DOCSLIB.ORG

Porary Art with an Expert Guide, Who Necessarily

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Porary Art with an Expert Guide, Who Necessarily and the stage (television is omitted) is useful appendix: a chronological list of similar to touring a museum of contem­ the thirty meetings of the Group (month, porary art with an expert guide, who year, place indicated), a list of the two necessarily moves rapidly, works largely hundred authors who have read at the with generalizations, combines historical meetings, identification of the ten prize and critical comments, and sometimes of­ winners (to the above, add Günter Eich, fers quick evaluations. Though there are 1950, and Johannes Bobrowski, 1962), obvious dangers in such a "tour," in gen­ and a "Selected Bibliography" divided eral Mandel offers a very handy collection into several sections (that on "Individual of brief but judicious critical judgments. Authors" nearly ignores articles and Naturally readers will worry about some therefore is much too selective). omissions and inclusions, and about some possible inaccuracies and misjudgments. If one does not go to the book expect­ From my point of view, Mandel's desire to ing detailed criticism of individual works survey contemporary German literature of literature and if one adds a few de­ causes him to deviate at times too much murrers, Group 47: The Reflected Intellect from Group 47 itself: for instance, a lives up to the claim of Harry T. Moore, number of pages are allotted to Rolf the general editor of the Crosscurrents Hochhuth, who has had no association series—"a first-rate work of literary his­ with the Group; and the most lengthy tory illuminated by first-rate criticism." comments on a single author are those on Perhaps for a good while to come Paul Celan, who obviously interests Man- Mandel's book will remain the best source del but who read at a single Group of information about the phenomenal meeting. Or to note the type of small Group 47. omission which all readers will probably discover, Mandel refers, without en­ thusiasm, to what he implies is Jakov Daniel P. Deneau Lind's only novel, Landscape in Concrete; unfortunately, Lind did publish a succes­ sor, the virtually unreadable Ergo (1967; Eine bessere Welt, 1966). Given some of the material that Mandel is forced to observe, it is not at all surprising that he some­ times drops the neutral tone of much RUTH S. EL SAFFAR modern criticism. In one important case Novel to Romance: A Study of his personal viewpoint may or should Cervantes's Novelas ejemplares annoy many readers; not only does he Baltimore: The John Hopkins distrust "avant-gardism," but he concludes University Press, 1974. Pp. 189. his chapter on "the radio play" with this $9.50. extraordinary pronouncement: "Ex­ perimentation, in my vocabulary, means The Novelas ejemplares (1613) of Miguel unsuccessful art." Indeed! And what de Cervantes have been divided, tradi­ would happen to art if many people used tionally, into two groups: the idealistic or such an absurd "vocabulary"? To turn to Italianate novels (written early) and the something within the realm of good sense, realistic or national novels (written late). 1 Ix'lieve that Mandel's chapter on fiction Between these two extremes there is a is the Ix-st of the surveys in the volume; in buffer zone in which idealism is tinged this case the Group itself remains clearly with realism. This is usually referred to as in view as the individual artists parade by. Cervantes's period of transition (for a After noticing the work of Richter and summary of this traditional criticism see J. Allied Andersch, Mandel comments in L. Alborg, Historia de la literatura espanola chronological order on a number of [Madrid: Gredos, 1967] II, 91-119). The Group prize winners, as well as several situation seems remarkably simple, yet, in other more or less well-known figures: actual fact, it is not, for there are many Heinrich Böll (prize, 1951), Use Aichinger unsolved (and perhaps insoluble) prob­ (1952), Adriaan Morriën (1954), Martin lems to be taken into account. There is, Walser (1955), Günter Grass (1958), Uwe for example, no established chronological Johnson. Peter Handke, Hubert Fichte, order for the twelve tales which combine Peter Bichsel (1965), Jürgen Becker to form the exemplary novels; further, it (1967). Ingeborg Bachmann (1953, for is almost certain that the order in which poetry), Jakov Lind, and Tadeusz Now- they appear in the 1613 edition has little akowski. The book concludes with a very- to do with the order in which they were 92 The International Fiction Review written. Again, the word "exemplary" is any reality beyond the one they perceive" ambiguous, to say the least, and no satis­ (p. 13). As far as narrative technique is factory meaning has been brought for­ concerned, as Cervantes became more ward for it. Finally, the traditional posi­ skilled in the art of narration, so his tion is based on the traditional idea that control of the narrative voice (and hence the "realistic" novels are the best ones, of the story itself) grew stronger and and that the "idealistic" tales are necessar­ stronger. ily inferior to (and thus earlier than) them. According to this interpretation, as The initial premises are established in Cervantes progressed, so he abandoned Chapter I. Professor El Saffar then ex­ the idealistic, Italianate style in favor of amines the Novelas ejemplares in great de­ the realistic, national one that he was tail and in the following order: early helping to create. novels: "Rinconete y Cortadillo," "El celoso extremeno," and "El licenciado Ruth El Saffar shows that the position Vidriera" (Chapter II); transitional novels: outlined in the preceding paragraph is a "El casamiento enganoso," "El coloquio de precarious one. She does so by reversing los penos," "La gitanilla," and "La ilustre the idea that Cervantes progressed from fregona" (Chapters III and IV); the later the ideal to the real, and by suggesting novels: "Las dos doncellas," "La senora that, in fact, the opposite was true: he Cornelia," and "La fuerza de la sangre" advanced from the real to the ideal. Her (Chapter V); and the last-written novels: thesis is a reasonable one. The only novels "El amante liberal," and "La espanola that can be dated with any certainty are inglesa" (Chapter VI). It is curious that "Rinconete y Cortadillo" and "El celoso Amezua, who also divides the Novelas extremeno" both of which appear in the ejemplares into three epochs according to Compilation de curiosidades espanolas (circa the psychological development of the 1604) of Francisco Porras de la Camara. characters, reverses this order, placing "El Thus, there is nothing in the chronology amante liberal," "Las dos doncellas," and to refute the argument. In terms of "La senora Cornelia" into the first period, Cervantes's life, 1604 may be considered a whilst "Rinconete y Cortadillo," "El licen­ "late" date; however, in terms of his ciado Vidriera," and "El coloquio de los major literary publications, and hence of perros" appear in the last one (see Al- his artistic development, it may be con­ borg, Historia . ., II, 96). sidered "early." (The dates of publication of Cervantes's major works follow: Don Quijote I, 1605; Novelas ejemplares, 1613; Professor El Saffar's examination of Viaje del Parnaso, 1614; Ocho comedias y ocho each novel is thorough, the bibliography entremeses nuevos, 1965; Don Quijote which accompanies each study is quite II, 1615; Los trabajos de Persiles y Segis- comprehensive, and most major problems munda, 1917.) are discussed with regard to each story. The whole problem of the chronology of For Ruth El Saffar, then, the idealistic the Novelas ejemplares is again dealt with in novels are not early; they are late. the appendix (pp. 169-177), and here one Further, they are not Italianate at all, but finds a summary of most of the major rather Byzantine. Hence they are com­ works on the subject. parable to Cervantes's last published work, the Persiles (published posthumously In conclusion, Professor El Saffar's in 1617). Professor El Saffar arrives at the work Novel to Romance is a valuable, well- above conclusion by means of a detailed documented study. Perhaps its chief study of (a) the role of the narrator in the worth lies in the fact that it encourages novels; and (b) their exemplary nature. both reader and specialist to pay more For her, the protagonists "in the late attention to the hitherto much neglected works . are exemplary in their ac­ idealistic novels. Novel to Romance is a ceptance of their given role in life and in work that cannot be ignored, for it will their devotion to a transcendent reality. play a prominent role in future studies on In the early works, on the other hand, the the Novelas ejemplares. main characters try to remake their lives. They reject the circumstances into which they have been born and show no faith in Roger Moore Brief Mentions 93 .
Load more

Recommended publications
  • Revisiting Zero Hour 1945
    REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER VOLUME 1 American Institute for Contemporary German Studies The Johns Hopkins University REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER HUMANITIES PROGRAM REPORT VOLUME 1 The views expressed in this publication are those of the author(s) alone. They do not necessarily reflect the views of the American Institute for Contemporary German Studies. ©1996 by the American Institute for Contemporary German Studies ISBN 0-941441-15-1 This Humanities Program Volume is made possible by the Harry & Helen Gray Humanities Program. Additional copies are available for $5.00 to cover postage and handling from the American Institute for Contemporary German Studies, Suite 420, 1400 16th Street, N.W., Washington, D.C. 20036-2217. Telephone 202/332-9312, Fax 202/265- 9531, E-mail: [email protected] Web: http://www.aicgs.org ii F O R E W O R D Since its inception, AICGS has incorporated the study of German literature and culture as a part of its mandate to help provide a comprehensive understanding of contemporary Germany. The nature of Germany’s past and present requires nothing less than an interdisciplinary approach to the analysis of German society and culture. Within its research and public affairs programs, the analysis of Germany’s intellectual and cultural traditions and debates has always been central to the Institute’s work. At the time the Berlin Wall was about to fall, the Institute was awarded a major grant from the National Endowment for the Humanities to help create an endowment for its humanities programs.
    [Show full text]
  • Stunde Null: the End and the Beginning Fifty Years Ago." Their Contributions Are Presented in This Booklet
    STUNDE NULL: The End and the Beginning Fifty Years Ago Occasional Paper No. 20 Edited by Geoffrey J. Giles GERMAN HISTORICAL INSTITUTE WASHINGTON, D.C. STUNDE NULL The End and the Beginning Fifty Years Ago Edited by Geoffrey J. Giles Occasional Paper No. 20 Series editors: Detlef Junker Petra Marquardt-Bigman Janine S. Micunek © 1997. All rights reserved. GERMAN HISTORICAL INSTITUTE 1607 New Hampshire Ave., NW Washington, DC 20009 Tel. (202) 387–3355 Contents Introduction 5 Geoffrey J. Giles 1945 and the Continuities of German History: 9 Reflections on Memory, Historiography, and Politics Konrad H. Jarausch Stunde Null in German Politics? 25 Confessional Culture, Realpolitik, and the Organization of Christian Democracy Maria D. Mitchell American Sociology and German 39 Re-education after World War II Uta Gerhardt German Literature, Year Zero: 59 Writers and Politics, 1945–1953 Stephen Brockmann Stunde Null der Frauen? 75 Renegotiating Women‘s Place in Postwar Germany Maria Höhn The New City: German Urban 89 Planning and the Zero Hour Jeffry M. Diefendorf Stunde Null at the Ground Level: 105 1945 as a Social and Political Ausgangspunkt in Three Cities in the U.S. Zone of Occupation Rebecca Boehling Introduction Half a century after the collapse of National Socialism, many historians are now taking stock of the difficult transition that faced Germans in 1945. The Friends of the German Historical Institute in Washington chose that momentous year as the focus of their 1995 annual symposium, assembling a number of scholars to discuss the topic "Stunde Null: The End and the Beginning Fifty Years Ago." Their contributions are presented in this booklet.
    [Show full text]
  • Article 4 Vol IV Is 2
    Qualitative Sociology Review Volume IV, Issue 2 – August 2008 Jaroslava Gajdosova New School for Social Research, USA Literary Field and the Question of Method – Revisited Abstract Field theory is one of the most efficient and influential analytical schemes in the critical sociology of Pierre Bourdieu, which he consistently developed in his model of literary field. The analytical reliability of the model derives from the way in which Bourdieu combines the structural category of “field” with the phenomenological categories of “doxa” and “habitus”. This article argues that Bourdieu’s selective application of the two phenomenological categories produces a static structural model of literary field where all processes are explained in causal and deterministic terms. The article further seeks to present an alternative reading of the same categories within a discursive model where the processes in literary field and the motivations of its agents are driven by field’s discourses rather than by its rigid structures. Keywords Field theory; Literary sociology; Literary history; Husserlian phenomenology; Collective identity; Collective memory; Critical sociology This article will analyze key categories in the literary sociology of Pierre Bourdieu—literary field, literary doxa, and habitus—and will discuss how they enhance and confine sociological understandings of literary worlds. Bourdieu’s theoretical apparatus and his phenomenological insights about literary field have inspired new directions in the sociology of literature and have also influenced cross- disciplinary studies. Many of them use these categories either as explicit analytical concepts 1 or they combine them with the studies of the networks of production, reception, or distribution of the literary texts and the organization of these processes in literary field.
    [Show full text]
  • Download Download
    Downloaded from the Humanities Digital Library http://www.humanities-digital-library.org Open Access books made available by the School of Advanced Study, University of London ***** Publication details: Writing and the West German Protest Movements: The Textual Revolution by Mererid Puw Davies https://humanities-digital-library.org/index.php/hdl/catalog/book/writing- west-german-protest-movements DOI: 10.14296/0420.9780854572762 ***** This edition published 2020 by UNIVERSITY OF LONDON SCHOOL OF ADVANCED STUDY INSTITUTE OF MODERN LANGUAGE RESEARCH Senate House, Malet Street, London WC1E 7HU, United Kingdom ISBN 978-0-85457-276-2 (PDF edition) This work is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. More information regarding CC licenses is available at https://creativecommons.org/licenses Writing and the West German Protest Movements The Textual Revolution imlr books Established by the Institute of Modern Languages Research, this series (fomerly known as igrs books) aims to bring to the public monographs and collections of essays in the field of modern foreign languages. Proposals for publication are selected by the Institute’s editorial board, which is advised by a peer review committee of 36 senior academics in the field. To make titles as accessible as possible to an English-speaking and multi-lingual readership, volumes are written in English and quotations given in English translation. For further details on the annual competition, visit: http://modernlanguages.sas.ac.uk/publications/igrs-books/ Editorial Board Professor Catherine Davies (Hispanic) Dr Dominic Glynn (French) Dr Katia Pizzi (Italian) Dr Godela Weiss-Sussex (Germanic) imlr books Volume 11 Volume Editor Dr Joanne Leal Writing and the West German Protest Movements The Textual Revolution by Mererid Puw Davies SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON Institute of Modern Languages Research 2016 This book is published under a Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.
    [Show full text]
  • Facing the Nazi Past Today
    Germany: facing the Nazi past today I. Laurien Department of Modern Foreign Languages/German University of Stellenbosch STELLENBOSCH E-mail: [email protected] [email protected] Abstract Germany: facing the Nazi past today This article gives an overview of the changing debate on National Socialism and the question of guilt in German society. Memory had a different meaning in different generations, shaping distinct phases of dealing with the past, from silence and avoidance to sceptical debate, from painful “Vergangen- heitsbewältigung” to a general memory of suffering. In present-day Germany, memory as collective personal memo- ry has faded away. At the same time, literature has lost its role as a main medium to mass media like cinema and television. Furthermore, memory has become fragmented. Large groups of members of the German society, like immigrants, see the past from a different perspective altogether. Although the remem- brance of the time of National Socialism is still a distinctive part of Germany’s political culture, it has become more generalised, with “Holocaust memory” as a globalised symbol for a funda- mental “break” in Western culture. Opsomming Geskiedenis, herinnering en die media in na-oorlogse Duitsland Hierdie artikel gee ’n oorsig oor die veranderende debat oor Nasionaal-Sosialisme en die kwessie van ’n skuldgevoel in die Duitse gemeenskap. Die skrywer bemerk dat “onthou” verskil- lende betekenisse vir verskillende generasies gehad het en dat dit ’n bepaalde vorm gegee het aan die verwerking van bepaal- de fases van die verlede, van stilte en vermyding tot skeptiese debat, van ’n pynlike aanvaarding van die verlede tot ’n algeme- ne herinnering aan lyding.
    [Show full text]
  • The Austrian Problem of Language and Peter Handke: a Documentation
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1981 The Austrian Problem of Language and Peter Handke: a Documentation. Donald Russell Bailey Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Bailey, Donald Russell, "The Austrian Problem of Language and Peter Handke: a Documentation." (1981). LSU Historical Dissertations and Theses. 3667. https://digitalcommons.lsu.edu/gradschool_disstheses/3667 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1. The sign or "target” for pages apparently lacking from the document photographed is "Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy.
    [Show full text]
  • An Interview with Peter Handke
    Studies in 20th Century Literature Volume 4 Issue 1 Article 6 8-1-1979 An Interview with Peter Handke June Schlueter Lafayette College Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Schlueter, June (1979) "An Interview with Peter Handke," Studies in 20th Century Literature: Vol. 4: Iss. 1, Article 6. https://doi.org/10.4148/2334-4415.1076 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. An Interview with Peter Handke Abstract Handke comments on the relationship of his early essays to his fiction, maintaining that there is no theory of literature but only practice. For him, fiction brings daily occurrences into a new order, with the point of intersection of these occurrences suggesting a story. Handke believes there will always be a need for narrative prose which goes beyond mere reportage, and, with respect to his journal, Das Gewicht der Welt, he sees no contradiction between «journal» and «fiction.» His distinction between ve eryday and poetic language is central to Handke's approach to fiction. Explaining that there is no language for nature, he speaks at length of his latest novel, Langsame Heimkehr, which he calls an epic poem. Handke also comments on writers who have influenced his thinking and work, including Barthes and Hölderlin; considers the relationship of the creative impulse to film-making, drama, and fiction; and speculates as ot why college students in America are attracted to his work.
    [Show full text]
  • Copyright by Josch Lampe 2021
    Copyright by Josch Lampe 2021 The Dissertation Committee for Josch Lampe Certifies that this is the approved version of the following Dissertation: The Marxisms of West Germany's "1968": Remaking a Public Critique through Literary Magazines Committee: Katherine Arens, Supervisor Pascale R. Bos Kirkland A. Fulk Sabine Hake Jan Uelzmann The Marxisms of West Germany's "1968": Remaking a Public Critique through Literary Magazines by Josch Lampe Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2021 Acknowledgements First of all, I would like to thank my supervisor and committee, without whom this dissertation would not have been possible. The University of Texas at Austin and its Department of Germanic Studies have been crucial for this research project in both intellectual and financial ways. Research grants for the summers of 2018 and 2019 from the Department and a University Graduate Continuing Fellowship from the Graduate School for the academic year 2019–20 made it possible for me to devote my energies to my project and to complete it despite the disruptions of 2020. I would also like to thank the American Friends of Marbach, who granted me a dissertation fellowship to conduct research at the German Literature Archive in Marbach, Germany, in the summer of 2018. Vast parts of this dissertation are based on data that I was able to access thanks to the archivists, researchers, and staff in Marbach, especially Jan Bürger, Christoph Hilse, Gerhild Kölling, Petra Weiß, and Robert Zwarg.
    [Show full text]
  • A Revolution of Perception?
    A Revolution of Perception? New German Historical Perspectives Series Editors: Paul Betts (Executive Editor), Timothy Garton Ash, Jürgen Kocka, Gerhard Ritter, Nicholas Stargardt and Margit Szöllösi-Janze Originally established in 1987 as an English-language forum for the presentation of research by leading German historians and social scientists to readers in English-speaking countries, this series has since become one of the premier vehicles for the dissemination of German research expertise. Volumes in the series examine contemporary academic debates and issues of broad topical interest to Germans and non-Germans alike. Their coverage is not limited to Germany alone but extends to the history of other countries, as well as general problems of political, economic, social and intellectual history, and international relations. Volume 1 Historical Concepts between Eastern and Western Europe Edited by Manfred Hildermeier Volume 2 Crises in European Integration: Challenges and Responses 1945–2005 Edited by Ludger Kühnhardt Volume 3 Work in a Modern Society: The German Historical Experience in Comparative Perspective Edited by Jürgen Kocka Volume 4 Popular Historiographies in the 19th and 20th Centuries: Cultural Meanings, Social Practices Edited by Sylvia Paletschek Volume 5 A Revolution of Perception? Consequences and Echoes of 1968 Edited by Ingrid Gilcher-Holtey A Revolution of Perception? Consequences and Echoes of 1968 Edited by Ingrid Gilcher-Holtey b e r g h a h n N E W Y O R K • O X F O R D www.berghahnbooks.com Published in 2014 by Berghahn Books www.berghahnbooks.com © 2014 Ingrid Gilcher-Holtey All rights reserved. Except for the quotation of short passages for the purposes of criticism and review, no part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system now known or to be invented, without written permission of the publisher.
    [Show full text]
  • Mitteilungen Für Die Presse
    Read the speech online: www.bundespraesident.de Page 1 of 6 Federal President Frank-Walter Steinmeier at an evening of culture in honour of Paul Celan at Schloss Bellevue on 2 November 2020 A celebration for Paul Celan – what form should such an event take? Like many others, we, too, wanted to celebrate Paul Celan in this, the hundredth year of his birth. With artists and a wide audience, in a joyful and festive setting. And, like many others, we had to cancel the event planned for April due to COVID-19. Now, the new date has fallen right in the second wave of the pandemic. From today, cultural institutions throughout the country are once again having to find creative solutions to share their music, their performance, their art with the public. And that is getting increasingly difficult. I know that many institutions are not only under extreme pressure, but are fighting for survival. Especially now, when once again we cannot go to the theatre, to concerts or to exhibitions due to the pandemic, we need to think about how we can support artists in other ways. And so must policy-makers. That is one of the reasons why we decided not to postpone this event again, far less to cancel it. But there is another reason, too. In times like these, we need culture more than ever. To encourage us, to give us strength, to help us reach out to one another emotionally. We need culture as the lifeblood of society as we live through a crisis together. A crisis that is forcing us to be patient for a while, but that will one day be over.
    [Show full text]
  • Alfred Andersch, Hans Werner Richter, and the German Search for Meaning in Catastrophe
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 The long road home: Alfred Andersch, Hans Werner Richter, and the German search for meaning in catastrophe Aaron Dennis Horton Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Horton, Aaron Dennis, "The long road home: Alfred Andersch, Hans Werner Richter, and the German search for meaning in catastrophe" (2011). LSU Doctoral Dissertations. 3836. https://digitalcommons.lsu.edu/gradschool_dissertations/3836 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE LONG ROAD HOME: ALFRED ANDERSCH, HANS WERNER RICHTER, AND THE GERMAN SEARCH FOR MEANING IN CATASTROPHE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History By Aaron D. Horton B.A., East Tennessee State University, 2003 M.A., East Tennessee State University, 2005 May 2011 ACKNOWLEDGMENTS This study owes debts to numerous individuals and institutions, and I hope in my effort to list them all I do not omit anyone. First, I would like to thank the helpful and knowledgeable professors at Louisiana State University who have given me a tremendous amount of support and guidance over the past several years.
    [Show full text]
  • Speaking the Unspeakable in Postwar Germany: Toward
    Speaking the Unspeakable in Postwar Germany Series editor: Peter Uwe Hohendahl, Cornell University Signale: Modern German Letters, Cultures, and Thought publishes new English- language books in literary studies, criticism, cultural studies, and intellectual history pertaining to the German-speaking world, as well as translations of im- portant German-language works. Signale construes “modern” in the broadest terms: the series covers topics ranging from the early modern period to the present. Signale books are published under a joint imprint of Cornell University Press and Cornell University Library in electronic and print formats. Please see http://signale.cornell.edu/. Speaking the Unspeakable in Postwar Germany Toward a Public Discourse on the Holocaust Sonja Boos A Signale Book Cornell University Press and Cornell University Library Ithaca, NY Cornell University Press and Cornell University Library gratefully acknowledge the College of Arts & Sciences, Cornell University, for support of the Signale series. Copyright © 2014 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Press, Sage House, 512 East State Street, Ithaca, New York 14850. First published 2014 by Cornell University Press and Cornell University Library Printed in the United States of America Library of Congress Cataloging-in-Publication Data Boos, Sonja, 1972– author. Speaking the unspeakable in postwar Germany : toward a public discourse on the Holocaust / Sonja Boos. pages cm. — (Signale : modern German letters, cultures, and thought) Includes bibliographical references and index. ISBN 978-0-8014-5360-1 (cloth : alk.
    [Show full text]