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ꢀe Renaissance Society of
America

Annual Meeting Program
Philadelphia
April 02 - 04, 2020

Table of Contents

Links to Program Times and Sessions
ꢀursday at 6:00 pm

RSA Awards Ceremony

Friday at 6:00 pm

CANCELLED: Josephine Waters Bennett Lecture

Saturday at 6:30 pm

RSA 2020 Philadelphia Closing Reception

ꢀursday at 11:00 am

RSA Board of Directors Meeting

ꢀursday at 4:00 pm

  • Cervantes Society of America Business Meeting and
  • Society for Renaissance Studies (UK) Annual Lecture

Annual Lecture

Friday at 12:45 pm

RSA Council Meeting

Friday at 4:00 pm

Margaret Mann Phillips Lecture

Saturday at 2:00 pm

ꢀe RSA High School Teaching Program

Saturday at 4:00 pm

  • American Cusanus Society Lecture
  • Society for the Study of Early Modern Women and

Gender Annual Lecture and Business Meeting

Saturday at 5:30 pm

Gender Reception
Society for the Study of Early Modern Women and

Saturday at 5:45 pm

RSA Member Meeting

ꢀursday at 9:00 am

(More ꢀan) ꢀirteen Ways of Looking at a Preacher: Approaches to Early Modern Spanish Preaching
Netherlandish Printmaking Before Aux ꢃuatre Vents: Professionalism in the Graphic Arts, ca. 1500–50

  • CANCELLED: Barberiniana – Aspects of the Barberini
  • New Perspectives on Italian Art I

Reign (1623–44): A New Renaissance in Baroꢁue Rome I
New Technologies and Renaissance Studies I: Trace and Pattern
CANCELLED: French Tragedy and the Wars of Religion
Pico, Machiavelli, and Ficino: Metaphysics, Ethics, and ꢀeology
CANCELLED: Impressed upon the Imagination: Recreating Manuscript Cultures in the Age of Print CANCELLED: Memory Reloaded: Recording, Reusing, Reinventing the Past in CounterReformation Rome I
Reassessing Lucrezia Marinella's Oeuvre I Reconsidering Hebrew Scholarship in Early Modern Catholic Contexts: A Global Enterprise I Renaissance Echoes: ꢀe Aꢄerlife of a Myth I Renaissance Futures/Renaissance Pasts Roundtable: Before 'Farm to Table' I: Composing Food Roundtable: Marginalia, Annotation, and Other Marks: What is the State of the Field? Shakespeare and Moral Luck Sin, Saints, and Secrecy in the Works of Marguerite de Navarre Spenser and Media I: Editions and Remediations ꢀe Body and the Divine in Early Modernity I: Glorifying the Senses ꢀe Nonhuman Italian Renaissance ꢀe Power of Divine Revelation and Religious Women's Cultural Production in Spain and the Americas ꢀeater, Diplomacy, Orality, and Print in Early Modern England and France Towards a Digital and Geomatic Atlas of the Jewish Presence in Early Modern Mediterranean Europe Women and Public Liturgy Women's Autobiographical Writings in Early Modern Europe I: Saints and Nuns
Cavendish I: Cavendish and the Art of Education Constructing Historical Narratives in Early Modern Europe I: Erudite Histories - Between Conꢂict and Collaboration Constructing Race, Identity, and Religion in the Early Modern World I Dance, Gender, and Sexuality in Early Modern Europe Dante's Legacy in the Visual Arts Early Modern Sanctity in Global Perspective I Expressions of Female Virtue in England, Spain, and Italy: Cosmetics, the Pastoral, Sumptuary Laws Hobbes and Rhetoric Revisited Homer in the Renaissance I: Humanist Reception in Education and ꢀought Kinetic Images in the Early Modern World I: Leisure and Spectacle Lost Works of Art in Print I Mapping Early Modern Religious Dissent I: Exile Communities Milton and the Hebrew Bible Mothers, Daughters, Heretics: Womanhood and Power in Early Modern Italy

ꢀursday at 11:00 am

Morisco Historiography: Agency, Lineage, Materiality Across Italy: Berenson's Renaissance and His Artistic Idea
CANCELLED: Memory Reloaded: Recording, Reusing, Reinventing the Past in CounterReformation Rome II Cavendish II: Matter, Medicine, and Mind in the Works of Margaret Cavendish Constructing Historical Narratives in Early Modern Europe II: Sacred Histories and ꢃuestions of Identity Constructing Race, Identity, and Religion in the Early Modern World II Dante's Legacy in Renaissance Italian Literature Derivation in Renaissance French Literature: Ronsard, Bodin, Aubigné, Yver Early Modern Sanctity in Global Perspective II
Art and Rhetoric in Netherlandish Prints Before 'Farm to Table' II: Tasting Food Book Tools and Print Gadgetry CANCELLED: Barberiniana – Aspects of the Barberini Reign (1623–44): A New Renaissance in Baroꢁue Rome II CANCELLED: Biblical Aspects of Early Modern English Literature CANCELLED: Lost Works of Art in Print II

Furtive Glances: Women's Hidden Motivations in Wroth, Shakespeare, and Webster
Printing Space and Place: Representing Space, Materiality, and Mobility in Print
Homer in the Renaissance II: Creative Reception in Renaissance Poetry and Art Ill-Behaved Women in the Italian Renaissance
Reassessing Lucrezia Marinella's Oeuvre II Reconsidering Hebrew Scholarship in Early Modern Catholic Contexts: A Global Enterprise II

Illustrated Alba Amicorum

Renaissance Echoes: ꢀe Aꢂerlife of a Myth II
Interaction, Cultural Exchange, and the Everyday in Renaissance Venice Kinetic Images in the Early Modern World II: ꢀe Art of Devotion
Representing the World: Geographical and Cosmographical Imagination in the Early Modern Period Rhetoric in Early Modern Sweden
Lombard Sculptors from Milan to Florence in the Second Half of the Seventeenth Century Mapping Early Modern Religious Dissent II: Material and Immaterial Spaces
Roundtable: Populism in Machiavelli's Political

ꢀought: John P. McCormick's Reading Machiavelli

(Princeton, 2018) Spenser and Media II: Waste and Reuse
Materials and Techniꢁues of Painting in the Early Modern Hispanic World
ꢀe Longue Durée of Serial Images in Early Modern Print Culture
Medical Humanism: Revisiting Intellectual Exchanges between Italy and France
ꢀe Body and the Divine in Early Modernity II: Blood, Consumption, and Salvation
Multilingualism, Vernacularization, Translation, and Literary Tradition in Sixteenth-Century France
ꢀe State of the Margins: ꢀirty Years aꢂer "Gabriel Harvey and His Livy"
Neither good nor feigned nor fake: Counterfeits, Fabrication, and Imitation in Early Modern Dress
ꢀe ꢀeology of Cuckoldry and the Ethics of Delight: From ꢃuattrocentro Florence to Shakespeare
New Approaches to Anna Maria van Schurman New Approaches to Language in the Renaissance New Perspectives on Italian Art II New Technologies and Renaissance Studies II: Digital Re/Construction Objects of Colonialism in the Americas and North Africa: Codices, Obelisks, Captives, Cartography Performing Women in Early Modern England and Scotland: Voice and Authorship
Training Bodies in the Sixteenth Century: Swimming, Dancing, Musculature Tyranny, Interpersonal Ethics, and Misogyny: Milton and Johnson Women and the Poetics of Prophecy in Early Modern England Women's Autobiographical Writings in Early Modern Europe II: Laywomen

ꢀursday at 2:00 pm

"El ꢁue lee mucho y anda mucho...": Cervantes' Travelers
Cavendish III: Experimental Methods in Margaret Cavendish
A New Look at Filippo Baldinucci I Amputation, ꢃueer Anatomy, and Winter Cadavers from Italy to England
Constructing Historical Narratives in Early Modern Europe III: Constructing Renaissance Global Narratives Constructing Race, Identity, and Religion in the Early Modern World III Disability and Labor in Early Modern England Futures of the Maritime Humanities Imagining Early Modernist Responses to the Field of Medievalism Imagining Social Virtues in Medieval and Early Modern England
Art and Rhetoric in Netherlandish Painting Before Farm to Table III: Flavoring Food Beliefs and Bodies in the Early Modern World Books and Places: Text, Site, and Signiꢄcance CANCELLED: Barberiniana – Aspects of the Barberini Reign (1623–44): A New Renaissance in Baroꢁue Rome III CANCELLED: Imagining Antiꢁuity in the Early Modern World
Life on the Streets in Seventeenth-Century Rome Mapping Early Modern Religious Dissent III: Jews, Christians, and Muslims: Clashes, Encounters, and Conversions Maps, Texts, and Travels: Hakluyt, Léry, Rabelais New Perspectives in Renaissance Studies
CANCELLED: Lieux réels, lieux virtuels de la visibilité des autrices de la Renaissance CANCELLED: Placemaking and the Domestic Interior in Early Modern Europe I

New Perspectives on Italian Art III New Technologies and Renaissance Studies III: Meaning Making in Text, Space, and Time
Roundtable: Ethics and Literature: How Early Modern Writings Shaped Renaissance Ethics

Roundtable: James Hankins' Virtue Politics: Soulcraꢀ and Sꢁatecraꢀ in Renaissance Iꢁaly

Roundtable: Navigating Peer Review
New Voices in Book History: Feminist Bibliography New Work on French Renaissance Literature
Songs, Words, and Memories: Documenting the Past and Preserving the Future in Antwerp, Italy, and Paris Staging Music and Reading Song in Renaissance England ꢂe Body and the Divine in Early Modernity III: Narrating the Body ꢂe Ethics of Truth Telling in Early Modern English Drama
Noble Boyhood, Audience Complicity, and the Tower of London in Shakespearean and Pre-Shakespearean Drama Operating the Artist's Workshop: Location, Diversiꢀcation, Identity Patronage in Northern Europe between Reformation and Counter-Reformation (1517–ca. 1600) Political Satire in England: Marvell, French Inꢁuence,

and the Corona Regia

Real and Imagined: Early Modern Women in France, Italy, and Spain Reconsidering Hebrew Scholarship in Early Modern Catholic Contexts: A Global Enterprise III Renaissance Hospitals in Southern Europe: Architectural Models in the Sixteenth Century
ꢂe Inner Lives of Early Modern Travel: Emotions, Senses, and Experience ꢂe Politics of Recipe Books I: ꢂeorizing Early Modern Recipe Culture ꢂeory and Practice: Memory, Probability, and Invective ꢂeory of Classical Reception: Varieties and Alternatives
Renaissance Medals, Coins, and Exonumia I

Women's Convents in Bologna, the Low Countries, and the Americas Women's Life Writing in Early Modern Italy
Representing Ritual in Renaissance Painting: African Donor Portraits, Flagellant Confraternities, and Female Intercessors

  • Revisiting Milton's Spenser
  • Women, Worlds, and Wonders: Working Spectacle on

the Early Model Stage

ꢀursday at 4:00 pm

Concordia/Concordiae: Religious and Philosophical

Concord in the Renaissance
Classical Reception in the Renaissance, Textual and Visual: Ekphrasis, Paganism, Homer
A New Look at Filippo Baldinucci II Author Meets Critics Roundtable: Elijah Del Medigo and Paduan Aristotelianism Blended Identities: Blurring Religious, Social, and Architectural Boundaries
Daring Authorship: Women Authors in Sixteenth- and Seventeenth-Century France Deception and Criticism in Early Modern Scholarship Digital Humanities Case Studies and Methodologies Early Modern Intermediality: ꢂe Bel Composto
CANCELLED: Franco-Italian Spiritual Kinship Networks: Vittoria Colonna, Marguerite de Navarre, Renée de France, and ꢂeir Daughters
Reconsidered Ecology, Naturalism, Gender, and Otherness in Comparative Colonial and French Contexts
CANCELLED: Ovadiah Sforno: ꢂe Philosophical Exegesis and Exegetical Philosophy of a Jewish Renaissance Man CANCELLED: Placemaking and the Domestic Interior in Early Modern Europe II CANCELLED: Vasari's Metamorphoses: Re-ꢂinking the Relationship between the First Two Editions of Le

vite

CANCELLED: Visual Networks of Healing in Renaissance Italy
Elizabethan and Jacobean Books and Readers Examining Body, Soul, and Human Nature in Reformation Europe Hebraicism and Humanism: ꢂe Logic of Place, Attitudes toward Hebrew, and Self-Censorship Highlighting the Low Countries' Arts: Dutch Napery, Protestant Parables, Netherlandish Naturalism How to Apply for NEH Fellowships and Grants Law and Politics in Early Modern Africa and the Mediterranean Mapping Early Modern Religious Dissent IV: Religious Travels, Pilgrimages, and Sanctuaries: Mobility, Conꢁicts, Exchanges
CANCELLED: Voicing History in Early Modern France: ꢂe Works of ꢂéodore Agrippa d'Aubigné Cavendish and Hutchinson

Memorial, Material Traces, and Gender New Perspectives on Italian Art IV Period Eye–Period Ear: Re-Imagining Sistine Chapel Images Philosophy, Poetics, and Alchemy in Colonial Women's Poetry Politics, Aꢀect, and Constitutional Story in Milton and Marvell Reconstructed History: Unsettled Time and Space in Early Modern France Renaissance Hospitals in Southern Europe: Institutional Networks and Models (1350–1550) Renaissance Medals, Coins, and Exonumia II Rethinking Sex Work in Early Modern Europe Roundtable: 'Deliver'd at Second Hand'? Mediated Translations in Early Modern Europe
Roundtable: Rethinking the Renaissance Self Roundtable: ꢁe Global Turn in Art History: Where Next? Shakespeare: Argumentation, Audience, and the Articulate Corpse ꢁe Early Modern ꢁeories of Letters and Arts in the Light of Scholasticism (France-Italy, 1500–1700) ꢁe Pictorial Poetics of Landscape in the Visual Arts of Northern Europe ꢁe Politics of Recipe Books II: Case Studies ꢁe Psalms and English Renaissance Lyric ꢁe Sophisticated Stage: A Study in Object-Human Relations Women's Spheres of Inꢂuence, High and Low, in England and Italy

Friday at 9:00 am

Alchemy, Amulets, and Amber: ꢁe Scientiꢃc Household in England, Italy, and Lithuania
Looking Beyond the Comedy in Shakespeare and Jonson
Antiꢄuarian Networks in Sixteenth-Century Rome and the Beginnings of Archaeology Ariosto's Orlando Furioso: From the ꢁeater of
Looking, Media,and Mediation in Milton Making and Knowing I: Creating a Digital Edition of a Sixteenth-Century How-to Text
Operations to the Opera ꢁeater Art ꢁeory and Global Dissemination of Early Modern Spain and Colonial Spanish America Beyond Stereotypes: Visual Strategies and Political Propaganda in Christian-Muslim Encounters CANCELLED: Ancient Lives and Early Modern Drama CANCELLED: Baptizing Slaves in Early Modern Europe CANCELLED: Rabelais et le hasard
Manuscripts during the First Age of Print I: Genres and Audiences Marketing and Educating Women in Savoy and Seville Marsilio Ficino: His Working Practices and Sources I Methods and Data in Early Modern Humanities Research Michel d'Amboise, Michel de Montaigne, Jacꢄues Clément: ꢁe Self in Early Modern France Musical Models in the Fiꢅeenth and Sixteenth Centuries: ꢁe Petrarchan, the Sacred, the

  • Metrolingual
  • CANCELLED: ꢁéâtre français de la Renaissance I

CANCELLED: Time, Space, Matter: Intermediaries in Early Modern Societies CANCELLED: Understanding Nature: Epistemic Imagery in France, Italy, and Mexico Celebrating the Senses: Observations of Taste and Sound in England and France Computer Vision and Period Eye: Methodical Challenges for Computing Art
Neglected Republicanism? Reconsidering Traditions of Political Participation in the Global Iberian World I: Philosophy, ꢁeologies, and Literature New Approaches to Drawing and Draꢅsmanship in the Early Modern Period I New Technologies and Renaissance Studies IV: Edition, Collection, Analysis, Infrastructure I Poetry and the Nonempirical
Credit, Estates, and Properties in Renaissance Italy Dante and Measurement Doubt, Science, and Empirical Knowledge in Early Modern Europe
Preaching in Early Modern England and Italy: ꢁe Jeremiah Defense, Richard Hooker, Letters as Sermons Printing and Reading in the Early English Reformation: William Tyndale and His Books Roundtable on Chivalric Romance in Late Medieval and Early Modern Iberia for the New Millennium
Dream Narratives in Melanchthon, Da Vinci, and Camões
Roundtable: Conservation, Connoisseurship, and Renaissance Sculpture I Roundtable: Working Out from the Center:
Intersections of Race Formations and Literary Forms Libraries and Book Collectors in Renaissance Ireland Literary and Musical Aꢅerlives: Bram Stoker, William Shakespeare, John Milton
Researching outside the Northern Renaissance Canon

Sidney Circle I: Texts and Textual Scholarship: Pirates, Traitors, and Bookbinders, Oh My!
ꢀe Politics of Ekphrasis: Descriptions of Tapestries in Neo-Latin Epic Poetry
Stage Décor and the Early Modern Spanish Comedia Students, Scholars, and Universities in an Era of Religious Controversy, 1550–1650
ꢀe Right to Kill, the Faculty to Depose, the Power to Invade: ꢁuestions of Sovereignty I Tintoretto Revisited
Teaching and Learning the Renaissance and the Early Modern Period
Transformative Objects: Foreign Artifacts and Local Identities I

  • ꢀe Demands of the ꢀeater
  • Virgil's Commentaries in the Renaissance

ꢀe Medium is the Message: Paper, Print, Pigment in English Literature and Northern European Art ꢀe Mishnah Between Christians and Jews in Early Modern Europe I
Virtues and Vices in Early Modern Literary Culture ꢀe Aꢂordances of Medieval Culture in Renaissance England

Friday at 11:00 am

"ꢁuae vitam et mores erudiant": Ethics and Early Modern Literature
New Technologies and Renaissance Studies V: Edition, Collection, Analysis, Infrastructure II
Art in Early Renaissance Venice I: New Approaches to Sculpture
Ovid's Meꢀamorphoses and Foundation Myths of the Arts in the Renaissance
Artistic, Scientiꢃc, and Communication Networks: Netherlands, Constantinople, England, Persia
Peopled Space in England, Ireland, and Wales: Landscape, Water, Locality

  • CANCELLED: ꢀéâtre français de la Renaissance II
  • Petrarch Beyond Subjectivity

CANCELLED: Traveling Women of Early Modern Spanish ꢀeater Changes in Visual and Material Culture as Revealed in Early Modern Printed Music Treatises Early Modern Devotional Verse, Catholic and Protestant Echoes of Dante in Boccaccio
Political Ceremonies and Rituals: Global Perspectives I Privacy and Secrecy in Early Modern England Rabelais : profusion et postérité Rare Books in New Contexts: Catalogues, Title Pages, and Marginalia Re-Imagining the Imagination: Changing Concepts of the Imagination in the Early Modern Age
Eclogues and Elegies: Latin Poetry in England and France Erasmus
Reconsidering Raphael 2020 I: Raphael at Work Reformations and Mysticisms: Jan Hus, Martin Luther, Jacob Boehme
Foreign ꢁueens Consort: Borders, Movement, Agency
Rethinking Aphra Behn: Politics, Race, and Genre

Hills, Dales, Bowers, Romance and Recovery in Spenser and Milton
Roundtable: Conservation, Connoisseurship, and Renaissance Sculpture II
Indirect Translations in Early Modern Europe: Linguistic, Material, and Cultural Mediations
Roundtable: Early Modern Digital Art History: Computation as Methodology
Making and Knowing II: Teaching through Reconstruction outside the Academy
Roundtable: Extraordinary Lives of Household Objects in English Renaissance Drama
Manuscripts during the First Age of Print II: Interactions between Manuscript and Print
Roundtable: Neo-Latin Poetry in the Ibero-Atlantic World: Forging New Connections
Marsilio Ficino: His Working Practices and Sources II Materializing the Mediterranean: North African and Iberian Narratives of Alterity and Power
Roundtable: ꢀe Aꢄerlives of Ancient and Medieval Forgeries Roundtable: ꢀe Early Modern Cardinal: New

  • Directions
  • Milton, Matter, and Vision

Natural Knowledge: ꢀe Construction and Representation of Nature in the New World
Roundtable: ꢀe Study of Italian Jewry, the Early Modern Age, and New Historiographical Turns
Neglected Republicanism? Reconsidering Traditions of Political Participation in the Global Iberian World II: Philosophy, ꢀeologies and Literature
Servitude, Spatial Fear, and Isolation in George Herbert Sexual Violence in Fletcher's Valentinian, Ovid's
New Approaches to Drawing and Draꢄsmanship in the Early Modern Period II
Meꢀamorphoses, and Shakespeare's Roman Works Sidney Circle II: Postsecularism and Early Modern English Literature

ꢀe Maternal Voice, Gender Reversal, and World ꢀeatre in Early Modern Spanish Drama
Transformative Objects: Foreign Artifacts and Local Identities II
ꢀe Mishnah Between Christians and Jews in Early Modern Europe II
Unstable Borders and Shiꢂing Self-Identities in the Early Modern World
ꢀe Right to Kill, the Faculty to Depose, the Power to Invade: ꢁuestions of Sovereignty II
Waterworlds: Living with Water in Early Modern Germany and the Netherlands
ꢀe Societies and Cultures of Humanists in ꢁuattrocento Italy and Beyond
Women and War in the Early Modern World I

Friday at 2:00 pm

Sixteenth-Century Spain
Aeneas Sylvius Piccolomini and the Renaissance

Pioneers of Dutch Culture in the Golden Age Political Ceremonies and Rituals: Global Perspectives II Political Violence and Its Critics in the Early Modern Iberian Worlds Praying in the Renaissance
Animals and Humans in the Early Modern Environment Art in Early Renaissance Venice II: Bellini's World Christine de Pizan I Collecting Colors in Renaissance Science Early Italian Painting in Orvieto, Siena, and the Barnes Foundation
Race and Translation I Reconsidering Raphael 2020 II: Raphael and Women
Erasmus II: In Honor of Clarence Miller

Ethics in Cervantes Fictionalizing Natural Philosophy in Early Modern Britain and Europe Giants and Dwarfs I: Giants in Northern Europe Humanism and Letters Italian ꢀeatre and Spectacle Jews in Feuds / Jews on Trial Love and Ethics in Early Modern England Making and Knowing III: Expanding Horizons of Experimental Methodologies: New Projects by Former M&K Members Manuscripts during the First Age of Print III: Collecting and Commonplacing Masculinities and Femininities in Early Modern Miniatures, ꢀeater, and Food: England, France, Spain Michel Jeanneret, In Memoriam I : From Rabelais to

Versailles, L’élégance d’un style

Monuments and Memories in the English Renaissance Multilingual Renaissance Studies: New Perspectives from Research and Teaching Neglected Republicanism? Reconsidering Traditions of Political Participation in the Global Iberian World III: Philosophy, ꢀeologies, and Literature Networks of Disruption: Inter-Religious Spatial Negotiation of Jewish Conversion and Radicalism
Recovering Overlooked Makers and Hidden Histories in Northern Europe I: Material Culture and Marginalization Renaissance Medals, Coins, and Exonumia III Rhetoric and Allegory: Nashe, Gemma, and Milton

Roundtable: English Literary Renaissance at 50: Histories

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    NYE BOLIGER FRA NORDBOHUS GJØVIK AVD RINGSAKER/HAMAR ØVERKVERN NORDBOHUS GJØVIK AVD RINGSAKER/HAMAR NORDBOHUS GJØVIK AVD RINGSAKER/HAMAR Nordbohus Gjøvik avd Ringsaker/Hamar presenterer: ATTRAKTIV ØVERKVERN BELIGGENHET. Nå har du muligheten til å sikre deg en plass i solen! Moderne leiligheter og innholdsrike rekkehus med kort vei til sentrum. Her kan du bo i et trivelig nærmiljø med kort vei til alt du trenger i hverdagen. Romslige rekkehus FLOTT STEMNING FRA OMRÅDET. Øverkvern er et nytt boligfelt som ligger i et solrikt område med kort vei til Brumunddal sentrum. Boligene består av en kombinasjon av både leiligheter og rekkehus. Det er et godt Lettstelte leiligheter utarbeidet uteareal med både lekeareal for de minste og et hyggelig tun i midten. Her skal det være godt å bo både for store og små. Solrikt og sentralt i Brumunddal Det ligger en barnehage rett ved boligfeltet, og det er kort vei til både butikker, skoler, idrettsanlegg og andre friområder. Er du i tillegg glad i friluftsliv ligger Splitter nytt turterrenget rett utenfor stuedøren. Trivelige omgivelser NORDBOHUS GJØVIK AVD. RINGSAKER/HAMAR 2 | ØVERKVERN ØVERKVERN | 3 NORDBOHUS GJØVIK AVD RINGSAKER/HAMAR NORDBOHUS GJØVIK AVD RINGSAKER/HAMAR LEILIGHETER REKKEHUS Illustrasjon BLBLABOLIGEN HAR ET MODERNE UTTRYKK MED STORE VINDUSFLATER SOM GIR FLOTTE LYSFORHOLD. BLA BLDOBBEL GARASJE MED SPORTSBOD ER PRAKTISK PLASSERT VED INNGANGSPARTIET. 4 | ØVERKVERN ØVERKVERN | 5 NORDBOHUS GJØVIK AVD RINGSAKER/HAMAR NORDBOHUS GJØVIK AVD RINGSAKER/HAMAR LYSE OG MODERNE LEILIGHETER. Ønsker du å bo i en lettstelt og praktisk leilighet på ett plan, er dette noe for deg. Leiligheten har to soverom, stue og kjøkken med åpen løsning, og egen balkong eller utgang til hage hvor solen kan nytes.
  • Europa E Italia. Studi in Onore Di Giorgio Chittolini

    Europa E Italia. Studi in Onore Di Giorgio Chittolini

    21 CORE VENICE AND THE VENETO Metadata, citation and similar papers at core.ac.uk Provided by Reti Medievali Open Archive DURING THE RENAISSANCE THE LEGACY OF BENJAMIN KOHL Edited by Michael Knapton, John E. Law, Alison A. Smith thE LEgAcy of BEnJAMin KohL BEnJAMin of LEgAcy thE rEnAiSSAncE thE during VEnEto thE And VEnicE Smith A. Alison Law, E. John Knapton, Michael by Edited Benjamin G. Kohl (1938-2010) taught at Vassar College from 1966 till his retirement as Andrew W. Mellon Professor of the Humanities in 2001. His doctoral research at The Johns Hopkins University was directed by VEnicE And thE VEnEto Frederic C. Lane, and his principal historical interests focused on northern Italy during the Renaissance, especially on Padua and Venice. during thE rEnAiSSAncE His scholarly production includes the volumes Padua under the Carrara, 1318-1405 (1998), and Culture and Politics in Early Renaissance Padua thE LEgAcy of BEnJAMin KohL (2001), and the online database The Rulers of Venice, 1332-1524 (2009). The database is eloquent testimony of his priority attention to historical sources and to their accessibility, and also of his enthusiasm for collaboration and sharing among scholars. Michael Knapton teaches history at Udine University. Starting from Padua in the fifteenth century, his research interests have expanded towards more general coverage of Venetian history c. 1300-1797, though focusing primarily on the Terraferma state. John E. Law teaches history at Swansea University, and has also long served the Society for Renaissance Studies. Research on fifteenth- century Verona was the first step towards broad scholarly investigation of Renaissance Italy, including its historiography.
  • Saint Thomas Church 99 Bristol Street, Southington, CT 06489-4599

    Saint Thomas Church 99 Bristol Street, Southington, CT 06489-4599

    Saint Thomas Church 99 Bristol Street, Southington, CT 06489-4599 “By this everyone will know that you are my disciples, if you have love for one another (John 13:35).” February 21, 2021 First Sunday of Lent Rectory Office Phone: 860-628-4713 Fax: 860-628-7341 E-Mail: [email protected] Web Sites: www.stthomassouthington.org www.facebook.com/groups/104009621923 St. Thomas Convent Address: 20 Eden Place Southington, CT Phone: 860-621-1904 Office of Religious Education Phone: 860-628-9679 E-mail: [email protected] Southington Catholic School Address: 133 Bristol Street Southington, CT Phone: 860-628-2485 Fax: 860-628-4942 Web Site: www.southingtoncathlolicschool.org Weekend Mass Schedule Our Parish Mission Statement Saturday Vigil: 4:00PM / Sunday: 7:30AM & 10:00AM We, the Roman Catholic faithful of St. Thomas Town’s Weekday Mass Schedule parish, nourished by God’s Word and by the Masses are at Immaculate Conception Church Sacraments, welcome and serve the Family of God. 130 Summer Street Through evangelization, education, and spiritual Monday—Friday: 7:30 AM and Noon development, we demonstrate the true meaning of Saturday Morning: 7:30 AM God’s love by living in the image of Christ. Rectory Office Hours Monday—Friday 8AM-4PM SATURDAY, February 20—Saturday after Ash Wednesday 7:30 AM (IC) Madeline Bailey Requested by Wally & Bette Ann Bailey 4:00PM Deceased Members of the Mercaldi family Requested by Angela Zacchia SUNDAY, February 21—First Sunday of Lent 7:30AM Giovanni Ragozzino Requested by Vincenzo Ragozzino 10:00AM Annette Brown Requested by her parents MONDAY, February 22—The Chair of St.
  • Rethinking Savoldo's Magdalenes

    Rethinking Savoldo's Magdalenes

    Rethinking Savoldo’s Magdalenes: A “Muddle of the Maries”?1 Charlotte Nichols The luminously veiled women in Giovanni Gerolamo Savoldo’s four Magdalene paintings—one of which resides at the Getty Museum—have consistently been identified by scholars as Mary Magdalene near Christ’s tomb on Easter morning. Yet these physically and emotionally self- contained figures are atypical representations of her in the early Cinquecento, when she is most often seen either as an exuberant observer of the Resurrection in scenes of the Noli me tangere or as a worldly penitent in half-length. A reconsideration of the pictures in connection with myriad early Christian, Byzantine, and Italian accounts of the Passion and devotional imagery suggests that Savoldo responded in an inventive way to a millennium-old discussion about the roles of the Virgin Mary and Mary Magdalene as the first witnesses of the risen Christ. The design, color, and positioning of the veil, which dominates the painted surface of the respective Magdalenes, encode layers of meaning explicated by textual and visual comparison; taken together they allow an alternate Marian interpretation of the presumed Magdalene figure’s biblical identity. At the expense of iconic clarity, the painter whom Giorgio Vasari described as “capriccioso e sofistico” appears to have created a multivalent image precisely in order to communicate the conflicting accounts in sacred and hagiographic texts, as well as the intellectual appeal of deliberately ambiguous, at times aporetic subject matter to northern Italian patrons in the sixteenth century.2 The Magdalenes: description, provenance, and subject The format of Savoldo’s Magdalenes is arresting, dominated by a silken waterfall of fabric that communicates both protective enclosure and luxuriant tactility (Figs.
  • History of Azerbaijan (Textbook)

    History of Azerbaijan (Textbook)

    DILGAM ISMAILOV HISTORY OF AZERBAIJAN (TEXTBOOK) Azerbaijan Architecture and Construction University Methodological Council of the meeting dated July 7, 2017, was published at the direction of № 6 BAKU - 2017 Dilgam Yunis Ismailov. History of Azerbaijan, AzMİU NPM, Baku, 2017, p.p.352 Referents: Anar Jamal Iskenderov Konul Ramiq Aliyeva All rights reserved. No part of this book may be reproduced or transmitted in any form by any means. Electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the copyright owner. In Azerbaijan University of Architecture and Construction, the book “History of Azerbaijan” is written on the basis of a syllabus covering all topics of the subject. Author paid special attention to the current events when analyzing the different periods of Azerbaijan. This book can be used by other high schools that also teach “History of Azerbaijan” in English to bachelor students, master students, teachers, as well as to the independent learners of our country’s history. 2 © Dilgam Ismailov, 2017 TABLE OF CONTENTS Foreword…………………………………….……… 9 I Theme. Introduction to the history of Azerbaijan 10 II Theme: The Primitive Society in Azerbaijan…. 18 1.The Initial Residential Dwellings……….............… 18 2.The Stone Age in Azerbaijan……………………… 19 3.The Copper, Bronze and Iron Ages in Azerbaijan… 23 4.The Collapse of the Primitive Communal System in Azerbaijan………………………………………….... 28 III Theme: The Ancient and Early States in Azer- baijan. The Atropatena and Albanian Kingdoms.. 30 1.The First Tribal Alliances and Initial Public Institutions in Azerbaijan……………………………. 30 2.The Kingdom of Manna…………………………… 34 3.The Atropatena and Albanian Kingdoms………….
  • On the Lower Didymograptus Zone (3 B) at Ringsaker, and Contemporaneous Deposit S in Scandinavia

    On the Lower Didymograptus Zone (3 B) at Ringsaker, and Contemporaneous Deposit S in Scandinavia

    138 NORSK GEOLOGISK TIDSSKRIFT 30. ON THE LOWER DIDYMOGRAPTUS ZONE (3 B) AT RINGSAKER, AND CONTEMPORANEOUS DEPOSIT S IN SCANDINAVIA BY STEINAR SKJESETH Contents. Abstract ......................................................... 138 Acknowledgement 139 Introduction 139 Histo11ical account of earlier research . 139 An introduction to the stratigraphy and tectonics of Southern Ringsaker 140 The Lower Didymograptus Zone (3 b) at Ringsaker . 143 Notes on the sediments . 147 Correlation of the 3 b sediments in Scandinavia . 148 The Planilimbata Limestone, "The Planilimbata Zone" . 155 Systematic description of trilobites . 156 Family Agnostidae . !57 Remopleurdiidae . 157 Asaphidae . 158 Styginidae 171 Oheiruridae . 17 3 Lichadidae . 174 Ceratopygidae . 175 Raphiophoridae 176 References . 179 Expanation of plates . 173 A b s t ra c t. The two upper sub-zones of the Lower Didymograptus Beds (3 b) appear in limestone-trilobite facies at Heramb, Ringsaker, Nor­ way. The layers at Heramb correspond to the Planilim:bata Limestone, or part of it, and the beds are correlated with corresponding deposits elsewhere in Scandinavia. The 3 b sediments are deposited in a more or less closed basin on the Scandinavian Foreland. In this basin the different facies of the 3 b sediments have a dtstinct distl'libution. The trilobites from the upper sub­ zones of 3 b at Heramb are described, among them three new trilobite species: Megalaspis Tingsakerensis sp. n. Ptychopyge herambensis sp. n. mi-noT sp. n. Ampyx �:olborthi Schm[dt is transferred to the genus Lonchodornas. LOWER DIDYMOGRAPTUS ZONE 139 ACKNOWL EDG EM ENT It is a pleasure to express my heartiest and most sincere thanks to Professor L. Størmer and Curator G.
  • Norberto Gramaccini Petrucci, Manutius Und Campagnola Die Medialisierung Der Künste Um 1500

    Norberto Gramaccini Petrucci, Manutius Und Campagnola Die Medialisierung Der Künste Um 1500

    Norberto Gramaccini Petrucci, Manutius und Campagnola Die Medialisierungder Künste um 1500 Die Jahre um 1500 waren für die Medialisierung der Künste und Wissenschaften von entscheidender Bedeutung.1 Am 15.Mai 1501 brachte in Venedig der aus Fossombrone gebürtige Musikdrucker Ottaviano dei Petrucci (1466–1539) mitseinemmusikalischen BeraterPetrusCastellanus das Harmonicemusices OdhecatonA(RISM 15011)heraus: Es ist das erste im Typendruckverfahren hergestellte Buch in mehrstimmigen Mensuralnoten, enthaltend 100drei- und vierstimmige Chansons der bekanntesten zeitgenössischen Komponisten –die meisten Franzosen und Flamen.2 Bereits 1498 hatte Petrucci beim veneziani- schen Senat ein Gesuch gestellt, das ihm als Erfnder ein Monopol für die Dauer von 20 Jahren zusichern sollte: »… chome aprimo Inventore che niuno altro nel dominio de Vostra Signoria possi stampare Canto fgurado …per anni vinti«.3 Dem Erstling folgten gleichgeartete Publikationen (Canti B, Canti C), die ei- nen Hinweis liefern, dass Petruccis vorrangiges Ziel in den ersten Jahren sei- ner Herausgebertätigkeit (bis 1504)darin bestand, nicht die sakrale, sondern 1Hans Blumenberg, Die Lesbarkeit der Welt,Frankfurt 1983;David McKitterick, Print, Manuscript and the Search for Order, 1450–1830,Cambridge 2004,S.109. 2Helen Hewitt und Isabel Pope, Petrucci. Harmonice Musices Odhecaton A,New York 1978. Das Datum 15/V/1501geht aus der Widmung an Girolamo Donato hervor. Für eine andere Datierung, David Fallows, »Petrucci’s Canti Volumes: Scope and Repertory«, in: Basler Jahrbuch für Historische Musikpraxis 25: Musik –Druck –Musikdruck. 500Jahre Ottaviano Petrucci (2001), S.39–52: S.41.ZuCastellanus,dem »magistercapelle«der Kirche SS.Giovanni ePaolo, den die Zeitgenossen als »arte musice monarcha« bezeichneten, Bonnie J. Blackburn, »Petrucci’s Venetian Editor: Petrus Castellanus and His Musical Garden«, in: Musica Disciplina 40 (1995), S.15–41: S.25.Zuden späten Quellen, die Petrucci auch als Besitzer mehrerer Papiermühlen ausweisen, Teresa M.
  • The Princeton Review

    The Princeton Review

    THE PRINCETON REVIEW. ©Sljom, all tfjtngss; for <E23l)om, all things. FIFTY-FIFTH YEAR. JULY— DECEMBER. NEW YORK KS79. JULY. PAGE LABOR AND WAGES IN ENGLAND i Prof. Thorold Rogf.rs, LL.D., University of Oxford THE AIM AND INFLUENCE OF MODERN BIBLICAL CRITICISM 27 Rev. Dr. E. A. Washburn, New York NEMESIS IN THE COURT-ROOM 47 Francis Wharton, LL.D., Cambridge REASON, CONSCIENCE, AND AUTHORITY .... 67 Prebendary Irons, D.D., F.R.H.S., St. Paul’s, London THE ORGAN OF MIND 9S Prof. David Ferrier, Kings College, London MUSIC AND WORSHIP 126 President Potter, Union College CHRIST AND THE DOCTRINE OF IMMORTALITY . .144 Rev. George Matheson, D.D., Scotland LOCAL GOVERNMENT: AT HOME AND ABROAD . 172 Robert P. Porter, Esq., Chicago PHILOSOPHY AND APOLOGETICS 196 Prof. Charles W. Shields, Princeton College SEPTEMBER. PROGRESS OF CHRISTIANITY IN THE UNITED STATES . 209 Philip Schaff, D.D., LL.D., Union Theological Seminary THE PHILOSOPHIC MOVEMENT IN ITALY .... 253 Prof. Luigi Ferri, Ph.D., University of Rome PAINTING IN ITS HISTORIC RELATIONS .... 277 Prof. Henry Copp^e, LL.D., Lehigh University PAGE RELIGION AND MORALITY ... .... 302 Rev. Henry N. Day, D.D., New Haven THE PROBLEM OF THE HUMAN WILL ... .328 Prof. Henry Calderwood, LL.D., University of Edinburgh THE LAWS OF WAR IN THEIR BEARING ON PEACE . 352 Sheldon Amos, LL.D., London SECULARIZED EDUCATION .377 Prest. Robert L. Dabney, Hampden-Sydney Theol. Seminary VIRGIL AS A PRECURSOR OF CHRISTIANITY ... 401 Principal Shairp, D.C.L., University of St. Andrews NOVEMBER. PROFESSOR HUXLEY’S EXPOSITION OF HUME’S PHILOSOPHY . 421 President Porter, D.D., LL.D., Yale College UNIVERSITY QUESTIONS IN ENGLAND 451 Goldwin Smith, D.C.L., Toronto PROFESSOR TYNDALL UPON THE ORIGIN OF THE COSMOS .