Le Accademie a Roma Nel Seicento
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Il Microscopio Di Galileo Antologia
Il microscopio di Galileo Antologia Qui di seguito sono stati raccolti alcuni brani antologici relativi al microscopio di Galileo e alla microscopia del Seicento a cura dell’ Istituto e Museo di Storia della Scienza di Firenze. 1 Indice John Wedderburn: una preziosa testimonianza sul microscopio di Galileo (1610).............................3 Galileo Galilei: "un Telescopio accomodato per veder gli oggetti vicinissimi" (1623) ......................4 Giovanni Faber: Galileo "è un altro Creatore" (1624).........................................................................5 Galileo Galilei: descrizione del microscopio (1624) ...........................................................................6 Giovanni Faber: il nome “microscopio” (1625) ..................................................................................7 Vincenzo Viviani: Galileo inventore del microscopio (1654).............................................................8 Accademia del Cimento: un’osservazione al microscopio (1657).......................................................9 Carlo Antonio Manzini, le conquiste del microscopio (1661)...........................................................10 Robert Hooke: un ampliamento del dominio dei sensi (1665) ..........................................................11 Anonimo: "Modo di adoperare il microscopio" (1665-1667)............................................................13 Lorenzo Magalotti: la digestione d’alcuni animali (1667).................................................................14 Francesco -
Evolutionoftherm00boltrich.Pdf
Evolution of the Thermometer Dalence's Thermometer 1688. Evolution of the Thermometer^ 3> BY HENRY CARRINGTON BOLTON Author of Scientific Correspondence of Joseph Priestley EASTON, PA.: THE CHEMICAL PUBLISHING Co. 1900. COPYRIGHT, 1900, BY EDWARD HART. CONTENTS. I. The Open Air-thermometer of Galileo, . 5 II.. Thermoscopes of the Accademia del Cimento, 25 III. Attempts to obtain a scale from Boyle to Newton, 41 IV. Fahrenheit and the first reliable Thermom- eters 61 V. Thermometers of Reaumur, Celsius, and others 79 Table of Thirty-five Thermometer Scales,. 88 Chronological Epitome, 90 Authorities, 92 Index, 97 91629 EVOLUTION OF THE THERMOMETER I. THE OPEN AIR-THERMOMETER OF GALILEO. Discoveries and inventions are sometimes the product of the genius or of the intelligent in- dustry of a single person and leave his hand in a perfect state, as was the case with the ba- rometer invented by Torricelli, but more often the seed of the invention is planted by one, cultivated by others, and the fruit is gathered only after slow growth by some one who ig- nores the original sower. In studying the ori- gin and tracing the history of certain discov- eries of scientific and practical value one is often perplexed by encountering several claim- ants for priority, this is partly due to the cir- " cumstance that coincidence of independent thought is often the cause of two or more per- " sons reaching the same result about the same time and to the effort of each nation ; partly to secure for its own people credit and renown. Again, the origin of a prime invention is some- i 6 EVOLUTION OF THE THERMOMETER, times obscured by the failure of the discoverer to claim definitely the product of his inspira- tion owing to the fact that he himself failed to appreciate its high importance and its utility. -
A Phenomenology of Galileo's Experiments with Pendulums
BJHS, Page 1 of 35. f British Society for the History of Science 2009 doi:10.1017/S0007087409990033 A phenomenology of Galileo’s experiments with pendulums PAOLO PALMIERI* Abstract. The paper reports new findings about Galileo’s experiments with pendulums and discusses their significance in the context of Galileo’s writings. The methodology is based on a phenomenological approach to Galileo’s experiments, supported by computer modelling and close analysis of extant textual evidence. This methodology has allowed the author to shed light on some puzzles that Galileo’s experiments have created for scholars. The pendulum was crucial throughout Galileo’s career. Its properties, with which he was fascinated from very early in his career, especially concern time. A 1602 letter is the earliest surviving document in which Galileo discusses the hypothesis of pendulum isochronism.1 In this letter Galileo claims that all pendulums are isochronous, and that he has long been trying to demonstrate isochronism mechanically, but that so far he has been unable to succeed. From 1602 onwards Galileo referred to pendulum isochronism as an admirable property but failed to demonstrate it. The pendulum is the most open-ended of Galileo’s artefacts. After working on my reconstructed pendulums for some time, I became convinced that the pendulum had the potential to allow Galileo to break new ground. But I also realized that its elusive nature sometimes threatened to undermine the progress Galileo was making on other fronts. It is this ambivalent nature that, I thought, might prove invaluable in trying to understand crucial aspects of Galileo’s innovative methodology. -
A Saint in the History of Cardiology
Arch Cardiol Mex. 2014;84(1):47---50 www.elsevier.com.mx SPECIAL ARTICLE A saint in the history of Cardiology Alfredo de Micheli ∗, Raúl Izaguirre Ávila National Institute of Cardiology Ignacio Chavez, Tlalpan, DF, Mexico Received 19 December 2012; accepted 22 January 2013 KEYWORDS Abstract Niels Stensen (1638---1686) was born in Copenhagen. He took courses in medicine Niels Stensen; at the local university under the guidance of Professor Thomas Bartholin and later at Leiden Anatomy; under the tutelage of Franz de la Boë (Sylvius). While in Holland, he discovered the existence of Physiology; the parotid duct, which was named Stensen’s duct or stenonian duct (after his Latinized name Muscular fibers; Nicolaus Stenon). He also described the structural and functional characteristics of peripheral Heart muscles and myocardium. He demonstrated that muscular contraction could be elicited by appropriate nerve stimulation and by direct stimulation of the muscle itself and that during contraction the latter does not increase in volume. Toward the end of 1664, the Academic Senate of the University of Leiden awarded him the doctor in medicine title. Later, in Florence, he was admitted as a corresponding member in the Academia del Cimento (Experimental Academy) and collaborated with the Tuscan physician Francesco Redi in studies relating to viviparous development. In the Tuscan capital, he converted from Lutheranism to Catholicism and was shortly afterwards ordained in the clergy. After a few years, he was appointed apostolic vicar in northern Germany and died in the small town of Schwerin, capital of the Duchy of Mecklenburg- Schwerin on November 25, 1686. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) The academization of art A practice approach to the early histories of the Accademia del Disegno and the Accademia di San Luca Jonker, M.J. Publication date 2017 Document Version Other version License Other Link to publication Citation for published version (APA): Jonker, M. J. (2017). The academization of art: A practice approach to the early histories of the Accademia del Disegno and the Accademia di San Luca. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 Appendix 1 Money in Florence and Rome in the sixteenth and seventeenth centuries Florence 1 scudo = 7 lire = 140 soldi = 1680 danari 1 giulio = 13 soldi and 4 danari 1 carlino = 10 soldi Rome 1 scudo = 10 giuli and 100 baiocchi 1 giulio = 10 baiocchi 1 grosso = 5 baiocchi 1 quatttrino = 1/5 of a baioccho 435 Appendix 2 Letters from Agnolo Guicciardini to Cosimo I de’ Medici AG, Legazione, XII, 18 (Published in Ridolfi 1931, 46-47). -
Finally the Academies”: Networking Communities of Knowledge in Italy and Beyond
1 “Finally the Academies”: Networking communities of knowledge in Italy and beyond Lisa Sampson University College London [NOTE: This is a copy of the final version of the essay (27 Sept. 2019) accepted by Chicago University Press for publication in I Tatti Studies in the Italian Renaissance, issue Fall 2019. Any references should be made to the final printed/online formatted version.] For Giambattista Vico in his Principi di una scienza nuova, academies represented the culmination of human civilization.1 His view has not always been shared, but especially since the new millennium, academies have attracted growing international scholarly interest as cultural and socio-political hubs central to forming knowledge across all disciplines of the arts and sciences. Their study as a scholarly field in their own right was given new impetus around 1980 by Amedeo Quondam, Claudia Di Filippo Bareggi, Laetitia Boehm, Ezio Raimondi, and Gino Benzoni, and in the Anglosphere by Frances Yates and Eric Cochrane. This coincided with a growing socio-historical interest in associative and relational culture, setting aside Burckhardtian concerns for the individual. More recently, the field has diversified considerably to include interest in cultural mobilities and transnational networks, while the availability of digital resources offers new research possibilities. The groundwork for studying these rather loosely defined institutions which proliferated in the Italian peninsula and beyond from around the turn of the sixteenth century, 2 was first laid out with Michele Maylender’s multi-volume compendium Storia delle accademie d’Italia (published posthumously 1926-30). This documents over 2,000 academies of varying constitutions formed at various dates, but mostly between the sixteenth and eighteenth centuries. -
Indice Dei Manoscritti E Dei Documenti D'archivio
Indici a cura di Pietro Petteruti Pellegrino Indice dei manoscritti e dei documenti d’archivio BOLOGNA 8220: 36n Biblioteca Comunale dell’Archiginnasio 5155: 263n Manoscritti B 24: 138n FIRENZE B 203, 111: 187n Archivio di Stato Manoscritti Biblioteca Universitaria Archivio Mediceo del Principato Manoscritti filza 5890: 269n 1739 (codice Isoldiano): 189 e n Carte strozziane V 1252: 332n CITTÀ DEL VATICANO Archivio Segreto Vaticano Biblioteca Medicea Laurenziana Manoscritti Manoscritti Instrumenta Miscellanea Rediani 8162: 38n 216: 131, 132n, 134n Biblioteca Apostolica Vaticana 221: 134n Manoscritti Biblioteca Nazionale Archivio S. Maria in Cosmedin [= ASMC] Manoscritti XIII 1: 181n, 184n, 186n, 262n, 264n, Galileiani 266n 287: 177n XIII 5: 42n, 255 e n, 256n, 257n, 258n, Magliabechiani 259n, 352n VIII 1295: 164n XIII 6: 352n Palatini XIII 7: 352n 285: 131 XIII 11: 246n Raccolta Gonnelli XIII 14: 184n cass. 24, 73: 167n Chigiani L.V I.131: 188 Libreria strozziana (confluita nella Biblio- L.VIII.305: 188 teca Nazionale di Firenze) M.VI.127: 188 639: 262n Vaticani Latini 3195: 263n GENOVA 3197: 263n Biblioteca Durazzo 3212: 189 e n Manoscritti 3793: 179 A.I.2: 180n 382 Canoni d’Arcadia MODENA Atti Arcadici 2: 12n, 314n Biblioteca Estense Universitaria MS. 1 (Componimenti Arcadici 1): Manoscritti 135n, 173n, 317n, 369 Autografoteca Campori Ms. 4 (Componimenti Arcadici 4): 318n Rolli, Paolo: 367n Ms. 5 (Componimenti Arcadici 5): 321n, 329n PISA Ms. 6 (Componimenti Arcadici 6): 15n Biblioteca Universitaria Ms. 8 (Componimenti Arcadici 8): 319 357/34: 167n Ms. 10 (Componimenti Arcadici 10): 320n, 324n ROMA Ms. 13 (Componimenti Arcadici 15): Archivio di Stato 361 e n, 362n Manoscritti Ms. -
Birth and Life of Scientific Collections in Florence
BIRTH AND LIFE OF SCIENTIFIC COLLECTIONS IN FLORENCE Mara Miniati 1 RESUMO: em Florença. Este artigo descreve as trans- formações ocorridas entre os séculos 18 e O artigo centra-se na história das coleções 19 na vida cultural da capital da Toscana: as científicas em Florença. Na era dos Medici, artes e ciências foram promovidos, e os flo- Florença foi um importante centro de pes- rentinos cultivados estavam interessadas no quisa científica e de coleções. Este aspecto desenvolvimento recente da física, na Itália e da cultura florentina é geralmente menos no exterior. Nesse período, numerosas co- conhecido, mas a ciência e coleções científi- leções científicas privadas e públicas de Flo- cas foram uma parte consistente da história rença existentes, que eram menos famosas, da cidade. O recolhimento de instrumentos mas não menos importantes do que as co- científicos era um componente importante leções Médici e Lorena se destacaram. Final- das estratégias políticas dos grão-duques flo- mente, o artigo descreve como as coleções rentinos, convencidos de que o conhecimen- florentinas se desenvolveram. A fundação to científico e controle tecnológico sobre do Instituto e Museu de História da Ciência a natureza conferiria solidez e prestígio ao deu nova atenção aos instrumentos cientí- seu poder político. De Cosimo I a Cosimo ficos antigos. Sua intensa atividade de pes- III, os grão-duques Médici concederam o seu quisa teve um impacto sobre a organização patrocínio e comissões sobre gerações de do Museu. Novos estudos levaram a novas engenheiros e cientistas, formando uma co- atribuições aos instrumentos científicos, as leção de instrumentos matemáticos e astro- investigações de arquivamento contribuiram nômicos, os modelos científicos e produtos para um melhor conhecimento da coleção, naturais, exibidos ao lado das mais famosas e os contactos crescentes com instituições coleções de arte na Galleria Uffizi, no Pala- italianas e internacionais feitas do Museu zzo Pitti, e em torno da cidade de Florença tornaram-no cada vez mais ativo em uma e outros lugares da Toscana. -
The Institutionalisation of Scientific Thinking in the Tuscany of the Last Medici
Domenico Pietropaolo The Institutionalisation of Scientific Thinking in the Tuscany of the Last Medici It has become customary in general accounts of the Grand Duchy of Tuscany during the first three decades or so of the eighteenth cen tury, which correspond to the last years of the long Medici dynasty, to speak a little disparagingly-and even with a touch of irony-of its institutional culture, portraying its chief representatives as being either absorbed in the self-complacent protocol of the court or else intent on dispensing ultimately insignificant erudition at the podium, where only rarely is the audience treated to a flash or two of ac tual brilliance. To the extent such general statements are acceptable without being universally binding, this is perhaps a sufficiently rea sonable, if definitely uncharitable, appraisal of the situation. Cer tainly if we attempt to define its parameters geographically, we soon enough come across men like Giambattista Vico in the Vice-kingdom of Naples, Antonio Conti and Antonio Vallisnieri in the Republic of Venice, and Ludovico Antonio Muratori in the Duchy of Modena, and the comparison cannot possibly be favourable to the Tuscan literati. If we instead approach the question historically within the Grand Duchy itself, we immediately encounter the luminaries of the Accademia del Cimento (1657-1667), namely Giovanni Alfonso Borelli, Francesco Redi and Vincenzo Viviani, all of whom were dead by 1703, and we are forced to admit that their successors' contribution to world knowledge was not of an -
The Italian Verse of Milton May 2018
University of Nevada, Reno The Italian Verse of Milton A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Francisco Nahoe Dr James Mardock/Dissertation Advisor May 2018 © 2018 Order of Friars Minor Conventual Saint Joseph of Cupertino Province All Rights Reserved UNIVERSITY OF NEVADA, RENO THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by Francisco Nahoe entitled The Italian Verse of Milton be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY James Mardock PhD, Adviser Eric Rasmussen PhD, Committee Member Lynda Walsh PhD, Committee Member Donald Hardy PhD (emeritus), Committee Member Francesco Manca PhD (emeritus), Committee Member Jaime Leaños PhD, Graduate School Representative David Zeh PhD, Dean, Graduate School May 2018 i Abstract The Italian verse of Milton consists of but six poems: five sonnets and the single stanza of a canzone. Though later in life the poet will celebrate conjugal love in Book IV of Paradise Lost (1667) and in Sonnet XXIII Methought I saw my late espousèd saint (1673), in 1645 Milton proffers his lyric of erotic desire in the Italian language alone. His choice is both unusual and entirely fitting. How did Milton, born in Cheapside, acquire Italian at such an elevated level of proficiency? When did he write these poems and where? Is the woman about whom he speaks an historical person or is she merely the poetic trope demanded by the genre? Though relatively few critics have addressed the style of Milton’s Italian verse, an astonishing range of views has nonetheless emerged from their assessments. -
Download an Entire Issue of a Journal Or Multiple Copies of Articles, and You May Use Content in the JSTOR Archive Only for Your Personal, Non-Commercial Use
UC Davis UC Davis Previously Published Works Title Etiquette, interdependence, and sociability in seventeenth-century science Permalink https://escholarship.org/uc/item/1qk78257 Journal Critical Inquiry, 22(2) ISSN 0093-1896 Author Biagioli, M Publication Date 1996 DOI 10.1086/448789 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Etiquette, Interdependence, and Sociability in Seventeenth-Century Science Author(s): Mario Biagioli Source: Critical Inquiry, Vol. 22, No. 2 (Winter, 1996), pp. 193-238 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/1343970 Accessed: 01/05/2010 00:54 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ucpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. -
How to Read Venetian Relazioni
How to Read Venetian Relazioni filippo de vivo Birkbeck College, University of London Les rapports de fin de mission des ambassadeurs vénitiens, ou relazioni (relations), décrivaient le pays où ils avaient servi, leur souverain et sa cour, et analysaient la politique que ce souverain avait avec les autres états. Apparues au XIIIe siècle, les relazioni qui subsistent se répartissent des années 1490 aux années 1790, et sont parmi les sources les plus connues pour l’histoire moderne. Toutefois, il semble nécessaire de renouveler notre compréhension de leurs usages et de leurs significations originales. Cet article se concentre sur les nombreuses variantes des relazioni, éliminées dans les éditions modernes, et cherche à reconstruire le processus par lequel elles ont apparu et circulé, d’ abord oralement, et ensuite ont été déposées, sous forme écrite, dans les archives de Venise, mais aussi diffusées sous la forme de pamphlets manuscrits et imprimés, vendus en dépit des lois interdisant ces pratiques. On traite ensuite des fonctions institutionnelles, collectives et personnelles, que les relazioni ont joué au moment de leur rédaction : pour le gouvernement, pour leurs auteurs et pour leurs nombreux lecteurs appartenant ou non aux élites politiques. ver since the thirteenth century, Venetian ambassadors coming home at the Eend of their postings were required to provide end-of-mission reports, or relazioni. Length and details varied, but most covered three aspects: the country where they had served, that country’s government (mostly a description of the court and sovereign), and that government’s attitudes towards other states, including Venice itself. Ambassadors were great observers of high politics, bent on scrutinizing the personality of ministers in order to pick up traits that might guide present and future negotiations.