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<Chapter 7><THE HIGH MIDDLE AGES \(1000–1300\): the ASCENDENCY of the CHURCH and the RISE of STATES
25 Chapter 7 THE HIGH MIDDLE AGES (1000–1300): THE ASCENDENCY OF THE CHURCH AND THE RISE OF STATES Multiple-Choice 1. Which of the following most accurately describes Western European progress and development during the High Middle Ages? (a) a growing independence of the Roman church from secular authority (b) the establishment of national monarchies (c) the foundations for modern representative institutions (d) all of the above 2. The relationship between Otto the Great and the papacy at Rome can best be described as (a) Otto’s domination of the popes. (b) papal domination of the German monarchy. (c) a near-perfect balance in their respective authorities. (d) none of the above 3. All of the following were the principles of the reformers of Cluny except (a) rejection of secular control of the clergy. (b) strict observance of monastic rules. (c) creation of a more spiritual Church. (d) acceptance of life without hope. 4. The purpose of the College of Cardinals was to (a) establish educational standards for the clergy. (b) free the papacy from secular intervention. (c) provide an internal organization for Church discipline. (d) none of the above 5. Lay investiture could best be described as a process (a) by which the College of Cardinals appointed bishops. (b) by which secular rulers appointed bishops. (c) in which Henry IV begged forgiveness before Gregory VII. (d) fully accepted by the Cluniac Reform Movement. 6. Which of the following would not be considered a contribution to the success of the First Crusade (a) the need to arouse the European Christian community. -
Normans and the Papacy
Normans and the Papacy A micro history of the years 1053-1059 Marloes Buimer S4787234 Radboud University January 15th, 2019 Dr. S. Meeder Radboud University SCRSEM1 V NORMAN2 NOUN • 1 member of a people of mixed Frankish and Scandinavian origin who settled in Normandy from about AD 912 and became a dominant military power in western Europe and the Mediterranean in the 11th century.1 1 English Oxford living dictionaries, <https://en.oxforddictionaries.com/definition/norman> [consulted on the 19th of January 2018]. Index INDEX 1 PREFACE 3 ABBREVIATIONS 5 LIST OF PEOPLE 7 CHAPTER 1: STATUS QUAESTIONIS 9 CHAPTER 2: BATTLE AT CIVITATE 1000-1053 15 CHAPTER 3: SCHISM 1054 25 CHAPTER 4: PEACE IN ITALY 1055-1059 35 CHAPTER 5: CONCLUSION 43 BIBLIOGRAPHY 47 1 2 Preface During my pre-master program at the Radboud University, I decided to write my bachelor thesis about the Vikings Rollo, Guthrum and Rörik. Thanks to that thesis, my interest for medieval history grew and I decided to start the master Eternal Rome. That thesis also made me more enthusiastic about the history of the Vikings, and especially the Vikings who entered the Mediterranean. In the History Channel series Vikings, Björn Ironside decides to go towards the Mediterranean, and I was wondering in what why this affected the status of Vikings. While reading literature about this conquest, there was not a clear matter to investigate. Continuing reading, the matter of the Normans who settled in Italy came across. The literature made it clear, on some levels, why the Normans came to Italy. -
The Faces of History. the Imagined Portraits of the Merovingian Kings at Versailles (1837-1842)
The faces of history. The imagined portraits of the Merovingian kings at Versailles (1837-1842) Margot Renard, University of Grenoble ‘One would expect people to remember the past and imagine the future. But in fact, when discoursing or writing about history, they imagine it in terms of their own experience, and when trying to gauge the future they cite supposed analogies from the past; till, by a double process of repeti- tion, they imagine the past and remember the future’. (Namier 1942, 70) The historian Christian Amalvi observes that during the first half of the nine- teenth century, most of the time history books presented a ‘succession of dyn- asties (Merovingians, Carolingians, Capetians), an endless row of reigns put end to end (those of the ‘rois fainéants’1 and of the last Carolingians especially), without any hierarchy, as a succession of fanciful portraits of monarchs, almost interchangeable’ (Amalvi 2006, 57). The Merovingian kings’ portraits, exhib- ited in the Museum of French History at the palace of Versailles, could be de- scribed similarly: they represent a succession of kings ‘put end to end’, with imagined ‘fanciful’ appearances, according to Amalvi. However, this vision dis- regards their significance for early nineteenth-century French society. Replac- ing these portraits in the broader context of contemporary history painting, they appear characteristic of a shift in historical apprehension. The French history painting had slowly drifted away from the great tradition established by Jacques-Louis David’s moralistic and heroic vision of ancient history. The 1820s saw a new formation of the historical genre led by Paul De- laroche's sentimental vision and attention to a realistic vision of history, restored to picturesqueness. -
Celtic Religions DATED: 17/05/2017
MODULE CODE: HPCS4006 TITLE: Celtic Religions DATED: 17/05/2017 LEVEL: 4 CREDITS: 20 JACS CODE: Q500 AIM(S) To enable students to understand, and analyse the evidence for religious concepts and habitual practices in ‘Celtic-speaking’ regions across Europe between the 5th century BC and the 4th century AD To enable students to understand and engage with scholarly approaches to the study of rituals and religions in the ancient Celtic world To chart and analyse unity and diversity of religious concepts and practices in the ancient Celtic world LEARNING OUTCOMES Upon the successful completion of this module, the student should: display an understanding of and be able to analyse the diverse types of surviving evidence for Celtic religious activity between the 5th century BC and the 4th century AD; demonstrate a coherent knowledge of specific Celtic ‘religions’ and their religious ideas and practices; demonstrate a good understanding of the historical, social, political and religious contexts of Celtic religions, and how these affect our interpretation of religious practices and ideas; engage with modern scholarly approaches to Celtic religions and rituals, and relate this engagement to independent evaluations of the habitual and ritual practices of ancient religions, their thought-systems and their role(s) in ancient societies from the 5th century BC to the 4th century AD. INDICATIVE CONTENT Greek and Roman authors have painted a vivid picture of ‘Celtic religion’ in antiquity ever since their first encounter with ethnic groups whom they collectively called Keltoi or Galli. Classical works like Caesar’s ‘De Bello Gallico’ (Gallic Wars) are the source of our knowledge of Celtic religious practices, of priesthoods like the druids, and of the alleged human sacrifice practiced in Celtic societies. -
Impronte D'arte
Impronte d’Arte [Traces of Art] Comune di Forlì ImproImpronten d’Arte d’TracesArt of Art e Ufficio Informazione e Accoglienza Turistica Piazzetta della Misura, 5 - 47121 Forlì Tel. +39.0543.712.435 Fax +39.0543.712.755 e-mail: [email protected] www.turismoforlivese.it URP - Informagiovani Piazzetta della Misura, 5 - 47121 Forlì Tel. +39.0543.712.444/5 Fax +39.0543.712.450 e-mail: [email protected] [email protected] www.comune.forli.fc.it www.informagiovani.comune.forli.fc.it Impronte d’arte Fonti bibliografiche Traces of art Bibliographic sources Pubblicazione a cura dell’Unità Servizi Informativi (IAT-URP-Informagiovani) - Comune di Forlì AA.VV., Cara, vecchia città. Published by Unità Servizi Informativi (IAT-URP-Informagiovani) - Comune di Forlì Percorsi attraverso vie, chiese e palazzi di Forlì, Comune di Forlì, Forlì 1989 AA.VV., Benvenuti a Forlì, Comune di Forlì, Forlì 1990 AA.VV., La Provincia di Forlì-Cesena, Guide d’Italia, Touring Club italiano, Milano 2003 Archivio fotografico/photographs: Archivio Fotografico Unità Servizi Informativi e Ufficio E. Caruso, Forlì, Città e cittadini tra Ottocento e Novecento, I° vol., Edizione Girasole, Forlì 1990 Informazione e Accoglienza Turistica del Comune di Forlì, Archivio Fotografico Ufficio Stampa A. Colombi Ferretti, L. Prati (a cura di), Francesco Menzocchi, Forlì 1502-1574, Comune di Forlì Comune di Forlì, Archivio Fotografico Istituti Culturali del Comune di Forlì, Foto Giorgio Liverani, e Edisai srl, Ferrara 2003 Archivio Fotografico Provincia di Forlì-Cesena. A. Fabbri, Percorsi nella città, Provincia di Forlì-Cesena, Assessorato al Turismo, Forlì, ristampa giugno 2003 In copertina/cover images: Palazzo Orsi Mangelli, Particolare Rocca di Ravaldino, Monumento M. -
Druidic Syncretism and the Four Branches
Appendix Druidic Syncretism and the Four Branches Archaeologists have sometimes described the black waters of the lower Thames as the ‘British Ganges’, alluding to the ritual depositions lavished upon it by its Iron Age and Late Bronze Age devotees. This is by no means the only comparison that might be made with the religious landscape of Hindu India. With its ‘ten thousand gods’; its elaborate calendrical systems; its sacred animals and food taboos and its adherence to the doctrine of reincarnation, the Brahmanic system offers a number of parallels with what we can ascertain about native British religious traditions from the combined testimony of the archaeological and literary evidence. Had the religious life of Iron Age Britain continued to develop in comparable isolation, we might expect something analogous to modern Hinduism to have evolved as the centuries progressed – a possibility that is enhanced by the shared Indo-European background (although the influence of local pre-Indo-European substrates in both cases should not be underestimated). One feature of the Hindu system that we can see beginning to emerge in the Gallo-Brittonic world was a marked tendency towards syncretism and public ritual, offsetting the tendency towards localism and diversity that otherwise characterised this essentially parochial religious culture. It was evidently under the auspices of an increasingly centralised druidic priesthood that certain pan-tribal cults were spread throughout the Celtic-speaking world in the Late Iron Age: notably those of Lugus (c.f. p. 498), Belenus (c.f. p. 273), Cernunnos (c.f. p. 36 n. 63), Epona (c.f. p. -
Orchestral Conducting in the Nineteenth Century," Edited by Roberto Illiano and Michela Niccolai Clive Brown University of Leeds
Performance Practice Review Volume 21 | Number 1 Article 2 "Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai Clive Brown University of Leeds Follow this and additional works at: http://scholarship.claremont.edu/ppr Part of the Music Performance Commons, and the Other Music Commons Brown, Clive (2016) ""Orchestral Conducting in the Nineteenth Century," edited by Roberto Illiano and Michela Niccolai," Performance Practice Review: Vol. 21: No. 1, Article 2. DOI: 10.5642/perfpr.201621.01.02 Available at: http://scholarship.claremont.edu/ppr/vol21/iss1/2 This Book Review is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Performance Practice Review by an authorized editor of Scholarship @ Claremont. For more information, please contact [email protected]. Book review: Illiano, R., M. Niccolai, eds. Orchestral Conducting in the Nineteenth Century. Turnhout: Brepols, 2014. ISBN: 9782503552477. Clive Brown Although the title of this book may suggest a comprehensive study of nineteenth- century conducting, it in fact contains a collection of eighteen essays by different au- thors, offering a series of highlights rather than a broad and connected picture. The collection arises from an international conference in La Spezia, Italy in 2011, one of a series of enterprising and stimulating annual conferences focusing on aspects of nineteenth-century music that has been supported by the Centro Studi Opera Omnia Luigi Boccherini (Lucca), in this case in collaboration with the Società di Concerti della Spezia and the Palazzetto Bru Zane Centre de musique romantique française (Venice). -
Desarrollo Del Mercado De Parabrisas Para Motocicletas En Europa
UNIVERSIDAD DE CIENCIAS EMPRESARIALES Y SOCIALES MAESTRÍA EN ADMINISTRACIÓN Y MARKETING ESTRATÉGICO ESTUDIO DE VIABILIDAD PARA EL DESARROLLO DEL MERCADO DE PARABRISAS PARA MOTOCICLETAS EN EUROPA AUTOR: FERDINANDO HEIDKAMP TUTOR: CARLOS OLIVA VÉLEZ BUENOS AIRES, ABRIL 2006 Indice 1. Proposición 6 ..................................................................................................... 1.1. Problema 6 ............................................................................................ 1.2. Justificación 6 ........................................................................................ 1.3. Marco conceptual 7 ............................................................................... 1.4. Objetivos 11 ............................................................................................ 1.5. Hipótesis 12 ............................................................................................ 1.6. Metodología 12 ....................................................................................... 1.7. Resultados esperados 13 ....................................................................... 2. Introducción y Planteo general 14 ...................................................................... 3. Estado de situación 20 ........................................................................................ 3.1. Introducción y descripción general del negocio 20 .................................. 3.1.1. El sector OEM y el sector Aftermarket 20 .......................................... 3.1.2. -
AS TRILHAS AMAZÔNICAS DE ETTORE BOSIO: Trajetória, Música E Presença No Meio Artístico-Musical Em Belém (1892- 1936)
UNIVERSIDADE FEDERAL DO PARÁ INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA SOCIAL DA AMAZÔNIA AMANDA BRITO PARACAMPO AS TRILHAS AMAZÔNICAS DE ETTORE BOSIO: trajetória, música e presença no meio artístico-musical em Belém (1892- 1936) Belém 2018 AMANDA BRITO PARACAMPO AS TRILHAS AMAZÔNICAS DE ETTORE BOSIO: trajetória, música e presença no meio artístico-musical em Belém (1892- 1936) Dissertação apresentada ao Programa de Pós-Graduação em História Social da Amazônia da Universidade Federal do Pará, como requisito parcial para obtenção do título de Mestre em História. Orientador: Prof. Dr. Antônio Maurício Dias da Costa. Belém 2018 Dados Internacionais de Catalogação na Publicação (CIP) Sistema de Bibliotecas da Universidade Federal do Pará Gerada automaticamente pelo módulo Ficat, mediante os dados fornecidos pelo(a) autor(a) P221t Paracampo, Amanda Brito AS TRILHAS AMAZÔNICAS DE ETTORE BOSIO: trajetória, música e presença no meio artístico-musical de Belém (1892-1936) / Amanda Brito Paracampo. – 2018 217 f. : il. Dissertação (Mestrado) – Programa de Pós-graduação em História (PPGH), Instituto de Filosofia e Ciências Humanas, Universidade Federal do Pará, Belém, 2018. Orientação: Prof. Dr. Antônio Maurício Dias Costa 1. Ettore Bosio. 2. Música em Belém. 3. Século XIX-XX. 4. Trajetória musical. 5. Imigração italiana. I. Costa, Antônio Maurício Dias, orient. II. Título ________________________________________________________________________________ CDD 981.05 AMANDA BRITO PARACAMPO AS TRILHAS AMAZÔNICAS DE ETTORE BOSIO: trajetória, música e presença no meio artístico-musical em Belém (1892- 1936) Dissertação apresentada ao Programa de Pós-Graduação em História Social da Amazônia da Universidade Federal do Pará, como requisito parcial para obtenção do título de Mestre em História. -
Course Overview
COURSE OVERVIEW HISTORY 10 – HUMANITIES Early Medieval History COURSE DESCRIPTION Far from being a time of darkness as many have come to think of the Middle Ages, Medieval history plays a vital role in our understanding of the world today. The Medieval period from the time of Christ through the High Middle Ages is a fascinating world of flourishing culture from art, politics, warfare, literature, education, and science. It is during this age that we see the rise of soaring Cathedrals, new naval engineering, a grand synthesis of faith and reason, and the thriving of new arts and culture. Whether students are exploring the vast world of Byzantium, the Carolingian Dynasty, or the rise of Islam, they will be awed by the events of history and delighted to find just how connected and similar they are to our own world today. WHY WE TEACH IT The Middle Ages were an organic development of the Ancient world and as such, they deepen our understanding not merely of the period studied but everything that came afterward too. It is only by studying the men and cultures that came before us that we can properly interpret and understand our own. students will discover that the people of the Middle Ages are not as distant from our own time as we once thought. In fact, students may even discover that they have a great deal to teach us about how to live and flourish in our own contemporary society. KEY THEMES ● Struggle between Christianity and Paganism ● Developments of Christian Culture ● Flourishing of Art and Sciences as well as the horrible misconceptions caused by ignorance ● How the Medieval world shapes our own ● Wise peace and Just warfare COURSE MATERIALS ● Supplementary readings as handed out by the teacher. -
De Episcopis Hispaniarum: Agents of Continuity in the Long Fifth Century
Université de Montréal De episcopis Hispaniarum: agents of continuity in the long fifth century accompagné de la prosopogaphie des évêques ibériques de 400–500 apr. J.-C., tirée de Purificación Ubric Rabaneda, “La Iglesia y los estados barbaros en la Hispania del siglo V (409–507), traduite par Fabian D. Zuk Département d’Histoire Faculté des Arts et Sciences Thèse présentée à la Faculté des études supérieures en vue de l’obtention du grade Maître ès Arts (M.A.) en histoire août 2015 © Fabian D. Zuk, 2015. ii Université de Montréal Faculté des etudes supérieures Ce mémoire intitule: De episcopis Hispaniarum: agents of continuity in the long fifth century présenté par Fabian D. Zuk A été évalué par un jury composé des personnes suivantes : Philippe Genequand, president–rapporteur Christian R. Raschle, directeur de recherche Gordon Blennemann, membre du jury iii In loving memory в пам'ять про бабусю of Ruby Zuk iv TABLE OF CONTENTS Résumé / Summary p. v A Note on Terminology p. vi Acknowledgements p. vii List of Figures p. ix Frequent ABBreviations p. x CHAPTER I : Introduction p. 1 CHAPTER II : Historical Context p. 23 CHAPTER III : The Origins of the Bishops p. 36 CHAPTER IV : Bishops as Spiritual Leaders p. 51 CHAPTER V : Bishops in the Secular Realm p. 64 CHAPTER VI : Regional Variation p. 89 CHAPTER VII : Bishops in the Face of Invasion : Conflict and Contenders p. 119 CHAPTER VIII : Retention of Romanitas p. 147 Annexe I: Prosopography of the IBerian Bishops 400–500 A.D. p. 161 Annexe II: Hydatius : An Exceptional Bishop at the End of the Earth p. -
CELTIC MYTHOLOGY Ii
i CELTIC MYTHOLOGY ii OTHER TITLES BY PHILIP FREEMAN The World of Saint Patrick iii ✦ CELTIC MYTHOLOGY Tales of Gods, Goddesses, and Heroes PHILIP FREEMAN 1 iv 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America. © Philip Freeman 2017 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. CIP data is on file at the Library of Congress ISBN 978–0–19–046047–1 9 8 7 6 5 4 3 2 1 Printed by Sheridan Books, Inc., United States of America v CONTENTS Introduction: Who Were the Celts? ix Pronunciation Guide xvii 1. The Earliest Celtic Gods 1 2. The Book of Invasions 14 3. The Wooing of Étaín 29 4. Cú Chulainn and the Táin Bó Cuailnge 46 The Discovery of the Táin 47 The Conception of Conchobar 48 The Curse of Macha 50 The Exile of the Sons of Uisliu 52 The Birth of Cú Chulainn 57 The Boyhood Deeds of Cú Chulainn 61 The Wooing of Emer 71 The Death of Aife’s Only Son 75 The Táin Begins 77 Single Combat 82 Cú Chulainn and Ferdia 86 The Final Battle 89 vi vi | Contents 5.