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INFORMAÇÃO TURÍSTICA E S R
R. Armando Martino R. Carlos B v . R. Lagoa Azul V . Corr o l R. Nelson u n t eia á A r i V o A . s R. Cel. Mar v R to A d . cílio F R. Dona a C R v ranc P P od. Bandeirantes r o . Gen. Edgard F u d de á z PARQUE SÃO e er t A r v. v. Casa V e M A i C edo Pujol a o R. Alfr i n DOMINGOS ag R. Our r c o de Paula o al ei h ç R. Dr César d ã ãe o R. Itapinima s R. Chic o Gr o m i S u osso R. L u q l to eão XIII SANTANA u Z R. M . Mora . Miguel Conejo r R . Z v A D acó R. Estela B . A élia SANTANA . J v R . C . PARQUE CIDADE Av. Ns. do Ó Z . Angelina Fr . Inajar de Souza a R. Chic v e c ire 1 DE TORONTO 2 3 v 4 5 de 6 7 8 h A i A PIQUERI r er i o o N i i Av. Ns. do Ó l Penitenciária do o P c a g i á R. Balsa r t Estado Carandiru ontes c s M . Casa V h a l v R. Maria Cândida n e i 48 98 i A r Jardim Botânico G7 A7 A 100 Serra da Cantareira 27 b o a Atrativos / Atractivos d t . G v n 49 99 A o Av. -
Sao Paulo Travel Information
Sao Paulo Travel Information São Paulo, Brazil To say São Paulo is a sprawling megalopolis is a serious understatement; it's as difficult to master at first glance as Moby Dick. Founded by Jesuit missionaries in the 16th century, it dwarfs other Brazilian cities in all aspects. Sampa, as locals call it, might not have the famous modernist architecture of Brasilia, the lure of sultry beaches of Bahia, or the iconic statue of Christ the Redeemer to watch over, yet its certain effervescence elevates traveling souls. The largest metropolitan area south of the Equator, not just in Brazil, overwhelms the senses with cutting-edge art galleries, vibrant street art (Pichação), finest restaurants, and jovial nightlife. A cosmopolitan chaos of mashed cultures, it emanates a vibe of New York in South America. The city is a part tropical paradise as harmless showers drizzle the fast-paced (but warm-heated) Paulistanos who are haunted by the thoughts of commuting in their urban pursuits. Sao Paulo Tourist Map Image not found Sao-Paulohttps://www.mapsofworld.com/brazil/maps/sau-paulo-tourist-attractions-map.jpg tourist map Sao Paulo Tourist Map Like the Duomo in Florence, which towers above the Renaissance, the Neo-Gothic Sao Paulo Cathedral lurks above the shadows of palm trees. Pinacoteca do Estado de São Paulo exhibits wide collection of 19th-century Brazilian artworks and São Paulo Museum of Art (MASP) holds arguably the most significant collection of artworks in South America. Sao Paulo Aquarium (Aquário de São Paulo) – the largest aquarium in Latin America – houses more than 3,000 animals from nearly 300 species. -
Exhibition Guide Silveira June 5, 2019
510 West 26 Street Alexander Gray Associates New York NY 10001 United States Tel: +1 212 399 2636 www.alexandergray.com Model for "Supersonic Goal" (Pacaembu Stadium, São Paulo, Brazil), 2004, enamel, adhesive vinyl, paper, and wood, 10.25h x 33.63w x 21d in (26.04h x 85.41w x 53.34d cm) Regina Silveira: Unrealized / Não feito June 5 – July 12, 2019 Alexander Gray Associates presents an exhibition of ten unrealized projects by multidisciplinary artist Regina Silveira. Emphasizing Silveira’s ongoing formal experimentation and conceptual interventions in architecture, the works on view provide an overview of site-specific installations and public art projects that were never realized in physical space. Regina Silveira: Unrealized / Não feito is the Gallery’s fifth solo presentation of Silveira’s work, and celebrates a decade since her first Gallery exhibition in 2009. A pioneering figure in Brazilian art, for over five decades Silveira has utilized surprise and illusion as methodologies for the destabilization of perspective and reality. Silveira began her career in the 1950s under the tutelage of expressionist Brazilian painter Iberê Camargo, studying lithography and woodcut, as well as painting. In the 1970s, Silveira experimented with printmaking and video, spearheading a movement of radical artistic production during a time of military repression in Brazil. Since the 1980s, Silveira has executed numerous large-scale installations in libraries, public plazas, roadways, parks, museum facades, public transit centers, and other institutional sites. The works on view in Unrealized / Não feito offer a unique glimpse into Silveira’s process and methodology and catalyze possibilities for future experimentation. -
Note of Explanation Introduction
Notes Note of Explanation 1. Richard Morse, From Community to Metropolis: A Biography of São Paulo, Brazil (Gainesville: University of Florida Press, 1958); Annibal Villanova Villela and Wilson Suzigan, Política do governo e crescimento da economia brasileira, 1889–1945 (Rio de Janeiro: Instituto de Planejamento Econômico e Social/Instituto de Pesquisas, 1977); and Carlos Manuel Peláez and Wilson Suzigan, História monetária do Brasil: análise da política, comportamento e instituições monetárias (Brasília: Editora da Universidade de Brasília, 1981). Introduction 1. Throughout the book, these three groups are referred to as the Escritório (F.P. Ramos de Azevedo Technical Firm), DOP (Municipal Works Department), and Cia City (City of São Paulo Improvements and Freehold Land Company Limited), respectively. 2. Historians have positioned themselves within different paradigms in the discipline, as seen in Stanley Stein’s “The Historiography of Brazil: 1808–1889,” Hispanic American Historical Review 40, no. 2, (1960): 234–78; Thomas Skidmore’s “Studying the History of Latin America: A Case of Hemispheric Convergence,” Latin American Research Review 1998; and John Johnson’s “One Hundred Years of Historical Writing on Modern Latin America by U.S. Historians,” Hispanic American Historical Review 65, no. 4 (1985): 745–766. The study of the history of Brazil was at first diachronic- ally divided into periods—colonial (from encounter to 1816), empire (1816–1889), the “Old Republic” (1889–1930), the first time Vargas was in power (1930–1945), the democratic era (1945–1964), military dictatorship (1964–1985), and the New Republic (1985 to present)—and then saw its emphasis gradually move from periodization to other methodological approaches. -
SCHOLARSHIP REPORT Ana
IBRA SCHOLARSHIP Name of Scholar: Ana M Far Riera MD; Resident Orthopaedic Surgery. Hospital Son Llàtzer, Palma de Mallorca. España Name of Training Center: Sao Paulo Hand Center, Hospital BeneFicencia Portuguesa. Sao Paulo, Brasil Director of Training Center: Dr Gustavo Mantovani Ruggiero Date of Scholarship: 02/02 – 30/03/2015 During two moths I had the privilege to stay in Sao Paulo Hand Center (Hospital BeneFicencia Portuguesa) in Brazil under the supervision oF Dr Gustavo Mantovani Ruggiero, Focusing mainly on Hand Surgery. São Paulo is the capital oF the state oF São Paulo, located in southeastern Brazil. The city has signiFicant cultural, economic and political inFluence both nationally and internationally. It is home to several important monuments, parks and museums such as the Latin American Memorial, the Ibirapuera Park, Museum oF Ipiranga, São Paulo Museum oF Art, and the Museum oF the Portuguese Language. The city holds high proFile events, like the São Paulo Art Biennial, the Brazilian Grand PriX, São Paulo Fashion Week and the ATP Brasil Open. Beneficência Portuguesa Hospital of São Paulo was Founded in 1859, is now considered the largest and most advanced private hospital compleX in Latin America. It consists oF two units: the Hospital of Sao Joaquim and the Hospital de Sao Jose. With a total area of 143 thousand square meters and 1,165 beds and 35 operating rooms. During this time I also had the chance to witness many shoulder, elbow and hand surgeries with the Shoulder Group of Hospital Santa Caterina (Dr José Carlos García Jr) and the Hand, Microsurgery and Replantation Group oF the Hospital das Clinicas (Dr Alvaro Baik Cho) My weekly planning was quite varied and variable depending on the surgeries of diFFerent groups. -
Bosque Como Refúgio Para As Briófitas: O Caso Do Parque
Bol. Mus. Para. Emílio Goeldi. Cienc. Nat., Belém, v. 14, n. 3, p. 331-361, set.-dez. 2019 Bosque como refúgio para as briófitas: o caso do parque Ibirapuera, em São Paulo, Brasil City parks as refuges for bryophytes: the case of Ibirapuera Park, in São Paulo, Brazil Sandra Regina Visnadi Instituto de Botânica. São Paulo, São Paulo, Brasil Resumo: A brioflora está empobrecendo em muitos países e, no entanto, forma um grupo de plantas importante para a sustentabilidade da sociedade. O presente artigo trata das briófitas do parque Ibirapuera – que possui áreas com bosque heterogêneo, entre áreas onde predominam edificações, córrego e lagos –, na cidade de São Paulo. O material totaliza 688 exsicatas depositadas no Herbário Maria Eneyda Pacheco Kauffmann Fidalgo, do Instituto de Botânica, além de duplicatas, no Herbário da Prefeitura do Município de São Paulo. O parque Ibirapuera possui 63 espécies de briófitas. Muitas delas se restringem a determinadas áreas do parque, onde várias ocorrem ainda em locais únicos. A maior riqueza da brioflora nas áreas com bosque heterogêneo, em relação às áreas onde predominam as edificações, comprova que as primeiras áreas servem como refúgio para várias espécies de briófitas, no parque Ibirapuera. Esses resultados demonstram a importância que a arborização tem para a conservação da brioflora do parque, a qual – agora conhecida – pode contribuir para o monitoramento da qualidade ambiental do local. A flora de briófitas destaca-se por apresentar uma variedade e uma espécie endêmicas do Brasil, duas espécies ameaçadas de extinção, sendo uma delas citada pela primeira vez para o país. Palavras-chave: Antóceros. -
Metro: the Best Way to Know São Paulo
Metro: the best way to know São Paulo There is no better option than the Metro to visit the countless tourist sites in the largest city in Brazil – and one of the largest in the world. Note: many attractions can be reached on a single metro ride. For more distant locations, metro integrated bus lines are available. Running 74.3 kilometers of rail through 64 stations, the São Paulo metro is your best bet for getting to the host of tourist and cultural attractions located throughout this sprawling metropolis. Some of these locations, including Paulista and Liberdade Avenues ("the Eastern district"), can be accessed directly by metro. Other more distant destinations, such as the Zoo and Carmo Park, can be reached by using one of the many metro integrated bus lines. 1 Line-Blue: riders have access to the Imigrantes Expo Center, the Botanic Garde, the São Paulo Cultural Center, the Banco do Brasil Cultural Center, the Sacred Art Museu, the Portuguese Langar Art Museum, 25 de Março Street, the Japanese Immigrant Museum, the São Paulo State Art Gallery São Paulo See Metropolitan Cathedral, the Samba Boulevard and Anhembi Park. 2 Line-Green: visitors can tour the Itaú Cultural Institute, the São Paulo Art Museum (MASP), the Casa das Rosas, the Jewish Cultural Center, Ipiranga Museum, the São Paulo Aquarium and the Football Museum, an annex of Pacaembu Stadium. 3 Line-Red: riders can visit the Latin American Memorial, Água Branca Park, Carmo Park, and the Immigrants Memorial. 5 Line-Violet: the main attraction along this line is Santo Amaro Station, the first metro line station built under a cable stayed bridge, which spans the Pinheiros River. -
São Paulo – Sampa to Its Friends – Has a Dynamic Art Scene, from the Graffitied Streets to the Palaces of Culture
The SAMPA beat São Paulo – Sampa to its friends – has a dynamic art scene, from the graffitied streets to the palaces of culture. Paul Richardson rounds up the galleries to visit and the artists to look out for Photographs by Carol Sachs Choque Cultural Left, Alex Katz, Ulla in With its all-over black-and-white patterned livery, Black Hat, 2010, at Choque Cultural doesn’t look like your standard Luciana Brito. Below, Yuri modern art gallery. And Baixo Ribeiro and Mariana Oliveira and Julia Brito Martins don’t have much in common with their with, from left: Rochelle counterparts in upmarket Jardins. Their discourse Costi, Acervo, from the defiantly pits ‘urban’ against the bourgeois rt has been one of the great series Vende-se Tudo, constructs of ‘conventional’ contemporary art. beneficiaries of Brazil’s decade-long economic 2004 – 6; Delson Uchôa, ‘Culture Shock’ avoids certain aspects of the boom. The statistics are remarkable: a recent report Soleira, 2004 – 7; Thomaz traditional gallery, although Ribeiro does go to suggested that two-thirds of the country’s galleries Farkas, Presidente art fairs now that the stock of Brazilian street art opened their doors in the past 15 years, and that Juscelino Kubitschek no has begun to rise. The art sold here is affordable almost three-quarters of international collectors dia da inauguração de (Daniel Melim, the most expensive artist, prices own work by Brazilian artists or intend to do so. Brasília, 21 de abril, 1960, his biggest pieces at just US$12,000), making it Artistic creation has always been important and Populares sobre an attractive proposition for novice collectors. -
Relatório Anual De 2001
2017 Activities Report . FFM − 2017 Annual Report 1 / 136 FFM − 2017 Annual Report 2 / 136 SUMMARY 05 PRESENTATION 07 MESSAGE FROM THE BOARD OF DIRECTORS 08 FFM IN NUMBERS 09 INTEGRAL HEALTH CARE ACTIONS 10 FM/HCFMUSP SYSTEM 13 USP SCHOOL OF MEDICINE 15 HOSPITAL DAS CLÍNICAS DA FMUSP (CLINICS HOSPITAL OF THE UNIVERSITY OF SÃO PAULO SCHOOL OF MEDICINE) 17 UNIVERSITY AGREEMENT 21 Special Procedures 24 Institutes, Auxiliary Hospitals and Specialized Health Units from HCFMUSP System 37 Other Health Units 39 MANAGEMENT CONTRACTS 39 Management Contract of the Cancer Institute of the State of São Paulo − ICESP 43 Lucy Montoro Rehabilitation Institute Management Contract 47 SOCIAL AID ACTIONS 48 MAJOR SOCIAL AID PROJECTS 48 "Bandeira Científica" Project 50 Equilíbrio Program 51 "Visão do Futuro" (Vision of Future) Program 52 AFINAL Program 53 Treatment of Cleft Palate 53 Mental Health Training − CASA Foundation FFM − 2017 Annual Report 3 / 136 55 AID PROJECTS 56 HIV/AIDS VIRUS AND SEXUALLY TRANSMITTED DISEASES CARRIERS 62 PEOPLE WITH DISABILITY 66 ONCOLOGICAL PATIENTS 73 CHILDREN AND YOUTH 77 FAMILIES AND WOMEN 79 ELDERLY 83 RESEARCH PROJECT 84 MAIN RESEARCH PROJECTS 97 CLINICAL STUDIES 99 HEALTH POLICY PROJECTS 100 MAIN HEALTH POLICY PROJECTS 111 INSTITUTIONAL PROJECTS 112 MAIN INSTITUTIONAL PROJECTS 117 FFM PROFILE 118 BRIEF HISTORY 119 CONSOLIDATED RESULTS 120 STRATEGIES 126 ORGANIZATIONAL STRUCTURE 131 2017 FINANCIAL BALANCE SHEET SUMMARY 133 ABBREVIATIONS USED IN THIS REPORT 135 FFM ADMINISTRATION 136 EDITORIAL BOARD FFM − 2017 Annual Report 4 / 136 PRESENTATION FFM reinforces its commitment in supporting the activities of theFMUSP and its HCFMUSP, by complying with their statute guidelines. -
SPSAS Climate Change General Instructions and Guide
SPSAS Climate Change São Paulo School of Advanced Science on Climate Change: Scientific basis, adaptation, vulnerability and mitigation 3-15 July 2017, São Paulo, Brazil General Instructions and Guide Instituto de Astronomia, Geofísica e Ciências Atmosféricas, Universidade de São Paulo (IAG/USP). Rua do Matão, 1226. Cidade Universitária, São Paulo – SP, Brazil. CEP: 05508-090. Advanced School website: www.incline.iag.usp.br/data/spsascc.php IAG website: www.iag.usp.br IAI website: www.iai.int INCLINE website: www.incline.iag.usp.br Hosts: Sponsors: SPSAS Climate Change Contents Getting from GRU Airport (Cumbica) to the hotel ................................................................ 4 Ground transportation from GRU Airport to Golden Tower São Paulo Hotel ............................ 4 “Airport Bus Service” at GRU Airport ......................................................................................................... 5 Private transportation from GRU Airport to Golden Tower São Paulo Hotel ............................. 5 Getting from CGH Airport (Congonhas) to the hotel ........................................................... 6 Ground transportation from CGH Airport (Congonhas) to Golden Tower São Paulo Hotel . 6 Private transportation from CGH Airport (Congonhas) to Golden Tower São Paulo Hotel .. 6 Hotel accommodation ...................................................................................................................... 7 Around the Hotel .............................................................................................................................................. -
Football / Soccer
ROTEIRO TEMÁTICO THEMATIC TOUR: Futebol / Football / Soccer Este material faz parte da série Roteiros Temáticos. Vivencie e explore São Paulo em roteiros que oferecem outras treze perspectivas da cidade: Roteiro Afro, Arquitetura pelo Cen- tro Histórico, Arte Urbana, O Café e a História da Cidade, Cidade Criativa, Ecorrural, Geek, Independência do Brasil, Mirantes, Zona Leste, Polo de Ecoturismo de São Paulo, Fé e Espiritualidade e São Paulo e suas Faces. This brochure is part of the Thematic Tours series. Live and explore São Paulo through tours that provide thirteen other perspectives of the city: Afro-Brazilian Tour, Architecture in Downtown, Street Art, Coffee and the History of São Paulo City, Creative City, Eco Rural, Geek, Brazilian Inde- pendence, Vistas, East Side, Ecotourism Zone of São Paulo, Faith and Spirituality and São Paulo and its Faces. Mapa Map 2a edição / 2nd edition 1 2 3 4 5 Legenda / Key R. Leão XIII Narchi Zachi Av. R. Estela B. Morato SANTANA Av. Ns. do Ó R. Chico Pontes Av. Cruzeiro Av. Terminal Rodoviário Av. Angelina ESTAÇÃO PIQUERI Av. Ns. do Ó s R. Balsa e Sul do r R. Maria Cândida A a Av. Casa Verde Bus Terminals lv Á Av. Marginal Tietê o R. Carandaí PARQUE DA n Av. Brás Leme CPTM a JUVENTUDE t e R. Mto G. Migliori a Regional trains C BASE AÉREA DO . CARANDIRU g CAMPO DE MARTE R. Gino Cesaro Informação Turística n E R. Saguairu SANTANA Metrô . v R. São Quirino Tourist Information A A R. Mateo Forte PARQUE VILA Subwayv. Av. Santos Dumont GUILHERME Erm R. -
Pacaembu Specimen V. 1.0 ©2020 Álvaro Franca & Felipe Casaprima
Pacaembu Specimen v. 1.0 ©2020 Álvaro Franca & Felipe Casaprima / Naipe Foundry Pacaembu Specimen 1.0 September 2020 Álvaro Franca, Felipe Casaprima P A C A E M B Ú 1. 0 Naipe Foundry WWW.NAIPE.XYZ [email protected] Pacaembu Specimen v. 1.0 Pacaembu Specimen 1.0 Naipe Foundry Álvaro Franca, Felipe Casaprima Pacaembu THIN Pacaembu LIGHT Pacaembu MEDIUM Pacaembu REGULAR Pacaembu BOLD Pacaembu BLACK Pacaembu ULTRA WWW.NAIPE.XYZ [email protected] n ©2020 Álvaro Franca & Felipe Casaprima / Naipe Foundry Pacaembu Specimen v. 1.0 SELEÇÃO 1970 57 Preguiçosos 1940 ART DECO✍ DR. SÓCRATES SPHINX OF BLACK abcdefghijklmn QUARTZ JUDGE⚽ ✋opqrstuvwxyz落 32 MY VOW 68 ©2020 Álvaro Franca & Felipe Casaprima / Naipe Foundry Pacaembu Specimen v. 1.0 GO⚽OOOO OOO⚽OOOO OOO⚽OOO OOO⚽OOOO OOO⚽OOO OOOO⚽OOO OOOO⚽OL! ©2020 Álvaro Franca & Felipe Casaprima / Naipe Foundry Pacaembu Specimen v. 1.0 ✌ ✋✍酪駱 ✊爛⚽爛 ☝落✌☟ 爛⚽爛✊ ✋酪✍駱 ©2020 Álvaro Franca & Felipe Casaprima / Naipe Foundry Pacaembu Specimen v. 1.0 SELEÇÃO BRASILEIRA 1982 C. Telê Santana 11 Éder 09 Serginho Chulapa 15 Falcão 10 Zico 08 Sócrates 06 Júnior 05 Cerezzo 02 Leandro 03 Oscar 04 Luizinho 01 Waldir Peres ✋ arcelona, 5 July 1982, 19:15 CET. Mediterranean country of Italy. In the bowels of the Estadi The reason for this global outpouring de Sarrià, men are sobbing of grief? Brazil had just been knocked uncontrollably while some are just out of the 1982 World Cup at the hands Bvacantly staring, too numb to comprehend of the Azzurri. But this was no ordinary what has just happened.