This is a repository copy of Liberalitas in Musical Exchanges in Florence and Ferrara. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/97940/ Version: Accepted Version Book Section: Shephard, T. (2017) Liberalitas in Musical Exchanges in Florence and Ferrara. In: Shephard, T. and Colton, L., (eds.) Source of Identity: Makers, Owners and Users of Music Sources Before 1600. Epitome Musicale . Brepols , Turnhout . ISBN 978-2-503-56778-5 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ Liberalitas in Musical Exchanges in Florence and Ferrara Tim Shephard The Florentine chansonnier V-CVbav Urbinates Latini 1411 (hereafter V-CVbav Urb. lat. 1411), a small manuscript containing just nineteen songs, opens with an inscription recording that it ‘was given to Piero de Archangelo de li Bonaventuri of Urbino by the Magnifico Piero di Cosimo de’ Medici of Florence’.1 Piero d’Archangelo, an agent of the ruler of Urbino, Federico da Montefeltro, probably received the manuscript from Piero di Cosimo some time between 1474 and 1479; but James Haar has shown that behind this straightforward donation lies a much more complex history of musical exchange, extending both earlier and later in the fifteenth century.2 Very likely the book was first made for the Medici intimate Ugo della Stufa c.