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The Commissioned Flute Choir Pieces Presented By
THE COMMISSIONED FLUTE CHOIR PIECES PRESENTED BY UNIVERSITY/COLLEGE FLUTE CHOIRS AND NFA SPONSORED FLUTE CHOIRS AT NATIONAL FLUTE ASSOCIATION ANNUAL CONVENTIONS WITH A BRIEF HISTORY OF THE FLUTE CHOIR AND ITS REPERTOIRE DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Yoon Hee Kim Graduate Program in Music The Ohio State University 2013 D.M.A. Document Committee: Katherine Borst Jones, Advisor Dr. Russel C. Mikkelson Dr. Charles M. Atkinson Karen Pierson Copyright by Yoon Hee Kim 2013 Abstract The National Flute Association (NFA) sponsors a range of non-performance and performance competitions for performers of all ages. Non-performance competitions are: a Flute Choir Composition Competition, Graduate Research, and Newly Published Music. Performance competitions are: Young Artist Competition, High School Soloist Competition, Convention Performers Competition, Flute Choirs Competitions, Professional, Collegiate, High School, and Jazz Flute Big Band, and a Masterclass Competition. These competitions provide opportunities for flutists ranging from amateurs to professionals. University/college flute choirs perform original manuscripts, arrangements and transcriptions, as well as the commissioned pieces, frequently at conventions, thus expanding substantially the repertoire for flute choir. The purpose of my work is to document commissioned repertoire for flute choir, music for five or more flutes, presented by university/college flute choirs and NFA sponsored flute choirs at NFA annual conventions. Composer, title, premiere and publication information, conductor, performer and instrumentation will be included in an annotated bibliography format. A brief history of the flute choir and its repertoire, as well as a history of NFA-sponsored flute choir (1973–2012) will be included in this document. -
The New York Flute Club
“When I was growing up in New York City, the New York Flute Club was my first exposure to the wider world of the flute and to the special camaraderie that flutists share.” —Robert Dick The New York Flute Club A Centennial History Nancy Toff Presidents The New York Flute Club: A Centennial History The beginnings were decidedly modest, but also a bit of a provocation in a New York City apartment building: in December 1920, Georges Barrère, principal flutist of the New York Symphony Orchestra and flute teacher at the Institute of Musical Art, invited 16 flutists to his apartment to play the Kuhlau Grand Quartet, four to a part. We don’t know what the neighbors thought, but the flutists were sufficiently inspired that they started a club. The New York Flute Club was officially incorporated on December 31, 1920; the first regular meeting took place on Georges Barrère January 9, 1921. The inaugural board (1920–44) consisted of Barrère, president; Mrs. Eliot John Wummer Sue Ann Kahn Henderson (professional name: May Lyle (1944–47) (1989–92) Smith), first VP; William Kincaid, then a Milton Wittgenstein Nancy Toff member of the New York Chamber Music (1947–52) (1992–95, 2008–11, 2018–present) Society, second VP; Milton Wittgenstein, Mildred Hunt Wummer Rie Schmidt on staff at WQXR, recording secretary; (1952–55, 1963–64) (1995–98) and flutist-composer Lamar Stringfield, Frederick Wilkins Patricia Spencer treasurer. (1955–57) (1998–2001) The first concert took place on February 6 Harry H. Moskovitz Jan Vinci in the Rose Room of the ornate Ansonia (1957–60, 1967–70) (2001–02) Hotel, at Broadway and 73rd Street, Paige Brook Jayn Rosenfeld sometime home to Caruso, Toscanini, (1960–63, 1970–73, 1982–83) (2002–05) Mahler, and Babe Ruth. -
Hsc Aug 2020
HSC Web Site: http://www.hollywoodstampclub.com/ HOLLYWOOD STAMP CLUB AUGUST 2020 HOLLYWOOD VOL 56 ISSUE 8 PHILATELIST INDEX France - Letter from 1938 - 1st Air Mail Transport with- CSA Sabena 1937 FFC, By Editor HSC Newsletter front page …………… P . 1 out surcharge - with English stamp - with claws FFC To London, General delivery, returned to sender. France The Societé Anonyme Belge d'Exploitation de la Navigation German 1900 Cover ………………...…...P . 1 Ceres, Scott 335 1.75 Fr Postmarked June 1, 1938. Upon arrival Aérienne (French; "Belgian Corporation for Air Navigation Ser- vices"), better known internationally by the acronym Sabena Cons. PBY Catalina ………………………...P . 2 in London additional postal added King George VI Scott 235 1/2 pence, deep green. [needs or SABENA, was the national airline of Belgium from CAS Sabena FFC …………………………..P . 1/8 1923 to 2001, with its base at Brussels National Airport. After its bankruptcy in 2001, the newly formed SN Brussels Airlines HSC PAGE & MEMBERS’ ……...………. P . 2 took over part of Sabena's assets in February 2002, which be- came Brussels Airlines after a merger with Virgin Express in East India Co, ……………………………… P . 3 March 2007. The airline's corporate headquarters were located in the Sabena House on the grounds of Brussels Airport in Old Kingdoms …………………………….P. 4/6 Zaventem. In Europe, Sabena opened services to Copenhagen Editor’s Ancestors Origins ………… P . 6/7 CSA Sabena Airlnes …………………….. P . 8 US DOD Forces …………………………… P . 9 ENRIQUE SETARO HSC EDITOR GB COVID-19 VVVVVVVVV First Flight Cover. Pari, Le Bourget to London Croydon, Airport. Air Union “Artois” Farman F- 60 Goliath F-CGEA. -
1 Pontifícia Universidade Católica Do Rio Grande Do
PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO GRANDE DO SUL FACULDADE DE FILOSOFIA E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA LEONARDO DE OLIVEIRA CONEDERA MÚSICOS NO NOVO MUNDO: A PRESENÇA DE MUSICISTAS ITALIANOS NA BANDA MUNICIPAL DE PORTO ALEGRE (1925-1950) Porto Alegre, 2017 1 LEONARDO DE OLIVEIRA CONEDERA MÚSICOS NO NOVO MUNDO: A PRESENÇA DE MUSICISTAS ITALIANOS NA BANDA MUNICIPAL DE PORTO ALEGRE (1925-1950) Tese apresentada como requisito para a obtenção do grau de Doutor pelo Programa de Pós-Graduação em História da Faculdade de Filosofia e Ciências Humanas da Pontifícia Universidade Católica do Rio Grande do Sul. Orientadora: Profª. Drª. Claudia Musa Fay Porto Alegre, 2017 2 3 LEONARDO DE OLIVEIRA CONEDERA MÚSICOS NO NOVO MUNDO: A PRESENÇA DE MUSICISTAS ITALIANOS NA BANDA MUNICIPAL DE PORTO ALEGRE (1925-1950) Tese presentada ao Programa de Pós-Graduação em História da Faculdade de Filosofia e Ciências Humanas da Pontifícia Universidade Católica do Rio Grande do Sul. Aprovada em 27 de março de 2017 BANCA EXAMINADORA: Profa. Dra. Claudia Musa Fay (orientadora) Prof. Dr. Antonio de Ruggiero (PUCRS) Prof. Dr. Luigi Biondi (UNIFESP) Profa. Vania Merlotti Herédia (UCS) Prof. Dr. Walter Zidarič (Université de Nantes) Porto Alegre 2017 4 Aos meus pais e a Núncia Santoro de Constantino (in memoriam) 5 AGRADECIMENTOS Estes sucintos agradecimentos, apesar de serem textualmente hierarquizados, mesclaram-se e ganharam importância em diferentes momentos. Expressão de minha gratidão, as palavras a seguir envolvem afetividades distintas. Ao Programa de Pós-Graduação em História da PUCRS, local que me oportunizou realizar os cursos de Mestrado e Doutorado. Obrigado a todos os professores e funcionários (da Secretaria e Laboratórios) da instituição que acompanharam e auxiliaram no andamento desta pesquisa ao longo dos anos. -
Erwin Schulhoff (1894-1942): an Analytical Study and Discussion
ERWIN SCHULHOFF (1894-1942): AN ANALYTICAL STUDY AND DISCUSSION OF CONCERTINO FOR FLUTE, VIOLA, DOUBLE BASS, WV 75, AND SONATA FOR FLUTE AND PIANOFORTE, WV 86 Maria D Alene Harman, B.A., M.M., G.A.C. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS December 2011 APPROVED: Mary Karen Clardy, Major Professor Warren Henry, Committee Member Jeffrey Bradetich, Committee Member Lynn Eustis, Director of Graduate Studies in Music James C. Scott, Dean of the College of Music James D. Meernik, Acting Dean of the Toulouse Graduate School Harman, Maria D Alene. Erwin Schulhoff (1894-1942): An analytical study and discussion of Concertino for Flute, Viola, Double Bass, WV 75, and Sonata for Flute and Pianoforte, WV 86. Doctor of Musical Arts (Performance), December 2011, 95 pp., 20 musical examples, 18 tables, references, 85 titles. Erwin Schulhoff (1894–1942) was a Czechoslovakian musician born in Prague, to a German-Jewish family, and whose life came to a premature end in 1942 at the Wülzburg concentration camp, near Weißenburg, Bavaria. Schulhoff’s life, compositional style, and two of his flute works are addressed in this dissertation: Sonata for Flute and Pianoforte, WV 86, and Concertino for Flute, Viola, and Double Bass, WV 75. Each work is considered as a discrete entity, and insight provided into the structure of the music; stylistic and compositional influences, form, phrase structure, and other aspects are discussed. The intended audience is the flutist seeking knowledge regarding the historical significance and performance of each piece. The analysis and summary of Schulhoff’s life and primary flute works will contribute to the understanding of performance scholarship of his music and provide a deeper understanding of the composer, from the perspective of musical and compositional style. -
2015 Washington, D.C
of Out Many, August 13–16, 2015 Washington, D.C. !,, 9/5.%%$ 4/+./7 !"/54 &,54%).352!.#% WWWFLUTEINSURANCECOM ,AKEVIEW$RIVE 3UITE! 3EBRING &,53! SERVICE ANDERSON GROUPCOM &,,ICENSE,s),,ICENSEs#!,ICENSE) 43RD ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, WASHINGTON D.C., 2015 3 nfaonline.org LET’S PLAY FLUTE! AN INNOVATIVE METHOD FOR STUDENTS OF ANY AGE by Elizabeth Weinzierl & Edmund Waechter Let’s Play Flute! is a new English adaptation of a successful method by noted *HUPDQÀXWLVWVDQGSHGDJRJXHV WITH PLAY-ALONG ONLINE AUDIO: 50600096 • Method Book 1 • 50600097 • Method Book 2 • 50600098 • Repertoire Book 1 • 50600099 • Repertoire Book 2 • 50600124 • Piano accompaniments for Method Books 1 & 2 • SPECIAL CONFERENCE OFFER FOR FLUTE TEACHERS Get a FREE copy of Method Book 1 at the Hal Leonard exhibit booth #417 while supplies last. 4 43RD ANNUAL NATIONAL FLUTE ASSOCIATION CONVENTION, WASHINGTON D.C., 2015 nfaonline.org rself Indulge you Choose your Powell and never look back. connect with us at booth #131. Follow us at #PowellFlutesDC. ® VERNE Q. POWELL® FLUTES INC. One Clock Tower Place, Maynard, MA 01754 USA 978.461.6111 www.PowellFlutes.com Table of Contents Letter from the President ................................................................................9 Officers, Directors, Staff, Convention Volunteers, and Competition Coordinators............................................................................14 Welcome Letter from the Mayor of Washington, D.C.............................18 From the Convention Program Chair..........................................................20 -
A Study of Language and Its Uses in Flute Performance and Pedagogy
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2021 A Study of Language and Its Uses In Flute Performance and Pedagogy Sarah Tuley University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2021.196 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Tuley, Sarah, "A Study of Language and Its Uses In Flute Performance and Pedagogy" (2021). Theses and Dissertations--Music. 183. https://uknowledge.uky.edu/music_etds/183 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. -
Jeanne Baxtresser╎s American Flute Heritage: a History of Tradition and Excellence
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2013 Jeanne Baxtresser's American Flute Heritage: A History of Tradition and Excellence David Manuel Graham Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC JEANNE BAXTRESSER’S AMERICAN FLUTE HERITAGE: A HISTORY OF TRADITION AND EXCELLENCE By DAVID MANUEL GRAHAM A Treatise submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Fall Semester, 2013 © 2013 David M. Graham David M. Graham defended this treatise on November 7, 2013. The members of the supervisory committee were: Eva Amsler Professor Directing Treatise James Mathes University Representative Timothy Hoekman Committee Member Patrick Meighan Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the treatise has been approved in accordance with university requirements. ii To My Family. iii ACKNOWLEDGMENTS The completion of this document would not have been possible without the guidance, support, and encouragement offered to me by my supervisory committee of Dr. Timothy Hoekman, Dr. James Mathes, and Professor Patrick Meighan. A sincere thank you to my teacher and committee chair, Eva Amsler for her years of guidance, wisdom, and inspiration during my time at Florida State. Under her supervision I have learned to become independent and mature as an artist and teacher. Her tutelage has profoundly affected me as a person and musician; for this I am grateful. Thank you to my teacher and mentor, Jeanne Baxtresser, for sharing with me her time, stories, and personal experiences that have been central to her development as a musician and teacher. -
Sign-Off for the Old Met : the Metropolitan Opera Broadcasts 1950-1966 Ebook, Epub
SIGN-OFF FOR THE OLD MET : THE METROPOLITAN OPERA BROADCASTS 1950-1966 PDF, EPUB, EBOOK Paul Jackson | 644 pages | 01 Mar 2003 | Hal Leonard Corporation | 9781574670301 | English | Milwaukee, United States Sign-Off for the Old Met : The Metropolitan Opera Broadcasts 1950-1966 PDF Book Leonardo De Lorenzo, a student of Carl Wehner stated " The Trashcan Opera Society. Army medical group in France in although his father Julius was still a German citizen. From trending social issues to classic literature, Gale resources have you covered. He began oboe study early at 6 years old at the Gnesin Academy of Music in Moscow. The Echo Dot will be provided in the form of a code fulfilled on Amazon. Eyle was a violinist with the Vienna Opera, and its subset, the Vienna Philharmonic. In , Serafin joined the conducting staff at the MET in the Italian repertoire for ten seasons until the end of In , he became Concertmaster of the Cincinnati Orchestra under the conductor Maratsek a musician whom I have not been able to identify 6. Some notes on the Principal viola position. In the s in Vienna, Bodanzky studied violin and composition with the young Alexander Zemlinsky , later known for his conducting and compositions. From May 14, Barry Millington, Stewart Spencer. Three of a Kind Editor 5 copies. Archives Unbound presents topically focused digital selections of historical documents that support the research and study needs of scholars and students at the college and university level. Horace Britt's brother Roger was a first violin with the Philadelphia Orchestra On CDs the 17 December broadcast still registers as the great show it was. -
Rassegna Bibliografica 2007 (Con Integrazioni Per Il 2006 E Anni Precedenti)
259 GIOVANI, NISI, MIUCCI – RASSEGNA BIBLIOGRAFICA 2007 (CON INTEGRAZIONI PER IL 2006 E ANNI PRECEDENTI) Rassegna bibliograica 2007 (con integrazioni per il 2006 e anni precedenti) A CURA DI GIULIA GIOVANI, ANGELA NISI, LEONARDO MIUCCI L’aggiornamento della bibliograia corrente rappresenta uno Politics»): <http://www.doaj.org/doaj?func=subject&cpid=6>. dei principali strumenti ai ini della ricerca musicologica che Particolarmente interessante è la disponibilità sul sito della riguardi le fonti musicali italiane o le tenga in considerazione. SIdM del volume 12/2007 della presente rivista con la possi- Nonostante ciò, però, la ricognizione di un insieme così vasto bilità di ricerca full-text nei saggi e nella rassegna bibliogra- di fonti, come quello oggetto della nostra rassegna, non è di ica. La stessa SIdM ha in progetto di digitalizzare tutti i facile realizzazione, principalmente a causa dell’irregolarità volumi di «Fonti Musicali Italiane» e renderli quindi disponi- delle uscite dei periodici, dei tempi lunghi con cui essi ven- bili sul sito. gono messi a disposizione dell’utenza nelle biblioteche musi- Inine preghiamo gli studiosi di far pervenire le segnala- cali, ino alla carenza di informazioni bibliograiche all’interno zioni di attuali e future pubblicazioni all’indirizzo della So- dei cataloghi dei vari editori (manca spesso l’anno di pubbli- cietà Italiana di Musicologia ([email protected]) per far sì cazione o la minima informazione sul contenuto di un vo- che il nostro lavoro di ricognizione bibliograica possa es- lume o di una miscellanea). È tuttavia da segnalare la sempre sere sempre più completo ed esaustivo. Vorremmo ringra- crescente presenza di importanti strumenti di ricerca infor- ziare tutti coloro, prima fra tutti Bianca Maria Antolini (una matici, quali cataloghi e motori di ricerca, sebbene non tutti costante presenza al nostro ianco), che ci hanno costante- siano di pubblico accesso. -
The Flutists of the John Philip Sousa's Band
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 2018 The Flutists of the John Philip Sousa’s Band: A Study of the Flute Section and Soloists Ramon da Silva Moraes University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Other Music Commons Recommended Citation da Silva Moraes, Ramon, "The Flutists of the John Philip Sousa’s Band: A Study of the Flute Section and Soloists" (2018). Dissertations. 1533. https://aquila.usm.edu/dissertations/1533 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. THE FLUTISTS OF THE JOHN PHILIP SOUSA’S BAND: A STUDY OF THE FLUTE SECTION AND SOLOISTS by Ramon da Silva Moraes A Dissertation Submitted to the Graduate School, the College of Arts and Letters, and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts May 2018 THE FLUTISTS OF THE JOHN PHILIP SOUSA’S BAND: A STUDY OF THE FLUTE SECTION AND SOLOISTS by Ramon da Silva Moraes May 2018 Approved by: _________________________________________ Dr. Danilo Mezzadri, Committee Chair Associate Professor, Music _________________________________________ Dr. Edward Hafer, Committee Member Associate Professor, Music _________________________________________ Dr. Joseph Brumbeloe, Committee Member Associate Professor, Music _________________________________________ Dr. -
To the Flutist Quarterly, Vols. XVI–XLV(45)
Index to The Flutist Quarterly, Vols. XVI–XLV(45) Prepared by Marilyn Bliss Explanatory Note: Names of authors of articles are in CAPITAL LETTERS; subject topics are in boldface. Page references are indicated as follows: volume/number:page. For instance, XXV/2:32 refers to volume XXV, number 2, page 32. Volume XVIII/3–4 was a combined issue, and Volume XXIX/1 was mislabeled as XXVIV/1. It has been treated in the index as XXIX/1. Starting with Volume XXXIX, the printed volume numbers have changed to Arabic; to preserve consistency, they will be treated parenthetically, i.e., XXXIX(39). The coverage scope of this index does not include in-depth indexing of news columns such as High Notes (only the column titles themselves are indexed) or of specific convention activities. For indexes of convention activities, please refer to the annual convention volumes. Advertisements are excluded from this index, but an advertisers' index can be found at the back of each Flutist Quarterly issue. Aarons, Martha, XLIII(43)/1:54 AARONSON, SCOTT contributor to Doing Your Own Recording, XXV/2:32 Abbey Road Studios, XXX/1:36–45, XXX/3:35 Abell, Chris, XXXIII/1:64 ABELN, MELISSA COLGIN The Solo Flute Sonata of C.P.E. Bach, XXX/1:48–55 ABIGANA, HILARY When the Path Less Traveled Is the Best Path, XLV(45)/3:51 Abigana, Hilary, XXXII/4:46, XLIV(44)/4:55 Abramovic, Charles, XLI(41)/2:21 Abravanel, Maurice, XXVIII/4:38 Abreu, Zequinha de, XXXI/1:48–49, XXXI/1:51 accentuation.