NOTES on the CYNEGETICA of Ps. OPPIAN
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1 Reading Athenaios' Epigraphical Hymn to Apollo: Critical Edition And
Reading Athenaios’ Epigraphical Hymn to Apollo: Critical Edition and Commentaries DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Corey M. Hackworth Graduate Program in Greek and Latin The Ohio State University 2015 Dissertation Committee: Fritz Graf, Advisor Benjamin Acosta-Hughes Carolina López-Ruiz 1 Copyright by Corey M. Hackworth 2015 2 Abstract This dissertation is a study of the Epigraphical Hymn to Apollo that was found at Delphi in 1893, and since attributed to Athenaios. It is believed to have been performed as part of the Athenian Pythaïdes festival in the year 128/7 BCE. After a brief introduction to the hymn, I provide a survey and history of the most important editions of the text. I offer a new critical edition equipped with a detailed apparatus. This is followed by an extended epigraphical commentary which aims to describe the history of, and arguments for and and against, readings of the text as well as proposed supplements and restorations. The guiding principle of this edition is a conservative one—to indicate where there is uncertainty, and to avoid relying on other, similar, texts as a resource for textual restoration. A commentary follows, which traces word usage and history, in an attempt to explore how an audience might have responded to the various choices of vocabulary employed throughout the text. Emphasis is placed on Athenaios’ predilection to utilize new words, as well as words that are non-traditional for Apolline narrative. The commentary considers what role prior word usage (texts) may have played as intertexts, or sources of poetic resonance in the ears of an audience. -
The Ancient Reception of Euripides' Bacchae from Athens to Byzantium
Simon Perris and Fiachra Mac Góráin The ancient reception of Euripides’ Bacchae from Athens to Byzantium Abstract: This chapter offers a reception history of Euripides’ Bacchae from its original production until its intertextual transformation in the Byzantine Christus Patiens. It traces a broad arc from Classical Athens through the Roman Empire, taking in also Hellenistic Alexandria, the Greek-speaking East, Christianity, and Byzantine literature. By examining the cultural contexts and inflections of the different receptions of one poetic text – Greek, Roman and Italian, ‘Eastern’, and Christian – it exposes distinctions between religious or cultural attitudes to Bac- chus/Dionysus across a broad range of Greek and Latin sources. The discussion is divided into four thematic sections, within which receptions are mostly pre- sented in chronological order: Classic Bacchae; Performances; Narratives; and Christian discourse. These sections encompass drama, epic, didactic, epyllion, historiography, biography, epigram, scholarly citations, and theological texts. A selection of the most significant case studies receive in-depth discussion in the body of the chapter; for completeness, the reception history of Bacchae is filled out by listing additional receptions in summary form in an appendix. Introduction Euripides’ Bacchae was undoubtedly the single most influential literary text for constructions of Dionysus throughout Greco-Roman antiquity. In this chapter, we examine how receptions of the play across the spectrum of Greek and Roman literature act as a barometer for cultural attitudes to Dionysus. Many of the most significant and revealing receptions occur in Latin texts or in Greek texts that deal with Roman subjects, whether Plutarch’s Antony, Greek epigrams about Italian pantomime performances, or Christian writings polemicizing against Greek and Roman cults. -
Callimachus and Callimacheanism in the Poetry of Gregory of Nazianzus
THE CATHOLIC UNIVERSITY OF AMERICA Callimachus and Callimacheanism in the Poetry of Gregory of Nazianzus A DISSERTATION Submitted to the Faculty of the Department of Greek and Latin School of Arts and Sciences Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Philosophy © Copyright All Rights Reserved By Matthew Alexander Theris Poulos Washington, D.C. 2019 Callimachus and Callimacheanism in the Poetry of Gregory of Nazianzus Matthew Alexander Theris Poulos, PhD Director: William McCarthy, PhD In this study, I analyze the poetics of Gregory of Nazianzus (ca. 330–390 AD), who was one of the first Christian poets writing in Greek to leave an extensive corpus of poetry (about 17,000 lines). Gregory work is striking not only for its breadth but also for its wide variety of themes and metrical schemes. As my focal point, I have chosen Gregory’s reception and adaptation of the poetry and poetics of Callimachus of Cyrene (ca. 290–230 BC). Callimachus was the first poet in the western tradition to enunciate an aesthetic and came to typify for subsequent authors an approach to poetry that privileged finely-wrought, compressed, and erudite compositions. I argue that for Gregory, Callimachus’ works are more than simply one more source to exploit for nice turns of phrase; rather, Callimachus pervasively shapes Gregory’s entire approach to poetic composition. This is seen not only in Gregory’s allusions to Callimachean works, which are numerous and occur quite frequently in programmatic contexts, but also in features of Gregory’s work like poikilia (variety) and a strong authorial persona that have their best precedent in Callimachus’ variegated oeuvre. -
About Rivers and Mountains and Things Found in Them Pp
PSEUDO-PLUTARCH ABOUT RIVERS AND MOUNTAINS AND THINGS FOUND IN THEM Translated by Thomas M. Banchich With Sarah Brill, Emilyn Haremza, Dustin Hummel, and Ryan Post Canisius College Translated Texts, Number 4 Canisius College, Buffalo, New York 2010 i CONTENTS Acknowledgements p. ii Introduction pp. iii-v Pseudo-Plutarch, About Rivers and Mountains and Things Found in Them pp. 1-24 Indices pp. 24-32 Canisius College Translated Texts p. 33 i ACKNOWLEDGEMENTS The cover image is Jean-Antoine Gros’s 1801 painting “Sappho at Leucate,” now at the Musée Baron Gérard, Bayeux (http://www.all-art.org/neoclasscism/gros1.html, accessed June 10, 2010). Though Pseudo-Plutarch has men alone, not women (who choose the noose), fling themselves from precipices, the despair that supposedly drove Sappho to leap to her death from Mt. Leucate is a leitmotif of About Rivers and Mountains and Things Found in Them. Thanks are due to Andrew Banchich and Christopher Filkins for their assistance with a range of technical matters and to Ryan Post, who read and commented on drafts of the translation. ii INTRODUCTION In the spring of 2007, I suggested to four students—Sarah Brill, Emilyn Haremza, Dustin Hummel, and Ryan Post—the preparation of an English translation of ΠΕΡΙ ΠΟΤΑΜΩΝ ΚΑΙ ΟΡΩΝ ΕΠΩΝΥΜΙΑΣ ΚΑΙ ΤΩΝ ΕΝ ΑΥΤΟΙΣ ΕΥΡΙΣΚΟΜΕΝΩΝ, better known, when known at all, by its abbreviated Latin title, De fluviis, About Rivers. Their resultant rough version of a portion of About Rivers, in turn, provided the impetus for the translation presented here. However, while the students worked from Estéban Calderón Dorda’s text in the Corpus Plutarchi Moralium series, for reasons of copyright, I have employed what was the standard edition prior to Dorda’s, that of Rudolph Hercher.1 Only the ninth-century codex Palatinus gr. -
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Science and Poetry in Imperial Rome: Manilius, Lucan, and the Aetna Patrick Glauthier Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Patrick Glauthier All rights reserved ABSTRACT Science and Poetry in Imperial Rome: Manilius, Lucan, and the Aetna Patrick Glauthier This dissertation examines the relationship between scientific inquiry and hexameter poetry at Rome in the first century CE. It focuses on three poetic texts: Manilius’ Astronomica, Lucan’s Civil War, and the anonymous Aetna. It argues that despite generic and thematic differences, these works participate in a common dialogue and therefore can benefit from being read side by side. In particular, the dissertation demonstrates that all three authors reflect on the ability of poetry to communicate scientific knowledge, and that they simultaneously question or undermine the practical value of that knowledge. As a result, it allows us to see that scientific inquiry itself constitutes a dynamic and multifaceted area of creative literary activity in Early Imperial Rome. Table of Contents Acknowledgements iii 1. Introduction 1 1.1 Structure and Contents 4 1.2 The Argument and its Context 8 2. Manilius and the Mathematics of the mundus 22 2.1 Mathematics and the Greco-Roman Literary Tradition 26 2.2 Complexity, Order, and Mathematical Knowledge 43 2.3 Addition, Enumeration, and the Supremacy of Mathematical Astrology 67 3. Science and Poetry in the Aetna 87 3.1 The Rejection of the Literary Tradition 89 3.2 Scientific Inquiry and the Marvelous Mountain 100 3.3 Reinventing the Aetna Topos 116 4. -
The Dog in Roman Peasant Life
University of Pennsylvania ScholarlyCommons Anthropology Senior Theses Department of Anthropology Spring 2013 The Dog in Roman Peasant Life Kyle deSandes-Moyer University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/anthro_seniortheses Part of the Anthropology Commons Recommended Citation deSandes-Moyer, Kyle, "The Dog in Roman Peasant Life" (2013). Anthropology Senior Theses. Paper 148. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_seniortheses/148 For more information, please contact [email protected]. The Dog in Roman Peasant Life Abstract Dogs have been a part of civilization for thousands of years and have maintained one of the closest animal relationships with humans that exist today. The following research seeks to understand this connection during antiquity. This study answers the question of what roles the dog filled during antiquity and uses a case study focused on Roman peasant life. In order to answer the question of what role dogs had in antiquity, this study makes use of several different types of material, including a zooarchaeological assemblage from a Roman site in Tuscany, Italy. This original material comes from work on the Roman Peasant Project (University of Pennsylvania, Università di Grosseto, Cambridge University) which is the first project aimed at understanding the experience of the peasantry in the Roman period. One of these sites produced the dog remains which were studied through zooarchaeological analysis to better understand the relationship that existed between the peasant occupants and the dogs. In order to fully understand the context these dogs existed in, research was conducted regarding other archaeological evidence of dogs in antiquity. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Monumental Villa at Palazzi di Casignana and the Roman Elite in Calabria (Italy) during the Fourth Century AD Permalink https://escholarship.org/uc/item/2jf6g36f Author Bruni, Maria Gabriella Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Monumental Villa at Palazzi di Casignana and the Roman Elite in Calabria (Italy) during the Fourth Century AD. by Maria Gabriella Bruni A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Classical Archaeology in the GRADUATE DIVISION of the UNIVERSITY OF CALIFORNIA Committee in Charge Professor Christopher H. Hallett, Chair Professor Ronald S. Stroud Professor Anthony W. Bulloch Professor Carlos F. Noreña Fall 2009 The Monumental Villa at Palazzi di Casignana and the Roman Elite in Calabria (Italy) during the Fourth Century AD. Copyright 2009 Maria Gabriella Bruni Dedication To my parents, Ken and my children. i AKNOWLEDGMENTS I am extremely grateful to my advisor Professor Christopher H. Hallett and to the other members of my dissertation committee. Their excellent guidance and encouragement during the major developments of this dissertation, and the whole course of my graduate studies, were crucial and precious. I am also thankful to the Superintendence of the Archaeological Treasures of Reggio Calabria for granting me access to the site of the Villa at Palazzi di Casignana and its archaeological archives. A heartfelt thank you to the Superintendent of Locri Claudio Sabbione and to Eleonora Grillo who have introduced me to the villa and guided me through its marvelous structures. -
The Date of the Bucolic Poet Martius Valerius
Edinburgh Research Explorer The date of the bucolic poet Martius Valerius Citation for published version: Stover, J 2017, 'The date of the bucolic poet Martius Valerius', Journal of Roman Studies, vol. 107, pp. 301- 335. https://doi.org/10.1017/S0075435817000806 Digital Object Identifier (DOI): 10.1017/S0075435817000806 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Journal of Roman Studies Publisher Rights Statement: This article has been published in a revised form in The Journal of Roman Studies, https://doi.org/10.1017/S0075435817000806. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. © The Author 2017. Published by The Society for the Promotion of Roman Studies. General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 THE DATE OF THE BUCOLIC POET MARTIUS VALERIUS ergo, parve liber, patres i posce benignos affectumque probent iudiciumque tegant. Martius Valerius, prologus 21-2 I ‘AN AS-YET ENTIRELY UNKNOWN WORK OF ANTIQUITY IN LATIN VERSE’ ? Bucolic poetry is hard to date. -
Statue of Silenus Holding a Kantharos Greece, 1St-2Nd Century AD Marble 40 X 32 X 35 Cm FGA-ARCH-GR-0134
© Courtesy Galerie David Ghezelbash Archéologie. Photographer: Vincent Girier-Dufournier Statue of Silenus holding a kantharos Greece, 1st-2nd century AD Marble 40 x 32 x 35 cm FGA-ARCH-GR-0134 Provenance Former collection Thomas Herbert, count of Pembroke, 1656-1733, Wilton House, Wiltshire, Great Britain Then collection Sidney Charles, count of Pembroke, 1906-1969, Wilton House, through inheritance Then sale Christie's, London, 28 April 1964, lot no. 82 Then collection James Elmo Williams (1913-2015), Brookings, Oregon Then private collection Then sale Sotheby’s London, July 2019, lot no. 235 Then Galerie David Ghezelbash Archéologie, Paris Acquired at the galerie David Ghezelbash Archéologie, Paris, 26 November 2019. Former publications Richard COWDRY, A description of the pictures, statues, busto’s, basso-relievo’s, and other curiosities at the Earl of Pembroke’s house at Wilton, London, 1751, p. 31. James KENNEDY, A description of the antiquities and curiosities in Wilton House, Salisbury, 1758, p. 36 George RICHARDSON, Aedes Pembrochianae, London, 1774, p. 34. Comte DE CLARAC, Musée de sculpture antique et moderne, IV, Paris, 1850, p. 277, n° 1755d, pl. 730a. Salomon REINACH, Répertoire de la statuaire grecque et romaine, I, Paris, 1897, p. 419, no. 3. Adolf MICHAELIS, Ancient Marbles in Great Britain, Cambridge, 1882, p. 686, no. 62. Giorgos DONTAS, « Anaskaphē oikopedou Angelopoulou », Archaiologikon Deltion, 17 A (1961/62), p. 94. Simone BESQUES, « La représentation du Silène au canthare », Revue archéologique, 1982/2 (Hommage à Henri Metzger), p. 263-272, Presses Universitaires de France. Luca DI FRANCO, Capreensia disiecta membra. Augusto a Capri e la villa di Palazzo a Mare, Rome, Scienze e Lettere, 2015, p. -
Matthew W. Dickie, Magic and Magicians in the Greco-Roman World
MAGIC AND MAGICIANS IN THE GRECO- ROMAN WORLD This absorbing work assembles an extraordinary range of evidence for the existence of sorcerers and sorceresses in the ancient world, and addresses the question of their identities and social origins. From Greece in the fifth century BC, through Rome and Italy, to the Christian Roman Empire as far as the late seventh century AD, Professor Dickie shows the development of the concept of magic and the social and legal constraints placed on those seen as magicians. The book provides a fascinating insight into the inaccessible margins of Greco- Roman life, exploring a world of wandering holy men and women, conjurors and wonder-workers, prostitutes, procuresses, charioteers and theatrical performers. Compelling for its clarity and detail, this study is an indispensable resource for the study of ancient magic and society. Matthew W.Dickie teaches at the University of Illinois at Chicago. He has written on envy and the Evil Eye, on the learned magician, on ancient erotic magic, and on the interpretation of ancient magical texts. MAGIC AND MAGICIANS IN THE GRECO-ROMAN WORLD Matthew W.Dickie LONDON AND NEW YORK First published in hardback 2001 by Routledge First published in paperback 2003 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” © 2001, 2003 Matthew W.Dickie All rights reserved. -
The Life and Times of Calpurnius Siculus Author(S): Edward Champlin Source: the Journal of Roman Studies, Vol
The Life and Times of Calpurnius Siculus Author(s): Edward Champlin Source: The Journal of Roman Studies, Vol. 68 (1978), pp. 95-110 Published by: Society for the Promotion of Roman Studies Stable URL: http://www.jstor.org/stable/299629 Accessed: 23/03/2010 20:02 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=sprs. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Society for the Promotion of Roman Studies is collaborating with JSTOR to digitize, preserve and extend access to The Journal of Roman Studies. http://www.jstor.org THE LIFE AND TIMES OF CALPURNIUS SICULUS By EDWARD CHAMPLIN I. -
6 X 10.5 Long Title.P65
Cambridge University Press 978-0-521-85158-9 — Roman Religion and the Cult of Diana at Aricia C. M. C. Green Table of Contents More Information CONTENTS List of Maps and Figures page xi Preface xiii Acknowledgments xxiii Abbreviations xxvii part i grove and goddess 1. The Sanctuary of Diana at Aricia to the Augustan Age 3 The Approach 3 The Site 7 From the Archaic Age to ca. 300 b.c.e. 10 The Transformation of the Sanctuary 14 The Wealth and Finances of the Sanctuary 19 The Sanctuary through the Late Republic 23 The End of the Republic and the Politicization of the Sanctuary 26 2. The Sanctuary in the Augustan Age 34 Octavian’s “Arician Mother” 34 Apollo and Diana, Rome and Aricia 40 Octavian and the Bones of Orestes 41 The Sanctuary in Augustan Literature 48 Grattius and the Sacrifice 49 3. The Sanctuary in the Empire 55 The Century after Augustus 55 Statius and the Ides of August 60 vii © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-85158-9 — Roman Religion and the Cult of Diana at Aricia C. M. C. Green Table of Contents More Information CONTENTS From Trajan to the Third Century 63 The Closing of the Sanctuary 67 4. Diana: Her Name and Her Appearance 71 The Linguistic Evidence 71 Representations of Diana in the Sanctuary 75 Cult Statues 77 Diana as an Artemis Figure 80 Negotiation of Image and Symbol 82 The Nature of Transformation 85 5. The Grove, the Goddess, and the History of Early Latium 87 The Latin People and Diana 87 The Cato Fragment 88 Sacred Disarmament in the Forest 89 Turnus Herdonius and Tarquinius Superbus 90 The Dictator Latinus 94 Lex Arae Dianae in Aventino 95 Servius Tullius and the Aventine Cult of Diana 97 The Aftermath of the Foundation of the Aventine Cult 102 The Failure of Servius’ Federal Cult 104 The Ides of August in Rome and Aricia 105 The Cato Inscription and the Politics of the Cult of Diana 108 Latin Diana in the Archaic Period: A Summary 109 6.