQVRILGHDVDQGREMHFWV woodlands, focusing instead on the on these buildings. The project Dutton and Swindells’ current work is drama of light and weather, allowing +DXQFKRI9HQLVRQ  considers the position that these ,6%1 a call for perpetual adjustment as a these actions to quietly transform buildings hold now and speculates on way of being, a pathology that is able a familiar place. Symptomatic of their possible futures. These to manifest itself visually, technically, Marshall’s strategy for snaring his extraordinary buildings are materially, emotionally and ultimately subject, he travelled to Cyprus sometimes forgotten, often reviled, artistically. midway through this commission to loved, misunderstood, and contested. explore a very different collection of Including texts by architectural 6LWH*DOOHU\  trees, a Mediterranean olive grove, theorists and writers: Owen Hatherley, ,6%1 VRIWEDFNSDJHV resulting in the video work A Prism Steve Pile and Jane Rendell. FRORXULOOXVWUDWLRQV Splits Light, included here. This book [PP includes an introduction to each work 6LWH*DOOHU\  ,6%1 by Mike Marshall and essays, which VRIWEDFNSDJHV scrutinise his broader practice by FRORXULOOXVWUDWLRQ Christopher Townsend and [PP Robin Wilson. Savage Messiah Hans Ulrich Obrist Susan Hiller: The 6WRXU9DOOH\$UWV$UW6ZD\  A Biography of the Sculptor A Brief History of Curating ,6%1 Provisional Texture of VRIWEDFNSDJHV Henri Gaudier-Brzeska -53_5LQJLHU  Reality FRORXULOOXVWUDWLRQV ,6%1 [PP +HQU\0RRUH,QVWLWXWH  ,6%1 -53_5LQJLHU  ,6%1 46 47 $87801 INDEX TO NEW AND FORTHCOMING TITLES

Alvar Aalto: The Mark of the Hand 42 Imi Knoebel: Stained Glass Windows in Reims Cathedral 20 John Stezaker: Film Stills 45

Addendum: Architecture, Sculpture and the Space of Transition 34 Jutta Koether 26 Imogen Stidworthy: (.) 34

Anonymous Sculptures: Video and Form in Contemporary Art 35 Ansel Krut 26 Thomas Stimm: Terra 31

Magda Archer: Crazy Mad 3 Mark Leckey: SEE, WE ASSEMBLE 27 Katja Strunz: Nachzeit / Aftertime 31

Art & Fashion: Between Skin and Clothing 19 Armin Linke & Srdjan Jovanovic Weiss: Socialist Architecture Le Surrealisme, c’est moi!: Homage to Salvador Dalí 39 The Vanishing Act 15 Artist-Run Spaces 11 Atsuko Tanaka: The Art of Connecting 10 Richard Long: Berlin Circle 37 Artistbooks by Leiko Ikemura 35 TAPS: Improvisations with Paul Burwell 34 Lumière Noire: New Art from France 27 Alex Bag 11 Al Taylor 7 Heinz Mack: Kinetik / Kinetics 42 *DEULHOH%DVLOLFR'DQ*UDKDP8QLGHQWL¿HG0RGHUQ&LW\  Texte zur Kunst 1990 – 1998 18 Making Art Global (Part 1): The Third Havana Biennial 1989 27 Raymond Bellour: Between-the-Images 12 That’s Me: Photographic Self-Images 21 Mallorca: A Circumnavigation – Stephan Kaluza 4 Big Picture 20 To The River: Sophy Rickett 1 Christian Marclay: Cyanotypes 15 Bloomberg New Contemporaries 2011 41 Touched: Liverpool Biennial 2010 33 Teresa Margolles: Frontera 28 Rodarte / Catherine Charles Avery Exhibiting the New Art Michael Bracewell: The Space Between – Collected Writings 43 Transmitter / Receiver: The Persistance of Collage 8 Mike Marshall: Open Space 46 Onomatopoeia: The Port ‘Op Losse Schroeven’ and Robert Breer 20 unExhibit 40 Opie / Alec Soth Allan McCollum 16 AA Bronson / Peter Hobbs: Queer Spirits 12 United Enemies: The Problem of Sculpture in Britain in the 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  ‘When Attitudes Become Form’ -53_5LQJLHU  Daniel Meadows: Edited Photographs from the 70s and 80s 41 1960s and 1970s 9 Brutalist Speculations and Flights of Fancy 46 ,6%1 ,6%1 1969 Measuring the World: Heterotopias and Knowledge Spaces Variantology 5: Neapolitan Affairs 32 The Cabinet of Jan Švankmajer 35 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  in Art 28 Francesco Vezzoli: Greed 32 ,6%1 Camulodunum 6 The Medium of Contingency 44 Oriol Vilanova: They Cannot Die 18 Valentin Carron 13 Jonathan Meese / Dash Snow: Fanzine 28 Visions & Fashion: Capturing Style 1980 – 2010 21 Vija Celmins: Desert, Sea & Stars 22 Alessandro Mendini 37 Andy Warhol: ARTIST ROOMS On Tour with the Art Fund 11 Francesco Clemente: Palimpsest 36 Gerhard Merz: Über den Granit / On Granite 43 Mary Webb: Journeys in Colour 45 Marcus Coates: The Trip 22 John Miller: The Ruin of Exchange 16 Patrick Weidmann: Photographies 19 Collage Culture 13 Carlo Mollino: Un Messaggio dalla Camera Oscura 38 Ai Weiwei: Fairytale – A Reader 18 The Complete Designers Lights 1940 – 1990 13 Sarah Morris: You Cannot Trust a Surface 38 Andro Wekua: Pink Wave Hunter. Parts 1 – 3 32 Concept Action Language: Pop-Art, Fluxus, Nouveau Réalisme, Matt Mullican: Conversations 5 Arte Povera 22 Alison Wilding: Art School Drawings from the 1960s and 70s 45 7KH0\WKRIWKH$LUERUQH:DUULRU6WXDUW*ULI¿WKV  Tony Cragg: Figure out Figure in 23 World Images 4 40 Mike Nelson: British Pavilion 3 Dandelion: The Making of the UK Pavilion at Shanghai World Erwin Wurm: Narrow House 40 Expo 2010 2 Walther Niedermayr: Mose 29 Jakub Julian Ziolkowski: In Utero 33 Tim Davies 43 Emil Nolde: Master of Watercolour 5 Heimo Zobernig: Ohne Titel (in Red) 19 Jeremy Deller: Joy in People 7 Roman Ondák: LOOP 29 Peter Zumthor: Hortus Conclusus – Serpentine Gallery Hyper Real Marilyn Manson and Play Architecture Marjolijn Dijkman: Theatrum Orbis Terrarum 9 Boris Ondreicka: Spoken Word / Written World 16 Pavilion 2011 33 The Passion of the Real in David Lynch Playing Cards dubh: Dialogues in Black 3 Robert Orchardson: Endless Façade 9 Jimmie Durham: Amoxohtli. Libro de Carretera. A Road Book 23 Laura Owens 21 Painting and Photography Genealogies of Pain 5DNHQQXVWLHWR3XEOLVKLQJ  ,6%1 Dutton & Swindells: Institute of Beasts 46 Guiseppe Penone 6 9HUODJGHU%XFKKDQGOXQJ:DOWKHU.|QLJ  9HUODJIUPRGHUQH.XQVW1UQEHUJ  engage 27: Exchange – Artists, Young People and Galleries 5 Evan Penny: Re Figured 29 ,6%1 ,6%1 Exploring North Korean Arts 36 The Peripatetic School: Itinerant Drawing from Latin America 44

Harun Farocki: Soft Montages 23 Mai-Thu Perret 17

Hans-Peter Feldmann: Voyeur 24 Personal Kill: Beate Geissler & Oliver Sann 38

Gagarin in Britain 2 PERSONAL STRUCTURES: La Biennale di Venezia 2011 6

The Garden of Forking Paths 14 Photography for Architects: The Photographic Collection of the Architekturmuseum München 30 Dan Graham / Hans Ulrich Obrist: The Conversation Series 25 24 Archiv Peter Piller: Kraft 17 Gotthard Graubner: Zeichnungen / Drawings 42 Michelangelo Pistoletto: The Mirror of Judgement 30 Nathalie Grenzhaeuser: Trespassing 36 Charlotte Posenenske: The Same but Different 10 George Grosz: The Big No 7 Rashid Rana: Everything is Happening at Once 4 Wade Guyton: Zeichnungen für ein kleines Zimmer 24 Jason Rhoades: Perfect World / Perfect Model 17 Gary Hume: Flashback 8 Bridget Riley: Paintings and Related Work 1983 – 2010 44 James Hutchinson: TO THE FUTURE 2 Salad Dressing: Performance Re-enactment Society and Industrial Furniture: Prototypes of the Modern Era 37 Tom Sowden 1 Insight: Micha Bar-Am’s Israel 25 John Salt 10 John Stezaker Bridget Riley The Curator’s Egg Das Institut 14 Markus Schinwald 39 5LGLQJKRXVH  Complete Prints The Evolution of the Museum Is Britain Great? 3 4 Markus Schinwald: La Biennale di Venezia 39 ,6%1 5LGLQJKRXVH  Concept from the French It’s Not a Garden Table 14 Kazuyo Sejima / Hans Ulrich Obrist: The Conversation ,6%1 Revolution to the Present Day Bahman Jalali 25 Series 26 30

5LGLQJKRXVH  Anish Kapoor: Sketchbook 25 6HOI3RUWUDLW$UQRO¿QL  ,6%1 Ben Kinmont: Prospectus 1988 – 2010 15 Stephen Shore: Mose. A Preliminary Report 31 48 Kippenberger meets Picasso 26 David Shrigley 8 Cornerhouse Publications 70 Oxford Street Manchester M1 5NH England tel +44 (0)161 200 1503 fax +44 (0)161 200 1504 [email protected] www.cornerhouse.org/books

Contemporary Visual Arts and Photography

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