Interview Since Dropping out in Frame of Him Floating in Space, His Lower to the Movie Queens He Always Wanted 1974

Total Page:16

File Type:pdf, Size:1020Kb

Interview Since Dropping out in Frame of Him Floating in Space, His Lower to the Movie Queens He Always Wanted 1974 The return of the first 'true fairy' ]OBRIA TH REVISITED by Charles Herschberg photos John Michael Cox It was 1973 and the public was cared for. He and his band The Creatures hungry. The man who discovered Carly ("beautiful and talented creatures with Simon and brought the Rolling Stones to fabulous bodies who throw me about America psyched out the mentality of a the stage") continued on Elektra with generation turned off to war and on to light to moderate sales. Peter Frampton drugs, and fed them a billion of the dropped by the recording studio one day sweetest promises ever kissed from a so they put him on a record. Things like Svengali's lips The impresario, one Jerry that. Brandt, presented Iobriath. In the midst of recording' their third Not fond of understatement, Brandt LP, the artist accused the manager of simply described his new find as the sinking the advance money into a per- superstar of the Seventies and the big- sonal venture called the Erotic Circus. gest artist in the world. "It's Sinatra, This take-off on Brandt's own once- Elvis, The Beatles and now [obriath." successful New York rock club the Elec- Brandt announced. "[obriath is a com- tric Circus, folded in virtually one. night. bination of Dietrich, Marceau, Nureyev, [obriath, who had refused to perform for Tchaikovsky, Wagner, Nij in s k i. the opeing. vanished completely from Bernhardt, an astronaut, the best of the music scene. Jagger, Bowie, Dylan, with the glamor of Independently, his Creatures have Garbo. He is a singer, dancer, woman, gone on to other things. One wrote a man." piece of mood music for a sex scene in a Brandt said he believed the energy bisexual porn film. Nobody remembers force of 1973 came from homosexuals the name of the movie but "More, and Puerto Ricans. [obriath, who was not More, More" as breathed by Andrea Puerto Rican, wore magenta lipstick and True, became a classic disco hit for pancake make-up hued robin's egg blue. Gregg Diamond whose Diamond Touch Elektra Records signed [obriath for Productions also brought former $300,000 down, and he became the first Creatures Jim Gregory and Steve Love and only pop/rock artist to describe to TK Records as musicians on the Star- himself as "a true fairy" in Newsweek and cruiser, Bionic Boogie and Hol Bullerfly LPs. Rolling Stone. The New York Times called As for [obriath. there was a rumor that Iobriath "a brazen parody that celebrates follow. "I'll be dressed like King Kong he'd become a Jesus Freak. Or a guru in outrageousness for the sake of and I'll swing from a rope onto a replica India. Some said he'd gone to Europe for outrageousness and heralds transvestism of the Empire State Building. We're try- a sex change and was living in Paris as a and pseudo-homosexuality as one's most ing to work it out so that the Empire wined and dined showgirl. cherished idiosyncrasies." Naturally. State Building will turn into a squirting "[obriath committed suicide in a drug, Jobriath and his idiosyncrasies penis which will feature a piano and alcohol and publicity overdose," says the assaulted New York City from a 41 x stairs for me. As I descend the penis, I'll one who should know-the person who 43-foot billboard high above Times turn into a Marlene Dietrich lookalike." was once [obriath, 'That whole hype just Square, the billboard being a reproduc- On all frontiers, [obriath promised too drove him crazy," he says over the tion of the nude cover photo of his first much, too soon. He did record several telephone when finally reached for his album, Jobrialh. The haunting freeze songs of homosexual love and a tribute first interview since dropping out in frame of him floating in space, his lower to the movie queens he always wanted 1974. "He was meant for hype. If he'd torso crumbling like a plaster statue at to be, but the music never came close to had multiple sclerosis, he probably the snapped-off thighs, gave the record the type. Even Andy Warhol's inieroieio would have been the MS poster child. album its collector's item status. put [obriath down with the critique, "Be- His lifestyle was hotel suites and They talked about the Paris Opera ing a 'fairy' these days just isn't enough." limousines and enough drugs to get him House for [obriath's performing debut. While the Warhol set rejected his from one to the other. He struck back by And Radio City Music Hall at Easter. As decadent excesses, [obriath received fan disappearing in thin air. [obriath is dead, [obriath envisioned it, the 45-minute en- mail froin twelve-year-old girls, a but he had a reason for being. He was a trance would be a difficult opening to response he neither understood nor vaccination for t~ rest of us." Omega One / January 19, 1979 page 17 The rest of them are active fantasies dwelling inside the body which was once [obriath's. "Schizophrenia is my lifestyle. I think everybody is schizophrenic but they'll all fighting u.t. or should I say we, are not fighting it. Come over," invites one of the person- salities. "I'll ask some of us to come out and play." He, or they, play in a pyramid on the roof of the Chelsea Hotel, New Yark haven for avant-garde creative types from Dylan Thomas to Bob Dylan, although it is Sid Vicious and the ghost of Nancy Spungen who roam the Chelsea halls now. After an elevator ride and a secret stairway, we enter the quarter acre of private roof garden through a door marked Emergency Exit Only. Cole Berlin is in the pyramid play- ing a white piano. Since this self-proclaimed amalgam of Cole Porter and Irving Berlin used to be [obriath. it is a bit startling to find him physically closer to Robert Redford than David Bowie. Dashing, tan, seemingly page 18 January 19, 1979 IOmega One broad of build in a white tuxedo, Cole ly one of us who actually works for a liv- [oby is at first reluctant to reflect upon taps the keys and speaks of himself in ing, maintaining us in the manner to lobriath. "Her? Do I have to talk about the third person: "If sex, sugar and which we are accustomed. [obriath her?" he groans. Even though there are plutonium are too excessible; if rape, squandered hundreds of thousands of still a few Mary Quant crayons lying terrorism and hypoglycema are all too dollars in record advances and [oby somewhere around the pyramid, this rampant; if imperialistic pigs are destroy- Johnson has always been kept." one is much more into "Macho Man." ing the world and if people are drinking It's a segue-way. Moving behind a "Disco is perfect," he grins. "It's such too many pina coladas, then Cole Berlin screen, Cole emerges moments later as bullshit, I love it. 'Macho Man' is such a the piano lounge artist doesn't want to [oby-less Cole Berlin, more Peter Berlin, funny record. [obriath sang Tmarnan' know it." filling out a pair of red shorts and at-shirt (I'm a Man) in drag. That was retarded, Between melodies he describes this ripped to expose at least a nipple. wasn't it? His music is confused, ecclectic self as a magnum of champagne. "Pop Introducing himself as the boy nymph and debauched. It seems like a long time his ivory cork and let his eighty-eight within us all, [oby narrates his own story ago. [obriath was an insane genius nostalgic bubbles tinkle away your from the objective point of view. "You unstructured for the pop industry. Clive memories of Apocalypse. Throw an in- can find [oby on Christopher Stret trying Davis who discovered Patti Smith and flated buck or two into his tip jar and to buy mustachioed clones with his Barry Manilow said that. So much for select any escape from 'Stardust' to 'Star looks." sanity and structure." Wars.' However, you must remember [oby is the blond brat who's always [oby slips into his origin when asked this ...as time goes by ...there is a limit to getting mail from the public health clinic. to explain Iobriath's failure. "Mr. P.T. the depths of rum-soaked Muzak to "Sometimes the rest of us think he goes Barnum Brandt was so busy getting his which anyone can sink. Even Cole out and gets us all in trouble just for the name on posters and buses, he neglected Berlin, human jukebox though he is, punishment," one of the characters adds. to get me on tour or get my album refuses to play 'Feelings'." "He's the only one who doesn't know played. They used a mannequin's ass for Cole, it is explained, has an un- that sexual fulfillment is the banana life the poster and it wasn't as round as fathomably corny repetoire because "he dangles in front of us just to keep us run- [obriath's. That is probably why [obriath has to support the rest of us. He's the on- ning." didn't make it, even though in 1973 he Omega One / January 19, 1979 page 19 Jobriath and The Creatures: Jim Gregory, Steve Love, Jobriath, Hayden Wayne and Gregg Diamond came up with 'World Without End', one When [oby Johnson is not playing at someone called [obriath. the explanation of the first disco tunes.
Recommended publications
  • Rock Music Is a Genre of Popular Music That Entered the Mainstream in the 1950S
    Rock music is a genre of popular music that entered the mainstream in the 1950s. It has its roots in 1940s and 1950s rock and roll, rhythm and blues, country music and also drew on folk music, jazz and classical music. The sound of rock often revolves around the electric guitar, a back beat laid down by a rhythm section of electric bass guitar, drums, and keyboard instruments such as Hammond organ, piano, or, since the 1970s, synthesizers. Along with the guitar or keyboards, saxophone and blues-style harmonica are sometimes used as soloing instruments. In its "purest form", it "has three chords, a strong, insistent back beat, and a catchy melody."[1] In the late 1960s and early 1970s, rock music developed different subgenres. When it was blended with folk music it created folk rock, with blues to create blues-rock and with jazz, to create jazz-rock fusion. In the 1970s, rock incorporated influences from soul, funk, and Latin music. Also in the 1970s, rock developed a number of subgenres, such as soft rock, glam rock, heavy metal, hard rock, progressive rock, and punk rock. Rock subgenres that emerged in the 1980s included new wave, hardcore punk and alternative rock. In the 1990s, rock subgenres included grunge, Britpop, indie rock, and nu metal. A group of musicians specializing in rock music is called a rock band or rock group. Many rock groups consist of an electric guitarist, lead singer, bass guitarist, and a drummer, forming a quartet. Some groups omit one or more of these roles or utilize a lead singer who plays an instrument while singing, sometimes forming a trio or duo; others include additional musicians such as one or two rhythm guitarists or a keyboardist.
    [Show full text]
  • Pornography's Performatistic Screen
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Plotting Sex: Pornography's Performatistic Screen Permalink https://escholarship.org/uc/item/2rd5j4k8 Author Hukku, Sanjay P. Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Plotting Sex: Pornography’s Performatistic Screen By Sanjay P Hukku A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Linda Williams, Chair Professor Kristen Whissel Professor Richard Hutson Spring 2014 Plotting Sex: Pornography’s Performatistic Screen © 2014 by Sanjay P Hukku Abstract Plotting Sex: Pornography’s Performatistic Screen by Sanjay P Hukku Doctor of Philosophy in Film and Media Studies University of California, Berkeley Professor Linda Williams, Chair The early 1970s witnessed the mainstreaming of feature-length, hard core pornography. Though derided by critics, this newly minted genre had two notable features: broader narratives within which sex occurred, and an insistent focus on the visual display of male pleasure. Plotting Sex claims that, by embedding sex within a story, sex itself takes on narrative qualities. To support this claim, it teases out small shifts in the twentieth century’s episteme that collectively contributed to the early 1970s emergence of what it terms pornography’s performatistic screen, or the base, plotted structure of bodily performance and engagement underpinning sexual displays as enacted over time in orgasmically-oriented hard core film. This project starts with the twin Foucaultian poles of law and “human sciences” as represented by the metonyms of American obscenity jurisprudence and sexology, finding in both a late 1960s pivot to issues of social construction and utility as tethered to narrative.
    [Show full text]
  • Glam Rock by Barney Hoskyns 1
    Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era.
    [Show full text]
  • Backstage Auctions, Inc. the Rock and Pop Fall 2020 Auction Reference Catalog
    Backstage Auctions, Inc. The Rock and Pop Fall 2020 Auction Reference Catalog Lot # Lot Title Opening $ Artist 1 Artist 2 Type of Collectible 1001 Aerosmith 1989 'Pump' Album Sleeve Proof Signed to Manager Tim Collins $300.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1002 Aerosmith MTV Video Music Awards Band Signed Framed Color Photo $175.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1003 Aerosmith Brad Whitford Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1004 Aerosmith Joey Kramer Signed & Personalized Photo to Tim Collins $150.00 AEROSMITH - TIM COLLINS COLLECTION Artist / Musician Signed Items 1005 Aerosmith 1993 'Living' MTV Video Music Award Moonman Award Presented to Tim Collins $4,500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1006 Aerosmith 1993 'Get A Grip' CRIA Diamond Award Issued to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1007 Aerosmith 1990 'Janie's Got A Gun' Framed Grammy Award Confirmation Presented to Collins Management $300.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1008 Aerosmith 1993 'Livin' On The Edge' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1009 Aerosmith 1994 'Crazy' Original Grammy Award Certificate Presented to Tim Collins $500.00 AEROSMITH - TIM COLLINS COLLECTION Awards, Plaques & Framed Items 1010 Aerosmith
    [Show full text]
  • WARNER BROS. / WEA RECORDS 1970 to 1982
    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
    [Show full text]
  • Mp3tag File Overview 2011-02-08
    Mp3tag File Overview 2011-02-08 Title: You'll Loose A Good Thing Artist: Barbara Lynn Album: You'll Loose a Good Thing Year: 1962 Track: Genre: Oldies Comment: #8 on Billboard Hot 100 Title: Jobriath Artist: David Bowie Album: Unreleased Album (2000) Year: 2000 Track: Genre: Classic Rock Comment: Title: Freelove [Flood remix] Artist: Depeche Mode Album: Freelove Year: Track: Genre: Comment: Title: Jobriath Artist: Scott Walker & David Sylvian Album: Unreleased Album (2000) Year: 2000 Track: Genre: Classic Rock Comment: Title: La Femme D'Argent Artist: Air Album: Q - 1998-BEST Year: 1998 Track: 01 Genre: Rock Comment: Encoded by FLAC v1.1.2a with FLAC Frontend v1.7.1. Ripped by TCM Title: The State I Am In Artist: Belle And Sebastian Album: Tigermilk Year: 1996 Track: 01 Genre: Pop Comment: Track 1 Title: Lovely Day Artist: Bill Withers Album: Menagerie Year: 1977 Track: 01 Genre: Soul Comment: Title: Upp, Upp, Upp, Ner Artist: bob hund Album: bob hund Sover Aldrig [live] Year: 1999 Track: 01 Genre: Rock Comment: Encoded by FLAC v1.1.2a with FLAC Frontend v1.7.1. Ripped by TCM Title: Lloyd, I'm Ready To Be Heartbroken Artist: Camera Obscura Album: Sonically Speaking - vol. 29 Year: 2006 Track: 01 Genre: Pop Comment: Track 1 Title: Hands On The Wheel Artist: China Crisis Album: Warped By Success Year: 1994 Track: 01 Genre: Pop Comment: Track 1 Title: Geno Artist: Dexy's Midnight Runners Album: Let's Make This Precious [The Best Of] Year: 2003 Track: 01 Genre: Pop Comment: Track 1 Title: Walk On By Artist: Dionne Warwick Album: Dionne Sings Dionne Year: Track: 1 Genre: Comment: Title: Protection Artist: Massive Attack Album: Protection Year: 1994 Track: 01 Genre: Trip-Hop Comment: Encoded by FLAC v1.1.2a with FLAC Frontend v1.7.1.
    [Show full text]
  • Song List by Member
    song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.
    [Show full text]
  • Music & Film Memorabilia
    MUSIC & FILM MEMORABILIA Friday 19th March at 4pm Unfortunately we are unable to open to the public for viewing or auctions at the present time – please contact us for extra images and condition reports. Catalogue web site: WWW.LSK.CO.UK Results available online approximately one hour following the sale Buyer’s Premium charged on all lots at 20% plus VAT Live bidding available through our website (3% plus VAT surcharge applies) Image this page: 623 Your contact at the saleroom is: Glenn Pearl Tel: 01284 748 625 E-mail: gpearl @lsk.co.uk 503 509 An Artley 6S clarinet serial no. 85238, A Steepletone CD Rock i-1CD retro 67cm. style illuminating floor standing jukebox £20-40 CD player on stand, with remote w.54, d.27, h.122 including stand. 504 £50-100 A “Romilly” Graduate flute made for Rudall Carte & Co Ltd, London, serial 510 no. 342561, in fitted hard carry case. Knebworth Fair 1976 limited edition £40-60 1999 concert poster, signed H Bannister and numbered 129/750, designed by 505 Hipgnosis, acts include The Rolling A Bang & Olufsen Biocenter 2200 Stones, Lynyrd Skynyrd, Hot Tuna and stereo system, in silver finish, designed 10cc etc., dia 61cm. (rolled), togther by David Lewis and manufactured 1983- with one other 1999 re-print poster for 1986, w.74, d.33, h.9cm, together with a Knebworth Park 1974, signed and pair of B&O Beovox X25 speakers, numbered 129/750, 77 x 51cm. (rolled) w.22, d.15, h.40cm. (2) £40-60 £40-60 506 511 A Bang & Olufsen Beolit 700 portable Bath Festival of Blues & Progressive radio FM/MW/LW, designed by Jacob Music ‘70, 1998 limited edition poster, Jensen, circa 1972.
    [Show full text]
  • Cash” in Order to Insure Suc- Expect ‘Giants’ to Get Bigger: WASHINGTON
    - i&£S* mmWM i WSmm I ; , .s>» r A:/ sM| iflauM , /// . KB jjo./ '** - 7 : •• •. Artist Mriiy GRITTY DIRT BAND 'Senderling Testifies In 2nd Week-of Payola Hearings £ Capitol Raises List on Key Catalogue, Classics / Securities Analysts' View industry K'.- S *. AS(gA& ’76'Revenues Hit $94 Million Proliferate / V NeilDiastion’b Ads - AlexandeHs Expands; A&S Closes ? , Ex.fiansio&l(t Hoqsfon Retail Market * y >$f.98 For^fJj^Cdn^ume^oves Closer (Ed) . March 5, 1977 Weeks Weeks Weeks On On On 2/26 2/19 Chart 2/19 Chart 2/26 2/19 Chart LOVE THEME FROM “A DISCO LUCY (! LOVE LUCY FANCY DANCER STAR IS BORN” THEME) COMMODORES (Motown 1408) 63 63 11 WILTON PLACE STREET BAND (Island 078) 41 48 7 THIS SONG (EVERGREEN) GEORGE BARBRA STREISAND (Columbia 3-10450) 4 5 13 35 HARD HARRISON LUCK WOMAN (Dark Horse/WB DRC 8294) 61 53 16 TORN BETWEEN TWO KISS (Casablanca 873) 25 24 12 36 DAZZ BABY DON’T YOU KNOW LOVERS WILD CHERRY (Sweet City/Epic 8-50306) 68 67 9 MARY MACGREGOR BRICK (Bang 727) 26 25 20 IT (Ariola America/Capitol 7638) 1 1 17 37 CAR COULDN’T GET RIGHT WASH CLIMAX BLUES BAND (Sire/ABC SAA 736) 87 93 4 FLY LIKE AN EAGLE ROSE ROVCE (MCA 40615) 31 29 18 STEVE MILLER (Capitol 4372) 3 3 12 38 !’VE GOT LOVE MY YOU KNOW LIKE I KNOW ON OZARK MOUNTAIN DAREDEVILS (A&M 1888) 75 78 7 S LIKE DREAMIN’ MIND KENNY NOLAN (20th Century 2287) 5 6 17 YOU + ME = LOVE NATALIE COLE (Capitol 4360) 50 59 5 UNDISPUTED TRUTH YEAR OF THE CAT 39 ALL STRUNG OUT ON YOU (Whitfield/WB WHI 8306) 76 79 5 AL STEWART (Janus J266) 6 7 13 JOHN TRAVOLTA HEY (Midland Inti /RCA MB 10907)
    [Show full text]
  • Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: an Annotated Bibliography and Discography
    Page 1 of 35 Popular Music and Gays, Lesbians, Bisexuals, and Transgender People: An Annotated Bibliography and Discography. Compiled by Walt “Cat” Walker. Approved by the GLBTRT Resources Committee. Last revised January 12, 2017. TABLE OF CONTENTS Introduction 2 I. General Nonfiction 3 II. Memoirs & Biographies 9 III. Fiction 32 IV. Drama 33 V. Children & Teens 34 VI. DVDs 35 Page 2 of 35 Introduction Gays, lesbians, bisexuals, and transgender people have always participated in creating popular music. In recent years, the visibility of LGBTQ people in the music world has increased, and more popular music has been created that openly describes the LGBTQ experience. There has also been an increase in books and films related to LGBTQ visibility in popular music, both in fiction and nonfiction. This bibliography includes resources about gay men, lesbians, bisexuals, and transgender persons involved in the popular music field. The books have all been published in print, and many of them may also be found as e-books. Separate sections contain memoirs, novels, plays, and children’s and teen books. Several LGBT popular music-related DVDs are also listed. Each book and DVD has a link to the OCLC WorldCat record (when available) where you can see which libraries hold the item. Most of this resource is comprised of a discography of popular music recordings by LGBTQ artists. It is not meant to be complete, but many recordings still available in CD format for each artist are listed, and several are annotated. Many of these performers’ songs can now also be found on streaming music services and online digital music websites.
    [Show full text]
  • Led Zeppelin
    For Linda, Evie, Mollie and Michael – always. Author’s Note While I have been fortunate over the years to have enjoyed the company of various ex-members and/or former employees of Led Zeppelin, it should be born in mind at all times that this is an unauthorised biography, written objectively and with no undue pressure from any outside influence to do anything other than tell the story as I honestly see it. It should also be clearly understood that the italicised ‘flashback’ passages of the text are not the actual words of Jimmy Page, Robert Plant, John Bonham, John Paul Jones and Peter Grant, nor are they actual quotes. Whilst they are all based on thorough biographical research, the facts of which can be found in the Notes & Sources section at the end of this book, the words themselves are the product of my imagination. Contents Prologue – Heaven Part One: Ascension! 1. The Dawn of Now 2. Daze of My Youth 3. Light and Shade 4. Going To California 5. High in the Sky 6. Cannons! 7. Cracking the Whip 8. A Bustle in Your Hedgerow Part Two: The Curse of King Midas 9. So Mote It Be 10. All That Glitters 11. We Are Your Overlords 12. The Golden Gods 13. The Devil in His Hole 14. Caesar’s Chariot 15. The Outhouse 16. To Be A Rock… Epilogue – Gone, Gone, Gone… Notes and Sources Index Acknowledgements Prologue Heaven It could happen anywhere but it always happened best in America. Land of milk and honey, world of infinite possibility.
    [Show full text]
  • Brand New Cd & Dvd Releases 2004 5,000+ Top Sellers
    BRAND NEW CD & DVD RELEASES 2004 5,000+ TOP SELLERS COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, Videos, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2004 5,000+ titles listing are all of U.K. manufactured (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. 695 10,000 MANIACS campfire songs Double B9 14.00 713 ALARM in the poppy fields X4 12.00 793 ASHER D. street sibling X2 12.80 866 10,000 MANIACS time capsule DVD X1 13.70 859 ALARM live in the poppy fields CD/DVD X1 13.70 803 ASIA aqua *** A5 7.50 874 12 STONES potters field B2 10.50 707 ALARM raw E8 7.50 776 ASIA arena *** A5 7.50 891 13 SENSES the invitation B2 10.50 706 ALARM standards E8 7.50 819 ASIA aria A5 7.50 795 13 th FLOOR ELEVATORS bull of the woods A5 7.50 731 ALARM, THE eye of the hurricane *** E8 7.50 809 ASIA silent nation R4 13.40 932 13 TH FLOOR ELEVATORS going up-very best of A5 7.50 750 ALARM, THE in the poppyfields X3
    [Show full text]