In Flames Complete Discography
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
Rock Music Is a Genre of Popular Music That Entered the Mainstream in the 1950S
Rock music is a genre of popular music that entered the mainstream in the 1950s. It has its roots in 1940s and 1950s rock and roll, rhythm and blues, country music and also drew on folk music, jazz and classical music. The sound of rock often revolves around the electric guitar, a back beat laid down by a rhythm section of electric bass guitar, drums, and keyboard instruments such as Hammond organ, piano, or, since the 1970s, synthesizers. Along with the guitar or keyboards, saxophone and blues-style harmonica are sometimes used as soloing instruments. In its "purest form", it "has three chords, a strong, insistent back beat, and a catchy melody."[1] In the late 1960s and early 1970s, rock music developed different subgenres. When it was blended with folk music it created folk rock, with blues to create blues-rock and with jazz, to create jazz-rock fusion. In the 1970s, rock incorporated influences from soul, funk, and Latin music. Also in the 1970s, rock developed a number of subgenres, such as soft rock, glam rock, heavy metal, hard rock, progressive rock, and punk rock. Rock subgenres that emerged in the 1980s included new wave, hardcore punk and alternative rock. In the 1990s, rock subgenres included grunge, Britpop, indie rock, and nu metal. A group of musicians specializing in rock music is called a rock band or rock group. Many rock groups consist of an electric guitarist, lead singer, bass guitarist, and a drummer, forming a quartet. Some groups omit one or more of these roles or utilize a lead singer who plays an instrument while singing, sometimes forming a trio or duo; others include additional musicians such as one or two rhythm guitarists or a keyboardist. -
Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: a Cultural and Literary Analysis
J Med Humanit DOI 10.1007/s10912-014-9274-8 Suicide, Self-Harm and Survival Strategies in Contemporary Heavy Metal Music: A Cultural and Literary Analysis Charley Baker & Brian Brown # Springer Science+Business Media New York 2014 Abstract This paper seeks to think creatively about the body of research which claims there is a link between heavy metal music and adolescent alienation, self-destructive behaviours, self- harm and suicide. Such research has been criticised, often by people who belong to heavy metal subcultures, as systematically neglecting to explore, in a meaningful manner, the psychosocial benefits for individuals who both listen to contemporary heavy metal music and socialize in associated groups. We argue that notions of survival, strength, community, and rebellion are key themes in contemporary heavy metal music. Through literary-lyrical analysis of a selection of heavy metal tracks, this paper aims to redress the balance of risk and benefit. We argue that listening to this type of music, the accompanying social relationships, sense of solidarity and even the type of dancing can ameliorate tumultuous and difficult emotions. Songs which could be read as negative can induce feelings of relief through the sense that someone else has felt a particular way and recovered enough to transform these emotions into a creative outlet. This genre of music may therefore not increase the risk of untoward outcomes in any simple sense but rather represent a valuable resource for young people in difficulty. Keywords Self-harm . Suicide . Heavy metal music . Subcultures . Adolescence . Alienation This paper sets out to address the oft-cited relationship between heavy metal music and adolescent self-harm. -
Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J. -
Late 1960'S - Early 1970'S
Late 1960's - Early 1970's The birth of heavy metal. Groups like Black Sabbath, Led Zeppelin and Deep Purple were the first heavy metal bands. Late 1970's The rise of the New Wave of British Heavy Metal. Bands like Iron Maiden and Judas Priest become very popular. 1978 Van Halen released their debut album. This began the Los Angeles/Sunset Strip scene, and many bands would come out of this era, including Motley Crue and Quiet Riot. The so called "hair bands" like Poison, Warrant and Ratt came from that scene as well. The Who's Keith Moon died. Bands formed this year: Dokken, Ratt, Whitesnake A sample of heavy metal albums released in 1978: Black Sabbath - Never Say Die Judas Priest - Stained Class UFO - Obsession 1979 The German band Accept releases their self-titled debut album. They are considered to be the first European power metal band. Ozzy Osbourne was fired from Black Sabbath and replaced by Ronnie James Dio. Bands formed this year: Europe, Hanoi Rocks, Trouble and Venom. A sample of heavy metal albums released in 1979: AC/DC - Highway To Hell Judas Priest - Hell Bent For Leather Led Zeppelin - In Through The Out Door Kiss - Dynasty Saxon - Saxon Scorpions - Lovedrive 1980 Best Heavy Metal Album Of 1980: AC/DC - Back In Black AC/DC lead singer Bon Scott dies and is replaced by Brian Johnson. Also Led Zeppelin drummer John Bonham dies. Bands formed this year: Manowar, Mercyful Fate, Overkill A sample of heavy metal albums released in 1980: Angel Witch - Angel Witch Black Sabbath - Heaven And Hell Def Leppard - On Through The Night Diamond Head - Lightning To The Nations Iron Maiden - Iron Maiden Judas Priest - British Steel Motorhead - Ace Of Spades Ozzy Osbourne - Blizzard Of Ozz Saxon - Wheels Of Steel 1981 Best Heavy Metal Album Of 1981: Motley Crue - Too Fast For Love Venom's first album was released, beginning the genre of black metal. -
Nr Kat EAN Code Artist Title Nośnik Liczba Nośników Data Premiery Repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl
nr kat EAN code artist title nośnik liczba nośników data premiery repertoire 19075816441 190758164410 '77 Bright Gloom Vinyl Longplay 33 1/3 2 2018-04-27 HEAVYMETAL/HARDROCK 19075816432 190758164328 '77 Bright Gloom CD Longplay 1 2018-04-27 HEAVYMETAL/HARDROCK 9985848 5051099858480 '77 Nothing's Gonna Stop Us CD Longplay 1 2015-10-30 HEAVYMETAL/HARDROCK 88697636262 886976362621 *NSYNC The Collection CD Longplay 1 2010-02-01 POP 88875025882 888750258823 *NSYNC The Essential *NSYNC CD Longplay 2 2014-11-11 POP 19075906532 190759065327 00 Fleming, John & Aly & Fila Future Sound of Egypt 550 CD Longplay 2 2018-11-09 DISCO/DANCE 88875143462 888751434622 12 Cellisten der Berliner Philharmoniker, Die Hora Cero CD Longplay 1 2016-06-10 CLASSICAL 88697919802 886979198029 2CELLOS 2CELLOS CD Longplay 1 2011-07-04 CLASSICAL 88843087812 888430878129 2CELLOS Celloverse CD Longplay 1 2015-01-27 CLASSICAL 88875052342 888750523426 2CELLOS Celloverse CD Longplay 2 2015-01-27 CLASSICAL 88725409442 887254094425 2CELLOS In2ition CD Longplay 1 2013-01-08 CLASSICAL 19075869722 190758697222 2CELLOS Let There Be Cello CD Longplay 1 2018-10-19 CLASSICAL 88883745419 888837454193 2CELLOS Live at Arena Zagreb DVD Video Longplay 1 2013-11-05 CLASSICAL 88985349122 889853491223 2CELLOS Score CD Longplay 1 2017-03-17 CLASSICAL 88985461102 889854611026 2CELLOS Score (Deluxe Edition) CD Longplay 2 2017-08-25 CLASSICAL 19075818232 190758182322 4 Times Baroque Caught in Italian Virtuosity CD Longplay 1 2018-03-09 CLASSICAL 88985330932 889853309320 9ELECTRIC The Damaged Ones -
DISCOGRAPHY MICHAEL ILBERT Producer,Mixer, Engineer
Zippelhaus 5a 20457 Hamburg Tel: 040 / 28 00 879 - 0 Fax: 040 / 28 00 879 - 28 DISCOGRAPHY mail: [email protected] MICHAEL ILBERT producer,mixer, engineer P3 Guld Award 2015 "Best Pop": Beatrice Eli Danish Music Awards 2014 "Best Popalbum of the year": Michael Falch "Sommeren Kom Ny Tilbage" Spellemann's Awards 2014 "Best Newcomer" & "Best Popsolist": Monica Heldal "Boy From The North" (Norwegian Grammy) EMAs 2014 "Best German Act": Revolverheld "Immer In Bewegung" Grammy Nomination "Rock of the year": Side Effects "A Walk In The Space Between Us" Sweden 2014 Grammy Nomination 2013 "Best record of the year": Taylor Swift "We are never ever getting back together" Grammy Nomination "Rock of the year": The Hives "Lex Hives" Sweden 2013 Taylor Swift "Shake it off" (4x USA) Taylor Swift "Red"(3x USA) Bosse "Kraniche" Revolverheld "Ich Lass Für Dich Das Licht An" Herbert Grönemeyer "Schiffsverkehr" / "Zeit dass sich was dreht" Jupiter Jones "Still" Platin Award Laleh "Sjung"(SWE) Pink "Funhouse" (GER, SWE) Robyn "Robyn" (SWE) Cardigans "Long before daylight" (SWE) Roxette "Centre of my heart" (SWE) / "Have a nice day" (SWE) Ulf Lundell "I ett vinterland" (SWE) Lars Winnerbäck "Kom" (SWE) Laleh "Colors" (SWE) Herbert Grönemeyer "Dauernd Jetzt" (GER) Revolverheld "Immer In Bewegung" (GER, AUT) Ulf Lundell "Trunk" (SWE) Katy Perry "Roar" Amanda Jensen "Hyms for the haunted" (SWE) Thåström "Beväpna dig med vingar" (SWE) Jupiter Jones "Jupiter Jones"/ "Still"(AU) Gold Award Avril Lavigne "What the hell" (SWE) Pink "Raise your glass" Selig -
In Flames Siren Charms 2014 Download
In flames siren charms 2014 download LINK TO DOWNLOAD 11/04/ · Im a fan of In flames new and old, I personally think their best work is stuff thats in the middle of their more recent stuff and their roots this is what excites me about their new album as the band have stated that is their intentions. So far I have heard 4 songs from Siren Charms and my thoughts are as following: 1. CD, Download digital: Gravadora(s) Sony: Produção: Daniel Bergstrand, Roberto Laghi e In Flames Cronologia de In Flames; Sounds of a Playground Fading () Battles () Singles de Siren Charms "Rusted Nail" Lançamento: 13 de junho de () "Through Oblivion". View credits, reviews, tracks and shop for the CD release of Siren Charms on Discogs.3,3/5(6). Siren Charms When The World Explodes Rusted Nail Dead Eyes Monsters In The Ballroom Filtered Truth Become The Sky (bonus) Time: thanks ungernDownload: --Download-- Password: swint. rows · Listen free to In Flames – Siren Charms (In Plain View, Everything's Gone and more). 11 . Preview, buy and download high-quality music downloads of Siren Charms by In Flames from 7digital 新加坡 - We have over 30 million high quality tracks in our store. album: "Siren Charms" () 1. In Plain View 2. Everything's Gone 3. Paralyzed 4. Through Oblivion 5. With Eyes Wide Open 6. Siren Charms 7. When The World Explodes 8. Rusted Nail 9. Dead Eyes Monsters In The Ballroom Filtered Truth The Chase Become The Sky. 30/09/ · Siren Charms felt like an experimental journey more than an album. -
MC5 Back on Shakin' Street
MC5 Back On Shakin' Street Dave Marsh, Creem, October 1971 Their mamas all warned 'em not to come into town But they got it in their blood, now they gotta get down – 'Shakin' Street', The MC5 FEW ROCK'N'ROLL BANDS have been saddled with such import, right from the beginning, as the MC5. It's only fitting, because they approached the rock'n'roll scene with guns drawn, armed to the teeth; they were gonna take over, be the Baddest Boys in the Bad Boy world of rock and roll, fuse politics with rock, dope (read: religion), and fucking in the streets and market it all as one neat package, precisely labelled: The Revolution. They possessed roots all the way back to the Crusaders in the eleventh century, they were filled with real righteous American zeal, religious fervor, a sense of purpose and of necessity. This was the MC5, brothers and sisters, the hottest highest energy crew of dudes to come pouring out of the bad-assed Motor City into the American cultural continuum since the halcyon days of the notorious Purple Gang. And what's more: they meant business. Or so it seemed. Despite all the complications, as they say, the reception to their albums has been good, in many places as phenomenal as they knew all along it would be, as they were confident it HAD to be. Their live performances were another question though, especially in those early days. The Five's sets tended more towards flash'n'frenzy than anyone aside from the Who, and the problem was that there were numerous people in the dark days of the late sixties who just weren't ready for shock-rock. -
Télécharger Le PDF De Cette Édition!
coNtributioNs voloNtAires www.sangfrais.com Automne 2004 Numéro 15 l y a des matins où on prend un cinq minutes de break et on con - Istate que les dernières actions qu’on a posées défiaient les dieux. Quand on a ignoré tous les signes qui nous ont été envoyés pour nous faire changer d’idée, pour nous faire prendre un autre chemin… tout ça parce qu’on croit à l’objectif final et qu’on sait très bien que lorsqu'on veut, on peut. Quand on a l’impression que le sablier coule Numéro 15 » Automne 2004 et que le temps nous manque pour agir parce qu’on planifie et que le Dessin de la couverture: temps nous manque pour planifier parce qu’on travaille... Martin Guimond ([email protected]) La vie c’est un voyage qui nous amène un peu partout, avec toutes sortes de personnes. Certains restent à nos côtés plus C.P. Saint-André, B.P. 32111 longtemps que d’autres… Comment gérer les relations personnelles Montréal, Québec, H2L 4Y5, Canada vs les relations professionelles quand notre travail c’est notre vie, [email protected] c’est notre passion ? En fonction de quoi, de qui prendre les déci - www.sangfrais.com sions ? C’est comme la toune qui joue dans tous les bars de Montréal Réalisatrice : Louise Girard ([email protected]) depuis 10 ans à minuit et demi «Should I stay or should I go ?» Nous Disciples Dévou és(qui envoient toujours leurs textes le lendemain de la date limite !) : sommes, à mon avis, maîtres de notre destin. -
Proceedings of the International Society for Music Education 33Rd World Conference on Music Education Baku, Azerbaijan 15-20 July 2018
Proceedings of the International Society for Music Education 33rd World Conference on Music Education Baku, Azerbaijan 15-20 July 2018 ii Proceedings of the International Society for Music Education 33rd World Conference on Music Education Baku, Azerbaijan 15-20 July 2018 David Forrest Editor iii Proceedings of the International Society for Music Education 33rd World Conference on Music Education Baku, Azerbaijan 15-20 July 2018 Edited by David Forrest ISBN 978-0-6481219-3-0 © 2018 International Society for Music Education (ISME) Published in Australia in 2018 International Society for Music Education (ISME) Suite 148 45 Glenferrie Road Malvern, Victoria 3144 Australia Design: Nicholas Chilvers Copy requests: [email protected] National Library of Australia Cataloguing-in-Publication Data A CIP record is available from the National Library of Australia Dewey Number: 780.7 All rights reserved. Except for the quotation of a short passage for the purposes of criticism or review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission from the publisher. The full papers submitted to the 2018 International Conference were double blind refereed by a panel of international authorities before inclusion in the Conference Proceedings. iv Acknowledgements ISME is indebted to the work of the Chairs of the Commissions, Forum and Special Interest Groups of the International Society for Music Education.