RSA 2015 Annual Meeting, Berlin, Germany, 26–28 March
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Glossary Glossary
Glossary Glossary Albedo A measure of an object’s reflectivity. A pure white reflecting surface has an albedo of 1.0 (100%). A pitch-black, nonreflecting surface has an albedo of 0.0. The Moon is a fairly dark object with a combined albedo of 0.07 (reflecting 7% of the sunlight that falls upon it). The albedo range of the lunar maria is between 0.05 and 0.08. The brighter highlands have an albedo range from 0.09 to 0.15. Anorthosite Rocks rich in the mineral feldspar, making up much of the Moon’s bright highland regions. Aperture The diameter of a telescope’s objective lens or primary mirror. Apogee The point in the Moon’s orbit where it is furthest from the Earth. At apogee, the Moon can reach a maximum distance of 406,700 km from the Earth. Apollo The manned lunar program of the United States. Between July 1969 and December 1972, six Apollo missions landed on the Moon, allowing a total of 12 astronauts to explore its surface. Asteroid A minor planet. A large solid body of rock in orbit around the Sun. Banded crater A crater that displays dusky linear tracts on its inner walls and/or floor. 250 Basalt A dark, fine-grained volcanic rock, low in silicon, with a low viscosity. Basaltic material fills many of the Moon’s major basins, especially on the near side. Glossary Basin A very large circular impact structure (usually comprising multiple concentric rings) that usually displays some degree of flooding with lava. The largest and most conspicuous lava- flooded basins on the Moon are found on the near side, and most are filled to their outer edges with mare basalts. -
Book of Abstracts: Studying Old Master Paintings
BOOK OF ABSTRACTS STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE 1618 September 2009, Sainsbury Wing Theatre, National Gallery, London Supported by The Elizabeth Cayzer Charitable Trust STUDYING OLD MASTER PAINTINGS TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE BOOK OF ABSTRACTS 1618 September 2009 Sainsbury Wing Theatre, National Gallery, London The Proceedings of this Conference will be published by Archetype Publications, London in 2010 Contents Presentations Page Presentations (cont’d) Page The Paliotto by Guido da Siena from the Pinacoteca Nazionale of Siena 3 The rediscovery of sublimated arsenic sulphide pigments in painting 25 Marco Ciatti, Roberto Bellucci, Cecilia Frosinini, Linda Lucarelli, Luciano Sostegni, and polychromy: Applications of Raman microspectroscopy Camilla Fracassi, Carlo Lalli Günter Grundmann, Natalia Ivleva, Mark Richter, Heike Stege, Christoph Haisch Painting on parchment and panels: An exploration of Pacino di 5 The use of blue and green verditer in green colours in seventeenthcentury 27 Bonaguida’s technique Netherlandish painting practice Carole Namowicz, Catherine M. Schmidt, Christine Sciacca, Yvonne Szafran, Annelies van Loon, Lidwein Speleers Karen Trentelman, Nancy Turner Alterations in paintings: From noninvasive insitu assessment to 29 Technical similarities between mural painting and panel painting in 7 laboratory research the works of Giovanni da Milano: The Rinuccini -
El Greco, a Mediator of Modern Painting
El Greco, a mediator of modern painting Estelle Alma Maré Tshwane University of Technology, Pretoria E-mail: [email protected] Without clear articulation of their insights, except in painted copies of and citations from his works, various modern artist seem to have recognised that formally El Greco’s late paintings are mental con- structs, representing only a schematic version of reality. El Greco changed the communicative function of painting from commenting on reality to constituting a reality. It is proposed that modern artists in a quest for a new approach to painting found El Greco’s unprecedented manner of figural expression, extreme degree of anti-naturalism and compositional abstraction a source of inspiration. For various painters that may have been a starting point in finding a new paradigm for art that was at a loose end after the influence of disciples of the French Academy terminated. Key words: El Greco, copying and emulation, Diego Vélazquez, Francis Bacon, Gustave Courbet, Éduard Manet, Edgar Degas, Paul Cézanne, J.F. Willumsen, Oscar Kokoschka, Pablo Picasso, Jackson Pollock El Greco, ’n medieerder van moderne skilderkuns Sonder dat hulle hul insigte duidelik geartikuleer het, behalwe in geskilderde kopieë van en aanhalings uit sy werke, het verskeie moderne kunstenaars blykbaar tot die insig geraak dat El Greco se latere skilderye denkkonstrukte is wat ’n geskematiseerde weergawe van die werklikheid verteenwoordig. Daar word betoog dat moderne kunstenaars op soek na ’n nuwe benadering tot die skilderkuns in El Greco se buitengewone wyse van figuurvoorstelling, anti-naturalisme en komposisionele abstraksie ’n bron van inspirasie gevind het. Vir verskeie kunstenaars was dit waarskynlik ’n aanknopingspunt vir die verwesenliking van ‘n nuwe paradigma vir kuns wat koers verloor het nadat die invloed van die dissipels van die Franse Akademie geëindig het. -
Quidditas 23 (2002)
QUIDDITAS Journal of the Rocky Mountain Medieval and Renaissance Association v olume 23 2002 ii QUIDDITAS 23 (2002) EDITORS Editor: Sharon A. Beehler, Montana State University Associate Editor: Eugene R. Cunnar, New Mexico State University Associate Editor: Margaret Harp, University of Nevada, Las Vegas Associate Editor: Harry Rosenberg, Colorado State University Book Review Editor: Lowell Gallagher, UCLA Associate Editor/Production: Kathryn Brammall, Truman State University MEMBERS OF THE EXECUTIVE COUNCIL AND EDITORIAL ADVISORY BOARD Susan Aronstein, University of Wyoming Sylvia Bowerbank, McMasters University (through 2003) Allen D. Breck, University of Denver (ex-officio) Jean R. Brink, Arizona State University (ex-officio) Stan Benfell, Brigham Young University (through 2004) Eugene R. Cunnar, New Mexico State University (ex-officio) Paul A. Dietrich, University of Montana (ex-officio) Thomas R. Eckenrode, Fort Lewis College (ex-officio) James Fitzmaurice, Northern Arizona University (ex-officio) Lowell Gallagher, UCLA (through 2000) Phebe Jensen, Utah State University (through 2001) Jean MacIntyre, University of Alberta (through 1999) Isabel Moreira, University of Utah (through 2001) Carol Neel, Colorado College (ex-officio) Glenn Olson, University of Utah (ex-officio) Joseph Perry, Brigham Young University (through 2004) Harry Rosenberg, Colorado State University (ex-officio) Charles Smith, State University of Colorado (ex-officio) Sara Jayne Steen, Montana State University (ex-officio) Jesse Swan, University of Northern Iowa (through 2004) Paul Thomas, Brigham Young University (through 2003) Michael Walton, University of Utah (through 1999) Charles Whitney, University of Nevada, Las Vegas (through 2003) Elspeth Whitney, University of Nevada, Las Vegas (through 2003) Jane Woodruff, William Jewell College (through 2004) © Copyright 2002 by The Rocky Mountain Medieval and Renaissance Association. -
Regional Oral History Off Ice University of California the Bancroft Library Berkeley, California
Regional Oral History Off ice University of California The Bancroft Library Berkeley, California Richard B. Gump COMPOSER, ARTIST, AND PRESIDENT OF GUMP'S, SAN FRANCISCO An Interview Conducted by Suzanne B. Riess in 1987 Copyright @ 1989 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West,and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between the University of California and Richard B. Gump dated 7 March 1988. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
Christianization of the Territory of Today's Moravia and Slovakia Before 8631 Pokristjanjevanje Ozemlja Današnje Moravske In
655 Izvirni znanstveni članek/Article (1.01) Bogoslovni vestnik/Theological Quarterly 80 (2020) 3, 655—667 Besedilo prejeto/Received:04/2020; sprejeto/Accepted:07/2020 UDK/UDC: 272-9(437.32+437.6) DOI: 10.34291/BV2020/03/Ivanic © 2020 Ivanič, CC BY 4.0 Peter Ivanič Christianization of the Territory of Today’s Moravia and Slovakia before 8631 Pokristjanjevanje ozemlja današnje Moravske in Slo- vaške pred letom 863 Abstract: Christianization, associated with consolidation of power and establish- ment of early Christian state formations, contributed significantly to creation of medieval Europe. Although the territory of today´s Moravia (eastern part of the Czech Republic) and Slovakia came into contact with Christianity already at the end of antiquity, the more intensive Christianization of these lands took place only from the 8th century, when this territory was settled by Slavs. Mis- sionaries from the Frankish Empire, from the territory of Istria, Dalmatia and northern Italy came here. Domestic Slavic elites started to convert to Christian- ity as from the 9th century. For them, Christianity became a means of recogniz- ing their social status externally and allowed them to integrate with the more culturally advanced Christian world. Archaeological findings (e.g. crosses and captorgs, plaques and bells from Bojná, objects of secular character), written sources, sacral architecture and burying methods testify to the existence of Christianity in the territory of today´s Moravia and Slovakia, especially in cen- ters of the power. Key words: christianization, Christianity, missionaries, Slovakia, Moravia Povzetek: Pokristjanjevanje, povezano z utrjevanjem oblasti in vzpostavljanjem zgodnjih krščanskih državnih tvorb, je odločilno prispevalo k oblikovanju sre- dnjeveške Evrope. -
The Heirs of Alcuin: Education and Clerical Advancement in Ninth-Century Carolingian Europe
The Heirs of Alcuin: Education and Clerical Advancement in Ninth-Century Carolingian Europe Darren Elliot Barber Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Institute for Medieval Studies December 2019 ii The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. iii Acknowledgements I wish to thank my supervisors, Julia Barrow and William Flynn, for their sincere encouragement and dedication to this project. Heeding their advice early on made this research even more focused, interesting, and enjoyable than I had hoped it would be. The faculty and staff of the Institute for Medieval Studies and the Brotherton Library have been very supportive, and I am grateful to Melanie Brunner and Jonathan Jarrett for their good advice during my semesters of teaching while writing this thesis. I also wish to thank the Reading Room staff of the British Library at Boston Spa for their friendly and professional service. Finally, I would like to thank Jonathan Jarrett and Charles West for conducting such a gracious viva examination for the thesis, and Professor Stephen Alford for kindly hosting the examination. iv Abstract During the Carolingian renewal, Alcuin of York (c. 740–804) played a major role in promoting education for children who would later join the clergy, and encouraging advanced learning among mature clerics. -
A Revolution in Information?
A Revolution in Information? The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Blair, Ann, and Devin Fitzgerald. 2014. "A Revolution in Information?" In The Oxford Handbook of Early Modern European History, 1350-1750, edited by Hamish Scott, 244-65. Oxford: Oxford University Press. Published Version doi:10.1093/oxfordhb/9780199597253.013.8 Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:34334604 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Open Access Policy Articles, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#OAP Manuscript of Ann Blair and Devin Fitzgerald, "A Revolution in Information?" in the Oxford Handbook of Early Modern European History, ed. Hamish Scott (Oxford: Oxford University Press, 2015), pp. 244-65. Chapter 10 A revolution in information?1 Ann Blair and Devin Fitzgerald The notion of a revolution in information in early modern Europe is a recent historiographical construct, inspired by the current use of the term to designate the transformations of the late 20th century. The notion, first propounded in the 1960s, that we live in an "information age" crucially defined by digital technologies for creating, storing, commoditizing, and disseminating information has motivated historians, especially since the late 1990s, to reflect on parallels with the past.2 Given the many definitions for "information" and related concepts, we will use the term in a nontechnical way, as distinct from data (which requires further processing before it can be meaningful) and from knowledge (which implies an individual knower). -
Extensions of Remarks 3561
February 17, 1969 EXTENSIONS OF REMARKS 3561 EXTENSIONS OF REMARKS THE RACE TO THE MOON Space experts say that unless we are will ing from one table to another, looking at a ing to maintain a stable, continuing space large book on each of two tables and shaking program in the coming decade we stand in his head. The Keeper looked and saw that his HON. GEORGE P. MILLER danger of squandering the $32 billion already smart monkey was reading Darwin's "Origin OF CALIFORNIA invested in the U.S. space program. of the Species" on one table and the "Holy Werner von Braun, director of the Mar Bible" on the other. The Keeper then asked IN THE HOUSE OF REPRESENTATIVES shall Space Flight Center, recently predicted the monkey why he kept shaking his head. Monday, February 17, 1969 the U.S. budget reductions will permit the The monkey replied: I'm trying to find out Russians "to fly rings around us in space in if I am my brother's keeper or my keeper's Mr. MILLER of California. Mr. Speak a period of five years." He contended it would brother." er, just before the epoch-making fiight take steady spending of $5 billion to $6 bil The moral for the evening is that back of Saturn V around the moon, the Oak lion a year for the U.S. to pull even; pro here in the State of my birth, Iowa's Gov land Tribune published an editorial en grams costing only up to $4 billion "simply ernor's Committee knows that it is both it's titled, "The Race to the Moon: Will It guarantee our falling back." brother's keeper and it's keeper's brother. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) The academization of art A practice approach to the early histories of the Accademia del Disegno and the Accademia di San Luca Jonker, M.J. Publication date 2017 Document Version Other version License Other Link to publication Citation for published version (APA): Jonker, M. J. (2017). The academization of art: A practice approach to the early histories of the Accademia del Disegno and the Accademia di San Luca. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 Appendix 1 Money in Florence and Rome in the sixteenth and seventeenth centuries Florence 1 scudo = 7 lire = 140 soldi = 1680 danari 1 giulio = 13 soldi and 4 danari 1 carlino = 10 soldi Rome 1 scudo = 10 giuli and 100 baiocchi 1 giulio = 10 baiocchi 1 grosso = 5 baiocchi 1 quatttrino = 1/5 of a baioccho 435 Appendix 2 Letters from Agnolo Guicciardini to Cosimo I de’ Medici AG, Legazione, XII, 18 (Published in Ridolfi 1931, 46-47). -
The Men of Letters and the Teaching Artists: Guattani, Minardi, and the Discourse on Art at the Accademia Di San Luca in Rome in the Nineteenth Century
The men of letters and the teaching artists: Guattani, Minardi, and the discourse on art at the Accademia di San Luca in Rome in the nineteenth century Pier Paolo Racioppi The argument of whether a non-artist was qualified to write about art famously dates back as far as the Renaissance.1 Through their writings, Cennino Cennini (c. 1360-before 1427), Leonardo da Vinci (1452-1519), and Giorgio Vasari (1511-1574) consolidated the auctoritas of artists by developing a theoretical discourse on art.2 Two centuries later, Anton Raphael Mengs (1728-1779), who was also Prince of the Accademia di San Luca between 1771 and 1772, even achieved the title of ‘philosopher-painter.’3 As for men of letters, the classicist theory of the Horatian ut pictura poesis, the analogy of painting and poetry, allowed them to enter the field of art criticism. From the Renaissance onwards, the literary component came to prevail over the visual one. As Cristopher Braider writes, the two terms of the equation ‘as painting, so poetry’ were ultimately reversed in ‘as poetry, so painting’,4 and consequently ‘it is to this reversal that we owe the most salient and far-reaching features of ut pictura aesthetics’.5 Invention, a purely intellectual operation of conceiving the subject (as in Aristotle’s Poetics and Rhetoric), thus rests at the base of the creative process for both poetry and painting. Consequently, due to its complex inherent features, history painting became the highest form of invention and the pinnacle of painting genres, according to the Aristotelian scheme of the Poetics (ranging from the representation of the inanimate nature to that of the human actions) as applied to the visual arts.6 I am grateful to Angela Cipriani and Stefania Ventra for their comments and suggestions. -
Wyznawcy Bachusa – O Grupie Bentvueghels
uart ↪Q Nr 3(41)/2016 il. 1 Inicjacja w Bentvueghels (Inauguration of a New Member of the Bentvueghels in Rome) ok. 1660, Rijksmuseum, Amsterdam (autor nieznany) /40/ Kamil Kościelski / Wyznawcy Bachusa – o grupie Bentvueghels Wyznawcy Bachusa – o grupie Bentvueghels Kamil Kościelski Uniwersytet Wrocławski od koniec XV w. Półwysep Apeniński był istotnym przystankiem � 1 http://www.hadrianus.it/groups/ Pna drodze wielu szlaków handlowych, dzięki czemu region ten bentvueghels (data dostępu: 15 II 2016). przeżywał dynamiczny rozwój gospodarczy. Sprzyjająca koniunktu- 2 Ibidem. ra w pozytywny sposób wpływała na rozkwit życia kulturalnego we 3 Włoszech. Florencja, Rzym, Wenecja i Mediolan stały się ważnymi Ibidem. ośrodkami sztuki. W XVI i XVII w. Włochy stanowiły cel podróży studyjnych wielu holenderskich i flamandzkich artystów (wśród nich m.in. Peter Paul Rubens oraz członkowie rodziny Breughlów), którzy pragnęli zgłębić dzieła oraz tajniki warsztatu uznanych twór- ców. Na tym tle formowała się w Rzymie grupa określana mianem Bentvueghels. Stowarzyszenie to skupiało artystów zagranicznego pochodzenia – głównie holenderskiego i flamandzkiego. Nawiązuje do tego nazwa grupy, tłumaczona na język angielski jako Birds of a Feather (‘ptaki identycznego pióra’). Określenie Bentvueghels wią- że się z idiomem „Birds of a Feather Flock Together”, który oznacza, że ptaki o podobnym upierzeniu trzymają się razem. Stowarzyszenie było również znane pod nazwą Schildersbent, co można przełożyć jako ‘klika malarzy’. Członkami grupy bywali też jednak przedsta- wiciele innych sztuk i cechów rzemieślniczych – wśród nich rysow- nicy, grawerzy, rzeźbiarze, złotnicy, a nawet poeci 1. Szacuje się, że w ciągu całego okresu działalności stowarzyszenia (1620–1720) nale- żało do niego łącznie około 480 osób 2. Żyły one głównie w okolicach czterech rzymskich parafii – Santa Maria del Popolo, Sant’Andrea delle Fratte, San Lorenzo in Lucina oraz Santa Lucia della Tinta.