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St. Enda Catholic.Net
St. Enda Catholic.net Early life and conversion According to the Martyrdom of Oengus, Enda was an Irish prince, son of Conall Derg of Oriel (Ergall) in Ulster. Legend has it that when his father died, he succeeded him as king and went off to fight his enemies. The soldier Enda was converted by his sister, Saint Fanchea, an abbess. He visited Fanchea, who tried to persuade him to lay down his arms. He agreed, if only she would give him a young girl in the convent for a wife. He renounced his dreams of conquest and decided to marry. The girl she promised turned out to have just died, and Fanchea forced him to view the girl's corpse, to teach him that he, too, would face death and judgment. Faced with the reality of death, and by his sister's persuasion, Enda decided to study for the priesthood, and studied first at St Ailbe’s monastery at Emly. Fanchea sent him to Candida Casa in southwestern Scotland, a great center of monasticism. There he took monastic vows and was ordained. The stories told of the early life of Saint Enda and his sister are unhistorical. More authentic vitae survive at Tighlaghearny at Inishmore, where he was buried. The Monastic School of Aran It is said that Enda learned the principles of monastic life at Rosnat in Britain. Returning to Ireland, Enda built a church at Drogheda. About 484 he was given land in the Aran Islands by his brother-in-law, Aengus, King of Munster. Three limestone islands make up the Aran Islands: Inishmore, Inishmaan and Inisheer (respectively, the Great, Central and Eastern Island). -
Luigne Breg and the Origins of the Uí Néill. Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, Vol.117C, Pp.65-99
Gleeson P. (2017) Luigne Breg and the Origins of the Uí Néill. Proceedings of the Royal Irish Academy: Archaeology, Culture, History, Literature, vol.117C, pp.65-99. Copyright: This is the author’s accepted manuscript of an article that has been published in its final definitive form by the Royal Irish Academy, 2017. Link to article: http://www.jstor.org/stable/10.3318/priac.2017.117.04 Date deposited: 07/04/2017 Newcastle University ePrints - eprint.ncl.ac.uk Luigne Breg and the origins of the Uí Néill By Patrick Gleeson, School of History, Classics and Archaeology, Newcastle University Email: [email protected] Phone: (+44) 01912086490 Abstract: This paper explores the enigmatic kingdom of Luigne Breg, and through that prism the origins and nature of the Uí Néill. Its principle aim is to engage with recent revisionist accounts of the various dynasties within the Uí Néill; these necessitate a radical reappraisal of our understanding of their origins and genesis as a dynastic confederacy, as well as the geo-political landsape of the central midlands. Consequently, this paper argues that there is a pressing need to address such issues via more focused analyses of local kingdoms and political landscapes. Holistic understandings of polities like Luigne Breg are fundamental to framing new analyses of the genesis of the Uí Néill based upon interdisciplinary assessments of landscape, archaeology and documentary sources. In the latter part of the paper, an attempt is made to to initiate a wider discussion regarding the nature of kingdoms and collective identities in early medieval Ireland in relation to other other regions of northwestern Europe. -
Reference Resources in Irish Literature by JAMES BRACKEN
Choice, Vol. 39, No. 2, 2001, pp.229-242. ISSN: 1523-8253 http://www.ala.org/ http://www.cro2.org/default.aspx Copyright © 2001American Library Association. BIBLIOGRAPHIC ESSAY Reference Resources in Irish Literature BY JAMES BRACKEN James Bracken is acting assistant director for Main Library Research and Reference Services at Ohio State University. The recent publication of Nobel laureate Seamus Heaney's Beowulf: A New Verse Translation suggests some of the difficulties in attempting to distinguish an Irish identity in English literature. This Beowulf can be interpreted as a clever trick of literary appropriation: if, as it has been said, the great works of Irish literature have been written in English, in Heaney's Beowulf one of England's literary treasures is made Irish. Just what constitutes Irish literature often seems to be as much a matter of semantics as national identity. In the Oxford Companion to Irish Literature, editor Robert Welch argues that Field Day Anthology of Irish Writing, edited by Seamus Deane, the standard by which all subsequent anthologies of Irish literature must be measured, confronts "the discontinuities in Irish literary culture." Some collections have taken Deane's example to the extreme: for instance, The Ireland Anthology, edited by Sean Dunne, includes on its "literary map of Ireland" Edmund Spenser, William Thackeray, Katherine Mansfield, and John Betjeman, Chevalier de la Tocnaye, Alexis de Tocqueville, Friedrich En- gels, and Pope John Paul II. In The Oxford Book of Ireland editor Patricia Craig takes "the opposite extreme ... of the formidable Field Day Anthology"; she observes that her volume could "do no more than skim the surface of Ireland." Neither approach has adequately delineated a single Irish identity. -
Complete Dissertation
University of Groningen The growth of an Austrasian identity Stegeman, Hans IMPORTANT NOTE: You are advised to consult the publisher's version (publisher's PDF) if you wish to cite from it. Please check the document version below. Document Version Publisher's PDF, also known as Version of record Publication date: 2014 Link to publication in University of Groningen/UMCG research database Citation for published version (APA): Stegeman, H. (2014). The growth of an Austrasian identity: Processes of identification and legend construction in the Northeast of the Regnum Francorum, 600-800. Copyright Other than for strictly personal use, it is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), unless the work is under an open content license (like Creative Commons). The publication may also be distributed here under the terms of Article 25fa of the Dutch Copyright Act, indicated by the “Taverne” license. More information can be found on the University of Groningen website: https://www.rug.nl/library/open-access/self-archiving-pure/taverne- amendment. Take-down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Downloaded from the University of Groningen/UMCG research database (Pure): http://www.rug.nl/research/portal. For technical reasons the number of authors shown on this cover page is limited to 10 maximum. Download date: 02-10-2021 The growth of an Austrasian identity Processes of identification and legend construction in the Northeast of the Regnum Francorum, 600-800 Proefschrift ter verkrijging van het doctoraat aan de Rijksuniversiteit Groningen op gezag van de rector magnificus dr. -
Religious Studies
RELIGIOUS STUDIES Religious Studies The Celtic Church in Ireland in the Fifth, Sixth and Seventh Centuries Unit AS 5 Content/Specification Section Page The Arrival of Christianity in Ireland 2 Evidence for the presence of Christianity in Ireland before the arrival of St. Patrick 6 Celtic Monasticism 11 Celtic Penitentials 17 Celtic Hagiography 21 Other Aspects of Human Experience Section 25 Glossary 42 RELIGIOUS STUDIES The Arrival of Christianity in Ireland © LindaMarieCaldwell/iStock/iStock/Thinkstock.com Learning Objective – demonstrate knowledge and understanding of, and critically evaluate the background to the arrival of Christianity in Ireland, including: • The political, social and religious background; • The arrival of and the evidence for Christianity in Ireland before Patrick; and • The significance of references to Palladius. This section requires students to explore: 1. The political, social and religious background in Ireland prior to the arrival of Christianity in Ireland. 2. Evidence of the arrival of Christianity in Ireland before Patrick (Pre-Patrician Christianity. 3. References to Palladius and the significance of these references to understanding the background to Christianity in Ireland before Patrick’s arrival. Early Irish society provided a great contrast to the society of the Roman Empire. For example, it had no towns or cities, no central government or no standard currency. Many Scholars have described it as tribal, rural, hierarchical and familiar. The Tuath was the basic political group or unit and was a piece of territory ruled by a King. It is estimated that there were about 150 such Tuath in pre – Christian Ireland. The basic social group was the fine and included all relations in the male line of descent. -
Honour and Early Irish Society: a Study of the Táin Bó Cúalnge
Honour and Early Irish Society: a Study of the Táin Bó Cúalnge David Noel Wilson, B.A. Hon., Grad. Dip. Data Processing, Grad. Dip. History. Submitted in partial fulfilment of the requirements of the degree of Masters of Arts (with Advanced Seminars component) in the Department of History, Faculty of Arts, University of Melbourne. July, 2004 © David N. Wilson 1 Abstract David Noel Wilson, Honour and Early Irish Society: a Study of the Táin Bó Cúalnge. This is a study of an early Irish heroic tale, the Táin Bó Cúailnge (The Cattle Raid of the Cooley). It examines the role and function of honour, both within the tale and within the society that produced the text. Its demonstrates how the pursuit of honour has influenced both the theme and structure of the Táin . Questions about honour and about the resolution of conflicting obligations form the subject matter of many of the heroic tales. The rewards and punishments of honour and shame are the primary mechanism of social control in societies without organised instruments of social coercion, such as a police force: these societies can be defined as being ‘honour-based’. Early Ireland was an honour- based society. This study proposes that, in honour-based societies, to act honourably was to act with ‘appropriate and balanced reciprocity’. Applying this understanding to the analysis of the Táin suggests a new approach to the reading the tale. This approach explains how the seemingly repetitive accounts of Cú Chulainn in single combat, which some scholars have found wearisome, serve to maximise his honour as a warrior in the eyes of the audience of the tale. -
Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-1992 Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance Leon Stratikis University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Modern Languages Commons Recommended Citation Stratikis, Leon, "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. " PhD diss., University of Tennessee, 1992. https://trace.tennessee.edu/utk_graddiss/2521 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Leon Stratikis entitled "Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Modern Foreign Languages. Paul Barrette, Major Professor We have read this dissertation and recommend its acceptance: James E. Shelton, Patrick Brady, Bryant Creel, Thomas Heffernan Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation by Leon Stratikis entitled Byzantium and France: the Twelfth Century Renaissance and the Birth of the Medieval Romance. -
The Annals of the Four Masters De Búrca Rare Books Download
De Búrca Rare Books A selection of fine, rare and important books and manuscripts Catalogue 142 Summer 2020 DE BÚRCA RARE BOOKS Cloonagashel, 27 Priory Drive, Blackrock, County Dublin. 01 288 2159 01 288 6960 CATALOGUE 142 Summer 2020 PLEASE NOTE 1. Please order by item number: Four Masters is the code word for this catalogue which means: “Please forward from Catalogue 142: item/s ...”. 2. Payment strictly on receipt of books. 3. You may return any item found unsatisfactory, within seven days. 4. All items are in good condition, octavo, and cloth bound, unless otherwise stated. 5. Prices are net and in Euro. Other currencies are accepted. 6. Postage, insurance and packaging are extra. 7. All enquiries/orders will be answered. 8. We are open to visitors, preferably by appointment. 9. Our hours of business are: Mon. to Fri. 9 a.m.-5.30 p.m., Sat. 10 a.m.- 1 p.m. 10. As we are Specialists in Fine Books, Manuscripts and Maps relating to Ireland, we are always interested in acquiring same, and pay the best prices. 11. We accept: Visa and Mastercard. There is an administration charge of 2.5% on all credit cards. 12. All books etc. remain our property until paid for. 13. Text and images copyright © De Burca Rare Books. 14. All correspondence to 27 Priory Drive, Blackrock, County Dublin. Telephone (01) 288 2159. International + 353 1 288 2159 (01) 288 6960. International + 353 1 288 6960 Fax (01) 283 4080. International + 353 1 283 4080 e-mail [email protected] web site www.deburcararebooks.com COVER ILLUSTRATIONS: Our cover illustration is taken from item 70, Owen Connellan’s translation of The Annals of the Four Masters. -
The Cath Maige Tuired and the Vǫluspá
Connections: the Cath Maige Tuired and the Vǫluspá Convergence of cultures, history and myth Angelina Kjerstad Johansen Master's Thesis History of Religion UNIVERSITY OF OSLO Autumn 2015 1 Copyright Angelina Kjerstad Johansen 2015 Connections: the Cath Maige Tuired and the Vǫluspá – Convergence of cultures, history and myth Angelina Kjerstad Johansen http://www.duo.uio.no Trykk: Reprosentralen, Universitetet i Oslo 2 3 Acknowledgements I would like to thank my supervisor, Jens Braarvig, for having the patience to deal with me and my strange ways of doing things. Thank you to Jan Erik Rekdal and Karl Johansson for giving me the idea for this thesis and to my fellow students for great discussions. To all my friends and my amazing family, you know who you are, I love you more and more each day. And to the artists and musicians that make my life bearable, you do not know who you are, but without you I would truly go insane. A special thanks goes to my sister, Monica, for being my co-conspirator and for helping me bore every other member of our family with our academic discussions. May we continue to do so in the future! To Rita, whom I miss beyond words. I dedicate all my triumphs to you 4 5 Introduction The topic of the thesis is the Irish myth Cath Maige Tuired - "The Second Battle of Mag Tuired", which is the story about the battle between the Túatha Dé Danann, the gods of pagan Ireland, and their enemies the Fomoire. What I wish to focus upon in the Cath Maige Tuired is not the battle in itself, which has been compared to the war between the Aesir and the Vanir in Scandinavian mythology1, but a passage at the end of this myth, where the goddess Mórrigan (here in the form of a mortal) comes with a prediction of the end of the world. -
List of Manuscript and Printed Sources Current Marks and Abreviations
1 1 LIST OF MANUSCRIPT AND PRINTED SOURCES CURRENT MARKS AND ABREVIATIONS * * surrounds insertions by me * * variant forms of the lemmata for finding ** (trailing at end of article) wholly new article inserted by me + + surrounds insertion from the addenda ++ (trailing at end of article) wholly new article inserted from addenda † † marks what is (I believe) certainly wrong !? marks an unidentified source reference [ro] Hogan’s Ro [=reference omitted] {1} etc. different places but within a single entry are thus marked Identical lemmata are numbered. This is merely to separate the lemmata for reference and cross- reference. It does not imply that the lemmata always refer to separate names SOURCES Unidentified sources are listed here and marked in the text (!?). Most are not important but they are nuisance. Identifications please. 23 N 10 Dublin, RIA, 967 olim 23 N 10, antea Betham, 145; vellum and paper; s. xvi (AD 1575); see now R. I. Best (ed), MS. 23 N 10 (formerly Betham 145) in the Library of the RIA, Facsimiles in Collotype of Irish Manuscript, 6 (Dublin 1954) 23 P 3 Dublin, RIA, 1242 olim 23 P 3; s. xv [little excerption] AASS Acta Sanctorum … a Sociis Bollandianis (Antwerp, Paris, & Brussels, 1643—) [Onomasticon volume numbers belong uniquely to the binding of the Jesuits’ copy of AASS in their house in Leeson St, Dublin, and do not appear in the series]; see introduction Ac. unidentified source Acallam (ed. Stokes) Whitley Stokes (ed. & tr.), Acallam na senórach, in Whitley Stokes & Ernst Windisch (ed), Irische Texte, 4th ser., 1 (Leipzig, 1900) [index]; see also Standish H. -
Echi Classici Nell'opera Di Seamus Heaney
UNIVERSITA’ DEGLI STUDI DI PARMA Dottorato di ricerca in Filologia Greca e Latina (e fortuna dei classici) Ciclo XXVIII L’Orfeo d’Irlanda: echi classici nell’opera di Seamus Heaney Coordinatore: Chiar.mo Prof. Giuseppe Gilberto Biondi Tutor: Chiar.ma Prof. ssa Mariella Bonvicini Dottoranda: Lidia Sessi Indice Introduzione p. 2 Capitolo I: La tradizione classica in Irlanda p. 7 Capitolo II: In difesa della poesia p. 56 Capitolo III: L'Orestea d'Irlanda p. 97 Capitolo IV: Il rito della sepoltura tra Grecia classica e Irlanda moderna p. 146 Capitolo V: Vergilius redivivus p. 190 Appendice p. 253 1 Introduzione In considerazione del notevole numero di studi sull'opera di Heaney, pare opportuno che ogni nuovo lavoro dichiari la propria raison d'être. In altre parole, sembra necessario precisare quale contributo si presuma di offrire alla comprensione del percorso poetico di Heaney, anche in rapporto alle monografie e ai saggi esistenti. È il poeta stesso a indicare la chiave di lettura che meglio consente di cogliere il senso profondo della sua ricerca estetica ed etica. Nel componimento “Out of the Bag” il narratore richiama l'attenzione su “the cure / By poetry that cannot be coerced”1. Riassumendo in questo verso le qualità fondamentali dell'arte poetica, Heaney mette in luce i tratti distintivi della sua produzione, sempre alla ricerca, fin dalle prime prestazioni, di una mediazione fra le pressioni socio-politiche del mondo esterno e la volontà di mantenere intatto il potere terapeutico del medium poetico. Lo scopo di questa ricerca è quello di affrontare la lettura, o rilettura, delle poesie di Heaney, come egli stesso suggerisce in “Squarings XXXVII”: “Talking about it isn't good enough / But quoting from it at least demonstrates / The virtue of an art that knows its mind”2. -
Family Tree Maker
The Bloodline of the MacTavish Chiefs Generation No. 1 1. King of Connacht Eochaidh1 Muighmheadhoin1. Notes for King of Connacht Eochaidh Muighmheadhoin: Copyright: Patricia Adams, July 1, 2000, USA Please keep in mind that the pedigree of Clan MacTavish reaching this far back in history is in ancient times. There are no existing birth records, death records, etc., with the exception of the ancient annals and chronicles. There were no computers, no CDs, no microfilm, etc. Not everyone could read and write. The name of the same person was many times spelled differently by different scribes. We have to depend on the Annals of the Four Master, Annals of Ulster, Annals of Tigernach, and these records often time disagree on the year of the event. Later published materials may have picked up on incorrect information, or may have found newer documentation. Clans may very well have changed pedigrees over the years, sometimes because they learned of factual information and sometimes because they simply took advantage to change the line of a Chief to what they felt was a loftier claim. (The Clan Campbell, for example, changed their published Chief's line between 1975 and 1992.) I take this opportunity to caution you when reading history or pedigrees based on ancient documents or documents 1700, which may be written in another language (such as Latin) and call for translations. The line of any chief of a Clan (just as our personal family research) becomes speculation and opinion as you go back before the year 1000. Some of us in our own personal family research may not even be searchable before the year 1700.