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Forum Kunst Des Mittelalters M Edi Eva L Art Hildesheim M 16.–19 FORUM KUNST DES MITTELALTERS M EDI EVA L ART HILDESHEIM m 16.–19. SEPTEMBER 2015 veranstaltet vom Deutschen Verein für Kunstwissenschaft e.V. in Kooperation mit Deutscher Verein für Kunstwissenschaft e.V. dem Hornemann Institut der HAWK und dem Dommuseum Hildesheim www.mittelalterkongress.de www.mittelalterkongress.de FORUM FORUM KUNST DES MITTELALTERS KUNST DES MITTELALTERS M E DI E VA L ART M E DI E VA L ART Willkommen beim III. Forum Kunst des Mittelalter in Hildesheim Mitveranstalter Nach den Foren in Halberstadt (2011) und Freiburg/Breisgau (2013), die vor allem dem 13. bzw. dem 14. und 15. Jahrhundert gewidmet waren, wird dieser Kongress wegen des Hildesheimer Stadt- und Bistumsjubiläums die im europäischen Maßstab herausragende Blütezeit Hildesheims von der Gründung bis 1250 thematisieren und zu weiteren Erkenntnissen führen. Außerdem bietet er eine hervorragende Möglichkeit, die sanierte Michaeliskirche, den 2014 neu geweihten Dom und das neue Dommuseum zu besichtigen. Bei dem Forum handelt es sich um einen internationalen, öffentlichen Mittelalterkongress des Deutschen Vereins für Kunstwissenschaft e.V., der – jeweils in Kooperation mit örtlichen wissenschaftlichen Institutionen – alle zwei Jahre in anderen Städten stattfindet. Unser Ziel ist es, Wissenschaftler/innen zu einer nachhaltigen intensiven Auseinandersetzung mit Förderer der europäischen Kunst dieser Zeit zu animieren und diese Kenntnisse dann weltweit zu verbreiten. Es freut uns sehr, dass wir immer mehr KollegInnen aus benachbarten Fächern, wie bspw. aus der Geschichtswissenschaft oder der Denkmalpflege anziehen. In diesem Jahr können wir die historisch sehr enge Verbindung von Kunstgeschichte und Restaurierung verstärkt in den Blickpunkt rücken. Insgesamt werden 19 Sektionen stattfinden mehr als 100 WissenschafterInnen ihre neuen Erkenntnisse oder Thesen vortragen. Die Abstracts zu den Vorträgen werden auf der Website des Hornemann Instituts archiviert und langfristig bereitgehalten: www.hornemann- institut.de/german/Forum_Kunst_des_Mittelalters.php Kooperationspartner Wir wünschen Ihnen allen neue Erkenntnisse, neue Bekanntschaften und viele fruchtbaren Diskussionen und Gespräche! Viele haben mitgeholfen, diese Veranstaltung zum Erfolg zu führen: Wir bedanken uns in erster Linie bei unseren ReferentInnen. Außerdem gehört unser Dank dem wissenschaftlichen Komitee, das die Sektionen aussuchte, bei unseren Gastgebern, der HAWK Hochschule für angewandte Wissenschaft und Kunst Hildesheim/Holzminden/Göttingen, der ev.-luth. Kirchengemeinde St. Michaelis, dem Dommuseum und der Dombibliothek sowie bei unseren Sponsoren und Unterstützern: dem Niedersächsischen Ministerium für Wissenschaft und Kultur, der Kulturstiftung der Länder, dem Geisteswissenschaftlichen Zentrum Geschichte und Kultur Ostmitteleuropas veranstaltet vom Deutschen Verein für Kunstwissenschaft e. V. GWZO, der Hildesheimer Friedrich Weinhagen Stiftung, der Abegg-Stiftung, dem International Center of Medieval Art, New York. Danken möchten wir auch den vielen Köpfen und Händen im organisiert durch: Wolfgang Augustyn (München), Jiří Fajt (Berlin/Leipzig), Rainer Kahsnitz (Berlin), Thomas Labusiak (Halberstadt/ Quedlinburg), Gerhard Lutz (Hildesheim), Jörg Richter (Bern), Marc Carel Schurr (Straßburg), Harald Wolter-von dem Knesebeck (Bonn) Hintergrund, die Benjamin Bühring bei dieser gelungenen Tagungsorganisation unterstützten. Tagungsbüro: Benjamin Bühring (Göttingen/Hildesheim) Bildnachweis: Titelbild: Dommuseum Hildesheim (Ansgar Hoffmann); Rückseite: Ev.-luth. Kirchengemeinde St. Michaelis (Jens Kotlenga) September 2015 Wolfgang Augustyn Gerhard Lutz Angela Weyer Deutscher Verein für Kunstwissenschaft Dommuseum Hildeshim Hornemann Institut der HAWK 1 FORUM FORUM KUNST DES MITTELALTERS KUNST DES MITTELALTERS M E DI E VA L ART M E DI E VA L ART Welcome to the 3rd Forum Medieval Art in Hildesheim Inhaltsverzeichnis Mittwoch, 16. September 2015 After the conferences in Halberstadt (2011) and Freiburg / Breisgau (2013), which were dedicated Neue Forschungen zu Bischofssitzen und Klöstern in Ostmitteleuropa 10.–13. Jahrhundert 4 to the 13th and the 14th-15th centuries, this congress is focused on the earlier middle ages until 1250 covering the golden age of Hildesheim as a center of artistic production on a European scale, Schmuck zwischen Früh- und Spätmittelalter: kostbare Dinge – Medien des Blicks und der Berührung 7 corresponding to the 1200 year anniversary of the diocese and city of Hildesheim. It also provides Objekt und Kontext 9 an excellent opportunity to visit the recently renovated St. Michael's Church and St. Mary’s cathedral as well as the cathedral museum which reopened in April 2015. Bischöfe im Hohen Mittelalter – Mittler, Auftraggeber, Heilige 11 The Forum Medieval Art is a biannual series of international conferences of the Deutscher Verein Neue Forschungen zur liturgischen Gewandung bis zum 12. Jahrhundert 13 für Kunstwissenschaft e.V. which takes place in different cities, in cooperation with local academic institutions. Abendveranstaltung 14 Our intention is to encourage scholars to engage in a sustainable and intensive involvement with Donnerstag, 17. September 2015 Medieval European art, and to disseminate this knowledge worldwide. We are very pleased that the Forum has been attracting increasing numbers of colleagues from neighboring disciplines, such as HAS VALVAS FVSILES – 1000 Jahre Bernwardtür 15 history and preservation of monuments. This year, the historically close relationship between art Ornament zwischen Ästhetik und Funktion. Ein neuer Blick auf frühmittelalterliche Handschriften 18 history and conservation is a special topic within the conference. A total of 19 sessions will take place with more than 100 scholars presenting their new insights and results. The abstracts of the Karolingische Kunst und die Suche nach Authentizität / Carolingian Art and the Quest for Authenticity 19 presentations will be archived and made available on the website of the Hornemann Institute: Reliquienschreine im 12. und 21. Jahrhundert – Herausforderung an die interdisziplinäre Forschung 22 www.hornemann-institut.de/german/Forum_Kunst_des_Mittelalters.php We wish you all valuable insights, new acquaintances and many inspiring discussions! Ursprünge. Herkunftsnarrative zu Objekten, Materialien und Techniken in Früh- und Hochmittelalter 25 Many have helped to lead this event to become a success: We would like to thank first and foremost Abendveranstaltung 26 our session organizers and speakers. Also, we are greatful to the board members, who chose the Freitag, 18. September 2015 sessions, our hosts, the HAWK University of Applied Sciences and Arts Hildesheim / Holzminden / Göttingen, the Lutheran Church of St. Michael’s, the Dommuseum and the Dombibliothek as well Neue Forschungen zur früh- und hochmittelalterlichen Architektur in Italien / Nuove ricerche as our sponsors and supporters: the Niedersächsisches Ministerium für Wissenschaft und Kultur, the sull’architettura dell‘alto e basso medioevo in Italia 27 Kulturstiftung der Länder, the Geisteswissenschaftliches Zentrum Geschichte und Kultur Um 1200. Die Rolle Hildesheims in einer Zeit „europäischer Globalisierung“ 31 Ostmitteleuropas GWZO, the Friedrich Weinhagen Stiftung Hildesheim, the Abegg Stiftung, and the International Center of Medieval Art, New York. We also wish to thank the many hands in the Sakraltopographien 34 background that helped Benjamin Bühring with this successful conference organization. Stets im Bild – der Beitrag der Epigrafik zur Datierung mittelalterlicher Kunst 37 Neue Forschungen zum Bamberger Dom und seiner Ausstattung vom 11. bis zum 13. Jahrhundert 38 Europäisches und mediterranes Mittelalter: Handel, Mobilität und kulturelle Horizonte 600–1200 41 Wandmalerei des hohen Mittelalters: Kunstgeschichte und Restaurierung 42 September 2015 Mobilität, Transfer und Austausch in der Kunst 47 Wolfgang Augustyn Gerhard Lutz Angela Weyer Stifter und Memoria von den Brunonen zu den Welfen 49 Deutscher Verein für Kunstwissenschaft Dommuseum Hildeshim Hornemann Institut der HAWK 2 3 FORUM FORUM KUNST DES MITTELALTERS KUNST DES MITTELALTERS M E DI E VA L ART M E DI E VA L ART Mittwoch, d. 16. September 2015 Jana Mařiková-Kubková Ecclesia Sancti Viti, Wenceslai, Adalberti et Sanctae Mariae et monasterium ecclesiae pragensis: A Neue Forschungen zu Bischofssitzen und Klöstern in Ostmitteleuropa 10.–13. Reconstruction of the Building Phases and Liturgical Topography of the Cathedral and the Chapter Area The Romanesque Basilica of St Vitus at Prague Castle was erected in the second half of the 11th century; the area with the chapter Jahrhundert house, chapels, hallways and dwellings developed in its surroundings within the next two centuries. In recent years this area was Leitung: Jiří Fajt und Markus Hörsch subject to interdisciplinary research combining building history, archaeology, liturgy, musicology, and archivistics. The elementary revision of the preserved remains was followed by a new geodetic measuring. A map was created, into which we Teresa Rodzińska-Chorąży entered extinct parts documented mainly by Josef Mocker and Kamil Hilbert from the 19th century to the 1930s, but as well newer finds. Projecting the reconstructed building remains onto the original terrain yielded important facts concerning the foundation of the Cathedrals, Bishop’s Residences and Monastic Architecture in Poland until the Division of the State in 1138 church and the hierarchy of individual districts at Prague Castle. In 1000, the Congress
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