Rock Music Is a Genre of Popular Music That Entered the Mainstream in the 1950S
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Readings Monthly
FREE FEBRUARY 2012 Readings Monthly Gregory Day on Carrie Tiffany • Mark Rubbo on Peter Carey EE P18 S . OLD IDEAS CD IMAGE ADAPTED FROM COVER OF LEONARD COHEN'S NEW Leonard Cohen is back with some Old Ideas February book, CD & DVD new-releases. More new-releases inside. AUS. FICTION AUS. FICTION YOUNG ADULT AUS CRIME PHILOSOPHY DVD POP CD CLASSICAL $39.95 $29.95 $19.95. e $16.99 $16.95 $29.95 $35.00 $29.95 $39.95 $26.95 $21.95 $36.95 >> p5 >> p4 >> p9 >> p10 >> p13 >> p17 >> p18 >> p19 February event highlights : George Megalogenis with Barrie Cassidy, Kirsten Tranter, Elliot Perlman and Arnold Zable. More events inside. All shops open 7 days, except State Library shop, which is open Mon- Sat. Carlton 309 Lygon St 9347 6633 Hawthorn 701 Glenferrie Rd 9819 1917 Malvern 185 Glenferrie Rd 9509 1952 Port Melbourne 253 Bay St 9681 9255 St Kilda 112 Acland St 9525 3852 Readings at the State Library of Victoria 328 Swanston St 8664 7540 email us at [email protected] Browse and buy online at www.readings.com.au and at ebooks.readings.com.au Programme one Bookings n ow oPen With 200+ events per year, there is something for everyone. The majority of events are free and book out quickly. Don’t miss out go to wheelercentre.com 2 Readings Monthly February 2012 to Australian literature as well as a single work. Open to Victorian residents, all writing genres are eligible. The $5000 From the Editor Civic Choice Award 2012 will be offered during the finalist exhibition at Federa- A LONG GOODBYE ThisREADINGS EXC LUSIVEMonth’s most importantly News from Readings custom- tion Square in November 2012. -
Lab Data.Pages
Day 1 The Smiths Alternative Rock 1 6:48 Death Day Dark Wave 1 4:56 The KVB Dark Wave 1 4:11 Suuns Dark Wave 6 35:00 Tropic of Cancer Dark Wave 2 8:09 DIIV Indie Rock 1 3:43 HTRK Indie Rock 9 40:35 TV On The Radio Indie Rock 1 3:26 Warpaint Indie Rock 19 110:47 Joy Division Post-Punk 1 3:54 Lebanon Hanover Post-Punk 1 4:53 My Bloody Valentine Post-Punk 1 6:59 The Soft Moon Post-Punk 1 3:14 Sonic Youth Post-Punk 1 4:08 18+ R&B 6 21:46 Massive Attack Trip Hop 2 11:41 Trip-Hop 11:41 Indie Rock 158:31 R&B 21:46 Post-Punk 22:15 Dark Wave 52:16 Alternative Rock 6:48 Day 2 Blonde Redhead Alternative Rock 1 5:19 Mazzy Star Alternative Rock 1 4:51 Pixies Alternative Rock 1 3:31 Radiohead Alternative Rock 1 3:54 The Smashing Alternative Rock 1 4:26 Pumpkins The Stone Roses Alternative Rock 1 4:53 Alabama Shakes Blues Rock 3 12:05 Suuns Dark Wave 2 9:37 Tropic of Cancer Dark Wave 1 3:48 Com Truise Electronic 2 7:29 Les Sins Electronic 1 5:18 A Tribe Called Quest Hip Hop 1 4:04 Best Coast Indie Pop 1 2:07 The Drums Indie Pop 2 6:48 Future Islands Indie Pop 1 3:46 The Go! Team Indie Pop 1 4:15 Mr Twin Sister Indie Pop 3 12:27 Toro y Moi Indie Pop 1 2:28 Twin Sister Indie Pop 2 7:21 Washed Out Indie Pop 1 3:15 The xx Indie Pop 1 2:57 Blood Orange Indie Rock 6 27:34 Cherry Glazerr Indie Rock 6 21:14 Deerhunter Indie Rock 2 11:42 Destroyer Indie Rock 1 6:18 DIIV Indie Rock 1 3:33 Kurt Vile Indie Rock 1 6:19 Real Estate Indie Rock 2 10:38 The Soft Pack Indie Rock 1 3:52 Warpaint Indie Rock 1 4:45 The Jesus and Mary Post-Punk 1 3:02 Chain Joy Division Post-Punk -
Final Version
This research has been supported as part of the Popular Music Heritage, Cultural Memory and Cultural Identity (POPID) project by the HERA Joint Research Program (www.heranet.info) which is co-funded by AHRC, AKA, DASTI, ETF, FNR, FWF, HAZU, IRCHSS, MHEST, NWO, RANNIS, RCN, VR and The European Community FP7 2007–2013, under ‘the Socio-economic Sciences and Humanities program’. ISBN: 978-90-76665-26-9 Publisher: ERMeCC, Erasmus Research Center for Media, Communication and Culture Printing: Ipskamp Drukkers Cover design: Martijn Koster © 2014 Arno van der Hoeven Popular Music Memories Places and Practices of Popular Music Heritage, Memory and Cultural Identity *** Popmuziekherinneringen Plaatsen en praktijken van popmuziekerfgoed, cultureel geheugen en identiteit Thesis to obtain the degree of Doctor from the Erasmus University Rotterdam by command of the rector magnificus Prof.dr. H.A.P Pols and in accordance with the decision of the Doctorate Board The public defense shall be held on Thursday 27 November 2014 at 15.30 hours by Arno Johan Christiaan van der Hoeven born in Ede Doctoral Committee: Promotor: Prof.dr. M.S.S.E. Janssen Other members: Prof.dr. J.F.T.M. van Dijck Prof.dr. S.L. Reijnders Dr. H.J.C.J. Hitters Contents Acknowledgements 1 1. Introduction 3 2. Studying popular music memories 7 2.1 Popular music and identity 7 2.2 Popular music, cultural memory and cultural heritage 11 2.3 The places of popular music and heritage 18 2.4 Research questions, methodological considerations and structure of the dissertation 20 3. The popular music heritage of the Dutch pirates 27 3.1 Introduction 27 3.2 The emergence of pirate radio in the Netherlands 28 3.3 Theory: the narrative constitution of musicalized identities 29 3.4 Background to the study 30 3.5 The dominant narrative of the pirates: playing disregarded genres 31 3.6 Place and identity 35 3.7 The personal and cultural meanings of illegal radio 37 3.8 Memory practices: sharing stories 39 3.9 Conclusions and discussion 42 4. -
Interview Since Dropping out in Frame of Him Floating in Space, His Lower to the Movie Queens He Always Wanted 1974
The return of the first 'true fairy' ]OBRIA TH REVISITED by Charles Herschberg photos John Michael Cox It was 1973 and the public was cared for. He and his band The Creatures hungry. The man who discovered Carly ("beautiful and talented creatures with Simon and brought the Rolling Stones to fabulous bodies who throw me about America psyched out the mentality of a the stage") continued on Elektra with generation turned off to war and on to light to moderate sales. Peter Frampton drugs, and fed them a billion of the dropped by the recording studio one day sweetest promises ever kissed from a so they put him on a record. Things like Svengali's lips The impresario, one Jerry that. Brandt, presented Iobriath. In the midst of recording' their third Not fond of understatement, Brandt LP, the artist accused the manager of simply described his new find as the sinking the advance money into a per- superstar of the Seventies and the big- sonal venture called the Erotic Circus. gest artist in the world. "It's Sinatra, This take-off on Brandt's own once- Elvis, The Beatles and now [obriath." successful New York rock club the Elec- Brandt announced. "[obriath is a com- tric Circus, folded in virtually one. night. bination of Dietrich, Marceau, Nureyev, [obriath, who had refused to perform for Tchaikovsky, Wagner, Nij in s k i. the opeing. vanished completely from Bernhardt, an astronaut, the best of the music scene. Jagger, Bowie, Dylan, with the glamor of Independently, his Creatures have Garbo. He is a singer, dancer, woman, gone on to other things. -
Sponsorship Effects on Music Festival Participants
Copenhagen Business School 2014 MSoc.Sc.Service Management MASTER’S THESIS Sponsorship Effects on Music Festival Participants Victor Guedon David Gramm Kristensen February, 5th, 2014 Supervisor Helle Haurum 111 Pages / 267.755 Characters Abstract While worldwide investments in sole sponsorship fees were expected to reach $53.3 billion in 2013, findings from the academic research on sponsorships’ ability to impact customers’ perception of a sponsor are inconsistent; ranging from positive, small or ambiguous effects to negative or no effects at all. Thus, the objective of the current research was to contribute by researching if participation in a music festival, NorthSide 2013, would influence festival participants’ perception of the main sponsor Royal Beer. To do so, the chosen research design was a pre-post event quasi experimental design with independent samples. It was crucial to have both pre and post event measurements of event participants to investigate a potential change. Moreover, the quasi-experimental strategy was deemed relevant since it features the use of a control group to identify the source of an effect. Identified as one of the reasons for the inconsistent academic findings, the aim was to avoid conscious processing of the respondents by eliciting sponsorships or the two entities together, so that answers collected would account for the effects rather than respondents’ opinions about how this sponsorship affected them. In pursuance of this research several practical steps have been undertaken: a thorough literature review, a face-to-face interview of the Royal Beer brand manager, creation of a beer brand personality scale fitted to the Danish setting, a focus group to translate the brand personality facets and most importantly; the design and data collection of three distinct questionnaires that resulted in a total of 950 valid responses. -
Willie Nelson
LESSON GUIDE • GRADES 3-6 TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 5: Literary Lyrics 17 Lyric Sheet: Daddy What If? 18 Lyric Sheet: Act Naturally 19 Complete Tennessee Standards 21 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
Bethany Beach 2018 Summer Schedule
Bethany Beach 2018 Summer Schedule Bandstand Beach Events Bandstand shows begin at 7:30 pm unless otherwise noted. What’s on your Bethany Bucket List? Federal Street Sat, June 16 Band Guys in The NY Daily News recently named Fri, June 8 Thin Bethany Beach the prettiest town in Federal Street is new Ties Delaware. Whether you come to take to the bandstand but plays a great assortment of your favorite in a sunrise by the ocean or sunset by not to the area. They hard driving ’80s tunes. the bay, or even to admire the landscaping, we’re more than just a are Southern Delaware's up and coming www.guysinthinties.com country rock band playing a variety of pretty face. Dig deeper and you’ll find old, new, and current music sure to the ocean and so much more…even please all music lovers. The Natty after the summer ends. Beaux Sun, June 17 Poseidon Festival Chris Sacks Memorial Day Weekend Get ready for Band Sat, June 9 some finger- Seaside Craft Show This band fuses snappin’, good-time music performed by First Saturday in June Tropical Rock the Natty Beaux. This group unites with Americana WAMMIE award winning musicians Summer Concert Series Weekends June to Labor Day Rock to create a sound that is uniquely from top Mid-Atlantic regional bands to theirs. Captain Quint fans will know offer a diverse mix in the Jump-Blues, Chris as a former member. He has since Movies on the Beach swing, and rockabilly style. opened for national acts such as Michael Mondays, June – August Ray, Joe Diffie, Lorrie Morgan, Pam Tillis www.nattybeaux.com Movies on the Bandstand and Mo Pitney. -
Groove#7 S01 (Kopia)
Nummer 7 • 2003 Sveriges största musiktidning R.E.M. Broder Daniel Whyte Seeds Peaches BRMC The Datsuns • Iris • David & the Citizens • Karl Bartos Saloon • Vue • Meine kleine deutsche • Heather Nova Groove Box 112 91 Meine kleine deutsche sidan 5 404 26 Göteborg Fem frågor till Heather Nova sidan 5 Solen skiner Telefon 031–833 855 Elpost [email protected] Eurodiscon revansch sidan 5 http://www.groove.se David & the Citizens sidan 6 fortfarande Chefredaktör & ansvarig utgivare Mannen i svart sidan 6 Jaha, vi sade nej till EMU och för- taffliga poliskår… Vi får väl se om Gary Andersson, [email protected] Iris sidan 7 lorade på ett tragiskt sätt ännu en medias roll, om psykvårdens Layout Ett subjektivt alfabet sidan 7 politisk ledare sedan senaste utgåvan avveckling eller toppolitikers Henrik Strömberg, [email protected] av Groove – i detta sammanhang arbetssituation kan locka artister Vue sidan 8 känns musik ibland lite fjuttigt. till rimsmedjan denna vinter. Redigering The Datsuns sidan 8 Men som spegling av samhället Grooves nya drive med att bifoga Gary Andersson, Henrik Strömberg fungerar självklart musik fortfa- en bland-CD till alla prenumeran- Karl Bartos sidan 11 rande ypperligt, precis som vilken ter har annars slagit fantastiskt väl Annonser kulturyttring som helst. Ska bli ut – vi har på kort tid fått in ett par Per Lundberg G.B., [email protected], Saloon sidan 11 intressant att höra hur händelserna hundra nya prenumeranter. Detta 0706–44 13 79 Broder Daniel sidan 12 i september månad 2003 tolkas älskar vi. Hoppas ni alla, nya och Groove-CD och behandlas i framtida låtar. -
Development of Musical Ideas in Compositions by Tortoise
DEVELOPMENT OF MUSICAL IDEAS IN COMPOSITIONS BY TORTOISE Reiner Krämer Prologue For more than 25 years, the Chicago-based experimental rock band Tortoise has crossed over multiple popular music genres (ambient music, krautrock, dub, electronica, drums and bass, reggae, etc.) as well as different types of jazz music, and has made use of minimalist Western art music.1 The group is often labeled a pioneer of the »post-rock« genre. Allegedly, Simon Reynolds first used the term in his review of the album Hex by the English east Lon- don band Bark Psychosis (Reynolds 1994a) and shortly afterwards in his arti- cle »Shaking the Rock Narcotic« (Reynolds 1994b: 28-32). In connection to Tortoise he used »post-rock« in his review article of their 1996 album Mil- lions Now Living Will Never Die (Reynolds 1996). Reynolds describes music he labels as ›post-rock‹ where bands use guitars »in [non-rock] ways« to manipulate »timbre and texture rather than riff[s]« and »augment rock's basic guitar-bass-drums lineup with digital technology such as samplers and sequencers« (Reynolds 2017: 509). Most members of Tortoise act as multi- instrumentalists that play different combinations of instruments at different times. As Jeanette Leech (2017: 16) has stated, a typical Tortoise stage set- up can feature vibraphones, marimbas, two drum sets, and a multitude of synthesizers. With regards to the instrumental setup Leech draws up paral- lels with progressive rock of the 1970s but points to one decisive difference within the genres: »for Tortoise, the range of instrumentation [is] about creating mood, not showboating« (ibid.). -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Musikstile Quelle: Alphabetisch Geordnet Von Mukerbude
MusikStile Quelle: www.recordsale.de Alphabetisch geordnet von MukerBude - 2-Step/BritishGarage - AcidHouse - AcidJazz - AcidRock - AcidTechno - Acappella - AcousticBlues - AcousticChicagoBlues - AdultAlternative - AdultAlternativePop/Rock - AdultContemporary -Africa - AfricanJazz - Afro - Afro-Pop -AlbumRock - Alternative - AlternativeCountry - AlternativeDance - AlternativeFolk - AlternativeMetal - AlternativePop/Rock - AlternativeRap - Ambient - AmbientBreakbeat - AmbientDub - AmbientHouse - AmbientPop - AmbientTechno - Americana - AmericanPopularSong - AmericanPunk - AmericanTradRock - AmericanUnderground - AMPop Orchestral - ArenaRock - Argentina - Asia -AussieRock - Australia - Avant -Avant-Garde - Avntg - Ballads - Baroque - BaroquePop - BassMusic - Beach - BeatPoetry - BigBand - BigBeat - BlackGospel - Blaxploitation - Blue-EyedSoul -Blues - Blues-Rock - BluesRevival - Blues - Spain - Boogie Woogie - Bop - Bolero -Boogaloo - BoogieRock - BossaNova - Brazil - BrazilianJazz - BrazilianPop - BrillBuildingPop - Britain - BritishBlues - BritishDanceBands - BritishFolk - BritishFolk Rock - BritishInvasion - BritishMetal - BritishPsychedelia - BritishPunk - BritishRap - BritishTradRock - Britpop - BrokenBeat - Bubblegum - C -86 - Cabaret -Cajun - Calypso - Canada - CanterburyScene - Caribbean - CaribbeanFolk - CastRecordings -CCM -CCM - Celebrity - Celtic - Celtic - CelticFolk - CelticFusion - CelticPop - CelticRock - ChamberJazz - ChamberMusic - ChamberPop - Chile - Choral - ChicagoBlues - ChicagoSoul - Child - Children'sFolk - Christmas -
Is Rock Music in Decline? a Business Perspective
Jose Dailos Cabrera Laasanen Is Rock Music in Decline? A Business Perspective Helsinki Metropolia University of Applied Sciences Bachelor of Business Administration International Business and Logistics 1405484 22nd March 2018 Abstract Author(s) Jose Dailos Cabrera Laasanen Title Is Rock Music in Decline? A Business Perspective Number of Pages 45 Date 22.03.2018 Degree Bachelor of Business Administration Degree Programme International Business and Logistics Instructor(s) Michael Keaney, Senior Lecturer Rock music has great importance in the recent history of human kind, and it is interesting to understand the reasons of its de- cline, if it actually exists. Its legacy will never disappear, and it will always be a great influence for new artists but is important to find out the reasons why it has become what it is in now, and what is the expected future for the genre. This project is going to be focused on the analysis of some im- portant business aspects related with rock music and its de- cline, if exists. The collapse of Gibson guitars will be analyzed, because if rock music is in decline, then the collapse of Gibson is a good evidence of this. Also, the performance of independ- ent and major record labels through history will be analyzed to understand better the health state of the genre. The same with music festivals that today seem to be increasing their popularity at the expense of smaller types of live-music events. Keywords Rock, music, legacy, influence, artists, reasons, expected, fu- ture, genre, analysis, business, collapse,