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Armenian Secret and Invented Languages and Argots
Armenian Secret and Invented Languages and Argots The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Russell, James R. Forthcoming. Armenian secret and invented languages and argots. Proceedings of the Institute of Linguistics of the Russian Academy of Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:9938150 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP 1 ARMENIAN SECRET AND INVENTED LANGUAGES AND ARGOTS. By James R. Russell, Harvard University. Светлой памяти Карена Никитича Юзбашяна посвящается это исследование. CONTENTS: Preface 1. Secret languages and argots 2. Philosophical and hypothetical languages 3. The St. Petersburg Manuscript 4. The Argot of the Felt-Beaters 5. Appendices: 1. Description of St. Petersburg MS A 29 2. Glossary of the Ṙuštuni language 3. Glossary of the argot of the Felt-Beaters of Moks 4. Texts in the “Third Script” of MS A 29 List of Plates Bibliography PREFACE Much of the research for this article was undertaken in Armenia and Russia in June and July 2011 and was funded by a generous O’Neill grant through the Davis Center for Russian and Eurasian Studies at Harvard. For their eager assistance and boundless hospitality I am grateful to numerous friends and colleagues who made my visit pleasant and successful. For their generous assistance in Erevan and St. -
LCC5 CONLANG RELAY — ITHKUIL TEXT: AIFQLAL ÖMMOL Âmmël Tê
LCC5 CONLANG RELAY — ITHKUIL TEXT: AIFQLAL ÖMMOL Âmmël tê, iekawel tiö. Ikàmküz iam-mra ârtwail mmëu’a Ĝi smî’âškôx. Iefqlaromdi ük ho kai’ál. Š. Ailayël egbulak –çoe, aumrawelönar vyelíup qü. Iek’amtoçqár isvala Ħ qo ârtwel kî. Hmuqwat Ĝara č’ óext’ai’l. Hra Ŝnasar –qawe smâ’âškôx. Eswilúk xas –ça hmaigralî Ħ uqwot Ĝukt –č’içewa. Ke uqwat ĜaĦ ia Ńt’aluib eswolúk. Š. Epšal oqwas uqwêt Ĝ óek hwai’l. Aigrawelönar –qowe ocetip. Uqwat Ĝ vyaliup. Vyaliupi’m! Hmi čhal ko ârtwala Ħ lt heĜ mmêĜ. –Ça vyaliup. Ti xat hint. Aigrayëlint to uqwiat Ĝ óek hwai’l _ip’ayûluc’ar ek ho ítu’liu Ń ke. Âmmël tê, auntawél –ça: –aigrayëlar ko uqwet Ĝ óek hwai’l –ieçtraluc’ –qowe. Snalakir uqwat Ĝ áugrala řo. Âdhayëlilliud uqwit Ĝipt, augrayûluc’ eqolekt –qewe. Augrayûl qo –qewe. Az, âmmël tê, aukawél ârtwail kî áula’al ku ltweol. Ir! HELPFUL NOTES • Default word order is VSO or VOS. Placement of a noun before the verb gives it semantic focus. Placement of a noun at the beginning of a sentence topicalizes it. • Ithkuil nominal formatives (i.e., nouns) mandatorily inflect for eight morphological categories, while verbal formatives (i.e., verbs) mandatorily inflect for 22 categories. However, the majority of these categories are often in their default/baseline modes which are unmarked. In order to simplify the intralinears below, I have not indicated unmarked categories, and for default categories that are marked but do not impact the semantics, I have indicated these by empty brackets [ ]. • Many Ithkuil affixes are portmanteau in nature, i.e., combining many separate morphemes into a single affix. -
A Secret Vice: the Desire to Understand J.R.R
Mythmoot III: Ever On Proceedings of the 3rd Mythgard Institute Mythmoot BWI Marriott, Linthicum, Maryland January 10-11, 2015 A Secret Vice: The Desire to Understand J.R.R. Tolkien’s Quenya Or, Out of the Frying-Pan Into the Fire: Creating a Realistic Language as a Basis for Fiction Cheryl Cardoza In a letter to his son Christopher in February of 1958, Tolkien said “No one believes me when I say that my long book is an attempt to create a world in which a form of language agreeable to my personal aesthetic might seem real” (Letters 264). He added that The Lord of the Rings “was an effort to create a situation in which a common greeting would be elen síla lúmenn’ omentielmo,1 and that the phrase long antedated the book” (Letters 264-5). Tolkien often felt guilty about this, his most secret vice. Even as early as 1916, he confessed as much in a letter to Edith Bratt: “I have done some touches to my nonsense fairy language—to its improvement. I often long to work at it and don’t let myself ‘cause though I love it so, it does seem a mad hobby” (Letters 8). It wasn’t until his fans encouraged him, that Tolkien started to 1 Later, Tolkien decided that Frodo’s utterance of this phrase was in error as he had used the exclusive form of we in the word “omentielmo,” but should have used the inclusive form to include Gildor and his companions, “omentielvo.” The second edition of Fellowship reflected this correction despite some musings on leaving it to signify Frodo being treated kindly after making a grammatical error in Quenya (PE 17: 130-131). -
Puana 'Ia Me Ka 'Oko'a: a Comparative Analysis of Hawaiian
Vol. 5 (2011), pp. 107-133 http://nflrc.hawaii.edu/ldc/ http://hdl.handle.net/10125/4494 Puana ‘Ia me ka ‘Oko‘a: A Comparative Analysis of Hawaiian Language Pronunciation as Spoken and Sung Joseph Keola Donaghy University of Hawai‘i at Hilo and University of Otago, New Zealand In this paper I argue that the differences between spoken Hawaiian and vocal perfor- mance of western-influenced “traditional” Hawaiian music are representative of the linguistic diversity found within the Hawaiian language. It contains a comparative analysis of Hawaiian Language Pronunciation as Spoken and Sung, using transcriptions of recorded examples by John Kameaaloha Almeida, a native speaker of the Hawaiian language and a prominent composer, singer, and instrumentalist. It will provide a pho- nemic analysis of notable and predictable variations heard in Hawaiian language vocal performances that are not heard in spoken Hawaiian. Further, it will show that rhythmic arrangement of morae over strong beats in the musical measure is largely analogous to accent in spoken Hawaiian, with some predictable exceptions. The paper also documents how, during his vocal performance, Almeida added three non-lexical vocables not heard in spoken Hawaiian. I argue that these characteristics and variation are indicative of the linguistic diversity found within the Hawaiian language and, as such, are worthy of the same attention and scholarly scrutiny as spoken Hawaiian. The second goal of this applied research is to present the results in a manner that is accessible to practitioners of Hawaiian language performance. 1. INTRODUCTION.1 One day during my time as an undergraduate student in the Hawaiian Studies program at the University of Hawai‘i at Hilo, I was listening to a record- ing of Rev. -
A Brief Introduction to Constructed Languages
A Brief Introduction to Constructed Languages An essay by Laurier Rochon Piet Zwart Institute : June 2011 3750 words Abstract The aim of this essay will be to provide a general overview of what is considered a "constructed language" (also called conlang, formalized language or artificial language) and explore some similarities, differences and specific properties that set these languages apart from natural languages. This essay is not meant to be an exhaustive repertoire of all existing conlangs, nor should it be used as reference material to explain or dissect them. Rather, my intent is to explore and distill meaning from particular conlangs subjectively chosen for their proximity to my personal research practice based on empirical findings I could infer from their observation and brief use. I will not tackle the task of interpreting the various qualities and discrepancies of conlangs within this short study, as it would surely consist of an endeavour of its own. It should also be noted that the varying quality of documentation available for conlangs makes it difficult to find either peer-reviewed works or independent writings on these subjects. As a quick example, many artistic languages are conceived and solely used by the author himself/herself. This person is obviously the only one able to make sense of it. This short study will not focus on artlangs, but one would understand the challenge in analyzing such a creation: straying away from the beaten path affords an interesting quality to the work, but also renders difficult a precise analytical study of it. In many ways, I have realized that people involved in constructing languages are generally engaging in a fringe activity which typically does not gather much attention - understandably so, given the supremacy of natural languages in our world. -
Inventors and Devotees of Artificial Languages
From SIAM News, Volume 43, Number 5, June 2010 Inventors and Devotees of Artificial Languages In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and The Mad Dreamers Who Tried to Build a Perfect Language. By Arika Okrent, Spiegel and Grau, New York, 2009, 352 pages, $26.00. In the Land of Invented Languages is a remarkably entertaining historical survey of artificial languages and their inventors, from the Lingua Ignota of Hildegard von Bingen in the 12th century through Esperanto and, more recently, Klingon. The depth of the research is impressive. The author, Arika Okrent, attended conferences in Esperanto, Loglan, and Klingon, among others; hunted up obscure self-published tomes available only in a few rare book rooms; worked through scores of these languages in enough depth to translate BOOK REVIEW passages into them; and interviewed hundreds of people, both language inventors and enthusiasts, getting to know many By Ernest Davis of them well. One of the book’s two appendices lists 500 artificial languages; the other offers translations of the Lord’s Prayer into 17 languages and of the Story of Babel into another 11. The text contains samples from many more languages, carefully explained and analyzed. Nonetheless, the book wears its learning very lightly; it is delightfully personal, and as readable as a novel. It is in fact as much about the histories of the inventors and devotees of the languages as about the languages themselves; these histories are mostly strange and often sad. Invented languages can be categorized by the purposes of their inventors. -
Cultures and Traditions of Wordplay and Wordplay Research the Dynamics of Wordplay
Cultures and Traditions of Wordplay and Wordplay Research The Dynamics of Wordplay Edited by Esme Winter-Froemel Editorial Board Salvatore Attardo, Dirk Delabastita, Dirk Geeraerts, Raymond W. Gibbs, Alain Rabatel, Monika Schmitz-Emans and Deirdre Wilson Volume 6 Cultures and Traditions of Wordplay and Wordplay Research Edited by Esme Winter-Froemel and Verena Thaler The conference “The Dynamics of Wordplay / La dynamique du jeu de mots – Interdisciplinary perspectives / perspectives interdisciplinaires” (Universität Trier, 29 September – 1st October 2016) and the publication of the present volume were funded by the German Research Founda- tion (DFG) and the University of Trier. Le colloque « The Dynamics of Wordplay / La dynamique du jeu de mots – Interdisciplinary perspectives / perspectives interdisciplinaires » (Universität Trier, 29 septembre – 1er octobre 2016) et la publication de ce volume ont été financés par la Deutsche Forschungsgemeinschaft (DFG) et l’Université de Trèves. ISBN 978-3-11-058634-3 e-ISBN (PDF) 978-3-11-058637-4 e-ISBN (EPUB) 978-3-11-063087-9 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2018955240 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2018 Esme Winter-Froemel and Verena Thaler, published by Walter de Gruyter GmbH, Berlin/Boston Printing and binding: CPI books GmbH, Leck www.degruyter.com Contents Esme Winter-Froemel, Verena Thaler and Alex Demeulenaere The dynamics of wordplay and wordplay research 1 I New perspectives on the dynamics of wordplay Raymond W. -
The South African Directory Enquiries (SADE) Name Corpus
(C) Springer Nature B.V. 2019. In Language Resources & Evaluation (2019). The final publication is available at https://link.springer.com/article/10.1007/s10579-019-09448-6 The South African Directory Enquiries (SADE) Name Corpus Jan W.F. Thirion · Charl van Heerden · Oluwapelumi Giwa · Marelie H. Davel Accepted: 25 January 2019 Abstract We present the design and development of a South African directory enquiries (DE) corpus. It contains audio and orthographic transcriptions of a wide range of South African names produced by first- language speakers of four languages, namely Afrikaans, English, isiZulu and Sesotho. Useful as a resource to understand the effect of name language and speaker language on pronunciation, this is the first corpus to also aim to identify the “intended language”: an implicit assumption with regard to word origin made by the speaker of the name. We describe the design, collection, annotation, and verification of the corpus. This includes an analysis of the algorithms used to tag the corpus with meta information that may be beneficial to pronunciation modelling tasks. Keywords Speech corpus collection · Pronunciation modelling · Speech recognition · Proper names 1 Introduction Multilingual environments, such as in South Africa, present unique and interesting challenges to systems dealing with pronunciation variability. Spoken dialogue systems need to adequately deal with various factors that affect speech production, such as a speaker’s socio-economic background, mother tongue language, age, and gender [37, 2]. Differences among these factors result in speakers producing words with varying pronunciation, leading to deteriorated recognition performance [1]. Hand-crafting rules to deal with pronunciation variation is both time-consuming and impractical. -
Why Esperanto?
Fiat Lingua Title: The Contemporary Esperanto Speech Community Author: Adelina Solis MS Date: 01-12-2013 FL Date: 01-01-2013 FL Number: FL-000010-01 Citation: Solis, Adelina. 2013. “The Contemporary Esperanto Speech Community.” FL-000010-01, Fiat Lingua, <http:// fiatlingua.org>. Web. 01 Jan. 2013. Copyright: © 2013 Adelina Solis. This work is licensed under a Creative Commons Attribution- NonCommercial-NoDerivs 3.0 Unported License. http://creativecommons.org/licenses/by-nc-nd/3.0/ Fiat Lingua is produced and maintained by the Language Creation Society (LCS). For more information about the LCS, visit http://www.conlang.org/ The Contemporary Esperanto Speech Community by Adelina Mariflor Solís Montúfar 1 Table of Contents Chapter 1: Introduction 3 1.1 Definitions 4 1.2 Political support for a universal language 5 1.3 A brief history of language invention 9 1.4 A brief history of Esperanto 14 1.5 The construction, structure, and dissemination of Esperanto 17 1.6 Esperanto and the culture question 24 1.7 Research Methods 29 Chapter 2: Who Speaks Esperanto? 34 2.1 Number and distribution of speakers 34 2.2 Gender distribution 47 Chapter 3: The Esperanto Speech Community 58 3.1 Terminology and definitions 58 3.2 Norms and Ideologies 65 3.3 Approach to language 70 Chapter 4: Why Esperanto? 81 4.1 Ideology-based reasons to speak Esperanto 83 4.2 Practical attractions to Esperanto 86 4.3 More than friendship 94 4.4 The congress effect 95 4.5 Esperanto for the blind 100 4.6 Unexpected benefits 102 Chapter 5: Esperantist Objectives 103 5.1 Attracting new speakers 103 5.2 Teaching Esperanto 107 Chapter 6: Conclusion 116 Works Cited 121 2 Chapter 1: Introduction When we think about invented languages, we may think of childhood games. -
The Routledge Linguistics Encyclopedia
THE ROUTLEDGE LINGUISTICS ENCYCLOPEDIA The Routledge Linguistics Encyclopedia is a single- Optimality Theory volume encyclopedia covering all major and Research Methods in Linguistics subsidiary areas of linguistics and applied lin- Slang guistics. The seventy nine entries provide in-depth coverage of the topics and sub-topics of the field. The following entries have been recommissioned Entries are alphabetically arranged and exten- or substantially revised: sively cross-referenced so the reader can see how Animals and Language, Artificial Languages, areas interrelate. Including a substantial intro- Computational Linguistics to Language Engi- duction which provides a potted history of lin- neering, Contrastive Analysis/Contrastive Linguis- guistics and suggestions for further reading, this tics, Corpus Linguistics, Critical Discourse is an indispensable reference tool for specialists Analysis, Dialectology, Discourse Analysis, Dys- and non-specialists alike. lexia, Genre Analysis, Historical Linguistics, Into- This third edition has been thoroughly revised nation, Language and Education, Language, and updated, with new entries on: Gender and Sexuality, Language Origins, Lan- guage Surveys, Language Universals, Linguistic Attitudes to Language Typology, Metaphor, Pragmatics, Rhetoric, Conversation Analysis Semantics, Semiotics, Sociolinguistics, Stylistics, English Language Teaching Systemic-Functional Grammar, Writing Systems. Gesture and Language Idioms Language and Advertising Kirsten Malmkjær is Professor of Translation Language -
The Laterwriting of Abraham Fornander, 1870-1887 A
523 UNIVERSITY OF HAWAI'llIBRARY "A TRUSTWORTHY HISTORICAL RECORD": THE LATERWRITING OF ABRAHAM FORNANDER, 1870-1887 A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF EDUCATION IN EDUCATIONAL FOUNDATIONS MAY 2004 By Pamela Haight Thesis Committee: Eileen Tamura, Chairperson Gay Garland Reed Vilsoni Hereniko ABSTRACT Using a post-colonial framework, this thesis examines the later research and writing ofAbraham Fornander. The paper addresses the politics, religion, and society that informed Fornander's research and writing, then focuses more closely on his book, An Account ofthe Polynesian Race and international response to it. Fornander's tenacity in promoting his Western worldview and his efforts to advance his career infused his writings and, in the end, served to overshadow existing indigenous language and culture, hastening deterioration ofboth. Utilizing correspondence, early writing for newspapers, and other archival information, the paper demonstrates his attempts to attain authentic status for himselfand his work. Though inconclusive in terms ofproving Fornander's complicity with colonialism, the thesis presents another viewing ofone man's work and begs a previously hidden discussion. 111 TABLE OF CONTENTS Introduction 1 Purpose ofthe study 7 Methodology 10 Background to the study 13 Language and Colonization , 15 Representing Others 17 Collecting Cultures 21 19th Century Hawai'i 25 Abraham Fomander 30 Fomander's Newswriting 34 Fomander's Philological Research 50 Response to An Account ofthe Polynesian Race 61 Discussion and implications 75 Postscript 78 Appendix A: Letter from Rollin Daggett to Abraham Fomander 82 Appendix B: Letter from Abraham Fomander to Rollin Daggett. -
Building a Universal Phonetic Model for Zero-Resource Languages
Building a Universal Phonetic Model for Zero-Resource Languages Paul Moore MInf Project (Part 2) Interim Report Master of Informatics School of Informatics University of Edinburgh 2020 3 Abstract Being able to predict phones from speech is a challenge in and of itself, but what about unseen phones from different languages? In this project, work was done towards building precisely this kind of universal phonetic model. Using the GlobalPhone language corpus, phones’ articulatory features, a recurrent neu- ral network, open-source libraries, and an innovative prediction system, a model was created to predict phones based on their features alone. The results show promise, especially for using these models on languages within the same family. 4 Acknowledgements Once again, a huge thank you to Steve Renals, my supervisor, for all his assistance. I greatly appreciated his practical advice and reasoning when I got stuck, or things seemed overwhelming, and I’m very thankful that he endorsed this project. I’m immensely grateful for the support my family and friends have provided in the good times and bad throughout my studies at university. A big shout-out to my flatmates Hamish, Mark, Stephen and Iain for the fun and laugh- ter they contributed this year. I’m especially grateful to Hamish for being around dur- ing the isolation from Coronavirus and for helping me out in so many practical ways when I needed time to work on this project. Lastly, I wish to thank Jesus Christ, my Saviour and my Lord, who keeps all these things in their proper perspective, and gives me strength each day.