Finally the Academies”: Networking Communities of Knowledge in Italy and Beyond
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Les Dossiers Du Grihl, 2018-01 | 2018 La Matrona Di Efeso a Venezia E La Doppia Verità: Osservazioni Sul Libertinis
Les Dossiers du Grihl 2018-01 | 2018 La relève 2017 La Matrona di Efeso a Venezia e la doppia verità: Osservazioni sul libertinismo degli Incogniti e di Cesare Cremonini La Matrone d’Ephèse à Venise et la double vérité : Observations sur le libertinage des Incogniti et de Cesare Cremonini The Widow of Ephesus in Venice and the double truth: Observations on the libertinism of the Incogniti and of Cesare Cremonini Corinna Onelli Edizione digitale URL: http://journals.openedition.org/dossiersgrihl/7132 ISSN: 1958-9247 Editore Grihl / CRH - EHESS Notizia bibliografica digitale Corinna Onelli, « La Matrona di Efeso a Venezia e la doppia verità: Osservazioni sul libertinismo degli Incogniti e di Cesare Cremonini », Les Dossiers du Grihl [En ligne], Les dossiers de Corinna Onelli, mis en ligne le 12 septembre 2018, consulté le 26 novembre 2018. URL : http://journals.openedition.org/ dossiersgrihl/7132 Questo documento è stato generato automaticamente il 26 novembre 2018. Les Dossiers du Grihl est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 3.0 France. La Matrona di Efeso a Venezia e la doppia verità: Osservazioni sul libertinis... 1 La Matrona di Efeso a Venezia e la doppia verità: Osservazioni sul libertinismo degli Incogniti e di Cesare Cremonini La Matrone d’Ephèse à Venise et la double vérité : Observations sur le libertinage des Incogniti et de Cesare Cremonini The Widow of Ephesus in Venice and the double truth: Observations on the libertinism of the Incogniti and of Cesare Cremonini Corinna Onelli NOTE DELL'AUTORE Questo articolo è stato elaborato nel quadro del progetto di ricerca ‘Popular readers and clandestine literature: the case of an early modern translation of Petronius’ Satyricon into Italian (17th C.)’ finanziato dalla Borsa Individuale IF-EF Marie Skłodowska-Curie (ID 707253, Programma H2020) e svoltosi presso l’EHESS-CRH-Grihl. -
AATI Newsletter Message from the President
INVESTORAMERICAN NEWSLETTER ASSOCIATION ISSUE OF TEACHERSN°3 OF ITALIAN SPRING FALL 2005 2015 AATI Newsletter Message from the President Dear AATI Members: AATI elections allow our Association to integrate new members into the Executive Council, while maintaining some previously elected members, most of whom serve a three-year term. This is an ideal situation because it allows for an orderly transition of leadership, which provides both continuity and change. This report is a collaborative effort by the former and current Presidents of the AATI. Frank Nuessel’s term of office began on January 1, 2012 and it ended on December 31, 2014, while Salvatore Bancheri's term of office began on January 1, 2015 and will end on December 31, 2017. IN THIS ISSUE 1. Message from the President Fall 2014 Report and Votes 5. Message from the Editor of The AATI had a successful meeting in conjunction with ACTFL in Italica San Antonio, TX November 21-23, 2015. The AATI will meet again 6. AATI Officers and Exec. Council with ACTFL in San Diego, CA November 20-22, 2015. 8. AATI-ACTFL Conference 9. Distinguished Service Award AATI EC Votes 10. AP Resources The AATI EC voted: 11. Essay Contest & Member Recognition 1. To hold a joint meeting of AATI and ACTFL in San Diego, CA 12. Scholarships, Exams, and November 20-22, 2015. (Approved November 21, 2014). Regional News 14. 2015 AATI Conference 2. To approve Chris Concolino's request for funding ($500.00) for a 15. Publications 19. Center for Italian Studies reusable Webinar prepared by now Vice-President Lyn Scolaro “Babilonia” (Prospect High School, IL) for the California Region. -
Università Ca' Foscari Venezia Dipartimento Di Studi Umanistici
Università Ca’ Foscari Venezia Dipartimento di Studi Umanistici Corso di Laurea Magistrale in Storia dal Medioevo all’Età Contemporanea Tesi di laurea Baccinata e Antibacinata Una guerra di scrittura nell’Italia del Seicento Relatore: Ch.mo Prof. Mario Infelise Laureando: Roberto Giannavola Matricola: 793907 Anno Accademico 2011-2012 INDICE Prefazione 3 Introduzione 5 Scheda biobibliografica: Ferrante Pallavicino 11 Scheda biobibliografica: Tomaso Tomasi 21 1. Una nuova guerra di scrittura 33 1.1. La diffusione del Manifesto di Parma e la reazione romana 33 1.2. Venezia: centro della cultura anticonformista in Italia 38 1.3. Libelli, pasquinate e profezie nella Roma dei Barberini 43 2. Baccinata e Antibacinata 49 2.1. I temi della polemica 49 2.2. Due libelli “incogniti” 56 2.3. Monsignor Vitelli e le vicende editoriali 59 2.4. Datazione e fortuna delle opere 66 3. Simboli, interpretazioni e chiavi di lettura 75 3.1. L’origine delle api 75 3.2. Baccinata overo Battarella per le api barberine 82 3.3. Altre chiavi di lettura 93 Considerazioni finali 101 Abbreviazioni 107 Fonti inedite 107 Fonti edite 107 Bibliografia 109 Sitografia 123 1 Prefazione Nella primavera del 2012, sostenuto l’ultimo esame del corso di laurea magistrale in Storia dal Medioevo all’Età contemporanea, iniziai la ricerca del materiale per una tesi di laurea sulla Baccinata di Ferrante Pallavicino, celebre scrittore libertino del Seicento. Mi accorsi subito della presenza di un altro scritto che non avrei potuto ignorare: l’Antibacinata, un libello pubblicato nello stesso anno da Tomaso Tomasi per confutare le tesi espresse da Pallavicino. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) The academization of art A practice approach to the early histories of the Accademia del Disegno and the Accademia di San Luca Jonker, M.J. Publication date 2017 Document Version Other version License Other Link to publication Citation for published version (APA): Jonker, M. J. (2017). The academization of art: A practice approach to the early histories of the Accademia del Disegno and the Accademia di San Luca. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 Appendix 1 Money in Florence and Rome in the sixteenth and seventeenth centuries Florence 1 scudo = 7 lire = 140 soldi = 1680 danari 1 giulio = 13 soldi and 4 danari 1 carlino = 10 soldi Rome 1 scudo = 10 giuli and 100 baiocchi 1 giulio = 10 baiocchi 1 grosso = 5 baiocchi 1 quatttrino = 1/5 of a baioccho 435 Appendix 2 Letters from Agnolo Guicciardini to Cosimo I de’ Medici AG, Legazione, XII, 18 (Published in Ridolfi 1931, 46-47). -
Celinda, a Tragedy
Celinda, A Tragedy VALERIA MIANI • Edited with an introduction by VALERIA FINUCCI Translated by JULIA KISACKY Annotated by VALERIA FINUCCI & JULIA KISACKY Iter Inc. Centre for Reformation and Renaissance Studies Toronto 2010 Iter: Gateway to the Middle Ages and Renaissance Tel: 416/978–7074 Fax: 416/978–1668 Email: [email protected] Web: www.itergateway.org CRRS Publications, Centre for Reformation and Renaissance Studies Victoria University in the University of Toronto Toronto, Ontario M5S 1K7 Canada Tel: 416/585–4465 Fax: 416/585–4430 Email: [email protected] Web: www.crrs.ca © 2010 Iter Inc. & the Centre for Reformation and Renaissance Studies All Rights Reserved Printed in Canada Iter and the Centre for Reformation and Renaissance Studies gratefully acknowledge the generous sup- port of the Gladys Krieble Delmas Foundation toward the publication of this book. Iter and the Centre for Reformation and Renaissance Studies gratefully acknowledge the generous sup- port of James E. Rabil, in memory of Scottie W. Rabil, toward the publication of this book. Library and Archives Canada Cataloguing in Publication Miani, Valeria Celinda : a tragedy / Valeria Miani ; edited and with an introduction by Valeria Finucci ; tranlated by Julia Kisacky ; annotated by Valeria Finucci & Julia Kisacky. (The other voice in early modern Europe : the Toronto series ; 8) Translation of the Italian play by the same title. Co-published by: Centre for Reformation and Renaissance Studies. Includes bibliographical references and index. Issued also in electronic format. Text in Italian with English translation on facing pages. ISBN 978–07727–2075–7 I. Finucci, Valeria II. Kisacky, Julia, 1965– III. -
The Men of Letters and the Teaching Artists: Guattani, Minardi, and the Discourse on Art at the Accademia Di San Luca in Rome in the Nineteenth Century
The men of letters and the teaching artists: Guattani, Minardi, and the discourse on art at the Accademia di San Luca in Rome in the nineteenth century Pier Paolo Racioppi The argument of whether a non-artist was qualified to write about art famously dates back as far as the Renaissance.1 Through their writings, Cennino Cennini (c. 1360-before 1427), Leonardo da Vinci (1452-1519), and Giorgio Vasari (1511-1574) consolidated the auctoritas of artists by developing a theoretical discourse on art.2 Two centuries later, Anton Raphael Mengs (1728-1779), who was also Prince of the Accademia di San Luca between 1771 and 1772, even achieved the title of ‘philosopher-painter.’3 As for men of letters, the classicist theory of the Horatian ut pictura poesis, the analogy of painting and poetry, allowed them to enter the field of art criticism. From the Renaissance onwards, the literary component came to prevail over the visual one. As Cristopher Braider writes, the two terms of the equation ‘as painting, so poetry’ were ultimately reversed in ‘as poetry, so painting’,4 and consequently ‘it is to this reversal that we owe the most salient and far-reaching features of ut pictura aesthetics’.5 Invention, a purely intellectual operation of conceiving the subject (as in Aristotle’s Poetics and Rhetoric), thus rests at the base of the creative process for both poetry and painting. Consequently, due to its complex inherent features, history painting became the highest form of invention and the pinnacle of painting genres, according to the Aristotelian scheme of the Poetics (ranging from the representation of the inanimate nature to that of the human actions) as applied to the visual arts.6 I am grateful to Angela Cipriani and Stefania Ventra for their comments and suggestions. -
Art from the Ancient Mediterranean and Europe Before 1850
Art from the Ancient Mediterranean and Europe before 1850 Gallery 15 QUESTIONS? Contact us at [email protected] ACKLAND ART MUSEUM The University of North Carolina at Chapel Hill 101 S. Columbia Street Chapel Hill, NC 27514 Phone: 919-966-5736 MUSEUM HOURS Wed - Sat 10 a.m. - 5 p.m. Sun 1 p.m. - 5 p.m. 2nd Fridays 10 a.m. – 9 p.m. Closed Mondays & Tuesdays. Closed July 4th, Thanksgiving, Christmas Eve Christmas Day, & New Year’s Day. 1 Domenichino Italian, 1581 – 1641 Landscape with Fishermen, Hunters, and Washerwomen, c. 1604 oil on canvas Ackland Fund, 66.18.1 About the Art • Italian art criticism of this period describes the concept of “variety,” in which paintings include multiple kinds of everything. Here we see people of all ages, nude and clothed, performing varied activities in numerous poses, all in a setting that includes different bodies of water, types of architecture, land forms, and animals. • Wealthy Roman patrons liked landscapes like this one, combining natural and human-made elements in an orderly structure. Rather than emphasizing the vast distance between foreground and horizon with a sweeping view, Domenichino placed boundaries between the foreground (the shoreline), middle ground (architecture), and distance. Viewers can then experience the scene’s depth in a more measured way. • For many years, scholars thought this was a copy of a painting by Domenichino, but recently it has been argued that it is an original. The argument is based on careful comparison of many of the picture’s stylistic characteristics, and on the presence of so many figures in complex poses. -
Catalogo Premessa
CATALOGO PREMESSA L’Accademia Galileiana di Padova offre qui per la prima volta ai suoi membri, e ad un pubblico più vasto di affezionati, il catalogo storico integrale delle sue pubblicazioni. Dal fondo dei nostri magazzini abbiamo poi tra- scelto una serie di opere del passato e più recenti che potessero rivestire un interesse bibliografico per gli studiosi di varie discipline o anche, semplicemente, una curiosità per lettori colti e appassionati. Ci pare- va che un tale patrimonio culturale meritasse di esse- re riportato alla luce ed essere offerto anche al merca- to librario, per quanto le disponibilità talora esigue, talora più copiose delle giacenze lo consentissero. Così accanto ad una serie di proposte librarie de- stinate alla vendita, abbiamo anche pensato di dare notizia completa delle pubblicazioni periodiche, of- frendo il panorama completo delle nostre attività editoriali, che negli ultimi cinquant’anni hanno avu- to un notevole incremento. Pensiamo di aver fatto con questo un’opera di il- lustrazione del nostro passato, di propaganda della nostra istituzione e, speriamo, di possibile piccolo so- stegno per le nostre modeste risorse economiche. Padova, maggio 2020 [a. d.] 1 COLLANA ACCADEMICA COLLANA ACCADEMICA CONFERENZE E NOTE AccADEMICHE nel I° centenario dell’unione del Veneto all’Italia Collana accademica, 3 Padova 1967, pagine 274 10 € FAVONII EULOGII DISPUTATIO DE SOMNIO SCIPIONIS a cura di L. Scarpa Collana accademica, 5 Padova 1974, pagine 76 10 € PROBLEMI ENERGETICI DEL MOMENTO ATTUALE Atti delle riunioni dei giorni -
Giovanni Battista Braccelli's Etched Devotions Before the Vatican
Giovanni Battista Braccelli’s Etched Devotions before the Vatican Bronze Saint Peter Erin Giffin, Ludwig-Maximilians-Universität München, Germany IN THE MID-SEVENTEENTH CENTURY, the artist Giovanni Battista Braccelli (ca. 1584–1650) created an etching of the bronze Saint Peter cult statue at the Vat- ican surrounded by devotees and votives (fig. 1).1 This previously unpublished print, titled The Bronze Saint Peter with Votives, offers a detailed representation of the devotional object in its early modern location (figs. 2–3): against the northeast pier of the crossing of Saint Peter’s Basilica, where Pope Paul V Borghese (r. 1605– 21) had installed it on May 29, 1620 (still in situ today). The print details a group of early modern visitors gathered around the sculpture—well-dressed men, women, and children to the left of the composition, and an assortment of humbler lay and religious personages to the right. At the center, two pilgrims with walking sticks in hand and broad-brimmed hats slung over their shoulders approach the foot of the sculpted Saint Peter with great reverence. The first of the two bows down to touch the top of his head to the underside of the sculpted foot in an act of extreme humility, bracing himself against the sculpture’s base as the crowd looks on with approval. Emanating up from the devotees, a series of ex-voto offerings blanket the flanking pilasters of Saint Peter’s. One can make out the barest references of standard votive imagery and objects on the sketchily rendered plaques—kneel- ing figures and canopied beds before floating apparitions—accompanied by Contact Erin Giffin at Ludwig-Maximilians-Universität München (erin.giffin@kunstgeschichte .uni-muenchen.de). -
Annuario 2013-2014 Accademia Nazionale Di San Luca Indice Annuario 2013-2014 a Cura Di Francesco Moschini Annuario 2013-2014
ACCADEMIA NAZIONALE DI SAN LUCA ANNUARIO 2013-2014 ACCADEMIA NAZIONALE DI SAN LUCA INDICE Annuario 2013-2014 a cura di Francesco Moschini Annuario 2013-2014 7 Oltre quattro secoli di storia. Verso il futuro Elaborazione e aggiornamento contenuti 15 Statuto dell’Accademia Nazionale di San Luca Simona Antonelli 27 Regolamento dello Statuto Laura Bertolaccini 31 Consoli dell’Università di San Luca Elisa Camboni Anna Maria De Gregorio 33 Principi dell’Accademia di San Luca Isabella Fiorentino 37 Presidenti dell’Accademia di San Luca Antonella Lavorgna Alessio Miccinilli Albo dell’Accademia 41 Presidenza 2013-2014 42 Consiglio accademico 43 Cariche accademiche 44 Accademici Nazionali Pittori 46 Accademici Nazionali Scultori 48 Accademici Nazionali Architetti 50 Accademici Stranieri Pittori Coordinamento e cura redazionale 50 Accademici Stranieri Scultori Laura Bertolaccini 51 Accademici Stranieri Architetti 52 Accademici Cultori Italiani e Stranieri 54 Accademici Benemeriti Italiani e Stranieri 56 Accademici scomparsi 2013-2014 Elenco Accademici Stampato in Italia da Tipolitografia Trullo, Roma 57 Indirizzario Accademici © Copyright 2015 Accademia Nazionale di San Luca www.accademiasanluca.eu Premio Presidente della Repubblica ISSN 0393-859X 83 Storia del Premio Nazionale per le Arti ISBN 978-88-97610-15-1 87 Elenco dei premiati 1950-2014 Attività 2013-2014 91 Conferenze, convegni, giornate di studio, ANNUARIO incontri, presentazioni di volumi o riviste 104 Didattica 2013-2014 104 Eventi, inaugurazioni, concerti 105 Mostre 106 Pubblicazioni -
CV Frosini Ok
CURRICULUM DELL 'ATTIVITÀ SCIENTIFICA E DIDATTICA , CON ELENCO DELLE PUBBLICAZIONI Professoressa ordinaria presso l’Università per Stranieri di Siena (ssd: L.FIL.-LET./12, Linguistica italiana, cattedra di Storia della lingua italiana), Giovanna Frosini ricopre vari incarichi di natura scientifica e manageriale: • accademica corrispondente dell’Accademia della Crusca (dal 23 maggio 2014); componente del Comitato di direzione degli «Studi di lessicografia italiana» editi dall’Accademia della Crusca (da aprile 2015); è revisore di ricerca ( peer reviewer ) per Università italiane e riviste scientifiche di fascia A; valutatore di Progetti Preselezione Futuro in Ricerca 2012; valutatore per la VQR 2004-2010, Prodotti GEV/Area 10; componente di commissioni giudicatrici per l’esame finale nei corsi di Dottorato di ricerca dell’Università di Firenze, in procedure di valutazione comparativa per la copertura di posti di ricercatore e per assegnisti di ricerca presso le Università degli Studi di Pavia, di Torino, di Firenze, l’Istituto CNR «Opera del Vocabolario» di Firenze, la Scuola Normale Superiore di Pisa (anni 2010, 2012, 2015); componente di commissioni giudicatrici per l’assegnazione del Premio Boccaccio per Tesi di Dottorato e Tesi Magistrali (Ente Nazionale Giovanni Boccaccio), presidente di giuria del Premio Boccaccio Giovani (Associazione Letteraria Giovanni Boccaccio, dal 2015), componente della giuria del Premio Nencioni (Accademia della Crusca), del Premio Adriana Tramontano (Accademia della Crusca), per assegnazione di borse di studio -
Homage to Galileo Galilei 1564-2014 Reading Iuvenilia Galilean Works Within History and Historical Epistemology of Science
Philosophia Scientiæ Travaux d'histoire et de philosophie des sciences 21-1 | 2017 Homage to Galileo Galilei 1564-2014 Reading Iuvenilia Galilean Works within History and Historical Epistemology of Science Electronic version URL: http://journals.openedition.org/philosophiascientiae/1229 DOI: 10.4000/philosophiascientiae.1229 ISSN: 1775-4283 Publisher Éditions Kimé Printed version Date of publication: 15 February 2017 ISBN: 978-2-84174-801-3 ISSN: 1281-2463 Electronic reference Philosophia Scientiæ, 21-1 | 2017, “Homage to Galileo Galilei 1564-2014” [Online], Online since 15 February 2019, connection on 30 March 2021. URL: http://journals.openedition.org/ philosophiascientiae/1229; DOI: https://doi.org/10.4000/philosophiascientiae.1229 Tous droits réservés Editorial Gerhard Heinzmann Laboratoire d’Histoire des Sciences et de Philosophie, Archives H.-Poincaré, Université de Lorraine, CNRS, Nancy (France) Le premier cahier de Philosophia Scientiæ est paru il y a plus de vingt ans, en juin 1996. Il a été édité par une jeune équipe des Archives Henri-Poincaré à Nancy et dirigé par le même rédacteur en chef dans un souci constant : promouvoir la recherche en philosophie des sciences, tout particulièrement en ce qui concerne la logique, l’informatique, les mathématiques et la physique, en s’inscrivant dans la tradition analytique, en prenant en compte l’histoire et la pratique des sciences, en préservant le français, l’anglais et l’allemand comme langues « scientifiques » à titre égal. En passant la main à la nouvelle équipe, Manuel Rebuschi comme rédacteur en chef et Baptiste Mélès comme rédacteur en chef adjoint, j’exprime ma gratitude à Manuel, rédacteur en chef adjoint depuis 2008, et à Sandrine Avril, secrétaire de rédaction, pour leur travail efficace et leur dévouement.