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Tartu Arena Tasuvusanalüüs
Tartu Arena tasuvusanalüüs Tellija: Tartu Linnavalitsuse Linnavarade osakond Koostaja: HeiVäl OÜ Tartu 2016 Copyright HeiVäl Consulting 2016 1 © HeiVäl Consulting Tartu Arena tasuvusanalüüs Uuring: Tartu linna planeeritava Arena linnahalli tasuvusanalüüs Uuringu autorid: Kaido Väljaots Geete Vabamäe Maiu Muru Uuringu teostaja: HeiVäl OÜ / HeiVäl Consulting ™ Kollane 8/10-7, 10147 Tallinn Lai 30, 51005 Tartu www.heival.ee [email protected] +372 627 6190 Uuringu tellija: Tartu Linnavalitsus, Linnavarade osakond Uuringuprojekt koostati perioodil aprill – juuli 2016. 2 © HeiVäl Consulting Tartu Arena tasuvusanalüüs Sisukord Kokkuvõte .............................................................................................................................................. 4 1 Uuringu valim .................................................................................................................................. 7 1.1 Tartu linn .......................................................................................................................................... 7 1.2 Euroopa .......................................................................................................................................... 11 2 Spordi- ja kultuuriürituste turuanalüüs ........................................................................................... 13 2.1 Konverentsiürituste ja messide turuanalüüs Tartus ....................................................................... 13 2.2 Kultuuriürituste turuanalüüs Tartus ............................................................................................... -
Weekend Seminars in May in Riga
TENTATIVE AGENDA Reserved seating: Special reserved seats for all Platinum & above. Allocated seating only. Your seat number will be given to you by your upline before FRIDAY – 12.10.2018 the event. 16.45-18.00 Leaders Meeting Nearest airport: The nearest international airport is 19.00-22.00 General Session Tallinn Airport (app 10 km from the venue). Age limit: 18 years: 18 years. Please note that no one under the age of 18 will be allowed in at this SATURDAY – 13.10.2018 event. Includes babies and infants. 09.30-10.30 Leaders Meeting Dress code: Business casual for all meetings. English or Russian will be spoken on 11.00-14.00 General Session Translation: stage. This event will be translated into Estonian, 18.00-22.00 General Session Latvian, Lithuanian and Russian. To be able to listen to the translated version of the program, SUNDAY – 14.10.2018 please bring your own device with FM radio frequency receiver. 10.00-13.30 General Session Tickets to next WES: Will be available from your upline Platinum starting at the Weekend Seminars in May in Riga. www.baltics.network21.com WEEKEND SEMINAR TALLINN Estonia • Latvia • Lithuania • Finnish 12. - 14.10.2018 SAKU SUURHALL Paldiski mnt 104B, Tallinn 13522, Estonia Robert is a graduate of Sydney University. He began his Amway business when he was in Australia, and after the Indonesian market opened he returned to Jakarta and worked at a world-renowned foreign private bank. His last position in the corporate sector was Assistant Vice President. We left our professional life,” Robert says, “because it didn't give us what we wanted, nothing like what this business did. -
2008 Europe Summer Tour
STILL ON THE ROAD 2008 EUROPE SUMMER TOUR MAY 26 Reykjavik, Iceland Laugardalshöll 28 Odense, Denmark Arena Fyn 30 Stavanger, Norway Viking Stadion JUNE 1 Helsinki, Finland Hartwall Areena 3 St. Petersburg, Russia Ice Palace 4 Tallinn, Estonia Saku Arena 5 Vilnius, Lithuania Siemens Arena 7 Warsaw, Poland Stodola 9 Ostrava, Czech Republic CEZ Arena 10 Vienna, Austria Stadthalle 11 Salzburg, Austria Salzburg Arena 13 Varazdin, Croatia Gradski Stadium 15 Trento, Italy Palazzo delle Albere 16 Bergamo, Italy Lazzaretto 18 Chatillon, Italy Parco Castello Baron Gamba 19 Grenoble, France Palais des Sports 20 Toulouse, France Le Zénith 22 Encamp, Andorra Camp de Fútbol de Prada de Moles 23 Zaragoza, Spain Feria de Muestras 24 Pamplona, Spain Plaza de Toros 27 Vigo, Spain Recinto Ferial 28 Hoyos del Espino, Spain Finca de Mesegosillo JULY 1 Cuenca, Spain La Fuensanta 2 Alicante, Spain Centro de Technificacion 4 Lorca, Spain Plaza de Toros 5 Jaén, Spain Recinto Ferial 6 Arganda del Rey, Spain Ciudad del Rock 8 Jérez de la Frontera, Spain Estadio Municipal Chapín de Jerez 10 Mérida, Spain Plaza de Toros 11 Oeiras, Portugal Passeio Marítimo of Algés Bob Dylan: Still On The Road – 2008 Europe Summer Tour Bob Dylan: Still On The Road – 2008 Europe Summer Tour 30160 Laugardalshöll Reykjavik, Iceland 26 May 2008 1. Stuck Inside Of Mobile With The Memphis Blues Again 2. Don't Think Twice, It's All Right 3. The Levee's Gonna Break 4. Tryin' To Get To Heaven 5. Rollin' And Tumblin' 6. Nettie Moore 7. I'll Be Your Baby Tonight 8. -
Täiesti Uus Volvo S80. Uus Põlvkond Skandinaavia Luksust
Laos: tahaks tagasi minna Laosest jääb meelde kohalike siirus. lk 12–13 Nädalalõpulisa nr 39 (387) 29. september 2006 TÄIESTI UUS VOLVO S80. UUS PÕLVKOND SKANDINAAVIA LUKSUST PUHTAD JA ELEGANTSED JOONED KOOS INTELLIGENTSE FUNKTSIONAALSUSEGA, KUS IGA PISEMGI DETAIL ON LOODUD KASUTAJA HEAOLULE MÕELDES. UHIUUES VOLVO S80-S ON LIGITÕMBAVALT KAASAEGSEL VIISIL ÜHENDATUD NII ESTEETIKA KUI TEHNOLOOGIA. Keskmine kütusekulu 6,4-11,9 l/100 km; heitmed CO2 169-284 g/km INFO-AUTO TALLINN: Pärnu mnt. 232, tel. 6 710 020, [email protected]: Turu 1, tel. 7 371 890, [email protected]ÄRNU: Tallinna mnt. 89a, tel. 44 72 750, [email protected] WWW.INFOAUTO.EE / WWW.VOLVOCARS.EE moodsad ajad 2 Äripäeva nädalalõpulisa 29. september 2006 toimetaja Andras Kralla, tel 667 0131, e-post [email protected] pulm Tere võttis Meieri ära Eelmisel reedel helisesid lennujaama vanas ter- minalis pulmakellad. Ettevõtlik Tere ja koostöö- aldis Meieri panid piimad ühte kappi. Soovime noorpaarile pikka armuvahekorda ja valguküllast saaki. Endisest Tallinna Piimatöös- tusest on saanud Tere AS ning kõik kaubamär- gid koondati ühe katuse – Tere – alla. Andras Kralla [email protected] Klaas piima pealikule! Pii- makelner teeb meele rõõm- saks Tere ASi suuromanikul Oliver Kruudal ning Eesti toidu vaimsel emal Kibe! Kibe! Pruutpaariga poseerivad Tere ASi Viljandi tootmise juht Jaan Kree (vasakul) ning Tere ASi juhatuse Ester Tuiksool. esimees Kadi Lambot (paremal). puhkepäev Äripäeva nädalalõpulisa 29. september 2006 3 toimetaja Christel Karits, tel 667 0218, e-post [email protected] Ettevaatust, disain vallutab Tallinna “Ettevaatust, disain!” musitseerivad Anne Türnpu, Ingrit Vaher, Maarja Jakobson, Kristina hoiatavad tootekunstni- Paškevičius, Kärt Johanson, Maret kud Tallinnas olijaid, kel Mursa, Reet Aus, Ville Hyvonen ja üsna tõenäoline nädala- Anu Konze. -
Saku Export 2019
SAKU BREWERY EXPORT PORTFOLIO A guide to the Estonian brewery and its beverages ESTONIA Refreshing drinks from pure nature stonia is a small country situated in the upper right E corner of the European Union. Our neighbours are Finland to the north, Sweden to the west, the other Baltic states to the south and Russia to the east. We feel closest in spirit to the Scandinavian countries through our national identity and Nordic climate. Estonia has a small population and its population density is quite low compared to that of Western Europe, which is why we have a lot of pure, untouched nature. About half of the country’s territory is covered with forests and bogs. The other half is mostly used for agricultural purposes; one tenth of this half is covered with densely populated areas. Our extensive agricultural background gives us a strong advantage in being a considerable player in the field of producing beer and other drinks. Brewing beer from cereals and distilling spirits have been our traditional industries for centuries. ESTONIANS A distinctive nation with distinctive tastes ith a population of a bit more than 1 million people, Estonia is one of W the least populated countries in the European Union and has enjoyed independence for just less than a hundred years. Nevertheless, as a nation, we have existed for many thousands of years, being dominated by Denmark, Germany, Sweden and Russia at different times. We have managed to preserve our language, culture and our distinctive national identity throughout all these eras. When it comes to Estonian food culture, we can’t say that Estonian cuisine is something extraordinary. -
Still on the Road Venue Index 1956 – 2016
STILL ON THE ROAD VENUE INDEX 1956 – 2016 STILL ON THE ROAD VENUE INDEX 1956-2016 2 Top Ten Concert Venues 1. Fox Warfield Theatre, San Francisco, California 28 2. The Beacon Theatre, New York City, New York 24 3. Madison Square Garden, New York City, New York 20 4. Nippon Budokan Hall, Tokyo, Japan 15 5. Hammersmith Odeon, London, England 14 Royal Albert Hall, London, England 14 Vorst Nationaal, Brussels, Belgium 14 6. Earls Court, London, England 12 Jones Beach Theater, Jones Beach State Park, Wantagh, New York 12 The Pantages Theater, Hollywood, Los Angeles, California 12 Wembley Arena, London, England 12 Top Ten Studios 1. Studio A, Columbia Recording Studios, New York City, New York 27 2. Studio A, Power Station, New York City, New York 26 3. Rundown Studios, Santa Monica, California 25 4. Columbia Music Row Studios, Nashville, Tennessee 16 5. Studio E, Columbia Recording Studios, New York City, New York 14 6. Cherokee Studio, Hollywood, Los Angeles, California 13 Columbia Studio A, Nashville, Tennessee 13 7. Witmark Studio, New York City, New York 12 8. Muscle Shoals Sound Studio, Sheffield, Alabama 11 Skyline Recording Studios, Topanga Park, California 11 The Studio, New Orleans, Louisiana 11 Number of different names in this index: 2222 10 February 2017 STILL ON THE ROAD VENUE INDEX 1956-2016 3 1st Bank Center, Broomfield, Colorado 2012 (2) 34490 34500 30th Street Studio, Columbia Recording Studios, New York City, New York 1964 (1) 00775 40-acre North Forty Field, Fort Worth Stockyards, Fort Worth, Texas 2005 (1) 27470 75th Street, -
Transcending 'Cold Intimacies' in Veiko Õunpuu's Works
BALTIC SCREEN MEDIA REVIEW 2016 / VOLUME 4 / ARTICLE Article Transcending ‘Cold Intimacies’ in Veiko Õunpuu’s Works EVA NÄRIPEA, National Archives of Estonia, Estonian Academy of Arts; email: [email protected] EWA MAZIERSKA, University of Central Lancashire, United Kingdom; email: [email protected] 60 DOI: 10.1515/bsmr-2017-0004 BALTIC SCREEN MEDIA REVIEW 2016 / VOLUME 4 / ARTICLE ABSTRACT This article examines five films by Veiko Õunpuu, Estonia’s most renowned contemporary director – Empty (Tühirand, Estonia, 2006), Autumn Ball (Sügis- ball, Estonia, 2007), Temptations of St Tony (Püha Tõnu kiusamine, Estonia/Finland/Sweden, 2009), Free Range: Ballad on Approving of the World (Free Range: ballaad maailma heakskiitmisest, Estonia, 2013) and Roukli (Estonia, 2015), focusing on his representations of neoliberalism and especially its effect on the emotional and intimate lives of the characters. We argue that the characters of his films typically reject the conventional romance promoted by neoliberal discourses, including Hollywood cinema, yet this does not make them happy, but disoriented and restless. The repudiation of ‘emotional capitalism’ also pertains to the way Õunpuu’s films are conceived and executed. Most importantly, he resists the conventions of Hollywood cinema, including a classical script and happy ending, and also sets and shoots his films in peripheral places. Our main theoretical framework is the concept of ‘emotional capitalism’ as elaborated by Eva Illouz. INTRODUCTION heakskiitmisest, Estonia, 2013) and Roukli Veiko Õunpuu has been directing films (Estonia, 2015). To our knowledge, this is for a decade, rising from an unknown the first attempt to discuss Õunpuu’s filmic ‘amateur’ to become an internationally oeuvre in its entirety. -
Subjectivity-Inducing Mechanisms in Contemporary Estonian Art Film
BALTIC SCREEN MEDIA REVIEW 2014 / VOLUME 2 / ARTICLE Article Darkness on Screen: Subjectivity-Inducing Mechanisms in Contemporary Estonian Art Film MARTIN OJA, Tallinn University Baltic Film and Media School, Estonia; email: [email protected] 76 DOI: 10.1515/bsmr-2015-0016 BALTIC SCREEN MEDIA REVIEW 2014 / VOLUME 2 / ARTICLE ABSTRACT The main purpose of the article is to bring more clarity to the concept of art fi lm, shedding light on the mechanisms of subjective reception and evaluating the presence of subjectivity-inducing segments as the grounds for defi ning art fi lm. The second aim is to take a fresh look at the little- discussed Estonian art cinema, drawing on a framework of cognitive fi lm studies in order to analyse its borders and characteristics. I will evaluate the use of darkness as a device for creating meaning, both independently of and combined with other visual or auditory devices. The dark screen, although not always a major factor in the creation of subjectivity, accompanies the core problem both directly and metaphorically: what happens to the viewer when external information is absent? I will look at the subjectiv- ity-inducing devices in the fi lms of two Estonian directors, Sulev Keedus and Veiko Õunpuu. For the theoretical back- ground, I rely mostly on Torben Grodal’s idea about the subjective mode as a main characteristic of art fi lm, and the disruption of character simulation as the basis for the fi lm viewer’s subjectivity. INTRODUCTION tions and projects in order to gain support. For Estonian cinema, the last two decades Additionally, considering the context of spe- has been a time of seeking its identity and cifi c fi lm types, we can observe the strong continuously recreating its language, which international position of independent Esto- has been characterised by a renewal of its nian animation. -
Eesti Film Estonian Film 2000-2006
EESTI Eesti fi lm FILM Estonian Film ESTONIAN 2000-2006 FILM 2000 2006 Pikk mängufilm sai jalad alla Eesti mängufilm 2000–2006 20. sajand lõppes eesti filmile masendava pööritav tulemus, eriti just 1990. aastatel ka- ikaldusega: aastal 2000 ei saanud meil valmis tastroofiliselt vähenenud kinokülastatavuse ühtegi täispikka kunstilist linateost. See aga ei taustal. tähendanud, et neid ei tehtud. Arenduse ja toot- mise tsüklid olid mitmel põhjusel veninud, põud Uued sihid hajus, vana kuulujutt eesti filmi surmast oli jälle Areldi strateegiliseks sihiks seatud kolme täis- liialdatud. pika mängufilmini aastas, millest üks pidi olema Järgmise kahe aasta jooksul tehti valmis neli autorifilm festivalide tarbeks, teine film rahvale mängufilmi, mille kunstilistes ambitsioonides ning kolmas laste- ja noorsoofilm, jõuti alles ei maksa kahelda. Kvantiteedi üle võis endiselt 2004. aastal. Ent juba järgmisel aastal suutsime nuriseda, hambaid teritati ka filmide sisulise toota rohkem kui pool tosinat täispikka män- kvaliteedi ja vaadatavuse osas. Näiteks kriiti- gufilmi – justkui oleks NATOsse ja Euroopa Liitu kute poolt aasta parimaks linateoseks valitud, pääsemine ka mängufilmi lüüsid avanud. Lõpuks tööstusmanipulatsiooni- ja spionaažiteemaline ometi võis koguse üle hõisata, publiku üks silm “Agent Sinikael” (rež Marko Raat, 2002) kogus oli televiisori küljest kinosaali kallutatud, noo- ainult kolm tuhat vaatajat, aga riiklikult soo- remale ja teadlikumale vaatajale mängis mõju- situd patriootiline rahvafilm Vabadussõjast kat rolli Pimedate Ööde filmifestival (PÖFF). Ees- “Nimed marmortahvlil” (Elmo Nüganen, 2002) ti Televisiooni moraalse ja ka pisikese rahalise ja suuresti erakapitali toel toodetud komöödia süstiga hakati tegema madala eelarvega video- “Vanad ja kobedad saavad jalad alla” (Rando mängufilme, millele pani õla alla ka Eesti Kul- Pettai, 2003) tõmbasid vastavalt 168 000 ja tuurkapital, lisaks tavapäraselt toetavale Eesti 82 000 vaatajat, mis oli Eesti kohta suisa pead- Filmi Sihtasutusele. -
Nation Branding, National Identity and the Eurovision Song Contest in Estonia Politics and Society in the Baltic Sea Region 2
This book provides a unique and intriguing insight into current debates concerning the relationship between nation and state Jordan Paul as well as the political management of international image in today’s Europe through an examination of debates on nation branding and the Eurovision Song Contest. Europe is a con- tested construct and its boundaries are subject to redefinition. This work aims to advance critical thinking about contempo- rary nation branding and its relationship to, and influence on, Paul Jordan nation building. In particular it focusses on key identity debates The Modern Tale Fairy that the Eurovision Song Contest engendered in Estonia in the run-up to EU accession. The Eurovision Song Contest is an event which is often dismissed as musically and culturally The Modern Fairy Tale: inferior. However, this work demonstrates that it has the capac- ity to shed light on key identity debates and illuminate wider Nation Branding, National Identity socio-political issues. Using a series of in-depth interviews with and the Eurovision Song Contest political elites, media professionals and opinion leaders, this book is a valuable contribution to the growing field of research in Estonia on nation branding and the Eurovision Song Contest. Paul Jordan obtained his PhD from the University of Glasgow in 2011. His research interests include nation building and nation branding of post-communist states, national identity and nationalist politics. He is also a regular media commenta- tor on the Eurovision Song Contest. Politics and Society in the Baltic Sea Region Politics and Society ISBN 978-9949-32-558-0 2 in the Baltic Sea Region 9 789949 325580 > www.tyk.ee 2 Politics and Society in the Baltic Sea Region 2 Paul Jordan The Modern Fairy Tale: Nation Branding, National Identity and the Eurovision Song Contest in Estonia Politics and Society in the Baltic Sea Region 2 Politics and Society in the Baltic Sea Region is a series devoted to contemporary social and political issues in the countries surrounding the Baltic Sea. -
AASTARAAMAT 1 2000 Sisukord
EESTI MUUSIKAAKADEEMIA AASTARAAMAT 1 2000 Sisukord SAATEKS (P. Lassmann) ...............................................................................................................................................3 EESTI MUUSIKAAKADEEMIA AKREDITEERIMINE (A. Pung) ..............................................................................3 EESTI MUUSIKAAKADEEMIA NÕUKOGUS (M. Topman) ....................................................................................8 ÕPPETÖÖ (M. Tarum, A. Truumets) ............................................................................................................................10 LOOMINGULINE JA TEADUSLIK TEGEVUS (M. Topman) .....................................................................................20 Klaveriosakond (I. Ilja) ...............................................................................................................................20 Keelpilliosakond (P. Paemurru) ................................................................................................................27 Puhkpilliosakond (H. Altrov) .....................................................................................................................30 Lauluosakond (V. Noreika, P. Paemurru) ..................................................................................................35 Dirigeerimisosakond (T. Kapten) .............................................................................................................40 Kammermuusikaosakond (H. Kapten) ...................................................................................................47 -
AASTARAAMAT 1 2001 Sisukord
EESTI MUUSIKAAKADEEMIA AASTARAAMAT 1 2001 Sisukord Saateks (P. Lassmann) ....................................................................................................................................... 3 Muusikaakadeemia uus orel (A. Uibo) ............................................................................................................ 4 Eesti Muusikaakadeemia Nõukogus (M. Topmann) ...................................................................................... 5 Õppetöö (M. Tarum) ............................................................................................................................................ 8 Akadeemilised osakonnad (koost M. Topmann) ........................................................................................... 18 Klaveriosakond (I. Ilja) .......................................................................................................................... 18 Keelpilliosakond (Peeter Paemurru) .................................................................................................. 28 Puhkpilliosakond (H. Altrov)................................................................................................................. 31 Lauluosakond (V. Noreika, Piia Paemurru) ......................................................................................... 37 Kammermuusikaosakond (H. Kapten) ............................................................................................... 42 Dirigeerimisosakond (T. Kapten) .......................................................................................................