The Vampires Our Age Deserves: 21St Century Forms of Ancient Evil
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Upin & Ipin: Promoting Malaysian Culture Values Through Animation
Upin & Ipin: Promoting malaysian culture values through animation Dahlan Bin Abdul Ghani Universiti Kuala Lumpur [email protected] Recibido: 20 de enero de 2015 Aceptado: 12 de febrero de 2015 Abstract Malaysian children lately have been exposed or influenced heavily by digital media entertainment. The rise of such entertainment tends to drive them away from understanding and appreciating the values of Malaysian culture. Upin and Ipin animation has successfully promoted Malaysian folklore culture and has significantly portrayed the art of Malaysian values including Islamic values by providing the platform for harmonious relationship among different societies or groups or religious backgrounds. The focus of this research is to look into the usage of Malaysian culture iconic visual styles such as backgrounds, lifestyles, character archetypes and narrative (storytelling). Therefore, we hope that this research will benefit the younger generation by highlighting the meaning and importance of implicit Malaysian culture. Key words: Upin and Ipin; animation; narrative; folklore; culture; character archetypes. Upin e Ipin: promoviendo la cultura malasia a través de los valores de la animación Resumen Recientemente los niños en Malasia están siendo fuertemente expuestos cuando no influenciados por los medios masivos de entretenimiento digital. Esto les lleva una falta de comprensión y apreciación de la importancia de los valores de su propia cultura. La serie de animación propia Upin & Ipin ha promovido con éxito las diferentes culturas de Malasia y obtenido valores culturales significativos que representan a su arte, incluyendo el islámico, y proporcionando así una plataforma de relación armónica entre los diferentes grupos que componen la sociedad en Malasia, ya sea civil o religiosa. -
Malaysian Child Rearing Practices and Its Relationship to Realth
Malaysian Child Rearing Practices and Its Relationship to Realth by Wazir-Jahan Karim A Research Project Funded by the International Developmsnt Research Centre 1981 RC FÉB2].1983 IDRC ; rrz^i 3 - p-- 79_ o cc 58- Acknowledgaments I vould like to express my appreciation and gratitude to thé International Development Research Centre for agreeing to fund this research project in 1978. Z also wish to thank UNICEF for providing me with financial assistance for the section of the research on traditional médical practitioners and village medicines conducted I' in Yen, Kedah. The assistance and co-operation of the Ministry of Realth has been a major factor in ensuring the emooth implémentation of the research in Seberang Prai and I would specifically like to thank Dr. Chee Chin Seang, the Deputy Director of Health in Penang, Sister Kvan, Dr. Raj Karim from the Maternai and Child Health Division in the Ministry and other médical and nursing personnel in Seberang Prai for providing me with continuous assistance during the period of my fieldwork. I would also litre to thank the management of Malakoff Estate at Thsek Glugor, in particular the Manager, Mr. Jones and Mr. Shankar for allowing me to conduct my research on the estate and also for assistance provided when the census survey was conducted. My sincereat thanks also to the KEMAS teacher at Junjong, Rokiah Ahmad and the teachers at the Malakoff Estate pre- school, for help rendered to my research assistants, Muniamah Kandasamy, Tengku Zainah and Susan Oorijitham, during the intensive field work period. Ficnaliy, I can quite confidentiy say that this research would not have been possible without the commitment and enthusiasm of my research assistants and the keen interest of e nutritionist from Minnesota University, Misa Mary-Pat Selvaggio, to conduct a The study has taken approximately two and e half years to be completed between its period of inception in mid 1978 to ite period of completion in November 1981. -
C NTENT 2018 L
17-30 SEPTEMBER C NTENT 2018 www.contentasia.tv l www.contentasiasummit.com Sony kicks off new HBO counts down to 7 Oct horror debut AGT season Series goes live with int’l film fest stamp of approval David Foster, Anggun & Jay Park return Folklore: Tatami (Japan) David Foster, Anggun and Jay Park Three international film festivals – includ- Ratanaruang (Samui Song). Sony Pictures Television Networks Asia ing the Toronto International Film Festival Folklore: A Mother’s Love is about a kicked off the third season of Asia’s Got (TIFF) – have given their stamp of ap- single mother and her young son who Talent at the weekend with a Facebook proval to HBO Asia’s original Asian horror discover dirty and underfed children liv- Live judges session at the Pinewood Is- series, Folklore, which premieres on the ing in a mansion’s attic. Returning them kandar Malaysia Studios. All three judges regional service on Sunday, 7 October to their families stirs the wrath of their from last year – David Foster, Anggun and at 10pm. adopted mother, Wewe Gombel. Jay Park – are back, along with hosts Alan The six episodes of the anthology, each Folklore: Pob is about a journalist who Wong and Justin Bratton. helmed by a different director, debuted meets with Thai ghost Pob, who con- The show airs on AXN across Asia in in pairs at three festivals. In addition fesses to a murder. Finally finding an early 2019. to TIFF, which wrapped this weekend, outlet for complaint, Pob explains how The announcement of this year’s judges episodes will screen at Spain’s SITGES the murder happened. -
UNIVERSITAS INDONESIA HANTU MERAH Melihat Konstruksi Budaya
UNIVERSITAS INDONESIA HANTU MERAH Melihat Konstruksi Budaya dan Telaah Fungsi Dalam Memaknai Cerita Legenda Alam Gaib Kampus UI SKRIPSI M. ISKANDARSYAH 0706285612 FAKULTAS ILMU SOSIAL DAN ILMU POLITIK DEPARTEMEN ANTROPOLOGI SOSIAL PROGRAM SARJANA REGULER DEPOK JUNI 2012 i Universitas Indonesia Hantu merah..., M. Iskandarsyah, FISIP UI, 2012 UNIVERSITAS INDONESIA HANTU MERAH Melihat Konstruksi Budaya dan Telaah Fungsi Dalam Memaknai Cerita Legenda Alam Gaib Kampus UI SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar Sarjana Sosial M. ISKANDARSYAH 0706285612 FAKULTAS ILMU SOSIAL DAN ILMU POLITIK DEPARTEMEN ANTROPOLOGI SOSIAL PROGRAM SARJANA REGULER DEPOK JUNI 2012 ii Universitas Indonesia Hantu merah..., M. Iskandarsyah, FISIP UI, 2012 HALAMAN PERNYATAAN ORISINALITAS Skripsi ini adalah hasil karya saya sendiri, dan semua sumber baik yang dikutip maupun dirujuk telah saya nyatakan dengan benar Nama : M. Iskandarsyah NPM : 0706285612 Tanda Tangan : Tanggal : 20 Juni 2012 iii Universitas Indonesia Hantu merah..., M. Iskandarsyah, FISIP UI, 2012 HALAMAN PENGESAHAN Skripsi yang diajukan oleh : Nama : M. Iskandarsyah NPM : 0706285612 Program Studi : Antropologi Judul : Hantu Merah: Melihat Konstruksi Budaya dan Telaah Fungsi dalam Memaknai Cerita Legenda Alam Gaib Kampus UI Telah berhasil dipertahankan di hadapan Dewan Penguji dan diterima sebagai bagian persyaratan yang diperlukan untuk memperoleh gelar Sarjana Sosial pada Program Studi Antropologi, Fakultas Ilmu Sosial dan Politik, Universitas Indonesia DEWAN PENGUJI Pembimbing Penguji (Drs. Hilarius S. Taryanto) (Dr. Jajang Gunawijaya, MA) Ketua Sidang Sekretaris Sidang (Dr. J. Emmed M.Prioharyono, MA, M.Sc) (Drs. Ezra M. Choesin, MA) (………………...) Ditetapkan di : FISIP UI Depok Tanggal : 20 Juni 2012 iv Universitas Indonesia Hantu merah..., M. Iskandarsyah, FISIP UI, 2012 KATA PENGANTAR Puji syukur kepada Allah SWT yang telah memberikan kekuatan dan kemudahan kepada saya untuk menyelesaikan skripsi ini. -
Brunei Malay Traditional Medicine: Persistence in the Face of Western
BRUNEI MALAY TRADITIONAL MEDICINE: PERSISTENCE IN THE FACE OF WESTERN MEDICINE AND ISLAMIC ORTHODOXY Virginie Roseberg Master of Anthropology from the University of Paris 1, Pantheon-Sorbonne, France. This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Social Sciences Anthropology and Sociology 2017 THESIS DECLARATION I, Virginie Roseberg, certify that: This thesis has been substantially accomplished during enrolment in the degree. This thesis does not contain material which has been accepted for the award of any other degree or diploma in my name, in any university or other tertiary institution. No part of this work will, in the future, be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. The work(s) are not in any way a violation or infringement of any copyright, trademark, patent, or other rights whatsoever of any person. The research involving human data reported in this thesis was assessed and approved by The University of Western Australia Human Research Ethics Committee. Approval no. RA/4/1/5585. The work described in this thesis was funded by an Australian Postgraduate Award and UWA Safety Net Top-up Scholarship. This thesis does not contain work that I have published, nor work under review for publication. -
Amityville Horror, the 23
A the shape of an awe-inspiring agency of guilt, Abjection the repressed fi gure of maternal authority ELISABETH BRONFEN returns either as an embodiment of the Holy Mary’s sublime femininity or as a monstrous As an adjective, “abject” qualifi es contemptible body of procreation, out to devour us and actions (such as cowardice), wretched emo- transform us into the site for further grotesque tional states (such as grief or poverty), and self- breeding. By drawing attention to the manner abasing attitudes (such as apologies). Derived in which a cultural fear regarding the uncon- from the Latin past participle of abicere, the trollability of feminine reproduction has con- word has come into use within Gothic studies sistently served as a source of horror, abjection primarily to discuss processes by which some- has proven a particularly resonant term for a thing or someone belonging to the domain of study of Gothic culture. the degrading, miserable, or extremely submis- The abject is not to be thought of as a static sive is cast off. Julia Kristeva’s Powers of Horror concept, pertaining to something monstrous (1982) fi rst introduced abjection as a critical or unclean per se. Instead, it speaks to a thresh- term. Picking up on the anthropological study old situation, both horrifying and fascinating. of initiation rites discussed by Mary Douglas in It involves a tripartite process in the course of her book Purity and Danger (1966), Kristeva which forces that threaten stable identities addresses the acts of separation necessary for come again to be contained. For one, abjection setting up and preserving social identity. -
Special Electronic Features Special Electronic
Asian Monsters is the latest specialty 5E bestiary from Legendary Games, bringing you richly detailed and evocatively described monsters for the 5th Edition of the world’s most famous roleplaying game, drawing upon the myths and legends of the real world and throughout the history of RPGs. You can check out the fantastic flair of these monster accessories in the companion volumes Mythos Monsters, Sea Monsters, Coldwood Codex, Boreal Bestiary, and Construct Codex! This volume brings you monsters from cultures across southern and eastern Asia and the Western Pacific, from India to Korea, Cambodia to China, Japan to Malaysia, Thailand to the Philippines, and more! This exciting monster supplement has been developed with care by our expert game designers in cooperation with Asian authors and artists and a team of cultural consultants to bring you over 90 magnificent monsters from the myths and legends of Asia to enrich your 5E campaign! The Legendary Games tradition is to combine rich story and background, innovative layout, beautiful aesthetics, and excellence in design that is second to none, allowing you to enliven and enrich your campaign in amazing and exciting ways. This product is the latest in that tradition, and we hope you enjoy using it as much as we enjoyed making it. Game on! - Jason Nelson SPECIAL ELECTRONIC FEATURES We’ve hyperlinked this product internally from the Table of Contents and externally with links to the official System Reference Document or 5eSRD. If it is in the core rulebook, we generally didn’t link to it unless the rule is an obscure one. -
Press Release Universal Studios Singapore Reveals First Look Inside Curse of the Naga and the Chalet Hauntings Haunted Houses at Halloween Horror Nights 9
CONTENT (INCLUDING IMAGES/VIDEOS) TO BE EMBARGOED TILL 12PM ON FRI, 6 SEP press release Universal Studios Singapore Reveals First Look Inside Curse of the Naga and The Chalet Hauntings Haunted Houses at Halloween Horror Nights 9 (Left) The elaborately adorned temple in Curse of the Naga, inhabited by the nefarious Serpentine Spirit herself. (Right) The bloodthirsty Langsuir awaits anyone unfortunate enough to venture into The Chalet Hauntings. PHOTO CREDITS: RESORTS WORLD SENTOSA. SINGAPORE, 6 September 2019 – Universal Studios Singapore at Resorts World Sentosa today unveils first look images from two key Asian-inspired haunted houses set to raise the horror meter at Universal Studios Singapore’s Halloween Horror Nights 9: Curse of the Naga and The Chalet Hauntings. From 27 September, fans will get to experience firsthand the terrors of the Serpentine Spirit in Curse of the Naga, an original haunted house from the directors of blockbuster Thai horror films Shutter and 4bia. They can also expect spine-chilling encounters with their darkest fears – from the Langsuir to the Toyol – in The Chalet Hauntings which will feature the most extensive collection of Southeast Asian ghosts in a single house. Drawing inspiration from Asian folklore and mythology, both haunted houses feature a combination of elaborate and authentic set designs, stunning special effects and original characters – all of which have been created to immerse guests in eerily-authentic environments. 1 Curse of the Naga – the Brainchild of Thai Masters of Horror Based on a man-versus-nature narrative, Curse of the Naga breathes life into the collective vision of Thai director duo Parkpoom Wongpoom and Gunn Purijitpanya, and the creative minds from Universal Studios Singapore. -
The Belief in Hantu in the Malay Culture from the Perspective of Islam
THE BELIEF IN HANTU IN THE MALAY CULTURE FROM THE PERSPECTIVE OF ISLAM ______________________________________________________________________________________ Mohd Zohdi Amin, Ishak Suliaman, Husniyah Salaeh, Mohamed Akhiruddin Ibrahim & Azlina Mohamed Nor Abstract The belief in “hantu” is the result of animism and dynamism among Malays before the arrival of Hindu, Buddha and Islam. Hantu is portrayed as the incarnation of evil souls wishing to harm humans. This belief is related to the concept of soul existence or “semangat” (essence) in everything including the human body. This ancient belief is integrated into their new religions through adaptation process. After embracing Islam, the belief in hantu is not totally dispelled since its features are similar to that of jinn and shaitan, whose existence are acknowledged in Islam. The belief is also supported by the concept of human soul in the afterlife, where it is deemed as immortal. Hantu is portrayed as the soul of the dead, dwelling in certain places and harming the humans. Based on the analysis of the texts of the Quran and Sunnah, it is found that the soul of the dead could never become hantu, as opposed to the Malays’ belief. It is because the soul of the dead is in barzakh, the impassible barrier between the world and the Hereafter. It is a place where the soul is either rewarded or punished for his or her deeds in the past life. The souls cannot act independently by themselves as they are under the control of Allah. Based on this, the belief in hantu is against the Islamic teachings. This belief is capable in affecting a Muslim’s faith as it indirectly leads to the denial of rewards and punishments in the afterlife. -
Mitologi Tentang Makhluk Supernatural Dalam Kalangan Etnik- Etnik Di Daerah Pitas Sabah: Tinjauan Menurut Perspektif Islam
GJAT | JULY 2019 | VOLUME 9 ISSUE 1 | 113 ISSN : 2232-0474 | E-ISSN : 2232-0482 www.gjat.my Mitologi Tentang Makhluk Supernatural Dalam Kalangan Etnik- Etnik di Daerah Pitas Sabah: Tinjauan Menurut Perspektif Islam Khairulnazrin Nasir Ishak Suliaman Department of the Quran and al-Hadith, Academy of Islamic Studies, University of Malaya Tel: +60133242865, E-mail: [email protected] Abstrak world. A significant entity in mythology is supernatural beings. Ethnics and races in Mitologi adalah suatu domain yang wujud dan Malaysia also believe in supernatural beings menjadi kelaziman dalam mana-mana budaya, including native tribes in Pitas district, Sabah bangsa, etnik dan komuniti di seluruh dunia. who are Muslims. Therefore, this research was Skalanya menjangkau alam nyata, sehingga conducted to identify mythology of supernatural ke alam ghaib. Entiti signifikan dalam mitologi beings in their community. The data collection antaranya adalah makhluk supernatural. Etnik method used was interview. Seven respondents dan bangsa di negara ini turut memiliki mitologi were selected among the community leaders. tentang makhluk supernatural, termasuklah Findings showed that mythology of supernatural etnik-etnik peribumi yang beragama Islam beings was influenced by animism. As a result, di daerah Pitas, Sabah. Oleh yang demikian, some community members involve in shirk, kajian ini dijalankan untuk mengenal pasti superstition, worshipping rituals and black mitologi tentang makhluk supernatural yang magic. Thus, this issue should be taken into terdapat dalam kalangan mereka. Kaedah consideration by authorities especially Islamic pengumpulan data adalah menggunakan metode Religious Departments and preachers in order temu bual. Seramai tujuh orang informan telah to protect the aqidah among the society. dipilih, yang terdiri daripada kalangan tokoh- tokoh masyarakat tempatan. -
Case of Significant Weight Loss and Dysphagia "Due to a Curse" ASEAN Journal of Psychiatry, Vol
Case Of Significant Weight Loss And Dysphagia "Due To A Curse" ASEAN Journal of Psychiatry, Vol. 13 (1), January - June 2012: XX XX CASE REPORT CASE OF SIGNIFICANT WEIGHT LOSS AND DYSPHAGIA “DUE TO A CURSE” Farhad F Vasanwala*, Dr. Shu-Yun Tan**, Rukshini Puvanendran***, Beng-Yeong Ng**** *Associate Consultant, Department of Family Medicine and Continuing Care, Singapore General Hospital, Outram Road, Singapore 169608; **Associate Consultant, Department of Family Medicine and Continuing Care, Singapore General Hospital, Outram Road, Singapore 169608; ***Consultant, Department of Family Medicine and Continuing Care, Singapore General Hospital, Outram Road, Singapore 169608; ****Associate Professor, Department of Psychiatry, Singapore General Hospital, Outram Road, Singapore 16960. Abstract Objective: This case illustrates how a patient with medically unexplained symptoms was “cured” using symbolic healing rituals of Christianity and traditional Malay black magic. Method: We report a case of a 49-year-old lady who presented with unexplainable weight loss and dysphagia despite extensive outpatient and inpatient medical investigations. She later attributed these symptoms to a “curse” by a Boyanese man with whom she had disagreements. After catharsis with a Roman Catholic priest and cleansing with a Bomoh (Malay witch doctor), the patient’s health improved. Results: We believe this patient had a conversion disorder due to recent multiple stressors in her life and she attributed her symptoms to the “curse” inflicted to her. The symbolic healing rituals by the Catholic priest and Bomoh “cured” her of her illness which concurred with the patient’s own beliefs for her illness. Conclusion: This article illustrates the importance of the physician being familiar with various local traditional beliefs, and how the interplay between various different religions and customs can come together to treat medically unexplained symptoms in a country like Singapore. -
HORROR EFFECT TECHNIQUE THROUGH the APPLICATION of ‘FILM LANGUAGE’ON FOUR SELECTED HORROR FILMS Addley Bromeo Bianus1, Imelda Ann Achin2, Zairul Anwar Bin Md
International Journal of Technical Research and Applications e-ISSN: 2320-8163, www.ijtra.com Special Issue 10 (Nov-Dec 2014), PP. 01-04 HORROR EFFECT TECHNIQUE THROUGH THE APPLICATION OF ‘FILM LANGUAGE’ON FOUR SELECTED HORROR FILMS Addley Bromeo Bianus1, Imelda Ann Achin2, Zairul Anwar Bin Md. Dawam, Ph.D3, Rosli Sareya4 Faculty of Humanities, Arts and Heritage, University Malaysia Sabah [email protected] Abstract – This research is to describe the application of ‘Film Pontianak Harum Sundal Malam (2004) by Shuhaimi Baba Language’ in four selected horror films. This analysis refers to was the outcome from amazing response received by Thailand method done by the filmmakers in creating horror effect to horror film, Nang Nak (Nonze Nimibutr, 1999) which was also audience through the use of ‘Film Language’. Research scope taken from the plot line of vampire legend in Thailand society was limited to four horror films that were produced in 2007 and that is not much different from Malay society. The spectacular 2008. The four horror films were selected based on two selection criteria, i.e. the achievement of box-office collection and growth of horror films from Thailand, Korea and Japan had questionnaires. The research result found that four components eventually influenced not only film production, but also the in ‘Film Language’ i.e. cinematography, mise-en-scene, editing type of horror films made by filmmakers in this country. The and audio have played big role in horror film genre not only from rise of local horror films was pretty late because the genre of the technical aspect but also could influence the development of Asian horror films is now declining since horror films story plot of a horror film.