Simon Beattie Russian Books Summer 2011
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Virginia Woolf's Portraits of Russian Writers
Virginia Woolf’s Portraits of Russian Writers Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova Virginia Woolf’s Portraits of Russian Writers: Creating the Literary Other By Darya Protopopova This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Darya Protopopova All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2753-0 ISBN (13): 978-1-5275-2753-9 TABLE OF CONTENTS Note on the Text ........................................................................................ vi Preface ...................................................................................................... vii Introduction ................................................................................................ 1 Russia and the British Search for the Cultural ‘Other’ Chapter One .............................................................................................. 32 Woolf’s Real and Fictional Russians Chapter Two ............................................................................................. 58 Woolf and Dostoevsky: Verbalising the Soul Chapter Three ........................................................................................ -
Unpalatable Pleasures: Tolstoy, Food, and Sex
University of New Hampshire University of New Hampshire Scholars' Repository Languages, Literatures, and Cultures Scholarship Languages, Literatures, and Cultures 1993 Unpalatable Pleasures: Tolstoy, Food, and Sex Ronald D. LeBlanc University of New Hampshire - Main Campus, [email protected] Follow this and additional works at: https://scholars.unh.edu/lang_facpub Recommended Citation Rancour-Laferriere, Daniel. Tolstoy’s Pierre Bezukhov: A Psychoanalytic Study. London: Bristol Classical Press, 1993. Critiques: Brett Cooke, Ronald LeBlanc, Duffield White, James Rice. Reply: Daniel Rancour- Laferriere. Volume VII, 1994, pp. 70-93. This Article is brought to you for free and open access by the Languages, Literatures, and Cultures at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Languages, Literatures, and Cultures Scholarship by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. NEW ~·'T'::'1r"'T,n.1na rp.llHlrIP~ a strict diet. There needs to'be a book about food. L.N. Tolstoy times it seems to me as if the Russian is a sort of lost soul. You want to do and yet you can do nothing. You keep thinking that you start a new life as of tomorrow, that you will start a new diet as of tomorrow, but of the sort happens: by the evening of that 'very same you have gorged yourself so much that you can only blink your eyes and you cannot even move your tongue. N.V. Gogol Russian literature is mentioned, one is likely to think almost instantly of that robust prose writer whose culinary, gastronomic and alimentary obsessions--in his verbal art as well as his own personal life- often reached truly gargantuan proportions. -
Sixth Meeting of FG IMT-2020, Beijing, 17-20 May 2016
Academia ITU-T Sector Member ITU events Saint Petersburg, Russia, 21-23 May 2019 PRACTICAL INFORMATION For - ITU Forum “Internet of Things: Future Applications and Services. Perspective 2030”/4th ITU Workshop on Network 2030 - Fourth ITU-T Focus Group on Technologies for Network 2030 (FG NET2030) meeting, - ITU-T Study Group 3 Regional Group for Eastern Europe, Central Asia and Transcaucasia (SG3RG- EECAT) meeting; - ITU-T Study Group 11 Regional Group for Eastern Europe, Central Asia and Transcaucasia (SG11RG-EECAT) meeting; - ITU-T Study Group 13 Regional Group for Eastern Europe, Central Asia and Transcaucasia (SG13RG-EECAT) meeting. 1. VENUE FOR THE EVENTS Bonch-Bruevich Saint Petersburg State University of Telecommunications (SPbSUT), Russia, 193232 St Petersburg, Prospekt Bolshevikov, 22, k. 1 (Metro station: “Ulitsa Dybenko”), Tel./fax +7 (812) 315 01 12, web address www.sut.ru. 2. REGISTRATION Online registration for the events is available at each group/event individual webpage: - 2 - For ITU Forum/4th ITU workshop at: https://www.itu.int/en/ITU-T/Workshops-and- Seminars/201905/Pages/default.aspx For FG NET2030: https://www.itu.int/en/ITU-T/focusgroups/net2030/Pages/default.aspx For SG3RG-EECAT: https://www.itu.int/en/ITU-T/studygroups/2017- 2020/03/sg3rgeecat/Pages/default.aspx For SG11RG-EECAT meetings at: https://www.itu.int/en/ITU-T/studygroups/2017- 2020/11/sg11rgeecat/Pages/default.aspx respectively. For SG13RG-EECAT: https://www.itu.int/en/ITU-T/studygroups/2017- 2020/13/sg13rgeecat/Pages/default.aspx Note: The SG3RG-EECAT, SG11RG-EECAT and SG13RG-EECAT meetings will be restricted to delegates and representatives from Member States, Sector Members and Associates of ITU-T Study Groups 3, 11 and 13 each in the region respectively, in conformity with clause 2.3.3 of WTSA Resolution 1 (Rev. -
Elective English - I DENG104 Edited By: Dr
Edited By: Dr. Digvijay Pandya Elective English - I DENG104 Edited By: Dr. Digvijay Pandya ELECTIVE ENGLISH - I Edited By: Dr. Digvijay Pandya Printed by LAXMI PUBLICATIONS (P) LTD. 113, Golden House, Daryaganj, New Delhi-110002 for Lovely Professional University Phagwara SYLLABUS Elective English -I Objectives: To improve understanding of literature among students. To enhance writing skills of students. To develop skills of critical analysis in students. Sr. No. Content 1 The Post Office by R N Tagore 2 A Free Man's Worship by Bertrand Russell 3 Dream Children by Charles Lamb 4 The Spark Neglected Burns the House by Leo Tolstoy 5 Night of the Scorpion by Nissim Ezekiel. The World Is Too Much With Us By William Wordsworth 6 After Twenty Years by O. Henry 7 If by Rudyard Kipling, Where the Mind is Without Fear By Rabindranath Tagore 8 Eveline by James Joyce 9 The Monkey’s Paw by W.W.Jacobs 10 Luck by Mark Twain CONTENT Unit 1: The Post Office by Rabindranath Tagore 1 Digvijay Pandya, Lovely Professional University Unit 2: A Free Man’s Worship by Bertrand Russell 12 Gowher Ahmad Naik, Lovely Professional University Unit 3: Charles Lamb-Dream Children: A Reverie—A Detailed Study 28 Gowher Ahmad Naik, Lovely Professional University Unit 4: Charles Lamb-Dream Children: A Reverie—A Critical Analysis 37 Digvijay Pandya, Lovely Professional University Unit 5: The Spark Neglected Burns the House by Leo Tolstoy 46 Digvijay Pandya, Lovely Professional University Unit 6: After Twenty Years by O. Henry 69 Gowher Ahmad Naik, Lovely Professional University -
Representations of Antique Arms and Armour in the Architectural Decor of St. Petersburg
HISTORIA I ŚWIAT, nr 6 (2017) ISSN 2299 - 2464 Sergey NIKONENKO (Saint Petersburg State University, Russia) Representations Of Antique Arms and Armour in the Architectural decor of St. Petersburg Keywords: Architectural décor, Helmets, Armour, Saint Petersburg, Classicism Saint Petersburg has been the capital of Russian empire in 1703 – 1917. It is one of the most beautiful cities all over the world with majestic architectural ensembles. This article is devoted to the representations of antique arms in St.Petersburg’s architectural décor. I want to add that this décor has not been studied completely. But I think that it is very useful to look at St.Petersburg’s military architectural décor as the kind of retrospective and academic style in new European arts. There are two historical periods in St.Petersburg’s architecture when architects and sculptors used ancient military décor. First of them is Classicism style (1770-1840). This is the time of constructing the main architectural ensembles and squares in the centre of St.Petersburg in so called “empire style”. Second of them is New Classicism style (1904-1916). It was the time of private buildings, especially of banks and dwelling houses. This article has two parts. In First part I propose the typology of buildings and architectural décor. Then I give the full list of St.Petersburg’s buildings with ancient military décor (compiled and published for the first time). In Second Part I will try to comment some main examples of ancient military décor. I. There are several kinds of images in ancient military décor: - Gods (Athena, Ares, Apollo, Hermes) - Heroes (Achilles, Ajax, etc.) - Emperors (Alexander the Great, Caesar, etc.) - Simple soldiers and horsemen. -
Refractions of Rome in the Russian Political Imagination by Olga Greco
From Triumphal Gates to Triumphant Rotting: Refractions of Rome in the Russian Political Imagination by Olga Greco A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Comparative Literature) in the University of Michigan 2015 Doctoral Committee: Professor Valerie A. Kivelson, Chair Assistant Professor Paolo Asso Associate Professor Basil J. Dufallo Assistant Professor Benjamin B. Paloff With much gratitude to Valerie Kivelson, for her unflagging support, to Yana, for her coffee and tangerines, and to the Prawns, for keeping me sane. ii TABLE OF CONTENTS Dedication ............................................................................................................................... ii Introduction ............................................................................................................................. 1 Chapter I. Writing Empire: Lomonosov’s Rivalry with Imperial Rome ................................... 31 II. Qualifying Empire: Morals and Ethics of Derzhavin’s Romans ............................... 76 III. Freedom, Tyrannicide, and Roman Heroes in the Works of Pushkin and Ryleev .. 122 IV. Ivan Goncharov’s Oblomov and the Rejection of the Political [Rome] .................. 175 V. Blok, Catiline, and the Decomposition of Empire .................................................. 222 Conclusion ........................................................................................................................... 271 Bibliography ....................................................................................................................... -
Ildar Abdrazakov
POWER PLAYERS Russian Arias for Bass ILDAR ABDRAZAKOV CONSTANTINE ORBELIAN, CONDUCTOR KAUNAS CITY SYMPHONY ORCHESTRA KAUNAS STATE CHOIR 1 0 13491 34562 8 ORIGINAL DELOS DE 3456 ILDAR ABDRAZAKOV • POWER PLAYERS DIGITAL iconic characters The dynamics of power in Russian opera and its most DE 3456 (707) 996-3844 • © 2013 Delos Productions, Inc., © 2013 Delos Productions, 95476-9998 CA Sonoma, 343, Box P.O. (800) 364-0645 [email protected] www.delosmusic.com CONSTANTINE ORBELIAN, CONDUCTOR ORBELIAN, CONSTANTINE ORCHESTRA CITY SYMPHONY KAUNAS CHOIR STATE KAUNAS Arias from: Arias Rachmaninov: Aleko the Tsar & Ludmila,Glinka: A Life for Ruslan Igor Borodin: Prince Boris GodunovMussorgsky: The Demon Rubinstein: Onegin, Iolanthe Eugene Tchaikovsky: Peace and War Prokofiev: Rimsky-Korsakov: Sadko 66:49 Time: Total Russian Arias for Bass ABDRAZAKOV ILDAR POWER PLAYERS ORIGINAL DELOS DE 3456 ILDAR ABDRAZAKOV • POWER PLAYERS DIGITAL POWER PLAYERS Russian Arias for Bass ILDAR ABDRAZAKOV 1. Sergei Rachmaninov: Aleko – “Ves tabor spit” (All the camp is asleep) (6:19) 2. Mikhail Glinka: Ruslan & Ludmila – “Farlaf’s Rondo” (3:34) 3. Glinka: Ruslan & Ludmila – “O pole, pole” (Oh, field, field) (11:47) 4. Alexander Borodin: Prince Igor – “Ne sna ne otdykha” (There’s no sleep, no repose) (7:38) 5. Modest Mussorgsky: Boris Godunov – “Kak vo gorode bylo vo Kazani” (At Kazan, where long ago I fought) (2:11) 6. Anton Rubinstein: The Demon – “Na Vozdushnom Okeane” (In the ocean of the sky) (5:05) 7. Piotr Tchaikovsky: Eugene Onegin – “Liubvi vsem vozrasty pokorny” (Love has nothing to do with age) (5:37) 8. Tchaikovsky: Iolanthe – “Gospod moi, yesli greshin ya” (Oh Lord, have pity on me!) (4:31) 9. -
Problems of Translating Into Russian
Volume 21 Number 2 Article 30 Winter 10-15-1996 Problems of Translating into Russian Natalia Grigorieva Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Grigorieva, Natalia (1996) "Problems of Translating into Russian," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 21 : No. 2 , Article 30. Available at: https://dc.swosu.edu/mythlore/vol21/iss2/30 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract The general traditions of Russian literature has been based on the requirement that any literary translation should be good literature in itself as well as preserving the author’s manner of writing. It seems that understanding of J.R.R. Tolkien and his books is growing very slowly in Russia. There have never been any professional literary works on Tolkien or the problems of translating his works. -
A'level Dance Knowledge Organiser Christopher
A’LEVEL DANCE KNOWLEDGE ORGANISER CHRISTOPHER BRUCE Training and background Influences • Christopher Bruce's interest in varied forms of • Walter Gore: Bruce briefly performed with Walter Gore’s company, London Ballet, in 1963, whilst a student at the Ballet choreography developed early in his career from his own Rambert School in London. Gore was a pupil of Massine and Marie Rambert in the 1930s before becoming one of Ballet exposure to classical, contemporary and popular dance. Rambert’s earliest significant classical choreographers. His influence on Bruce is seen less in classical technique and more in the • Bruce's father who introduced him to dance, believing it abstract presentation of social and psychological realism. This can of course be a characteristic of Rambert Ballet’s ‘house could provide a useful career and would help strengthen style’, post-1966. his legs, damaged by polio. • His early training, at the Benson Stage Academy, • Norman Morrice: As Associate Artistic Director of Ballet Rambert in 1966, Morrice was interested in exploring contemporary Scarborough, included ballet, tap and acrobatic dancing - themes and social comment. He was responsible for the company’s change in direction to a modern dance company as he all elements which have emerged in his choreography. introduced Graham technique to be taught alongside ballet. • At the age of thirteen he attended the Ballet Rambert School and Rambert has provided the most consistent • Glen Tetley: Glen Tetley drew on balletic and Graham vocabulary in his pieces, teaching Bruce that ‘the motive for the umbrella for his work since. movement comes from the centre of the body … from this base we use classical ballet as an extension to give wider range and • After a brief spell with Walter Gore's London Ballet, he variety of movement’. -
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Advances in Social Science, Education and Humanities Research, volume 171 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017) M. I. Glinka’s Opera A Life for the Tzar: a Historical- Archaeological Perspective of Research Yevgeniy Levashev State Institute for Art Studies Moscow, Russia E-mail: [email protected] Nadezhda Teterina State Institute for Art Studies Moscow, Russia E-mail: [email protected] Yelena Shcheboleva State Institute for Art Studies Moscow, Russia E-mail: [email protected] Abstract—The scientific matter, which is associated with (the day of Mikhail Feodorovich Romanov’s coronation at the name of a real historical person, but somewhat the Moscow Kremlin)1 . mythologized folk hero, the peasant Ivan Susanin, has been discussed in many dozens of books and hundreds of articles in When approached superficially, the development of various fields of domestic Humanities. Among them, a action in Glinka’s opera may seem overloaded with blatant significant part of this research is musicology, which is the key contradictions. They were especially visible in the value in the history of Russian music opera masterpiece by sumptuous theatrical productions of the nineteenth century. Mikhail Ivanovich Glinka. The objective of this article consists consequently in an attempt to show how naturally the musical Indeed, the scene of Polish ball, at which a typical figure drama is associated with the creatively comprehended system of Catholic cardinal is present, gives rise to the following of historical facts in the opera “A Life for the Tsar”. perplexing question: how the Polish soldiers, despite the cruel Russian frost, could reach the distant village of Keywords—Opera “A Life for the Tsar”, Ivan Susanin, tsar Domnino without having noticed on their way neither Mikhail Romanov, Russia and Polish-Lithuanian Smolensk, nor Moscow, nor else Yaroslavl’ or Kostroma. -
The State Hermitage Museum Annual Report 2012
THE STATE HERMITAGE MUSEUM ANNUAL REPORT n 2012 CONTENTS General Editor 4 Year of Village and Garden Mikhail Piotrovsky, General Director of the State Hermitage Museum, 6 State Hermitage Museum. General Information Corresponding Member of the Russian Academy of Sciences, 16 Awards Full Member of the Russian Academy of Arts, Professor of St. Petersburg State University, 20 Composition of the Hermitage Collection as of 1 January 2013 Doctor of History 40 Exhibitions 86 Restoration and Conservation 121 Publications EDITORIAL BOARD: 135 Electronic Editions and Video Films Mikhail Piotrovsky, 136 Conferences General Director of the State Hermitage Museum 141 Dissertations Georgy Vilinbakhov, 142 Archaeological Expeditions Deputy Director for Research 158 Major Construction and Restoration of the Buildings Svetlana Adaksina, Deputy Director, Chief Curator 170 Structure of Visits to the State Hermitage in 2012 Marina Antipova, 171 Educational Events Deputy Director for Finance and Planning 180 Special Development Programmes Alexey Bogdanov, Deputy Director for Maintenance 188 International Advisory Board of the State Hermitage Museum Vladimir Matveyev, 190 Guests of the Hermitage Deputy Director for Exhibitions and Development 194 Hermitage Friends Organisations Mikhail Novikov, 204 Hermitage Friends’ Club Deputy Director for Construction 206 Financial Statements of the State Hermitage Museum Mariam Dandamayeva, Academic Secretary 208 Principal Patrons and Sponsors of the State Hermitage Museum in 2012 Yelena Zvyagintseva, 210 Staff Members of -
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, fitness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE Chef Francis Ramirez’ cuisine centers around sourcing quality seasonal ingredients to create delectable dishes combining French techniques with a California flare! TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo Russian Reflections the fourteenth season July 15–August 6, 2016 D AVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 R ussian Reflections Program Overview 6 E ssay: “Natasha’s Dance: The Myth of Exotic Russia” by Orlando Figes 10 Encounters I–III 13 Concert Programs I–VII 43 Carte Blanche Concerts I–IV 58 Chamber Music Institute 60 Prelude Performances 67 Koret Young Performers Concerts 70 Master Classes 71 Café Conversations 72 2016 Visual Artist: Andrei Petrov 73 Music@Menlo LIVE 74 2016–2017 Winter Series 76 Artist and Faculty Biographies A dance lesson in the main hall of the Smolny Institute, St. Petersburg. Russian photographer, twentieth century. Private collection/Calmann and King Ltd./Bridgeman Images 88 Internship Program 90 Glossary 94 Join Music@Menlo 96 Acknowledgments 101 Ticket and Performance Information 103 Map and Directions 104 Calendar www.musicatmenlo.org 1 2016 Season Dedication Music@Menlo’s fourteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible.