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METASTASIO COLLECTION at WESTERN UNIVERSITY Works Intended for Musical Setting Scores, Editions, Librettos, and Translations In

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METASTASIO COLLECTION at WESTERN UNIVERSITY Works Intended for Musical Setting Scores, Editions, Librettos, and Translations In METASTASIO COLLECTION AT WESTERN UNIVERSITY Works Intended for Musical Setting Scores, Editions, Librettos, and Translations in the Holdings of the Music Library, Western University [London, Ontario] ABOS, Girolamo Alessandro nell’Indie (Ancona 1747) (Eighteenth century) – (Microfilm of Ms. Score) (From London: British Library [Add. Ms. 14183]) Aria: “Se amore a questo petto” (Alessandro [v.1] Act 1, Sc.15) [P.S.M. Ital. Mus. Ms. Sec.A, Pt.1, reel 8] ABOS, Girolamo Artaserse (Venice 1746) (Mid-eighteenth century) – (Microfilm of Ms. Score) (From London: British Library [Add. Ms. 31655]) Aria: “Mi credi spietata?” (Mandane, Act 3, Sc.5) [P.S.M. Ital. Mus. Ms. Sec.C, Pt.2, reel 27] ADOLFATI, Andrea Didone abbandonata (with puppets – Venice 1747) (Venice 1747) – (Venice: Luigi Pavini, 1747) – (Libretto) [W.U. Schatz 57, reel 2] AGRICOLA, Johann Friedrich Achille in Sciro (Berlin 1765) (Berlin 1765) – (Berlin: Haude e Spener, 1765) – (Libretto) (With German rendition as Achilles in Scirus) [W.U. Schatz 66, reel 2] AGRICOLA, Johann Friedrich Alessandro nell’Indie (as Cleofide – Berlin 1754) (Berlin 1754) – (Berlin: Haude e Spener, [1754]) – (Libretto) (With German rendition as Cleofide) [W.U. Schatz 67, reel 2] ALBERTI, Domenico L’olimpiade (no full setting) (Eighteenth century) – (Microfilm of Ms. Score) (From London: British Library [R.M.23.e.2 (1)]) Aria: “Che non mi disse un dì!” (Argene, Act 2, Sc.4) [P.S.M. Ital. Mus. Ms. Sec.B, Pt.4, reel 73] ALBERTI, Domenico Temistocle (no full setting) (Eighteenth century) – (Microfilm of Ms. Score) 2 (From London: British Library [R.M.23.c.19]) Aria: “Ah! frenate il pianto imbelle” (Temistocle, Act 3, Sc.3) [P.S.M. Ital. Mus. Ms. Sec.D, Pt.4, reel 97] ALBINONI, Tommaso Didone abbandonata (Venice1725) (Venice 1725) – (Venice: Marino Rossetti, [1725]) – (Libretto) [W.U. Schatz 89, reel 2] (Breslau 1726) – ([Breslau]: [s.n.], [1726]) – (Libretto) (With German rendition as Dido) [W.U. Schatz 90, reel 2] ALESSANDRI, Felice Adriano in Siria (Venice 1779) (Venice 1779) – (Venice: Modesto Fenzo, 1780) – (Libretto) [W.U. Schatz 153, reel 4] ALESSANDRI, Felice Antigono (Genoa 1773) (Genoa 1773) – (Reproduction from holograph) – (Score) (From Genoa: Conservatorio di musica Nicolò Paganini [7. 10/12]) [M1500 .M57 A384 1780a – Micro.] ALESSANDRI, Felice Artaserse (Naples 1783) (Naples 1783) – (Naples: Vincenzo Flauto, 1783) – (Libretto) (From Florence: Conservatorio di musica Luigi Cherubini [E.V. 2653]) [ML48 .M47 A364 1783a – Micro.] ALESSANDRI, Felice Demofoonte (Padua 1783) (Eighteenth century) – (Microfilm of Ms. Score) (From London: British Library [R.M.23.c.19]) Scena ed aria: “Ma che vi fece” – “Sperai vicino il lido” (Timante, Act 1, Sc.4) [P.S.M. Ital. Mus. Ms. Sec.D, Pt.4, reel 97] ALESSANDRI, Felice Demofoonte (Padua 1783) (Padua 1783) – (Padua: Conzatti, 1783) – (Libretto) (From Brussels: Bibliothèque Royale Albert 1er [1964/85/V] [Fetis 4488 A. XIII, 5 Mus] [ML48 .M47 L442 1783a – Micro.] ALESSANDRI, Felice Ezio (Verona 1767) (Lucca 1782) – (Lucca: Francesco Bonsignori, [1782]) – (Libretto) [W.U. Schatz 145, reel 4] (Milan 1782) – (Milan: Giovanni Batista Bianchi, 1782) – (Libretto) (From Milan: Conservatorio di musica Giuseppe Verdi [Libretti J.40]) [M1500 .M57 S227 1788aa – Micro.] 3 (Florence 1783) – (Florence: Giovanni Rifaliti,1783) – (Libretto) (From Florence: Conservatorio di musica Luigi Cherubini [E.V. 595]) [ML48 .M47 A364 1783a – Micro.] ANDREOZZI, Gaetano Catone in Utica (Cremona 1787) (Eighteenth century) – (Microfilm of Ms. Score) (From London: British Library [R.M.22.a.2]) Scena e terzetto: “Catone, io vincitor” – “Ah serena o padre amato” (Marzia et al., Act 3, Sc.9) (Trio text derived from Metastasio) [P.S.M. Ital. Mus. Ms. Sec.D, Pt.4, reel 77] ANDREOZZI, Gaetano Catone in Utica (Cremona 1787) (Cremona 1787) – (Cremona: Lorenzo Manini, 1787) – (Libretto) (From Florence: Conservatorio di musica Luigi Cherubini [E.V. 1-2930]) [ML48 .M47 V545 1781a – Micro] (Florence 1787) – (Florence: [s.n.], 1787) – (Libretto) (From Conservatorio di musica Luigi Cherubini [E.V. 1705] [ML48 .M47 V545 1781a – Micro.] (Reggio 1788) – (Reggio: Stamperia Davolio, 1788) – (Libretto) (From Milan: Biblioteca teatrale Livia Simone [MUS. A XV 2] [ML48 .M47 A46 1788a – Photocopy] (Livorno 1789) – (Livorno: Antonio Lami e comp., [1789]) – (Libretto) [U.W.0. Schatz 195, reel 5] (Genoa 1791) – (Genoa: Stamperia Fesimiana, 1791) – (Libretto) (From Venice: Biblioteca nazionale Marciana [Dramm. 3264.6]) [ML48 .M47 A46 1791a – Micro.] ANFOSSI, Pasquale Achille in Sciro (Rome 1774) (Rome 1774) – (Reproduction from holograph) – (Score) (From Rome: Biblioteca Casanatense [MS. 2802-04]) [M1500 .M57 A433 1774a – Micro] ANFOSSI, Pasquale Adriano in Siria (Padua 1777) (Padua 1777) – (Milan: Ricordi, c.1983) – (Score Facsimile) (From Padua: Istituto musicale Cesare Pollini [Teatro Verdi I/A/7]) (Drammaturgia musicale Veneta, vol.24) [M1500 .A73 A3 1983] ANFOSSI, Pasquale Alessandro nell'Indie (Rome 1772) (Rome 1772) – (Reproduction from holograph) – (Score) (From Florence: Conservatorio di musica Luigi Cherubini [D.I. 31-32]) [M1500 .M57 A4332 1772a – Micro.] 4 ANFOSSI, Pasquale Alessandro nell'Indie (Rome 1772) (Rome 1772) – (Rome: Archangelo Casaletti, [1772]) – (Libretto) [W.U. Schatz 282, reel 7] ANFOSSI, Pasquale Antigono (Venice 1773) (Eighteenth century) – (Microfilm of Ms. Score) (From London: Royal College of Music [MS.717]) Duet: “Non temer, non son più amante” (Berenice/Demetrio, Act 2, Sc.12) [P.S.M. Mus. Ms. Ser.5, Pt.6, reel 53] ANFOSSI, Pasquale Antigono (Venice 1773) (Venice 1773) – (Venice: Modesto Fenzo, 1773) – (Libretto) [W.U. Schatz 225, reel 5] ANFOSSI, Pasquale Antigono (Milan 1781) (See GATTI, Luigi) ANFOSSI, Pasquale Artaserse (Rome 1788) (See BERTONI, Ferdinando) ANFOSSI, Pasquale La Betulia liberata (? 1781) (? 1781) – (New York: Garland, 1987) – (Score Facsimile) (From Rome: Archivio dei Filippini [MS D IV 4]) (Italian Oratorio, 1650-1800; v.30) [M2000 .A53 B4 1987] ANFOSSI, Psquale La clemenza di Tito (Rome 1769, rev. Naples 1772) (Naples 1772) – (Reproduction from holograph) – (Score) (From Paris: Bibliothèque nationale [D 110-111, R7 1697]) [M1500 .M57 A43372 1772a – Micro.] ANFOSSI, Psquale La clemenza di Tito (Rome 1769, rev. Naples 1772) (Naples 1772) – (Microfilm of Ms. Score) (From London: Royal College of Music [MS.7]) [P.S.M. Mus. Ms. Ser.5, Pt.3, reel 2] ANFOSSI, Pasquale La clemenza di Tito (Rome 1769, rev. Naples 1772) (Naples 1772) – (Naples: Francesco Morelli, 1772) – (Libretto) [W.U. Schatz 273, reel 6] ANFOSSI, Pasquale, et al. Demofoonte (Rome 1773) 5 (Genoa 1774) – (Genoa: Stamperia Gesiniana, [1774]) – (Libretto) [W.U. Schatz 274, reel 6] ANFOSSI, Pasquale Didone abbandonata (Venice 1775) (Naples 1788) – (Reproduction from holograph) – (Score) From Naples--Pietro a Majella [Rari: Cornice 1-5]) [M1500 .M57 A4338 1788a – Micro.] ANFOSSI, Pasquale Didone abbandonata (Venice 1775) (Lucca 1775) – (Lucca: Filippo Maria Benedini, 1775) – (Libretto) [W.U. Schatz 233, reel 5] (Naples 1788) – (Naples: Vincenzo Flauto, 1788) – (Libretto) (From Rome: Conservatorio di musica S. Cecelia [G.N. 20325. N. 4390]) [M1500 .M57 P287 1800a – Micro.] ANFOSSI, Pasquale Ezio (Venice 1778) (Venice 1778) – (Venice: [s.n.], [1778]) – (Libretto) [W.U. Schatz 275, reel 7] ANFOSSI, Pasquale Giuseppe riconosciuto (Rome 1776) (Rome 1776) – (New York: Garland, 1987) – (Score Facsimile) (From Rome: Archivio dei Filippini [H I 39]) (Italian Oratorio, 1650-1800; v.29) [M2000 .A53 G58 1987] ANFOSSI, Pasquale Issipile (London 1784) (London 1784) – (London: Preston, c.1784 – "Favourite Songs") – (Publ. Score) (From London--British Library [H. 345]) Incl.: Aria: “Fra dubbi penosi” (Giasone, Act 2, Sc.9) Aria: “Impallidisce in campo” (Issipile, Act 1, Sc.4) Aria: “Io ti lascio; e questo addio” (Giasone, Act 2, Sc.13) Aria: “Povero cor, tu palpiti” (Beroe, Nitteti, Act 2, Sc.1) Aria: “Ti va cercando in volto” (Giasone, Act 1, Sc.13) [M1500 .M57 B43 1780a – Micro.] ANFOSSI, Pasquale La Nitteti (Naples 1771) (Venice 1780) – (Venice: Modesto Fenzo, [1780]) – (Libretto) [W.U. Schatz 276, reel 7] ANFOSSI, Pasquale L'olimpiade (Venice 1774) (Venice 1774) – (Reproduction from holograph) – (Score) (From Rome: Biblioteca Casanatense [MS. 2813-2815]) [M1500 .M57 A433 1774a – Micro.] 6 ANFOSSI, Pasquale L'olimpiade (Venice 1774) (Eighteenth century) – (Microfilm of Ms. Score) (From London: Royal College of Music [MS.717]) Scena e duetto: “E mi lasci così?” – “Ne' giorni tuoi felici” (Aristea/Megacle, Act 1, Sc.10) [P.S.M. Mus. Ms. Ser.5, Pt.6, reel 53] ANFOSSI, Pasquale L'olimpiade (Venice 1774) (Eighteenth century) – (Microfilm of Ms. Score) (From London: Royal College of Music [MS.715]) Scena e duetto: “Va: ti perdono” – “Ne' giorni tuoi felici” (Aristea/Megacle, Act 1, Sc.10) [P.S.M. Mus. Ms. Ser.5, Pt.6, reel 52] ANFOSSI, Pasuale L'olimpiade (Venice 1774) (Venice 1774) – (Venice: Modesto Fenzo, 1774) – (Libretto) [W.U. Schatz 246, reel 6] ANFOSSI, Pasuale Sant’Elena al Calvario (Rome 1777) (Eighteenth century) – (Microfilm of Ms. Score) (From London: British Library [Add. Ms. 24285]) [P.S.M. Ital. Mus. Ms. Sec.D, Pt.2, reel 48] ANTONELLI-TORRES, Francesco Catone in Utica (Naples 1784) (Naples 1784( – (Reproduction from holograph) – (Score) (From Naples: Conservatorio di musica S Pietro a Majella [32.6.5-7]) [M1500 .M57 A4373 1784a – Micro.] ANTONELLI-TORRES, Francesco Catone in Utica (Naples 1784) (Naples 1784) – (Naples: Vincenzo Flauto, 1784) – (Libretto) [W.U. Schatz 289, reel 7] APRILE, Giuseppe Achille
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