Desmond O'grady Papers, 1953-2007
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The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
Reference Resources in Irish Literature by JAMES BRACKEN
Choice, Vol. 39, No. 2, 2001, pp.229-242. ISSN: 1523-8253 http://www.ala.org/ http://www.cro2.org/default.aspx Copyright © 2001American Library Association. BIBLIOGRAPHIC ESSAY Reference Resources in Irish Literature BY JAMES BRACKEN James Bracken is acting assistant director for Main Library Research and Reference Services at Ohio State University. The recent publication of Nobel laureate Seamus Heaney's Beowulf: A New Verse Translation suggests some of the difficulties in attempting to distinguish an Irish identity in English literature. This Beowulf can be interpreted as a clever trick of literary appropriation: if, as it has been said, the great works of Irish literature have been written in English, in Heaney's Beowulf one of England's literary treasures is made Irish. Just what constitutes Irish literature often seems to be as much a matter of semantics as national identity. In the Oxford Companion to Irish Literature, editor Robert Welch argues that Field Day Anthology of Irish Writing, edited by Seamus Deane, the standard by which all subsequent anthologies of Irish literature must be measured, confronts "the discontinuities in Irish literary culture." Some collections have taken Deane's example to the extreme: for instance, The Ireland Anthology, edited by Sean Dunne, includes on its "literary map of Ireland" Edmund Spenser, William Thackeray, Katherine Mansfield, and John Betjeman, Chevalier de la Tocnaye, Alexis de Tocqueville, Friedrich En- gels, and Pope John Paul II. In The Oxford Book of Ireland editor Patricia Craig takes "the opposite extreme ... of the formidable Field Day Anthology"; she observes that her volume could "do no more than skim the surface of Ireland." Neither approach has adequately delineated a single Irish identity. -
The Historical Development of Irish Euroscepticism to 2001
The Historical Development of Irish Euroscepticism to 2001 Troy James Piechnick Thesis submitted as part of the Doctor of Philosophy (PhD) program at Flinders University on the 1st of September 2016 Social and Behavioural Sciences School of History and International Relations Flinders University 2016 Supervisors Professor Peter Monteath (PhD) Dr Evan Smith (PhD) Associate Professor Matt Fitzpatrick (PhD) Contents GLOSSARY III ABSTRACT IV ACKNOWLEDGEMENTS V CHAPTER 1 INTRODUCTION 1 DEFINITIONS 2 PARAMETERS 13 LITERATURE REVIEW 14 MORE RECENT DEVELOPMENTS 20 THESIS AND METHODOLOGY 24 STRUCTURE 28 CHAPTER 2 EARLY ANTECEDENTS OF IRISH EUROSCEPTICISM: 1886–1949 30 IRISH REPUBLICANISM, 1780–1886 34 FIRST HOME RULE BILL (1886) AND SECOND HOME RULE BILL (1893) 36 THE BOER WAR, 1899–1902 39 SINN FÉIN 40 WORLD WAR I AND EASTER RISING 42 IRISH DECLARATION OF INDEPENDENCE 46 IRISH WAR OF INDEPENDENCE 1919 AND CIVIL WAR 1921 47 BALFOUR DECLARATION OF 1926 AND THE STATUTE OF WESTMINSTER IN 1931 52 EAMON DE VALERA AND WORLD WAR II 54 REPUBLIC OF IRELAND ACT 1948 AND OTHER IMPLICATIONS 61 CONCLUSION 62 CHAPTER 3 THE TREATY OF ROME AND FAILED APPLICATIONS FOR MEMBERSHIP IN 1961 AND 1967 64 THE TREATY OF ROME 67 IRELAND IN THE 1950S 67 DEVELOPING IRISH EUROSCEPTICISM IN THE 1950S 68 FAILED APPLICATIONS FOR MEMBERSHIP IN 1961 AND 1967 71 IDEOLOGICAL MAKINGS: FURTHER DEVELOPMENTS OF A EUROSCEPTIC NATURE (1960S) 75 Communist forms of Irish euroscepticism 75 Irish eurosceptics and republicanism 78 Irish euroscepticism accommodating democratic socialism 85 -
Irish Political Review, January 2007
Workers' Control Douglas Gageby Frank Aiken Conor Lynch John Martin Pat Walsh page 26 page 6 page 14 IRISH POLITICAL REVIEW January 2007 Vol.22, No.12 ISSN 0790-7672 and Northern Star incorporating Workers' Weekly Vol.21 No.1 ISSN 954-5891 The Haughey Settlement ? Blackwash: As far as democracy is concerned, Northern Ireland is a No-man's-land between two Moriarty Presumes states. The two states threw it into chaos in 1969, and Provisional Republicanism emerged from the chaos. The two states have ever since had the object of tidying away After the great age of the Enlighten- the North, sealing it up, and forgetting about it until the next time. ment the Germans brought forth a mouse. It may be that they are about to succeed. The signs are that Sinn Fein is about to sign That was Friedrich Nietzsche's contempt- up for a pig-in-a-poke in the matter of policing; and that the DUP is about to accept as uous comment on Martin Luther and the democracy an arrangement which it understands very well not to be democracy. Protestant Reformation. And we hear that A subordinate layer of local government, conducted under the supervision of the state Dermot "the Kaiser" Desmond has said authority, with its power of decision crippled by peculiar arrangements designed to the same about the Moriarty Tribunal shackle the majority, is not something which would be recognised as democracy by the following the millions it has spent on political strata of the British or Irish states if applied to their own affairs. -
Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-1992 Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance Leon Stratikis University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Modern Languages Commons Recommended Citation Stratikis, Leon, "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. " PhD diss., University of Tennessee, 1992. https://trace.tennessee.edu/utk_graddiss/2521 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Leon Stratikis entitled "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Paul Barrette, Major Professor We have read this dissertation and recommend its acceptance: James E. Shelton, Patrick Brady, Bryant Creel, Thomas Heffernan Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation by Leon Stratikis entitled Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. -
Echi Classici Nell'opera Di Seamus Heaney
UNIVERSITA’ DEGLI STUDI DI PARMA Dottorato di ricerca in Filologia Greca e Latina (e fortuna dei classici) Ciclo XXVIII L’Orfeo d’Irlanda: echi classici nell’opera di Seamus Heaney Coordinatore: Chiar.mo Prof. Giuseppe Gilberto Biondi Tutor: Chiar.ma Prof. ssa Mariella Bonvicini Dottoranda: Lidia Sessi Indice Introduzione p. 2 Capitolo I: La tradizione classica in Irlanda p. 7 Capitolo II: In difesa della poesia p. 56 Capitolo III: L'Orestea d'Irlanda p. 97 Capitolo IV: Il rito della sepoltura tra Grecia classica e Irlanda moderna p. 146 Capitolo V: Vergilius redivivus p. 190 Appendice p. 253 1 Introduzione In considerazione del notevole numero di studi sull'opera di Heaney, pare opportuno che ogni nuovo lavoro dichiari la propria raison d'être. In altre parole, sembra necessario precisare quale contributo si presuma di offrire alla comprensione del percorso poetico di Heaney, anche in rapporto alle monografie e ai saggi esistenti. È il poeta stesso a indicare la chiave di lettura che meglio consente di cogliere il senso profondo della sua ricerca estetica ed etica. Nel componimento “Out of the Bag” il narratore richiama l'attenzione su “the cure / By poetry that cannot be coerced”1. Riassumendo in questo verso le qualità fondamentali dell'arte poetica, Heaney mette in luce i tratti distintivi della sua produzione, sempre alla ricerca, fin dalle prime prestazioni, di una mediazione fra le pressioni socio-politiche del mondo esterno e la volontà di mantenere intatto il potere terapeutico del medium poetico. Lo scopo di questa ricerca è quello di affrontare la lettura, o rilettura, delle poesie di Heaney, come egli stesso suggerisce in “Squarings XXXVII”: “Talking about it isn't good enough / But quoting from it at least demonstrates / The virtue of an art that knows its mind”2. -
Études Irlandaises, 39-2 | 2014, « Les Religions En République D’Irlande Depuis 1990 » [En Ligne], Mis En Ligne Le 20 Novembre 2016, Consulté Le 02 Avril 2020
Études irlandaises 39-2 | 2014 Les religions en République d’Irlande depuis 1990 Eamon Maher et Catherine Maignant (dir.) Édition électronique URL : http://journals.openedition.org/etudesirlandaises/3867 DOI : 10.4000/etudesirlandaises.3867 ISSN : 2259-8863 Éditeur Presses universitaires de Caen Édition imprimée Date de publication : 20 novembre 2014 ISBN : 978-2-7535-3559-6 ISSN : 0183-973X Référence électronique Eamon Maher et Catherine Maignant (dir.), Études irlandaises, 39-2 | 2014, « Les religions en République d’Irlande depuis 1990 » [En ligne], mis en ligne le 20 novembre 2016, consulté le 02 avril 2020. URL : http://journals.openedition.org/etudesirlandaises/3867 ; DOI : https://doi.org/10.4000/ etudesirlandaises.3867 Ce document a été généré automatiquement le 2 avril 2020. Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. 1 SOMMAIRE Avant-propos Eamon Maher et Catherine Maignant Introduction : les données Le paysage religieux de la République et de l’Irlande du Nord au début du XXIe siècle Catherine Piola L’église catholique en question : évolutions et enjeux The Aggiornamento of the Irish Catholic Church in the 1960s and 1970s Yann Bevant Reconstruction de l’Église catholique en République d’Irlande Déborah Vandewoude Church and State in Ireland (1922-2013): Contrasting Perceptions of Humanity Catherine Maignant Dark walled up with stone: contrasting images of Irish Catholicism Colum Kenny Représentations littéraires des changements religieux “They all seem to have inherited the horrible ugliness and sewer filth of sex”: Catholic Guilt in Selected Works by John McGahern (1934-2006) Eamon Maher Seán Dunne’s The Road to Silence: An Anomalous Spiritual Autobiography? James S. -
Chapter 1 Introduction: Making History?
Notes CHAPTER 1 INTRODUCTION: MAKING HISTORY? 1. Irish Times, Weekend Section, September 3, 1994. 'Ceasefire' has sub sequently been reprinted in Longley's collection The Ghost Orchid (London: Jonathan Cape, 1995, p. 39). The poem continues Longley's discovery in the classics, and in Homer particularly, of passages and incidents pertinent to the present. His collection before The Ghost Orchid, Gorse Fires (London: Seeker & Warburg, 1991), also contains moving, freely translated excerpts which press upon events in the North of Ireland. 2. 'Ulysses, Order, and Myth', Selected Prose of T.S. Eliot, edited with an introduction by Frank Kermode (London: Faber, 1975), p. 177. 3. Modernisms: A Literary Guide (London: Macmillan, 1995), p. 167. 4. Transitions: Narratives in Modern Irish Culture (Manchester University Press, 1988), p. 9. 5. Jonathan Bardon, A History of Ulster (Belfast: Blackstaff Press, 1992), pp.662-90. 6. 'The Irish Writer', Davis, Mangan, Ferguson? Tradition and the Irish Writer, writings by W.B. Yeats and Thomas Kinsella (Dublin: Dolmen Press, 1970), p. 66. 7. Francis Ledwidge: Selected Poems (Dublin: New Island Books, 1992), p. 11. 8. Field Work (London: Faber, 1979), p. 60. 9. Station Island (London: Faber, 1984), p. 37. 10. 'An Ulster Twilight', Krino, No.5, Spring 1988, p. 100. 11. Dublin: The Dedalus Press, 1994; London: Anvil Press, 1993. In the poem 'Irish Cuttings' from the latter collection, O'Driscoll has written a horrific and modern version of the aisling or vision poem in which Ireland is described as a young maiden, as an old farmer is blown up by a booby-trapped bomb in a copy of Playboy (p. -
Cultural Perspectives on Globalisation and Ireland
Technological University Dublin ARROW@TU Dublin AFIS (Association of Franco-Irish Studies) Books Publications 2011 Cultural Perspectives on Globalisation and Ireland Eamon Maher Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/afisbo Part of the Arts and Humanities Commons Recommended Citation Maher, Eamon, "Cultural Perspectives on Globalisation and Ireland" (2011). Books. 6. https://arrow.tudublin.ie/afisbo/6 This Book is brought to you for free and open access by the AFIS (Association of Franco-Irish Studies) Publications at ARROW@TU Dublin. It has been accepted for inclusion in Books by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Cultural Perspectives on Globalisation and Ireland Reimagining Ireland Volume 5 Edited by Dr Eamon Maher Institute of Technology, Tallaght PETER LANG Oxford • Bern • Berlin • Bruxelles • Frankfurt am Main • New York • Wien Eamon Maher (ed.) Cultural Perspectives on Globalisation and Ireland PETER LANG Oxford • Bern • Berlin • Bruxelles • Frankfurt am Main • New York • Wien Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche National- bibliografie; detailed bibliographic data is available on the Internet at ‹http://dnb.ddb.de›. A catalogue record for this book is available from The British Library. Library of Congress Cataloging-in-Publication Data: Maher, Eamon. Cultural perspectives on globalisation and Ireland / Eamon Maher. p. cm. -- (Reimagining Ireland ; 5) Includes bibliographical references and index. ISBN 978-3-03911-851-9 (alk. -
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New Wine in Old Skins: Vernacular Typology in Medieval English Literature, 590-1390 Audrey Walton Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2015 © 2015 Audrey Walton All rights reserved 2 ABSTRACT New Wine in Old Skins: Vernacular Typology in Medieval English Literature, 590-1390 Audrey Walton My dissertation examines the significance of sacred poetry in English to the political and social identity of the English church, from England’s conversion at the end of the sixth century to the flourishing of England’s vernacular theology in the fourteenth. I show that the vernacular literary culture of Anglo-Saxon England was fostered in part by the distinction between the spirit and the letter of the Bible, which enabled speakers of Old English to regard their own literary cultures as potentially sacred and inspired. Turning to the later part of the medieval period, I examine the “spiritual sense,” or level of figural meaning, of sacred texts in Middle English. I demonstrate that the spiritual sense of Middle English religious poems is often designed to communicate an idealized history of English Christianity, as Middle English poems often use inventive typologies to represent the miracle of Anglo-Saxon England’s conversion as a source of sacred authority for the English language. This idealized religious history typically imagines the Church, not as a homogeneous community of Latin speakers, but as a diverse community characterized by heterogeneity and multilingualism. My focus on the distinction between the spirit and the letter, and its significance to medieval multilingualism, enables me to showcase an aspect of the cultural identity of medieval Catholicism that has often gone overlooked. -
Fair of Emyvale
Riot in Ulster, c. 1850, by Carleton’s illustrator, Phiz illustrator, by Carleton’s 1850, c. Riot in Ulster, Monaghan & Emyvale 2nd-4th August 2013 Corick House, Clogher 5th-8th August 2013 Themes & Focuses • Carleton and Caesar Otway • Carleton’s ‘The Donagh‘ & ‘The Fair of Emyvale‘ Carleton’s influence on modern Irish literature Part funded by the EU PEACE III Programme for PEACE and • Reconciliation through the ‘Shared History Shared Future’ Project • Carleton and sectarianism: ‘Dealing with the Past’ Cookstown District Council Dungannon & South Tyrone Borough Council Fermanagh District Council • The Orange Order Magherafelt District Council • Edward Carson: Dubliner, Unionist, Irishman www.swpeace3.eu williamcarletonsociety.org The William Carleton Society William Carleton 1794-1869 FAÍLTE! On behalf of the William Carleton The final event of the 2013 Summer School is a literary coach tour of William Carleton was born the youngest of a family of fourteen of existence for ever. Carleton went on to Society, I welcome you to the 22nd County Fermanagh with a major focus on the work of Shan Bullock, children in the townland of Prolusk (sometimes spelt Prillisk) respond to the challenge of the novel, in his International Summer School. This year as who was influenced by Carleton. We will visit the Crom Estate and the near Clogher in Co.Tyrone, on Shrove Tuesday, 20th February,1794. time a comparatively undeveloped genre part of The Gathering, we are beginning county town of Enniskillen, which recently hosted the G8 Summit. Although there is little suggestion that the Carletons were upwardly amongst Irish writers, and published with a number of events in Monaghan, mobile, they did move house frequently within the Clogher 'Fardorougha the Miser' (1839), before moving across to Clogher with a If you have any comments on the programme, please feel free to area and were established at the townland of Springtown when 'Valentine McClutchy' (1845), stop at Emyvale. -
Robbi Nester a Gift of Words
10 Anniversary 2010 - 2019 P O E T R Y & W R I T I N G Free Online Magazine From Village Earth July 2020 Robbi Nester A Gift of Words Cover Artwork by Irish Artist Emma Barone 2020 July POETRY & WRITING © liveencounters.net L I V E E N C O U N T E R S M A G A Z I N E P O E T R Y & W R I T I N G July 2020 Support Live Encounters. Donate Now and Keep the Magazine Live in 2020! Live Encounters is a not-for-profit free online magazine that was founded in 2009 in Bali, Indonesia. It showcases some of the best writing from around the world. Poets, writers, academics, civil & human/animal rights activists, academics, environmentalists, social workers, photographers and more have contributed their time and knowledge for the benefit of the readers of the magazine. We are appealing for donations to pay for the administrative andjust cause.technical aspects of the publication. Please help spread the free distribution of knowledge with any amount for this Om Shanti Shanti Shanti Om Mark Ulyseas Publisher/Editor [email protected] All articles and photographs are the copyright of www.liveencounters.net and its contributors. No part of this publication may be reproduced without the explicit written permission of www.liveencounters.net. Offenders will be criminally prosecuted to the full extent of the law ©Mark Ulyseas prevailing in their home country and/or elsewhere. Luang Prabang, Laos PDR. © liveencounters.net POETRY & WRITING July 2020 Celebrating 10th Anniversary 2020 July POETRY & WRITING © liveencounters.net P O E T R Y & W R I T