An Intimate Revolution
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Die 68Er CARTOONS
Bulletin of the Transilvania University of Braşov Series IV: Philology and Cultural Studies • Vol. 12 (61) No. 2 – 2019 https://doi.org/10.31926/but.pcs.2019.61.12.22 The German protests of ’68 as the source of humour in Die 68er CARTOONS Ioana Andreea DIACONU1 The paper presents a series of cartoons on the German student movement from the sixties created 50 years later and tries to identify the sources and mechanisms of humour as well as the trigger of laughter of the sketches. A short presentation of this movement, its importance and echoes to the present and the description of the cartoon technique are indispensable in understanding the cartoons. There will also be an attempt to place these works in the history of German cartoon. In the end, an attempt will be made to identify, whether the publication of translated versions of the examined cartoons would be in any way successful, or rather useless. Key-words: cartoons, visual humour, sixty - eighters 1. Introduction At the 50th anniversary of the Protests of ‘68, the Caricatura – Galerie für komische Kunst (Caricatura - Gallery of Comic Art) in Kassel hosted the exhibition of 37 cartoonists on the 68 student movement in Germany, their cartoons being afterwards published by Saskia Wagner in the anthology Die 68er CARTOONS (Wagner 2018). The motivation of the event is given in the presentation of the exhibition and the book: “But what became of the so-called "old 68ers"? Where did the march through the institutions lead them? Are they still roughing up the establishment or are they part of it? Do they spontaneously re-create slogans? Do they let their descendants read to them from “the Capital”? The exhibition Die 68er CARTOONS looks for answers for these questions. -
Revisiting Zero Hour 1945
REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER VOLUME 1 American Institute for Contemporary German Studies The Johns Hopkins University REVISITING ZERO-HOUR 1945 THE EMERGENCE OF POSTWAR GERMAN CULTURE edited by STEPHEN BROCKMANN FRANK TROMMLER HUMANITIES PROGRAM REPORT VOLUME 1 The views expressed in this publication are those of the author(s) alone. They do not necessarily reflect the views of the American Institute for Contemporary German Studies. ©1996 by the American Institute for Contemporary German Studies ISBN 0-941441-15-1 This Humanities Program Volume is made possible by the Harry & Helen Gray Humanities Program. Additional copies are available for $5.00 to cover postage and handling from the American Institute for Contemporary German Studies, Suite 420, 1400 16th Street, N.W., Washington, D.C. 20036-2217. Telephone 202/332-9312, Fax 202/265- 9531, E-mail: [email protected] Web: http://www.aicgs.org ii F O R E W O R D Since its inception, AICGS has incorporated the study of German literature and culture as a part of its mandate to help provide a comprehensive understanding of contemporary Germany. The nature of Germany’s past and present requires nothing less than an interdisciplinary approach to the analysis of German society and culture. Within its research and public affairs programs, the analysis of Germany’s intellectual and cultural traditions and debates has always been central to the Institute’s work. At the time the Berlin Wall was about to fall, the Institute was awarded a major grant from the National Endowment for the Humanities to help create an endowment for its humanities programs. -
A Bibliography of Henry David Thoreau
A BIBLIOGRAPHY OF HENRY DAV ID THOREAU COMPILED BY FRANCIS H ALLEN BOSTON AND N EW YORK HOU G HTON MI FFLIN COMPANY MDCCCCVIII ' 1 131 Z m h u t/ u 04 ] 7 617 1 W W PYRIGHT IN” BY HOU HTON “M 00. , , G ALL RIGHTS RES ERVED FIV E HU NDRED AND THIRTY COPIES PRINTED “ 0 3 3 7 7 PREFACE THE ener a a n of is book is ba sed on th e g l pl th iio r a e ies w e n e r s ic a e rece iith s ie v t b bl g ph h h h p d d , b u tcer ta in e n in a o a r tu r es a ve ee m a e d p h b d , c or da nce wiw a th e a r ticu la r th h ta ppea red to be p em a n h e d ds of th e m a tter to be pr esented . T div sion- - ie n a is a r e owe er se ex a na tor v h d g , h , lf pl y , so ta tit see ce n n m s u nne ss r s ti h a y to a y a y h g u r ter er e a s to th e contents a nda r r a n em ent f h h g , a ndwe m a y pr oceed a tonce to th e a cknowledg m ents w in on ic c m w l o o m it a ll o er i t i h h , h h b b r a h er s th e com iler of is o w h e t o o es to t g p , p h b k m n h a er son w o a ve e him in h or s . -
Socialism, Feminism, and Suffragism, the Terrible Triplets, Connected by the Same Umbilical Cord, and Fed from the Same Nursing Bottle, by B.V
Socialism, feminism, and suffragism, the terrible triplets, connected by the same umbilical cord, and fed from the same nursing bottle, by B.V. Hubbard SOCIALISM FEMINISM AND SUFFRAGISM THE LIBRARY OF CONGRESS RARE BOOK COLLECTION CHAPMAN CATT SUBJECT Section V Woman - Sociology No 27 SOCIALISM, FEMINISM, AND SUFFRAGISM, THE TERRIBLE TRIPLETS CONNECTED BY THE SAME UMBILICAL CORD. AND FED FROM THE SAME NURSING BOTTLE By B. V. HUBBARD Chicago: American Publishing Company 1820 City Hall Square Bldg. Copyright, 1915 by B. V. Hubbard DEDICATION To the innumerable multitude of motherly women, who love and faithfully serve their fellowmen with a high regard for duty a veneration for God, respect for authority, and love for husband, home and heaven, whether such a woman is the mother of children, or whether she has been denied motherhood and bestows her motherliness upon all who are weak, distressed and afflicted. This book is also dedicated to the man who is, in nature, a knight and protector of the weak, the defender of the good, who shrinks no responsibility, who has a paternal love of home, a patriotic affection for country, veneration for moral and religious precepts, and who has the courage to combat evil and fight for all that which is good. CONTENTS SOCIALISM Chapter Page Introduction 9 I. Socialism Defined—Immediate Demands Not Socialistic—Ultimate Demands Real Socialism 13 Socialism, feminism, and suffragism, the terrible triplets, connected by the same umbilical cord, and fed from the same nursing bottle, by B.V. Hubbard http://www.loc.gov/resource/rbnawsa.n6027 II. The Materialistic Conception of History—Consequences of the Materialistic Conception of History, Denies the Natural Rights of Man 21 III. -
Music As Rhetoric in Social Movements
IRA-International Journal of Management & Social Sciences ISSN 2455-2267; Vol.09, Issue 02 (November 2017) Pg. no. 71-85 Institute of Research Advances http://research-advances.org/index.php/RAJMSS 1968: Music as Rhetoric in Social Movements Mark Goodman1#, Stephen Brandon2 & Melody Fisher3 1Professor, Department of Communication, Mississippi State University, United States. 2Instructor, Department of English, Mississippi State University, United States. 3Assistant Professor, Department of Communication, Mississippi State University, United States. #corresponding author. Type of Review: Peer Reviewed. DOI: http://dx.doi.org/10.21013/jmss.v9.v2.p4 How to cite this paper: Goodman, M., Brandon, S., Fisher, M. (2017). 1968: Music as Rhetoric in Social Movements. IRA- International Journal of Management & Social Sciences (ISSN 2455-2267), 9(2), 71-85. doi:http://dx.doi.org/10.21013/jmss.v9.n2.p4 © Institute of Research Advances. This work is licensed under a Creative Commons Attribution-Non Commercial 4.0 International License subject to proper citation to the publication source of the work. Disclaimer: The scholarly papers as reviewed and published by the Institute of Research Advances (IRA) are the views and opinions of their respective authors and are not the views or opinions of the IRA. The IRA disclaims of any harm or loss caused due to the published content to any party. Institute of Research Advances is an institutional publisher member of Publishers Inter Linking Association Inc. (PILA-CrossRef), USA. The institute is an institutional signatory to the Budapest Open Access Initiative, Hungary advocating the open access of scientific and scholarly knowledge. The Institute is a registered content provider under Open Access Initiative Protocol for Metadata Harvesting (OAI-PMH). -
Thomas Demand Roxana Marcoci, with a Short Story by Jeffrey Eugenides
Thomas Demand Roxana Marcoci, with a short story by Jeffrey Eugenides Author Marcoci, Roxana Date 2005 Publisher The Museum of Modern Art ISBN 0870700804 Exhibition URL www.moma.org/calendar/exhibitions/116 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art museumof modern art lIOJ^ArxxV^ 9 « Thomas Demand Thomas Demand Roxana Marcoci with a short story by Jeffrey Eugenides The Museum of Modern Art, New York Published in conjunction with the exhibition Thomas Demand, organized by Roxana Marcoci, Assistant Curator in the Department of Photography at The Museum of Modern Art, New York, March 4-May 30, 2005 The exhibition is supported by Ninah and Michael Lynne, and The International Council, The Contemporary Arts Council, and The Junior Associates of The Museum of Modern Art. This publication is made possible by Anna Marie and Robert F. Shapiro. Produced by the Department of Publications, The Museum of Modern Art, New York Edited by Joanne Greenspun Designed by Pascale Willi, xheight Production by Marc Sapir Printed and bound by Dr. Cantz'sche Druckerei, Ostfildern, Germany This book is typeset in Univers. The paper is 200 gsm Lumisilk. © 2005 The Museum of Modern Art, New York "Photographic Memory," © 2005 Jeffrey Eugenides Photographs by Thomas Demand, © 2005 Thomas Demand Copyright credits for certain illustrations are cited in the Photograph Credits, page 143. Library of Congress Control Number: 2004115561 ISBN: 0-87070-080-4 Published by The Museum of Modern Art, 11 West 53 Street, New York, New York 10019-5497 (www.moma.org) Distributed in the United States and Canada by D.A.P./Distributed Art Publishers, New York Distributed outside the United States and Canada by Thames & Hudson Ltd., London Front and back covers: Window (Fenster). -
Anarcha-Feminism.Pdf
mL?1 P 000 a 9 Hc k~ Q 0 \u .s - (Dm act @ 0" r. rr] 0 r 1'3 0 :' c3 cr c+e*10 $ 9 TABLE OF CONTENTS Introduction.... 1 Anarcha-Feminism: what it is and why it's important.... 4 Anarchism. Feminism. and the Affinity Group.... 10 Anarcha-Feminist Practices and Organizing .... 16 Global Women's Movements Through an anarchist Lens ..22 A Brief History of Anarchist Feminism.... 23 Voltairine de Cleyre - An Overview .... 26 Emma Goldman and the benefits of fulfillment.... 29 Anarcha-Feminist Resources.... 33 Conclusion .... 38 INTRODUCTION This zine was compiled at the completion of a quarters worth of course work by three students looking to further their understanding of anarchism, feminism, and social justice. It is meant to disseminate what we have deemed important information throughout our studies. This information may be used as a tool for all people, women in particular, who wish to dismantle the oppressions they face externally, and within their own lives. We are two men and one woman attempting to grasp at how we can deconstruct the patriarchal foundations upon which we perceive an unjust society has been built. We hope that at least some component of this work will be found useful to a variety of readers. This Zine is meant to be an introduction into anarcha-feminism, its origins, applications, and potentials. Buen provecho! We acknowledge that anarcha-feminism has historically been a western theory; thus, unfortunately, much of this ziners content reflects this limitation. However, we have included some information and analysis on worldwide anarcha-feminists as well as global women's struggles which don't necessarily identify as anarchist. -
Why Nothing Happens
Can Porn Set Us Free? A speech to the Sydney Writers Festival May 25th 2003 Clive Hamilton1 In Growth Fetish I argue that it has become apparent that the liberation movements of the sixties and seventies – the sexual revolution, the counter-culture, the women’s movement and the civil rights movement – have had some unforeseen and regrettable consequences. Contrary to the dreams of the young people of that era, the liberation movements did not create a society of free individuals in which each of us, released from the shackles of social conservatism, could find our true selves. While the goals were noble, the effect has been to open up to the marketers areas of social life from which the forces of commerce had previously been excluded. In a strong sense, the liberation movements of that era did the ground work for the neoliberal economic revolution of the eighties and nineties. It seems to me that the libertarian-left continues to invest so much in the freedoms won in the sixties and seventies that it has lost its capacity for discernment, an ability to recognise the social limits of individual freedoms. The ideas of the libertarian-left have become a reactionary force, for they have substituted an uncritical defence of the freedoms won in an earlier era for a real politics of social change. I’d like to develop this argument with respect to the perennial question of sex, and in particular the commodification of sexuality and what I call the pornographication of everyday life. This is a fitting topic for this Writers Festival not least because one of the overseas literary stars is Catherine Millet, author of the best-selling memoir The Sexual Life of Catherine M. -
Ursula Mctaggart
RADICALISM IN AMERICA’S “INDUSTRIAL JUNGLE”: METAPHORS OF THE PRIMITIVE AND THE INDUSTRIAL IN ACTIVIST TEXTS Ursula McTaggart Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy In the Departments of English and American Studies Indiana University June 2008 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy Doctoral Committee ________________________________ Purnima Bose, Co-Chairperson ________________________________ Margo Crawford, Co-Chairperson ________________________________ DeWitt Kilgore ________________________________ Robert Terrill June 18, 2008 ii © 2008 Ursula McTaggart ALL RIGHTS RESERVED iii ACKNOWLEDGEMENTS A host of people have helped make this dissertation possible. My primary thanks go to Purnima Bose and Margo Crawford, who directed the project, offering constant support and invaluable advice. They have been mentors as well as friends throughout this process. Margo’s enthusiasm and brilliant ideas have buoyed my excitement and confidence about the project, while Purnima’s detailed, pragmatic advice has kept it historically grounded, well documented, and on time! Readers De Witt Kilgore and Robert Terrill also provided insight and commentary that have helped shape the final product. In addition, Purnima Bose’s dissertation group of fellow graduate students Anne Delgado, Chia-Li Kao, Laila Amine, and Karen Dillon has stimulated and refined my thinking along the way. Anne, Chia-Li, Laila, and Karen have devoted their own valuable time to reading drafts and making comments even in the midst of their own dissertation work. This dissertation has also been dependent on the activist work of the Black Panther Party, the League of Revolutionary Black Workers, the International Socialists, the Socialist Workers Party, and the diverse field of contemporary anarchists. -
The Tensions Between Feminism and Libertarianism: a Focus on Prostitution, 3 Wash
Washington University Jurisprudence Review Volume 3 | Issue 1 2011 The eT nsions Between Feminism and Libertarianism: A Focus on Prostitution Nahid Sorooshyari Follow this and additional works at: https://openscholarship.wustl.edu/law_jurisprudence Part of the Jurisprudence Commons Recommended Citation Nahid Sorooshyari, The Tensions Between Feminism and Libertarianism: A Focus on Prostitution, 3 Wash. U. Jur. Rev. 167 (2011). Available at: https://openscholarship.wustl.edu/law_jurisprudence/vol3/iss1/6 This Note is brought to you for free and open access by the Law School at Washington University Open Scholarship. It has been accepted for inclusion in Washington University Jurisprudence Review by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. THE TENSIONS BETWEEN FEMINISM AND LIBERTARIANISM: A FOCUS ON PROSTITUTION NAHID SOROOSHYARI* INTRODUCTION This Note explores the tensions between feminism and libertarianism. In practice, feminism and libertarianism align on several issues. Historically, feminists and libertarians fought together to abolish legal barriers to women's participation in the economy and in the political system.' Currently, feminists and libertarians align on the issues of abortion and birth control.2 Any overlap between the two philosophies is, however, shallow. For feminists, patriarchy is the enemy, and it exists today despite the legal equality of women.3 For libertarians, the state is the enemy, and institutional harm to women only exists in the government- sanctioned oppression of women.4 Now that there are no legally- sanctioned barriers to women's participation in economic and political life,5 but still inequality between the genders,6 the tension between feminism and libertarianism is illuminated. -
This Is a Self-Archived Version of an Original Article. This Version May Differ from the Original in Pagination and Typographic Details
This is a self-archived version of an original article. This version may differ from the original in pagination and typographic details. Author(s): Saksholm, Juho Title: Reform, revolution, riot? : transnational Nordic Sixties in the radical press, c. 1958-1968 Year: 2021 Version: Published version Copyright: © 2021 Juho Saksholm Rights: CC BY 4.0 Rights url: https://creativecommons.org/licenses/by/4.0/ Please cite the original version: Saksholm, J. (2021). Reform, revolution, riot? : transnational Nordic Sixties in the radical press, c. 1958-1968. Ennen ja nyt, 21(3), 75-79. https://doi.org/10.37449/ennenjanyt.99973 ENNEN JA NYT: HISTORIAN TIETOSANOMAT • 3/2021 LECTIO PRAECURSORIA Juho Saksholm Reform, Revolution, Riot? Transnational Nordic Sixties in the Radical Press, c.1958-1968 Bill Clinton, the first American president who belonged to the so-called baby boomer generation, once reflected on his own youth by saying: “If you look back on the 1960s and on balance, you think there was more good than harm, then you're probably a Democrat. If you think there was more harm than good, you're probably a Republican.”1 Whether we now live in a world where the sixties is treated with newly found appreciation or with even deeper resentment remains to be seen. But this quote begs the question: Who "owns" the Sixties? Who has the power to define its essence? Many have tried to use the Sixties and its legacy to explain current political and social phenomena. Let us take 75 couple of concrete examples: After his resignation, the former pope Benedict XVI wrote an essay to a German catholic paper Klerusblatt, aiming to explain the reasons for the paedophilia scandal that had devastated the catholic church. -
Freeing Voices of Dissent in the Underground Newspaper Collection
Laurie Charnigo Prisoners of Microfilm Freeing Voices of Dissent in the Underground Newspaper Collection “We are a people, and a people must have their own voice, and that voice is the underground press.”1 - Thomas King Forcade 1. Bad juju I put the finishing touch on the display case in the lobby of our library, a sign in bold newsprint: “Come Explore the UPS Underground Newspaper 41 Collection (1963-1975)!” Stepping back to admire my creation, I almost had to brace myself against the dizzying psychedelic collage of graphics. This display screamed not only “Look at me!” but “Damn! I’m cool!” And oh how cool it was covered with photos, comics, and covers from a wide range of colorful Vietnam-era ‘underground’ newspapers. The bright art of Black Panther’s Emory Douglas shouted “Power to the People!” Psychedelic covers of the San Francisco Oracle flashed Vedic Motifs, bearded gurus, and hookah- smoking shamans. Gilbert Sheldon’s Fabulous Furry Freak Brothers and Trina Robbins’ feminist superheroes playfully danced throughout the display. There were photos of protesters marching for civil rights, gay rights, women’s rights, and in opposition to the war in Vietnam. There were raised fists of solidarity, peace signs, concert posters, a real lava lamp (which I hoped wouldn’t burn the library down), and covers of the Berkeley Barb, Avatar, the Los Angeles Free Press, and many others. Books about the Vietnam-era underground press were featured prominently throughout the display, such as Ken Wachsberger’s extensive Voices from the Underground series and John McMillian’s Smoking Typewriters: The Sixties Underground Press and the Rise of Alternative Media Laurie Charnigo is education librarian at Jacksonsville State University in Alabama.