Ildar Abdrazakov
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Ildar Abdrazakov Las Versiones Del Demonio
ENTREVISTA Ildar Abdrazakov Las versiones del demonio por Ingrid Haas ldar Abdrazakov es uno de los grandes bajos en la actualidad. A sus 39 años, goza ya de una carrera sólida y llena de éxitos en teatros tan importantes como la Scala de Milán, Iel Metropolitan Opera House de Nueva York, Washington Opera, Los Ángeles Ópera, Royal Opera House de Londres, Opéra Bastille de París, el Teatro Mariinsky, el Liceu de Barcelona, el Real de Madrid, la Ópera de Montecarlo, la Ópera de San Francisco, la Ópera Estatal de Viena y la Ópera Estatal de Baviera, entre otras. La voz de Abdrazakov ha conquistado a los públicos más exigentes y a directores de orquesta de la talla de Riccardo Muti, James Levine, Valery Gergiev, Gianandrea Noseda, Anthony Pappano, Riccardo Chailly y Bertrand de Billy, sólo por nombrar a algunos. “En las tres Con su cavernoso timbre, innegable musicalidad y gallarda versiones de presencia escénica, Abdrazakov ha cantado una amplia gama de Mefistófeles que he roles que van desde Fígaro en Le nozze di Figaro de Mozart, el rol cantado, mi Fausto titular y Leporello en Don Giovanni, Moïse en Moïse et Pharaon, ha sido siempre Assur en Semiramide, Don Basilio en Il Barbiere di Siviglia, las Ramón Vargas” tres de Rossini, Oroveso en Norma de Bellini, Méphistophélès Foto: Sergei Misenko en las versiones de Faust de Gounod y La damnation de Faust de Berlioz, el rol principal de Mefistofelede Boito, los Cuatro Sí, en efecto. Vine a cantar hace unos años a la Ciudad de México: Villanos de Les contes d’Hoffmann, Walter en Luisa Miller así un recital en la Sala Nezahualcóyotl y el Requiem de Verdi en como Oberto y Attila en las óperas homónimas de Verdi, Dosifei en Bellas Artes. -
Marco Boemi Conductor Website
Straussengasse 14 /1 1050 Vienna – Austria Ivan Paley: [email protected] Stefan Astner: [email protected] Marco Boemi Conductor Website: www.viemuc.com Marco Boemi is a conductor and pianist who also graduated law at the Sapienza University of Rome. He performed at the Rome Opera, Teatro alla Scala Milan, The Teatro Regio in Turin, Suntory Hall Tokyo, Bayerische Staatsoper, Wiener Musikverein, Paris Opera Bastille and many other major venues. His extensive symphonic and operatic repertoire includes authors like Verdi, Puccini, Beethoven, Mahler, Wagner, Ravel, Saint-Saëns, Debussy, Rachmaninov, Gershwin and Bernstein. During his, more than 20 years long, career he cooperated with many notable singers, such as Pavarotii, Taddei, Kabaivanska, Netrebko, Obratzova, Gruberova, Borodina, Shicoff, Bruson, Ricciarelli, Burchuladze, Abdrazakov and others and also conducted London Philhamonic Orchestra, all the major Japanese orchestras, World Youth Orchestra, Verdi Orchestra and many others. He gives masterclasses for young pianists, singers and conductors and is considered an expert in Lied music. He has recorded for Decca, TDK, Universal with artist such as Colombara, La Scola, Sabbatini, Armiliato and Dessì. In the year 2013 he conducted Verdi´s “Atilla” for the world opening of the Astana Opera. Later on, a Gala concert with Ildar Abdrazakov at the Royal Opera House Muscat, a Gala concert with Netrebko in Kazan, “La traviata” in Verona, “Il trovatore” in Treviso, “Turandot” in Bogotá, as well as “Don Pasquale” in Helsinki were conducted by Boemi. In April 2016, he has again conducted a Gala concert with © Gianni Netrebko and Eyvazov in Los Angeles. Other highlights of the last seasons include “Aida” in Livorno, Pisa and Rovigo, “Il tabarro / I Pagliacci” in Helsinki, “Nabucco” in Lima and “Porgy and Bess” at the Tatar State Opera in Kazan. -
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Advances in Social Science, Education and Humanities Research, volume 171 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017) M. I. Glinka’s Opera A Life for the Tzar: a Historical- Archaeological Perspective of Research Yevgeniy Levashev State Institute for Art Studies Moscow, Russia E-mail: [email protected] Nadezhda Teterina State Institute for Art Studies Moscow, Russia E-mail: [email protected] Yelena Shcheboleva State Institute for Art Studies Moscow, Russia E-mail: [email protected] Abstract—The scientific matter, which is associated with (the day of Mikhail Feodorovich Romanov’s coronation at the name of a real historical person, but somewhat the Moscow Kremlin)1 . mythologized folk hero, the peasant Ivan Susanin, has been discussed in many dozens of books and hundreds of articles in When approached superficially, the development of various fields of domestic Humanities. Among them, a action in Glinka’s opera may seem overloaded with blatant significant part of this research is musicology, which is the key contradictions. They were especially visible in the value in the history of Russian music opera masterpiece by sumptuous theatrical productions of the nineteenth century. Mikhail Ivanovich Glinka. The objective of this article consists consequently in an attempt to show how naturally the musical Indeed, the scene of Polish ball, at which a typical figure drama is associated with the creatively comprehended system of Catholic cardinal is present, gives rise to the following of historical facts in the opera “A Life for the Tsar”. perplexing question: how the Polish soldiers, despite the cruel Russian frost, could reach the distant village of Keywords—Opera “A Life for the Tsar”, Ivan Susanin, tsar Domnino without having noticed on their way neither Mikhail Romanov, Russia and Polish-Lithuanian Smolensk, nor Moscow, nor else Yaroslavl’ or Kostroma. -
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the Soothing Melody STAY with US
The Fourteenth Season: Russian Reflections July 15–August 6, 2016 David Finckel and Wu Han, Artistic Directors Experience the soothing melody STAY WITH US Spacious modern comfortable rooms, complimentary Wi-Fi, 24-hour room service, fitness room and a large pool. Just two miles from Stanford. BOOK EVENT MEETING SPACE FOR 10 TO 700 GUESTS. CALL TO BOOK YOUR STAY TODAY: 650-857-0787 CABANAPALOALTO.COM DINE IN STYLE Chef Francis Ramirez’ cuisine centers around sourcing quality seasonal ingredients to create delectable dishes combining French techniques with a California flare! TRY OUR CHAMPAGNE SUNDAY BRUNCH RESERVATIONS: 650-628-0145 4290 EL CAMINO REAL PALO ALTO CALIFORNIA 94306 Music@Menlo Russian Reflections the fourteenth season July 15–August 6, 2016 D AVID FINCKEL AND WU HAN, ARTISTIC DIRECTORS Contents 2 Season Dedication 3 A Message from the Artistic Directors 4 Welcome from the Executive Director 4 Board, Administration, and Mission Statement 5 R ussian Reflections Program Overview 6 E ssay: “Natasha’s Dance: The Myth of Exotic Russia” by Orlando Figes 10 Encounters I–III 13 Concert Programs I–VII 43 Carte Blanche Concerts I–IV 58 Chamber Music Institute 60 Prelude Performances 67 Koret Young Performers Concerts 70 Master Classes 71 Café Conversations 72 2016 Visual Artist: Andrei Petrov 73 Music@Menlo LIVE 74 2016–2017 Winter Series 76 Artist and Faculty Biographies A dance lesson in the main hall of the Smolny Institute, St. Petersburg. Russian photographer, twentieth century. Private collection/Calmann and King Ltd./Bridgeman Images 88 Internship Program 90 Glossary 94 Join Music@Menlo 96 Acknowledgments 101 Ticket and Performance Information 103 Map and Directions 104 Calendar www.musicatmenlo.org 1 2016 Season Dedication Music@Menlo’s fourteenth season is dedicated to the following individuals and organizations that share the festival’s vision and whose tremendous support continues to make the realization of Music@Menlo’s mission possible. -
03-10-2018 Semiramide Mat.Indd
GIOACHINO ROSSINI semiramide conductor Opera in two acts Maurizio Benini Libretto by Gaetano Rossi, based on production John Copley the play Sémiramis by Voltaire set designer Saturday, March 10, 2018 John Conklin 1:00–4:40 PM costume designer Michael Stennett lighting designer John Froelich revival stage director The production of Semiramide was Roy Rallo made possible by a generous gift from the Lila Acheson and DeWitt Wallace Fund for Lincoln Center, established by the founders of The Reader’s Digest Association, Inc. The revival of this production is made possible by a gift from Ekkehart Hassels-Weiler general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON The 34th Metropolitan Opera performance of GIOACHINO ROSSINI’S This performance semiramide is being broadcast live over The Toll Brothers– Metropolitan Opera conductor International Radio Maurizio Benini Network, sponsored in order of vocal appearance by Toll Brothers, America’s luxury oroe, high priest of the magi ® homebuilder , with Ryan Speedo Green* generous long-term support from idreno, an indian prince The Annenberg Javier Camarena Foundation, The Neubauer Family assur, a prince Foundation, the Ildar Abdrazakov Vincent A. Stabile Endowment for semir amide, queen of babylon Broadcast Media, Angela Meade and contributions from listeners arsace, commander of the assyrian army worldwide. Elizabeth DeShong There is no Toll Brothers– a zema, a princess Metropolitan Sarah Shafer Opera Quiz in List Hall today. mitr ane, captain of the guard Kang Wang** This performance is also being broadcast ghost of king nino live on Metropolitan Jeremy Galyon Opera Radio on SiriusXM channel 75. -
09-25-2019 Macbeth.Indd
GIUSEPPE VERDI macbeth conductor Opera in four acts Marco Armiliato Libretto by Francesco Maria Piave production Adrian Noble and Andrea Maffei, based on the play by William Shakespeare set and costume designer Mark Thompson Wednesday, September 25, 2019 lighting designer 8:00–11:10 PM Jean Kalman choreographer Sue Lefton First time this season The production of Macbeth was made possible by a generous gift from Mr. and Mrs. Paul M. Montrone Additional funding was received from Mr. and Mrs. William R. Miller; Hermione Foundation, Laura Sloate, Trustee; and The Gilbert S. Kahn & John J. Noffo Kahn Endowment Fund Revival a gift of Rolex general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2019–20 SEASON The 106th Metropolitan Opera performance of GIUSEPPE VERDI’S macbeth conductor Marco Armiliato in order of appearance macbeth fle ance Plácido Domingo Misha Grossman banquo a murderer Ildar Abdrazakov Richard Bernstein l ady macbeth apparitions Anna Netrebko a warrior Christopher Job l ady-in-waiting Sarah Cambidge DEBUT a bloody child Meigui Zhang** a servant DEBUT Bradley Garvin a crowned child duncan Karen Chia-Ling Ho Raymond Renault DEBUT a her ald malcolm Yohan Yi Giuseppe Filianoti This performance is being broadcast a doctor macduff live on Metropolitan Harold Wilson Matthew Polenzani Opera Radio on SiriusXM channel 75. Wednesday, September 25, 2019, 8:00–11:10PM MARTY SOHL / MET OPERA A scene from Chorus Master Donald Palumbo Verdi’s Macbeth Assistants to the Set Designer Colin Falconer and Alex Lowde Assistant to the Costume Designer Mitchell Bloom Musical Preparation John Keenan, Yelena Kurdina, Bradley Moore*, and Jonathan C. -
2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020
2020 Opera Series EBU/USA Broadcast Schedule —Spring/Summer 2020 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Due to the 2020 COVID-19 situation, the WFMT Radio Network will release information in batches as opera broadcasts are confirmed. Please contact [email protected] for more information. PROGRAM #: OS 20-01 RELEASE: May 16, 2020 OPERA: Alceste (in French) COMPOSER: Christoph Willibald Gluck LIBRETTO: Marius-François-Louis Gand Lebland, Bailli Du Roullet after Ranieri de’ Calzabigi VENUE: National Theatre, Munich PRESENTING COMPANY: Bavarian State Opera CAST: Admeto Charles Castronovo Alceste Dorothea Röschmann High Priest of Apollo/Hercules Michael Nagy Evandro Manuel Günther Herald/Apollo Sean Michael Plumb Oracle/Infernal Deity Callum Thorpe ENSEMBLE: Bavarian State Orchestra and Opera Chorus CONDUCTOR: Antonello Manacorda DIRECTOR: Sidi Larbi Cherkaoui Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-02 RELEASE: May 23, 2020 OPERA: Tales of Hoffmann (in French) COMPOSER: Jacques Offenbach LIBRETTO: Juless Babier, Michel Carré VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Hoffmann Dmitry Korchak Olympia/Antonia/Giulietta Olga Peretyatko The Muse/Nicklausse Gaëlle Arquez Councillor Lindorf/Coppélius/ Luca Pisaroni Miracle/ Dapertutto Andrès/Cochenille/Frantz/ Michael Laurenz Pitichinaccio ENSEMBLE: Vienna State Opera Chorus and Orchestra CONDUCTOR: Frédéric Chaslin DIRECTOR: Andrei Serban Approx. Length: 2 hours, 30 minutes PROGRAM #: OS 20-03 RELEASE: May 30, 2020 OPERA: Elektra (in German) COMPOSER: Richard Strauss LIBRETTO: Hugo von Hofmannsthal VENUE: Vienna State Opera PRESENTING COMPANY : Vienna State Opera CAST: Klytaemnestra Waltraud Meier Elektra Christine Goerke Chrysothemis Simone Schneider Aegisth Norbert Ernst Orest Michael Volle ENSEMBLE: Vienna State Opera Orchestra CONDUCTOR: Semyon Bychkov DIRECTOR: Uwe Eric Laufenberg Approx. -
Lucia Di Lammermoor GAETANO DONIZETTI MARCH 3 – 11, 2012
O p e r a B o x Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .9 Reference/Tracking Guide . .10 Lesson Plans . .12 Synopsis and Musical Excerpts . .44 Flow Charts . .49 Gaetano Donizetti – a biography .............................56 Catalogue of Donizetti’s Operas . .58 Background Notes . .64 Salvadore Cammarano and the Romantic Libretto . .67 World Events in 1835 ....................................73 2011–2012 SEASON History of Opera ........................................76 History of Minnesota Opera, Repertoire . .87 così fan tutte WOLFGANG AMADEUS MOZART The Standard Repertory ...................................91 SEPTEMBER 25 –OCTOBER 2, 2011 Elements of Opera .......................................92 Glossary of Opera Terms ..................................96 silent night KEVIN PUTS Glossary of Musical Terms . .101 NOVEMBER 12 – 20, 2011 Bibliography, Discography, Videography . .105 werther Evaluation . .108 JULES MASSENET JANUARY 28 –FEBRUARY 5, 2012 Acknowledgements . .109 lucia di lammermoor GAETANO DONIZETTI MARCH 3 – 11, 2012 madame butterfly mnopera.org GIACOMO PUCCINI APRIL 14 – 22, 2012 FOR SEASON TICKETS, CALL 612.333.6669 620 North First Street, Minneapolis, MN 55401 Kevin Ramach, PRESIDENT AND GENERAL DIRECTOR Dale Johnson, ARTISTIC DIRECTOR Dear Educator, Thank you for using a Minnesota Opera Opera Box. This collection of material has been designed to help any educator to teach students about the beauty of opera. This collection of material includes audio and video recordings, scores, reference books and a Teacher’s Guide. The Teacher’s Guide includes Lesson Plans that have been designed around the materials found in the box and other easily obtained items. In addition, Lesson Plans have been aligned with State and National Standards. -
Women in Nineteenth-Century Russia: Lives and Culture
To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/98 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. Wendy Rosslyn is Emeritus Professor of Russian Literature at the University of Nottingham, UK. Her research on Russian women includes Anna Bunina (1774-1829) and the Origins of Women’s Poetry in Russia (1997), Feats of Agreeable Usefulness: Translations by Russian Women Writers 1763- 1825 (2000) and Deeds not Words: The Origins of Female Philantropy in the Russian Empire (2007). Alessandra Tosi is a Fellow at Clare Hall, Cambridge. Her publications include Waiting for Pushkin: Russian Fiction in the Reign of Alexander I (1801-1825) (2006), A. M. Belozel’skii-Belozerskii i ego filosofskoe nasledie (with T. V. Artem’eva et al.) and Women in Russian Culture and Society, 1700-1825 (2007), edited with Wendy Rosslyn. Women in Nineteenth-Century Russia: Lives and Culture Edited by Wendy Rosslyn and Alessandra Tosi Open Book Publishers CIC Ltd., 40 Devonshire Road, Cambridge, CB1 2BL, United Kingdom http://www.openbookpublishers.com © 2012 Wendy Rosslyn and Alessandra Tosi Some rights are reserved. This book is made available under the Creative Commons Attribution-Non-Commercial-No Derivative Works 2.0 UK: England & Wales License. This license allows for copying any part of the work for personal and non-commercial -
Opera Productions Old and New 6. Two Views of Verdi: Aïda /Attila
was halted by a combination of famine and delaying tactics by the Roman army, though Church tradition assigns most of the credit to Opera Pope Leo I, who met with the invader near Mantua and persuaded him into a treaty. The subject had a political resonance for Verdi’s Productions contemporaries as Northern Italy was then under the rule of Austria. But it has less resonance us today. The Huns left little or no art or Old and New achitecture, making it hard for us to imagine their world, and our knowledge of the Roman empire is mostly of an earlier period. La Scala opened its 2018–19 season with a new production of Attila by Davide Livermore that looks to our own time for relevance: to all those news photos (and in some cases memories) of wartime destruction and occupation from WW2 to Yugoslavia. It is not a consistent approach, as we shall see, but it is never less than interesting. Verdi: Attila.La Scala, Milan, 2018. Saioa Hernández (Odabella), Fabio Sartori (Foresto), George Petean (Ezio), Ildar Abdrazakov (Attila), Gianluca Buratto (Leone); c. Riccardo Chailly; d. Davide Livermore; des. Giò Forma . After a glimpse of a more conventional staging from St. Petersburg, we shall look at two substantial scenes from La Scala, plus some shorter excerpts. The first is the Prologue. Attila has just conquered the city of Aquileia and is surprised that some female inhabitants have been left alive. The resistance fighter Odabella pours scorn on the Huns who leave their women quietly at home. Her attitude intrigues Attila. -
Classical New York 2.0 Published on Iitaly.Org (
Classical New York 2.0 Published on iItaly.org (http://www.iitaly.org) Classical New York 2.0 Julian Sachs (November 01, 2010) For our first piece of this season, the ups and downs of the first month of operas at the Met. Plus, what we can look forward to in November. On September 27 the 2010-2011 Metropolitan Opera [2] season began with a new production of Richard Wagner’s Das Rheingold. The following night the Teutonic fogs were dispelled by the reprise of last season’s production of Offenbach’s Les Contes d’Hoffmann. Twenty-one hours later the audience was present for Verdi’s Rigoletto. Less than two weeks went by and a new production of Mussorgsky’s Boris Godunov premiered, followed five days later by Zeffirelli’s immortal production of Puccini’s La Bohème. Such a contrasting and multi-flavored operatic feast is enough to give any critic indigestion, so what follows is a few glimpses at the ups and downs of these five productions of early 2010. UP: James Levine, the singers, and his orchestra, Das Rheingold. Page 1 of 4 Classical New York 2.0 Published on iItaly.org (http://www.iitaly.org) This season is in his honor, because it marks the 40th anniversary of his Met debut, and 35th from his appointment as Music Director. Under his guide the orchestra always sounds better, and the general improvement in quality over the years has been felt by every assiduous Met-goer, resulting in the Met orchestra becoming arguably the best opera-house orchestra in the world. -
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554844 bk Grishko2 EC 5|12|02 3:29 PM Page 20 Nikolay Andreyevich Rimsky-Korsakov Mikhail Ivanovich Glinka DDD (1844-1908) (1804-1857) Sadko Ruslan and Lyudmila Russian Opera Arias 8.554844 1 Introduction 2:24 9 Bayan’s song 4:22 2 Sadko’s Melismatic Song 3:47 There is a deserted land Ah, you dark oak grove! A Life for the Tsar Sadko • Prince Igor • Rusalka • A Life for the Tsar 0 Krakowiak 7:02 Pyotr Il’yich Tchaikovsky ! Sobinin’s aria 6:03 Vladimir Grishko, Tenor (1840-1893) Brothers. Into the snow storm! The Slippers 3 Danse des cosaques 3:20 Nikolay Andreyevich Rimsky-Korsakov 4 Vakula’s aria 2:51 (1844-1908) Does your heart not hear my terrible grief? The Tsar’s Bride @ Lïkov’s Arioso (Act I) 2:54 Sergey Rachmaninov It is all different (1873-1943) # Lïkov’s Arioso (Act III) 2:47 Aleko The thundercloud has scurried past 5 Men’s dance 4:31 6 The young gypsy’s romance 1:25 Pyotr Il’yich Tchaikovsky See, beneath yon firmament (1840-1893) The Maid of Orleans Alexander Sergeyevich Dargomïzhsky $ Entr’acte (Act II) 3:16 (1813-1869) Iolanta Rusalka % Vaudémont’s Romance 3:41 7 Prince’s cavatina (Act III) 5:44 No! The charm of a feisty beauty’s embraces Involuntarily I am drawn 8 Gypsy dance 2:58 Alexander Porfir’yevich Borodin (1833-1887) Prince Igor ^ Polovtsian March 5:04 & Vladimir’s Aria 5:34 Slowly the day was fading 8.554844 20 554844 bk Grishko2 EC 5|12|02 3:29 PM Page 2 Vladimir Grishko Zhdyosh’ li? wafting dreams of love, Russian Opera Arias, Vol.