Translation in Forming Musical Discourse: a Case Study of English-Language Song Lyrics in Russia
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The Palgrave Handbook of Digital Russia Studies
The Palgrave Handbook of Digital Russia Studies Edited by Daria Gritsenko Mariëlle Wijermars · Mikhail Kopotev The Palgrave Handbook of Digital Russia Studies Daria Gritsenko Mariëlle Wijermars • Mikhail Kopotev Editors The Palgrave Handbook of Digital Russia Studies Editors Daria Gritsenko Mariëlle Wijermars University of Helsinki Maastricht University Helsinki, Finland Maastricht, The Netherlands Mikhail Kopotev Higher School of Economics (HSE University) Saint Petersburg, Russia ISBN 978-3-030-42854-9 ISBN 978-3-030-42855-6 (eBook) https://doi.org/10.1007/978-3-030-42855-6 © The Editor(s) (if applicable) and The Author(s) 2021. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
On Geopolitics, Trolling and the Mistranslation of Race in a Twitter Controversy
#Russianrapisracist vs #RussianNaziPurgeParty: On Geopolitics, Trolling and the Mistranslation of Race in a Twitter Controversy Dinara Yangeldina Introduction I am currently being trolled by Russian rap fans in droves posting straight up Nazi propaganda. The Russian hip hop scene is extremely racist. It’s being led by racists like @sdthaking and i1official (@Talib Kweli 2020)1 The above tweet was posted at the end of February 2020 in the middle of a heated Twitter controversy between famous us rapper Talib Kweli and the Russian hip-hop community, in which he described the en- tire Russian rap scene as racist, Nazi and state sponsored.2 Thе scandal quickly spread to other social media platforms and got extensive cover- age online and even on the official Russian tv channels. But what exactly 1 In the wake of a harassment-related scandal Talib Kweli was permanently banned from Twitter on 4 July 2020. It is for this reason that none of his original Tweets are available anymore. The retypes of tweets are based on screenshots circulated in sec- ondary sources or collected by me during the initial stage of research for this chapter (the same applies to Twitter screenshots used here but not available in the original to reference). 2 Talib Kweli is a rapper known for his outspoken activist stance against police bru- tality and racial oppression in the usa. His early recognition is linked to the criti- cally acclaimed band Black Star, which he formed together with Mos Def in 1997 in Brooklyn, New York. This style of hip-hop, known as conscious hip-hop, is usually juxtaposed with gangsta rap. -
Anastasia Afonina 'The Popular Culture of Criminality' VAV3, Gerrit
Anastasia Afonina ‘The Popular Culture of Criminality’ VAV3, Gerrit Rietveld Academie As fashion evolved throughout times, we moved from long gowns into mini skirts in less than a century. At the beginning of 2000s we were hypnotized by the Paris Hilton’s glamor- ous pink and disgusted by the unsatisfactory living conditions of people labeled as a ‘lower class’. From what I see we can develop even faster. We can be even more radical. My research is about a modern popular culture and, in particular, the active exploitation of criminal aesthetics in the different forms of art, such as music, fashion, cinema, etc. My curi- osity is built around an observation that just recently people that we would call ‘upper-middle class’ were often trying to ignore the presence of some particular urban areas known as ‘ghetto’ and its unsatisfactory social conditions that meanwhile developed in its individual culture. This lifestyle, fashion, music, slang, etc, was not highly appreciated by the other so- cial classes. Yet now, what was considered as ‘bad taste’ ten years ago has a huge impact on contemporary art and media. Therefore, I am curious about the reason of a rapidly growing interest and the frequent use of the ghetto culture that became the new popular culture nowadays. Estonian rapper Tommy Cash In addition to it, I would also like to get to know more about its connection with political and social propaganda. I find it interesting, how those two different things - propaganda and a popular culture - can be so interconnected the way they affect each other. -
P20-21 Layout 1
20 Established 1961 Thursday, November 29, 2018 Lifestyle Features Migrating pink flamingos Migrating pink flamingos are seen at a lake in the United Arab Emirate of Dubai. — AFP photos Rita Moreno, 86, set for ‘West Side Story’ remake Russian rappers strike back he 86-year-old American actress Rita Moreno, who won an Oscar in the original film version of “West TSide Story,” is being cast in Steven Spielberg’s hotly against crackdown by authorities anticipated remake. Her publicist announced that Moreno, who played Anita the first time around, will this time play the role of Valentina-a reconceived version of a corner packed club reverberated as the Editor-in-chief of Kremlin-controlled store owner. She will also get an executive producing young crowd filmed on cell phones RT television, Margarita Simonyan, con- credit. Back in May, the Puerto Rican-born actress con- and chanted the names of rappers. troversially suggested influential Kremlin fessed that she was anxiously awaiting the Spielberg A Three of Russia’s biggest rappers: figures intervened-alerted by the public remake, which has advertised for Latino actors in all the Oxxxymiron, Basta and Noize MC, were reaction to his case. The title of the con- main roles-not the case for the 1961 original. giving a rare joint concert in a Moscow cert, Husky’s lyric “I will sing my music,” “I am very curious to see what he does with it. I am club, protesting that authorities are step- became a top Twitter trend in Russia. nervous about it. Listen, we did very cliched things in ping up pressure on popular artists and Oxxxymiron, an Oxford-educated musi- ‘West Side Story’ but I am sure he’s going to avoid that effectively censoring them. -
Russia 2019: the Time of Adjustments | 2 Russia 2019: the Time of Adjustments
Ipsos Flair Collection Russia 2019: The time of adjustments | 2 Russia 2019: The time of adjustments Ipsos editions November 2018 © 2018 – Ipsos Guide Ipsos Flair: Understand to Foresee Ipsos leverages assets thanks to its broader knowledge of countries and cultures, and their social and political environment. In 2006, Ipsos Flair was created to demonstrate the originality and intellectual curiosity of Ipsos, because « Flair » is about instinct and intuition. It is the ability to capture the mood, to perceive the right direction, to know when to act. It is also another way of looking, one that considers survey results as sociological interactions enabling us to understand the real relationship between people and everything around them: brands, ads, media… By bringing together these diverse and complementary perspectives related to understanding people, markets and society, the Ipsos Flair series helps our clients to formulate and to fine-tune strategic planning approaches with the full picture. We are really happy to edit Flair in Russia: it is a great country, with a long history and that has given birth to world-class scientists, composers, writers and artists. Russia is a country very often present in the headlines of the news, but no one has a clear vision of this country. Very quickly, ideologies and biases take hold and the picture goes sour. It is time to change the way we look at Russia using Ipsos Flair’s fresh inputs and outlooks. Our ambition is straightforward: to help you to better understand a “mysterious” country. Enjoy your reading! Henri Wallard Deputy CEO | 4 #Editorial Russia could also have been called the Middle Empire, positioned between North Asia and Europe, the Pacific and the Arctic. -
Contemporary Russian Poetry and the Musical Avant-Garde: Performative Intersections
Internationale Zeitschrift für Kulturkomparatistik Band 2 (2021): Contemporary Lyric Poetry in Transitions be- tween Genres and Media Herausgegeben von Ralph Müller und Henrieke Stahl Kukulin, Ilya: Contemporary Russian Poetry and the Musical Avant-Garde: Performative Intersections. In: IZfK 2 (2021). 171-194. DOI: 10.25353/ubtr-izfk-ccae-8e02 Ilya Kukulin (HSE1, Moscow) Contemporary Russian Poetry and the Musical Avant-Garde: Performative Intersections2 Dedicated to the memory of Elizaveta Arkadievna Mnatsakanova (Netzkowa) This paper is focused on a relatively new phenomenon: joint performances by poets and avant-garde (primarily electronic) musicians in contemporary Russia. In part, these performances are reminiscent of performances by American and Western European poets with jazz ensembles in the 1960s and 1970s. At that time in the Soviet Union, this practice was almost unheard of: when intermedial experiments did take place, poets – particularly the so-called “official” poets – turned not to music but to theatre. The most important elements of these performances were their emphases on virtuosic improvisation, the theatrical immediacy of what was taking place, and creating a community around the performer. In contrast, con- temporary collaborations between poets and musicians largely demonstrate the non-self-sufficiency of their respective media and, in doing so, deconstruct the 1 National Research University ‒ Higher School of Economics, Moscow. 2 The first version of this paper was presented at the Biennial Conference of the International Network for the Study of Lyric (INSL), Lausanne, Switzerland, June 4-7, 2019. I am deeply grateful to Prof. Henrieke Stahl, to whom I owe the opportunity to participate at this confer- ence and to my colleagues who took part in the discussion of this paper, providing valuable comments, as well as to Dmitry Kuzmin for his generous comments and suggestions for enhancing this paper and to Matthias Fechner and David Hock for their help in editing my text. -
Indigenous Links Bios
Dr. Akiva Weiss Dr. Akiva Weiss wrote and designed Indigenous Links. Akiva has also published in the field of Migration, Integration, International Law, and Public Choice. He regularly presents at major venues across the world, and his most recent talks have been: The Evolution of Dignity in European Courts, Advances in Neurolinguistics, Intercultural Communication Between Russia and the United States, Asylum Seekers in the European Union, Historical Approaches to U.S. Government, Music and American Social Movements, Competency-based Assessment, Blended Learning, Gender and Art History, 21st-Century Architecture, and American Cinema. Akiva has graduate degrees from Europe’s two oldest universities (Oxford and Bologna) and has visited nearly 150 countries. BIOS Dr. Álvaro Fernández-Llamazares Dr. Álvaro Fernández-Llamazares is a conservation scientist working at the University of Helsinki in Finland. He has spent most of his research career working with indigenous peoples in Latin America and Africa. He spent more than a year and half living in the depths of the Amazonian rainforest with no internet, no telephone, and no electricity. The Tsimane’ hunter-gatherers hosted him as a member of their community and taught him all the basics of how to subsist in the middle of the jungle, including fishing with bows and arrows! Much of his current work focuses on the cultural expressions of indigenous peoples, including indigenous storytelling and, particularly, music-making in several indigenous cultures. Being a songwriter himself, he is very interested in how music illustrates the profound connections between people and nature across the world. He has a folk band, called Nòmades (https://nomadesmusic.wordpress.com/), that blends elements from protest songs and tribal rhythms to denounce environmental issues. -
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 30 | Spring 2020
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 30 | Spring 2020 Title No Face, No Case: Russian Hip Hop and Politics under Putinism Author Anne Liebig Publication FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts Issue Number 30 Issue Date Spring 2020 Publication Date 22/07/2020 Editor Marco Ruggieri FORUM claims non-exclusive rights to reproduce this article electronically (in full or in part) and to publish this work in any such media current or later developed. The author retains all rights, including the right to be identified as the author wherever and whenever this article is published, and the right to use all or part of the article and abstracts, with or without revision or modification in compilations or other publications. Any latter publication shall recognise FORUM as the original publisher. FORUM | ISSUE 30 2 No Face, No Case: Russian Hip Hop and Politics under Putinism Anne Liebig University of Edinburgh This article explores the phenomenon of Russian hip hop as part of a creative resistance movement in contemporary Russia. It argues that hip hop, which originally came to Russia during the country’s 1990s infatuation with the West, links back to a long-standing tradition of music as counterculture in a Russian context. By placing Russian hip hop within a general shift of popular culture towards intellectual notions of political responsibility, this article discusses the emergence of a socially conscious form of high hip hop in Russia, contextualising it within the specific anti- Western and anti-intellectual cultural atmosphere created under the Putin regime. -
MOSCOW DIGEST November 2017
MOSCOW DIGEST November 2017 1 Contents We already made Moscow easy for you. Now it’s time to go out and have fun! Your Intermark Relocation Team Click the icon below to go to the required section Concerts Theater Exhibitions page 3 and Ballet page 7 page 5 Cinema For Children page 9 page 10 t t Ticket Instructions kek ke ic page 12 c t i t 2 Concerts HIM Rock HIM is a Finnish gothic rock band from Helsinki, that was formed in 1991. It is one of the most commercially successful Finnish bands of all time, with sales of over ten million records. The band has released eight studio albums, five compilations, three video releases, two box sets, along with one live and one remix album. At the beginning of the year HIM have announced a farewell tour, closing the final chapter of their 26 year career. Don’t miss the chance to see them in Moscow for the last time! Date and time: November 26, 8:00 pm Venue: Stadium Address: Leningradsky prospect 80 (m. Sokol, m. Panfilovkaya, m. Voikovskaya) Phone: +7 (916) 440-47-50 Price: 4 000 – 15 000 RUB Tickets: afisha.yandex.ru Hurts Synthpop, Pop rock, Indie rock Hurts are English synthpop duo formed in 2009, consisting of synthesist Adam Anderson and singer Theo Hutchcraft. Their first two albums, Happiness and Exile, both reached the top ten in the United Kingdom, Germany, Austria, Switzerland, Poland, and Finland. For seven years of concerts Hurts, from a static pop group, turned into a rock-art project. -
Analysis and Review of Popular Culture,Perception and Attitudes Towards Migrant and Minority Groups in the UK. FINAL REPORT
Analysis and Review of Popular Culture,Perception and Attitudes towards Migrant and Minority Groups in the UK. FINAL REPORT Analysis and Review of Popular Culture, Perception and Attitudes towards Migrant and Minority Groups in the UK FINAL REPORT This research study is the result of the individual reports carried out as part of the WS 1 and WS 2 analysis and open meetings of the BEAMS project inUK. This report has been produced with the financial support of the Fundamental Rights and Citizenship Programme of the European Union. The contents of this report are the sole responsibility of Migrant Resource Centre and the authors and can in no way be taken to reflect the views of the European Commission. Chapter 1 prepared by Dr Patrick Turner, School of Social Sciences, London Metropolitan University with input from Dr Eugenia Markova, Working Lives Research Institute, London Metropolitan University Chapter 2 prepared by Sara Wickert, BEAMS UK Project Coordinator, Migrants Resource Centre www.beams-project.eu 2 TABLE OF CONTENT: Chapter 1 | Collection and Review Of Migrant/Minority Stereotypes in Popular Culture Production .............................................................................................................................................................. 4 EXECUTIVE SUMMARY OF THE PROJECT FINDINGS .......................................................................... 4 General introduction on the context and applied methods ......................................................... 5 Description of the chosen -
VERSUS Battle That Is Released in the Format of Web Series on Youtube
CORE Metadata, citation and similar papers at core.ac.uk Provided by DSpace at Tartu University Library University of Tartu Department of Semiotics Sofya Serpinskaya THE PHENOMENON OF RAP BATTLES IN MODERN RUSSIAN CULTURE Master Thesis Supervisor: Silvi Salupere Tartu 2018 I have written the Master Thesis myself, independently. All of the other authors' texts, main viewpoints and all data from other resources have been referred to. Author: Sofya Serpinskaya ............................................................................... (signature ) ............................................................................... (date ) 1 TABLE OF CONTENTS INTRODUCTION …………………………………………………………………...3 I. THEORETICAL FRAMEWORK ………………………………………………11 1.1. The Main Components of Rapping ………………………….……………….11 1.1.1. Lyrical Content ………………………………………………………….12 1.1.2. Flow ……………………………………………………………………..13 1.1.3. Delivery …………………………………………………………………16 1.2. Discourse Practices of Battling ……………………………………………....17 II. THE ORIGINS AND DEVELOPMENT OF RAP BATTLES ……………….21 2.1. Rap Battles in the Context of Verbal Dueling …………………………….….21 2.2. The History of Rap Battles in Russia ………………………………………...25 III. ANALYSIS. VERSUS BATTLE LEAGUE ……………………………………27 3.1. General Characteristics of VERSUS Battle …………….……………………..27 3.1.1. Volume, Composition and Tonality of Communication …………….……30 3.1.2. Participants …………….………………………………………………..33 3.1.3. Types of Addressees …………….………………………………………..36 3.1.4. Intertextuality …………….……………………………………………...38 3.2. Rhymes -
Opposition in Putin's Russia: Resisting Propaganda
Opposition in Putin’s Russia: Resisting Propaganda By Aleksandra Urman Submitted to Central European University Department of Political Science In partial fulfilment of the requirements for the degree of Master of Arts Supervisor: Visiting Professor Oana Lup CEU eTD Collection Budapest, Hungary 2017 Abstract Misinformation campaigns and propaganda are among the important pillars of contemporary authoritarian regimes which allow the incumbents to stay in power even without resorting to large- scale repressions. Still, under every authoritarian regime a certain share of citizens maintains oppositional attitudes towards the incumbent and his/her government and demonstrates resistance to the state’s propagandistic campaigns. Present study explores the reasons behind the opposition’s resistance to misinformation in Putin’s Russia. Main methods of Russian propaganda and ideas which it propagates are identified. The study builds up on the existing body of literature on information processing and selective exposure. The hypotheses that Russian opposition assesses new information based not on informed decisions, but on the existing attitudes and values, is confirmed through two online experiments. Big data analysis of media consumption of the supporters of oppositional leader Alexei Navalny and Russian prime-minister Dmitry Medvedev on major Russian social network Vkontakte suggests that at least a considerable proportion of Russian opposition consciously engages in selective exposure, seeking out the media sources that present points of view consistent with the users’ pre-existing oppositional attitudes. CEU eTD Collection i Acknowledgements I would like to express my sincerest gratitude to my supervisor Oana Lup for her dedication and time spent in discussions about this thesis. Her advice helped me a lot to find the right direction for this work and without her frequent and detailed feedback this thesis would never be possible.