Download November 2012 Movie Schedule

Total Page:16

File Type:pdf, Size:1020Kb

Download November 2012 Movie Schedule Movie Museum NOVEMBER 2012 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY SAFETY NOT Hawaii Premiere! Hawaii Premiere! THE CAMPAIGN CRISS CROSS ELIMINATE: THE MOURNING (2012-US) (1949-US) GUARANTEED ARCHIE COOKSON (2012-US) FOREST in widescreen Burt Lancaster, Yvonne De in widescreen (2011-UK) in widescreen (2007-Japan) Will Ferrell, Zach Galifianakis. Carlo, Dan Duryea. with Aubrey Plaza, Mark with Paul Rhys, Paul Ritter. in Japanese with English 12, 1:30 & 6:30pm 12, 1:45, 3:30 & 7pm Duplass, Jake Johnson. 12, 1:30, 3 & 9pm subtitles & in widescreen ------------------------------------ ------------------------------------ ------------------------------------ Machiko Ono, Shigeki Uda. SAFETY NOT Hawaii Premiere! Directed by THE CAMPAIGN Written and Directed by GUARANTEED ELIMINATE: Colin Trevorrow. (2012-US) in widescreen Naomi Kawase. (2012-US) in widescreen ARCHIE COOKSON 12, 1:30, 3, 4:30, 6 & Will Ferrell, Zach Galifianakis. 12:00, 1:45, 3:30, 5:15, Aubrey Plaza, Mark Duplass (2011-UK) in widescreen 7:30pm 4:30, 6 & 7:30pm 3:15, 4:45 & 8pm only 5:15 & 8:30pm 1 2 7:00 & 8:45pm 345 2 Hawaii Premieres! Hawaii Premiere! 2 Hawaii Premieres! Veterans' Day RUBY SPARKS THE BRAIN GREED IN THE SUN TAXI FOR TOBRUK THE WAY AHEAD (2012-US) (1969-France/Italy) (1964-France/Italy) (1960-Fra/Spain/West Ger) (1944-UK) French w/Eng subtitles, ws in widescreen. French w/Eng subtitles, ws uncut British version French version Eng subtitles with Paul Dano, Zoe Kazan, David Niven, J-P Belmondo. Jean-Paul Belmondo, Lino Ventura, Hardy Kruger. David Niven, Trevor Howard. Lino Ventura, Gert Frobe. Chris Messina, Annette Bening, 12:00, 2:00 & 6:15pm 12:00 & 1:45pm only 12, 2 & 6pm 12:00, 2:15 & 4:30pm Antonio Banderas. ------------------------------------ ------------------------------------ ------------------------------------ ------------------------------------ GREED IN THE SUN THE BRAIN Hawaii Premiere! RUBY SPARKS (2012-US) Directed by (1969-France/Italy) TAXI FOR TOBRUK (1964-Fr/It) French, subs, ws. in widescreen. Jonathan Dayton, Valerie Faris. French version Eng subtitles (1960-Fra/Spain/West Ger) J-P Belmondo, Lino Ventura. with Paul Dano, Zoe Kazan. 12:30, 2:30, 4:30, David Niven, J-P Belmondo. French w/Eng subtitles, ws 4:00 & 8:30pm only 6:45 & 8:45pm only 6:30 & 8:30pm 8 9 10 3:30, 5:30 & 7:30pm 11 4 & 8pm only 12 2 Hawaii Premieres! 2 Hawaii Premieres! Hawaii Premiere! 2 Hawaii Premieres! THE MOURNING SORRY, IF I LOVE YOU I WISH I, THE OTHER THE SINGER aka Kiseki FOREST (2007-Japan) (2008-Italy) (2006-Italy) aka Quand j’étais chanteur (2011-Japan) Japanese w/Eng subtitles, ws Italian w/Eng subtitles, w.s. (2006-France) Italian w/Eng subtitles, ws Machiko Ono, Shigeki Uda. with Raoul Bova. in Japanese with English with Raoul Bova. French w/Eng subtitles, ws subtitles & in widescreen 12 & 8pm only 12:00, 2:00 & 8:30pm 12, 1:30, 3 & 8:30pm ------------------------------------ with Gérard Depardieu, Cécile with Koki Maeda, Ohshiro ------------------------------------ ------------------------------------ de France, Mathieu Amalric. THE SINGER I, THE OTHER Maeda, Ryoga Hayashi. SORRY, IF I LOVE YOU (2006-France) (2006-Italy) Written and Directed by (2008-Italy) French w/Eng subtitles, ws Italian w/Eng subtitles, ws Xavier Giannoli. Written and Directed by Italian w/Eng subtitles, w.s. with Gérard Depardieu. with Raoul Bova. 12:00, 1:45, 3:30, 5:15, Hirokazu Koreeda. with Raoul Bova. 2, 4 & 6pm only 15 4:00, 5:30 & 7:00pm 16 7:00 & 8:45pm 17 12, 2:30, 5 & 7:30pm 18 4:30 & 6:30pm only 19 Happy Thanksgiving! Hawaii Premiere! TAMPOPO MY SASSY GIRL SAIDOWEIZU UNIVERSITY OF (2001-South Korea) (2009-Japan) THE CLASSIC (1985-Japan) LAUGHS (2004-Japan) (2003-South Korea) in Japanese with English in Korean with English in Japanese with English Japanese w/Eng subtitles/ws Korean w/Eng subtitles/ws subtitles & in widescreen subtitles & in widescreen subtitles & in widescreen with Koji Yakusho Ye-jin Son, Seung-woo Cho. with Tsutomu Yamazaki, with Tae-hyun Cha, with Fumiyo Kohinata, 12:00, 4:15 & 8:30pm 12:30 & 8:00pm only Nobuko Miyamoto, Ken Gianna Jun. Katsuhisa Namase, Rinko ------------------------------------ ------------------------------------ Watanabe, Koji Yakusho. Kikuchi, Kyoka Suzuki. TAMPOPO MY SASSY GIRL Directed by (1985-Japan) (2001-South Korea) Written and Directed by Jae-young Kwak. Directed by Cellin Gluck. Japanese w/Eng subtitles/ws Korean w/Eng subtitles/ws Juzo Itami. 12:00, 2:15, 4:30, 12:00, 2:15, 4:30, with Koji Yakusho. Tae-hyun Cha, Gianna Jun. 6:00 & 8:15pm only 6:45 & 9:00pm 6:45 & 9:00pm 2:15 & 6:30pm only 3:00 & 5:30pm only 22 23 24 25 26 2 Hawaii Premieres! LAWLESS Hawaii Premiere! 2 Hawaii Premieres! THE PERFECT CIRCLE CURE (1997-Japan) THE CLASSIC ONE EVENING AFTER (2012-US) in widescreen (1997-Bosnia/Herzeg/France) Japanese w/Eng subtitles, ws (2003-South Korea) THE WAR with Koji Yakusho. Shia LaBeouf, Tom Hardy. Bosnian w/Eng subtitles/w.s Korean w/Eng subtitles, ws (1998-France/Cambodia) 12, 4 & 6pm only with Mustafa Nadarevic. Directed by Central Khmer w/subtitles/ws Kiyoshi Kurosawa. Ye-jin Son, Seung-woo Cho, ------------------------------------ 12:30 & 8:30pm only 12, 2 & 8pm only 12pm only In-seong Jo, Ki-woo Lee. CURE (1997-Japan) ------------------------------------ ------------------------------------ Japanese w/Eng subtitles/ws ------------------------------------ ONE EVENING AFTER Written and Directed by THE PERFECT CIRCLE with Koji Yakusho. THE WAR LAWLESS (1997-Bosnia/Herzeg/France) Directed by (2012-US) in widescreen Jae-young Kwak. (1998-France/Cambodia) 12:30, 3, 5:30 Bosnian w/Eng subtitles/w.s Kiyoshi Kurosawa. Central Khmer w/subtitles/ws Shia LaBeouf, Tom Hardy. with Mustafa Nadarevic. 2, 4, 6 & 8pm & 8pm 2 & 8pm only 29 2:30, 4:30 & 6:30pm 30 Dec 1 Dec 2 4 & 6pm only Dec 3 $5 General Admission / $4 Members All films will be presented Reservations Recommended. Call 735-8771. with digital sound. MOVIE MUSEUM November 2012 $5 General Admission / $4 Members COMING ATTRACTIONS Reservations Recommended. Call 735-8771. SAFETY NOT GUARANTEED (2012-US) 86m *** ½ D: Colin TAXI FOR TOBRUK (1960-France/Spain/West Germany) UNIVERSITY OF LAUGHS aka Warai no Daigaku Trevorrow. Aubrey Plaza, Mark Duplass, Jake Johnson, Karan 95m *** ½ D: Denys de la Patellière. Hardy Krüger, Lino (2004-Japan) 121m *** ½ D: Mamoru Hosi. Writ- Soni. A classified ad in an alternative newspaper reads: Ventura, Charles Aznavour (SHOOT THE PIANO ten by Koki Mitani (WELCOME BACK, MR. “WANTED: Someone to go back in time with me. This is not a PLAYER). In the Libyan desert in 1942, a band of French McDONALD). Kôji Yakusho (ISOROKU joke... SAFETY NOT GUARANTEED.” In response, a Seattle- troops capture a German truck along with its captain YAMAMOTO), Goro Inagaki. Set on the eve of based magazine writer (Johnson) brings two interns (Plaza (Krüger). The French have lost their supplies, so they must World War II, this Japanese comedy concerns a and Soni) to Ocean View, WA to interview Kenneth (Duplass), get to a friendly base in order to survive—but the nearest young playwright (Inagaki) and his battle with a the grocery clerk who claims the ability to travel in time. This one is 500 km away. The perilous journey raises tensions humorless government censor (Yakusho). Based highly inventive comedy won at Sundance. Rated R. between the men, whose immediate need for survival be- on Koki Mitani’s successful 1996 play, this film gins to outweigh nationality. French speakers will appreci- offers a master class of acting by the great Yakusho, THE CAMPAIGN (2012-US) 85m *** D: Jay Roach. Will ate the snappy dialogue by Michel Audiard (Jacques’ dad). who won a Festival Prize at the Yokohama Film Ferrell, Zach Galifianakis, Jason Sudeikis, Dan Aykroyd, John For ages 12 and older. Note: Allies re-took Tobruk on 11/11/42. Festival. Rated PG. Lithgow. This laugh-out-loud political farce has right-wing incumbent congressman Brady (Ferrell) battling naïve doofus THE WAY AHEAD (1944-UK) 115m Uncut UK Version *** TAMPOPO (1985-Japan) 114m **** D: Juzo Itami. Huggins (Galifianakis) for a seat from North Carolina. D: Carol Reed. David Niven, Stanley Holloway, James Tsutomu Yamazaki, Nobuko Miyamoto, Ken Huggins doesn’t have a clue, but thanks to his billionaire Donald, John Laurie, Leo Genn, Renée Asherson, Peter Watanabe, Koji Yakusho (SHALL WE DANSU), backers, the Motch brothers (Lithgow and Aykroyd), he’s be- Ustinov, Trevor Howard (film debut). At the outset of World Rikiya Yasuoka. Trucker Goro (Yamazaki) and his coming a viable candidate. A crude, rude comedy. Rated R. War II, a group of raw British recruits with vastly different sidekick Gun (Watanabe) ride into Tokyo like gun- personalities and backgrounds become a cohesive and highly slingers on a mission. The little lady they hope to ELIMINATE: ARCHIE COOKSON (2011-UK) 87m *** D: effective fighting force landing in North Africa. Niven plays rescue is Tampopo (Miyamoto), a widow struggling Robin Holder. Paul Rhys (VINCENT & THEO, CHAPLIN), nice guy Lt. Perry who learns tough lessons about leader- to run her late husband’s noodle shop. Goro and Claire Skinner (LIFE IS SWEET), Georgia King, Paul Ritter. ship. This film was No. 9 in the National Board of Review’s Gun decide they will transform Tampopo into Archie (Rhys) used to be an up-and-coming spy, but now he’s Top Ten List. Screenplay by Ustinov and Eric Ambler. Japan’s best ramen chef. This wildly hedonistic, just a pathetic pencil-pusher. But when he somehow obtains laugh-out-loud foodie comedy classic won 4 awards red-hot Cold War audiotapes, an assassin is assigned to termi- THE SINGER aka Quand j’étais chanteur (2006-France) 100m and the love of filmgoers worldwide. Rated R. nate him. Fortunately, the hitman in question is Ennis (Ritter), *** D: Xavier Giannoli.
Recommended publications
  • Kinotayo-2010
    PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ».
    [Show full text]
  • ¥PDF Programa De Ma 06.Fh9
    Disseny: IMF DESCOMPTE DEL25%PERALS CLIENTSDECAIXACATALUNYA (El nombred’entradesambdescompte éslimitat) PROGRAMACIÓ * Les sessions que porten un asterisc compten amb la presència de part de l’equip artístic i/o tècnic. DIVENDRES 6 9.15h. Casino Prado. The Last Circus (curt) + Blood Tea and Red Strings (Anima’t) 11h. Casino Prado. Black Moon (Europa Imaginària) 11.15h. El Retiro. Seance (Orient Express – Casa Asia) 13h. El Retiro. Eye of the Spider (Orient Express – Kurosawa) 13.15h. Casino Prado. La Sabina (Europa Imaginària) 13.45h. Auditori. Ils (Secció Oficial Fantàstic) 15h. El Retiro. Taxidermia (Secció Oficial Fantàstic) 15h. Casino Prado. Ulisse (Europa Imaginària) 15.15h. Auditori. Broken (S.O.Méliès) 17h. El Retiro. Duelist (Orient Express – Casa Asia) * 17h. Casino Prado. Blue Velvet (Sitges Clàssics – Lynch) 18h. Auditori. Gala Inauguració Sitges 2006: For(r)est in the Des(s)ert (curt) + El Laberinto del Fauno * 19.15h. El Retiro. La Hora Fría (Secció Oficial Fantàstic) 19.15h. Casino Prado. Fantastic Voyage (Sitges Clàssics - Fleischer) 20.50h. Auditori. El Laberinto del Fauno (Passi privat Tel-Entrada Caixa Catalunya) 21.15h. El Retiro. Avida (S.O. Noves Visions) 21.15h. Casino Prado. The Last Circus (curt) + Blood Tea and Red Strings (Anima’t) 23h. Auditori. Ils (Secció Oficial Fantàstic) * 23h. El Retiro. The Pulse (Secció Oficial Première) 23h. Casino Prado. Soylent Green (Sitges Clàssics - Fleischer) 00.45h. Auditori. Broken (S.O. Méliès) 1h. El Retiro. Masters of Horror (I) (Midnight X-Treme) 1h. Casino Prado. Mondo Macabro (I): The Warrior + Devil’s Sword (Midnight X-Treme) DISSABTE 7 9h. El Retiro. Edmond (S.O.
    [Show full text]
  • Movie Museum REVISED NOVEMBER 2013 COMING ATTRACTIONS
    Movie Museum REVISED NOVEMBER 2013 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY 2 Hawaii Premieres! Hawaii Premiere! 2 Hawaii Premieres! Veterans Day HAPPINESS NEVER LIFE BEGINS TODAY BEHIND THE DECEPTIVE PRACTICE: Hawaii Premiere! COMES ALONE aka La vida empieza hoy CANDELABRA The Mysteries and Mentors DOG NAIL CLIPPER (2012-France) (2010-Spain) (2013-US) of Ricky Jay aka Koirankynnen leikkaaja French w/Eng subtitles, w.s. Spanish w/Eng subtitles, w.s. in widescreen (2012-US) in widescreen (2004-Finland) Gad Elmaleh, Sophie Marceau. with Pilar Bardem. with Michael Douglas, Matt Documentary on world- Finnish w/Eng subtitles, ws 12:00, 3:45 & 7:30pm only 12:00, 3:45 & 9:15pm only Damon, Scott Bakula, Debbie renowned magician Ricky Jay. with Peter Franzén. ---------------------------------- ---------------------------------- Reynolds, Rob Lowe. 12:00, 3:45 & 7:30pm only 12 & 8pm only LIFE BEGINS TODAY HACHI-KO ---------------------------------- ---------------------------------- aka La vida empieza hoy (1987-Japan) Directed by HAPPINESS NEVER HACHI-KO (2010-Spain) in Japanese with English Steven Soderbergh. COMES ALONE (1987-Japan) Spanish w/Eng subtitles, w.s. subtitles & in widescreen (2012-France) Japanese w/Eng subtitles, ws with Pilar Bardem. with Kaoru Yachigusa. 12:00, 2:15, 4:30, 6:45 French w/Eng subtitles, w.s. with Kaoru Yachigusa. 2:00 & 5:45pm only 1:45, 5:30 & 7:30pm & 9:00pm 1:45 & 5:30pm only 2, 4 & 6pm 7 8 9 10 11 Hawaii Premiere! Hawaii Premiere! 2 Hawaii Premieres! ROMAN DE GARE 1 LITRE OF TEARS I HIRED A CONTRACT LACKAWANNA BLUES JACK IRISH: (2007-France) Ichi rittoru no namida KILLER (2005-US) in widescreen BAD DEBTS French w/Eng subtitles & ws.
    [Show full text]
  • Filmography of Case Study Films (In Chronological Order of Release)
    FILMOGRAPHY OF CASE STUDY FILMS (IN CHRONOLOGICAL ORDER OF RELEASE) Kairo / Pulse 118 mins, col. Released: 2001 (Japan) Director: Kiyoshi Kurosawa Screenplay: Kiyoshi Kurosawa Cinematography: Junichiro Hayashi Editing: Junichi Kikuchi Sound: Makio Ika Original Music: Takefumi Haketa Producers: Ken Inoue, Seiji Okuda, Shun Shimizu, Atsuyuki Shimoda, Yasuyoshi Tokuma, and Hiroshi Yamamoto Main Cast: Haruhiko Kato, Kumiko Aso, Koyuki, Kurume Arisaka, Kenji Mizuhashi, and Masatoshi Matsuyo Production Companies: Daiei Eiga, Hakuhodo, Imagica, and Nippon Television Network Corporation (NTV) Doruzu / Dolls 114 mins, col. Released: 2002 (Japan) Director: Takeshi Kitano Screenplay: Takeshi Kitano Cinematography: Katsumi Yanagijima © The Author(s) 2016 217 A. Dorman, Paradoxical Japaneseness, DOI 10.1057/978-1-137-55160-3 218 FILMOGRAPHY OF CASE STUDY FILMS… Editing: Takeshi Kitano Sound: Senji Horiuchi Original Music: Joe Hisaishi Producers: Masayuki Mori and Takio Yoshida Main Cast: Hidetoshi Nishijima, Miho Kanno, Tatsuya Mihashi, Chieko Matsubara, Tsutomu Takeshige, and Kyoko Fukuda Production Companies: Bandai Visual Company, Offi ce Kitano, Tokyo FM Broadcasting Company, and TV Tokyo Sukiyaki uesutan jango / Sukiyaki Western Django 121 mins, col. Released: 2007 (Japan) Director: Takashi Miike Screenplay: Takashi Miike and Masa Nakamura Cinematography: Toyomichi Kurita Editing: Yasushi Shimamura Sound: Jun Nakamura Original Music: Koji Endo Producers: Nobuyuki Tohya, Masao Owaki, and Toshiaki Nakazawa Main Cast: Hideaki Ito, Yusuke Iseya, Koichi Sato, Kaori Momoi, Teruyuki Kagawa, Yoshino Kimura, Masanobu Ando, Shun Oguri, and Quentin Tarantino Production Companies: A-Team, Dentsu, Geneon Entertainment, Nagoya Broadcasting Network (NBN), Sedic International, Shogakukan, Sony Pictures Entertainment (Japan), Sukiyaki Western Django Film Partners, Toei Company, Tokyu Recreation, and TV Asahi Okuribito / Departures 130 mins, col.
    [Show full text]
  • Japanese Culture and Society: a Faculty Development Seminar for Wabash College and Depauw University
    JAPANESE CULTURE AND SOCIETY: A FACULTY DEVELOPMENT SEMINAR FOR WABASH COLLEGE AND DEPAUW UNIVERSITY Film List Tokyo Waka, Wednesday, May 22nd 6:30-9pm at MSB 100 As it has expanded both outward and upward, Tokyo’s human population has multiplied and intensified. A city that exceeds 13 million people, however, has ecological repercussions. One such consequence has been the steady proliferation of waste, which invites and feeds the 20,000 crows that now cohabit the Japanese capital. Divisive to locals, a growing concern for authorities and of immediate interest to tourists, these avian intruders have migrated from the rainforests to the south-east of the metropolis, and in John Haptas and Kristine Samuelson’s subtly symphonic documentary, they make for a curious cinematic “other” – one that, for the purposes of the film, is more complementary to the cityspace than contradictory. With eerie images of these birds sitting rather indifferently on power cables – as if to remind us of the everyday constructs we now take for granted – Tokyo Waka opens more as a disquieting horror film than the city poem its title suggests it to be (“waka” is a form of Japanese poetry). As Todd Boekhelheide’s musical score and Pete Horner’s evocative sound design quickly demonstrate, however, the film chimes along in a contemplative manner, as its makers shape an image of and ode to the eponymous city through an original and ruminative framework. Their methods and aims are to celebrate the multiplicity of human perspectives by probing various interviewees on the subject of their avian neighbours. These include a homeless citizen, two members of art collective Pom Chim, a Buddhist monk, a zookeeper, an architect, a tofu street vendor and, of course, an ornithologist.
    [Show full text]
  • Japanese Videos - (Last Update September 13, 2019) Use the Find Function to Search This List
    Japanese Videos - (last update September 13, 2019) Use the Find function to search this list Aspects of the Kabuki Theater of Japan 198?, 20 minutes, English. Shows costumes, make up, and examples of Kabuki productions. Accompanied by traditional Kabuki music. JCU Library CALL NO. PN2924.5.K3.A86 Career Escalator, The – with notes Education and Job Competition. LLC Library CALL NO. JP 008 – C Double Suicide Double Suicide Director: Masahiro Shinoda. 1969, 105 minutes, B&W, Japanese with English subtitles. Compelling drama based on a traditional Bunraku puppet play which is performed within the film itself about a married man who plans a suicide pact with his mistress. LLC Library CALL NO. JP 012 Funeral, The Director: Juzo Itami. with Nobuko Miyamoto, Tsutomu Yamazaki. 1985, 114 minutes, Japanese with English subtitles. Darkly funny tale of a contemporary Japanese family’s skewed attempts to conduct a traditional Buddhist service for their late patriarch. Controversial, compelling comic effort on the part of director and actors. LLC Library CALL NO. JP 009 Japan Invades China PBS Video, 1989, 51 minutes. 1. Highlights Japan’s expansion into French Indochina, the Dutch Indies, Burma, Malaya and the Philippines. 2. Focuses on the diplomatic and economic pressure placed on Japan prior to the attack on Pearl Harbor. JCU Library CALL NO. D443.J36 Japanese Version, The 1991, 56 minutes. The film explores Japan’s fascination with things American, pointing out that in borrowing from other cultures, there emerges a distinct Japanese slant on such things as American baseball, the 1950’s, weddings, and love hotels. JCU Library CALL NO.
    [Show full text]
  • Universidade De Brasília Programa De Pós-Graduação Em Educação Faculdade De Educação Doutorado Em Educação
    UNIVERSIDADE DE BRASÍLIA PROGRAMA DE PÓS-GRADUAÇÃO EM EDUCAÇÃO FACULDADE DE EDUCAÇÃO DOUTORADO EM EDUCAÇÃO NO CINEMA E NA VIDA: A DIFÍCIL ARTE DE APRENDER A MORRER MARIA EMÍLIA BOTTINI Brasília 2014 UNIVERSIDADE DE BRASÍLIA PROGRAMA DE PÓS-GRADUAÇÃO EM EDUCAÇÃO FACULDADE DE EDUCAÇÃO DOUTORADO EM EDUCAÇÃO NO CINEMA E NA VIDA: A DIFÍCIL ARTE DE APRENDER A MORRER MARIA EMÍLIA BOTTINI Tese apresentada ao Programa de Pós- Graduação em Educação da Faculdade de Educação da Universidade de Brasília (UnB), como requisito parcial para obtenção do título de Doutora em Educação. Orientadora: Dra. Laura Maria Coutinho. Brasília 2014 FOLHA DE APROVAÇÃO MARIA EMILIA BOTTINI No cinema e na vida: a difícil arte de aprender a morrer Tese apresentada à banca examinadora como requisito parcial à obtenção do Título de Doutora em Educação na Linha de Pesquisa: Educação, Tecnologia e Comunicação (ETEC), pelo Programa de Pós-Graduação em Educação da Universidade de Brasília (UnB). Aprovada em 14 de novembro de 2014. BANCA EXAMINADORA Prof. Dra. Laura Maria Coutinho Presidente Prof. Dra. Ciomara Ribeiro Silva Benincá Universidade de Passo Fundo (UPF). Instituto de Psicologia e Ciências Humanas Prof. Dr. Lúcio França Teles Universidade de Brasília (UnB). Faculdade de Educação. Prof. Dra. Moema Borges. Universidade de Brasília (UnB). Pós-graduação da Faculdade de Ciências da Saúde. Prof. Dra. Virgínia Turra Universidade Católica de Brasília (UCB). Faculdade de Psicologia. Prof. Dra. Amaralina Miranda de Souza Universidade de Brasília (UnB). Faculdade de Educação (suplente). Dedico esta tese aos meus pais, Pedro e Anastácia, que me ensinaram muito do que eu sei sobre a vida e o viver e igualmente sobre a morte e o morrer.
    [Show full text]
  • Toronto Japanese Film Festival 2016
    1 5% discount for JCCC members For Experienced and Professional Real Estate Service... Call Anytime... Absolutely No Obligation DAVID IKEDA Sales Representative bonni maikawa 416-234-2424 www.ikedasells.com Sales Representative 416-538-6428 Sutton Group Old Mill Realty Inc., Brokerage [email protected]/www.bonnimaikawa.com Sutton Group Associates Realty Inc.,Brokerage 416-966-9300 Advertise with us! Contact [email protected] or 416-441-2345 ext. 227 2 2015 -16 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 4 Upcoming JCCC Events VP, Management Ann Ashley Secretary Sharon Marubashi Finance Chair Chris Hope 6-9 Torono Japanese Film Festival VP, NJCC Miki Rushton VP, Marketing/Strategic Planning Karen Kuwahara 日 Directors Jonathan Carter 10-11 Heritage News Mark Hashimoto Kristin Kobayashi 系 15-17 Donations Christine Nakamura Dereck Oikawa Chris Reid 18-22 日本語紙面 Cary Rothbart 文 Ross Saito Nao Seko Peter Wakayama 化 Bob Yamashita Tak Yoshida Calendar of Events Advisors Mackenzie Clugston 会 (Ambassador of Canada to Japan William Hatanaka Sid Ikeda 館 May Sat 7 JCCC Bazaar Miki Kobayashi (in memory) Mon 9 Movie Screening – I am a Monk Steve Oikawa Sat 14 JCCC Karaoke Club Connie Sugiyama 役 JCCC Foundation Chair Shari Hosaki Mon 16 Manju Workshop Wed 18 Tattoo Exhibit Opens JCCC Staff 員 Thurs 19 Tattoo Exhibit Opening Ceremony James Heron Executive Director Sat 21 JCCC Karaoke Club [email protected] 416-441-2345 ext.224 Mon 23 JCCC closed –Victoria Day 及 Kathy
    [Show full text]
  • KUROSAWA Player.Bfi.Org.Uk
    OVER 100 YEARS OF JAPANESE CINEMA Watch now on PART 1: KUROSAWA player.bfi.org.uk Watch now on 1 @BFI #BFIJapan OVER 100 YEARS OF JAPANESE CINEMA We have long carried a torch for Japanese film here at the BFI. IN PARTNERSHIP WITH Since the first BFI London Film Festival opened with Akira Kurosawa’s Throne of Blood in 1957, we’ve played a vital role in bringing the cinema of this culturally rich nation to UK audiences through our festivals, seasons, theatrical distribution, books and video publishing. In this major season we spotlight filmmakers who have inspired admiration and With special thanks to: fascination around the world. We begin our story with Akira Kurosawa, and over the coming months we’ll present films from the Golden Age, a focus on Yasujiro Ozu, new wave rebels, the visionary creations of anime, the netherworlds of J-horror, and so much more from archive rarities to contemporary works and cult classics. This landmark season will take place on BFI Player from 11 May onwards, With the kind support of: with new online collections released each month, and we expect to present it Janus Films/The Criterion Collection, Kadokawa Corporation, at BFI Southbank and cinemas nationwide later this year. Kawakita Memorial Film Institute, Kokusai Hoei Co., Ltd, The Japanese Cinema Book, published by BFI & Bloomsbury to coincide Nikkatsu Corporation, Toei Co., Ltd with the season, is out now. Cover artwork: TOKYO STORY ©1953/2011 Shochiku Co., Ltd., OUTRAGE 2010 Courtesy of STUDIOCANAL, AUDITION 1999 © Arrow Films, HARAKIRI ©1962 Shochiku Co., Ltd. Watch now on 2 @BFI #BFIJapan PART 1: KUROSAWA WATCH ON NOW This retrospective collection on BFI Player helps to confirm Kurosawa’s status as one of the small handful of Japanese directors who truly belong to world cinema, writes Alexander Jacoby If Yasujiro Ozu is often called ‘the most Japanese of Japanese directors’, then one could almost identify Akira Kurosawa as the least Japanese of Japanese directors.
    [Show full text]
  • The Undead Subject of Lost Decade Japanese Horror Cinema a Thesis
    The Undead Subject of Lost Decade Japanese Horror Cinema A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Jordan G. Parrish August 2017 © 2017 Jordan G. Parrish. All Rights Reserved. 2 This thesis titled The Undead Subject of Lost Decade Japanese Horror Cinema by JORDAN G. PARRISH has been approved for the Film Division and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Studies Matthew R. Shaftel Dean, College of Fine Arts 3 Abstract PARRISH, JORDAN G., M.A., August 2017, Film Studies The Undead Subject of Lost Decade Japanese Horror Cinema Director of Thesis: Ofer Eliaz This thesis argues that Japanese Horror films released around the turn of the twenty- first century define a new mode of subjectivity: “undead subjectivity.” Exploring the implications of this concept, this study locates the undead subject’s origins within a Japanese recession, decimated social conditions, and a period outside of historical progression known as the “Lost Decade.” It suggests that the form and content of “J- Horror” films reveal a problematic visual structure haunting the nation in relation to the gaze of a structural father figure. In doing so, this thesis purports that these films interrogate psychoanalytic concepts such as the gaze, the big Other, and the death drive. This study posits themes, philosophies, and formal elements within J-Horror films that place the undead subject within a worldly depiction of the afterlife, the films repeatedly ending on an image of an emptied-out Japan invisible to the big Other’s gaze.
    [Show full text]
  • Movie Museum JULY 2011 COMING ATTRACTIONS
    Movie Museum JULY 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY LA CHÈVRE KAMOME SHOKUDO 13 ASSASSINS CEDAR RAPIDS Hawaii Premiere! aka The Goat aka Seagull Diner aka Juusan-nin no Shikaku (2011) L'EMMERDEUR (1981-France/Mexico) (2006-Japan) (2010-Japan/UK) in widescreen (1973-France/Italy) in French with English in Japanese with English in French with English in Japanese/Finnish w/English subtitles & in widescreen subtitles & in widescreen subtitles & in widescreen subtitles & in widescreen with Ed Helms, John C. Reilly, with Pierre Richard, Gérard Isiah Whitlock Jr., Anne w/Lino Ventura, Jacques Brel with Satomi Kobayashi, Hairi Koji Yakusho, Takayuki 12:30, 2:00, 3:30. 5:00 & Depardieu, Pedro Katagiri, Masako Motai, Yamada, Yusuke Iseya, Goro Heche, Kurtwood Smith, Armendariz Jr., Michel Stephen Root, Alia Shawkat. 6:30pm only Jarkko Niemi, Tarja Markus. Inagaki, Masachika Ichimura, ---------------------------------- Robin, Corynne Charbit. Tsuyoshi Ihara. Directed by LA CHÈVRE Directed and Co-written by (1981-France/Mexico) Written and Directed by Directed by Takashi Miike. Miguel Arteta. Francis Veber. Naoko Ogigami. French w/Eng subtitles & w.s. Pierre Richard, Gérard 12:15, 2:30, 4:45, 7:00 & 12:15, 2:00, 3:45, 5:30, 12:30, 2:30, 4:30, 6:30 12:30, 2:30, 4:30, 6:30 & Depardieu, Corynne Charbit. 9:15pm 7:15 & 9:00pm 8pm only & 8:30pm 7 8:30pm 8 9 10 11 LA NUIT DE VARENNES TAMPOPO SIN VERGÜENZA RANGO Hawaii Premiere! LES FUGITIFS (1982-France/Italy) (1985-Japan) (2001-Spain) (2011) animation & widescreen voiced by Johnny Depp, Bill (1986-France) in French with English in Japanese with English Spanish w/Eng subtitles & w.s.
    [Show full text]
  • Star Channels, April 22-28
    APRIL 22 - 28, 2018 staradvertiser.com The seat of power has shifted, with “violent delights” now emanating from humanoid hands bent on a robotic revolution. Saddle up alongside Dolores Abernathy (Evan Rachel Wood), Maeve Millay (Thandie Newton) and Teddy Flood (James Marsden), just three of the many hosts staking their claim in the new season of Westworld. Premiering Sunday, April 22, on HBO. WEEKLY NEWS UPDATE LIVE @ THE LEGISLATURE Join Senate and House leadership as they discuss upcoming legislation and issues of importance to the community. TUESDAY, 8:30AM | CHANNEL 49 | olelo.org/49 olelo.org ON THE COVER | WESTWORLD Strange new frontiers Sentient hosts stake their ther experience a kinder, gentler version of the guiltless whims of humanity. Each of the main claim over ‘Westworld’ Wild West, or delve deeper into a gritty world of androids is forging his or her own path along vengeance and violence, allowing themselves the outskirts of the frontier, venturing into the to express all manner of taboo, morally ques- park’s other “worlds” in search of greater free- By K.A. Taylor tionable acts. dom and a deeper truth. TV Media This experience is only a success due to the As season 1 established, leaving the park plethora of android hosts that populate the entirely won’t be easy. It will, in fact, require the he concept of androids has permeated parks. The freshman season introduced us to help of humans. Dolores and the hosts must social consciousness since the 1800s, the saloon’s madam, Maeve Millay (Thandie therefore decide: stake their claim over the but it wasn’t until 1984’s sci-fi hit “The T Newton, “ER”), whose recurring dreams about park itself, or find a way to move beyond its Terminator” graced the screen that people a daughter from a past storyline (pre-madam) borders, to map out a life for all of their kind in a genuinely feared the prospect of “the singular- gradually led to her becoming self-aware.
    [Show full text]