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Rassegna Bibliografica 2007 (Con Integrazioni Per Il 2006 E Anni Precedenti) 259 GIOVANI, NISI, MIUCCI – RASSEGNA BIBLIOGRAFICA 2007 (CON INTEGRAZIONI PER IL 2006 E ANNI PRECEDENTI) Rassegna bibliograica 2007 (con integrazioni per il 2006 e anni precedenti) A CURA DI GIULIA GIOVANI, ANGELA NISI, LEONARDO MIUCCI L’aggiornamento della bibliograia corrente rappresenta uno Politics»): <http://www.doaj.org/doaj?func=subject&cpid=6>. dei principali strumenti ai ini della ricerca musicologica che Particolarmente interessante è la disponibilità sul sito della riguardi le fonti musicali italiane o le tenga in considerazione. SIdM del volume 12/2007 della presente rivista con la possi- Nonostante ciò, però, la ricognizione di un insieme così vasto bilità di ricerca full-text nei saggi e nella rassegna bibliogra- di fonti, come quello oggetto della nostra rassegna, non è di ica. La stessa SIdM ha in progetto di digitalizzare tutti i facile realizzazione, principalmente a causa dell’irregolarità volumi di «Fonti Musicali Italiane» e renderli quindi disponi- delle uscite dei periodici, dei tempi lunghi con cui essi ven- bili sul sito. gono messi a disposizione dell’utenza nelle biblioteche musi- Inine preghiamo gli studiosi di far pervenire le segnala- cali, ino alla carenza di informazioni bibliograiche all’interno zioni di attuali e future pubblicazioni all’indirizzo della So- dei cataloghi dei vari editori (manca spesso l’anno di pubbli- cietà Italiana di Musicologia ([email protected]) per far sì cazione o la minima informazione sul contenuto di un vo- che il nostro lavoro di ricognizione bibliograica possa es- lume o di una miscellanea). È tuttavia da segnalare la sempre sere sempre più completo ed esaustivo. Vorremmo ringra- crescente presenza di importanti strumenti di ricerca infor- ziare tutti coloro, prima fra tutti Bianca Maria Antolini (una matici, quali cataloghi e motori di ricerca, sebbene non tutti costante presenza al nostro ianco), che ci hanno costante- siano di pubblico accesso. mente aggiornato ed inviato segnalazioni: Maurizio Agamen- La Rassegna Bibliograica 2007 si pone come obiettivi, in none, Giuseppe Alieri, Claudio Bacciagaluppi, Patrizio Bar- continuità con quelle degli anni precedenti, la raccolta del bieri, Ottavio Beretta, Virgilio Bernardoni, Franz Biersack, più gran numero possibile di pubblicazioni riguardanti le fonti Francesco Bissoli, Carmela Bongiovanni, Sergio Buovolo, Ar- utili alla storia della musica in Italia; per questo motivo è mando Carideo, Antonio Caroccia, Pinuccia Carrer, Teresa stata realizzata seguendo gli stessi criteri e con la medesima Chirico, Simone Cioli, Giovanna Clerici, Cesare Corsi, Vania articolazione, vale a dire divisa in due sezioni - a) Monograie, Dal Maso, Filomena De Luca, Mariateresa Dellaborra, David Articoli, ecc. a cura di Giulia Giovani e Angela Fisi, b) Edi- Di Paoli Paulovich, Dorothea Fluegel (Henle Verlag), Saverio zioni musicali a cura di Leonardo Miucci. Franchi, Piero Gargiulo, Giuliana Gialdroni, Teresa Maria Gial- Strumento principale per la compilazione di questa rasse- droni, Pier Giuseppe Gillio, Lungarno Guicciardini, Nicoletta gna è stata la consultazione e lo spoglio di molte riviste spe- Guidobaldi, Kostas Kardamis, Mark Knoll (Steglein Publi- cializzate, nazionali ed internazionali, e di riviste a carattere shing), Carlo Lo Presti, Nicolò Maccavino, Daniela Macchio- storico letterario e a carattere provinciale/regionale, oltre ne, Ausilia Magaudda, Paologiovanni Maione, Silvio Malgarini, che lo spoglio di numerosissime miscellanee tra cui molte Priscilla Mancini, Roberta Milanaccio, Stefano Molino, Giu- raccolte di atti di convegni. Abbiamo potuto constatare che seppe Montemagno, Giovanni Morelli, Maria Rosa Moretti, sempre più riviste hanno una versione on-line (open-source Johannes Mundry, Margaret Murata, Claire Nauleau, Costanza o a pagamento). In particolare, è disponibile la Directory of Olschki, Paolo Peretti, Elisabetta Rocco, Roberto Satta, Ales- open access journals attraverso la quale è possibile consultare sandro Savasta, Giacomo Scaramuzza, Fabrizio Scipioni, Chri- alcune riviste musicali e/o musicologiche open-source (tra stine Siegert, Maria Grazia Sità, Paolo Sullo, Maurizio Tarrini, cui anche alcune di nuova creazione, come «Music & Bianca Maria Tonello, Lucio Tufano. 260 FONTI MUSICALI ITALIANE Saggi, Monograie, Atti, Miscellanee, Cataloghi, ecc. 10. ALFONSO ALBERTI, Niccolò Castiglioni 1950-1966, «Mu- sica/Realtà», 2007, n. 84, pp. 119-152. 11. BRIAN ALEGANT, JOHN LEVEY, Octatonicism in Luigi Dal- 1. 70° Maggio musicale iorentino. Mito e contemporaneità. lapiccola’s twelve-note music, «Music Analysis», XXV, 24 aprile-30 giugno 2007, a cura del Maggio musicale 2007, nn. 1-2, pp. 39-87. iorentino, Bologna, Pendragon, 2007. 12. Alexander Agricola. Musik zwischen Vokalität und Instru- 2. ALESSANDRO ABBATE, Due autori per un testo di con- mentalismus, herausgegeben von Nicole Schwindt, trappunto di Scuola napoletana: Leonardo Leo e Michele Kassel e New York, Bärenreiter, 2007 (Trossinger Gabellone, «Studi Musicali», XXXVI, 2007, n. 1, pp. 123-160. Jahrbuch für Renaissancemusik, 6). Contiene: NICOLE 3. ELENA ABRAMOV-VAN RIJK, Evidence for a revised dating SCHWINDT, «Clarus vocum manuumque». Alexander Agri- of the anonymous fourteenth-century Italian treatise Ca- cola, Komponieren zwischen den Stühlen, pp. 9-10; FA- pitulum de vocibus applicatis verbis, «Plainsong and BRICE FITCH, Agricola and the Rhizome II. Contrapuntal Medieval Music», XVI, 2007, n. 1, pp. 19-30. ramiications, pp. 11-18; PETER WOETMANN CHRISTOF- 4. FRANCO ACKERMANS, LUIGI AGUSTONI (†), INGA FERSEN, Alexander Agricola’s vocal style. «Bizarre» and BEHRENDT, RUPERT FISCHER (†), JOHANNES BERCHMANS «surly», or the lower of the singer’s art?, pp. 59-82; GÖSCHL, BERNHARD HUBER, LIOBGID KOCH, JOSEF WARWICK EDWARDS, Agricola’s songs without words. The KOHLHÄUFL, HEINRICH RUMPHORST, ALEXANDER sources and the performing traditions, pp. 83-122; EU- SCHWEITZER, STEPHAN ZIPPE, Vorschläge zur Restitution GEEN SCHREURS, Instrumental music and performance von Melodien des Graduale Romanum (Teil 21: 17 bis practice in the low countries. The case of Agricola’s 22. Sonntag im Jahreskreis), «Beiträge zur Gregori- «D’ung aultre amer» in context, pp. 123-140; MARC anik», XLIII, 2007, pp. 11-60. LEWON, «Alexandre Agricola et ung bon joneur de luz». 5. FRANCO ACKERMANS, LUIGI AGUSTONI (†), MICHAEL AN- Agricola und die Laute, pp. 141-170; KEES BOEKE, Agri- DERL, INGA BEHRENDT, RUPERT FISCHER (†), JOHANNES cola and the «Basevi Codex». Some considerations about BERCHMANS GÖSCHL, BERNHARD HUBER, LIOBGID KOCH, the performance of chansons, pp. 171-184; ANDREA JOSEF KOHLHÄUFL, HEINRICH RUMPHORST, ALEXANDER LINDMAYR-BRANDL, Das Alte und das Neue. Agricolas SCHWEITZER, STEPHAN ZIPPE, Vorschläge zur Restitution Fortuna desperata im Interpretationsvergleich, pp. 185- von Melodien des Graduale Romanum, Teil 22, «Beiträge 198. zur Gregorianik», XLIV, 2007, pp. 11-48. 13 GIAN FRANCESCO AMOROSO, Da Mameli ad Alba: un 6. GIUSEPPE AGAZZINI, Una composizione musicale molto progetto cinematograico di Ruggero Leoncavallo, rara, «Il Gaudenziano», 2006, n. 9, pp. 5-10 (nell’archi- «AAA.TAC», IV, 2007, pp. 39-58. vio capitolare di S. Gaudenzio). 14. MARINO ANESA, La banda musicale di Montevarchi 7. RICHARD J. AGEE, The printed dissemination of the 1807-2007, Fiesole, Servizio Editoriale Fiesolano, 2006. roman gradual in Italy during the early modern period, 15. Annäherungen. Festschrift für Jürg Stenzl zum 65. Ge- «Notes», LXIV, 2007, n. 1, pp. 9-42. burtstag, herausgegeben von Ulrich Mosch, Saar- 8. CHRISTIAN AGRILLO, L’esperienza concertistica e i pro- brücken, Pfau, 2007. Si segnalano: WALTER LEVIN, cessi neurocognitivi, Roma, Carocci, 2007 (Biblioteca Divertimento Notturno, p. 13; ERIKA SCHALLER, Luigi di testi e studi, 406). Nono: Das atmende Klarsein (1980-81) für kleinen 9. NINO ALBAROSA, Latino medievale e canto gregoriano: Chor, Basslö te, Live-Elektronik und Tonband. Versuch accentazione delle parole, «Studi Gregoriani», XXIII, einer inhaltlichen Interpretation, pp. 238-245; PHILIPPE 2007, pp. 21-30. ALBÈRA, Nono et l’idée de la musique engagée, pp. 246- 261 GIOVANI, NISI, MIUCCI – RASSEGNA BIBLIOGRAFICA 2007 (CON INTEGRAZIONI PER IL 2006 E ANNI PRECEDENTI) 249; HEINZ-KLAUS METZGER, Nuova Musica - oscura o genre’s tradition, pp. 211-231; PETER WALLS, Construct- illuminata, pp. 276-280. ing the archangel. Corelli in 18th-century editions of opus 16. Annuario dello spettacolo 2006, a cura dell’Uficio Sta- 5, pp. 233-252; MICHAEL TALBOT, «Full of graces». tistica della SIAE, Roma, Artemide, 2007. Anna Maria receives ornaments from the hands of Anto- 17. BIANCA MARIA ANTOLINI, Roma di ine Ottocento: una nio Vivaldi, pp. 253-268; ANTONELLA D’OVIDIO, Coli- capitale per la musica, «Archivio della Società romana sta, Lonati, Stradella. Modelli compositivi della sonata a di storia patria», CXXX, 2007, pp. 29-42. tre a Roma prima di Corelli, pp. 271-303; ELEANOR F. 18. GIANFRANCESCO ARANEO, ANGELO FARINA, ANDREA MCCRICKARD, Dance and Stradella’s trio sonatas, impli- FROVA, Study of acoustical properties in the Santa Ceci- cations for Corelli’s opp. I and III, pp. 305-326; SANDRA lia Concert Hall in Rome, «Il Saggiatore Musicale», XIII, MANGSEN, (Re)playing Corelli’s trios, pp. 327-344; FEDE- 2006, n. 2, pp. 205-220. RICO VIZZACCARO, Da Simonelli a Corelli e ritorno. Rivi- 19. FRANCO ARATO, Lettere in musica. Gli scrittori e l’opera sitazione di un topos musicologico, pp. 345-363; ENRICO del Novecento, Novi Ligure, Città del Silenzio Edi- CARERI, Esempi di ridondanza nelle sonate
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