Grosvenor Prints 19 Shelton Street Covent Garden London WC2H 9JN

Tel: 020 7836 1979 Fax: 020 7379 6695 E-mail: [email protected] www.grosvenorprints.com

Dealers in Antique Prints & Books

Catalogue 71

ABA Listing

Item 143: A rare pair of rhymed rebuses

All items listed are illustrated on our web site: www.grosvenorprints.com

Registered in England No. 1305630 Registered Office: 2, Castle Business Villlage, Station Roaad, Hampton, Middlesex. TW12 2BX. Rainbrook Ltd. Directors: N.C. Talbot. T.D.M. Rayment. C.E. Elliis. E&OE VAT No. 217 6907 49 1. [Ruins of Rome.] The Temple of 4. A Representation of the Carved Work on Hercules. Sibylls Temple. The Arches of an the West side of the Pedastal of the Monument Antient Rome Aqueduct. Temple of Fortuna of London. Viritis. The Antique Vase at the Villa Borgese. Sold by Iohn Bowles oppositte to Stocks, Market & at Gio: Paolo Pannini Pinx.t. J.S. Muller Sc. Publish'd Mercers Hall in Cheapside. [[n.d., c.1676.] according to Act of Parliament 1st Feb.ry 1753. A fine and rare engraving. Pllate: 440 x 525mm (17½ x London Printed for T. Bowles, John Bowles & Son, 20¾"). Trimmed and central fold. £360 Rob.t Sayer in Fleet Street. An engraving of the carving at the base of the pedestal Etching. Sheet 340 x 475mm (13¼ x 18¾"). Trimmed of the Monument of London built to commemorate the within plate, repaired tears to edges. £140 Great Fire in 1666. The carviing was done by sculptor A caprice composite of ruins from the Roman age set Caius Gabriel Cibber and shows the destruction of the in a landscape. The aqueduct resembles the Pont du city with Charles II and his brother James going to the Gard in southern France. See BM 1949,1008.192 for aid of the City of London, reeppresented by a young example with additional publisher Henry Overton. woman fallen on the floor. Shhe is being helped by Stock: 44048 allegorical figures of the citizens, manual arts, and time. A key below identifies the figures. 2. Cataalogue de la Librarie, Estampes et Stock: 44923 Estampes et autres Articles de fond de Frédéric Wilmans. Libraire, éditeur et marchand 5. In Red Jasper. In the possession of his d'estampes. Zeil, Lett. D. No. 188. Higness the Duke of Odescalchi [parallel text Francfort sur Mein, 1829. in Italian, Latin and Frennch] A very rare, unopened, letterpress booklet. 135 x WMatthews sc. [c.1800] 230mm (5¼ x 9"). Light foxing and creases. £130 Stipple engraving, platemark 60 x 70mm (2¼ x 2¾") A sales catalogue listing the items from the collection very large margins. £65 of librarian, printseller and editor Frédéric Wilmans. Representation of a curious cameo in jasperware, The collection contains manuals, dictionaries, maps, showing three conjoined heaads (one of which is an German and Swiss views, drawings and embroidery elephant) from the collection of the duke of designs and items are listed in both French and Odescalchi. Stock: 44492 German. Stock: 44674 6. [Set of four rural scenes, frontis titled 'Cottages'] London Pub.d June 28 1785 by F Jukes Howland St [all plates] Four aquatints printed in seppiia and with original stitching; platemarks all apprrox. 140 x 170mm (5½ x 6¾") large margins. First plate inscribed 'J. Sturges' in old ms. £220 Set of four aquatints published by Francis Jukes (1745- 182), one of the first British aartists to exploit the medium (which he is said to have learned from Paul Sandby). These are examples of the many picturesque landscapes (of the variety favoured by the Revd William Gilpin) which Jukes produced. Stock: 44481

7. [Landscape Gardening] 3. Rules for drawing Caricaturas: with an H. Repton Esq. del. J.C. Stadler sculpt. [c.1800] Essay on Comic Painting Aquatint, platemark approx. 505 x 345mm (20 x by Francis Grose, Esq. F.R.S. and A.S.q London: 13½"). Several tears. Damaged bottom left. £350 Printed for Samuel Bagster, in the Strand [1788] Fine image representative off landscape gardening by Book, 8vo, 24pp with four plates and frontispiece one of its pioneers, Humphry Repton (1752-1818), and portrait of Grose. With original wrappers but in poossibly published as the froonntispiece to one of his modern bindding; rare. Extensive annotation in ms and many books. Two passages of text, one from Edmund pencil sketches. £580 Burke on the Sublime, together claim that gardens are Book of instruction on drawing caricatures by the works of art rather than naturre, and can only become antiquary Francis Grose (bap.1731-d.1791), with great by availing themselves of the resources of portrait of Grose after the chalk drawing of him by deception and artifice characteristic of art. Nathaniel Dance (Scottish National Portrait Gallery).. Repton was the last great Enngglish landscape designer of Stock: 44840 the 18th century, who coined the term 'landscape gardener'. Regarded as the successor to Capability Brown, he worked at Blaise CCastle, Woburn Abbey, Stoneleigh Abbey & the centtral gardens in Russell Square, but lost out on the Prince Regent's Brighton 10. [Set of Twelve Months.] Pavilion to John Nash (although he published his [1864.] designs). Set of 12 coloured woodblock engravings. Each sheet: Stock: 44019 100 x 155mm (4 x 6"). Slightly damaged. £280 A set of comic and satirical scenes, with poetry, 8. Shakespeare Nursed by Tragedy and illustrating the twelve months with scenes from Comedy. Engraved from the Original Picture Victorian life. Painted by Geo. Romney Esq.r In the Stock: 44675 Possession of Francis Newbery, Esq.r. Painted by G. Romney Esq.r. Engraved by B. Smith. 11. The Five Senses London Pub Dec.r 1st 1803 by J. & J. Boydell, at the London, Darton & Hodge Holborn Hill [c.1830] Shakespeare Gallery, Pall Mallm & No 90 Cheapside. Engraving, platemark 330 x 4410mm (13 x 16¼"). Stipple. 320 x 420mm (12½ x 16½"). Trimmed to Repaired tears to top and botttom edges, slight crease. plate, top right corner torn, bit messy in margins. £160 Cut to platemark. £240 The infant Shakespeare sitting on a basket covered by a Busy scene in which figures demonstrate the use of sheet beneath a tree, Tragedy holding a pipe which he each of the five senses. A rare item. plays. The smiling Comedy is Emma Hamilton, Stock: 44113 Romney's muse, wife of Sir William Hamilton and lover of Horatio Nelson. 12. Come child of misfortune-come hither. Stock: 44285 Moore. [n.d., c.1830.] Etching. Sheet: 150 x 120mm (6 x 4¾"). Trimmed and laid on an album sheet. £60 A comic scene in which a wiild looking child covers from a schoolmaster who is going to beat him. The title comes from Thomas Moore's poem 'Has Sorrow Thy Young Days Shaded' Stock: 44688

13. The Park House School. Ipswich, Suffolk. Principal M.r J.. Kimmance. Relfe Brothers, 50 Aldersgatte Street, London. [n.d., c.1830.] Lithograph, rare. Sheet: 210 x 270mm (8¼ x 10¾"). Marks in title area. £160 A bird's-eye view of a schooll in Ipswich showing children playing in a large pllayground behind the school building. Stock: 44577

14. [Peckwater Quadrangle] The North Prospect of the New Quadrangle of Christ Church in Oxford. [engraved by Jan Kip.] [London: John Smith, c.1710.] Engraving. 480 x 595mm (19 x 23½"). Several 9. Peacee. Fair Peace! how lovely, how repaired tears. Damaged. Cuut inside platemark. £230 delightful thou!... To the Hon.ble Directors of Elevations of the buildings on three sides of the the Foundation of Lady Duits of Voorhout Quadrangle (known as 'Peckk''), the fourth side, now Baroness of Rheede, Dowager of Renswoude, Christ Church Library, shown as a floorplan only. At &c. &c. at Utrecht, This Plate is, with the time of publication the quad, designed by Henry Permission, Dedicated by their most obliged & Aldrich and built by William Townesend, was under humble servant, C. Josi. construction. From the third volume of 'Britannia Designed, Engraved & Published by C. Josi, London, Illustrata'. the 1st pf Sept.r 1802. Amsterdam Published by C. Stock: 44534 Josi. Stipple, rare. Plate: 600 x 420mm (23½ x 16½") very 15. [Peckwater Quadrangle] The South large marginns. Staining in margins. £360 Prospect of the New Quadrangle of Christ An allegorical view of Peace holding a flowering Church in Oxford. branch while the figure of Merucury and a cherub holld [engraved by Jan Kip.] [London: John Smith, c.1710.] a cornucopia showering gold. The peace refers to the Engraving. 480 x 595mm (19 x 23½") very large Peace of Amiens signed in 1802 margins. Centre fold, as issueed, some creasing. £220 Stock: 44819 Elevations of the buildings on three sides of the Quadrangle (known as 'Peckk''), the fourth shown as a floorplan only. At the time of publication the quad, 18. Southwell Bazaar. designed by Henry Aldrich and built by William S. and J. Ridge, Printers. [n.d., c.1820.] Townesend, was under construction. Christ Church Letterpress. Ink crosses out "and" in verse. Sheet 275 Library, on the south side, was built later, not as shown x 200mm (10¾ x 8"). Slight foxing. £65 here. An flyer advertising a fancy goods bazaar with a verse From the third volume of 'Britannia Illustrata'. listing the goods available. Stock: 44452 Stock: 44565

19. [Coal Merchant's Invoice.] Bo.t of James Waldie Coal & Coke Merchant, Agent by Special Appointment to Haswell Coal Co. Sunderland, Cuttlehill and Halbeath Collieries Fifeshire. Allanton Verttue Colliers Wishaw, Balquhatstone Collieriess Slamannam. John Z. Mein Sc. Edin.r. [Dated mss. 1860.] Letterpress invoice with manuscript and engraved vignettes. Sheet: 210 x 125mm (8¼ x 5"). Creases and some staining. £60 Stock: 44716

20. [Coal Merchant's Invoice.] Bought of James Waldie, Merchantt, 32, Queen's Place Foot of Leith Walk. [Dated in mss. 1838.] Letterpress invoice. Sheet: 1885 x 110mm (7¼ x 4¼"). Hole in centre and creases. £65 Stock: 44717

21. [Invoice.] Bought of the Coalbrookdale Comp.y. 16. [Plant Nursery Catalogue.] Prices of [Dated in mss. 22 March 1851.] Fruit and Forest Trees, Sold by McAslan & Letterpress invoice with manuscript. Sheet: 195 x Austin, Nursery and Seeds-men, Glasgow. 260mm (7¾ x 10¼"). Staining and folds. £160 [dated in ms. 1796.] An invoice for items such as eave troughs, furnace Letterpress booklet. In ink at bottom "P.s. Those grates, toe pipes, rain pipes and door frames with a marked x we are nearly sold out of the lot"; 205 x Penny Red. 250mm (8 x 9¾"). Creasing and small tears. £260 Stock: 44719 A catalogue llisting the trees and shrubs for sale with prices written in manuscript, as well as a list of roses 22. [Grocer's Invoice.] Bo.t of John R. and a note to the addressee. Whitecross. Grocer, Teaa Wine & Spirit Stock: 44679 Merchant, North Berwick. J.R. Hope, Edin.r. [Dated in mmss. 1861.] 17. [Printer's Advert.] A Vignette Engraving Letterpress invoice. Sheet: 1330 x 250mm (5 x 9¾"). of The Works of the Strand Bridge is Creases. £70 preparing... A Pupil Wanted.- A favourable Stock: 44715 opportunity now offers itself to any youth who may wish to learn the elegant Art of 23. [Seedsman's Invoice.] Bought of Harris Engraving.- It is necessary he should have had Seedsman, No5. Lower Thames Street. Garden instruction in Drawing, or at least an Mats & Grass Seeds Whholesale_Split Pease, inclination suited to it. A Premium expected,- Flour of Mustard &c for Exportation. Apply to W.B. Cooke, 12, York-Place, [Dated in mss. January 20th 1787]. Letterpress invoice. Sheet: 1995 x 255mm (7¾ x 10"). Pentonville. Some staining and folds. £220 Letterpress advert. Watermark 1810. Sheet: 190 x An invoice issued to a customer in Arbroath from 80mm (7½ x 3"). [n.d,. c.1817.] £95 Harris & Co. An advert from William B. Cooke (1778-1855) for a Stock: 44714 print of the Strand Bridge, probably 'Works of the Strand Bridge' after Edward Blore, published in 1817, as well as ann advert for a pupil to learn the Art of Engraving. Cooke was based at York Place from 1817 to 1818. Stock: 44885

24. [Nurrseryman.] Edinburgh. Bo.t of Text of the famous speech in which Prince Frederick, Dicksons & Co. Nursery Seedsmen and duke of York and Albany (1763-1827), second son of Florists. George III, voiced his opposiition to Catholic [ms. dated 1804.] emancipation and affirmed his protestant conviction. Letterpress invoice with manuscript. Sheet: 200 x The speech was understood tto reflect the views of 320mm (8 x 12½"). Folds. £230 George IV. An invoice from an Edinburgh nursery to Sir Stock: 44493 Alexander Gordon Bart. Stock: 44681 28. In Support of the Lancashire Sessions Bill. 25. [Stationer's Invoice.] Bought of John [n.d., c.1798.] Mundell Arrtists Colourman, Printseller, Engraved map with letterpresss. Sheet 250 x 140mm Stationer and Picture Frame Maker 60 Princes (9¾ x 5½"). Laid on card. £140 Street. The bill was calling for a annual Session to be held in Preston, closer to the centre of the county than the [Dated in mss. 1844.] northerly-placed Lancaster. The map illustrates the Letterpress and manuscript invoice. Sheet: 210 x distances involved. 325mm (8¼ x 12¾"). Creasing and holes. £220 Stock: 44564 An invoice for items such as pigments, tubes of colour, board and brushes. Stock: 44720 29. [Reward Broadsidde.] Tottenham Park Association, For the Protection of Persons and 26. [Tea Dealer.] Bo.t of A. Powell, family Property, and for the Proosecution of Felons Grocer, Tea Dealer, and Provision Merchant. and other Offf enders... The Following Agent for Allsopp & Sons Pale and Burton Rewards... Ales. Marlborough, May 23rd, 1826. R. Emberlin, Printer, [ms. dated 1873.] Marlborough. Engraved invoice with manuscript. Sheet: 130 x Letterpress broadside. Sheet:: 440 x 550mm (17½ x 155mm (5 x 6"). Creases, hole in centre and paper loss 21¾"). Folds. £240 in bottom left corner. £75 A broadside detailing the varrious rewards offered for An invoice with a vignette of an englishman, standing prroviding information and apprehending criminals in under the shade of a parasol held by a Chinese man, is Wiltshire. The crimes listed rrange from murder to stealing or maiming livestock and stealing turnips and greeted by a bowing Chinese tea dealer. Stock: 44667 the rewards range from £20 tto £1, 10s. Stock: 44721

30. Dogs. Certificate of Exemption from Duty. 41 Vict., cap. 15. [Dated in mss. 8th February 1881.] Letterpress certificate, rare. Sheet: 210 x 165mm (8¼ x 6½"). Creases. £70 A certificate issued to a Mr Andrew Macpherson a farmer in the county of Aberrdeen. Stock: 44718

31. [Diamond Mining Licence.] Licence No. 10079 to dig for Diamondds under provisions of Proclamation No.71 of 27th Oct, 1871. [ms. dated $th October 1872.] Letterpress licence with revenue stamp. Sheet: 130 x 105mm (5 x 4"). Creases and damage. £130 A licence issued in Pneil, Cape Town, permitting C. Howes to dig in the diamond mines in Dutoitspan 27. Speech of His Royal Highness The Duke (around which the city of Kimberly developed) from of York In the House of Lords, April 25, 1825 27th September to 27th October 1872. The cost of a licence to dig, for a team of a maximum of 6 hands, for I Hold in my hand a Petition from the Dean three months, was 5 shillings, this is shown as paid by and Chapter of the Collegiate Church of St the 'Cape of Good Hope Stamp Act 1864' revenue George, Wiindsor [...] stamp on the licence. Diamonnds were first found in the Published by Septimus Prowett, 23, Old Bond Street,, area between the Vaal and Orange Rivers in 1866. The Printed by J. Whittaker. area, under the control of Griiqua leader Nickolaas Broadside with embossed letterpress in gilt, sheet 330 Waterboer, was taken under British control and x 260mm (13 x 10¼"). £380 renamed West Griqualand on 27th October 1871 and all diamond mining was controlled by the Governor of 35. Commerce Trade and a well regulated the Cape Colony. Commerce flourishes byy Multitudes, and gives Stock: 44677 Employment to all its Prrofessors [...] [George Bickham, c.1733-41?] Josephus Champion 32. [Firearms licence] Il Ministro della Scripsit Polizia Generale del Regno, Vista la legge de 26 Engraving, platemark 330 x 2200mm (13 x 8") large Agosto 1806 [...] margins. £60 [Naples, 1816] Plate probably engraved by tthe printmaker and writing- Letterpress with etched coat of arms, blindstamp and master George Bickham (1683/4-1758) andn published ms, bound in marbled boards. Sheet 365 x 250mm in 'The Universal Penman' (1733-41). The culmination (14¼ x 9¾"). Foxing, folds, tears. £280 of Bickham's work as an engraver of calligraphy, this Firearms licence granted by the government of contained examples by twentty-five writing-masters (in Ferdinand I of the Two Sicilies. this case the writing-master and accountant Joseph Stock: 44837 Champion) over 212 plates. Stock: 44509

36. Hebr[ew/aic] [Alp]habet [Anon., c.1800] Two wood-engraved sheets, each approx. 190 x 85mm (7½ x 3¼) pasted to backing sheet with small engraving of lighted candle and motto 'Alteri Serviens Consumor' and ms fragment reflecting on this 'In serving others, I myself destrroy. This motto cannot [text missing] a lighted candlle, than it is of a methodist prreacher'. Damaged. £95 Stock: 44494

37. The Honest Merchant or, Thorowgood to Trueman [...] Bland, Scrip.t G.B. Sculp. [cc.1741] Engraving, 18th century wateermark, platemark 330 x 200mm (13 x 8"), large margins. £60 Plate engraved by the printmaker and writing-master George Bickham (1683/4-17758), probably published in 'The Universal Penman' (1733-41). The culmination of Bickham's work as an engraver of calligraphy, this contained examples by twentty-five writing-masters 33. [Hunting licence] Regno delle Due (John Bland in this case) over 212 plates. Sicilie. Licenza da Caccia (collo schioppo) per Stock: 44506 tutte le Provincie del Regno, al di qua del Faro per l'anno 1834 [...] 38. Invoyces Invoyces shew the Cost and [Naples, 1834] Charges on Goods sent by Sea from one Place Letterpress with engraved coat of arms and border, to another [...] printed and embossed stamps and ms, bound in G.J. Bickham sc. [c.1733-41]] marbled boards. Sheet 315 x 295mm (12½ x 11½"). Engraving, 18th century wateermark, platemark 330 x Foxing, folds, tears. £280 200mm (13 x 8") large marggiins. £70 Hunting licence granted by the government of Plate engraved by the printmaker and writing-master Ferdinand II of the Two Sicilies. Stock: 44839 George Bickham (1683/4-17758), probably published in 'The Universal Penman' (1733-41). The culmination of Bickham's work as an engraver of calligraphy, this 34. [Hunting licence] Regno delle Due contained examples by twentty-five writing-masters Sicilie. Licenza da Caccia Collo Schoppo per le over 212 plates. province dei Reali Domini al di qua del Faro Stock: 44508 per l'anno 1850 [...] [Naples, 1850] 39. Knowledge In Nature's Search we to the Letterpress with engraved coat of arms and border, Cause advance; / But Knowledge must inform printed and embossed stamps and ms, bound in our Ignorance [...] marbled boards. Sheet 315 x 295mm (12½ x 11½"). [George Bickham, c.1733-41?] Foxing, folds, tears. £280 Engraving, 18th century wateermark, sheet 280 x Hunting licence granted by the government of 235mm (11 x 9¼"). Trimmed inside platemark lower Ferdinand II of the Two Sicilies. edge. £45 Stock: 44838 Plate probably engraved by tthe printmaker and writing- master George Bickham (1683/4-1758) and published in 'The Universal Penman' (1733-41). The culmination 45. Windsor Castle. 21st May, 1867. Baptism of Bickham's work as an engraver of calligraphy, this of the Prince Christian Victor Albert Ludwig contained examples by twenty-five writing-masters Ernst Anton, Son of theiir Royal Highnesses over 212 plates. the Prince Christian of Schleswig-Holstein, and Stock: 44507 the Princesss Christian (Princess Helena of Great Britain and Ireland) [...] 40. Succeess. The United Penmen for Letterpress and embossing, printed in colour, with Forming the Man of Business. decorative perfof rated border,, sheet 230 x 190mm (9 x Printed for and sold by G. Bickham. Bickham Fecit 7½"). £85 Engraving, 18th century watermark, platemark 330 x Souvenir of the baptism of Prince Christian Victor 200mm (13 x 8") large margins. £95 (1867-1900), first child of Quueen Victoria's fifth child Plate engraved and mezzotint by the printmaker and Princess Helena (1846-1923)) and her husband Prince writing-master George Bickham (1683/4-1758), Christian of Schleswig-Holsttein--Sonderburg- probably published in 'The Universal Penman' (1733- Augustenburg (1831-1917). 41). The culmination of Bickham's work as an engraver Christian Victor was the firstt member of the royal of calligraphhy, this contained examples by twenty-five fama ily to attend school (Wellllington College) instead of writing-masters over 212 plates. beeing home-schooled. He serrved with the British army Stock: 44510 in Africa and died of fever in Pretoria. Stock: 44818 41. Taploow Hill - 1890. Photograph, titled in old ink mss, with two more 46. Powerscourt Athletic Club, 1873. photographs of people and a sketch portrait of 'Dorothy [1873] aged 4., on card with the ink signatures of twelve Letterpress programme, with Penny Red & postal members of the Pearce-Serocold family. £50 details verso; scarce. Sheet: 1130 x 200mm (5 x 8"). Among the signatures are: Eric Pearce-Serocold, later Creasing in corners, manuscrript on back. £140 Colonel of the King's Royal Rifle Corps; Claud Pearce- A programme for an athletic event which took place at Serocold, Commander RNVR Naval Intelligence Powerscourt in Enniskerry, County Wicklow between Division; and Charles Perce-Serocold, Oxford's cox, Powerscourt, Bray and Shankill Cricket and Football winning the 1895 Boat Race. Clubs on the 14th August 18873. Events included Stock: 44004 throwing the cricket ball, dropping the football, Siamese race, sack race as well as various distance 42. Bethlehem Royal Hospital / Glee races. Madrigal Society. / Programme of Concert. Stock: 44864 Monday Evening. March 17 1879 [...] [Anon.] Lithograph, sheet 230 x 190mm (9 x 7½"). Folds, stains, small tears. £50 Programme for a concert at Bethlehem Hospital in London, a psychiatric hospital which at this time was based in St George's Fields (the building is now the Imperial War Museum). The hospital moved to its present location, in Bromley, in 1930. Stock: 44799

43. Favour's in Literature, Painting and Music Gratefully Receiv'd. T.L. Busby, ssc.t. Pub.d 1826 by T.L. Busby, 21 Charlotte St. Fitzroy Square. Stipple engraving. Sheet 175 x 175mm (7 x 7") Trimmed. £95 A woman with two cherubs with scrap albums. A banner reads 'Scrap's Solicited'. 47. For the Benefit of MMr. Giardini. Stock: 44179 G.B Cipriani inv. F. Bartolozzi sculp. [London: 1776- 1787.] 44. The Lamplighters' Address for Etching with engraving. Sheeet 130 x 145mm (5 x 5¾"). Christmas, 1877. Trimmed. £170 [Bristol? 1877.] Apollo plays his lyre for the Muses. Letterpress broadside with wood-engraved vignette and Felice Giardini (1716 – 1796) was an Italian composer border. Sheet 265 x 230mm (14¼ x 9"). Creases, right and violinist. He came to London in 1751, where he edge crushed. £70 was highly successful as a performer and society music A songsheet with a carol requesting Christmas teacher. For many years, he served as the gratuities for the lamplighters of Bristol. concertmaster and director off the Italian Opera and Stock: 44752 gave solo concerts under the auspices of close friend Johann Christian Bach (son of Johann Sebastian). He 51. For the Trial of Warre Hastings Esq. remained in England until 1784 when he travelled to Sub Liberate Quietem. Great Chamberlain's Naples at the invitation of Sir William Hamilton. De Gallery. Eighty Second Day. G. Michell [in Vesme: 1927; i/iii. See Ref: 42474 for later state. ms.]. Stock: 44529 Ticket, printed in blue. Sheett: 110 x 165mm (4¼ x 6½"). Creases and damage to edges. £110 48. For the Benefit of Mr. Giardini. A ticket for the trial of Warren Hastings (1732-1818) G.B. Cipriani inv. F. Bartolozzi sculp. [n.d. c.1782.] who had served as General-Governor of India. The trial Etching with engraving. Sheet 150 x 160mm (6 x 6¼"). is one of the longest trials in British history lasting Trimmed. £240 seven years (1788-1795). Apollo catching Daphne who is turning into a laurel Stock: 44666 tree. Three fluvial figures seated on the ground in fronnt of a bed of reeds. 52. Evidences of Christianity. Felice Giardini (1716 – 1796) was an Italian composer Engraved by Freeman. and violinist. He came to London in 1751, where he Stipple, platemark 165 x 110mm (6½ x 4¼") large was highly successful as a performer and society music margins. £60 teacher. For many years, he served as the Woman indicating upwards tto a black man kneeling concertmaster and director of the Italian Opera and beefore her. Probably frontispiece to an edition of gave solo concerts under the auspices of close friend 'Evidences of Christianity' by William Paley (1743- Johann Christian Bach (son of Johann Sebastian). He 1805), which confirmed its author as one of England's remained in England until 1784 when he travelled to most respected theologians. For a portrait of Paley see Naples at the invitation of Sir William Hamilton. De ref. 29164. Vesme: 1921. Stock: 44515 Stock: 44532

49. [For the Benefit of Mr Giardini.] G.B. Cipriani inv. F. Bartolozzi sculp 1778. Etching and engraving. Sheet 125 z 110mm (5 x 4¼"") Trimmed. £260 Venus Anadyomene naked and seated on a conch shell. Four putti inside and three flying in the sky holding a large drapery above her. Felice Giardini (1716 – 1796) was an Italian composer and violinist. He came to London in 1751, where he was highly successful as a performer and society music teacher. For many years, he served as the concertmaster and director of the Italian Opera and gave solo concerts under the auspices of close friend Johann Christian Bach (son of Johann Sebastian). He 53. Mary Commanded, Martha remained in England until 1784 when he travelled to Reprehended. Naples at the invitation of Sir William Hamilton. De A Coypel pinx W Faithorne ffec E. Cooper Ex: [c.1695] Vesme: 1929. Mezzotint, platemark 230 x 325mm (9 x 12¾"). Stock: 44531 Trimmed to plate. £260 Mary of Bethany kneeling before Christ, Martha 50. Benefit of Mr. Giardini. beehind her. Believed to be a copy in reverse of an G.B. Cipriani inv. F. Bartolozzi sculp. [n.d. c.1763.] engraving by Louis Simonneau after Coypel. First state Very fine etching with enggraving. Sheet 135 x 120mm puublished by Edward Cooperr (there is also a later state (5¼ x 4¾"). Trimmed within plate. £220 puublished by John Bowles). Apollo seated on a pedestal holding a lyre with a Musse Early mezzotint by William Faithorne the younger crowning him. Mercury standing on the right. (c.1670-1703), son of the cellebrated engraver of the Felice Giardini (1716 – 1796) was an Italian composer same name. As an artist Faithorne the younger is and violinist. He came to London in 1751, where he known as the autu hor of only forty-three mezzotint was highly successful as a performer and society music pllates, most of which were published by Cooper, the teacher. For many years, he served as the leading London printseller off the day. Fagan: Not in. concertmaster and director of the Italian Opera and Stock: 44843 gave solo concerts under the auspices of close friend Johann Christian Bach (son of Johann Sebastian). He 54. [Allegorical scene with Britannia remained in England until 1784 when he travelled to welcoming shipwrecked family] Naples at the invitation of Sir William Hamilton. De F. Hayman delin.t Ant. Walker Sculp.t et donavit Vesme: 1919. Engraving, platemark 220 x 175mm (8½ x 7"). Small Stock: 44530 margins. £60

Probably one of a series of engravings after designs by A large tapestry design showing the legendary hiding Francis Hayman for a planned history of Britain which of the Scottish Crown Jewels. The hiding of the jewels was abandoned after the first part of its publication. fell in to legend for they had been hidden during the Stock: 44793 English Civil Wars to protecctt them from Cromwell, they were used to crown Charles II and were used in 55. A true Sketch of ye Fire which caused paarliament several times but after the Act of Union W.J. Lanes death. they fell out of use and the sttory started to circulate taken on the spot by a surgeon given D E H [?] that they had been lost. In 1818, during Walter Scott's [c.1820] searches in Edinburgh Castle they were 'discovered' Pen and ink sketch, sheet 180 x 260mm (7 x 10¼"). again, an event which capturred Britain's imagination. Glued to album sheet with other scraps overlapping. Stock: 44888 Tears, staining etc. £230 Remarkable sketch of a fire with people fleeing the 58. The Coronation of Her Most Gracious burning building and valuable depictions of firefighting Majesty at Westminster Abbey, June 28th equipment. 1838. Stock: 44789 London, Published by William Morgan July 3rd 1838. Lithograph. Sheet: 235 x 365mm (9¼ x 14½"). Laid on 56. Coronation of His Most Gracious an album sheet, two portraits stuck on top left and right Majesty George the Fourth. A Correct View of corners with manuscript below. £65 the interior of Westminster Abbey, at the time A scene showing the coronattion of Albert & Victoria. of Crowning the King. [&] A Correct Stock: 44726 representation of the Banquet in Westminster Hall at the time the Champion performs the 59. [Astronomical system of the French Challenge Revolution] Sisteme Astronomique de la Drawn and Engraved by W.H. Brook. [c.1821] Révolution Françoise. l'Esprit de faction et de Two lithographs with hand-colouring pasted onto parti ruine toutes les affaires [...] backing sheet, on verso, original invite to the Platform Par Moullin Ing.r Geogr.he Chez Mad.e l'Esclapar Gallery signed in ink by Howard of Effiingham; total Libraire, rue du Rouel, ou a sa Boutique à l'Assemblée area 425 x 555mm (16¾ x 21¾"). Both prints trimmed; Nationale. folded through dentre with large tears top and bottom; Engraving, sheet 345 x 230mm (13½ x 9"). Trimmed other prints verso. £240 to border. Slight hole in middle. £260 Unusual popuular prints of the magnificent and Astronomical chart based onn the French Revolution, ostentatious coronation of George IV in 1821 with 'nation, law and king' att the centre, surrounded by Stock: 44491 various other elements (desppotism, anarchism etc on the outer edges). Detailed exxpplanation below image. Stock: 44850

60. [Trappist monks working the land and making cider] Les Religgieux de la Trappe travaillent des mains Cuulltivent les Terres de leur Jardins et font leur Cydre. De Rochefort sculpsit à Paris chez Basset rue S. Jacques Engraving, platemark 190 x 3300mm (7½ x 11¾") with large margins. Rare; repaired tear on right. £140 Stock: 44503

61. [Le Bon-Jour.] [&] [La prière] Peint par Miss Julia Couyerss. Gravé par Aug.in Le Grand. [AParis chez Bance, Rue S. Denis, No 175 près celle aux Ours.] [n.d., c.1810.] Pair of colour-printed stipples. Sheets 230 x 190mm (9 x 7½"). Trimmed within plattes, losing titles and puublication lines. £240 A pair of French nursery scennes: the first shows a 57. Concealment of the Scottish Regalia morning scenes with womann and three children, the 1651. youngest trying to catch a butterfly; the second is in the evening, the mother nursing a baby while an older Grünthal's Verlag in Berlin. [n.d., c.1850.] infant kneels to pray. Scarce hand-coloured engraving. Three authorisation Stock: 44290 stamps below image. Sheet: 770 x 1020mm. Image: 590 x 710mm. Sheet backed in cloth. Some staining to paper, cloth discoloured. £480 62. La Lecture Diabolique. Gravé d'après le A scene from John Dryden's play 'The Indian Tableau original de D. Teniers, apartenant à Emperour, or the Conquest of Mexico by the Mr de Peters, Peintre ordinaire de S.A.R. le Spaniards, being the Sequel of The Indian Queen', Prince Charles de Lorraine, Gouverneur des showing Almeria, who is a consort of Montezuma but Pays Bas &x &c &c. falls in love with Hernan Corrtez. Looking thoroughly European, she reclines on a couch, being attended to by D. Teniers Pinx. F. Basan Sculp. A Paris, chez Basan. an African girl. Ex: Collection of the Hon. C. Lennox- Engraving. Sheet: 220 x 320mm (8¾ x 12½"). Boyd. Trimmed. £180 Stock: 44041 A scene in which a figure reads from a book while a hooded figure with a candle and other monstrous figures creep up around him. A skull and a large flask 68. Bessy Bell and Maary Gray. as well as large books are scattered around the reading S. Harding delin. Delatre sculp.t. London, Publish'd Aug.t 1. 1787 by T. Macklinn N.39 Fleet Street. man. Stock: 44685 Stipple printed in sepia. Sheet 250 x 270mm (9¾ x 10½"). Trimmed within plate, £140 A scene from Allan Ramsay''s poem: a tartan-clad boy 63. Love Me, Love My Dog. Sketches of draws straws to choose betwweeen two beautiful Head by W.D., No.69. shepherdesses. London; Published July 20, 1833, by T. McLean, Stock: 44107 Haymarket. Printed by Maguire & Co. Hand-coloured lithograph. Sheet: 240 x 360mm (9½ x 14¼"). Stainiing and laid on album sheet. £75 A scene showing a woman holding her dog. Stock: 44727

64. [Nurrsery Scene.] [after William Redmore Bigg?] London, Pub.d Dec.rr 24. 1794, by J. Thane, Spur Street, Leicester Square. Stipple, unfinished proof. 280 x 200mm (11 x 8") very large marginns. £65 A nurse with two small children, one reading from a book. A pencil annotation ascribes this to Bigg but we have been unable to trace a finished example. Ex: Collection of the Hon. Christopher Lennox-Boyd. 69. [Lodona.] Stock: 44292 [Maria Cosway Pinxt. F. Baartolozzi R.A. Sculpt.] [London, Published March 20, 1792, by Thos. 65. The Royal Bathers, or, Maids in their Macklin, Poets Gallery, Fleeet Street.] proper Elemment. Published in the Carlton Stipple, proof before letters. Sheet 370 x 475mm (14½ House Magazine. x 18¾"). Trimmed, top right repaired tear. £380 [London: W. & J. Stratford, n.d., c.1792.] A young woman in a wooded landscape leaning by a Engraving, rare. Sheet 210 x 115mm. Trimmed within small waterfall by a river, weeping; her hair and dress plate. £140 beegin to merge with the water. A bath house, two women derobing, the third topless in A scene from Alexander Pope's poem Windsor Forest the pool. (1713). Lodona, a nymph fond of hunting, is chased by The Carlton House Magazine ran from 1792 to 1796. Pan and implores Cynthia (an epithet of Diana the Stock: 44750 huntress goddess) to save herr from her persecutor. No sooner had she spoken than she became ''a silver 66. [Old woman and young woman, with stream which ever keeps its virgin coolness''. She gives allegorical figure of Time on mantlepiece.] her name to The Lodden, an tributary of the Thames in [Anon. French, c.1770.] Windsor Forest. Engraving, sheet 435 x 345mm (17 x 13½"). Trimmed Stock: 44046 to platemark; proof before letters. £240 Stock: 44112 70. The Maid of Athens. By those Tresses Unconfined, [/] Woo'd by Each Aegean Wind; 67. [Almeria. She now was pensive, now was [/] By those Lids whose Jetty Fringe [/] Kiss thy gay, And loll'd the sultry hours away.] Soft Cheeks' Blooming Tinge;. Painted by Will.m Owen Esq.r R.A. Engraved by Cha.s Landseer R.A. W. Holll. London, Published June Henry Meyer. G.t Russell S.t Blooms.y. [London, 1, 1847, by Lloyd Brothers, 22 Ludgate Hill. Published by the Engraver March 17th. 1812.] Engraving. Sheet: 310 x 410mmm (12 x 16"). Trimmed Mezzotint, a rare proof before title and completed within plate. £120 inscriptions. £320 A portrait of the Maid of Athens, the title character of Lord Byron's 1810 poem. Stock: 44676 71. Who comes so dark from Ocean's roar An illustration from the begiinnning of Harriet Beecher like Autumn's shadowy cloud. Ossian Stowe's important anti-slaverry novel, 'Uncle Tom's [Anon., c.1800] Cabin'. Pen and ink with watercolour wash, sheet 190 x Stock: 44615 150mm (7½ x 6"). Glued to backing sheet; hole lower right. £90 76. Horace. [When young and tir'd with Drawing quoting lines of mourning for the dead bardd sport and play / and bouund with pleasing Sleep Carthon in the (in)famous Ossian poems, but here I Lay, / Doves coverd me with Myrtle Boughs, / decontextualised to accompany the emergence of a And with softt murmurs sweeten'd my repose. / black man from the water. From the original Picture in the possession of Stock: 44512 Geo. Bowles Esquire.] Angelica Kauffman R.A. pinx.t. F. Bartolozzi R.A. 72. The Poets Condition. Vol. IV p:19. Eng.r to his Majesty sculp.t. London: Publish'd as the E Kirkall Sculp. Act directs 16 March 1792 ffoor the Proprietor by T. Engraving, sheet 150 x 80mm (6 x 3"). Trimmed. £65 Ryder, No. 43 Titchfield Street, Mess.rs Colnaghi & A poet trying to work in the most unfavourable of Co No. 132 Pall Mall & M. Bovi No. 207 Piccadilly. circumstances. The theme of the tormented poet was a Stipple, open letter proof beffore verse. 380 x 405mm common one in early eighteenth century art, with (15 x 16"). Narrow margins, tears. Unidentified Hogarth's 'The Distressed Poet' (1737) the best-known collector's stamp on reverse. Repaired. £140 example. A scene from Horace's Ode IIV, 'To the Muses, Engraving by Elisha Kirkall (1681/2-1742), prolific acknowledging their Power and Kindness', showing the and versatile engraver, and possibly published as an pooet asleep as a Muse approaches. Du Vesme 1358, illustration to Dryden, Pope or another of the poets he sttate iv of v. illustrated. Stock: 44051 Stock: 44783 77. [Nymphs and cherubs.] 73. [Twelve scenes from 'Robinson Crusoe' G.B. Cipriani. F. Bartolozzi ssculp.t. London Pub.d as by Daniel Defoe] the Act directs Mar.h 1 17877 by F Bartolozzi. [Anon., c.1800] Etching with hand colour. 260 x 305mm (10¼ x 12"). Twelve etchings with hand-colouring, each approx. 85 Slight crease through title area. Small margins. £160 x 95mm (3¼ x 3¾"). Each trimmed to image and text, Three sleeping nymphs with four cherubs, sheltering and glued to two album sheets (six to a sheet). £240 under a drape slung over a brranch. BM: One of the many sets of prints published depicting 1868,0808.2748. incidents from 'Robinson Crusoe' (1719), the first Stock: 44109 novel of Daniel Defoe. An immediate success, it remains Defoe's most popular work and has never beeen out of print. Samuel Johnson considered it one of onlly three books that readers would ever wish longer. Stock: 44502

74. The Good Missionary Going Abroad. [&] The Good Missionary Teaching the Savages to Build. [after Julia Corner.] [London, c.1839.] Two coloured wood engravings. Each sheet 130 x 100mm (5 x 4"). Trimmed and mounted on album sheet. £65 Two scenes of a missionary's journey, within decorative vignette borders. From Julia Corner's 'More Seeds of Knowledge; Or, Another Peep at Charles. Being, an Account of Charles's Progress in Learning; about Black Slaves; A Conversation on History and Missionariess'. Stock: 44735 78. Nymphs Sacrificing to Love. Angelica Kauffman. A Paris chez Girard Grsveur rue 75. Haley Packs Up Uncle Tom for the de Savoye, No 21. [n.d., c.1780.] ''Down South Market''. ''A smothered groan Stipple, printed in colours. 2550 x 285mm (9¾ x 11¼"). of indignation ran through the whole circle as Trimmed to platemark at sidees, repaired tear top left. Haley made fast a heavy pair of shackles to £240 Tom's ankles''. An oval scene of three nymphs presenting flowers to Cupid, who sits on a pedestaall, his bow and quiver at [n.d., c.1855.] the base. Coloured lithograph. Sheet 200 x 120mm (8 x 4¾"). Stock: 44110 Trimmed to image. Laid on sheet. £140 I, II, III, IV''. The publication date of 1748 makes it one of the last printed maps to persist with the myth of California as an island. The north Pacific is a large bllank expanse, although therre is a large unnamed island off mainland Asia. Stock: 43988

82. The distressed situation of the Crew of the Guardian Frigate after having struck upon an Island of Ice, Dec.r 23; 1789. Engraved for Ashburton's History of England. Publish'd Dec.r 24, 1791 W. & J. Stratford, No 112 Holborn Hill. 79. [Sleeping women observed by passing Engraving. 210 x 310mm (8¼ x 12¼"). Bottom edge man] No. 332 ragged. Large margins on 3 sides. £160 A. Van Dyck del. J.G. Hertel exc. A.V. [c.1770] A heroic story. HMS Guardiaan was transporting stores Etching platemark 195 x 285mm (7¾ x 11¼") very and convicts to Australia whhen, two weeks past the large marginns. £160 Cape of Good Hope, an attempt to get drinking water German etching after a genre scene by Anthony Van from an iceberg turned bad, gashing a hole in the hull. Dyck (1599-1641), perhaps after Rubens the leading After attempts to use a sail to cover the hole failed Flemish painter of the first half of the 17th century. most of the crew abandoned ship, but Captain Edward Van Dyck produced history paintings, tapestry designs, Riou manged to steer the ship 400 leagues back to etchings and landscape drawings, although it is chiefflly South Africa, taking nine weeks. Riou ran the Guardian as a portrait painter that he is remembered. He was aground and soon after a hurrricane broke the ship up. court painter first to Archduchess Isabella of the AtA the Battle of Copenhagenn in 1801, Nelson gave Spanish Netherlands and then Charles I of England, Riou command of all frigates and smaller boats. who had him buried in St Paul’s Cathedral and erected During the battle he was torn in two by a cannonball. a lavish monument in his honour on his death in 1641. From Charles Alfred Ashburrton's 'A new and complete Stock: 44226 history of England, from the first settlement of Brutus... to the year 1793', published complete in 1795. 80. Asie Par C.V. Monin. Stock: 44620 Paris, Hocquart, Editeur. [n.d., 1838.] Engraved map with outline colour. 300 x 425mm (11¾ 83. The Spot Where Nelson Fell. Quarter x 16¾"). Old ink mss in Russia and upper margin, laid Deck of H.M.S. Victory, Portsmouth. on paper. £220 Rooke & Co, No 4093, 13 Aug 1859. A general map of Asia, published in Monin's 'Atlas Steel engraving, 90 x 115mm (3½ x 4½"). Trimmed Classique de la Geographie Ancienne, du Moyen Age close to image. £50 rt Moderne, a l'Usage des Colleges et des Pensions, Sight-seers on the deck of thhe Victory. Above the Pour Servir a l'Etude de la Geographie et de L'Histoire'. wheel is Nelson's famous phrrase, 'England Expects Stock: 44000 Every Man to do his Duty'. Stock: 44754 81. A Chart, Shewing the Track of the Centurion round the World 84. The Great Battle Between the British R.W. Seale del. et sculp. [London: for the author by and French Fleets, off Cape Trafalgar. John and Paul Knapton, 1748.] Published as the Act Directs by James Lumsden & Engraved map with hand colour. 240 x 420mm (9½ x Son, Queen Street Glasgow. [n.d., c.1815.] 16½") Trimmed within plate at bottom, backed on Hnad-coloured engraving, rare. 185 x 115mm (7½ x paper. £230 4½"). Trimmed. £160 A map of the world on Mercator's Projection, showing A view of the Battle of Trafalgar. New Guinea joined to Australia, centred on the Pacifific, Stock: 44581 marking the route of George Anson on his circumnavigation, 1740-44. This was one of the last 85. [Set of Four Marine Watercolours.] great buccanneering voyages, an official expedition to Atkins. [Signed in image.] [n.d., c.1800.] the South Seas to harass the Spanish bases but, more 4 watercolours cut in ovals. Each: 120 x 85mm (4¾ x importantly, plunder their shipping. A main target was 3½"). Cut and laid on card. £480 one of the richly-laden Manila galleons that crossed Four marine scenes painted iin watercolour by marine between Acapulco in Mexico and Manilla the artist Samuel Atkins (c1765--1808). Philippines. A stroke of luck presented them with one Stock: 44665 laden with 1.3 million silver pieces of eight; on their return to London, thirty-two wagons were needed to transfer them to the Tower of London. Published as the frontispiece to Anson's own account, ''A Voyage Round the World, in the years MDCCXL, 86. met Jesus in't Schip zyn All de Scheeps 90. A Plan of the Siege of the Havana, Luy Vylig Mat 8:23-27 14:24-32 Drawn by an Officer on the Spot. 1762 [Anon., c.1750] Etching, platemark 180 x 255mm (7 x 10"). Folds, as Engraved vignette, sheet 60 x 60mm (2¼ x 2¼"). issued. Small margins. £110 Glued to baccking sheet. £70 Plan of the battle of Havana (1762) during the Seven Dutch vignette with ship surrounded by text and Years' War, when the British forces besieged and Biblical references relating to Jesus protecting ships. captured the city of Havana ((then a crucial naval base Stock: 44511 for the Spanish). Soon after, however, Havana was returned to Spain under the 1763 Treaty of Paris that formally ended the war. Probably published in the 'European Magazine' or a similar general-interest periodical. Stock: 44806

91. View of the North face of Kelat, shewing the gate stormed by the Troops, on the 13th November 1839 (Signed) Henry Creed Lithograph, locally produced, printed area 95 x 235mm (3¾ x 9¼"). Folds, creases and nicks; paper stuck on top left. Very rare. £160 Unusual lithograph by an amateur artist previously unknown to us. The print depicts the storming of 87. [Twelve plates from Canonico Bernardo Khelat in Afghanistan in 1839, when British forces Sartorio, 'I Numi a Diporto su l'Adriatico'] were called upon to recapture the fort after the [Etched by Antonio Francesco Lucini, A.Pontio and insurgent Mehrah Khan had ddeposed and murdered the Alessandro della Via after Lodovico Lamberti and former ruler. Giovanni Caarboncini] [Published by Andrea Poletti, Stock: 44482 Venice, 1688.] Thirteen engravings, each sheet approx 650 x 450mm 92. General Wolfe Killlled at the Siege of (25½ x 17¾"), with very large margins. £9500 Twelve (of fourteen) plates from Sartorio's book on thhe Quebec September 14; 1759. Engraved for Venice regattta held for Ferdinand III de 'Medici. Each Ashburton's History of England. plate depicts a baroque galley featured in the regatta, Published by W. & J. Stratford, No 112 Holborn Hill, with rowers in elaborate costumes, including one crew Nov.r 17 1792. of women. The regatta was themed around a Engraving, watermark 1796, good impression. 210 x procession of classical gods where the Arno entered the 310mm (8¼ x 12¼"). Large mmargins on 3 sides. £95 Adriatic. A complete version of the book sold at From Charles Alfred Ashburrton's 'A new and complete Christies' for £30,550 (29/11/00; Sale 6417; Lot 88). history of England, from the first settlement of Stock: 44778 Brutus... to the year 1793', published complete in 1795. Stock: 44618 88. [Two photographs of The Ripou, paddle steamer.] 93. [Russian woodcutter terrifying [c.1866.] Napoleonic troops] Two photographs, each 125 x 190mm (5 x 7½"), with U: U: [c.1812-3] pencil annotations on the album sheet. Annotation Etching with hand-colouring, rare; 19th century altered, with the wrong year entered. £160 watermark; sheet 200 x 265mm (8 x 10½"). Stain on Two photographs of the paddle steamer ''Ripou'' prior left £160 to leaving for India in 1866. It had brought Guiseppi Russian satire on the Napoleeoonic invasion of the Garibaldi to EEngland on his celebratory tour, arriving country. Stock: 44805 in Southampton on 3rd April 1863,. Stock: 44569 94. Photographs to accompany the papers 89. [Schooner Yacht America off Dunnose relating to the Crimean Testimonial, dated Isle of Wight.] August 26, 1862. [Joseph Miles Gilbert. G. E. Hicks.] [Rowney & Four rare photographs in card booklet with title and list Co.][n.d., c.1851.] of photos. Largest photograph 230 x 185mm (9 x 7¼"). Lithograph, rare. Sheet: 345 x 305mm (13½ x 12"). Pin Some wear. £260 holes, damage and surface dirt. £450 A full set of photographs issued to soldiers of the A marine scene showing the Schooner Yacht Americca Royal Artillery to raise money for the Crimean sailing of the coast of the Isle of Wight. America won Memorial Windows in St George's Garrison Church, the Isle of Wight regatta in 1851 and was built by a Woolwich. The photos are the new obelisk dedicated to syndicate of members of the New York Sailing Club. the fallen of the Crimean War, a sketch of the proposed Stock: 44722 interior and two sketches of proposed stain glass windows. A contemporary source noted that 'as the In 1759, during the Seven Years' War, the British expense of supplying photographs to every subscribeer under Major-General Peregriine Hopson attacked and would be very considerable, a limited number only has captured Guadeloupe. The issland was returned to been struck off, which will be sent to Stations, at which France after the war, while Britain kept Canada. BM: subscribers will have the opportunity of seeing them'. 1872,1012.4774. St George's Garrison Church was destroyed by a V1 in Stock: 44444 1944. Even as a ruin the the building was listed in 1973 for its architectural merits, especially its polychromatic Victorian brick, and a canopy roof has been build over the top. Stock: 44458

95. [Cavvalryman and Arab.] Carle Vernet. Lithographie de C.les de Lasteyrie. Rue du four S.t germain n.o. 54. Lithograph. Printed area: 390 x 300mm (15¼ x 11¾"), with large maargins. Uncut. £180 A scene showing a muted sword fight between a cavalryman and an arab by Carle Vernet. C. les de Lasteyrie was a distinguished lithographer (1759-1849) Stock: 44772 98. A View of the Franciscan Church & Convent in the City of Havana taken from the 96. Capiitulation de Cornwallis. Wasington, Alcalde's House in Grannbby Square. Rochambeau, Lafayette - 19 Septembre, 17811. Drawn by Elias Durnford. Engraved by Edward Le Temple de la gloire. Rooker. Publish'd according to Act of Parliament 1st Martinet del Delignon sculp [c.1790] Aug.t 1764 by T. Jefferys, the corner of St Martin's Engraving, platemark 265 x 415mm (10½ x 16¼"). Lane. £280 Engraving, scarce. 18th century watermark. Sheet 365 The surrender of Charles Cornwallis at Yorktown, x 530mm (14½ x 20¾"). Trimmed to plate, bottom Virginia, whiich effectively ended the American War of right corner creased, stain in title area. £1500 Independencce. Cornwallis was heading north to try and A view of the basilica and the monastery of San link up with the Sir Henry Clinton and his army but Francisco de Asis (St. Franciis of Assisi) in Old was isolated by a large Franco-American fleet in the Havana, begun in 1580 but altered in the baroque style Siege of Yorktown. in 1730. Most of the building survives, including the Stock: 44514 tallest bell tower in Havana, but not the dome on the left. During the occupation by the British in 1762 it was commandeered for Angllican services, desecrating it in the eyes of the Catholics, so it was never used as a church again, although the monks remained in the monastery until 1841. It is now a concert hall for classical, chambber and choral music with a museum of religious artifacts and holy arrt in the cloisters. One of a set of six views of Havana drawn by Elias Durnford (1739-94) when he participated in the capture of Havana during the Seven YYear's War. During the occupation he was aide-de-camp to Lord Albermarle. At the end of the war in 1763 Durnford was appointed chief engineer and surveyor ggeneral of the new British colony of West Florida wherre he laid out the city plan 97. A North View of Fort Royal in the Island for Pensacola in 1764. In 1769 he became Lieutenant of Guadaloupe, when in Possession of his Governor, a post he held into the American Majesty's Forces in 1759. No 3. Revolutionary Wars, when he was captured by an Drawn on the Spot by Lieu.t Arch. Campbell Engineer. overwhelming Spanish forcee in 1780. In the French Engraved byy Grignion. London, Printed for John Revolutionary Wars he was Chief Royal Engineer of Bowles at No 13 in Cornhill, Robert Sayer at No 53 in the West Indies, campaigning against the French in Fleet Street, Tho.s Jeffreys the corner of St. Martins Martinique, Guadaloupe andd St. Lucia until his death Lane in the Strand, Carington Bowles at No 69 in St. from yellow fever on Tobago in 1794. Paul's Church Yard, and Henry Parker at No 82 in The title is repeated in Frencch and Spanish. Stock: 44446 Cornhill. [n.d., c.1770.] Etching. Sheet 365 x 530mm (14½ x 20¾"). Trimmed to plate, prinnter's crease in sky. £950 A view of the British camp at Vieux-Fort, a union flag on the pole. W. Elliott sculp.t. Publish'd according to Act of Parliament Aug.t 1764 by T. Jefferys, Corner of St Martin's Lane. Engraving, scarce. 18th century watermark; Sheet 365 x 530mm (14½ x 20¾"). Trimmed to plate, small tear in right edge, tiny worm hole. £1500 The title plate of a set of six vviews of Havana drawn by Elias Durnford (1739-94). Stock: 44445

101. [Hussar Firing at another Soldier.] Carle Vernet. Lithog. de C. de. Lasteyrie. Lithograph. Printed area: 375 x 260mm (14¾ x 10¼"), with large margins.. Uncut. £180 99. A View of the City of the Havana, taken A military scene in which a mounted hussar fires at a from the Road near Colonel Howe's Battery. second mounted soldier whoo falls off his horse. C. les Drawn by Elias Durnford Engineer, Etch'd by Paul de Lasteyrie was a distinguished lithographer (1759- Sandby, & Engraved by Edw.d Rooker. London, 1849) Publish'd according to Act of Parliament Feb.y 1765 by Stock: 44773 Tho.s Jefferys, the Corner of St Martin's Lane. Engraving, scarce. Sheet 365 x 530mm (14½ x 20¾")). 102. [Soldiers by a Raill Track.] Trimmed to plate, worm trail in foliage bottom left [G H. Barnard] [n.d., c.1945]] corner of image. £1500 Etching, Unicorn watermarkk. Plate: 180 x 245mm (7 x A view from a hill west of the Havana, looking down 9¾"). £180 on the entrance to the harbour that was defended by thhe A view in which two soldiers stand in conversation battery, named after William Howe (1729-1814). near a ruined building and a rrailtrack. Howe played a major role in many of the successes of Stock: 44725 the Seven Years's War: he had led the ascent to the Plains of Abraham that led to the capture of Quebec in 103. [Communications Trench.] 1759; led a brigade during the Capture of Belle Île in Gilbert Holiday. 54. Copyright. Published by Geo. 1761; and served as adjutant general of the Havana Pulman & Sons Ltd, London W. and the Leicester invasion force. However as Commander-in-Chief of Galleries, London, W.C. British forces during the American War of Photolithograph signed in pencil, limited edition of Independencce he was less successful, resigning in 200?, rare; 210 x 300 (8¼ x 111¾"), mounted on 1777. original printed backing paper. £260 The title is repeated in French and Spanish. Stock: 44447 Charles Gilbert Holiday (1879-1937) worked as an illustrator at The Graphic, The Tatler and The Illustrated London News beffore the Great War. Receiving a commission with The Royal Field Artillery, he served with disttinction at Arras, Passchendaele and the Thirdd Battle of Ypres. After the war he returned to his main iinterest, painting horses. Lionel Edwards said: ''no one can, or ever could, paint a horse in action better than Gilbert could''. Stock: 44771

104. Bivouac de Cosaques. Carle Vernet. Au Dépot général de lithographie Rue Jacob No14. Lithograph. Printed area: 470 x 375mm (18½ x 14¾"). Loss below title. £180 100. A View of the Harbour & City of the A scene in a ruined building where Russian soldiers have set up camp. Havana, taken from the Hill near the Road, Stock: 44777 Between La Regla & Guanavacoa. To the Right Honourable George Earl of Albemarle,, 105. Combat d'Hondtschoote. (1793 Victoires Commander in Chief of His Majesty's Forces et Conquetes tom 2. page 19.) Je l'aura ou je on the late Expedition to Cuba; These Six perdrai la vie. Views of the City, Harbour, & Country of the F. Grenier. 1818. Lithog. de C. de Last. au dépot gén.al Havana, are most humbly Inscribed, By his de Lithog.ie quai voltaire No7. Lordship's most Obedient & Devoted Humble Lithograph. Printed area: 350 x 300mm (13¾ x 11¾"), Serv.t Elias Durnford, Engineer. with large margins. £160 A military scene showing the Battle of Hondschoote during the Flanders Campaign in the Napoleonic Wars. A plate from ''The Victories, Conquests, Disasters, Reverses and the Civil War of the French from 1789- 1815'' published in 1818. Stock: 44808

106. Prise de Menin. (1793-an 11,25 Octobrre. 4, Bruimaire; Victoires et Conquètes page 217. tome 2.) Le Géneral Souhame entre dans Menin. F. Grenier. 1818. Lithog. de C. de Last. au dépot gén.al de Lithog.ie quai voltaire No7. Lithograph. Printed area: 350 x 300mm (13¾ x 11¾"), with very large margins. £190 A military scene showing the French victory at the Battle of Menin and their capture of the city. A plate 110. Combats de Wavre et de Hamme. (14. from ''The Victories, Conquests, Disasters, Reverses 15. Septembre 1792. Tome 1er page 93 des and the Civil War of the French from 1789-1815'' Vict. et Conquets.) ''Suis moi situ veux la published in 1818. Mériter.'' Stock: 44807 F. Grenier. 1818. Lithog. de C. de Last. au dépot gén.al de Lithog ruë Jacob. No.14. 107. ''Puissque je ne puis Sauver mon Lithograph. Printed area: 350 x 300mm (13¾ x 11¾"), Drapeau, je ne retournerai pas au Camp sans with very large margins. Loss at top right corner lui.'' missing. £180 Achille. Lithog. de C. de Last. [n.d., c.1819.] A view of the Battle of the Wavre and Hamme Rivers Lithograph. Printed area: 360 x 320mm (14¼ x 12½"), in 1792. A scene from ''The Victories, Conquests, with very large margins. Damage in margins. £160 Disasters, Reverses and the Civil War of the French A military scene in which a wounded soldier fights to from 1789-1815'' published iin 1818. protect his regiment's colours. Stock: 44804 Stock: 44810 111. Combat de Castel-Gineste. (1793 14 108. Combat de la Roche sur Yon, Vendée. Novembre 4 Frimaire. Victoires et Conquests (26 Aout 1793 Tom 1.er page 241 de Victoires tôme 2. page 137.) Le Genéral Massena Conquetes.) Officiers et soldats Cooppèrent à ce transport. F. Grenier. 1818. Lithog. de C. de Last. au dépot gén.al Lithog de C. de Last. au dépot Gén.al de.al Lithog.ie. de Lithog.ie ruë Jacob. No.14. quai voltaire No7. [1818.] Lithograph. Printed area: 350 x 300mm (13¾ x 11¾"), Lithograph. Printed area: 265 x 385mm (10½ x 15¼"), with very large margins. Title faint. £180 with large margins. Uncut. £140 A military scene showing the uprising of the Royalist A scene showing an attack on Castelgineste during the supporters in the Vendée region of France, the war Napoleonic Wars. between the Republican army and the royalist Stock: 44763 supporters led to the deaths of tens of thousands of French civilians. A lady holding a pistol is fending off 112. Affaire d'Ost Capelle. (Victoires et the French troops. A plate from ''The Victories, Conquêtes, Juillet 1793. Tom. 1.er Pag. 194.) Conquests, Disasters, Reverses and the Civil War of Capitaine feu feu sur l'ennemi! the French from 1789-1815'' published in 1818. Stock: 44816 F. Grenier. Lithog.ie de C. Motte rue des Marais. Au Dépot Général de Lithog.ie rrue Jacob N.14. Lithograph. Printed area: 355 x 300mm (14 x 11¾"), 109. The Great Battle of Waterloo. Duke of with large margins. Uncut. £130 Wellington Victorious Over the French... A print showing the events of the Ost Capelle affair Paterson. [n.d., c.1815.] during the Napoleonic Wars.. Charles Motte Woodcut printed in blue ink, some additional hand- lithographer 1766-1840. colour, rare. Sheet: 270 x 185mm (10½ x 7½") very Stock: 44775 large marginns. Repaired tear in centre of image, pin hole. Scuffed, with some surface dirt. £160 113. The exact Represeentation of the A crudely engraved scene showing the victory of the Celebrated Standard presented by the Battle of Waterloo. Stock: 44555 Emperor Napoleon to Hiis Guards at Elba a short Time before he invaded France in 1815. This splendid Standard iis composed of the richest try coloured Silk,, and the whole of the Ornaments are most elaborately Embroidered 'Transactions of the Zoological Society of London, Vol [...] 1'. Drawn by G. Gwilt Jun.r London Published by H. Stock: 44732 Cureton 81 Aldersgate St. Aug.t 1823 Scarce etching, , platemark approx. 440 x 330mm (17¼ x 13"), Whatman paper watermarked 1822, with large margins. £280 Etching by George Gwilt, the younger (1775-1856), architect best known for his restoration of Southwark Cathedral annd his work on the Wren church of St Mary-le-Bow, Cheapside. Gwilt was also a fellow of the Society of Antiquaries who contributed to various publications on the subject. Stock: 44792

114. Napoleon Buonaparte. Harding. Engraved by W. Fry. London Publish'd by J. Jenkins, .Aug.t 1. 1815, at 48 Strand. Hand-coloured engraving, part printed in colour; rare. Sheet: 270 x 340mm (10¾ x 13½"). Trimmed, publication line very faint. £320 A portrait of Napoleon Bonaparte (1769-1821). Stock: 44703

115. Napoléon ches la Vieille. [n.d., c.1845.] Lithograph. Sheet: 205 x 195mm (8 x 7¾"). Trimmed, foxing. £45 A scene showing Napoleon sitting in the kitchen of an old woman's home. Stock: 44723 119. [Collection of Graphic Illustrations of Animals with Original Display Frame.] 116. [South African Mongoose.] Cynictis Designed and Drawn on Stone by W. Hawkins. C. Steedmannii. Trans. Zool. Soc. Vol. 1. Pl.3 Graf, Printer to her Majesty. Published by Thomas pp.34. Varty, 31, Strand, London. [n.d., c.1850.] E. Lear, del. Zeitter sc. [n.d., c.1835.] Set of 20 lithographs. Sheetss: 430 x 355mm (17 x 14"). Hand-coloured etching. Sheet: 310 x 245mm (12 x Frame: 500 x 430mm (19¾ x 17"). Plates damaged, 9¾"). Trimmed within plate on top and bottom edges. torn, foxed and stained. £650 £95 Twenty out of twenty-two pllates (Plate 5 and 13 A diagram of a South African Mongoose, named after missing) of 'Graphic Illustrattions of Animals, Shewing Andrew Steedman who travelled through South Africa their Utility to Man, in their Services During Life and collecting specimens for study. After a drawing by the Uses after Death'. Each plate is dedicated to a different artist Edward Lear (1812-1888). An illustration for animal. With the original rarre display frame probably 'Transactions of the Zoological Society of London, Vol used in a school to educated children. See 44896 for 1'. complete set. Stock: 44728 Stock: 44895

117. Gemsbok of S. Africa 120. Graphic Illustrations of Animals, [Anon., c.1850] Showing their Utility to Man, in their Services Coloured drawing, sheet 155 x 195mm (6 x 7¾"). £65 During Life and Uses Aftfter Death. Twenty- A gemsbok, a large antelope native to arid regions of One Coloured Plates, Exhibiting Fifty Animals, Southern Africa. and Upwards of Two Hundres Illustrations. Stock: 44815 Designed and Drawn on Stone by W. Hawkins. C. Graf Printer to Her Majesty. London: Published by Thomas 118. Lagotis Cuvier. Trans. Zool. Soc. Vol. 1. Varty, Book, Print, and Map Seller, At his Depository Pl.4. p.64. of Works of Education, York House, 31 Strand. E. Lear, del. Zeitter sc. [n.d., c.1835.] Set of 21 hand-coloured lithographs with title page. Hand-coloured etching. Sheet: 310 x 245mm (12 x Sheet: 490 x 370mm (19¼ x 14½"). Some marking, all 9¾"). Trimmed within plate on top and bottom edges. sheets backed with canvas. £2200 £95 A complete set, including titllepage of 'Graphic A diagram of a lagotis cuvier. After a drawing by thee Illustrations of Animals'. Each plate is dedicated to a artist Edward Lear (1812-1888). An illustration for paarticular animal or group off animals, with a central image surrounded by vignetttes depicting various uses for the animal. See 44895 for collection with Displayy Guillemots swimming, one shown in winter plumage, Frame. onr in its black summer plumage. Stock: 44896 Stock: 44316

121. [Horrses in a Wood.] 125. [Larus Canus - Common Gull.] [H. Alken] [n.d., c.1840.] [Lithographed by H.C. Richtter after John Gould.] Lithograph. Sheet: 210 x 130mm (8¼ x 5"). Trimmed. [London: John Gould, 1863-73.] £30 Lithograph with exceptional original hand colour. A scene showing horses in a wood. Sheet 340 x 490mm (13¼ x 119¼"). Trimmed at Stock: 44724 boottom, losing title and inscrriptions. £160 Common Gulls, the female on a nest 122. [A Deer.] Stock: 44319 John Skeaping 1928. [In pencil.] Etching. Plate: 200 x 150mm (8 x 6"), with very large 126. [Sterna hirundo - Common Tern.] margins. £160 [Lithographed by H.C. Richtter after John Gould.] A portrait of a deer eating by artist John Skeaping [London: John Gould, 1863-73.] (1901-1980) famous for his animal sculpture. Lithograph with exceptional original hand colour. Skeaping, designed work for Wedgwood, was a Sheet 340 x 490mm (13¼ x 119¼"). Trimmed at member of the London group and was elected to the boottom, losing title and inscrriptions. Slight tear on Royal Academy in 1960. right centre. £160 Stock: 44542 A Common Tern feeding nestlings. Stock: 44321

127. [Thalassidroma leachii - Fork-tailed storm petrel.] [Lithographed by H.C. Richtter after John Gould.] [London: John Gould, 1863-73.] Lithograph with exceptional original hand colour. Sheet 340 x 490mm (13¼ x 119¼"). Trimmed at boottom, losing title and inscrriptions. £160 Fork-tailed storm petrels swiimming. Stock: 44318

128. [Larus Fuscus - Lesser Black Backed Gull.] 123. [Sterna Macrura - Arctic Tern.] [Lithographed by H.C. Richtter after John Gould.] [Lithographed by H.C. Richter after John Gould.] [London: John Gould, 1863-73.] [London: John Gould, 1863-73.] Lithograph with exceptional original hand colour. Lithograph with exceptional original hand colour. Image 300 x 460mm (12 x 188"). Trimmed at bottom, Sheet 340 x 490mm (13¼ x 19¼"). Trimmed at losing title and inscriptions. £140 bottom, losing title and inscriptions. Tear in right edge. Male and female Lesser Black Backed Gulls £220 swimming. Arctic Terns on a rocky shoreline. Stock: 44315 The print was published in John Gould's monumental ornithological book, 'The Birds of Great Britain', which 129. [Mergulus Alle - Little Auk.] was issued in parts between 1863 and 1873. The [Lithographed by H.C. Richtter after John Gould.] quality of the hand colouring is superb, something [London: John Gould, 1863-73.] Gould stressed: in the introduction to this work he Lithograph with exceptional original hand colour. wrote 'every sky with its varied tints and every feather Image 420 x 290mm (16½ x 11½"). Trimmed at of each bird were coloured by hand; and when it is boottom, losing title and inscrriptions. £160 considered that nearly two hundred and eighty Male and female Little Aukss on a rocky sea shore. thousand illustrations in the present work have been so Stock: 44314 treated, it will most likely cause some astonishment to those who give the subject a thought’. 130. [Sternula Minuta - Little Tern.] Stock: 44322 [Lithographed by H.C. Richtter after John Gould.] [London: John Gould, 1863-73.] 124. [Uria Grylle. Black Guillemot] Lithograph with exceptional original hand colour. [Lithographed by H.C. Richter after John Gould.] Sheet 490 x 340mm (19¼ x 113¼"). Trimmed at [London: John Gould, 1863-73.] boottom, losing title and inscrriptions. £190 Lithograph with exceptional original hand colour. Little Terns feeding nestlings on a shell-strewn beach. Sheet 340 x 490mm (13¼ x 19¼"). Trimmed at Stock: 44324 bottom, losing title and inscriptions, crease bottom leeft corner. £160 131. [Stercoraius longicaudus - Long-Tailed Skua.] [Lithographed by H.C. Richter after John Gould.] [London: John Gould, 1863-73.] Lithograph with exceptional original hand colour. Sheet 340 x 490mm (13¼ x 19¼"). Trimmed at bottom, losing title and inscriptions. Tear in right edge. £220 Long-Tailed Skua swimming Stock: 44317

132. [Alca Torda - Razorbill.] [Lithographed by H.C. Richter after John Gould.] [London: John Gould, 1863-73.] Lithograph with exceptional original hand colour. Image 360 x 310mm (14¼ x 10¼"). Trimmed at bottom, losing title and inscriptions. £160 A razorbill with a newly-hatched chick on a clifftop. Stock: 44313

133. [Sterna paradisea - Roseate Tern.] [Lithographed by H.C. Richter after John Gould.] [London: John Gould, 1863-73.] Lithograph with exceptional original hand colour. 137. Sheet 490 x 340mm (19¼ x 13¼"). Trimmed at Hibiscus. [in penciil.] bottom, losing title and inscriptions, and right, with [JB 26?][Signed with chinese character.] [n.d., c.1805.] some image £220 Watercolour. J. Whatman 18805 watermark. Sheet: 370 Two Roseate Terns, squabbling in flight. x 470mm (14½ x 18½"). Some staining around edges. Stock: 44325 £650 A painting of a hibiscus flower, probably a chinese export painting made by Chiinnese artists and exported 134. [Xema Sabini - Sabine's Gull.] to Europe, these paintings tyyppically depicted natural [Lithographed by H.C. Richter after John Gould.] history subjects and chinese llife. [London: John Gould, 1863-73.] Stock: 44813 Lithograph with exceptional original hand colour. Sheet 340 x 490mm (13¼ x 19¼"). Trimmed at bottom, losing title and inscriptions, crease bottom leeft 138. Conchology of Tenby [in image] corner. £160 Drawn by C. Norris Esq.r Engraved by S. Rawle Male and female sabine's gulls. Published for the Repositoryy at Tenby, 10 April, 1813 Stock: 44372 Engraving, rare, platemark 235 x 300mm (9¼ x 11¾"). Small margins. £140 Engraving of shells found in Tenby, South Wales, after 135. [Actochelidon Cantica - Sandwich Tern.] a drawing by the topographical artist Charles Norris [Lithographed by H.C. Richter after John Gould.] (1779-1858) who moved therre in 1810. In Tenby [London: John Gould, 1863-73.] Norris researched architecturral antiquities, and Lithograph with exceptional original hand colour. puublished several volumes off prints made from his Sheet 340 x 490mm (13¼ x 19¼"). Trimmed at drawings. bottom, losing title and inscriptions. £180 Stock: 44785 Sandwich Terns on a shoreline. Stock: 44320 139. Sepia Sepiola the Small Cuttle. J.s Basire sc. London, Published by G. & W. B. 136. [Hydrochelidon leucopareia - Whiskered Whittaker Feb.y 1824. Tern.] Engraving. Plate: 130 x 205mm (5 x 8"). Surface dirt. [Lithographed by H.C. Richter after John Gould.] £75 [London: John Gould, 1863-73.] A study of a small cuttle fish, engraved by James Lithograph with exceptional original hand colour. Basire. Sheet 340 x 490mm (13¼ x 19¼"). Trimmed at Stock: 44552 bottom, losing title and inscriptions. £180 Whiskered Terns swimming. 140. [Sheet of 71 Costume emblems] Stock: 44323 P.M. Edwardi Williams de Mussionidd in Com Carnar Armigeri TR Sculp. [c.1800]] Copper-engraving, very rare,, sheet 260 x 180mm (10¼ x 7"). £220 Stock: 44794

141. Colonnel Mordaunt's Cock Match at 144. Les Lys, ou L'Honneur de la France. Lucknow. Sue une tipe de cette fleur embleme de la [after Johan Zoffany.] [n.d., c.1790.] Bit later. pureté des sentiments des francais un serpent... Etching. 2700 x 375mm (10½ x 14¾"), on paper Dessiné d'après nature par Emard. Pomel sculp.t. A watermarked 'W King Alton Mill'. Tears in margins. Paris Chez Bulla Rue St. Jaccques, No. 33. [n.d., £320 c.1815.] Index plate which was published alongside Richard Hand-coloured stipple. Framed. Printed area: 210 x Earlom's large mezzotint of Johan Zoffany's 'Colonel 310mm (8¼ x 12¼"). Frame: 250 x 350mm (9¾ x Mordaunt's Cock Match'. The painting (now in the Tate 13¾"). Unexamined out of frrame. Staining and foxing. collection) depicts a cock match between Asad-uf- £160 daula, Nawab Wazir of Oudh, and Colonel John A puzzle print commemoratiing the restoration of the Mordaunt (stood in the centre gesturing to one Bourbons. At the top is a porrtrait of Louis XVIII, left another). The painting was commissioned by Warren the Count of Artois, to his right Duc de Berry, below Hastings, 1st Governor-General of Bengal in 1784 and them are portraits of the Duc and Duchesse dispatched to him in England in 1788. Asaf's court at D'Angouleme. The silhouettes of Louis XVI, Marie Lucknow was extravagant, and this scene portrays Antoinette, Louis XVII and Princess Elizabeth are several key figures of the court: Asaf's Swiss engineer formed in the petals of four of the flowers. Colonel Antoine Polier, the East India Company's Stock: 44844 Lucknow paymaster John Wombwell, the notorious French adventurer Claud Martin, and Zoffany himsellf alongside fellow artist Ozias Humphrey. Nineteen portraits are iidentified in this keyplate, which is referred to on the mezzotint itself (for which see ref. 25081). Stock: 44438

142. Puzzzling Portraits of the King & Queen of England & the late King & Queen of France. [n.d., c.1795.] Engraving, rare. Framed. Image: 105 x 75mm (4 x 3"). Frame: 140 x 110mm (5½ x 4¼"). Unexamined out of frame. £240 A puzzle print in which the profiles of King George III, Queen Charlotte, Marie Antoinette and Louis XVI are formed fromm two trees and an urn. Stock: 44859

143. An Hieroglyphic Epistle from a (sailor) on board a (ship) (toe) his Sweet(heart). [&] An Hieroglyphic Answer (toe) the (sailor)'s (letter). Printed 21st October, 1799, by Laurie & Whittle, N° 53 145. General Lilly. Fleet Street, London. [but watermarked 1814.] [n.d., c.1790.] Pair of coloured engravings. Each 360 x 230mm (14¼ Etching, rare. Framed. Plate:: 165 x 235mm (6½ x x 9"). Some faint creasing. £1650 9¼"). Frame: 280 x 365mm ((11 x 14¼"). Small A rare pair of letters in hieroglyphics (Rhymed margins. Unexamined out off frame. £360 Rebuses) where some words and syllables have been A puzzle print in which the silhouettes of Marie replaced with illustrations, for example a wind-head for Antoinette and Louis XVI arre formed in the petals of a wind, a bee for the letter 'b', and a 't' and a hat for 'that'. white lilly, below is the crestt of the French Royal Other graphics are more symbolic, for example an Family. anchor for 'hope', a very popular tattoo for sailors. Stock: 44831 These graphics were used by sailors all over the worlld and especially amongst convicts transported to 146. Cipher of H.H. Marie Antoinette Queen Australia. This pair of prints illustrates some of the actual tattoos used at the time; See 'Convict Tattoos of France marked men & women of Australia' by Simon Barnard. [Anon., c. 1800] There is a copy of Epistle in the Lewis Walpole Two ms. sheets glued to backing sheet, combined Museum & British Museum, but no copies seem to be dimensions 355 x 185mm (14 x 7¼"). Other prints, drawings, ms and printed text verso. £260 located for Sally's answer. BM 9505 & 9506. Stock: 44428 Cipher supposedly used by Marie Antoinette to encode (see image on front) messages, with text below explaining its use. Stock: 44500

147. Les Violettes. 152. Puzzling Profiles of The Celebrated Mrs à Paris chez Faleur, rue St Denis. Siddons and Mr Quick. Hand-coloured engraving. Printed area: 150 x 210mm [n.d., c.1785.] (6 x 8¼"). Frame: 240 x 300mm (9½ x 11¾"). Paper Engraving, rare. Framed. Imaage: 100 x 70mm (4 x tone and staining. Unexamined out of frame. £360 2¾"). Frame: 140 x 110mm ((5½ x 4¼"). Trimmed. A puzzle print in which the silhouettes of Napoleon, Unexamined out of frame. £250 Marie Louise and their son Napoleon are formed from A pair of profile silhouettes of Sarah Siddons and John the petals, leaves and stems of a bouquet of violets., Quick formed from the shape of an urn and tree against with the rare letterpiece. which lean various theatricall props. Stock: 44836 Stock: 44858

148. [Puzzle print with faces of Napoleon annd 153. The Royal Oak. Drawn at the Gallery of Marie-Louise] Violettes du 20 Mars 1815. Practical Science. Canu fecit Déposée a la Direction generale A Paris, ruue [n.d., c.1840.] St Jacques No 29 Pencil drawing. Framed. Image: 140 x 175mm (5½ x Stipple with fine hand-colouring, platemark 140 x 7"). Frame: 210 x 250mm (8¼ x 9¾"). Paper tone. 90mm (5½ x 3½"). Small margins. Water staining at Unexamined out of frame. £140 top; inscriptions in pencil. £140 A concealed silhouette of Queen Victoria formed of the Puzzle print showing the faces of Napoleon and his trunk and branches of trees in a landscape scene. second wife Marie-Louise silhouetted against violets, Stock: 44853 published at the time of Napoleon's return to Paris. Also shows unidentified third face. For the same print offered with aanother puzzle print, 'Le Lis', see ref. 41629. Stock: 44847

149. Englands Royal & or Noble Flowers, The Queen, Prince Albert, Prince of Wales, Princess Royal, Queen Dowager, Duchess of Kent, Duke of Wellington, King of Prussia, Lord John Russell and Sir Robert Peel. [n.d., c.1840.] Engraving. Framed. Plate: 145 x 190mm (5¾ x 7½"). Unexamined out of frame. £75 A puzzle print in which the profiles of the Royal Family and notable figures are formed by the leaves and petals of a bouquet of flowers. Stock: 44848

150. A New Puzzle of Portraits. Striking Likenesses of the King & Queen of England, and the late unfortunate King & Queen of France. [n.d., c.1800.] Engraving. Framed. Plate: 125 x 80mm (5 x 3¼"). Frame: 200 x 155mm (7¾ x 6"). Very stained. 154. The Royal Allied Oak and Self Created Unexamined out of frame. £140 Mushroom Kings. Beholld the Oak, whose firm A pair of puzzle portraits, on the left are Queen fix'd stay... Charlotte and George III while on the right are Marie J. Field del.t. Etch'd by Heath. Pub. May 29.1815 by Antoinette and Louis XVI of France. J.Jenkins, 48 Strand. Stock: 44857 Hand-coloured etching with letterpress below. Framed. Plate: 210 x 300mm (8¼ x 11¾") with large margins. 151. A New Puzzle of Portraits. Striking Frame: 300 x 380mm (11¾ x 15"). Unexamined out of Likenesses of the King & Queen of England, frame. £240 and the late King & Queen of France. A puzzle print in which the silhouettes of George III, [n.d., c.1800.] Louis XVIII, the Prince Regent, Alexander I, Engraving, rare. Framed. Image: 115 x 75mm (4¼ x Wellington and Blucher are fformed in the royal oak. 3"). Frame: 175 x 140mm (7 x 5½"). Trimmed, laid on The silhouettes of Napoleon,, Murat, Lucien Bonaparte card. Unexamined out of frame. £250 and other French figures are formed from leaves and A pair of puzzle portraits, on the left are Queen roots on the ground. Charlotte and George III while on the right are Marie Stock: 44829 Antoinette and Louis XVI of France. Stock: 44856 155. The Royal Rose Buds and the Parent A puzzle print in which the outlines of the Royal Stem. Family and politicians are foormed out of branches of [n.d., c.1845.] four trees on the banks of the Thames by Windsor. Lithograph on porcelain card. Printed area: 105 x Stock: 44852 150mm (4 x 6"). Framed. Unexamined out of frame. £65 159. The Vine, the Willlow & the Rose. A puzzle print in which the profile silhouettes of Pub. by McCleary 32 Nassau Street. [n.d., c.1815.] Queen Victoria and Prince Albert are formed from the Hand-coloured engraving, rare. Framed. Image: 100 x leaves and stem of a rose and portraits of the Prince of 125mm (4 x 5"). Frame: 135 x 180mm (5¼ x 7"). Title Wales and Princess Royal spring from the rose buds. excised and glued to back off frame. Unexamined out of Stock: 44851 frame. £230 A puzzle print in which the silhouette profiles of the 156. The Rose of England. Prince Regent, Princess Caroline of Brunswick and Published & Sold by W & R Triphook 18, Princes Stt. Princess Elizabeth are formeed form the flowers, steams Red Lion Sq. and leaves of a vine, a willow and rose. The Prince of Hand-coloured etching. Framed. Plate: 200 x 245mm Wales's moto 'Ich Dien' is engraved on a banner below (8 x 9¾"). Frame: 260 x 320mm (10¼ x 12½"). the flowers. In an ornate frame, maybe an Irish copy. Unexamined out of frame. £190 Stock: 44855 A silhouette profile of Queen Victoria formed from the leaves, petals and stems of a pink rose. 160. [Riddle] The followwing inscription was Stock: 44841 written over the Decalogue in a Welsh church. More than a century elapsed before its 157. Scene Near Windsor on inspecting the meaning was discovered.. PRSVRYPRFCTMN, print will be discovered an exact likeness of / VRKPTHSPRCPTSTN. By placing one of the Her Majesty Victoria 1st. vowels between the letters, it will form two Published as the Act directs April 25th 1838 by the lines in rhyme. Proprietor, 13, Bartholomew Place, Kentish Town. [Anon. c.1820] Hand-coloured lithograph. Framed. Image: 180 x Letterpress on card, sheet 800 x 125mm (3 x 5"). Glued 175mm (7 x 6¾"). Frame: 215 x 210mm (8½ x 8¼"). to album sheet with other ms and printed text. £65 Paper tone. Unexamined out of frame. £120 Riddle, with the answer pasted below: 'Persevere ye A puzzle print in which the silhouette of Queen peerfect men / ever keep these precepts ten', referring to Victoria is formed from the trunks of two trees in a the Ten Commandments. scene in which two figures look over towards Windsor Stock: 44495 Castle. Stock: 44854 161. George Birkbeck, MM.D. President of the London Mechanics' Instiitution, Patron of the Glasgow Mechanics' Institution and President of the Meteorological Socciety &c. &c. Wageman del. T. Woolnoth ssc. [c.1830] Stipple engraving, sheet 185 x 115mm (7¼ x 4½"). Trimmed and glued to backing sheet with two portraits verso. £45 George Birkbeck (1776-1841), physician and educationist. In 1823 Birkbecck inaugurated the London Mechanics' Institution. He was also one of the original prromoters of the foundation oof London University. The London Mechanics' Institution became the 'Birkbeck Literary and Scientific Institution' in 1866 and is now simply Birkbeck, part of the University of London. Stock: 44486

158. A View Near Windsor Castle. This Print 162. [Johann Christoph Gottsched] Jo. contains the likenesses of her Majesty with thhe Christophorus Gottschedius, Philosoph ration young Prince, Prince Albert, Duke of et transcend. P.P.O. Poeseos [...] Wellington, Sir R. Peel & L.d John Russell. A.M. Wernerin pinx. J.J. Haiid sc. Aug. Vin.t [c.1750] Printed by Casey & Mourityan, 34 King St. Holborn. Fine mezzotint, platemark 310 x 190mm (12¼ x 7½") Published 1842 by R. Sly, 8 Queens Place C.t. Queen very large margins. £160 St. Lincolns Inn Fields & 40 Up.r Seymour S.t Somers Johann Christoph Gottsched (1700-66), German Town. phhilosopher, author and critic. Engraved by Johann Lithograph, rare. Framed. Printed area: 300 x 260mm Jakob Haid (1704 - 1767), mezzotinter and founder of (11¾ x 10¼"). Frame: 340 x 300mm (13½ x 11¾"). a publishing house in Augsburg. Unexamined out of frame. £230 Stock: 44795

163. Geo.e Skeavington, M.R.V.C. 166. R. Mengs. London: W. Emans, Cloth Fair, 1838. von R: Mengs gemalt. von Heinrich Sintzenich Engraving, rare. Sheet: 165 x 245mm (6½ x 9¾"). Gestochen und herausgegeben in Mannheim in jun. Light foxing and staining. £160 1784. Das gemält gehäret See. Excel: dem Baron von A portrait of George Skeavington, author of 'The Dalberg &c. &c. Modern System of Farriery' and other Veterinary Colour-printed stipple. Plate:: 170 x 220mm (6¾ x 8¾") volumes, shown sitting on a chair in his study. very large margins. Foxing. £130 Stock: 44646 A half-length portrait of German painter Anton Raphael Mengs (1728-1779)) after a self-portrait. 164. Augustinus Aelius. Stock: 44686 P.E.Stroeling Fec.t. [n.d., c.1821.] Lithograph. Printed area 125 x 90mm (5 x 3½"). 167. [William Barker Daniel.] Printers' crease. Laid on album paper. £80 Painted by Geo. Englehart. Engraved by P. W. Bust portrait of a man with long sideburns. The BM's Tomkins Historical Engraverr to Her Majesty. Publish'd example is an 'unidentified man' with a note on the Oct 10 1811 for the Proprietor, by P. W. Tomkins, 53 mount describing it as the frontispiece for 'Aglio's New Bond Street. Woolley Hall of 1821'. Perhaps the title is a latinised Stipple on india, proof before title and altered version of Agostino Aglio (1777-1857), the Italian inscriptions. 290 x 230mm (111½ x 9") very large painter, decorator, and engraver who recorded the margins. Backing paper spotttted. Uncut. £95 interior decorations of the Jacobean Woolley Hall. BM: Rev. William Barker Daniel (1753-1833), author of 1868,0612.614. 'Rural Sports'. The finished plate (with title, Stock: 44153 inscriptions moved with the aalterations 'Published' and 'His' Majesty) was used as a frontispiece to his book. See BM 1850,1014.310 for the finished state. Stock: 44433

168. [Thomas Babington Macaulay, Baron Macaulay] [Antoine Claudet and anonymous artist] Hand-coloured photograph, sheet 225 x 190mm (8¾ x 7½"). Taped into oval mountt. With frame backboard beearing Claudet's label, inscrription 'Lord Macaulay Photograph finished in Black by A. Claudet' and label of framer Hugh Paton. £180 Thomas Babington Macaulay (1800-59), historian, essayist and poet. Photograph by Antoine Clauudet coloured by hand. Claudet (1797-1767) was borrn in France and originally moved to England to open a glass warehouse before moving into photography shortly after Daguerre's prrocess became public in 1839. By the 1850s Claudet was one of the most fashionable photographers in London: he was awarded a Council Medal at the 1851 165. M.r William Austin, Drawing Master of Great Exhibition and established his Temple of Brighton. TThis Print is humbly dedicated to Photography at 107 Regent Street (for which a label is his Royal Highness the Prince of Wales with attached to this print) the same year. every mark of respect by his Highnesses much Stock: 44787 obliged & very humble Servant. W. Austin. Edm.d Scott del.t. Ja.s Godby sculp.t. Published as the 169. A.A. Milne The Boookman Portfolio Act directs March 25 1809 by W. Austin, No.20, Great Christmas 1927 Russell Street Brighton. Spy Jnr [in image] A fine stipple. Plate: 215 x 290mm (8½ x 11½"), very Chromolithograph, printed arrea approx. 295 x 160mm large marginns. Dusty. £190 (11½ x 6¼"). £65 A seated portrait of drawing master and caricaturist Alan Alexander Milne (1882-1956), writer who William Austin (1721-1820). A pupil of George established three reputations:: as an essayist and writer Bickham, Austin worked first as an artist and then as a of light verse, as a playwright, and as a writer of drawing master in Brighton, he also owned a print shhop children's books. It is the lattter, particularly those which sold caricatures many of which supported centred around the teddy bear Winnie-the-Pooh, which Charles James Fox. Austin is shown holding a folio have secured his lasting fame. titled 'Patriotic Elections, Westminster, Middlesex, Portrait by I.L. Uduardy, 'Spy Junior', caricaturist Surrey and Bedford' while a portfolio labelled 'Portraits following in the footsteps off the original 'Spy', of Mr Fox and other illustrious Characters' leans up caricaturist and portrait paintter Sir Leslie Ward (1851- against a table. 1922), caricaturist and portrait painter who took the Stock: 44589 name as his 'nom de crayon' upon joining 'Vanity Faiir' 172. His Royal Highness the Duke of York. magazine. Dedicated to the British AArmy, as their Stock: 44487 Commander in Cheif, by their Humble & Obedient Serv.t J. Jenkins. Drawn by S. de Koster. Engrraved by W. Fry. London Publish'd by J. Jenkins, Jan.y 1. 1815, at 48 Strand. Fine hand-coloured etching with stipple, part printed in colour. Sheet: 320 x 425mm (12½ x 16¾"). Marking. £240 A portrait of Prince Frederick, Duke of York and Albany (1763-1827) second son of George III. Stock: 44702

173. Mrs Blight. Drawn on purpose by George Simpson. [?London. Published April 12th 1806 by Jeffery, Pall Mall.] Stipple, rare. Sheet 200 x 110mm (8 x 4¼"). Trimmed within plate, losing publisherr's inscription. £60 Portrait taken during a famous murder trial at the Session House, Newington. Richard Patch was accused of shooting Isaac Blight, his former master. Such was the interest in the case that special accomodation was made for two sons of George III to attend, the Dukes of Cumberland and Sussex. Pattch was found guilty and was sentenced to death & dissection. A full account of the trial was also published. For Simpson'ss portrait of the murderer see 13585. Stock: 44302 170. [William Shakespeare.] [Martin Droeshout.] [n.d., c.1623-1685] 174. Richard Tidd. [&] William Davidson. Engraving. Sheet: 155 x 185mm (6 x 7¼") Trimmed,, [&] Thomas Brunt. [&] James Ings. [&] laid on an album sheet. Some damage on left and paper Thomas Hiden. [&] Robeert Adams. [&] John tone. £550 Monument. [&] Arthur Thistlewood. A portrait of poet and playwright William Shakespeare [Engraved by Robert Cooperr after Abrham Wivell. (1564-1616) by Martin Droeshout. The portrait serveed [London, Published by Thos.. Kelly, 17 Paternoster as frontis piece to the Shakespeare folios the first Row, May 2 1820.] published in 1623, the Second in 1632, the Third in Eight stipple-engraved portrait scraps. Largest sheet c. 1663 and the Fourth in 1685. This is the third state of 110 x 85mm (4¼ x 3¼"). Triimmed from larger sheets, the portrait so could have been used in any of the 1623, mounted on album paper, Thistlewood with old ink 1632 or 1663 editions; the portrait was re-engraved ffoor mss. £160 the 1685 edition. The portrait was praised by Ben Portraits of the Cato Street Conspirators from a book, Jonson for its likeness to Shakespeare in his poem 'The Cato Street Conspiracy', published the day after. which faced the portrait and served as preface to the Thistlewood, Davidson, Ings, Tidd and Brunt were Folios. executed at Newgate Prison, 1820. Stock: 44691 Stock: 44441

171. [Elizaabeth I] Elisabetha D.G. Angliae 175. [A Young Woman Braiding her Hair.] Franciae Hibern. et Verginiae Regina A.M. Angelica Kauffman inc: e del. Published Oct 1st Auspicatiss [...] 1780. [Dominicus Custos, c.1602] Etching with aquatint in bistrre. Plate: 165 x 220mm Engraving, sheet 160 x 115mm (6¼ x 4½"). Trimmed. (6½ x 8½") very large margiinns. Slight mark near right £280 hand. Part of artist description burnished off. Slight Elizabeth I (1533 - 1603), queen of England and crease on right. £280 Ireland from 1558 until her death. Sometimes called A portrait of a woman, sitting on a stool and braiding The Virgin Queen, or Gloriana, the childless Elizabeth her hair. was the fifth and last monarch of the Tudor dynasty. Stock: 44874 Engraving by Dominicus Custos (c.1550-1612) from a set of portraits by Custos and his stepson Lucas Kilian, published in four parts in Augsburg between 1600 and 1604. O'D 80 Stock: 44845

176. [Emily.] Drawn by Miss Julia Conyers. Engraved by P.W. Tomkins Historical Engraver to Her Majesty. [London: Pub.d as the Act Directs, July 1st, 1796, by P. W. Tomkins No: 49 New Bond Street.] Stipple, proof before title and publisher's inscription. Sheet 185 x 155mm (7¼ x 6"). Trimmed within plate, £75 A woman sitting at a large window, trees outside. Conyers (d.1860) married John Wrottesley, 1st Baron Wrottesley, in 1819. A keen amateur artist, The Neww York Public Library holds her album of sketches andd watercolours by herself annd others, including Caroline Lamb. Stock: 44108

177. [Gentleman wearing glasses and formal dress] From a chalk drawing made into a surface block- Feb. 1860 [ms] Lithograph, rare, sheet 320 x 210mm (12½ x 8¼"). Repaired tear to lower margin. £95 Stock: 44115

178. [Unidentified man.] Fraser Pinx.t. C. Knight Sculp.t. 1820. [London: Charles Knight, c.1820. Stipple, proof before title. Sheet 265 x 210mm (10½ x 8¼"). Trimmed to plate, creases to right edge. £65 181. Henry Stanley, F.R.G.S. A man with waistcoat and neck band. [n.d., c.1889.] Stock: 44312 Lithograph. Sheet: 165 x 240mm (6½ x 9½"). £120 A portrait of Welsh/American explorer Henry Morton 179. Giovvanni Belzoni [facsimile signature] Stanley (1841-1904), who grrew up in Wales but Thomson sculp. [c.1820] emigrated to America in 18559, after his arrival he Stipple engraving, sheet 170 x 130mm (6¾ x 5"). served in the American Civill War and US Navy and Trimmed inside platemark and glued to backing sheeet; then became a journalist. It was his work as journalist hand-drawn border. Good impression. £50 which took him out to Africa in search of David Giovanni Baatista Belzoni (1778-1823), Italian Livingstone. He stayed in Affrica for many years performing artist and Egyptologist. After time in working in the Congo with the Belgians. He returned to France, Germany and the Netherlands he arrived in the UK in the later 1880s and was knighted in 1899. England, married, and embarked on a theatrical career Stock: 44883 lasting for nine years. He then built a water-wheel for the pasha of Egypt, but was left destitute when it was 182. 30 Extraordinary Characters &c. rejected by the pasha. Fortunately, however, Belzoni Described in the Work. was in well-placed to excavate the colossal bust of [n.d. c.1860.] Rameses II discovered by John Lewis Burckhardt, Stipple. Sheet: 250 x 190mm (9¾ x 7½"). Trimmed, which the British consul-general wished to transport tto vertical crease and paper loss in bottom left corner. the British Museum. It is thanks to Belzoni's efforts Laid on album sheet. £95 that the British Museum acquired many of its finest A collection of thirty freaks and figures, both shunned Egyptian antiquities. and celebrated by contemporrary society, including: Stock: 44484 Masaniello, the Neapolitan fifisherman who supposedly led an uprising against the Spanish Habsburg rule in 180. I am out of humanity's reach, / I must Naples in 1647; Billy Waters, one of many black finish my journey alone. Alexander Selkirk. beeggars in early 19th-century London; Bampfylde ADC Dec. 5th 1812 [?] Moore Carws (1693-1759), tthe English rogue, Pencil and watercolour, 80 x 55mm (3¼ x 2¼"). £95 vagabond and imposter, who claimed to be King of the Alexander Selkirk (1676-1721), Scottish privateer and Beggars; Count Joseph Boruuwlaski, the Polish dwarf castaway, the inspiration for Robinson Crusoe. He who fell in love with Durham; Sir Thomas Parkyns spent four years marooned on Juan Fernández, an (1662-1741), the noted wresttler, seen here clenching uninhabited island in the South Pacific Ocean. his fists, and the author of a book on Cornish Hugg Stock: 44784 wrestling; Samuel Horsey, who claimed that the surgeon Mr Abernethy cut offf his legs without any explanation, who can be seen sliding along Charing Cross; and Lord Rokeby (1712-1800), the English eccentric nobleman who preferred a watery 187. His Grace the Duke of Wellington. environment to a dry one. Key below identifying the London: Pub'd Feb.y. 1. 1816 by J. Jenkins No.48 figures, and images of natural phenomena (a water Strand. spout, volcanic eruption etc) around the edges. Hand-coloured etching, part printed in colour. Sheet: Stock: 44689 270 x 340mm (10½ x 13½").. Laid on an album sheet. Trimmed. £240 183. [General Eliott, Baron Heathfield of A portrait of Arthur Wellesley, 1st Duke of Wellington Gibraltar.] (1769-1852). Painted by Sir Joshua Reynolds. Engraved by Richd. Stock: 44705 Earlom. Publish'd Novr. 1st. 1788, by John & Josiah Boydell. No. 90. Cheapside London. 188. His Grace the Duke of Wellington. Stipple. Proof before title. Plate: 510 x 381mm. 20 x London: Pub'd Feb.y. 1. 1816 by J. Jenkins No.48 15" large margins. Some creasing in title area. £260 Strand. George Augustus Eliott, 1st Baron Heathfield, KB Hand-coloured etching, part printed in colour. Sheet: (1717-1790) was a British Army officer most notable 270 x 340mm (10½ x 13½").. Slight marking. for his command of the Gibraltar garrison during the Trimmed. £240 Great Siege of Gibraltar He served throughout the War A portrait of Arthur Wellesley, 1st Duke of Wellington of Austrian Succession 1742-1748. In 1787, he was (1769-1852). created Lordd Heathfield, Baron Heathfield of Gibraltar, Stock: 44704 and in May of 1788 George was formally installed as Knight of the Bath. Stock: 39817

184. [George Charles Bingham, 3th Earl of Lucan.] Engraved byy D.J. Pound from a Photograph by John Watkins, Parliament Street. [n.d., c.1860.] Steel engraving on india, proof before title. 400 x 285mm (15¾ x 11¼"). Spot in background. £65 George Charles Bingham (1800-88), 3rd Earl of Lucan, one of the three men blamed for the Charge of the Light Brigade. Stock: 44434

185. Lieu.t General Lord Hill, K.B. This 189. Michel Boai, the Celebrated Chin Portrait is wwith Permission Dedicated to His Performer. His Wife, and M. Engels, the Violin Lordship, by His Most Humble and Obedient Accompanyist In the Costume in which they Servant, James Jenkins. appear in their popular Perfomance at The Drawn by W. Heath. London Published August 12.01814 by J. Jenkins 48 Strand. Egyptian Hall, Picadilly.. Fine handcoloured etching with stipple, part printed in Printed by Engelmann, Graf,, Coindet & Co. London; colour; J. Whatman watermark. Sheet: 325 x 425mmm Published by S. W. Fores, 41 Picadilly. [n.d., c.1830.] (12¾ x 16¾"). Marking and damage in edges. £240 Lithograph, scarce. Sheet: 440 x 310mm (17½ x 12"). A portrait of General Rowland Hill, 1st Viscount Hill Light foxing. £290 (1772-1842) a British Military officer who served A group portrait of Michel Boai and his accompanyists during the Napoleonic Wars. on stage. Boai came from Maainz in Germany and Stock: 44701 peerformed by making music by hitting his jaw bone with his fists which was accompanied by guitar and violin. 186. Gen. Benningsen. Ritter v. Alexander Stock: 44869 Nevsky, v. S.t Annen 1.ter Cl., v. S.t Georgen 3.ter Cl., Gross Creutz 2.ter Cl., v. St. Vladimir 190. Henri François Desherbiers M.is de u. des Schwarz u. roth Adler Ordens. L'Estanduère Sergent del. Bei B. Weiss in Berlin. [n.d., c.1820.] [c.1790] Hand-coloured engraving, rare. Sheet: 185 x 260mm Pencil and pastel drawing mounted on backing sheet, (7½ x 10¼"). Trimmed within plate. £120 195 x 130mm (7¾ x 5"). Inscriptions verso. £180 A full-length portrait of General Levin August von According to inscriptions, thhiis is the original drawing Bennigsen (1745-1826) a German officer who served byy Antoine-Louis-François Sergent-Marceau for the in the Russian army during the Napoleonic Wars. poortrait of Henri-François des Herbiers, Marquis de Stock: 44551 Estenduère which was made into an aquatint by 'Madame de Sernel' and included in Sergent's 'Galerie des grands hommes, des femmes illustres et sujets mémorables de l’histoire de France' (Paris, 1787–91). De l'Estenduère (1681-1750) was a naval officer who 1804 he was appointed to the Achille of 74 guns, in served with distinction in the War of the Spanish which, on 21 Oct. 1805, he took part in the battle of Succession and the wars of the Polish Succession. He Trafalgar. On the death of hiis father in November also spent much time in Canda and made many mapss 1806, King succeeded to the baronetcy, but continued of the Saint Lawrence river. in the Achille, employed on tthe west coast of France or Stock: 44812 Spain till 1811, when he was appointed captain of the fleet to Sir Charles Cotton in the Mediterranean and 191. The R.t Hon.ble the Earl of St. Vincent, afterwards in the Channel. He was promoted to be rear- K.B. &c. &c. admiral on 12 Aug. 1812, annd for the rest of the war Published Jan.y 1. 1817, at 48 Strand for J. Jenkins's had his flag in the San Josef,, in the Mediterranean, as Naval Achievements. second in command to Sir Edward Pellew. He was Hand-coloured etching with aquatint. Sheet: 260 x nominated a K.C.B. 2 Jan. 1815, was commander-in- 330mm (10¼ x 13"). Staining to edges. Trimmed , tear chief in the East Indies from 1816 to 1820, and became on right. £140 a vice-admiral on 19 July 18221. In July 1833 he was A portrait of naval officer John Jervis, 1st Earl of St appointed commander-in-chiief at the Nore. Whitman Vincent (1735-1823) shown, sword drawn on the deck 291 II of II. Ex: Collection the Hon. Christopher of a ship. Jervis fought in the Seven Year War, Lennox-Boyd. American Revolutionary Wars, French Revolutionary Stock: 39886 Wars and Napoleonic Wars, and is perhaps best known for his victory at the Battle of Cape St Vincent 1797. 193. The R.t Hon. Winston Spencer Stock: 44700 Churchill. First Lord of tthe Admiralty. Daily Mail War Album. Photo. Elliott & Fry. [n.d., c..1914.] Photogravure on card. Sheet 205 x 150mm (8 x 6"). £65 Winston Churchill in dress uniform with medals. He lost his post as First Lord aftter the Gallipoli fiasco of 1915. Stock: 44562

194. Henry Hunt. Esq.re. M.P. for Preston. [n.d., c.1835.] Engraving. Plate: 150 x 225mm (6 x 9"). Trimmed within plate on the left edge;; large margins on 3 sides. £130 A half-length portrait of poliittician and Chartist Henry Hunt (1773-1835), on the table behind him is a document reading 'Universall Suffrage'. Stock: 44546

195. [John Shore, 1st Baron Teignmouth.] Painted by George Richmond. Engraved by Thomas Lupton. 4. Leigh Street, Burtton Crescent. London. Pub. Aug. 4. 1836, fof r the Proprietor, by Hatchard & Son. Picadilly. Mezzotint, printed on india paper. Plate: 350 x 480mm (13¾ x 19"). Margins trimmed, marking and repaired tears. £220 A seated portrait of John Shore, 1st Baron Teignmouth 192. To the King's Most Excellent Majesty (1751-1834) who was a Britiish official of the East This Print of the late Admiral Sir Richard India Company and served as Governor General of King, Bart. Vice Admiral of the Red and India from 1793-1797. Stock: 44968 Commander in Chief at the Nore. Is with his Gracious permission most humbly dedicated. 196. General Booth. Pen and Pencil. Painted by - Saunders, Esqr. Engraved by C. Turner, From a Photograph by Elliotttt & Fry. Machure, A.R.A. London, Published March 30, 1835, By Fras. MacDonald & Co., lith. Glasgow. [n.d., c.1898.] Grahm. Moon, Printseller to the King, 20, Tinted lithograph. Sheet 3500 x 245mm (13¾ x 9¾"). Threadneedle Street. & sold also by Colnaghi Son & £60 Co. Pall Mall East. William Booth (1829-1912),, the founder and first Mezzotint. Plate: 350 x 505mm (13¾ x 19¾") very General of the The Salvation Army. large marginns. Some foxing in margins. Toning. £280 Stock: 44456 Sir Richard King, the younger (1774-1834), vice- admiral son of Admiral Sir Richard King. In April 197. Thomas Murphy Esq.r. Dedicated to the Mezzotint, rare; sheet 505 x 4405mm (20 x 16"). Rate Payers of St Pancras as a tribute of Trimmed inside platemark on two sides; soiling respect for his Talented & Zealous exertions in towards bottom. £350 the cause of Parochial Reform. Theobald Mathew (1790-1856), Capuchin friar and Engraved byy Francis Holl after T.W. Harland. temperance campaigner (he was also increasingly Published Juuly 1, 1835, by T.W. Harland & Francis absorbed in famine relief woork by the time this print Holl. was made). The year after thhe print was published, Stipple, rare. 245 x 195mm (9½ x 7¾"). Trimmed into Mathew went to America where he stayed for two-and- plate at top. £60 a-half years before returning to Ireland. Stock: 44826 Thomas Murphy, an Irish coal merchant, lead the Parochial Reform Party in opposition to the 1836 Poor Law. NPG D39104. Stock: 44432

198. James Bronterre O'Brien. [n.d., c.1850.] Engraving. Plate: 145 x 220mm (5¾ x 8¾"), large margins. Slight marking. £90 A seated portrait of Irish chartist and reformer James Bronterre O'Brien (1805-1864). Stock: 44545

199. [Thomas Fuller] Nature t'epresse the Symetry of Parts, / Made this faire bulke the Magazine of Arts: / Body and minde doe answer well his Name / Fuller, Comparative to's Blisse and Fame. [Anon., 1661] Engraving, rare, sheet 140 x 85mm (5½ x 3¼"). Trimmed. £130 Thomas Fuller (1607/8-61), Church of England clergyman and author of the first English biographical dictionary, the 'History of the Worthies of England', published posthumously in 1662. This portrait was published as the frontispiece to 'The Life of that Reverend Divine, and Learned Historian, Dr. Thomas Fuller' (1661). Not in O'D. Stock: 44782 202. The Reverend Henry Peckwell, A.M. Chaplain to the most Hoonourable Marchioness 200. His Eminence Cardinal Manning. Dowager of Lothian [...] (From a photograph by Messrs. Russell & Sons, 17, From the Original Picture, painted by J. Russel. R. Baker Street, W,1) ''John Bull.'' Supplement. Saturday, Houston fecit. Publish'd as the Act directs 10 Oct.r November 15th, 1890. 1774 Printed for Carington Bowles at his Map & Print Photograph mounted on printed backing sheet. Warehouse, No 69 in St Paulls Church Yard London Photograph 135 x 100mm (5¼ x 4"), sheet 370 x Mezzotint, platemark 355 x 255mm (14 x 10"). 250mm (14½ x 9½"). £65 Repaired tear to top edge, small margins. £230 Henry Edward Manning (1808-1892), Cardinal and the Henry Peckwell (bap.1746, d.1787), Church of second Archbishop of Westminster from 1865 until his England clergyman and Methodist preacher associated death. with Selina, countess of Huntingdon. In later years Stock: 44430 Peckwell was distinguished as much by his phhilanthropy as his teaching.. 201. This Portrait of the Apostle of Portrait of Peckwell holding a Bible while gesturing Temperance, Theobald Mathew, Is towards an outdoor assembly of Methodists visible respectfully dedicated to the Members of the through a window. Temperance Societies, throughout the World, Stock: 44013 By their Obed. Humble Servant William Overend Geller. 203. [Cardinal Nicholas Wiseman.] Painted by Samuel West, Esq.r Engraved by W.O. Engraved by D.J. Pound from a photograph by Geller 4 Stanhope Place, Mornington Crescent. Simonton & Millard, Dublinn. [n.d., c.1859.] London, Published Feb. 1 1848 by S.H. Webb, 33 Soho Steel engraving on india, proof before title. 410 x Square_ Paris H.Gache, 58 Rue de la Victoire. Depoé 285mm (16 x 11¼"). Surface dirt. £95 Nicholas Wiseman (1802-18865), Cardinal and first Archbishop of Westminster. The titled state appeared in the Illustrated London News publication 'Drawing 206. FW. Hope M.A. [ffaacsimile signature] Room Portrait Gallery of Eminent Personages', 1859. President of the Entomollogical Society. F.R.S. Stock: 44429 F.L.S. F.G.S. Drawn from lifef & on Stone by J. Dickson Esq.r M & N Hanhart lith. Printers Publlished by J. Dickinson 114 New Bond St. [c.1845] Lithograph with tintstone, sccarce, printed area 335 x 225mm (13¼ x 8¾") very larrge margins. £330 Frederick William Hope (1797-1862), entomologist and collector of insects and engravings (he owned over 14,000 portraits, 70,000 topographical prints and 20,000 natural history prints)). Hope's collections were given to the University of Oxford), the insects to the Museum of Natural History and the prints to the Ashmolean Museum. Hope also established the Hope prrofessorship of zoology at Oxford. He was elected a fellow of the Linnean Society (1822) and the Royal Society (1834), and was president of the Entomological Society on three separate occasions. Stock: 44832

207. Edward Jenner, MD. LLD FRS. &c. &c. Drawn on Stone by M. Gaucci from a Bust by S. Manning Esq.re. London, Priinted & Pub.d by N. Chater & Co. 33 Fleet St, & Washbourne & Son Gloucester. 10 Aug.t 1823. Lithograph on india. 295 x 230mm (11½ x 9") very large margins. £110 Dr Edward Jenner (1749-1823), English scientist who 204. Robert Brown D.C.L. Oxf: L.L.D. Edin: piioneered vaccination, the 'FFather of Immunology'. F.R.S. Vice President of the Linnean Society. Stock: 44177 Member of the Institute of France, &c. From a Portrait presented to the Linnean Society by 208. [William Leybourn] Vera Effigies some of his Friends. Gulielmi Leybourn, Phillom. amo AEtatis 30. Painted by H.W. Pickersgill, R.A. Engraved by Cha.s [Richard Gaywood, 1656] Fox. London, Published by C. Fox, May 24th 1837. Etching, sheet 195 x 145mmm (7¾ x 5¾"). £130 Printed by McQueen. William Leybourn (1626-17116), mathematician and Engraving, scarce; platemark 420 x 310mm (16½ x land surveyor. This plate was etched by Richard 12¼") very laarge margins. Foxing. £480 Gaywood in 1653 (at which ttime the inscription read Robert Brown (1773-1858), botanist. Brown travelled 'AEtatis 27') as the frontispiece to his 'The Compleat as naturalist on an expedition to Australia commanded Surveyor'. The inscription waas later changed (as here) by Matthew Flinders (1800-5) and was appointed clerrk, and the plate was reused as the frontispiece to librarian andd housekeeper to the Linnean Society on his 'Arithmetick: Vulgar, Decimal, Instrumental' (1657). return to England. He turned down the chair of botanny Stock: 44823 at both Edinburgh and Glasgow universities to stay in London with the Linnean collection and act as 209. Sir James Edward Smith M.D. F.R.S. custodian to the collection of Sir Joseph Banks but &c. President of the Linnean Society. From a received many honours for his work. In 1827 he was Drawing by W. Lane, and Engraved by F.C. appointed vice-president of the Linnean Society (which Lewis, Dedicated with permission to Tho. Wm. retains the Pickersgill portrait from which this Coke, Esq.r M.P. by his mmost ob.t & obliged engraving was made). Published "several remarks .... humble Servant W. Lane on the Botany of Terra Australis". Kivell & Spence: pg Published March 15th 1816 by W. Lane, 29 Luke 46. Street, St. James's. Stock: 44830 Soft-ground etching, very rarre; sheet 580 x 380mm (22¾ x 15"). Trimmed to platemark. Bit messy in title 205. Charles Robert Darwin. area. £280 Lock and Whitfield. Woodbury Process. [n.d., c.1880.] Sir James Edward Smith (17759-1828), botanist. Smith Photograph with letterpress. Sheet: 200 x 270mm (7¾ boought Linnaeus' collection after Joseph Banks x 10¾"). Some foxing. £160 declined, and founded the Liinnnean society in 1788. A photograph of scientist Charles Darwin (1809-1882) Smith published many botannical works, including 'The with letterpress biography taken from 'Men of Mark'. English Flora' (1824-8) and did much to popularise the Stock: 44876 subject through his lectures and writings. Stock: 44828 210. [Beggar Reading.] Fight Any One of his Weight. 10 Years for Any London Published as the Act directs December 31st Amount. 1815 by John Thomas Smith No.4 Chandos Street Drawn by F. Shephard. Engrraved by Ellis, 51 Jewin St Covent Garden. City, London. [n.d., c.1819.] Etching. Plate: 110 x 180mm (4¼ x 7"), with very Engraving. Sheet: 440 x 295mmm (17¼ x 11¾"). Some large marginns. Foxing. £95 staining. £480 A portrait of a man walking whilst reading a book. A portrait of boxer, Bishop Sharpe (b. 1794) and a From a series called 'Etchings of Remarkable Beggars' scene showing him knocking a man off his feet. by J. T. Smith. Stock: 44870 Stock: 44653 214. Albina di Rhona. 211. [Princess Sophia Matilda of Gloucester..] I.H. Baker, sc. [n.d., c.1860.]] Painted by Sir Joshua Reynolds F.R.A. Engraved by Etching on steel. Sheet 155 x 110mm (6 x 4¼"). £95 Samuel Cousins R.A. London, Published 3rd Portrait of Albina di Rhona ((b.1837) in costume. A November, 1879 by P. & D. Colnaghi & Co. 15 Pall Serbian actress, dancer and singer, she arrived in Mall East & Thos. McLean 7 Haymarket & London in 1860, becoming director of the the Soho Manchester Tho.s Agnew & Son Exchange Street. Theatre, redecorating it and rrenaming it the New Mezzotint, on india paper; limited edition in this state Royalty Theatre. The opening programme featured a of 100. Plate: 480 x 445mm (19 x 17½"). Creasing. 13-year-old Ellen Terry, whose main role was to £230 scream when a large snake apppeared.. A portrait of a young princess, shown lying on the Stock: 44470 floor cuddling her dog. Whitman: 149. Stock: 44739 215. [Marie Taglioni inn ?Swiss peasant dress.] [n.d., c.1840.] 212. Jane Shore, Give gentle mistress Shore Lithograph on chine collé, rare. 145 x 130mm (5¾ x one gentle kiss the more'. King Rich.d III Act 5¼"), very large margins. £160 3.Sc I. Stock: 44303 F.Bartolozzi R.A. Sculp.t. London Pub.d as the Act directs Feb.y 1.1790.by E. Harding No.132 Fleet 216. Mr. Thomas Cook. Street. Photo. by J. Burton & Sons, Leicester. Machure, Colour-printed stipple engraving. 190 x 140mm (7½ x MacDonald & Co., lith. Glasgow. [n.d., 1894.] 5¼") large margins. £95 Tinted lithograph. Sheet 3500 x 245mm (13¾ x 9¾"). Jane Shore (c. 1445 - c. 1527), the first of the three £95 mistresses of King Edward IV he described A half-length portrait of Thoomas Cook (1808-92) from respectively as the 'merriest, the wiliest, and the holiest John Pendleton's ''Our Railways: Their Origin, harlots in his realm'. A petite woman of round face and Development, Incident and Romance''. fair complexion, she was more captivating by her wit Stock: 44457 and conversation than by her beauty, yet she was comely, too. Thomas More, writing when she was still 217. The English Print,, 1688-1802. alive but old and withered, declared that even then an byy Timothy Clayton. Published for the Paul Mellon attentive observer might have discerned in her Centre for Studies in British Art by Yale University shriveled countenance some traces of its lost charms. Press, New Haven and Londdoon, 1997. Stock: 44158 Book. 4to Blue cloth cover, gilt title stamped on spine, with dust cover. £130 One of the finest reference boooks on eighteeth century English prints. Clayton examines the world in which the printseller lived and worked, describing the structure of the print trade and processes of publication as well as examining the histtory of separately puublished prints. Tim Clayton read English at Cambridge and after several years working for the print collector Christopher Lennox-Boyd won a research fellowship at Worcester College, Oxford. He has written several award winning books and his latest 'Waterloo: Four Days that Changed Europe's Destiny'(2014) has been widely acclaimed as the bestt book on the subject. Most 213. Bishop Sharpe's Fight with J. Street recently he co-curated 'Bonaapparte and the British- (Greenwich Coachman) £25 a side 100r. prrints and propaganda in the age of Napoleon' at the 1h45m. Charlton 1819. and caus'd him to rise British Museum. Stock: 43387 in the Air as shown in this Engraving. A List of Successful Battles by Bishop Sharpe. Weight 10st. 10lbs. hight 5ft. 5¾in. And Challenged to 218. [Sheet of caricatures] over Great Britain and even tthe American colonies. [most signed JWJ or similar, c.1850] Not in BM. Twelve pen-and-ink caricatures affixed to both sides of Stock: 44863 an album sheet. Sheet 240 x 180mm (9½ x 7"). £160 Centrepiece sshows an ape reading a Darwin volume. Stock: 44786

219. Doctor Prosody Correcting his Proof in a Printing Office. Drawn & Eng.d by W. Read. Published June 1, 1821 by M. Iley, 1 Somerset St, Portman S[qu.] Coloured aquatint. Sheet 120 x 175mm (4¾ x 7"). Trimmed and laid on album sheet. £120 The inside of a printing office, press to the left, dryinng sheets flying about. A Rowlandson-style caricature from William Combe's ''The Tour of Doctor Prosody, in Search of the Antique and Picturesque Through Scotland, The Hebrides, The Orkney and Shetland Isles''. Abbey Life 277. 224. Tight Lacing. Stock: 44755 R.S. J.H. Pub.d 5 Mar.h 1777 by W. Humphrey Gerrard Street Soho who has a great variety of 220. Here's a Health to all Good Lasses. humorous Prints. Price One Shilling. [n.d., c.1800.] Etching. Plate: 310 x 225mm (12¼ x 9"), with very Coloured engraving. Sheet 265 x 190mm (10½ x 7½"). large margins. Uncut. £350 Trimmed to image on three sides, into title area at A scene in a bedroom in whiich a maid strains to pull bottom. £160 her mistresses corset as tightt as possible while her An illustration of a famous ballad, showing a one-eyed mistress holds onto the bed post. BM 5452 Stock: 44758 singer holdoing mug and spoon. Stock: 44749 225. [The share-jobber and the ghost of 221. Notions of the Aagreeable. No. 36. Aesop]. Bombario Actionist ende Geest van HH. London: Published by William Spooner, 377, Esopus. Strand. Printed by W. Spooner, 377 Strand. Printed by 1720. W. Kohler 22 Denmark Street, Soho. Engraving. Sheet: 100 x 155mmm (4 x 6"). Trimmed and Hand-coloured lithograph. Sheet: 235 x 315mm (9¼ x laid on album sheet. £230 12¼"). Laid on album sheet, staining at edges. £65 The frontispiece to a series of satirical prints 'Het A comic scene set in barber's shop, the barber mocks Groote Tafereel der Dwaasheid' commenting on the his bald customer by asking if he would like his hair Mississippi and South Sea Coompanies, their promoters curled. and victims. Stock: 44708 Stock: 44629

222. The Back-side of a front Row. 226. Controlleur van de Gelukkige en RBS. [Richard Sheridan.] Pub.d by Darly Jan.y 1. Rampzalige Lapis-Zoekers. 1777. [n.d., c.1720.] Engraving. Plate: 350 x 255mm (13¾ x 10"), with Engraving. Plate: 120 x 180mm (4¾ x 7"). Foxing and large marginns. Uncut. £350 surface dirt. Messy. £230 A comic scene showing the backs of a group of peoplle A portrait of a dwarf, ''The Controller of the fortunate sitting on a low bench, the exaggerated shapes made bby and miserable Lapis seekers,, or searchers for the their clothes satirise the fashion of the time. See BM Philosopher's Stone''. Plate 8 from 'Het Groote Tafereel 5435 & 5430 der Dwaasheid'', a series of Dutch satires on the Stock: 44743 Mississippi and South Sea Coompanies, their promoters and victims. BM Satire 16700. 223. Frontispiece to the Lecture on Heads. Stock: 44628 Desiged by Charles Fox. Engrav'd by Thomas Trotter. Published as the act directs, August 2nd 1785 by G. 227. Ordre des Chevaliiers de la Bombe Kearsley No.46 Fleet Street London. Cérémonie d'installation d'un Chevalier. Engraving. Sheet: 200 x 150mm (8 x 6"). Trimmed Panorama d'Angleterre. Caricatures Anglaises within plate, creases and laid on album sheet. £240 No3. A scene showing a group of figures listening to a Pub.d by Johnston, 98 Cheapside. lecture of heads. A frontispiece to George Alexander Hand-coloured engraving, rare. Plate: 330 x 240mm Steven's (1710-1780) 'Lecture on Heads' a satirical (13 x 9½"). Creases. £240 lecture on fashion and heads which was first performmed A comic scene showing the iinstallation of a 'Knight of in 1764, it was so popular that it was performed all the Bomb' in which a large ffiigure the King, George IV, sits upon a large mortar, while other knights of the 231. [Drinking cup, beaker, of Fi-ane or order stand around. Vianen: Second scene off Aesop's Ghost.] Stock: 44695 Verkens Beker van Fi-ane of Vianen: 2de Tooneel van de Geest van Esopus. 228. [Directress of the decayed Stock- [n.d., c.1720.] Regiments, and particularly of natural Law's Engraving. Sheet: 100 x 155mmm (4 x 6"). Trimmed and Shares.] Directrice der Vervalle Actie- laid on album sheet, paper loss in right edge. £70 Regimenten; en byzonderlyk van Natuurlyke A portrait of a dwarf holding a bell. Plate 5 from 'Het Lawe Actien. Groote Tafereel der Dwaasheid', a series of Dutch [n.d., c.1720.] satires on the Mississippi and South Sea Companies, Engraving. Sheet: 100 x 155mm (4 x 6"). Trimmed annd their promoters and victims. BM Satire: 1667. laid on album sheet. £180 Stock: 44632 A portrait of an old dwarf holding a dog. Plate 4 from 'Het Groote Tafereel der Dwaasheid', a series of Dutch 232. [Natural Stock Docctor, or bubbling satires on the Mississippi and South Sea Companies, Bubble Master.] Natuur Actie-Doctor of klap- their promoters and victims. BM Satire: 1666. achtig Bobbel Meester. Stock: 44631 [n.d., c.1720.] Engraving. Sheet: 100 x 155mmm (4 x 6"). Trimmed and 229. [The Rector Magnificus of the Un- laid on album sheet. £180 Actioned [Shareless] Literature.] Rector- A portrait of an old dwarf wiith a beard and spectacles Magnificus van de Ongeactioneerde holding a parrot. Plate 3 from 'Het Groote Tafereel der Litteratuur . Dwaasheid', a series of Dutch satires on the Mississippi [n.d., c.1720.] andn South Sea Companies, their promoters and victims. Engraving. Sheet: 100 x 155mm (4 x 6"). Trimmed annd BM Satire: 1665. laid on album sheet. £180 Stock: 44630 A portrait of a dwarf in a large wig holding his hat. Plate 6 from 'Het Groote Tafereel der Dwaasheid', a 233. Die Entdecker des Nord Pols. series of Dutch satires on the Mississippi and South [n.d., c.1830.] Sea Compannies, their promoters and victims. BM Hand-coloured engraving, scarce. Sheet: 165 x 250mm Satire: 1668. (6½ x 9¾"). Trimmed. Creaase on left. £260 Stock: 44634 A German satirical print commenting on the search for the North Pole in the early niineteenth century. Four naval officers, wearing ice skates, gather around a small column with a compasss on the side marking North, a bear and the Pole Sttar are right above their heads. In the early nineteenth century many explorers mades their way North. In 1827 Englishman William Parry (1790-1855) made an expedition to find the North Pole and reached 82°45N: his attempt was not beeaten until 1875. Stock: 44270

234. The Saintly Hun A Book of German Virtues. byy W. Heath Robinson. Duckworth & Co. [n.d., c.1917.] Book. Soft covers, pp48. Black and white illustrations. 210 x 330mm (8¼ x 13"). Paper tone, tears in pages and covers worn. £60 A comic book satirising the German nation during the First World War. Stock: 44672 230. [The Boaster, covered, who has escaped.] Ontsprongen rondom bedekte Blaaskaak. 235. The Countryman and Money Scrivener. [n.d., c.1720.] Finucane delin.t [n.d., c.1800.] Engraving, rare. Sheet: 100 x 155mm (4 x 6"). Hand-coloured engraving. Sheet: 245 x 195mm (9¾ x Trimmed and laid on album sheet. £180 7¾"). Trimmed within plate. Some paper loss in the A portrait of a dwarf wearing a large hat and wig boottom left corner and a crease in the top right corner. holding a playing card. Plate 7 from 'Het Groote £95 Tafereel der Dwaasheid', a series of Dutch satires on A comic scene in which a coountryman accidentally the Mississippi and South Sea Companies, their walks into a lawyers office mistaking it for a shop and promoters and victims. BM Satire: 1669. prroceeds to insult the lawyerr. Stock: 44635 Stock: 44692 fishing, having caught a refoorm act which is shoved in a man's mouth, a bag of money from the man's pocket and a pig next to him. Stock: 44903

240. Iohn Bull and his Friends Commemorating the Peace. Woodward delin. Etch.d by Roberts. [n.d., c.1802.] Hand-coloured etching, rare.. Sheet: 380 x 275mm (15 x 11¾"). Paper tone. £320 A satirical scene showing John Bull and various foods dancing in a circle celebrating the Peace of Amiens in 1802. BM Satire 9850. Stock: 44915

236. The Kaiser's Monster Carnival of 241. The Political Drama. No. 15. Dog Days; Terrorism as Arranged by Himself in Heaven, or, The State Kennel on Land, in the Air, and Under the Sea. This [C.J. Grant.] Printed and Published by G. Drake, 12, Plate is published separately, suitable for Houghton Street, Clare Market. [n.d., c.1830.] framing, at 6d. net, or 7½d. post free, in Wood-engraving. Sheet: 440 x 290mm (17½ x 11½"). Cardboard Rolls, from the Publishing Office of Central vertical crease as norrmal. Staining and tears in ''The Cartoon'', 171 Queen Victoria Street, edges. £130 A satirical scene set in a kennel in which politicians, London, E.C. shown with dogs bodies, fight over bones; Wellington Harry Furniss. Presented with the first number of ''The is shown fighting Charles Grrey in the centre. Cartoon'' Feb 4. 1915. Stock: 44905 Lithograph. Sheet: 750 x 580mm (29½ x 23"). Folds and some damage along folds. £950 242. A cartoon from the First World War showing the The Political Drama. No. 23. Arrival of Kaiser as various huge monsters, the largest of which Queen!!! Donna Maria. rips Paris and Belgium from a huge globe, blood [C.J. Grant.] Printed and Published by G. Drake, 12, dripping from his hands onto the figure of Britannia at Houghton Street, Clare Market. [n.d., c.1830.] the forefront of the image. Wood-engraving. Sheet: 440 x 290mm (17½ x 11½") Stock: 44881 very large margins. Foxing. Central vertical crease as normal. Staining and tears in edges. £160 237. Troops Fording a Brook. A political cartoon showing fflying witches, the young Jn.o Collet Pinx.t. London, Printed for Jn.o Smith No. Portugese queen Dona Maria II (1819-1853) being 35 Cheapside, & Rob.t Sayer, No 53 Fleet Street, as the greeted by a group of six gentlemen. Stock: 44914 Act directs 25 Jan.y. 1772. Engraving. Plate: 265 x 365mm (10½ x 14½") very large marginns. £280 243. The Political Drama. No. 12. The Four A comic scene in which a large officer is carried over a Factions, Which Distract the Country. shallow brook by a soldier while behind a woman [C.J. Grant.] Printed and Published by G. Drake, 12, picks up another soldier to help him across. Illustrating Houghton Street, Clare Market. [n.d., c.1830.] the shallow depth of the water a dog carries her puppy Wood-engraving. Sheet: 440 x 290mm (17½ x 11½"). across in her mouth. BM Satire 4608. Central vertical crease as norrmal. Staining and tears in Stock: 44699 edges. £160 A political satire commenting on the four main factions 238. Crocodile the Pacificator. in Parliament: Whig, Tory, Liberal and Ultra Radical. [n.c., c.1800. The caricature of the Whig party shows Charles Grey Etching, rare. Sheet 130 x 70mm (5 x 2¾"). Trimmed. carrying a large sack labelled 'Nice Pickings &c' and a £85 large bag of money, the Tory party is represented by Napoleon standing before Nelson, begging for Wellington who is dressed as a butcher. A man hiding clemency. in a chimney pot portrays the Liberals and the radicals Stock: 44178 are represented by a man dressed in shabby clothes and brroken shoes carrying a riflee with a bayonnet. Stock: 44904 239. The Political Drama. No. 29. Catching a

Gudgeon. [C.J. Grant.] Printed and Published by G. Drake, 12, Houghton Street, Clare Market. [n.d., c.1830.] Wood-engraving. Sheet: 440 x 290mm (17½ x 11½"). Creases. Staining and tears in edges. £80 A political satire, refering to the Reform Acts, showing a politician, a bishop, a lawyer and a school boy 244. The Political Drama. No. 26. The Last Remains of the Unholy Alliance; or, the Meeting of the Emperors of Russia and Austria, the King of Prussia, and the X King of France, at Munchengratz, to Plot against the Liberties of Europe. [C.J. Grant.] Printed and Published by G. Drake, 12, Houghton Street, Clare Market. [n.d., c.1830.] Wood-engraving. Sheet: 440 x 290mm (17½ x 11½") very large maargins. Central vertical crease as normal. Staining and tears in edges. £120 Four european leaders sit around a table planning, on the wall behind them is written the word 'Liberty' next to the hand of God while on the left the devil watches the scene. Stock: 44911

245. The Political Drama. No. 14. Magisterial 248. The Patent Wigg. No fit you zir, perhaps Justice- A Fact. [C.J. Grant.] Printed and Published by G. Drake, 12, you got de paine in you Head, make you tink so Houghton Street, Clare Market. [n.d., c.1830.] [...] Wood-engraving. Sheet: 440 x 290mm (17½ x 11½"). Wetherell. Pub, Aug.t. 1. 1793 by S. Fores. No. 3, Central vertical crease as normal. Staining and tears in Picadilly. edges. £160 Etching with hand-colouring, platemark 185 x 175mm A scene is a magistrates court in which two policemen, (7¼ x 7") large margins. Slight mark on top left. one with a dripping nose and one with messy hair, Remainder of album sheet on reverse. £190 bring a poor man and his family before the magistrate Interior scene in which Charlles James Fox stands in a for selling caricatures without a licence stamp. wigseller (carrying a royal patent) but is told a certain Stock: 44906 wig doesn't fit him because he has a [Thomas] 'paine' in the head. Commentary on the influence of 246. The New Minister or_ As it should be. republican ideas on Fox's Whig party. BM Satires Argus del.t. Pub'd Feb.y 1806 by Walker No7 Cornhill. 8338; for uncoloured impression see ref.36447. Stock: 44822 Hand-coloured etching. Sheet: 235 x 345mm (9¼ x 13½"). Trimmed, paper loss in corners and laid on an album sheet. £160 249. The Political Drama. No. 24. Political A political satire in which William Wyndham Greville Sportsmen; or Practising Against the Next introduces Charles James Fox to George III, following Session. Pitt's death earlier in 1806 Greville had formed the [C.J. Grant.] Printed and Published by G. Drake, 12, 'Ministry of All Talents' and offered Fox the positionn of Houghton Street, Clare Market. [n.d., c.1830.] Foreign Secretary, which he accepted. Wood-engraving. Sheet: 440 x 290mm (17½ x 11½") Stock: 44707 very large margins. Central vertical crease as normal. Staining and tears in edges. £110 247. The Birmingham New Member_ A Man A political satire showing various politicians, including of Mettle [/Metal] - or a Match for Ministers. Wellington, shooting at gamee. Stock: 44907 [Charles Williams] Pub 1819 by T Tegg 111 Cheapside. Hand-coloured engraving. 1818 watermark. Sheet 2445 250. The Political Drama. No. 21. The Rival x 345mm (9¾ x 13½"). £280 Shows. Birmingham brassfounders about to place a brazen [C.J. Grant.] Printed and Published by G. Drake, 12, head of Sir Charles Wolseley on an effigy. Wolsey had Houghton Street, Clare Market. [n.d., c.1830.] made an inflamatory speech at Stockton and was Wood-engraving. Sheet: 440 x 290mm (17½ x 11½"). arrested for sedition. In his absence the Birmingham Central vertical crease as norrmal. Staining and tears in reformers elected him their 'Legislatorial attourney' and edges. £140 empowered him to represent their grievences in A comic scene in which two rival performances take Parliament. BM Satire 13251. pllace at the same time, on thhe left the figure of the Stock: 44918 devil and a bishop dance togeether while on the right a clown blows bubbles labelled 'Reform', 'Economy' and 'Retrenchment', while two politicians stand with yokes over their head and a man wiith a cane blows a bugle. Stock: 44910 out of his pocket while he is distracted by a conversation with a 'philosopher'. In the right of the image a group of five freed slaves dance in a circle celebrating their freedom. Stock: 44902

255. The Prodigal Son. Pub.d Jan.y. 18, 1787 by S.W. Fores No.3 Picadilly. Hand-coloured etching. Plate: 150 x 200mm (6 x 7¾"). Small margins. £260 A satirical scene showing the Prince of Wales as the prrodigal son sitting with the ppigs he has been ordered to feed having sqandered all of his money. The three white feathers of the Prince of Wales lie on the floor

beeside him. BM. 7129. 251. The Royal Extinguisher, or the King off Stock: 44866 Brobdingnag & the Lilliputians. I.R. Cuikshank inv.t. G. Cruikshank fec.t. Pub.d April 256. The Political Drama. No. 27. John Bull 7.th 1821 by G. Humphrey 27 St James's Street London. and Tommy Grey. Hand-coloured etching; part J. Whatman watermark . [C.J. Grant.] Printed and Published by G. Drake, 12, Plate: 345 x 250mm (13½ x 9¾"). Slight staining. Houghton Street, Clare Market. [n.d., c.1830.] Small margins. £260 Wood-engraving. Sheet: 440 x 290mm (17½ x 11½") A scene in which George IV lowers a large very large margins. Central vertical crease as normal. extinguisher over a group on miniature figures, which Staining and tears in edges. £110 includes radicals and jacobins, who try and flee in A political satire in which John Bull and his wife are terror, in the centre of the group is the Queen holding a disturbed at night by the noise made by Charles Grey, drawn as a cat, John Bull looks out of his window with bag containing her £50,000 pension. BM Satire 14145. Stock: 44868 a gun. Stock: 44912

252. The Political Drama. No. 3. The Sabbaath Breakers. 257. The Political Drama. No. 13. The Whig [C.J. Grant.] Printed and Published by G. Drake, 12, and Tory Union; or the Devil Turned Miner. Houghton Street, Clare Market. [n.d., c.1830.] [C.J. Grant.] Printed and Published by G. Drake, 12, Wood-engraving. Sheet: 440 x 290mm (17½ x 11½") Houghton Street, Clare Market. [n.d., c.1830.] very large maargins. Central vertical crease as normal. Wood-engraving very large margins. Sheet: 440 x Staining and tears in edges. £160 290mm (17½ x 11½"). Centrral vertical crease as A satirical scene showing puritans and members of normal. Staining and tears in edges. £130 society drinking, playing games and partying on the A political satire showing members of the Whig and Tory parties, including Charlles Grey and Wellington Sabbath. Jewish interest. Stock: 44908 toasting each other, while beelow them the devil saws through the pillars of state. Stock: 44909 253. Three Shocking Bad Whigs. [O. Hodgson.][1833.] Hand-coloured lithograph. Sheet: 345 x 240mm (13½ x 258. The Political Drama. No. 17. State 9½"). Trimmed to printed border, some damage. £240 Witches Laying A Spell Over the Country. Three profile portraits of three Whig politicians formed [C.J. Grant.] Printed and Published by G. Drake, 12, from their wigs. A puzzle print. Houghton Street, Clare Market. [n.d., c.1830.] Stock: 44872 Wood-engraving. Sheet: 440 x 290mm (17½ x 11½") with large margins. Central vertical crease as normal. 254. The Political Drama. No. 10. Slave Staining and tears in edges. £160 Emancipation; or John Bull Gulled out of A political satire in which Charles Grey, Althorp, Broom and Queen Adelaide and the comic character of Twenty Millions. Billy Lackaday, a role made famour by Liston, all sit [C.J. Grant.] Printed and Published by G. Drake, 12, on a broom and say a spell ovver the countryside while a Houghton Street, Clare Market. [n.d., c.1833.] farmer with a pitchfork wails in dispair. Wood-engraving. Sheet: 440 x 290mm (17½ x 11½"). Stock: 44913 Central vertical crease as normal. Staining and tears in edges. £320 A political satire commenting on the Slavery Abolition Act of 1833 which abolished slavery throughout the British Empire. The British Govenment put aside £20 million pounds for compensation of slave-owners, in the scene a slave owner and a politician sneak up behind John Bull and pull a paper labelled 20 millions 259. A Would-be Cromwell Tooke Horne Mad Attempting to Disperse the Short Parliament. Dec.r 1790. Pub. Dec.r 18 1790 by S.W. Fores No. 3 Picadilly. Etching. Sheet: 380 x 240mm (15 x 9½"). Stain in centre. Trimmed and torn in right edge. Manuscript sceptre and book added. Slight central crease. £280 A scene in the House of Commons in which John Horne Tooke rises through the floor setting off an explosion, Horne Took having been defeated in the election of 1790 petitioned government against the return of Charles James Fox against whom he had stood for the Westminster seat. When the petition was presented to Parliament it was denounced as libellous. BM Satire 7691A. Stock: 44867

Fine satirical view after Henrry Wigstead (1760-1800), 260. A Fleet Wedding. Between a brisk young a young painter-decorator and satirist, probably after a Sailor & his Landlady's Daughter at Rederiff. watercolour with the same tittle which he exhibited at Scarce had the Coach discharg'd it's Trusty the Royal Academy the same year. The scene bears Fare, / But gaping Crowds surround unmistakeable resemblances to the work of Thomas th'amorous Pair; / The busy Plyers make a Rowlandson (1757-1827) who made a similar mighty Stir! / And whispering cry d'ye want watercolour. The two men were good friends- in the Parson Sir?... autumn 1784 (perhaps at exactly the same time this J. June sculp. Publish'd according to Act of Parliament; prrint was made) they went on a twelve-day trip to the October ye 20th , 1747. Price 6d. Isle of Wight together (which resulted in almost Coloured engraving. Sheet 220 x 320mm (8 x 12½"). seventy watercolours by Rowlandson). BM Satires Trimmed, tears and repairs. £140 6722 The print depicts the Stock Market in the City of Stock: 44802 London in 1747. BM Satires 2874. Stock: 44751 264. The Distrest Poet. Invented Painted Engraved & Published by W.m 261. Before Marriage. [&] After Marriage. Hogarth Decem.ber the 15. 1740. According to Act of London Published by S. Tregear, 123 Cheapside. [n.d., Parliament. Price 3 Shillingss. c.1840.] Engraving. Plate: 410 x 360mm (16 x 14¼"). Time Pair of coloured lithographs. Each sheet 160 x 145mm stained. £140 (6¼ x 5¾"). £130 A scene inside a poet's garrettt, the poet sits at a desk Before marriage a glamourous woman sits, putting a working on a poem called 'Riches a Poem' while his necklace around her neck. After marriage she sits, a wife, who is sitting mending clothes is confronted by scarf around her hair, head resting on her hand. an angry milkmaid demanding payment, in the corner a Stock: 44578 child cries from a bed. On thhe wall behind is a map of the gold mines in Peru, perhaps alluding to a 262. Simply Asking for It. investment scheme. Paulson:: 145 III. E. Ingham. Stock: 44811 Ink drawing. Sheet: 155 x 180mm (6 x 7"). £45 A portrait of a woman with a sprig of mistletoe in her 265. Every Bodys Album & Caricature mouth. Magazine October 1st 1834. Continued every Stock: 44706 Foretnight. No.19. C.J. Grant, Invent Del & Lith. Printed Dean & Munday 263. Bookseller & Author 40 Threadneedle St. London Pub.d by J. Kendrick 54 H. Wigstead delin.t S. Alken fecit Publish'd Sept.r 25. Leicester Square & Sold by T. Dewhurst, Manchester, 1784 by J.R. Smith No.83 Oxford Street T. Drake Birmingham, R. Thorley Bath, M.A. Organ Etching and aquatint with hand-colouring, watermark Bristol. Ross & Nightingale. Liverpool &c. &c. &c. J. Whatman; sheet 340 x 390mm (13½ x 15¼"). Coloured lithograph and etching. Sheet: 315 x 465mm Trimmed inside platemark. £580 (12½ x 18½"). Slight crease ttop right. £380 A bookseller (probably also a publisher) looks down A series of comic scenes inclluding 'Daddy Longlegs', imperiously at a manuscript which a cowering author 'Something Like a Chase' and 'A Crack Shot', shows a holds out to him. Behind them a customer holds a book cricket scene. By artist Charlles Jameson Grant. very close too his face to read it. Stock: 44900 268. [Series of Four Fine Arts.] Poetry. [&] Painting. [&] Sculpture. [&] Music. H. H fec.t. [c.1826.] Set of 4 hand-coloured etchings, rare. Each sheet: 170 x 200mm (6¾ x 7¾"). Trimmed and some paper loss in corners. £550 A series of four scenes by Henry Heath, showing artists at work, the first plate shows an impoverished poet struggling over a poem, plate two shows a painter sitting before a painting of a plain woman, plate three shows a sculptor at work and plate four a violinist with a wooden leg playing 'Rule Britannia'. Stock: 44861

269. A Free Born Engliishman!!! The Glory of Civilized Life & the Envvy of Indian Nations! Two heavy Loads I alwaayys bore [/] Till my poor Back was like to break; [/] But now with Grief my Heart is sore [/] I neitther can complain nor speak! W. Spence 1796. Published by T Spence Turn Stile Holborn 1796. Hand-coloured etching, scarce. Sheet: 105 x 150mm (4¼ x 6"). Trimmed within plate. £260 A satirical print showing a bound man carrying two heavy baskets, one labelled 'rrents' and the other 'taxes', his lips padlocked together. This theme was picked up 266. Everry Bodys Album & Caricature byy George Cruikshank in the early nineteenth century. Magazine. An Original Pictoral Comical Stock: 44557 Satirical Political Sentiment Casutical Whimsical Philosophical Theatrical Poetical Pastoral Typical Rumbustical Moral Periodical. February 1st 1834- To be continued once a fortnight. No.3. C.J. Grant A,A,E, Invent Del & Lith. Coloured lithograph and etching. Sheet: 315 x 465mm (12½ x 18½"). Tears in edges. £460 A series of comic scenes including 'A Wrestling Match Between Mustard & Pepper' and 'The Century of Invention', a scene imagining life in the year 2000 showing a fantastic large scene of futuristic travel. By artist Charles Jameson Grant. Stock: 44899 270. Johnny New-Come in the Island of 267. Everry Bodys Album & Caricature Jamaica. Magazine August 1st 1834. Continued every A.J. 67 Reg.t inven.t et pinxet. London Published by Foretnight. No.15. Will.m Holland No 50, Oxford Street, Oct.r 1. 1800. C.J. Grant, Invent Del & Lith. Printed Dean & Munddaay Hand-coloured etching; pt J. Whatman watermark. 40 Threadneedle St. London Pub.d by J. Kendrick 54 Sheet: 515 x 345mm (20¼ x 13½"). Trimmed to Leicester Square & Sold by T. Dewhurst, Manchester, prrinted border. £850 T. Drake Birmingham, R. Thorley Bath, M.A. Organn A series of twenty one scenees showing the decline and Bristol. Ross & Nightingale. Liverpool &c. &c. &c. death of 'Johnny Newcome' an Englishman newly Coloured lithograph and etching. Sheet: 315 x 465mm arrived in Jamaica, the scenes show his problems with (12½ x 18½"). Tears in edges. £320 illness as well as his interactiion with Jamaicans A series of comic scenes including 'A Box at the including a young Jamaican wwoman. Opera', 'A Rain Beau' 'A Hottentot and a Hotterman'. Stock: 44478 By artist Charles Jameson Grant. Stock: 44898

275. Breaking up. No Holiday. Bell Lithog. [c.1820] Lithograph, printed area 125 x 125mm (5 x 5"). Glued to album sheet. £230 Scarce and unusual satirical print of a convict breaking rocks. Stock: 44501

276. Sooty Dun the Devil's Mealman. Pub.d according to Act Oct 30 1772 by Mdarly 29 Strand. Etching. Sheet: 130 x 175mm (5 x 7"). Trimmed within pllate. £160 A comic portrait of a chimney sweep dressed for May 271. (Locomotion.) Walking by Steam. Riding Day celebrations, he waves his shovel above his head, by Steam. Flying by Steam. Note….In the next to him is a small figure,, perhaps an apprentice. Ladies Vehicle the Steam is Make with a strong Stock: 44879 infusion of Gunpowder Tea for an explanation of th eMachinery see the next Number of the 277. The Tunnel!!! or another Bubble Burst! Edinburgh Review. Old Father Thames... Shortshanks del Sc. London Published by Thos. Pub.d May 1827 by S. Knights Sweetings Alley Royal McLean 20 Haymarket. [n.d. 1835.] Exchange. Hand-coloured etching. Plate: 345 x 250mm (13½ x Hand-coloured etching. Plate: 375 x 250mm (14¾ x 9¾"). Damage in edges, trimmed. £480 9¾") very large margins. £320 Robert Seymour used the Pseudonym 'Shortshanks'. A comic scene in which a leak has sprung in Brunel's This is one of a few sketches made on the Steam Thames Tunnel as the public walk through it. Work on Power. By the 1830s steam passenger carriages had the tunnel was started in 18225 but wasn't completed been introduced on Britain’s roads but the powerful until, 1843, however the pubblic were permitted to operators of horse-drawn passenger coaching sevicess inspect the progress for 1 shiilling. This print refers to were declaring them as unsafe. A damaged copy of the flooding of the tunnel in 1827, it flooded again in 1828 and Brunel only just esscaped. Not in BM. this rare print. Stock: 44871 Stock: 44901

272. Britissh Classics. The Lounger. 278. Sonnet to the Comet: Beautifully Scene_Cigar Divan, King St.t. Covent Garden. conspicuous Oct. 23, 1807. [written by Capel Lofft.] [n.d., c. 1807.] Waiter_a Kip of Coffee and a Cigar. Wood-engraving with letterpress. Sheet 135 x 70mm Drawn by Jooe Lisle. [n.d., c.1830.] (5¼ x 2¾"). Laid on album paper. £260 Hand-coloured etching, rare. Sheet: 180 x 255mm (7 x Two sketches of the tail of the 'Great Comet of 1807' 10"). Trimmed, slight paper tone. £160 (spotted on the 9th September from Sicily, last A scene in Covent Garden in which a gentleman lies on recorded sighting on the 27th March 1808 from St a divan smoking a cigar. Petersburg), illustrating a poeem by Capel Lofft. Lofft Stock: 44897 thanks the proprietors of the 'Monthly Mirror' for the use of the wood engraving. 273. Merciful Nell. A Butcher with a Heart as Lofft (1751-1824), was a barrrister with a conscience: hard as Stone... in 1772, before he was called to the bar, he was London Publish'd Nov.r 10; 1786 by Rob.t Sayer Maps involved in the Somerset v Stewart case, in which the & Printsellers No53. Fleet Street. Court of King's Bench decideed that chattel slavery was Hand-coloured engraving. Plate: 180 x 230mm (7 x 9") unsupported by the commonn law in England and very large maargins. £160 Wales. A comic scene in which a woman laments the killing of Stock: 44449 a lamb by a butcher. Stock: 44694 279. The Alchymist. Hee's in Belief of Chymistry, so bold,/ if hiis Dream last, he'll 274. The Speaker. turn the Age to Gold. P. Brown Delin. Peake sculp. [Published according to Teniers pinx.t W. Baillie sculp.t [n.d., c.1800.] Act of Parliament April 18, 1765.] Etching. Plate: 220 x 190mm (8¾ x 7½") very large A rare engraving. Sheet: 220 x 190mm (8¾ x 7½"). margins. Margins foxed. £130 Trimmed. £160 An alchemist in his workshoopp, after David Teniers the A scene in which a man stands to speak from behind a younger (1610-90). Etched by Captain William Baillie. bench or pew, a woman and a man sit on either side of Baillie retired from the army in 1761 with the rank of him. A satire on the members of the Society of Friends. Captain and thereafter devoted himself to printmaking BM Satire 4129. and dealing. He specialised iin imitating old-master Stock: 44693 drawings and prints, using a variety of printmaking techniques. Stock: 44590

280. A Representation of Mr. Joachim Smith's New invented Machine for Escaping from Fir[e] [Anon., c.1800] Engraving, sheet 115 x 175mm (4½ x 6¾"). Trimmed and glued to backing sheet; bottom right cormer missing, losing text. £75 Rare and interesting image showing people escaping from a burning building by means of enclosed chutes; print made to publicise a new invention by Joachim Smith, possibly the modeller employed by Wedgewood. Stock: 44488

281. The Hadrosaurus. [n.d., c.1880.] Pen and watercolour sketch. Sheet 355 x 255mm (14 x 10"). £280 A sketch of the only known Hadrosaurus skeleton, on display at the Philadelphia Academy of Natural Sciences, as the first ever mounted dinosaur skeleton. The assembly is upright rather than today's accepted stooped stance. When it was discovered in 1858 it lacking most of the skull, so the English sculptor andd naturalist, Benjamin Waterhouse Hawkins, made this A letterpress chart illustratinng and explaining the bird-like heaad, again now discredited. various elements of phrenology. Stock: 44756 Stock: 44884

282. A Comparative Picture of the Principal 285. [Cabinet of Curiosity.] Waterfalls in the World. A. van Buysen schulp. [1706] [C. Smith & Son. 1836.] Engraving. Plate: 310 x 220mm (12 x 8¾"). Creasing Hand-coloured lithograph. Sheet: 560 x 390mm (22 x in bottom & top right corner.. £280 15½"). Central crease as normal, staining. Publication A view of the collection of naturalia and artificialia of line missing. Slight loss upper left. £230 Dutch textile merchant Levinus Vincent (1658-1727). A comparative view of the highest waterfalls in the Levinus presented his collecttion in a highly decorative world with the highest being Cascade of Gavarny in manner for his visitors and provided a catalogue the Pyrenees to the last cataract of the Nile. 'Wonder toneel der Nature' 1706 from which this plate Stock: 44825 comes. A rare & interesting item. Stock: 44873 283. Case of Mary Eliz.th Houghton AE.t 19. From life and on Stone by R:C: Bridges. 286. An Apple Mill. Printed by W. Lake Lith.r 50, Old Bailey. [c.1830.] J. Mynde sc. [n.d., c.1750.] Lithograph. Sheet: 130 x 215mm (5 x 8½"). Trimmed. Engraving. Sheet: 210 x 160mmm (8¼ x 6¼"). £130 Offsetting. Trimmed. £65 An illustration showing the curvature of the spine of a A diagram of an apple mill. patient, Mary Houghton, described in George Borlase Stock: 44598 Childs's 'A Practical Treatise on the New Operation for Lateral Curvature of the Spine' 1841. 287. [Brewery.] Plate VII. Engraved for the Stock: 44862 Supplement. Facing Brew-House. Printed for J. Hinton in Newggate Street. [n.d., c.1750.] 284. Phrenological Chart. Designed to Engraving. Plate: 350 x 220mm (13¾ x 8¾"). Foxing. Illustrate the Treatise on Phrenology, in the £85 ''Imperial Journal of Arts, Science, Mechanics A view inside a brewery showwing men stirring the and Engineering''. contents of a large barrell wiitth large poles. [n.d., c.1850.] Stock: 44594 Letterpress. Sheet: 530 x 825mm (21 x 32½"). Large tear in top edge and tears along folds. £360 288. Buy my Curds and Whey. [L. P. Boitard.] [n.d., c.1821] Engraving. Plate: 160 x 250mm (6¼ x 9¾") large margins. £50 A scene showing a woman offering a cup of curd, a dairy product, to a boy. A plate from 'The Cryes of the City of London Drawne after the Life', a later impression. Stock: 44644

289. Going to Milk. H. O'Neill del.t. Printed by Lefevre & Co. Hand-coloured lithograph with gum arabic. Sheet: 195 x 245mm (7¾ x 9¾"). Trimmed to printed border and around title. £50 A scene showing a young woman, holding a milkpale, with two cows in background. Stock: 44638

290. [A Dairy.] [French n.d., c.1785.] Stipple. Plate: 225 x 195mm (9 x 7¾"). Tear in top edge. Small margins on 3 sides. £130 A scene at a dairy in which two children drink from a milk urn, a woman churns butter inside a house and two women, one holding a yoke, the other a pail have a 295. La petite Laitière. (Paris). conversation. [n.d., c.1840.] Stock: 44636 Hand-coloured lithograph. Shheet: 180 x 250mm (7 x 9¾"). Foxing, title excised and stuck on at the bottom. 291. [Disttillery.] Plate XXIX Engraved for the £50 Supplement. Facing Malt-distillery. A portrait of a milkmaid in a red cap. Printed for J. Hinton in Newgate Street. [n.d., c.1750.] Stock: 44642 Foxing. £95 A view inside a malt distillery. 296. Laitière. Stock: 44595 J. Madou Fe. Lith de Burggrraaaff, à Brt. [n.d., c.1840.] Hand-coloured lithograph. Shheet: 200 x 255mm (8 x 292. The Farm Yard. 10"). £65 [n.d., c.1840.] A portait of a milkmaid carrying an urn on her head. Hand-coloured lithograph. Sheet: 280 x 225mm (11 x Stock: 44641 9"). Trimmed. £70 A farmyard scene showing a boy milking a cow. 297. [Slaughterman.] Stock: 44640 [W.H. Pyne.] Published by William Miller, Albermarle Street, Jan.y 1. 1805. 293. A New method of Cultivating Vines. &c Hand-coloured aquatint, with letterpress sheet. Sheet: and procuring their Fruit in the greatest 250 x 365mm (9¾ x 14½"). SStaining on right edge, Perfection. staple in top right corner. £160 Engrav'd for the Universal Magazine 1751, for J. A portrait of a slaughterman standing next to a dead Hinton at the Kings Arms at St Pauls Church Yard cow, his hands resting on a large hammer. A plate from London. 'Costume of Great Britain'. Engraving. Sheet: 310 x 200mm (12½ x 8"). Trimmed. Stock: 44613 Creases as noormal. £65 A diagram showing the design for a hot house for 298. The Tobacco-Mannufactory in different growing vines. Branches. Stock: 44601 Engrvaed for the Univsal Magazine 1750 for J. Hinton at the Kings Arms in St Paulls Church Yard London. 294. The Milk Maid. Engraving. Sheet: 240 x 200mmm (9½ x 8"). Trimmed J. Moore Sc. The London Printing and Publishing within plate. £75 Company Limited. [n.d., c.1845.] A scene showing figures at work producing tobacco. Engraving. Sheet: 220 x 245mm (8¾ x 9¾"). Creasing Stock: 44596 amd surface dirt. £35 A portrait of a milkmaid with a bucket balanced on her head. Stock: 44643 299. [Wine Press.] A scene showing a woman talking with a tea dealer, Printed for J. Hinton at the Kings Arms St Paul's next to the woman are boxess labelled with chinese-like Church Yard. 1747. characters. Tea jar has name Hyson. Engraving. Plate: 220 x 190mm (8¾ x 7½") large Stock: 44623 margins. Vertical creases as normal. £70 Two digarams one showing a wine press, the second 307. [Wardmote Inquest.] showing a cider press. [W.H. Pyne.] Published by William Miller, Albermarle Stock: 44600 Street, Jan.y. 1. 1805. Hand-coloured aquatint, with letterpress sheet. Sheet: 300. [Two Brewers.] No. 12. 250 x 365mm (9¾ x 14½"). SStaining on right edge, [W.H. Pyne.] Published by William Miller, Albermarle staple in top right corner. £130 Street, Jan.y 1. 1805. A plate from 'Costume of Grreat Britain' showing a Hand-coloured etching, watermark J. Whatman. Sheet: member of the Wardmote Inqquest (a Weights & 255 x 350mm (10 x 13¾"). £120 measures officere ). A portrait of two brewers carrying a large barrell. A Stock: 44614 plate from 'Costume of Great Britain'. Stock: 44604

301. [Coaal-Heavers.] [W.H. Pyne.] Published by William Miller, Albermarle Street, Jan.y 1. 1805. Hand-coloured aquatint, with letterpress sheet. Sheet: 365 x 250mm (14½ x 9¾"). Stapled at top right corner. £95 A scene showing two coal heavers filling up a sack of coal by the side of a river. A plate from 'Costume of Great Britain'. Stock: 44611

302. Linen and Woollen Draper. [n.d., c.1810.] Engraving. Proof advert before name of retailer. Sheet: 165 x 130mm (6½ x 5"). Trimmed on left side. £65 A vignette showing two figures in a fabric shop. Stock: 44659

303. Old Clothes! Fitzroy Square. Hand-coloured engraving. Watermark 1812. Plate: 105 x 140mm (4 x 5½"). £95 A portrait of a jewish man collecting old clothes in Fitzroy Square, London. Stock: 44654

304. Old Clothesman. Pub. by R. Ackermann, London. [n.d., c.1810.] Hand-coloured engraving. Sheet: 80 x 140mm (3¼ x 5½"). £45 308. Gray's Inn Wine Establishment. High A portrait of a jewish clothesman. Holborn, London. 23, High Holborn, George Stock: 44651 Henekey and Comp.y. [1841.] 305. [Song Sheet Seller.] Letterpress advert with wood enrgaving. Sheet: 135 x J. H. Ramberg inv.t fec.t Hanover 1799. 230mm (5¾ x 9"). £95 Etching. 1799 Whatman watermark. Plate: 140 x An advert for Gray's Inn Wine Establishment with a 110mm (5½ x 4¼") very large margins. £65 wine list printed on the back.. From 'The Quaterly A scene showing a song sheet seller standing at his Review' 1841. stall, a girl beside him plays the guitar, while a crowd Stock: 44627 forms around them. Stock: 44655 309. Wine and Spirit Merchant. [n.d., c.1810.] 306. Tea Dealer. Engraving, proof advert before name of retailer. Sheet: [n.d., c.1810.] 165 x 130mm (6½ x 5"). Trimmed on right side. £75 Hand-coloured engraving. Sheet: 90 x 75mm (3½ x A vignette showing two figuurres unpacking a basket of 3"). Trimmed. £85 wine bottles. Stock: 44657 310. [Calico Printing.] Plate XII. Engraved for the Supplement. Facing Calico-printing. Printed for J. Hinton in Newgate Street. [n.d., c.1750] Engraving. Plate: 350 x 220mm (13¾ x 8¾"), large margins. Light foxing. £110 A view in a fabric printing workshop showing figures printing onto rolls of fabric with blocks and two women painting onto calico. Stock: 44591

311. Diamond Cutters Wheel and Mill. B. Cole sculp. Engrav'd for the New Universal Magazine, 1754. Engraving. Plate: 230 x 195mm (9 x 7¾"). Creasing as normal. Foxing. £80 A view in a diamond cutters workshop showing several men at work. Stock: 44597

312. The Pretty Dress-Maker. London Published by Tregear 123 Cheapside. Hand-coloured lithograph. Sheet: 190 x 240mm (7½ x 9½"). Trimmed and laid on an album sheet. £120 A portrait of a young woman sewing. Stock: 44712 317. The Pretty Milliner. London Published by Tregear, 123 Cheapside 1828. 313. [Dye-House.] Plate XIX. Engraved for Hand-coloured lithograph. Shheet: 180 x 235mm (7 x the Supplement. Facing Dye-House. 9¼"). Trimmed. £120 Printed for J. Hinton in Newgate Street. [n.d., c.1750.] A portrait of a woman making a hat. Engraving. Plate: 350 x 220mm (13½ x 8¾"). Marking. Stock: 44713 Large margins on 3 sides. £110 A scene in a workshop showing figures dyeing several 318. A true & exact Representation of the Art rolls of cloth patterned with flowers. of Casting & Preparing Letters for Printing. Stock: 44602 Engrav'd for the Universal Magazine 1750 for J. Hinton at the Kings Arms in St Pauls Church Yard 314. A Jeweller. London. Pub. Jan. 1. 1806, by Tabart & Co. Engraving. Plate: 235 x 195mm (9¼ x 7¾"). Trimmed Engraving. Plate: 70 x 115mm (2¾ x 4½"). £130 to plate along top edge. Creasing as normal. £70 A scene in a jeweller's workshop, a jeweller shown A view in a workshop making letters for printing. working at hiis work bench. Stock: 44599 Stock: 44647 319. Trunk Maker. 315. The Gold & Silver Refiners at Work. Wood engraving. Sheet: 1000 x 170mm (4 x 6¾"). £50 Printed for J. Hinton at the Kings Arms. St Pauls A scene in a trunk maker's workshop showing a figure Church Yard. 1747. hammering a chest. From 'The Book of English Trades Engraving. Plate: 210 x 195mm (8¼ x 7¾"). Central and Library of the Useful Arrts'. vertical crease as normal. £130 Stock: 44625 A scene showing the interior of a metal refinary showing several figures at work. 320. Watch Maker. Stock: 44592 [c. 1810.] Engraving. Sheet: 85 x 125mm (3¼ x 5"). £130 316. Mannner of Sorting Linen Rage, & Mthod The interior of a watch maker's workshop with a watch of fermenting them for Making Paper. maker working at his bench. Engraved for the Universal Magazine. [n.d., c.1750.] Stock: 44649 Engraving. Sheet: 190 x 300mm (7½ x 11¾"). Trimmed within plate. Creasing as normal. £140 321. Watch Maker. Two scenes showing the processes of making paper. Hand-coloured engraver. Sheet: 90 x 75mm (3½ x 3"). The first scene shows several woman sorting through Trimmed. £130 pieces of fabric which fall through a hole in the floor A scene in watch maker's workshop. into a large basin filled with liquid while a man Stock: 44648 overseas. Stock: 44593 322. [Worsted Winder.] 327. [A Judge.] [W.H. Pyne.] Published by William Miller Albermarle [W.H. Pyne.] Published by William Miller, Albermarle Street, Jan.y 1. 1805. Street, Jan.y 1. 1805. Hand-coloured aquatint, with letterpress sheet; Charlees Hand-coloured aquatint, with letterpress sheet. Sheet: Wise watermark 1819. Sheet: 365 x 250mm (14½ x 365 x 250mm (14½ x 9¾"). SStaple in bottom left 9¾"). Staple in bottom left corner. £130 corner. £140 A scene in a workshop showing a worsted winder A portrait of a Judge shown sseated in large wooden winding worsted upon a bobbin. chair with a large book resting on his knee. A plate Stock: 44617 from 'Costume of Great Britain'. Stock: 44616 323. [Set of Six.] The descent into the salt- mines of Dürnberg. Entrance to the mine. [&] 328. Mess.rs Lackingtoon Allen & Co. Temple Sliding-party in the under-part. [&] Passage of the Muses, Finsbury Square. over the brine-lake in the inner-part of the For No. 4 of Ackermann's Repository of Arts & Pub. mountain. [&] Sliding-party in the upper-part. 1.st April 1809, 101, Strand LLondon. [&] Getting out of the mine (on a wooden Hand-coloured aquatint, fine colour. Sheet: 230 x horse). 140mm (9 x 5½"). Trimmed and laid on album sheet. £120 Gez. v. Hanns Brunner. Eigenthum des Jos. A scene inside a large bookshhop, showing customers at Hinterstoisser am Dürnberge (Vorbehalt jeder Art a large, round counter while other customers look at Nachdruck). boooks and prints. Set of six engravings printed on india paper. Plates: Stock: 44619 145 x 125mm (5¾ x 5") very large margins. Light foxing. £230 A series of six plates illustrating various processed of 329. Le Bagattelle. salt-mining in the Durrnberg mines near Salzburg in G. Torino dis. [n.d., c.1840.] Hand-coloured lithograph. Shheet: 210 x 165mm (8¼ x Austria. Stock: 44626 6¼"). Trimmed. £85 An Italian scene in which a crowd of people gather around a "Punch & Judy" puupppet show.

324. [Tea Production.] Der Theebau in China. Stock: 44683 Druck v. E. Sieger. Verlag v M. Trentsensky, Wien. [n.d., c.1845.] 4 coloured wood engravings (of six), lacking descriptions., rare. Sheets 240 x 370mm (9½ x 14½"). Edges chipped, paper lightly age-toned. £290 40 illustrationns of tea production, numbered 19 - 56, on four sheets, lacking first two sheets. Stock: 44548

325. [Six plates of tea production.] Method oof gathering Tea by means of Monkeys. [&] Preparing the Lead for the Packing of Tea. [&] Heating & Rolling Tea-Leaves. [&] Making of Tea Chests. [&] Tea Warehouse. [&] Treadiing the Tea in Baskets. [No. 62 of R.Ackermann's Repository of Arts &c. Pub.d Feb.y, 1. [etc.] 1821.] Six aquatints. Each sheet 115 x 145mm (4½ x 5¾"). Trimmed close to image, losing imprints. £250 Stock: 44547

326. [Six plates of tea production.] Method oof gathering Tea by means of Monkeys. [&] Preparing the Lead for the Packing of Tea. 330. Portraits of the Two Ladies form the [&] Heating & Rolling Tea-Leaves. [&] Celestial Empire, and theeir Chinese Making of Tea Chests. [&] Tea Warehouse. Interpreter, as Exhibiting in Pall Mall. Drawn [&] Treadiing the Tea in Baskets. from the Life by M. Gauci. No. 62 of R.Ackermann's Repository of Arts &c. Pub.d Printed by Engelmann, Graf,, Coindet & Co. London Feb.y, 1. [etc.] 1821. Published by the Proprietor, Jan.y 1827. Six aquatints. Each c. 145 x 235mm (5¾ x 9¼"). Some A very fine, handn -coloured liithograph; J. Whatman staining, one plate lacking imprint, £320 1826 watermark. Printed areaa: 190 x 280mm (7½ x Stock: 44544 11"), mint with very large maargins. Uncut. Margins dusty. £380 A portrait of the Chinese Ladies who were exhibited in Pall Mall in 1827, they wore Chinese costume and were noted for having fingernails which were 2" long and for their bound feet. Stock: 44919

331. [The Halfpenny-Showman.] [W. H. Pyne.] Published by William Miller, Albermarle Street, Jan.y 1. 1805. Hand-coloured etching, with letterpress sheet. Sheet: 255 x 350mm (10 x 13¾"). Letterpress stapled in top right corner. £320 A scene showing a mother and her children looking at a peep show while the showman stands to the left. A plate from 'Costume of Great Britain'. Stock: 44605

332. A Taylor riding to Brentford. Engrav'd from an Original Picture Painted by M.r John Collett. J. Stayner Sculpt. Printed for R. Sayer, No. 53 Fleet Street, & Jn.o Smith, No. 35 Cheapside as the Act directs June, 10 1768. Engraving. Plate: 350 x 255mm (13¾ x 10"). Trimmed A group of 'devadasis' south Indian dancers (popularly to margins on three sides and laid on album sheet. known as 'bayadères' in France and elsewhere) who £280 toured Europe in 1838, giving the first Indian dance A scene illustrating showman Philip Astley's (1742- peerformances in the west. The dancers toured France 1814) most famous equestrian piece 'The Tailor of beefore the comedian and manager of the Adelphi Brentford' which combined comedy with equestrian Theatre Frederick Yates brought them to London. This expertise. Astley was the first showman to perform in a prrint shows the 'Malapou, orr Delightful Dance' which circle this creating the 'circus'. The scene shows a concluded the London perforrmances. See Joep Bor, figure riding through a village, one the wall behind is a 'Mamia, Ammani and other Bayadères: Europe's poster which reads 'Various Feats of Horsemanship Portrayal of India's Temple Dancers' in Martin Performed this Evening by the famous Samson', while Clayton and Bennett Zon (eds.), 'Music and the tailor has a pamphlet in his pocket titled 'Rules for Orientalism in the British Empire, 1780s-1940s: Bad Horsemen'. Portrayal of the East' Stock: 44690 Stock: 44779

333. The Tailor's Journey to Brentford (as 335. [Dancer with Castaanets.] ''You taught Performed at the Royal Circus). me to warble the gay Seguadille [/] And dance Published as the Act Directs by James Lumsden & to the light Castagnettes..'' Son, Queen Street Glasgow. [n.d., c.1820.] [n.d., c.1840.] Hand-coloured etching, rare. Sheet: c190 x 110mm A very fine watercolour in prrinted border. Sheet: 180 x (7½ x 4¼"). Trimmed with title excised. £95 235mm (7 x 9¼"). £260 A scene showing the comic act 'The Tailor's Journey to A watercolour portrait of a dancer, dancing in a garden. Brentford' in which the performer, in the character of Stock: 44660 the tailor, acts out a comic journey on horseback. The act was first pperformed by Philip Astley in 1768 and 336. La Tarantella. was so popular that it became a regular fixture in many G. Torino dis. [n.d., c.1840.] circus acts. Hand-coloured lithograph. Shheet: 210 x 165mm (8¼ x Stock: 44579 6¼"). Trimmed. £85 An Italian scene showing two figures dancing the 334. [The Bayaderes, In the Malapou or tarantella while a crowd watches and plays musical Delightful Dance] instruments. [Drawn on Stone by Weld Taylor] [London, Published Stock: 44682 October 10th, 1838, by Thomas Mc.Lean, 26, Haymarket / J. Graf Printer to her Majesty.] 337. The Eumenides off Aeschylus as Fine lithograph with hand-colouring, sheet 400 x Performed by Members of the University at the 295mm (15¾ x 11½"). Very scarce first state, trimmed Theatre Royal Cambridge December 1885.. and mounted on backing board, with gilt border as Drawn and Etched by Robertt Farren. Cambridge: issued. £950 Macmillan And Bowes, 1884. Seven etchings. Each c. 180 x 225mm (7 x 9"), on thick paper with wide margins. With a duplicate plate on regular paper and a plate from one of Farren's One of a set of toy theatre figures depicting characters earlier series. £160 from the play 'El Hyder' as performed at the Royal The illustrated titlepage and six plates illustrating thee Coburg Theatre. staging of 'The Eumenides', the third and final play in Stock: 44499 the 'Oresteia', the story of Orestes, first performed in 458BC. The plates are titled in Greek letters. Although 341. La Francaise the illustrations are complete a printed cast list is [probably published by Williiam West, 1827] lacking. Mixed-media, with glued on material additions, total Robert Farren (1832-1910) was a topographical etcher area 110 x 85mm (4¼ x 3¼"). Trimmed and glued to and illustrator, who owned a print business in album sheet. £80 Cambridge, before moving to Scarborough in 1889 for One of a set of toy theatre figures. his health. Stock: 44498 Stock: 44549 342. Michael Burne. [probably published by Williiam West, 1827] Mixed-media, with glued on material additions, total area 110 x 85mm (4¼ x 3¼"). Trimmed and glued to album sheet. £95 One of a set of toy theatre figures depicting characters from the play 'Casco Bay, orr the Mutineers of 1727'. Stock: 44496

343. Omar [probably published by Williiam West, 1827] Mixed-media, with glued on material additions, total area 110 x 85mm (4¼ x 3¼"). Trimmed and glued to album sheet. £90 338. Gargathua aux Variétés. Explication par One of a set of toy theatre figures depicting characters numeros d'ordre des Personnages jouant les from the play 'El Hyder' as performed at the Royal Coburg Theatre. Roles principaux. Stock: 44497 A Paris Chez Mme V.e Chereau, Rue S. Jacques, No. 10. Déposé à la Direction Imperiale de l'Imprimierie et 344. St. David of Waless. de la Libraorie. [n.d., c.1830.] Hand-coloured engraving. Plate: 330 x 230mm (13 x Fine hand-coloured etching. Image: c. 185 x 225mm 9") large margins. Printers creases. £320 (7¼ x 9"). Cut around and laaid on album sheet. £160 A scene showing the actors in their various roles on the A portrait of St David, patron saint of Wales, mounted first performmance of 'Gargantua, ou Rabelais en on horseback. Voyage' by M. de Mersan, a comedy first shown at the Stock: 44730 Theatres aux Variétés in Paris 29th June 1813. Stock: 44697 345. [Dining scene] Invented by S. Fuller 339. [Strolling Actresses Dressing in a Barn.] Aquatint with very fine hand-colouring, sheet 135 x Invented, Painted, Engraved & Publish'd by Wm. 185mm (5¼ x 7¼"). Trimmed inside platemark; glued Hogarth, March the 25. 1738. According to Act of to backing sheet. £95 Parliament. A happy diner with a suckling pig on his plate. Engraving. Plate: 560 x 450mm (22 x 17¾"). Trimmed Stock: 44485 to plate, weaar and damage in margins and paper loss iin the left edge. £230 A busy scene in a barn being used as a dressing room 346. [Ten Spanish lithoographs combining for a troop of actors. In the centre an expressive military and tarot imagery] El nuevo Sanson woman stands facing the viewer, her hand raised while dos de Bastos [...] around her the other figures get ready for the [Anon., c.1830] performance, one woman seated to the left of the Ten lithographs with hand-colouring, each sheet central figure does her hair, a woman on the right approx. 235 x 195mm (9¼ x 7¾"). Very scarce and practices her lines and in the corner a figure in a eagle unusual. £480 headress feeds a baby. Paulson: 150. Stock: 44842 Stock: 44827 347. [Four scraps of Chinese boys with toys.] 340. Ichander R.J. Hamerton. [n.d., c.1840..] [probably published by William West, 1818] Four lithographhs with fine hand colour, cut around Mixed-media, total area 110 x 85mm (4¼ x 3¼"). image. Each c.140 x 180mmm (5½ x 7"), laid on two Trimmed and glued to album sheet. £95 album sheets. £250 Four idealised scenes of Chinese boys with toys 352. Football. (Rugby) St. Dunstan's v. Royal including musical instruments and windmills. Naval School 8.10.98 at Catford. St. D. lost by Stock: 44770 17 pts [...] Sketched after the match by FF.A. Brooker -98 Pen and ink, scarce item; sheet 180 x 230mm (7 x 9"). Hole on left. £390 Unique sheet of sketches showing events during an 1898 rugby match between the Royal Naval School in New Cross (now Goldsmiths College) and St Dunstan's College in Catford. Several players in the match are identified by name (Elgin, Siilvester, Christie). Stock: 44820

353. Brood Mares, with their Foals. 2 [after Thomas Smith.] Printeed for & Sold by Carington Bowles, No 69 in St Pauls Chhurch Yard, London [n.d., c.1770]. 348. [Scenes of French Life.] La Joie. La bellle Engraving. 175 x 280mm (7 x 11"), very large margins. Bouquetierre. La M.de de Gateaux. Le pon Margins creased. £160 Papa. La petite Curiosité. A field of horse, a reduced copy of one of a set of six A Paris chex Bassett, M.d d'Estampes et Fabricant de scenes of horse training by Thomas Smith, originally Papiers peints, rue St. Jacques au coin de celle des engraved by Smith and W. Elliott in 1769. Mathurins No.64. Known as 'Thomas Smith off Derby' (d.1767), Smith A rare hand-coloured etching. Plate: 320 x 210mm originally specialised in country house landscapes, but (12½ x 8¼"), with large margins. Manuscript in top left turned to sporting subjects later in his career. He was corner of plate. £350 the father of John Raphael Smith (1751-1812), famed A series of small scenes showing various groups for his mezzotint engraving. enjoying entertainment such as music and peep shows Stock: 44468 as well as cakes and toys. Magic Lantern interest. Stock: 44696 354. Subduing, Shoeing, the Cavison and Millar, &c. 4 349. [XI Suerte.] [after Thomas Smith.] Printeed for & Sold by Carington [n.d., c.1820.] Bowles, No 69 in St Pauls Chhurch Yard, London [n.d., Hand-coloured woodcut, rare. Sheet: 310 x 210mm c.1770]. (12¼ x 8¼"). Damage in edges. £140 Engraving, 18th century wateermark. 175 x 280mm (7 x A view in a bull-fighting ring in which the matador 11"), very large margins. Margins creased, with withdraws his sword from the bull, while a crowd repaired tears. £160 gathered around the ring look on. The early stages of horse traiining, a reduced copy of Stock: 44875 one of a set of six scenes by Thomas Smith, originally engraved by Smith and W. Elliott in 1769. 350. Eatonn. Aged 49 Years a native of Known as 'Thomas Smith off Derby' (d.1767), Smith Northamptonshire, Performed the following originally specialised in country house landscapes, but Pedestrian Feats. turned to sporting subjects later in his career. He was [1817.] the father of John Raphael Smith (1751-1812), famed Stipple. Album sheet: 235 x 365mm (9¼ x 14¼"). Cut for his mezzotint engraving. out and title excised and laid on pink album sheet. Stock: 44469 £140 A portrait of Josiah Eaton, a Pedestrian who completed 355. Grand Balloon Ascent, Needham several feats between 1815 and 1817. Market, Under the distinnguished patronage of Stock: 44709 Sir W.F.F. Middleton, Baart., and the Magistrates of the Hunddred of Bosmere and 351. [Cricket.] Claydon. Mr Charles Green, The Veteran [n.d., c.1820.] Aeronaut, purposes making his 405th Ascent Etching. Sheet: 85 x 80mm (3¼ x 3"). Trimmed. £120 from the above Place, On Friday, the 25th of A small scene showing boys engaged in a game of August, 1848. cricket. Stock: 44554 [n.d., c.1848.] Letterpress. Sheet 280 x 110mmm (11 x 4¼"). Nicks in top edge. £75 A flyer advertising one of Charles Green's ballooning demonstration. Stock: 44453

356. The only Authentic Sketch of the Ascent descriptive particulars, serving as a guide to Travellers of the Vauxhall Balloon with Mr Cockings' on the Railway. London.' published by Ackermann in Parachute. From drawings made during the 1831. Abbey, Life: 400. Stock: 44710 preparations for the Ascent and at the time the

Balloon rose from the Gardens. London. Published by W. Spooner, 377 Strand. Lithograph. Sheet. 365 x 340mm (14¼ x 13¼"). Slightly trimmmed on left, album paper and glue stains affecting beginning of title. £320 A view of Charles Green's balloon ascent of 1837, on which he ill-advisedly agreed to help test a parachute designed by Robert Cocking. The main scene shows the balloon riising with the umbrella parachute (decorated by artist E.W. Cocks) suspended underneath; a subsidiary view shows the inverted parachute plumenting to the ground, the first recorded parachute accident. With the prints is the original letterpress account: ''Description of the Parchuute and Car, and Brief Account of the Fatal Descent of Mr. Cocking. By an Eye-Witnesss. To accompany Spooner's Sketch of the Ascent of the Vauxhall Balloon, and Mr Cocking's Parachute''. 360. The ''Enterprise'' Steam Omnibus. Built Stock: 44454 by Mr. Walter Hancock,, of Stratford, for the London and Paddingtonn Steam Carriage 357. Dublin and Kingstown Railway, Granite Compy. [Commenced Running April, 22nd Pavilions & Tunnel Entrance at Lord 1833.] Cloncurry's Demesne of Maratime near Drawn by W. Summers. Engraved by C. Hunt. Blackrock_Kingstown Harbour in the distance. Published June 1833 by Ackkermann & Co. 96 Strand. A. Nichol del.t. S.G. Hughes, sculp.t. Dublin, Colour-printed aquatint withh added hand-colour. Published by W. F. Wakeman, 9 D'Olier Street, Framed. Image: 440 x 355mm (17½ x 14"). Frame: 650 October 1834. x 580mm (25" x 22¾"). Uneexxamined out of frame. Hand-coloured aquatint. Plate: 290 x 245mm (11½ x Mount covers some of the publication line and title. 9¾"). Mount burn. Large margins on 3 sides. £180 Professionally repaired tear iin title through 'En' of A view of the railway track outside Dublin, the Dublin 'Enterprise'. £1250 Kingston Railway was opened in 1834 and was the A fine coloured print of Willliam Hancock's steam first railway in Ireland. omnibus ''Enterprise'', with space for fourteen people Stock: 44711 this was the first steam carriage to carry fara -paying paassengers on a regular scheddule around London. The 358. [Coaaches &c Employed on the Railway..] carriage is shown driving along the street, while a [H. Pyall. T.T. Bury.] [n.d., c.1830.] horse-drawn carriage travels alongside and a man and Hand-coloured etching. J. Whatman 1830 watermark; his dog run after. Hickman: p.314. Sheet: 245 x 200mm (9¾ x 8"). Trimmed, losing title Stock: 44889 and publication line. £130 A print of the Northumbrian Steam Engine as well as 361. Pedestrian Hobbyhorse. other examples of coaches such as passenger coaches, No. 38 of R. Ackermann's Reepository of Arts &c.Pub.d a cattle coach and a private coach all used on the Feb.y 1. 1819. Manchester Liverpool Railway. Aquatint with very fine colour. Sheet 150 x 240mm (6 Stock: 44684 x 9½"). Binding marks at botttom. £220 A 'dandy horse'', a primative bbicycle, on which the rider 359. Rainhill Bridge. prroceeded by pushing forwarrd on the ground. It was T. T. Bury. del.t. H. Pyall. sculp.t. London, Pub.d. by paatented in 1818 in Germany by Baron Karl Drais, but R. Ackermann, 96 Strand, 1831. this is likely to be the ‘pedessttrian curricle’ of Denis Hand coloured aquantint with very large margins and Johnson (c.1760-1833), a coachbuilder of Long Acre fine colour. Plate: 285 x 250mm (11¼ x 10"). £180 who made at least 320 during the short craze for A view of George Stephenson's 'skew bridge' at velocipedes in 1819. Like many crazes it was killed by Rainhill in Lancashire on the Liverpool-Manchester a health warning. line, named for the diagonal angle at which the railway Ackermann's Repository of Arts was an influential cuts under the bridge. Rainhill was the location of illustrated periodical publishhed from in London from Stephenson's trials of his Rocket locomotive in 1829.. 1809-1829 by Rudolph Ackermann. The formal title of From 'Coloured views of the Liverpool and Manchestter the publication was "Resposiitory of Arts, Literature, railway, with plates of the Coaches, Machines. &c. Commerce, Manufactures, Fashions, and Politics". from drawings made on the spot by T. T. Bury. with Stock: 44580 362. The New Steam Carriage!! [n.d., c.1828.] Coloured aquatint, scarce. Printed border 115 x 215mm (4½ x 8½"). Trimmed, title excised and replaced, laid on album paper. £390 A large steam-driven road vehicle, with a driver and eight passengers, overtaking a horse-drawn coach. A scene with a similar carriage, but with an ale house looming large, was engraved by Pyall after G. Morton and published by McLean c.1828. Stock: 44561

363. St Paul's Cathedral Church London. Perspective View of the North and East Sides. James Elmes delin.t. John Le Keux sculp. London: Published Jan. 1 1811 by Longman & Co Paternoster Row, and J. Taylor High Holborn. incredible act of generosity Piranesi replied by sending Engraving. 330 x 430mm (13 x 17"). Slight soiling, a copper plate of professional quality back to London bottom plate mark cracked and taped. £240 where Mylne had it publisheedd. With key engraved A fine view of St. Pauls from 'The Fine arts of the beelow. Stock: 44966 English school, illustrated by a series of engravings from paintings, sculpture and architecture of eminent English artists... edited and partly written by John Britton'. Stock: 44437

364. Ackermann's Library for Works of Art. A. Pugin del.t. J. Bluck sculp.t. [n.d., c.1813.] Hand-coloured aquatint. Sheet: 255 x 215mm (10 x 8½"). Trimmed within plate and vertical creases as normal. £130 An interior view of Rudolf Ackermann's library on the Strand. Stock: 44731

365. Part of the Bridge at Blackfriars. As it was in July 1766. Edw.d Rooker delin et Sculp. Published Jan:y 1st 1777 367. Part of the Bridge at Blackfriars. As it by John Boydell Engraver, in Cheapside, London. was in July 1766. Coloured engraving. 420 x 660mm (16½ x 26") large Edw.d Rooker delin et Sculp. Published Jan:y 1st 1777 margins. Tear in margin taped, slightly toned overall. byy John Boydell Engraver, in Cheapside, London. £620 Engraving. Plate: 550 x 420mm (21¾ x 16½"). Frame: The first Blackfriars Bridge, built by Robert Milne 800 x 620mm (31½ x 24½").. Unexamined out of from Portlannd stone, opening 1769. This plate was first frame. £850 published by Rooker in 1766. Stock: 44471 The first Blackfriars Bridge, built by Robert Mylne from Portland stone, opening 1769. This plate was first puublished by Rooker in 1766. Stock: 44965 366. A View of Part of the Intended Bridge at Blackfriars London in August MDCCLXIII. 368. A View of Frost Fair, on The Thames, By Robert Mylne Architect. Engraved by February 1814. The Year 1814 will be long Piranesi at Rome. remembered for the severe frosts and heavy Publish'd according to Act of Parliament, 10th March falls of snow with which it commenced, and by 1766. which the rivers were rendered innavigable, Engraving. Framed. Image: 600 x 395mm (23½ x and the public roads for several days 15½"). Frame: 800 x 630mm (31½ x 24¾"). Unexamined out of frame. Light foxing in sky. £2000 impassable. At the beginnning of February the A view of thefirst Blackfriars Bridge, built by Robert river was completely bloocked with ice, between Mylne from Portland stone, opening 1769. Mylne was London and Blackfriars Bridges, where a fair a young Scot who had studied architecture in Rome, was kept, 3 or 4 days, wiitth booths, swings, where he had been befriended by Piranesi. Having won skittles, presses printing tickets in the commission to built Blackfriars Bridge, Mylne sent commemoration &c. &c.. his mentor a drawing of the work in progress. In an 370. View of the British Plate Glass Manufacture. [&] View of the British Plate Glass Warehouse. [n.d., c.1794.] Aquatint, watermark Whatmman 1794. Plate: 210 x 265mm (8¼ x 10½") very larrge margins. Central crease. £230 Two views, the top a view off the factory and below the British Plate Glass Warehousse near Blackfriars Bridge in London. Stock: 44588

371. [Clarendon House..] Propectus celeberrimae Domus Illustrissimi Ducis ab Albermarle... Published by T. Batchelar, 115, Long Alley, J.Spilbergh del et exc. W.Skiillman sculp. [London: Moorfields. John Smith, 1724.] Woodcut. Sheet: 550 x 440mm (21¾ x 17¼") very Engraving; 18th century watteermark. 500 x 690mm large marginns. Creasing, slight crinkling in title and (19½ x 27"). Folded as issueedd; small margins. £360 surface dirt. £1250 A view of Clarendon House,, Piccadilly, renamed A very good impression of this rare image showing the Albermarle House when it was purchased by the Duke various activities taking place on the frozen Thames. of Albemarle in 1675. Albermarle sold the house on to Groups of figures crowd around tents selling food, Thomas Bond, who demolished it to build Dover drink, people play in swings, play skittles and ride Street, Albemarle Street, and Bond Street horses while lots of figures are showing slipping on or Engraved in 1683, this exammpple comes from the falling in the ice. 'Britannia Illustrata', 1724. Stock: 44543 Stock: 44473

372. Clarendon House at S.t James's. [n.d., c.1790.] Fine pair of watercolours. Each: 200 x 130mm (8 x 5"). Tipped into an album sheet. £650 Two views of Clarendon House which stood on Piccadilly, looking down St. James's between the 1660s and 1680s, built by the Earl of Clarendon following the Restoration. Cllaredon was criticised for the cost of the house but was highly praised for its design, it was demolised to make way for Dover Street, Albermarle Street and Bond Street. The watercolours are very fine & bright copies of engravings by Nathaniel and John Thomas Smith from 'Antiquities of London' published in 1798. Stock: 44669

373. View of the Building in Leicester Square, 369. Frost Fair. Printed upon the Ice on the Designed to Contain Mr.. Wyld's Great Model River Thames. Jan 23d 1739/40. Behold the of the Earth. Henry Robert Abraham, Arch.t liquid Thames now frozen o'er... Norfolk Street, Strand [1740.] E. Walker del. T. Picken lithh. Day & Son, lith.rs to the Engraving, very scarce. Sheet: 215 x 200mm (8½ x Queen [n.d., c.1855.] 8"). Trimmed, laid on board and stained. £1250 Tinted lithograph, sheet 320 x 455mm (12½ x 18"). A view of the Frost Fair which took place on the Rare. £180 Thames during the winter of 1739 and 1740. The scene Building erected in Leicesterr Square, London, to shows various tents and booths as well as figures exhibit the 'great globe' by cartographer and playing skittles. During these fairs printers set up geographical publisher Jamees Wyld the younger (1812- presses on the ice to print souvenir items, such as this 87). Inside the speherical buiilding, painted plaster of which were actually printed on the frozen Thames Paris reliefs illustrated the physical features of the earth itself. at a horizontal scale of one inch to ten miles and a Stock: 44878 vertical scale of three inches to ten miles. Maps, atlases, and other globes (inevitably mostly Wyld's own) were also displayed, wiith access to the building via four loggias opening into each side of the square. The globe was exhibited between 1851 and 1861 to coincide with the Great Exhibition. For smaller version Swift, to ''the carelessness off the rascally French of this image see ref. 12440. servants'' in 1713. Stock: 44017 Engraved in 1714, this exammpple comes from the 'Britannia Illustrata', 1724. A large plate, so often trimmed by the binders. BM:: 1880,1113.4393, trimmed losing title banderole. Stock: 44519

378. Lecture Hall. Of the Greenwich Society for the Diffusion of Useful Knowledge. Opened Wednesday, 15th Feb.y 1743. E. Walker del & lith. G. Smiitth Esq. Arch.t_ Greenwich. Day & Haghe Liith.rs to the Queen. [n.d., c.1843.] Lithograph. Sheet: 440 x 340mm (17½ x 13½") large margins. Some tears in edges, £260 374. Plan of the Improvements in St James's A view into the new lecture hall of the Greenwich Park. Society for the Diffusion of Useful Knowledge. Published Octo.r 15th, 1827. E. Mogg, No 14, Great Stock: 44877 Russell Street, Covent Garden, London. Engraving with fine original colour. 250 x 460mm (9¾ 379. St James's Street. Pl 94. x 18") very laarge margins. A little wear to margins. Published Nov.r 15 1800 by T. Malton. £320 Fine aquatint with etching, sheet 275 x 360mm (10¾" A plan of St James's Park showing the remodelling of x 14¼"). Trimmed within plate. £320 John Nash, in 1826–27, commissioned by the Prince A view looking down St James's Street to St James's Regent, which included the transformation of the canal Palace, from 'A Picturesque Tour Through the Cities of to an ornamental lake and the erection of the Marble London and Westminster, illluustrated With the most Arch that was moved to the top of Park Lane in 1851. interesting Views, accurately delineated And executed The plan also shows the transformation of Buckingham in Aquatinta by Thomas Mallton', 1792 - 1801. The first House to a palace and the proposed Carlton House buuilding on the left is Boodle's, before the ground floor Terrace. was remodelled by John Buonarotti Papworth between Stock: 44560 1821-34. Thomas Malton (1748 - 1804) was an architectural 375. New Buildings Temple Gardens 1835. watercolourist and teacher off Thomas Girtin and from [illegible] Joseph Mallord William Turrnner; also an aquatinter, [Anon.] notably after his own designs of London & Dublin Pencil sketch, sheet 115 x 180mm (4½ x 7"). £75 views. Abbey Scenery: 204. View of Inner Temple Gardens, London, with the rivver Stock: 44440 Thames in middle-distance and Southwark beyond. Stock: 44796 380. The Seat of the Rt.. Hon.ble Lord William Russell, Streathham Surry. 376. The Western Side of the New Hall Drawn & Engraved by J. Hasssell. London Pub.d by J. Lincolns Inn-Fields Hassell 1st. May 1804 Drawn by L.J. Wood. On Stone, by L.J. Wood Engraving, platemark 200 x 2275mm (8 x 10¾") very Published by John Weale, 19 High Holborn. large margins. £95 Lithograph printed in colours, printed area 280 x The seat of William Russell oon Streatham High Road, 325mm (11 x 12¾"). Title area faint. £360 with St Leonard's church on the left. The house was A view of Lincolns Inn Fields, London, one of the foouur later demolished and the sitee is now occupied by the ancient inns of court, from a set of six. For the English Martyrs Catholic Church. Streatham is now complete set see ref. 1757; for the South East View of paart of the south London borrough of Lambeth but Lincolns Inn Fields from the same set see ref. 20797. formerly in the county of Surrrey. Stock: 44803 Plate from a set of 'Notable English Places' by John Hassell (1767-1825) showing notable residences in and 377. Powis House. around London. The text whhiich accompanies the plate H. Terasson Fecit. Sold by Thomas Bowles in St Paul's in the full volume notes: 'the house appears to have Church Yard; London 1714. [but published by John undergone a total change in iits external form, about the Smith, 1724.] beeiginning of the last century, and is now receiving Engraving. 530 x 570mm (20¾ x 22½"). Folded as considerable additions and improvements, from its issued, trimmed to plate mark top and bottom, false prresent proprietor, Lord Willliam Russelll, to whom it margins added. £360 was presented by his brotherr, the late Francis Duke of The facade of the new Powis House in Great Ormond Bedford, during his life-timee.' For a complete volume Street. It was built after the former building, the French of 'Notable English Places' see ref. 7430. Embassy, had burned down due, according to Jonathan Stock: 44480

381. Plan of the Intended Coast Road from 383. [Braintree Market] To Mess.rs Sparrow, near St. Austell to Torpoint through Fowey Simpson, Stafford, Greenwood, Nollidge, and Looe showing the present circuitous andd Bankers, This Print of Braintree Market is hilly Road through Liskeard and Lostwithiel with permission most respectfully dedicated Surveyed under the directions of Ja.s M. by their obedient & humble Servant, Robert Rendel Civil Engineer 1834 Crane Hackett, lithog.d, 15, Paris Street, Exetere Drawn by R.t Crane Engraved by G.R. Reeve Scarce lithographic map with hand-colouring, backed Braintree. Pub.d by R.t Crannee, Sept.r 1st 1826 onto linen, printed area approx. 715 x 2150mm (28¼ x Aquatint with hand-colouringg, rare; sheet 510 x 84¾") £650 600mm (20 x 23"). Repaired crease through title. £650 Very large map showing the area between Plymouth Busy scene at the market in Braintree, north Essex, and St. Austell in Cornwall on the south coast of with the Horn Inn prominentt on the left. At the time England, and north as far as Liskeard. The map shows that this print was made, Braintree waas a thriving the proposed coastal road between St. Austell and agricultural and textile centre (the Courtauld textile Torpoint (across the river Tamar from Plymouth) and company began in the town iin 1799 and came to have a was surveyed under the direction of the renowned civil strong influence there). engineer James Meadow Rendel (1799-1856). Engraved after, and publisheed by Robert Crane, Rendel was born near Okehampton in Devon and, after prresumably a local artist. working for Thomas Telford, set up his own practice in Stock: 44834 Plymouth in 1822. Rendel's bridge across an estuary of the Plym within Plymouth harbour (completed 1827) 384. [Theobalds.] established him as a leader of contemporary bridge [n.d., c.1800.] design, and in the 1830s Rendel's reputation was such Fine watercolour. Sheet: 240 x 175mm (9½ x 7"). that he was involved in the improvement and Glued to album sheet. Unfaded. £350 development of practically every river and harbour in A watercolour of some of the buildings built in the south-west England. In 1838 he moved to London and grounds of Theobalds Palace, built by Sir William thereafter took on projects in the north of England and Cecil and destroyed in 1651 bby Parliament. Several Scotland and, in the 1850s, countries including South other buildings were built on the estate in the following Africa, India and Brazil. For a portrait of Rendel see centuries. ref. 22531. Stock: 44671 Stock: 44479 385. Head of Shanklin Chine J.W. Drawn 382. Audley House commonly call'd Audley with Bay Sand End The Seat of Sir John Griffin Griffin [Anon., c.1900] Colonel of the First Troop of Horse Grenadieer Sand drawing, sheet 155 x 1115mm (6 x 4½"). £60 Guards, Lieut.t General of his Majestys Forces View of Shanklin Chine on tthe Isle of Wight, made by and Knight of the most Honourable Order off gluing sand of various colourrs to the sheet of card. the Bath. Stock: 44801 J. Hobcraft D. J. Austin Sc. [c.1765] Engraving, rare; platemark 340 x 465mm (13¼ x 386. Dover Castle. Le Chateau de Douvre. 18¼"). Messy. £280 I. Sailmaker Delin: H. Hulsbbergh Sculp: Printed & Audley End House, Essex. Built by Thomas Howard, Sold by H: Overton at ye White Horse w.th out first earl of Suffolk c.1605-14, the house was Newgate London. [but published by John Smith, 1724.] transformed bby the great Palladian architect Robert Engraving. 475 x 595mm (18¾ x 23½")/ Fold as Adam for its then-owner, soldier Sir John Griffin issued. Small margins. £360 Griffin in the 1760s (as shown here). The property is A view of Dover Castle, with the town and Dover now maintained by English Heritage. Roads to the right. Stock: 44833 This example comes from the 'Britannia Illustrata', Hyde is now part of Greater MManchester. The style of 1724. the map suggests it was engrraved by John Cary. Stock: 44520 Stock: 44733

389. [Holdenby House.] [n.d., c.1800.] Watercolour. SSheet: 240 x 200mm (9½ x 8"). £350 A view of the ruins of Holdeenby House near Northampton, originally buillt in 1583 the house was destroyed during the civil war but was rebuilt between 1873-78. This painting shows the ruins of the house beefore it was rebuilt. Stock: 44670

390. The Grand Stand. Wolverhampton Race Course. R. Noyes. Printed by C. Hulllmandel. [n.d., c.1830.] Very rare lithograph, on indiia. 280 x 400mm (11 x 387. [Knole House.] This View of the North 15¾"). Margins damaged. £220 West Front, of the First (or Green) Court, of A view of the Wolverhampton Race Course at the old Knole, Is by Permission humbly Dedicated to ground in West Park. The racecourse was established his Grace the Duke of Dorset, by his very in 1825 and the grand stand was built in 1827, from obedient Servant, John Bridgman. [&] The after plans by Mr Vulliamy. TThe racecourse was South East Front of the First (or Green) Court, eventually moved to its current site in Dunstall Park in of Knole. [&] This View of the North West the 1880s. St. Peters Church can be seen in the Front, of the Second (or Stone) Court, of distance. Knole, Is by Permission humbly Dedicated to After Robert Noyes (1780-1843). Stock: 44466 her Grace the Dutch.ss of Dorset, by her

Graces verry obedient Servant, John Bridgman. 391. Moyse Hall formerly a Jews Synagogue, [&] The South East Front, of the Second (or now the Town Bridewelll. Bury St Edmunds. Stone) Court, of Knole J. Bridgman, del. J. Merigot, sculp. London, Pub.d Plate 7. Dec.r 20, 1796 by J. Ginger, Bookseller & Stationer, Drawn on Stone by J. Matheew 1826. Printed by J. 37 Old Bond Street. Mathews. Four coloured aquatints, fine colour, each 260 x Lithograph, on india paper, scarce. Sheet: 210 x 400mm (10¼ x 15¾"), three with 'J Whatman 1794' 290mm (8¼ x 11½"). Some ddamage and laid on an watermarks, very large margins. Paper lightly toned, album sheet. £180 one plate with small tear in margin. Uncut. £650 A view of Moyse Hall, a medieval building, Four views of the Knole House near Sevenoaks. overlooking the marketplacee in Bury St Edmonds. Stock: 44678 Bridgman wrote 'An Historical and Topographical Sketch of Knole' in 1797, with different plates. Rare:: not in Abbey; 'Sketch of Knowle' 182, 1817 edition 392. [A Pair of Photographs of Brighton.] cited. [n.d., c.1890.] Stock: 44435 Pair of photographs in oval fframes. Image: 150 x 110mm (6 x 4¼"). Frames: 170 x 125mm (6¾ x 5"). 388. Reasons in Favour of the Bill, For Unexamined out of frames. £140 A pair of very decorative French photographic views of making and maintaining a Turnpike Road, Brighton. The first is a view of the West Pier built in from or near the Town of Manchester, in the the 1860s, the second is a view of the old Brighton County of Lancaster, to Hyde-lane Bridge, in Aquarium with the Chain Pier behind, the Chain Pier the County of Chester. [with map] Plan of an was destroyed in a storm in 1896. Labels on the back Intended Turnpike Road from near of the frames state 'From Soper's Emporium Brighton'. Manchester to Hyde Lane Bridge. Stock: 44860 Sharpe, Eccles & Cririe, Solicitors. Dorington Agent. Printed by J. Aston, at the Exchange-Heral-Office, St 393. Royal Chain Pier, Brighton. (Taken Ann's Street,, Manchester. [n.d., c.1822.] from Phillips's, Confectiooner, Steine. Pamphlet, single sheet of letterpress, 390 x 320mm Engraved by T.Sutherland. Drawn and Published by J. (15½ x 12½")folded, folding map with original colour Cordwell, at his Repository, 20 Great East Street, stitched in. Map 250 x 270mm (9¾ x 10½") Brighton, June 1st 1824. Contemporary ink on cover, map with ink offset. £80 Aquatint, fine impression. 290 x 350mm (11½ x A plan to build a more direct road from Manchester to 13¾"), watermarked 'J. Whaattman 1823', very large Hyde, wheree there were 40 cotton mills in operation. margins. £180 View of the Royal Suspension Chain Pier, designed by with Mr. Carmichael compliments" Folio: 380 x Captain Samuel Brown RN and built in 1823, 550mm (15 x 21¾") very larrge margins. Uncut. Edges destroyed by a storm in December 1896. Ford: Images torn and creased. £360 of Brighton, 236. A bound series of eight etchiings of Fountains Abbey, Stock: 44558 views include 'East View of tthe Abbey', 'Interior of the Lady Chapel', 'Interior of the Church','East Window 394. The West or Garden Front of The from the Interior', 'Chapter House from the Cloister Pavilion at Brighton, the Marine Palace of his Garden', 'Interior of the Refeectory', 'The Hospitum' and Majesty, George IVth. 'West View of the Abbey'. Some scenes etched after [Engraved by T.Sutherland.] Drawn and Published by drawings by James Wilson Carmichael (1800-1868). J. Cordwell, at his Repository, 20 Great East Street, Abbbey Scenery: 373 Brighton, 18224. Stock: 44886 Aquatint, fine impression. 290 x 350mm (11½ x 13¾") very large maargins. £180 397. The Mumbles lightt-house, in Swansea View of the back entrance of the Royal Pavilion at bay. Brighton, as re-designed by John Nash between 1815- Drawn & Engraved by Will.m Daniell. Published by 1822. Although the exterior was in the Indo-Saracenic Mess.rs Longman, & Co. Patternoster Row, & W. style the inteeriors were in the most extravagant Daniell, 9 Cleveland St. Fitzrroy Square, London. chinoiserie style ever executed in the British Isles. Aug.st 1, 1814. This example lacks the engraver's name. Ford: Images Coloured aquatint. 230 x 300mm (9 x 12"). Large of Brighton, 538. margins, uncut. £230 Stock: 44556 A view of the Mumbles lightthouse and two other buuildings on the island off Mumbles Head, seen from the coast, where two men are conversing next to a boat in the foreground to the rightt and two other figures are tending to a boat in the centrre. Sailing boats are in the baay and in the distance behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquattints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'. Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177. Stock: 44521

398. The Summit of Caader-Idris Mountain, in North Wales. Le Sommet de Cader-Idirs, Montagne dans la Princiipauté de Galles. 395. Stratford upon Avon. The grave of Rich.d Wilson pinx.t E. & M. Rooker Sculpser.t [n.d., Shakespeare is situated between the windows c.1775.] seen in the chuch. ''His good remembrance lies Engraving. 405 x 550mm (16 x 21¾"). Repair to margin top left. £320 richer in your thoughts, than on his tomb.'' Cadair Idris mountain, in Snowdonia National Park, G.F. Robsonn del.t. W.J. Bennet sculp.t. London with a pool in a basin. One ffiigure sketches while Published Jan.y 20, 1822, by S. & I. Fuller, at the another uses a telescope. Temple of Fancy, 34 Rathbone Place. Richard Wilson (1714-82), a founder member of the Aquatint, rare. Sheet: 500 x 400mm (19¾ x 15¾"). Royal Academy, was described in the Welsh Academy Trimmed within plate. Marking in margins. £350 Encyclopedia of Wales as the ''most distinguished A moonlit scene in looking up the Avon to the church paainter Wales has ever produced and the first to at Stratford-on-Avon where William Shakespeare is appreciate the aesthetic possiibilities of his country''. buried. His painting of this scene, now in the Tate, was Stock: 44880 poossibly exhibited at the RA in 1774. This example has no publisher's inscription; the plate was later published 396. Eight Views of Fountains Abbey byy John Boydell with the datte 1775. Intended to Illustrate the Architecture and Stock: 44524 Picturesque Scenery of that Celebrated Ruin.. Etched on Copperplate from Original Drawings, by J. 399. The Summit of Caader-Idris Mountain, in Metcalf and JJ.W. Carmichael: with a Historical and North Wales. Le Sommet de Cader-Idirs, Architectural Description by T. Sopwith. Published by Montagne dans la Princiipauté de Galles. J. Metcalf, Ripon: and J.W. Carmichael, Newcastle Rich.d Wilson pinx.t E. & M. Rooker Sculpser.t upon Tyne. Newcastle: Printed by J. Blackwell and Co. Published July 17th 1775 by John Boydell, Engraver in Pilgrim Street. [1832.] Cheapside London. Bound set of 8 etchings in wrappers. Rare artist's presentation copy. In ink on Frontis "To Miss Hodge Engraving. 405 x 550mm (16 x 21¾"). Printer's crease William Crawshay (1788-1867), ironmaster known as through publisher's inscription. £320 the 'Iron King', owner of Cyffarthfa Ironworks in Cadair Idris mountain, in Snowdonia National Park, Merthyr Tydfil, Wales. His youngest son, Robert with a pool in a basin. One figure sketches while Thompson Crawshay (1817-79), took over the another uses a telescope. buusiness: during the strikes of 1873-5 the ironworks Richard Wilson (1714-82), a founder member of the were shut down and, due to iinnovations in steel Royal Academy, was described in the Welsh Academy reducing the value of iron, Crawshay saw no business Encyclopedia of Wales as the ''most distinguished sense in reopening them. painter Wales has ever produced and the first to Stock: 44465 appreciate the aesthetic possibilities of his country''. His painting of this scene, now in the Tate, was 402. A Plan & View of a Chain Bridge, possibly exhibited at the RA in 1774. This plate was erecting over the Menal aat Bangor Ferry, 1820. first published without a publisher's inscription. [Aquatinted by Matthew Dubourg.] Published by J. Stock: 44525 Taylor, Architectural Library, High Holborn, 1820. Aquatint and etching. 270 x 3375mm (10½ x 14¾"), on paaper watermarked 'J Whatman 1820', large margins. £240 Two illustrations: a view loooking along the length of the bridge, looking from Anglesey, with features named; and an elevation showing the arches and span, with a ship passing underneath. Underneath is a list of statistics. Stock: 44522

403. Pembroke Town and Castle, in South Wales. Ville et Chateau de Pembroke, dans la Principauté de Galles. Rich.d Wilson pinx.t Ja.s Mason Sculp.t. Published July 17th 1775 by John Boydell, Engraver in Cheapside London. 400. Carnarvon Castle, The Birth Place of Engraving. 405 x 550mm (16 x 21¾"). Slight creasing Edward II in North Wales. ~ Le Chateau de on left. Small margins. £320 Carnarvon, ou le Roy Edouard II etoit ne, dans A view of Pembroke from across the Mill Pond. la Principaute de Galles. Richard Wilson (1714-82), a founder member of the Rich.d Wilson Pinx.t. Will.m Byrne Sculpt. Published Royal Academy, was described in the Welsh Academy July 17th 1775 by John Boydell Engraver in Cheapsidde Encyclopedia of Wales as the ''most distinguished London. paainter Wales has ever produced and the first to Engraving. 400 x 540mm (15¾ x 21¼"). Small appreciate the aesthetic possiibilities of his country''. margins. Slight crease on left. £360 Stock: 44526 A view of Caernafon from across the Afon Seiont, cows in the foreground. 404. Snowden Hill, andd the adjacent Country Richard Wilson (1714-82), a founder member of the in North Wales. Le Montagne de Snowden, Royal Academy, was described in the Welsh Academy avec ses Environs dans la Principanté de Encyclopedia of Wales as the ''most distinguished painter Wales has ever produced and the first to Galles. Richard Wilson pinx.t. Williaam Woollett Sculp.t. appreciate the aesthetic possibilities of his country''. Stock: 44527 Published July 17th. 1775 by John Boydell Engraver in Cheapside, London. Engraving. 405 x 550mm (16 x 21½"(. Two printer's 401. The Cyfarthfa Banquet Given by creases on left. Small margins. £320 William Crawshay Esq.r to the Ladies of Engraving by William Woolllett after Richard Wilson's Merthyr Tydfil and its Vicinity in paainting 'Snowdon from Llyn Nantlle', with the acknowledgment of the high honour they paid mountain in the distance, anglers in the foreground. to his son, Robert Thomas Crawshay and Painted c.1765, it is now in tthhe Walker Art Gallery, Bride on their return home, Thursday May Liverpool. 21st, 1846. Richard Wilson (1714-82), a founder member of the Drawn by J. Appleby. Day & Son Lith.rs to the Queen. Royal Academy, was described in the Welsh Academy [n.d., c.1846.] Encyclopedia of Wales as the ''most distinguished Tinted lithograph with hand colour. Sheet 400 x paainter Wales has ever produced and the first to 295mm (15¾x 11½"). Some surface wear. £260 appreciate the aesthetic possiibilities of his country''. A large banquet celebrating the marriage of the son of Faagan 91.II. the biggest local employer. Stock: 44528

405. Vue de l'Ile de Staffa. Dédié à M. Delacépede grand Chancellier de la Légion d'Honneur et membre du Sénat Conservateur. Picquenot. [&&] Vue de la Grotte de Fingal a l'Ille de Staffa une des Hebrides. Dédié à M. Barthelemy Faujas de Saint Fond. Picquenot Peint d'après nature par J.A. Knip. Gravé à l'eau forte par Euphrasie Picquenot, terminé par son père, membre de la Societé des Sciences d'Agriculture, Lettres et Arts dee Rouen. A Paris chez Picquenot Graveurr, rue des Carmes, no. 26. [n.d., c.1804.] Pair of rare engravings. Each sheet c.540 x 690mm (21¼ x 27¼"). Trimmed, repairs to Fingall's Cave. Both with 'Seine colportage' stamp verso. £1250 Fine Pair of views of the Isle of Staffa and Fingal's Cave, they became famous because of thee epic romantic poems (the Ossian) written by James Macpherson, Fingal's Cave was renamed by Sir Joseph Banks in 17772, after the two paintings by Dutch painter Josephus Augustus Knip (1777-1847) commissioned by the French naturalist Barthélemy Faujas de Saint-Fond, and engraved by Michel Picquenot and his son Euphrasie. Faujas visited the island to study of the rock formations, publishing his findings first in 1797)), then again in 1804 to accompany these prints. Stock: 44504

406. The Monster Meeting of the 20th Sep. Hiberniæ Proregis qui hææc Tabula humilime 1843, at Clifden, in the Irish Highlands. [&] inscribitur Johannem Brooks. Keyplate. J. Tudor Pinx. J: Brooks & Crofts Scul. [Dublin, John Drawn on the Spot, the Portraits from Actual Sittings, Brooks, c.1736.] & Lithographed by J. Haverty. M. & N. Hanhart, Lith Engraving, extremely fine & rare, 18th century Printers, 64, Charlotte Street, Rathbone Place. [n.d., watermark. 385 x 505mm (155¼ x 19¾"), with very c.1843.] large margins. £850 Lithograph. Framed. Images size: 720 x 480mm, very A view looking down on the obelisk built to large marginns. Frame: 1150 x 850mm. Keyplate, commemorate the Battle of thhe Boyne, with a key framed: 370 x 285mm (14½ x 11¼"). Foxing. giving the locations of the main events of the battle. Unexamined out of frame. Key, stained and Built at the side of the river iin 1736, the obelisk was unexamined out of frame. £1250 destroyed by republicans in 1923, using dynamite A view of one of Irish politician Daniel O'Connell's removed from an Irish army camp. 'monster meetings' held throughout Ireland to protest Stock: 44472 and debate against the Act of Union of 1801 which haad unified the Parliaments of Ireland and Great Britian. 408. Dublin Bay & Kinggstown Harbour, from O'Connell argued for an independent Kingdom of Killiney Quarries. Ireland with Queen Victoria as Queen of Ireland as Lithographed & Published by Newman & Co., 48 well as Great Britain. The scene shows the huge crowd Watling St., London. [n.d., c.1840.] of supporters gathered on the hills, while O'Connell, Tinted lithograph. Sheet 3000 x 440mm (11¾ x 17¼"). dressed in a hat and cloak, stands speaking in the Slight soiling. £230 foreground. Extremely rare in a very fine wide Maple View from Killiney Hill overrlooking Dublin Bay with frame. The keyplate lists the figures attending the Howth in the distance and Duun Laoghaire below. meeting. Although Newman & Co. published two works both Stock: 44887 called 'Twelve Views in Ireland From Drawings taken on the Spot', this view was noot from those books. Not 407. [Obelisk commemorating the Battle of in Abbey. the Boyne.] Hic Obeliscus immortali Memoriæ Stock: 44570 Gulielmi III Aug sacerad ripam fluv: Boynæ positus est AD MDCCXXXVI regnique Georgii II Regis magnae Britsanniæ &c Decimo Auspicus Lionelle Sackville Ducis de Dorset 409. Rotunda & New Rooms, Dublin. James Malton del. et fecit. London, Publish'd Dec.r 1795. Coloured aquatint. 315 x 430mm (12¼ x 17"), with large marginns. Laid on card, mount burn. £280 The Rotunda Hospital, one of the three main maternity hospitals in Dublin. Abbey Scenery: 473.16; Bonar- Law 2.(i) Stock: 44535

410. Prospectus Viae Imperialis Versus Columnam SS. Trinitatis Viennae. Prospectiva de la Calle Imperiale Hacia la Coluna de la SS. Trinidad de Vienna. [Bassano Remondini.] [n.d., c.1780.] Hand-coloured engraving. Plate: 420 x 320mm (16½ x

12½"). Stainiing and tears in the top and bottom edges. An elevated view of Versaillles published shortly after £160 Louis XIV proclaimed the palace his principal A view of the Graben and the high baroque statue of residence in 1682. the Holy Trinity, started in 1683 by Matthias Stock: 44518 Rauchmuller, in the centre of Vienna. Stock: 44687 415. Die Galerie deß Königlichen Pallasts zu

Boblin fürstellend einigee große thaten deß 411. Panorama von Prag. Alexandri so entworffen sind auf Tapesereyen Nach der Natur gez. v. V. Morstadt. Gedruckt bei Carl Meyer in Nurnberg. Friedrich Geissler sculp. Nberg.. und grossen Kunst-Stücken von Mons. Caroli Verlag von Borosch & Andre in Prag [n.d., c.1840]. le Brun. Folding engraving. 165 x 750mm (6½ x 29½"), largee Caral Remshard sculp. Joann Ulrich Krausen Excudit. margins. Centre fold as usual, creases. Slight foxing. Engraving, rare. Plate: 245 x 145mm (9¾ x 5¾") large £390 margins. £130 A prospect of Prague after Vincenc Morstadt (1802- A view in Boblin castle in Pomerania showing the 75), a lawyer turned artist. hanging of a large tapestry affter a large work by Stock: 44606 Charles le Brun. Stock: 44622 412. Ruines d'une Commanderie de l'Ordre de Malthe à Clisson. 416. Die Meerenge von Gibraltar. Thiénon. Lithog. de C. de Lasteyrie. [n.d., c.1817.] Von A. Petermann. Gotha: Justus Perthes, 1875. Lithograph. Sheet: 380 x 265mm (15 x 10½") large Engraved map with hand collour. 380 x 460mm (15 x margins. £65 18"). Several tears entering printed borders. £140 A view of the ruined parish church Madeleine-du- Detailed chart of the Strait off Gibraltar, with insets of Gibraltar and Ceuta, the two Pillars of Hercules. Temple near Clisson in France. Stock: 44584 Published in Stieler's Hand-Atlas. Stock: 44774

413. [The Tuileries Palace] Unité Fraternité. Les Thuilleries ou Chateau National. C'est 417. Scene in Athens. CLE pinx [illegible text lower right] dans ce Temple que nos Legislateurs Decrete Lithograph, printed area 2100 x 145mm (8¼ x 5¾"). les Loix [...] Rare. £120 [Anon., c.1795] Unusual early lithograph of Athens, possibly (as Etching with brown wash to border, scarce, sheet 260 x inscription verso suggests) affter Charles Lock Eastlake 360mm (10¼ x 14¼"). Foxing; crease & tears. £260 (1793-1865), painter and art administrator whose The Tuileries Palace in Paris, with allegorical elements prrestigious appointments inccluded those of keeper of celebrating it as a place of law, published during the the National Gallery (from 1843) and president of the First Republic. Royal Academy (from 1850)). Earlier in his career, in Stock: 44849 1818, Eastlake spent three-annd-a-half months in Athens, where he became acqquainted with Lord Byron 414. Vüe et perspective du Château et du and painted Teresa Macri (immortalised by Byron as Jardin de Versailles; comme il est apresent. the 'Maid of Athens'). Ex: Collection of the Hon. a Amsterdam Chez Charles Allard sur le Dam avec Christopher Lennox-Boyd. Privil: de Nosseign: les Etats de Holl: et de Westfr. Stock: 44809 [n.d., c.1683.] Engraving, scarce. 530 x 600mm (20¾ x 23½"). Centre fold repaired tears, small margins damaged. Timed stained. £520 418. Carte de L'Ile de Samos. 422. Vue de la Chapelle de S.te Rosalie. Redigé par F. Kauffer. Gravé par J. Perrier. [Paris, [Peint par Ronmy, d'après l'esquisse de Michalon. 1782.] Gravé par Thales Fielding.] [[Paris: P. Didot, 1822.] Engraved map with hand colour. 185 x 250mm (7¼ x Aquatint on india. 355 x 4255mm (14 x 16¾"), very 9¾"). Trimmed into plate at bottom. £140 large margins. Uncut. £150 A map of the Ægean island of Samos prepared by Jean- A chapel dedicated to Saint Rosalie of Palermo. Denis Barbié du Bocage for Marie-Gabriel-Florent- From the rare work 'Voyage Pittoresque en Sicile' by Auguste Choiseul-Gouffier's 'Voyage Pittoresque de la Achille Etienne Gigault de la Salle (1772-1840), one of Grèce'. the very few aquatint books of Italian scenery. Only Stock: 43999 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who 419. Facchini Napolotani. records a standard paper example. Abbey: Travel 262, L. A. Ledoux. [1834] 'Impressions on India paper were also available'. Hand-coloured lithograph. Sheet: 345 x 275mm (13½ x Stock: 44537 10¾") large margins. Light foxing. £95 A scene in which a group of Italian porters stand in 423. Vue du Cloitre des Capucins, à Palerme. conversation, one is shown napping in a basket. [Peint par Lesaint, d'après l'esquisse de Mr le C.te de Stock: 44729 Forbin. Gravé par Fr. Hegui.] [Paris: P. Didot, 1822.] Aquatint on india. 355 x 4255mm (14 x 16¾"), very 420. Vue du Tombeau de Theron à Agrigente. large maring; uncut. £150 [Peint par Villeneuve, d'après l'esquisse de Cassas. The Capuchin monastery of Palermo, famous for its Gravé par Thales Fielding.] [Paris: P. Didot, 1822.] catacombs filled with mummys. Aquatint on india. 355 x 425mm (14 x 16¾"), very From the rare work 'Voyage Pittoresque en Sicile' by large marginns. Uncut. £190 Achille Etienne Gigault de la Salle (1772-1840), one of The tomb of Theron of Acragas (died 473 BC), a the very few aquatint books of Italian scenery. Only Greek tyrant in Sicily from 488 BC who, according to 500 copies were published, in 27 parts, only some on Polyaenus, came to power by using public funds meant india as here. The imprint is as given in Abbey, who for a temple bbuilding project to hire a personal records a standard paper example. Abbey: Travel 262, bodyguard. The monument still stands in Agrigento. 'Impressions on India paper were also available'. From the rare work 'Voyage Pittoresque en Sicile' byy Stock: 44540 Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 424. Vue de la Chapelle et de la Grotte de 500 copies were published, in 27 parts, only some on Sainte Rosalie, à Palermee. india as here. The imprint is as given in Abbey, who [Peint par Renou, d'après l'esquisse de Michelon. records a standard paper example. Abbey: Travel 262, Gravé par Thales Fielding.] [[Paris: P. Didot, 1822.] 'Impressions on India paper were also available'. Aquatint on india. 425 x 3555mm (16¾ x 14"), very Stock: 44536 large margins, uncut. £130 The grotto beneath the chapel dedicated to Saint Rosalie of Palermo. From the rare work 'Voyage Pittoresque en Sicile' by Achille Etienne Gigault de la Salle (1772-1840), one of the very few aquatint books of Italian scenery. Only 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who records a standard paper example. Abbey: Travel 262, 'Impressions on India paper were also available'. Stock: 44541

425. Cloitre du Couvent de S.ta Maria di Jesus a Palerme. [Peint par Renoux, d'après l'esquisse de Mr le C.te de Forbin. Gravé par Paul le Grrand.] [Paris: P. Didot, 1822.] 421. [Mount Etna erupting.] This drawing Aquatint on india. 355 x 4255mm (14 x 16¾"), very was made from a Painting by Coll. large margins, uncut. £150 Bampfylde... The convent of Santa Maria ddi Gesù, Palermo. J.G. 1774. From the rare work 'Voyage Pittoresque en Sicile' by Pen and wash, titled in ink; after a sketch on the spot Achille Etienne Gigault de la Salle (1772-1840), one of by Mr. Earle. 165 x 220mm (6½ x 8¾"). On verso pen the very few aquatint books of Italian scenery. Only & ink of same image. £360 500 copies were published, in 27 parts, only some on A view of three fissures on the lower slopes spoutingg india as here. The imprint is as given in Abbey, who lava, the main eruption visible in the background. records a standard paper example. Abbey: Travel 262, Stock: 44442 'Impressions on India paper were also available'. Stock: 44538 426. [Cavve di Cusa.] Vue des Carrieres de Five views of Venice, with engraved text in French. Campo Bello. From Chatelain's seven-voluumme 'Atlas Historique', [Peint par Moritz, d'après l'esquisse de Mr le C.te de puublished between 1705 andd 1720. Forbin. Gravé par Th. Fielding.] [Paris: P. Didot, Stock: 44583 1822.] Aquatint on india. 355 x 425mm (14 x 16¾") very 429. Terrible Eruption du Mont Vesuve en large marginns; uncut. £190 Italie. The Cave di Cusa ('Quarry of Accusation' in Italian) a Lörscher [in image] stone quarry near Campobello di Mazara, first workeed Woodcut and letterpress folded to make 4pp., part of during the first half of the 6th century BC but boook; sheet 205 x 330mm (88 x 13"). Creases. Messy. abandoned in 409 BC when the city was captured by £230 the Carthaginians. Eruption of the volcano Mount Vesuvius in the Bay of From the rare work 'Voyage Pittoresque en Sicile' byy Naples. French engraving from a book apparently Achille Etienne Gigault de la Salle (1772-1840), one of depicting and reporting on the eruption of 1767. the very few aquatint books of Italian scenery. Only Stock: 43365 500 copies were published, in 27 parts, only some on india as here. The imprint is as given in Abbey, who 430. [Maltese mourning dress?] records a standard paper example. Abbey: Travel 262, [by Vicenzo Feneck.] 'Impressions on India paper were also available'. Pen and wash, titled in ink. Sheet 210 x 165mm (8¼ x Stock: 44539 6½") £250 A woman wearing a green drress with fine lace apron, peeeking through a black hoodd. Stock: 44769

431. Malta Faldette. V Feneck. Pen and wash, titled in ink. Sheet 220 x 165mm (8¾ x 6½") £280 A woman wearing a black faldetta (or ghonella), the hooded cloak unique to Maltta and Gozo. Stock: 44768

432. View of the City of Valetta in Malta. [n.d., c.1800.] Engraving. Sheet: 165 x 100mmm (6½ x 4"). Trimmed within plate. £75 A view of the harbour and ciity of Valetta. 427. A View of the Inside of the Dome & Stock: 44673 Church of St Peter at Rome as it appear'd Ornamented on the day of Jubilee in the Year. 433. Feira da Cordoaria Porto. Cordoaria 1700. Veuë du Dedans du Dome et de l'Eglise Market_Oporto. de St. Pierre à Rome en la maniere qu'elle fut J.J. Forrester Del.t. R.J. Lane A.R.A Direxit. G. Childs ornée au jour du Jubilee, en l'an 1700. Lith. Published in Oporto byy the Author & for him in London Printed for Bowles & Carver No 69 S.t Pauls London by J. Dickinson New Bond Street. Church Yard. Lithograph, printed on india paper; publisher's stamp. Engraving, scarce & large item. Plate: 560 x 465mm Sheet: 240 x 200mm (9½ x 7¾"). Horizontal crease at (22 x 18¼") vvery large margins. Large tear and damage top margin. £130 in margins. £480 A view of the market in Opoorto showing customers and A view inside St Peters in Rome, showing the huge sellers at the various stalls. crowd of pilgrims gathered around the baldachin, maanny Stock: 44566 holding banners and effigies of saints, fof r the Jubilee Year of 1700 called by Pope Innocent XII. 434. Alexander I. Kaiser von Russland. Stock: 44824 Gez: u. gest. v. E. Henne. [n..d., c.1820] Hand-coloured engraving. Raare. Sheet: 165 x 245mm 428. [Venice] Carte du Gouvernement (6½ x 9¾"). Trimmed within plate. £140 Militaire de la Republique de Venise, L'Etat A full-length portrait of Alexander I of Russia (1777- de ses Revenues, de ses Forces, et les 1825). Stock: 44550 Differentes Vues de la Place de St Marc. [Amsterdam, Henri Abraham Chatelain, c.1710.] Engraving. 395 x 505mm (15½ x 19¾") very large margins. Tear in centre fold and left margin. £240 435. Krass Phoroche or Cranbery liquor good. 439. [Denmark] Carte de l'Etat de Royaume G. Orlowski del.t. J. Godby sculp.t. Pub.d March 25 de Dannemark et Diverses Observations pour 1809 & Sold by Edw.d Orme Printseller to the King. conduire à l'Intelligence de l'Histoire et du Engraver & Publisher, Bond St corner of Brook S.t. Gouvernement de ce Royaume. London. [Amsterdam, Henri Abraham Chatelain, c.1715.] Hand-coloured stipple. Plate: 240 x 315mm (9½ x Engraving, 18th century wateermark. 350 x 460mm 12½"). Slight crease. £120 (13¾ x 18"), large margins. £240 A portrait of a liquor seller wearing a fur hat and Three views of Denmark, including a prospect of holding a jug. An illustration from 'Russian Cries, in Copenhagen, with engraved ttext in French. From Correct Portraiture from Drawings done on the spot by Chatelain's seven-volume 'Attlas Historique', published G. Orlowski...' 1809. beetween 1705 and 1720. Stock: 44603 Stock: 44586

436. The Hetman Platoff. 440. Skisser af Reiselivet i Norge. Rambauer Pinx.t. H.R. Cook Sculp.t. London, Pub [Drawn by Carl Fredrik Diriks.] 1868. June 20, 1813, by Colnaghi & Co, 23 Cockspur Street. Oblong 8vo, with wrappers but loose; 41 (of 48?) Stipple, unfinished proof. 280 x 225mm (11 x 8¾") wood-engraved sketches of which 4 are duplicates with very large maargins. Uncut. £140 different printed titles. Mostt of these have English Count Matvei Ivanovich Platov (1757-1818), Russian translations either front or reevverse of print in pencil. general and 'hetman' of the Don Cossacks during the Some spotting. English transslations in ms (printed text Napoleonic wars. His horsemen scourged the French in Norse). £520 during their retreat from Moscow in 1812 and again Carl Fredrik Diriks (1814-95), a Norwegian naval after their deefeat at the Battle of Leipzig, 1813. See BM officer and director of Lighthouse Authority from 1871,0812.4247 for finished state, attributed to 1855-82, published simple peencil drawings and 'Johann Heinrich Ramberg?'. watercolours of everyday liffee on the Norwegian coast. Stock: 44431 In 1865 the first edition of 'SSketches from Travels in Norway', containing only six sketches, was published anonymously. Such was the ssuccess of the book that ever-enlarged editions were published until 1882 and reissues after Diriks' death in 1895. Stock: 44835

441. [Three pencil sketches of the Cape Verde Islands by William Gooch.] A man of St Jago, the principal of the Cape Verd Islands. [&] The Manner in which a womaan of St Jago carries and suckles her childrenn. [&] A curious fish which few on board the Dædalus... W.G. [1791.] 437. [Russsian Easter Games.] Suite des Jeux 4 pencil sketches on three shheets of writing paper. Each aux Fêtes de Pâques. Le jeu du Ballon sheet 250 x 185mm (9¾ x 7¼"), folded once. Old ink Woschtchikis. Jeu des Osselets appellé Backi. mss. on the back of one sheeet explaining the Fete Villaggeoise Prasnik. Le Jeu de l'Anneau prrovenance. A few signs of age. £680 Swaika. William Gooch (1770-92) waas admitted as a sizar to Gonville and Caius College, Cambridge, where he A Paris chez Basset. M.d d'Estampes, rue St Jacques au came to the attention of Neviil Maskelyne, the coin de celle Mathurins, No. 64. [n.d., c.1800.] Astronomer Royal and the member of the Board of Hand-coloured engraving. Plate: 300 x 200mm (11¾ x Longitude. Maskelyne gave him the training needed to 8"), with good margins. £520 bee appointed Astronomer to tthe Vancouver Expedition A series of scenes showing a variety of games played of 1791. In July Gooch boarded the storeship Dædalus at Easter in Russia during the 18th Century, including a at Deptford, intending to rennddezvous with Vancouver game resembling football and knucklebones. Stock: 44698 in Nootka Sound. He never made it: in May 1792 the Dædalus landed in Hawaii for supplies and, like Captain Cook a decade earlier, was killed by warriors. 438. Dalarrne. Mora. Bjursås. While at Cambridge Gooch fformed a friendship with a [n.d., c.1840.] Miss Sally Smithson, the daughter of a cook at St Hand-coloured lithgraph. Sheet: 245 x 310mm (9¾ x John's College, whom he niccknamed ''little goody two- 12¼"). Foxing. £140 shoes''. He corresponded witth her for the rest of his life A portrait of three Swedes from the Dalarna region of and, according to the writing, these sketches were Sweden, the figure sits on a stool, the central figure included with letters to her written on the Vancouver holds a clock and the figure on the right a large saw. expedition. Stock: 44650 Stock: 44455 442. Piton, Mauritius 448. Portrait & Uniform of An American [Anon., c.1820] General. A real representation of the Dress of Pencil sketch, sheet 90 x 120mm (3½ x 4¾"). £95 An American Rifleman. Engraved for The village of Piton in the north of Mauritius. Barnard's New Complette & Authentic History Stock: 44791 of England. Roberts sculp. [London: Alexander Hogg, 1783.] 443. "Tristan D'Acunha". Engraving. 240 x 350mm (9½ x 13¾"). Trimmed to Good Words. November 1, 1867. pllate at top, edges worn. £180 Wood engraving. Sheet: 240 x 170mm (9½ x 6¾"). Contemporary depictions of AAmerican Revolutionary Manuscript '8350 feet'. £50 War figures set within a decorative border. Their hats A view of the island of Tristan da Cunha from the sea booth have the skull and cross bones representing 'Death the peak of St Mary's Peak rising above the clouds. An or Liberty'. illustration from 'Good Words' 1867. Stock: 44610 Stock: 44563

444. [Cairo] Vue de la Ville du Grand Caire et Ses Environs. [Amsterdam, Henri Abraham Chatelain, c.1710.] Engraving. 380 x 440mm (15 x 17¼") very large margins. Fold in centre as normal. £180 Five views of Cairo, with engraved text in French. From Chatelain's seven-volume 'Atlas Historique', published between 1705 and 1720. Stock: 44585

445. [Cape of Good Hope] Cap de Bonne Esperance. [Amsterdam, Henri Abraham Chatelain, c.1715.] 449. View of The Attack on Bunker's Hill, Engraving. 375 x 220mm (14¾ x 8¾") very large with the Burning of Chaarrles Town, June 17, margins. £160 1775. Engraved for Barnard's New Complete Two views on one plate, with engraved text in French: & Authentic History of England. the Cape of Good Hope from the sea, with Table Drawn by Mr Millar. Engraved by Lodge. [London: Mountain; and the Dutch fort at the cape. From Alexander Hogg, 1783.] Chatelain's seeven-volume 'Atlas Historique', published Engraving. 240 x 350mm (9½ x 13¾"). Large margins between 1705 and 1720. on 3 sides. £320 Stock: 44609 The Battle of Bunker's Hill, one of the first actions of the American War of Indepeenndence. 446. The Mission Premises at the Kuruman Stock: 44612 Station. Printed in Oil Colours by G. Baxter. (Patentee) 3 450. A Native Savage of America. Charterhouse Square. [London Published by J. Snow, J. Ihle Del.t. J.Chapman Scullp.t. Published as the Act Paternoster Row, 1842.] directs, Jan.y 15, 1795. Baxter process. 125 x 225mm (5 x 8¾"). Taped into Coloured engraving. 190 x 125mm (7½ x 5") Trimmed mount. £120 into plate on right. Small margins on 3 sides. £75 Moffat Church, built by the missionaries Robert Moffat An American native to the trropical regions, wearing (1795-1883) and Robert Hamilton. It was the largest skirt, breastplate and feather headdress, carrying axe building in the area and was described by David and club. Drawn by Johann IIhle for Ebenezer Sibly's Livingstone (who was married to Moffat's daughter five-volume ''Universal System of Natural History'', Mary) as massive enough ''to withstand a 1794-6. cannonading''. This view was the frontispiece to Stock: 44516 Moffat's ''Missionary Labours and Scenes in Southern Africa''. 451. Canadian Minuets. Stock: 44747 [Engraved by J.C. Stadler afftter George Heriot.] [London Richard Phillips, 1808.] 447. Simonsberg Drakensteyn [lower left] Aquatint. 210 x 320mm (8¼ x 12½"). Folded twice, as EIR [lower left] [c.1850] issued, soiled. £220 Watercolour, sheet 205 x 260mm (8 x 10¼"). £220 A dance held in a rudimentarry room, with both black Simonsberg, part of the Cape Fold Belt in the Western and white musicians Cape province of South Africa. From George Heriot's 'Traveels Through the Canadas', Stock: 44800 puublished as a part of Sir R. PPhillips's eleven-volume ''A Collection of Modern and Contemporary Voyages and Travels'', 1805-10. Stock: 44741 without success. She was about sixty years of age, five feet two inches high, extremely ill-looking, and decidedly the most disgustinng of the whole tribe'. Ross was forced by ice to stop at the Boothia peninsula (which he named after his patron Sir Felix Booth) for four years while searching for the north-west passage. Stock: 44011

454. S.t John's Harbourr, Newfoundland. On Stone by G. H. Jones. From a Drawing by E. P. Brenton. Printed by C. Hullmandel. [n.d., c. 1835.] Hand-coloured lithograph. Shheet: 200 x 130mm (8 x 5"). Trimmed with some light marking. £140 A view of the harbour of St Johns, the capital of Newfoundland and Labradorr showing a large ship leaving the port. Stock: 44559

455. Para - an Amazon.. [Anon., c.1820] Pencil sketch with watercolour, sheet 160 x 160mm (6¼ x 6¼"). £240 A Brazilean Amazon diving off a waterfall at top. Stock: 44790

456. A view of the bay of St. Julian when Mount Wood bears W.S..W. ½ S. and the Port or rivers mouth S.W. distant ten miles. 452. [Folio of Eleven Views of Canadian [London: for the author by John and Paul Knapton, Scenery and A View of the Town of Montreal.] 1748.] [Jean Jacques Haakman.] [n.d., c.1870.] Coloured engraving. 235 x 520mm (9¼ x 20½"). Collection of 12 watercolours in folio. Folio: 340 x Folded as issued, backed on ppaper. £160 500mm (13½ x 19¾"). Eleven watercolours attached to George Anson's fleet anchoreed in Puerto San Julián in mount boardd. Board damaged on edges. View of Argentina, while they refitted one of their ships, Tryal, Montreal damaged around edges. £2500 and reprovisioned themslevees with salt prior to their A collection of twelve views of Canada. Eleven are attempt to round Cape Horn. landscape views including Montmorency Falls, George Anson's circumnavigation, 1740-44, was one of Horseshoe Falls, Rapides de Lachines, the Gulf of St the last great buccaneering vooyages, an official Laurent, Saguenay and the Strait of Canso. The twelfth expedition to the South Seas to harass the Spanish view is a larger, detailed view of Montreal showing the baases but, more importantly, plunder their shipping. A various churches and buildings and steam train main target was one of the riicchly-laden Manila crossing Victoria Bridge. galleons that crossed between Acapulco in Mexico and Stock: 44894 Manilla the Philippines. A sttroke of luck presented them with one laden with 1.3 million silver pieces of 453. Nimna Himna called by the Men Old eight; on their return to London, thirty-two wagons Greedy were needed to transfer them to the Tower of London. Published in Anson's own account, ''A Voyage Round On Stone by J. Brandard, from the original Drawing by the World, in the years MDCCXL, I, II, III, IV''. Captain Ross [c.1835] Stock: 43991 Coloured lithograph, sheet 140 x 105mm (5½ x 4"). Trimmed. £95 A woman from the Boothia Peninsula, Nunavut, 457. Plan of St. Julian's Harbour on the Coast Canada, described by John Ross in his 'Narrative of a of Patagonia Laying in the Lat.d of 49: 30.S.º Second Voyage in Search of a North-west Passage' & W.t Lonf.d from London 70:44.174º (1835), from which this prrint originates. In his [London: for the author by John and Paul Knapton, narrrative, Ross writes that Nimna Himna 'was a 1748.] constant visitor to the ship, and generally carried off Coloured engraved map. 235 x 520mm (9¼ x 20½"). something which she had picked up. On one occasion, Folded as issued, backed on ppaper. £95 when coming up the ladder, she was tumbled off by the A plan of the harbour of Pueerrto San Julián in surgeon, and falling on her back, pretended to faint; Argentina, where George Anson's fleet anchored while from which, although all the doctor could do could not they refitted one of their ships, Tryal, and recover her, sshe was restored by the offer of an empty reprovisioned themsleves wiitth salt prior to their tin case, which had contained preserved meat: a attempt to round Cape Horn. stratagem which she subsequently tried more than once George Anson's circumnavigation, 1740-44, was one of Published in Anson's own account, ''A Voyage Round the last great buccaneering voyages, an official the World, in the years MDCCXL, I, II, III, IV''. expedition to the South Seas to harass the Spanish Stock: 43992 bases but, more importantly, plunder their shipping. A main target was one of the richly-laden Manila 461. The burning of the Town of Payta on the galleons that crossed between Acapulco in Mexico and Coast of Santa Fee in the South Sea. Manilla the Philippines. A stroke of luck presented J.S. Müller sculp. [London: ffor the author by John and them with one laden with 1.3 million silver pieces off Paul Knapton, 1748.] eight; on their return to London, thirty-two wagons Coloured engraving. 235 x 520mm (9¼ x 20½"). were needed to transfer them to the Tower of London. Folded as issued, repaired tear on left, backed on paper. Published in Anson's own account, ''A Voyage Round £230 the World, in the years MDCCXL, I, II, III, IV''. George Anson burning the Sppanish city of Paita in Peru Stock: 43993 in 1742, during his buccaneering voyage around the world 1740-44. This attack was only a minor success, 458. European Fastidiousness Brazil. with booty valued at £30,000. Later a stroke of luck [Anon., c.1830] prresented them with a Spanish treasure galleon laden Lithograph, printed area 150 x 115mm (6 x 4½") large with 1.3 million silver pieces of eight; on their return to margins. Inscribed 'H.C.' lower edge. £140 London, thirty-two wagons were needed to transfer Fascinating and rare lithograph by an anonymous them to the Tower of London. amateur artist, showing a European holding his nose Published in Anson's own account, ''A Voyage Round while passing an indigneous Brazilian carrying a the World, in the years MDCCXL, I, II, III, IV''. barrel. Stock: 43990 Stock: 44483 462. Rio Janeiro 459. Plan of a Bay and Harbour on the Coast L. Scott A.H. Payne Londonn,, E.T. Brain, 88 Fleet of Chili: Discovered by a Victualler to Street [c.1850] Commodore Anson's Squadron in the South Engraving, sheet 210 x 265mm (8¼ x 10½"). £70 Sea, 1741. View looking towards Rio de Janeiro, Brazil, from the R.W. Seale sculp. [London: for the author by John and Guanabara Bay Paul Knapton, 1748.] Stock: 44007 Coloured engraved map. 280 x 370mm (11 x 14½"). Folded as issued, backed on paper. £140 George Anson's circumnavigation, 1740-44, was one of the last great buccaneering voyages, an official expedition to the South Seas to harass the Spanish bases but, more importantly, plunder their shipping. A main target was one of the richly-laden Manila galleons that crossed between Acapulco in Mexico and Manilla the Philippines. A stroke of luck presented them with one laden with 1.3 million silver pieces off eight; on their return to London, thirty-two wagons were needed to transfer them to the Tower of London. Published in Anson's own account, ''A Voyage Round the World, in the years MDCCXL, I, II, III, IV''. 463. Vue Perspective de Paramaribo Stock: 43994 N. v. d. Meer jnr. fec. [Amstteerdam, c.1760.] Engraving. 225 x 325mm (8¾ x 12¾"). Creases as 460. The west prospect of Staten Island. normal. £260 [London: for the author by John and Paul Knapton, A view of Paramaribo from tthe Suriname River , home 1748.] of one of the oldest synagogues in the Americas. A Coloured engraving. 230 x 460mm (9 x 18"). Folded as Dutch copy of the plate in Prrevost's 'Histoire des issued, backed on paper. £95 Voyages'. George Anson's fleet approaching Staten Island, east of Stock: 44748 Tierra del Fuego, en route to Cape Horn. George Anson's circumnavigation, 1740-44, was one of 464. Andrew Johnson [[wwith facsimile the last great buccaneering voyages, an official signature.] Proof. expedition to the South Seas to harass the Spanish [Engraved by John Sartain.] Printed by Irwin & bases but, more importantly, plunder their shipping. A Sara tain. Published by W.m Smith, 702, South 3rd St main target was one of the richly-laden Manila Philad.a. Entered according tto Act of Congress in the galleons that crossed between Acapulco in Mexico and Year 1865, by William Sartain in the Clerk's Office of Manilla the Philippines. A stroke of luck presented the District Court of the Easttern District of Penn.a. them with one laden with 1.3 million silver pieces off Mezzotint with stipple and liine engraving. Sheet 640 x eight; on their return to London, thirty-two wagons 460mm (25¼ x 18"). Trimmeed inside platemark. £290 were needed to transfer them to the Tower of London. A large half-length portrait of Andrew Johnson in his 469. View of Newfield, a Missionary office, the dome of the Capitol Building visible to the Settlement of the United Brethren in the Island left. Published in 1865 it is not clear if this is a portrait of Antigua. of him as Vice-President or as President after the [Anon., c.1850] assassination of Abraham Lincoln on April 14th. Wood-engraving, sheet 85 x 140mm (3¼ x 5½"). Stock: 44523 Trimmed and glued to backing sheet at top. £50 Stock: 44798 465. Inhabitants of Kotzebue Sound. [&] [Cadu.] [London: Richard Phillips, 1821.] Coloured aquatints. Sheets 130 x 195mm (5 x 7¾") & 120 x 130mm (4¾ x 5¼"). Both trimmed, 'Cadu' losing title, mounted on album paper. £140 Two plates from the English edition of Otto von Kotzebue's 'Voyage of Discovery in the South Sea, and to Behring's Straits, in search of a North-east Passage; Undertaken in the Years 1815, 16, 17, and 18, in the Ship Rurick'. Kottzebue, named after the explorer, is in Alaska. Stock: 44776

466. Cette Carte de Californie et du Nouveau Mexique... par N. de Fer Geographe de Monseigneur le Dauphin. 470. Bermudian Boats. Ireland Island in the C. Inselin sculp.r. Avec privilege du Roy 1705. A Paris dans l'Isle du Palais Sur le Quay del Orloge a la Sphere Distance [ms] Royale. T. Dean [?] [in image lower lleft; c.1820] Engraved map. 230 x 345mm (9 x 13½"), grapes Watercolour, sheet 140 x 165mm (5½ x 6½"). Glued to watermark, very large margins. £520 baacking sheet. £650 One of the most famous maps depicting California as View off the coast of Bermuudda in the Atlantic Ocean. Stock: 44513 an island, engraved by Inselin for de Fer's 'Atlas Curieux'. Strrangely the map features the discoveries of Father Eusebio Kino, the first European to cross from 471. The Natives of the Carribee Islands the mainland to peninsula, deducing that California feasting on human Fleshh. was not an island. The mainland is shown from Mexico [London: William Strahan ett al, c.1766.] City to Santa Fé, with an incredible 314-point key. Engraving. Sheet 165 x 100mmm (6½ x 4"). Some Originally published in 1700, this second state has the toning. £120 date altered to 1705. McLaughlin: Mapping of A group of natives with feathers on their ears roasting California as an Island, 134, state ii. limbs, a suitably graphic illuusstration for Smollett's Stock: 43997 'Compendium of Authentic and Entertaining Voyages'. Stock: 44639 467. Habits et Maisons des Floridiens. [Amsterdam c.1760.] 472. Basaltic Rocks in Washilabou or Engraving. 205 x 150mm (4¼ x 6"). £130 Cumberland Valley, St. Vincent. A view of Europeanised Floridians and their houses. A Drawn by Lieut. Caddy, Roy.l Artill.y. Engraved by Dutch copy of the plate in Prevost's 'Histoire des W. Westall, A.R.A. [London. Published Feb.y 1st Voyages'. 1837, by Ackermann & Co., 96 Strand.] Stock: 44745 Aquatint with fine hand coloour. Sheet 215 x 280mm (8½ x 11") Trimmed around image, losing publisher's 468. Vue du Presido S.n Francisco. inscription. £180 Lith de Langlumé r de l'Abbaye N4. Lith par V. Adam. A wall of columnar basalt roock by a river. From John [n.d., c.1822.] Herbert Caddy's 'Scenery of the Windward and Lithograph. Sheet: 420 x 260mm (16½ x 10¼") large Leeward Islands', planned as a four-volume work, but margins. £380 only the first was published. Caddy (1801-83) was A view of the military fortress at San Francisco, poosted to the West Indies twiice, to Tobago in 1828 and showing Native Americans with packs on their backs to St Lucia in 1833, transferrring to St Vincent in 1834, being driven by mounted men. A plate from Louis the year that slavery was abolished in the British Choris's 'Voyage Pictoresque Autour du Monde...' colonies. Abbey, Travel 692. 1822, illustrating Choris's travels throughout America, Stock: 44738 Africa and Europe. Stock: 44587

473. Arab Chief, Crossing the Desert. 478. Government Housse Calcutta. Equestrian Gallery, by Victor Adam. No 7. [n.d., c.1860.] Victor Adam del. London, published by Charles Tilt Photograph, 185 x 245mm (7¼ x 9¾), titled in pencil 86, Fleet St. [n.d., c.1838]. on backing sheet. £75 Lithograph, sheet 330 x 470mm (13 x 18½") A full Government House, designed by Captain Charles sheet; some light foxing. Repaired hole in design lower Wyatt and built between 1799-1802, was the residence left. £240 for the British Governors-General till 1911. A mounted arab with lance, after Victor Adam (1801 - Stock: 44567 1866). Stock: 44439 479. St Paul's Cathedral Calcutta. [n.d., c.1860.] 474. China and Burmah. Photograph, 185 x 245mm (7¼ x 9¾), titled in pencil The Illustrations by A.H. Wray, & Engraved by J.B. on backing sheet. £45 Alleb. The Map Drawn & Engraved by J. Rapkin. The A Gothic Anglican cathedrall in Kolkata, completed in London Printing and Publishing Company [n.d., 1847, but reconstructed to a rrevised design after the c.1855.] 1897 earthquake. Steel engraved map with outline colour on the map. Stock: 44568 Sheet 275 x 375mm (10¾ x 14¾"). £180 A map of China decorated with six vignettes, including views of Hong Kong and British Factories at Canton. It was published in one of the publications of John Talliis. Stock: 43985

475. Sketch from nature in China [ms below image] [John Kerr?] Watercolour, sinked in ink on verso; sheet 235 x 340mm (9¼ x 13¼"). Glued to album sheet. £450 Landscape with a small Chinese Temple dwelling on left. George Chinnery 1774-1852. Stock: 44788

476. Tombeau et Village entres Les Baies dee Hong-Kong et de Cow-Loon. No.7. Vue Intérieure ddu Grand Temple a Macao. No 8. 480. Charge of the 3.rdd King's Own L.t Dessiné d'après nature par Aug. Borget, lith. par Eug. Dragoons at the Battle of Chillienwallah, Jan.y Ciceri. Imp Lemercier Benard & C.e Paris, Goupil et 13.th 1849. To Major General Sir Joseph Vibert édit. [n.d. 1842.] Thackwell, K.C.B. K.H. and the Officers of Tinted lithograph. 280 x 361mm (11 x 14¼") large Cavalry engaged, This Plate is most margins. Some chipping around the edges. Very slight respectfully dedicated by their very obliged & foxing. £350 obedient Servant, Rudolf Ackermann, 191, The views on one sheet. The view of Hong Kong Regent Street. shows a tomb and village set in the undulating hillside Painted by H.y. Martens. Engraved by J. Harris. between Kowloon and Hong Kong; a couple set some London, Published Dec.r 18..th 1849, by Rudolf incense down by a tombstone and kneel to pray, otheer Ackermann, at his Eclipse Sporting & Military Gallery, people in the village with their livestock. The upper 191 Regent Street. view in the interior of the main temple of Macao. Colour-printed aquatint withh hand-colour. Framed. Auguste Borget (1808-77) visited China 1838-0; his Image: 615 x 485mm (24¼ x 19"). Frame: 810 x 'Sketches of China and the Chinese' was published in 675mm (32 x 26½"). Unexamined out of frame. £850 1842, the year that the British started leasing Hong A view of the Battle of Chillliienwala fought between Kong. the British East India Company and the Sikh Empire, it Stock: 44443 was one of the bloodiest batttles of the Second Anglo- Sikh War and both sides claiimmed victory. In thr 477. Barrrachporeans returning from the foreground of the image a Brritish soldier lies dead, Hunt. while an unmounted Sikh solldier fights from the by Sam Weller. T. Black Lith.r. Drawn & Printed at the ground, behind them mounted Sikh and British Cavalry Asiatic Lith.c Press Calcutta. [n.d., c.1830.] fight with swords. With description of the battle below Lithograph. Printed area 190 x 230mm (7½ x 9"). A title. little creasing. £75 Stock: 44890 A caricature of a coach carrying Europeans. Barrackpur was the British viceroy's suburban residence, used during the summer. Stock: 44746 481. Battle of Ferozshah (2.nd Day) 22.nd Army during the First Angloo-Sikh War. On the right December 1845. The British Troops resuming the British Army approaches the Sikh army standing the attack on the Seik Entrenched Camp, On beehind a row of canon while British and Sikh soldiers the morning of the 22.nd Dec.r after the lie dead in the foreground. Stock: 44891 Bivouac of the 21.st Night having interruptedd this eventful Struggle... 484. View down the Gooa River from Castle Painted by H. Martens, from a Sketch by Major G.F. White 31st Reg.t. Engraved by J. Harris. London: Reis Magos May 1844 Published April 5.th 1849, by Rudolph Ackermann, at [Anon.] his Eclipse Sporting & Military Gallery, 191 Regent Pencil sketch, sheet 125 x 170mm (5 x 6¾"). £160 Street. View from Reis Magos Fort in Goa, India, showing Colour-printed aquatint with hand-colour. Framed. ships sailing along the Mandovi River. Stock: 44797 Image: 615 x 485mm (24¼ x 19"). Frame: 810 x 675mm (32 x 26½"). Damage in title area. Unexamined out of frame. £850 485. Ryacotta, in the Barramah'l. No.XII. A view of the Battle of Ferozeshah which was fought Drawn & Engraved by Tho.s & W.m Daniell. between the British East India Company and the Sikh Published as the Act directs, by Tho.s Daniell, R.A. Empire during the First Anglo-Sikh War. Troops with Howland Street, Fitzroy Squuare, London, June 1. 1802. cannon circling a collection of tents in the background. Colour-printed aquatint. Framed. Plate: 640 x 475mm Stock: 44893 (25 x 18¾"). Frame: 820 x 6770mm (32¼ x 26½"). Stain in bottom edge. Unexaammined out of frame. £1100 482. The Cutwaly Gate, Gour [&] A Small A view of the fof rtress at Rayakottai in the Tamil Nadu Gateway leading through the east side of the region of India, the fort was rruled by Hyder Ali and Tipu sultan but was seized in 1791 by Major Gowdie in rampart of the Fort of Gour. [verso of the the Third-Mysore War. From William and Thomas former] The Cutwaly or south gate of the Daniell's 'Oriental Scenery'. ancient City of Gour from coloured prints donne Stock: 44892 from sketches of Robert Creighton Esqre Grand father of the present who had the appointment of Malda & the care of the ruins of Gour many years before my brother Two pencil drawings, each approx. 270 x 365mm (10½ x 14¼"). Water staining. £420 Two drawings of the ruined city of Gauḍa or Lakhnauti (formerly knnown as Gour) on the India-Bangladesh border. The drawings are based on prints published in 'The ruins of Gour described and represented in eighteen views', which were themselves made after drawings by Henry Creighton, grandfather of the maker of these drawings (mistakenly referred to as Robert in the inscription). Malda, also referred to in the inscription, is a nearby city which gives its name to the Malda District in West Bengal which includes Gour. Stock: 44781

483. The Thirty-first Regiment, Sir Harry 486. Tiger Hunting in thhe East Indies. [&] Smith's Division, advancing to the Charge, At Embassy of the Hyderbeck to Calcutta. the Battle of Moodkee, on the 18th. of J. Zoffany, Esq.r R.A. pinx.t.. Rich.d Earlom, sculp.t Londini. Published Dec.r 2.nd by 1802 [& 1800]. by December 1845. To Major General Sir Harry Rob.t Laurie & Ja.s Whittle, No.53, Fleet Street, Smith, Bar.t G.C.B. &c. &c. this Plate is most London. respectfully Inscribed, by his very obliged and A pair of very fine mezzotintts. Framed. Printed area obedient Servant, Rudolph Ackermann, 191, approx: 670 x 525mm (26½ x 20¾"). Unexamined out Regent Streeet. of frames. £10000 Painted by H. Martens, from a Sketch by Major G.F. A wonderful pair of mezzotints after paintings by White 31st Reg.t. Engraved by J. Harris. London: Johann Zoffany (1733-1810)), who lived in Lucknow Published Juune 14.th 1848, by Rudolph Ackermann, aat for a time. One scene shows a group of hunters, riding his Eclipse Sporting & Military Gallery, 191 Regent on elephants, surrounding a ttiger. The second shows a Street. prrocession of Europeans and Indians walking towards Colour-printed aquatint with hand-colour. Framed. the distance, in the centre an elephant picks a man up Image: 615 x 485mm (24¼ x 19"). Frame: 810 x with his truck and several off the passengers riding on 675mm (32 x 26½"). Unexamined out of frame. £850 his back lose their grip. Sir Joohn Kennaway rides in a A view of the Battle of Mudki which was fought howdah on an elephant behind. between the EEast India Company and Sikh Khalsa Stock: 44967 491. The Manner of Paasssing a River between Point de Galle & Columbo. Salt del. Mitan Sculp. Publisshhed May 1. 1809 by William Miller, Albermarle Street, London. Engraving. Sheet 235 x 295mm (9¼ x 11½"). £70 A river scene in Sri Lanka, an illustration from 'Voyages and Travels to Indiia, Ceylon, the Red Sea, Abyssinia and Egypt, in the years 1802, 1803, 1804, 1805, and 1806', by George Annesley (1770-1844), Viscount Valentia and later 2nd Earl of Mountnorris. Annesley wrote that on 20th December 1803 'We arrived at the river before sunset, where a boat was ready to take over the palanquins. It was formed of three of their canoes fastened together, with a platform over them'. 487. [Kyoto] Vue et Description de la Ville de The artist was Henry Salt (1780-1827), Valentia's Meaco Capitale du Japon avec d'autres secretary on the trip. Stock: 44737 Particularitiez du Pais. [Amsterdam, Henri Abraham Chatelain, c.1715.] Engraving, 18th century watermark. 395 x 505mm 492. [Jerash] Djerasch. Vue d'un Temple Pris (15½ x 19¾") very large margins. £320 du Sud. View of a Temple Taken from the An early prospect of Kyoto, a plan of Nagasaki and South. four other illustrations including how the Japanese Dessiné par l'Auteur. Lith. par Deroy et imp. chez L. tortured and executed Christians, with engraved text iin Letronne. [Paris, Firmin Diddoot, Frères Editeurs, 1837.] French. From Chatelain's seven-volume 'Atlas Tinted lithograph. Sheet 3000 x 450mm (11½ x 17¾") Historique', published between 1705 and 1720. large margins. Trimmed from a larger sheet. £180 Stock: 44582 The Jerash Temple of Artemis, one of the most remarkable monuments left of the ancient city of 488. [Figures from fourteen countries in Gerasa. It was completed 150AD and eleven of the national costume] Gruenlaender; Canadier; twelve Corinthian columns still stand. From Léon de Laborde's 'Vooyyage en Syrie'. Baschkir; Tuerke [...] Stock: 44607 [Anon. German, c.1840] Lithograph, rare, sheet 320 x 200mm (12½ x 8"). Trimmed from original sheet in four sections and 493. [Jerash] Djerasch. Petir Temple Ruiné pasted to backing sheet. Some staining. £85 près de la Colonnade. Ruins of a Little Temple Representations of people from: Greenland, Canada, near the Colonade. Baschkortostan (Russia), Turkey, Arab lands, Persia Dessiné par l'Auteur. Lith. par Deroy et imp. chez L. (Iran), China, Kamchatka (Russia), Van Diemen's Land Letronne. [Paris, Firmin Diddoot, Frères Editeurs, 1837.] (Tasmania), Friendly Islands (Tonga), Marquesas Tinted lithograph. Sheet 3100 x 450mm (12¼ x 17¾") Islands, Australia, and the Caribbean. large margins. Trimmed from a larger sheet. £150 Stock: 44490 One of the Roman ruins in Jerash, the ancient city of Gerasa. 489. Home des I'les Manilles. From Léon de Laborde's 'Vooyyage en Syrie'. [Paris, c.1784.] Stock: 44608 £75 A Manillan man,, from Jacques Grasset de Saint- 494. Ox Arabas. Sauveur's ''CCostumes de Différent Pays''. [Maltese School.] [n.d., c.18220.] Stock: 44517 Pen and wash, titled in penciil. Sheet 140 x 210mm (5½ x 8¼"). £160 490. View of Adam's Peak, and Point de An ox-drawn carriage carrying seven veiled women. Stock: 44762 Galle. Salt del. Angus sculpt. Published May 20 1809 by William Miller, Albermarle Street, London. 495. [An Ottoman coffiin?] Engraving. Sheet 235 x 295mm (9¼ x 11½"). £140 [Maltese School.] [n.d., c.18220.] A view of the coast of Sri Lanka, an illustration from Pen and wash. Sheet 140 x 130mm (5½ x 5") £60 'Voyages and Travels to India, Ceylon, the Red Sea, Stock: 44760 Abyssinia and Egypt, in the years 1802, 1803, 1804, 1805, and 1806', by George Annesley (1770-1844), 496. Jewish woman. Viscount Valentia and later 2nd Earl of Mountnorris. [Maltese School.] [n.d., c.18220.] The artist was Henry Salt (1780-1827), Valentia's Pen and wash, titled in penciil. Sheet 250 x 160mm (9¾ secretary on the trip. x 6¼"). £140 Stock: 44736 Stock: 44765

497. Turkish woman. 504. Australian Exploreers 1, Leichardt. 2, [Maltese School.] [n.d., c.1820.] Sturt. 3, Burke. 4, Wills. Pen and wash, titled in pencil. Sheet 160 x 130mm (6¼ [Anon., c.1880] x 5"). £95 Chromolithograph, printed arrea 160 x 220mm (6¼ x A veiled woman. 8½"). £65 Stock: 44764 Portraits of: Ludwig Leicharrddt (1813-48), Charles Sturt (1795-1869), Robert O'Hara Burke (1821-61), and 498. Dancing Dervish Constantinople, 1817. William John Wills (1834-61). From a book of [Maltese School.] Australian views. Pen and wash, titled in pencil. Sheet 250 x 170mm (9¾ Stock: 44029 x 6¾"). £95 Stock: 44766 505. Group of Gouty-Stem Trees, Adansonia gregorii, near the Baines River, Victoria River, 499. [***] of the Dervishes. North Australia . [Maltese School.] From an original oil-painting by T. Baines, in the Pen and wash, titled in pencil. Sheet 170 x 120mm (6¾ Museum, Kew. [n.d., c.1860.] x 4¾"). £80 Chromolithograph, printed in colours. Sheet 145 x A man with a gown with huge sleeves. 230mm (5¾ x 9"). £110 Stock: 44767 An illustration of the boab (or boabab) tree, by Thomas Baines (1820-75), the official artist and storekeeper for 500. Turkish Priest. Augustus Gregory's 1855-7 expedition across northern [Maltese School.] [n.d., c.1820.] Australia for the Royal Geographical Society. Both Pen and wash, titled in pencil. Sheet 170 x 125mm. On Mount Baines and the Baines River were named in his album paper, corner missing. £120 honour. Stock: 44759 The following year Baines accompanied Livingston to the Victoria Falls in Africa. Stock: 44652

506. View, Botanical Gaardens, Brisbane. Phillip-Stephan Process Co [[c.1880] Chromolithograph, printed arrea 220 x 160mm (8½ x 6¼"). £30 From a book of Australian viiews. Stock: 44025

507. Supreme Court, Brrisbane. Phillip-Stephan Process Co [[c.1880] Chromolithograph, printed arrea 220 x 160mm (8½ x 6¼"). £50 501. The Sultan's Caique. From a book of Australian viiews. Stock: 44024 [Maltese School.] [n.d., c.1820.] Pen and wash, titled in pencil. Sheet 140 x 205mm (5½ x 8"). £160 508. Stanley Bridge, Norman Creek, The Sultan's ceremonial rowing boat. Brisbane. Stock: 44761 Phillip-Stephan Process Co [[c.1880] Chromolithograph, printed arrea 220 x 160mm (8½ x 502. Turkish Jew Daniel Burgos. 6¼"). £50 [c.1820] A man fishing in Norman Crreek, a small tributary of Watercolour sketch signed in pen and ink, sheet 150 x the Brisbane River. From a book of Australian views. 110mm (6 x 4¼"). £140 Stock: 44023 Stock: 44817 509. Goodna, Brisbane River. 503. Australian Explorers. 1, Sir C. Grey. 2, Phillip-Stephan Process Co [[c.1884] Giles 3, Stuart 4, Forrest. Chromolithograph, printed arrea 220 x 160mm (8½ x [Anon., c.1880] 6¼"). £45 Chromolithograph, printed area 160 x 220mm (6¼ x Goodna in Queensland, Austtralia, by the Brisbane 8½"). £65 River between Brisbane and Ipswich. From a book of Portraits of: Sir George Grey (1812-98), Ernest Giles Australian views. Stock: 44028 (1835-97), C John McDouall Stuart (1815-66), and John Forrest (1847-1918). From a book of Australian views. Stock: 44030

510. Queen St. Brisbane. European ship surrounded by canoes, the lower a large Phillip-Stephan Process Co [c.1880] waka. Chromolithograph, printed area 220 x 160mm (8½ x Stock: 44656 6¼"). £50 Brisbane street view, showing various identifiable 517. Captains Hunter, Collins & Johnston, shops and offices. From a book of Australian views. with Governor Phillip, Surgeon White, &c. Stock: 44026 Visiting a Distressed Female Native of New South Wales, at a Hut, near Port Jackson. 511. Queen St. Brisbane. Published by Alex.r Hogg. Aug.t 31. 1793. Phillip-Stephan Process Co [c.1884] Engraving. 185 x 230mm (7¼ x 9"). Cut inside Chromolithograph, printed area 220 x 160mm (8½ x pllatemark at bottom. Small margins on 3 sides. £230 6¼"). £70 From 'The New Royal System of Universal Geography' The elegant premises of the Queensland Club in byy Michael Adams. Brisbane, at the corner of Alice and George Streets. Stock: 44633 The building was completed in 1884 and is continues to serve the purpose for which it was built. From a book of Australian views. Stock: 44027

512. Brisbane River. [Anon., c.1880] Chromolithograph, printed area 170 x 225mm (6¾ x 8¾"). £50 From a book of Australian views. Stock: 44022

513. Repairing of Captain Cook's Ship, in the Endeavour River. [n.d., c.1790.] Engraving, rare. Sheet 110 x 180mm (4¼ x 7"). Trimmed into image at top, bottom edge frayed. £130 518. A View in Port Jackson, New South Cook's ship 'Endeavour' shown careened to repair the Wales. hole made in the hull when it aground on the Great T. Webley Sculp.t. [after John White.] Published by Barrier Reef in June 1770, during the First Voyage, Alex.r Hogg, May 1, 1793. Stock: 44658 Engraving. 195 x 260mm (7¾ x 10¼"). Edges toned. £230 514. A Man of the Duke of York's Island. A Published in ''A New Royal System of Universal Man of Lord Howe's Island. Geography'', this plate is an enlarged version of a Published by Alex.r Hogg. Aug.t 1. 1793. vignette on the titlepage of John White's ''Journal of a Engraving. 185 x 230mm (7¼ x 9") Small margins. Voyage to New South Wales'', attributed to White £140 himself. A man of Duke of York's Island, Papua New Guinea; White (c. 1756-1832) was prrincipal naval surgeon for and a man of Lord Howe Island, Australia. From 'The the voyage of the First Fleet to Australia in 1787. New Royal System of Universal Geography' by Stock: 44576 Michael Adams. Stock: 44624 519. Man, Woman & Children of New South Wales. From a Sketch taken on the Spot. 515. Camp Hill, Moonee Ponds Goldar Sculp.t. Published by Alex.r Hogg, July 1, [Anon., c.1860] 1793. Watercolour on card with decorative embossed border, Engraving. 195 x 260mm (7¾ x 10¼"). Edges toned. sheet 115 x 150mm (4½ x 6"). ` £650 £120 A building in Moonee Ponds, now an inner suburb of Published in ''A New Royal System of Universal Melbourne in Australia. It was named by the politician Geography'', this plate is a copy of the engraving by Donald Kennedy (1807-64), after his native valley inn William Blake in ''An Historrical Journal of the Inverness-shiire, Scotland. Transactions at Port Jacksonn and Norfolk Island'' by Stock: 44780 John Hunter. Stock: 44575 516. Mercury Bay New Zealand. [n.d., c.1860.] 520. Wool and Produce Stores, Circular Coloured wood engraving. Sheet 145 x 90mm (5¾ x Quay, Sydney. Commercial Architecture No 2. 3½"). Torn. £95 Supplement to the Sydney ''Sydney Mail''. Two vignette illustrations, probably commemorating [Sydney: John Fairfax & Sons, c.1877.] Cook's visit in 1769. The upper scene shows a Lithograph, rare. Sheet 240 x 335mm (9½ x 13¼"). Australia, New Zealand and the East Indies between Some surface soiling. £290 1791-3. The Sydney Mail was a weekly newspaper that ran Stock: 44034 from 1860 to 1938. Stock: 44572 525. Australian Race. Willilnga. A Native of the Interior of Australia.. 521. View of Sydney [n.d., c.1848.] Drawn from an Original Sketch by W.H. Wilson. Coloured engraving. Sheet 115 x 185mm (4½ x 7¼"). Engraved byy H. Bibby. The London Printing and Right edge frayed, a little spotting. £65 Publishing Company. [n.d., c.1860.] An Australian aborigine wearing a white shirt. From Steel engraving. Sheet 190 x 280mm (7½ x 11"). Charles Pickering's 'Races off Man and Their Bottom edge frayed. £120 Geographical Distribution'. A view from above the city. Stock: 44663 Stock: 44661 526. Assemblée des Chefs des Iles Sandwich 522. Sydney, New South Wales, S. View. en conférance avec le Commandant de la Gent. Mag. May 1824 Pl. I. p.393. Vénus. Engraving. Image: 160 x 130mm (6¼ x 5"). £140 Masselot del.t. Lith par Bichhebois. fig. par Bayot. Lith. A view of Sydney harbour showing the buildings, Thierry freres. warehouses and docks. In illustration from the Lithograph, on india paper. IImage: 380 x 280mm (15 x 'Gentleman's Magazine'. 11"), with very large marginss. £280 Stock: 44865 A view in a large hall during a meeting between King Kamehameha III and High Chiefess Kina'u and his advisors and Captain du Petiitt-Thouars and other officers of the French naval ffrigate Venus. The meeting was called to dicuss two Catholic priests who had been expelled from Hawaii but haad returned on a British ship. Captain du Petit-Thouars and his officers sit on chairs facing a dias on which the king and queen and their advisors sit. A plate froom 'Atlas Pittoresque of du Petit-Thouars' Voyage Autour du Monde sur La Fregate La Venus'. Stock: 44920

527. Death of Captain Cook. Pye sc. [n.d., c.1800.] Engraving. 105 x 160mm (4¼ x 6¼") large margins. 523. The Exchange, Sydney. Bridge and Some spotting. £140 Gresham Streets. Commercial Architecture An uncommon version of the famous scene. No 1. Supplement to the Sydney ''Sydney Stock: 44574 Mail''. [Sydney: John Fairfax & Sons, c.1877.] 528. A Man and Woman of the Sandwich Lithograph, rare. Sheet 240 x 335mm (9½ x 13¼"). Islands. Engraved for the Lady's Magazine. Small tears in edges. £290 [after John Webber.] [Londoon: John Coote & John The Sydney Mail was a weekly newspaper that ran Wheble, c.1775.] from 1860 to 1938. Engraving. 120 x 180mm (4¾ x 7"). Trimmed into Stock: 44571 pllate at top. £75 A composite image, putting tthe heads of two Webber 524. A Double Canoe of New Caledonia. 1. A poortraits of Hawaiians into ovvals in a decorative boder. Catamaran of Cape Diemen. 2. A. A Canoe of Stock: 44662 Santa Cruz or Egmont Island. Piron del. Harding sc. Eastgate sc. Pub.d. Apr. 20, 529. An Offering before Captain Cook, in the 1800 by J. Debrett Piccadilly. Sandwich Islands. Engraving, sheet 230 x 305mm (9 x 12"). Trimmed to Webber del. Walker sculp. Published as the Act plate. £70 directs, by Harrison & Co September 1. 1784. Sketches of a catamaran of New Caledonia, complete Engraving. 155 x 195mm (6¼ x 7¾"). £65 with open fire, and a Tasmanian canoe, and a diagram A ring of islanders sitting in front of a thatched of a canoe of Nendo (Santa Cruz Islands). buuilding with a wooden palisade, surrounding Cook From the English edition of Jacques Labillardière's ''An and several other officers, who sit in front of two tall Account of A Voyage in search of La Perouse... Undeer wooden images draped in cloths, one standing to the Command of Rear-Admiral Bruni d'Entrecasteaux'', prresent him with a pig. an expedition that crossed the South Pacific, visiting Stock: 44573

530. Scène prise dans l'ile d'Oahou, (Iles [two with facsimile signature] O.L.W. Boresfield Staff Sandwich.) Surveyor. J. Buchanan Lith. [third] Surveyed and lith J. Masselot del.t. Lith par Sabatier. Lith de Thierry byy by J. Buchanan. Printed at the Gen. Gov. Lith. Press freres, Paris. [n.d., c.1840.] byy J. Earle. [Wellington? 1869.] Lithograph, printed on india paper. Image: 235 x Three lithographs, one with hand colour. Largest 215mm (9¼ x 8½"), with very large margins. £240 prrinted area 360 x 460mm (14 x 18"). Wear to all A view of the beach in Hawaii showing children maps. £350 playing, some people fishing and some gathered Three rare plates illustrating the Maori Wars of 1869, around a large pot. A plate from 'Atlas Pittoresque of detailing the Pā forts. Ngatapa Pā was a fortress of Te du Petit-Thouars' Voyage Autour du Monde sur La Kooti, attacked and captured by George Whitmore, Fregate La Venus'. although Te Kooti escaped by climbing down sheer Stock: 44921 cliffs. Tauranga ika-Pā, builtt by Titokowaru, is regarded as a masterpiece off design, of which 531. Vue d'une rue d'Honoloulou, Capitale Whitmore said 'no troops in tthe world could have hewn des Iles Sandwich. La Reine Kinau revient du their way through [had it been] defended by excellent Temple des Etrangers accompagnée de ses shots and desperate men’. However it was abandoned beefore it was tested, perhaps because Titokowaru had dames d'honneur. alienated him men. Masselot del.t. Lith par Bichebois. Fig par Bayot. Litth. Stock: 44002 de Thierry frères. [n.d., c.1840.] Lithograph, printed on india paper. Image: 320 x 535. New Zealand. Te Kewiti, son of Te 250mm (12½ x 9¾"), with very large margins. Some tears in edges. £320 Kauwain, young chief of the Ngate Watuas. A view of a street in Honolulu in Hawaii, showing New Zealander. Queen Rainu returning from the foreign church, she Drawn in London. Lizars sc. [n.d., c.1840.] stands in the foreground followed by two of her ladies Coloured engraving. Sheet 165 x 100mm (6½ x 4"). in waiting. A plate from 'Atlas Pittoresque of du Petit- Creased. £45 Thouars' Voyage Autour du Monde sur La Fregate La The heads of two tattoo'd maori. Stock: 44664 Venus'. Stock: 44922

532. [1886 earthquake] Supplement to the New Zealand Herald. C.P. Wilsons & Horton Chromo-Lith. Auckland. June 21, 1886. Three chromolithographs and two litho maps on one sheet. 445 x 2290mm (18 x 11½"). Some spotting and wear. £130 A newspaper sheet published eleven days after the earthquake annd volcanic eruptions that hit New Zealand's North Island on June 10th 1886. 150 peoplee, mostly Māori, were killed, and two of New Zealand's most famous natural features, the Pink and White Terraces illusstrated here, were destroyed. Stock: 44003

536. [Chart containing the greater part of the 533. Cascade Cove, in Dusky Bay, New South Sea to the South of the Line, with the Zealand. Islands dispers'd throu' tthe same.] [n.d., c.1790.] [Engraved by Thomas Jefferryys after Braddock Mead.] Engraving. Sheet 110 x 180mm (4¼ x 7") £120 Publish'd according to Act off Parliament and Printed European sailors fishing and shooting birds in Dusky for Robert Sayer in Fleet Street and Thomas Jefferys in Sound, New Zealand. The fjord was visited by Cook the Strand. [n.d., 1768.] on his First and Second Voyages. One sheet only (of six). Engrraved map with border, Stock: 44637 scarce but damaged. Sheet 440 x 545mm (17¼ x 21½"). Trimmed into plate, losing title above top 534. [Threee illustrations of Maori Pā.] Plan boorder, damage in plate. Laid onto old canvas, in turn of Ngatapa Pa, Poverty Bay, taken by Col. glued to board. Tears. £680 Whitmore with the Colonial Force from the The bottom left sheet of Braddock Mead's important Hau Hau under Te Kooti. [&] Plan of Ngatapa six-sheet map, 'A Chart of North and South America Pa, Poverty Bay, taken by the Colonial Forces including the Atlantic and Pacific Oceans with the under Col. Whitmore 5th January 1869. [&] nearest Sections of Taurangaika Pa. West Coast. coasts of Europe, Africa andd Asia.' It shows the pre- Cook outline of New Zealandd, Espiritu Santo (then poosited to be the east coast of Australia), the Solomon Islands and Marquesas, with the routes of the major and vicious cannibal but lateerr was baptised and re- explorers marked. christened "Lydia"' (Ball & Martin, 'The Price Guide to Despite being designed to be joined, each sheet had a Baxter Prints'). printed border and an individual title, missing in this Stock: 44882 example, allowing the sheets to be sold separately. The map was originally published by Jefferys alone in 17553 540. View of Curtis's Islands. but, after backruptcy in 1766 forced him to take on Lieu.t Watts del. T. Medland sculp.t. Published Oct. 1. partners, this second edition was published with Sayer, 1789 by J. Stockdale. apparently unrevised. A third state, published by Sayyer Engraving. 210 x 255mm (8½ x 10"). Trimmed within and Bennett iin 1775, has Cook's mapping of New pllate at top. Very slight crease on right. £95 Zealand. Skeches of a rocky island in the Kermadec Islands, Stock: 44645 named by the artist, Lieutenant John Watts, after one of the crew of the 'Lady Penryn', the first Europeans to visit the area.From Phillip's 'TThe voyage of Governor Phillip to Botany Bay', publiished in London in 1789, although illustrating Watts's account of the return voyage via Canton, also described in the book. Watts (1755–1801) had been a midshipman in Resolution on James Cook's third voyage to the Pacific, 1776-80, but had travelled to Australia witth the First Fleet as a paassenger. On the return leg he was the supercargo (i.e.. in charge of the cargo). Stock: 44038

541. View of Macaulay''s Islands. Lieu.t Watts del. T. Medland sculp.t. Published Nov. 5. 537. The extraordinary Manner of the Triall 1789 by J. Stockdale. for Adultery, among the Malays. Engraving. 210 x 255mm (8½ x 10"). Trimmed within [William Elmes.] [London Pub. by T. Tegg, Oct. 7. pllate at top. Small margins on 3 sides. £120 1808.] Skeches of a rocky island in the Kermadec Islands, Hand-coloured aquatint. Sheet size: 260 x 175mm named by the artist, Lieutenant John Watts, after one of (10¼ x 7"). Trimmed, creases, edges damaged and the crew of the 'Lady Penryn', the first Europeans to paper toned. £220 visit the area. A fascinating image from a very scarce series of plates From Phillip's 'The voyage of Governor Phillip to by the caricaturist William Elmes depicting shipwrecks Botany Bay', published in London in 1789, although and maritime disasters, attacks by native Americans illustrating Watts's account of the return voyage via and by other indigenous peoples and pirates, Canton, also described in the book. Watts (1755–1801) ceremonies, punishments and torture. Published by had been a midshipman in Reesolution on James Cook's Thomas Tegg. third voyage to the Pacific, 1776-80, but had travelled Stock: 44680 to Australia with the First Fleeet as a passenger. On the return leg he was the supercargo (i.e.. in charge of the 538. A Canoe and Natives of Mulgrave's cargo). Stock: 44039 Range. R. Cleveley Del.t. T. Medland sculp.t. Published Oct. 15. 1789 by J. Stockdale. 542. The Islands of Lema. Engraving. 210 x 255mm (8½ x 10"). Trimmed within [London: for the author by John and Paul Knapton, plate at top. Small margins on 3 sides. Very slight 1748.] staining at top, small tear on right. £130 Coloured engraving. 230 x 520mm (9 x 20½"). Folded An outrigger canoe of 'Lord Musgrave's Range', as issued, backed on paper. £95 apparently a coral island near the Caroline Islands. A profile of the Lema islands of the Mariana Islands, From Phillip's 'The voyage of Governor Phillip to described by Anson as 'rocky and barren'. Botany Bay', published in London in 1789, although George Anson's circumnavigation, 1740-44, was one of illustrating John Marshall's voyage from Port Jackson the last great buccaneering vooyages, an official to Whampoa in China, also described in the book. expedition to the South Seas to harass the Spanish Stock: 44037 baases but, more importantly, plunder their shipping. A main target was one of the riicchly-laden Manila 539. [Fiji] Vah-Ta-Ah. The Feejeean Princess. galleons that crossed between Acapulco in Mexico and From a Miniature by J.D. Macdonald, of H.M.S. Manilla the Philippines. A sttroke of luck presented Herald. Printed in Oil Colours By Baxter, Inventor and them with one laden with 1.3 million silver pieces of Patentee, London. eight; on their return to London, thirty-two wagons Engraving. 93 x 105mm. £50 were needed to transfer them to the Tower of London. 'This is an illustration from [Joseph] Waterhouse's Published in Anson's own account, ''A Voyage Round book "Vah-ta-ah". This primitive native was a cruel the World, in the years MDCCXL, I, II, III, IV''. Stock: 43996 543. A view of the N. W. side of Saypan one an expedition that crossed the South Pacific, visiting of the Ladrones of Marian Islands. Australia, New Zealand and the East Indies between [London: for the author by John and Paul Knapton, 1791-3. 1748.] Stock: 44033 Coloured engraving. 230 x 520mm (9 x 20½"). Folded as issued, backed on paper. £160 547. Crimson Cliffs. A View of the Coloured A profile of Saipan in the Northern Mariana Islands, Snow in Lat. 76. 25 N. & Long. 68. W. now a U.S. commonwealth. Drawn by Cap.t Ross. Engraved by D. Havell. London, George Anson's circumnavigation, 1740-44, was one of Published Jan.y 1819 by J. Murray, Albermarle Street. the last great buccaneering voyages, an official Coloured aquatint. 200 x 450mm (8 x 17¾") very large expedition to the South Seas to harass the Spanish margins. Folded as issued. £190 bases but, more importantly, plunder their shipping. A Red cliffs seen in Baffin Bay west of Cape York, by main target was one of the richly-laden Manila Sir John Ross during his search for the North West galleons that crossed between Acapulco in Mexico and Passage. Ross sent some of the crew to investigate Manilla the Philippines. A stroke of luck presented them and found the snow was coloured to a depth of them with one laden with 1.3 million silver pieces of 10-12 feet. Samples were taken back to the ship and eight; on their return to London, thirty-two wagons examined: it was concluded that the red was vegetable were needed to transfer them to the Tower of London. matter, probably from plants that grew at the tops of Published in Anson's own account, ''A Voyage Round the cliffs. the World, in the years MDCCXL, I, II, III, IV''. From 'A Voyage of Discovery, made under the orders Stock: 43995 of the Admiralty, in His Majesty's ships Isabella and Alexander, for the Purpose of Exploring Baffin's Bay, 544. Woman of New Caledonia. and Inquiring into the Probability of a North-West Piron del. Harding ex. C. Warren sc. Pub.d. Apr. 20, Passage. 1800 by J. Debrett Piccadilly. Stock: 44001 Engraving. Sheet 290 x 225mm (11½ x 9"). Trimmed to plate. £70 548. A Laplander of Whale Island in his A New Caledonian native with a grass skirt. Swammee dress. From the English edition of Jacques Labillardière's ''An [Anon, c.1830] Account of A Voyage in search of La Perouse... Under Pencil and watercolour, sheet 230 x 185mm (9 x 7¼"). the Command of Rear-Admiral Bruni d'Entrecasteaux'', Glued to album sheet. £120 an expedition that crossed the South Pacific, visiting Watercolour, probably copied from a lithograph by Australia, New Zealand and the East Indies between Denis Dighton, itself taken from a drawing by Sir 1791-3. Arthur de Capell Brooke in Brooke's volume 'Travels Stock: 44035 through Sweden, Norway, and Finmark, to the North Cape in the Summer of 1820' (published 1823). For 545. Feenou Chief of the Warriors of another watercolour by the same hand after Dighton Tongataboo. Map of Cape Diemen. see ref.33743. Piron del. Harding ex. A.W. Warren sc. [Pub.d. Apr. Stock: 44814 20, 1800 by J. Debrett Piccadilly.] Engraving, sheet 230 x 305mm (9 x 12"). Trimmed to plate, tear into title area. £120 A chief of Tongatapu, the main island of Tonga; and an Aboriginal map of Tasmania. From the English edition of Jacques Labillardière's ''An Account of A Voyage in search of La Perouse... Under the Command of Rear-Admiral Bruni d'Entrecasteaux'', an expedition that crossed the South Pacific, visiting Australia, New Zealand and the East Indies between 1791-3. Stock: 44036

546. Toubou Son of the King of the Friendly Islands. Vouacecee An Inhabitant of Fidgi or Fejee. Piron del. Harding ex. A.W. Warren sc. [Pub.d. Apr. 20, 1800 by J. Debrett Piccadilly.] Engraving, sheet 290 x 230mm (9 x 12"). Trimmed to plate. £70 Portraits of men of Tonga and Fiji. From the English edition of Jacques Labillardière's ''An Account of A Voyage in search of La Perouse... Under the Command of Rear-Admiral Bruni d'Entrecasteaux'',