A Revolution of Perception?
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Die 68Er CARTOONS
Bulletin of the Transilvania University of Braşov Series IV: Philology and Cultural Studies • Vol. 12 (61) No. 2 – 2019 https://doi.org/10.31926/but.pcs.2019.61.12.22 The German protests of ’68 as the source of humour in Die 68er CARTOONS Ioana Andreea DIACONU1 The paper presents a series of cartoons on the German student movement from the sixties created 50 years later and tries to identify the sources and mechanisms of humour as well as the trigger of laughter of the sketches. A short presentation of this movement, its importance and echoes to the present and the description of the cartoon technique are indispensable in understanding the cartoons. There will also be an attempt to place these works in the history of German cartoon. In the end, an attempt will be made to identify, whether the publication of translated versions of the examined cartoons would be in any way successful, or rather useless. Key-words: cartoons, visual humour, sixty - eighters 1. Introduction At the 50th anniversary of the Protests of ‘68, the Caricatura – Galerie für komische Kunst (Caricatura - Gallery of Comic Art) in Kassel hosted the exhibition of 37 cartoonists on the 68 student movement in Germany, their cartoons being afterwards published by Saskia Wagner in the anthology Die 68er CARTOONS (Wagner 2018). The motivation of the event is given in the presentation of the exhibition and the book: “But what became of the so-called "old 68ers"? Where did the march through the institutions lead them? Are they still roughing up the establishment or are they part of it? Do they spontaneously re-create slogans? Do they let their descendants read to them from “the Capital”? The exhibition Die 68er CARTOONS looks for answers for these questions. -
What Feminism? Author(S): Alice A
Berghahn Books What Feminism? Author(s): Alice A. Jardine Source: French Politics, Culture & Society, Vol. 28, No. 2, SPECIAL ISSUE: Simone de Beauvoir: ENGAGEMENTS, CONTEXTS, RECONSIDERATIONS (Summer 2010), pp. 66-74 Published by: Berghahn Books Stable URL: https://www.jstor.org/stable/42843656 Accessed: 11-05-2020 19:30 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Berghahn Books is collaborating with JSTOR to digitize, preserve and extend access to French Politics, Culture & Society This content downloaded from 206.253.207.235 on Mon, 11 May 2020 19:30:25 UTC All use subject to https://about.jstor.org/terms What Feminism? Alice A. Jardine Harvard University There is a new bridge in Paris: La Passerelle Simone de Beauvoir. I love this bridge. Almost as if in perfect harmony with its namesake, it joins the National Library with the Bercy Park, once a famous wine depot, still full of vineyards. Beauvoir would no doubt have loved the fact that the bridge joins the reading of books with the imbibing of spirits. Incorporating its etymological groundings in "passer" and "elles," the Simone de Beauvoir footbridge bounces, moves, spi- raling along its various levels of passageways from side to side, up and down, within an undulating rhythm at times a little dizzying. -
Revisiting Zero Hour 1945
REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER VOLUME 1 American Institute for Contemporary German Studies The Johns Hopkins University REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER HUMANITIES PROGRAM REPORT VOLUME 1 The views expressed in this publication are those of the author(s) alone. They do not necessarily reflect the views of the American Institute for Contemporary German Studies. ©1996 by the American Institute for Contemporary German Studies ISBN 0-941441-15-1 This Humanities Program Volume is made possible by the Harry & Helen Gray Humanities Program. Additional copies are available for $5.00 to cover postage and handling from the American Institute for Contemporary German Studies, Suite 420, 1400 16th Street, N.W., Washington, D.C. 20036-2217. Telephone 202/332-9312, Fax 202/265- 9531, E-mail: [email protected] Web: http://www.aicgs.org ii F O R E W O R D Since its inception, AICGS has incorporated the study of German literature and culture as a part of its mandate to help provide a comprehensive understanding of contemporary Germany. The nature of Germany’s past and present requires nothing less than an interdisciplinary approach to the analysis of German society and culture. Within its research and public affairs programs, the analysis of Germany’s intellectual and cultural traditions and debates has always been central to the Institute’s work. At the time the Berlin Wall was about to fall, the Institute was awarded a major grant from the National Endowment for the Humanities to help create an endowment for its humanities programs. -
The Other Woman. Towards a Diffractive Rereading of the Oeuvres of Simone De Beauvoir and Luce Irigaray
Faculty of Humanities Research Institute for History and Culture (OGC) RMA Gender and Ethnicity, 2011-2012 The Other Woman. Towards a diffractive rereading of the oeuvres of Simone de Beauvoir and Luce Irigaray. Research master thesis, Gender and Ethnicity Written by Evelien Geerts, 3615170 Supervisor: dr. Iris van der Tuin (Utrecht University) Second reader: dr. Annemie Halsema (VU-University) Utrecht, 20/07/2012. Abstract. This thesis project –a project that has to be located in the domains of Continental philosophy, feminist theory, and gender studies– wishes to overcome the Oedipalized reception history, or the Oedipal feminist narratives that have been created and told about the oeuvres of feminist philosophers Simone de Beauvoir and Luce Irigaray. I claim that this Oedipalized reception history –which will be thoroughly reviewed in this thesis– put the works of Beauvoir and Irigaray against one another in an oppositional and hierarchic manner, by first of all examining the wide-spread assumption that Irigaray should be seen as Beauvoir’s rebellious daughter, and by critically looking at the idea that Irigaray’s sexual (now relabeled as sexuate) difference philosophy then must be a flat-out refusal of Beauvoir’s humanist, existentialist feminism. My project hopes to shed light on this paralyzing constructed opposition, and wishes to move towards a different kind of feminist rereading and story-telling: namely, a diffractive and explicitly an-Oedipal way of telling of stories that would look for the lines of continuity between these two philosophies, without reducing them to another; without, to put it differently, falling back into the phallogocentric, reflective logic of sameness. -
Che Guevara, Nostalgia, Photography, Felt History and Narrative Discourse in Ana Menéndez’S Loving Che Robert L
Hipertexto 11 Invierno 2010 pp. 103-116 Che Guevara, Nostalgia, Photography, Felt History and Narrative Discourse in Ana Menéndez’s Loving Che Robert L. Sims Virginia Commonwealth University Hipertexto At the risk of seeming ridiculous, let me say that the true revolutionary is guided by a great feeling of love. It is impossible to think of a genuine revolutionary lacking this quality. Che Guevara More and more I've come to understand that when we mourn what a place used to be, we are also mourning what we used to be. Ana Menéndez any of the discussions and debates of the Cuban Revolution in Miami, M Havana and elsewhere converge, merge and diverge in the person and persona of Che Guevara. This process produces a mesmerizing mixture of myth, reality, and nonsense which we are far from unscrambling: “There's just this fascination people have with the man - which is not of the man, but of the photograph," says Ana Menéndez, author of ‘Loving Che’” (http://www.csmonitor.com/2004/0305/p13s02-algn.html). The photograph in question is Alberto Korda’s famous picture of Che Guevara taken on March 5, 1960 at a Cuban funeral service for victims of the La Coubre explosion. The photographic reality of Che soon transformed itself into an iconic image which traveled around the world. Che’s image has since undergone myriad changes and has become a pop culture, fashionista icon and capitalist commodity marketed and sold all over the world, including Cuba. Nostalgia and memory occupy the interstitial space between Che Guevara’s personal and revolutionary life and his now simulacralized iconicity: “Part of Guevara's appeal is that his revolutionary ideals no longer pose much of a threat in the post-cold-war world. -
Film Film Film Film
Annette Michelson’s contribution to art and film criticism over the last three decades has been un- paralleled. This volume honors Michelson’s unique C AMERA OBSCURA, CAMERA LUCIDA ALLEN AND TURVEY [EDS.] LUCIDA CAMERA OBSCURA, AMERA legacy with original essays by some of the many film FILM FILM scholars influenced by her work. Some continue her efforts to develop historical and theoretical frame- CULTURE CULTURE works for understanding modernist art, while others IN TRANSITION IN TRANSITION practice her form of interdisciplinary scholarship in relation to avant-garde and modernist film. The intro- duction investigates and evaluates Michelson’s work itself. All in some way pay homage to her extraordi- nary contribution and demonstrate its continued cen- trality to the field of art and film criticism. Richard Allen is Associ- ate Professor of Cinema Studies at New York Uni- versity. Malcolm Turvey teaches Film History at Sarah Lawrence College. They recently collaborated in editing Wittgenstein, Theory and the Arts (Lon- don: Routledge, 2001). CAMERA OBSCURA CAMERA LUCIDA ISBN 90-5356-494-2 Essays in Honor of Annette Michelson EDITED BY RICHARD ALLEN 9 789053 564943 MALCOLM TURVEY Amsterdam University Press Amsterdam University Press WWW.AUP.NL Camera Obscura, Camera Lucida Camera Obscura, Camera Lucida: Essays in Honor of Annette Michelson Edited by Richard Allen and Malcolm Turvey Amsterdam University Press Front cover illustration: 2001: A Space Odyssey. Courtesy of Photofest Cover design: Kok Korpershoek, Amsterdam Lay-out: japes, Amsterdam isbn 90 5356 494 2 (paperback) nur 652 © Amsterdam University Press, Amsterdam, 2003 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, me- chanical, photocopying, recording or otherwise) without the written permis- sion of both the copyright owner and the author of the book. -
Hybridity and Identity in the Pan-American Jazz Piano Tradition
Hybridity and Identity in the Pan-American Jazz Piano Tradition by William D. Scott Bachelor of Arts, Central Michigan University, 2011 Master of Music, University of Michigan, 2013 Master of Arts, University of Michigan, 2015 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2019 UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by William D. Scott It was defended on March 28, 2019 and approved by Mark A. Clague, PhD, Department of Music James P. Cassaro, MA, Department of Music Aaron J. Johnson, PhD, Department of Music Dissertation Advisor: Michael C. Heller, PhD, Department of Music ii Copyright © by William D. Scott 2019 iii Michael C. Heller, PhD Hybridity and Identity in the Pan-American Jazz Piano Tradition William D. Scott, PhD University of Pittsburgh, 2019 The term Latin jazz has often been employed by record labels, critics, and musicians alike to denote idioms ranging from Afro-Cuban music, to Brazilian samba and bossa nova, and more broadly to Latin American fusions with jazz. While many of these genres have coexisted under the Latin jazz heading in one manifestation or another, Panamanian pianist Danilo Pérez uses the expression “Pan-American jazz” to account for both the Afro-Cuban jazz tradition and non-Cuban Latin American fusions with jazz. Throughout this dissertation, I unpack the notion of Pan-American jazz from a variety of theoretical perspectives including Latinx identity discourse, transcription and musical analysis, and hybridity theory. -
Tonini, Sandrine (2010) from Existentialist Anxiety to Existential
Tonini, Sandrine (2010) From existentialist anxiety to existential joy: gendered journeys towards (re)commitment in Les Mandarins and Il rimorso as evidence of Simone de Beauvoir's influence on Alba de Céspedes' writing. PhD thesis. http://theses.gla.ac.uk/2215/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] 1 From Existentialist Anxiety to Existential Joy: Gendered Journeys Towards (Re)commitment in Les Mandarins and Il rimorso as Evidence of Simone de Beauvoir’s Influence on Alba de Céspedes’ Writing Sandrine Tonini Submitted in fulfillment of the requirements for the Degree of Doctor of Philosophy School of Modern Languages and Cultures French and Italian Sections Faculty of Arts University of Glasgow June 2010 2 Cette thèse est dédiée à ma mère qui éclaire le chemin, et à ma fille qui m’incite à le suivre. 3 Abstract Whilst Simone de Beauvoir has become an icon of feminism, and The Second Sex in particular been recognized as a point of reference for writers and philosophers worldwide, her reputation in Italy was not established immediately, and there she remains a controversial figure. -
Charles “Lucky” Luciano , Nascut Sub Numele De Salvatore Lucania (24 Noiembrie 1897 – 26 Ianuarie 1962) , a Fost Un Renumit Gangster Americano-Sicilian
Charles “Lucky” Luciano , nascut sub numele de Salvatore Lucania (24 Noiembrie 1897 – 26 Ianuarie 1962) , a fost un renumit gangster americano-sicilian . Luciano este considerat parintele crimei organizate moderne si creierul din spatele expansiunii postbelice a traficului de heroina . Revista americana Times l-a adaugat in top 20 al celor mai influenti constructori si titani ai secolului 20 . Salvatore Lucania s-a nascut la 24 Noiembrie 1897 in localitatea siciliana Lercara Friddi , din parintii Antonio si Rosalia Lucania . Promisiunea unei vieti mai bune a determinat familia sa se mute in America , la inceputul anului 1907 . Odata ajunsi in Insula Ellis , Lucania se imbolnaveste de varicela , boala ce ii va afecta aspectul fetei tot restul vietii . Stabiliti la New York intr-un cartier de evrei , Salvatore isi incepe cariera de infractor jefuind tinerii evrei in drum spre scoala . Dupa mai multe “vizite” in centrele pentru infractorii juvelini , se hotaraste sa isi schimbe numele in Charles datorita rusinii cauzate familiei . In 1919 guvernul american a interzis productia si comercializarea alcoolului pe teritoriul Statelor Unite ale Americii , fapt ce a dus la expansiunea industriei ilegale de alcool . Intre 1920-1925 Luciano isi dezvolta , cu ajutorul altor gangsteri ai vremii , o uriasa afacere cu alcool , afacere ce ii aducea un profit anual de cateva sute de mii de dolari . Importa scotch direct din Scotia , rom din Caraibe si whiskey din Canada . Pe langa afacerile cu alcoolul , mai era implicat in jocurile de noroc , dar in acest moment Luciano deja facea parte din bossii mafiei din New York . In curand Luciano isi va uni fortele cu Joe “the Boss” Messeria . -
A History of German-Scandinavian Relations
A History of German – Scandinavian Relations A History of German-Scandinavian Relations By Raimund Wolfert A History of German – Scandinavian Relations Raimund Wolfert 2 A History of German – Scandinavian Relations Table of contents 1. The Rise and Fall of the Hanseatic League.............................................................5 2. The Thirty Years’ War............................................................................................11 3. Prussia en route to becoming a Great Power........................................................15 4. After the Napoleonic Wars.....................................................................................18 5. The German Empire..............................................................................................23 6. The Interwar Period...............................................................................................29 7. The Aftermath of War............................................................................................33 First version 12/2006 2 A History of German – Scandinavian Relations This essay contemplates the history of German-Scandinavian relations from the Hanseatic period through to the present day, focussing upon the Berlin- Brandenburg region and the northeastern part of Germany that lies to the south of the Baltic Sea. A geographic area whose topography has been shaped by the great Scandinavian glacier of the Vistula ice age from 20000 BC to 13 000 BC will thus be reflected upon. According to the linguistic usage of the term -
Sabotage Du Navire Français La Coubre Le 4 Mars 1960 Nadine Lalande
Sabotage du navire français La Coubre le 4 mars 1960 Nadine Lalande Le sabotage du navire La Coubre dans la mémoire du peuple cubain. L’une des premières actions terroristes du Gouvernement des États-Unis contre Cuba eut un caractère monstrueux, le sabotage du navire français La Coubre le 4 mars 1960, à quai dans le port de la Havane. Le bateau avait chargé en Europe un lot important d’armements et d’équipements achetés à l’industrie nationale belge par le Gouvernement Révolutionnaire de Cuba, qui était déjà préoccupé par les actions agressives croissantes des États- Unis. Le chargement fut saboté par les agents de l’Agence Centrale d’Intelligence CIA au point d’embarquement, et les engins placés déclenchèrent une explosion ce jour-là à trois heures dix de l’après-midi alors que se déroulaient les opérations de déchargement. Aux premières heures de l’après-midi du 4 mars 1960, une détonation initiale se produisit et quelques minutes plus tard une deuxième qui causera le plus grand nombre de victimes, puisque à ce moment-là des dizaines de militaires et de travailleurs apportaient leur aide sur place aux victimes de la première explosion. Le navire la Coubre ainsi que le quai alentour étaient remplis de travailleurs portuaires, des soldats rebelles, de membres de la Police Nationale Révolutionnaire, de pompiers et du personnel de secours qui, sans se soucier du danger avaient accouru sur le lieu du désastre pour aider les victimes et pour prévenir les accidents. Le Commandant en Chef Fidel Castro Ruz, et d’autres dirigeants de la Révolution Cubaine firent acte de présence sur le lieu des faits. -
Music As Rhetoric in Social Movements
IRA-International Journal of Management & Social Sciences ISSN 2455-2267; Vol.09, Issue 02 (November 2017) Pg. no. 71-85 Institute of Research Advances http://research-advances.org/index.php/RAJMSS 1968: Music as Rhetoric in Social Movements Mark Goodman1#, Stephen Brandon2 & Melody Fisher3 1Professor, Department of Communication, Mississippi State University, United States. 2Instructor, Department of English, Mississippi State University, United States. 3Assistant Professor, Department of Communication, Mississippi State University, United States. #corresponding author. Type of Review: Peer Reviewed. DOI: http://dx.doi.org/10.21013/jmss.v9.v2.p4 How to cite this paper: Goodman, M., Brandon, S., Fisher, M. (2017). 1968: Music as Rhetoric in Social Movements. IRA- International Journal of Management & Social Sciences (ISSN 2455-2267), 9(2), 71-85. doi:http://dx.doi.org/10.21013/jmss.v9.n2.p4 © Institute of Research Advances. This work is licensed under a Creative Commons Attribution-Non Commercial 4.0 International License subject to proper citation to the publication source of the work. Disclaimer: The scholarly papers as reviewed and published by the Institute of Research Advances (IRA) are the views and opinions of their respective authors and are not the views or opinions of the IRA. The IRA disclaims of any harm or loss caused due to the published content to any party. Institute of Research Advances is an institutional publisher member of Publishers Inter Linking Association Inc. (PILA-CrossRef), USA. The institute is an institutional signatory to the Budapest Open Access Initiative, Hungary advocating the open access of scientific and scholarly knowledge. The Institute is a registered content provider under Open Access Initiative Protocol for Metadata Harvesting (OAI-PMH).