Watch That Man: Gender Representation and Queer Performance in Glam Rock
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M.A Thesis- Aaron Misener- 0759660- 2017.Pdf
“Constructing a New Femininity”: Popular Film and the Effects of Technological Gender Aaron Misener—MA Thesis—English—McMaster University “Constructing a New Femininity”: Popular Film and the Effects of Technological Gender Aaron Misener, B.A. (Hons.) A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master of Arts McMaster University ©Copyright by Aaron Misener, December 2016 ii Aaron Misener—MA Thesis—English—McMaster University MASTER OF ARTS (2016) McMaster University (English) Hamilton, Ontario TITLE: “Constructing a New Femininity”: Popular Film and the Effects of Technological Gender AUTHOR: Aaron Misener, B.A. Hons. (McMaster University) SUPERVISOR: Dr. Anne Savage NUMBER OF PAGES: i-v, 1-74 iii Aaron Misener—MA Thesis—English—McMaster University Abstract: This project applies critical media and gender theories to the relatively unexplored social space where technology and subjectivity meet. Taking popular film as a form of public pedagogy, the project implicates unquestioned structures of patriarchal control in shaping the development and depiction of robotic bodies. The project was spurred from a decline in critical discourse surrounding technology’s potential to upset binaried gender constructions, and the increasingly simplified depictions of female-shaped robots (gynoids) as proxies for actual women. By critically engaging assumptions of gender when applied to technology, the project recontextualizes fundamental theories in contemporary popular film. iv Aaron Misener—MA Thesis—English—McMaster University Acknowledgements: This project has seen the birth of my daughter, and the death of my mother. My most elated joys and the deepest sorrows that I have yet known. It has both anchored me, and left me hopelessly lost. -
THESIS ANXIETIES and ARTIFICIAL WOMEN: DISASSEMBLING the POP CULTURE GYNOID Submitted by Carly Fabian Department of Communicati
THESIS ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID Submitted by Carly Fabian Department of Communication Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2018 Master’s Committee: Advisor: Katie L. Gibson Kit Hughes Kristina Quynn Copyright by Carly Leilani Fabian 2018 All Rights Reserved ABSTRACT ANXIETIES AND ARTIFICIAL WOMEN: DISASSEMBLING THE POP CULTURE GYNOID This thesis analyzes the cultural meanings of the feminine-presenting robot, or gynoid, in three popular sci-fi texts: The Stepford Wives (1975), Ex Machina (2013), and Westworld (2017). Centralizing a critical feminist rhetorical approach, this thesis outlines the symbolic meaning of gynoids as representing cultural anxieties about women and technology historically and in each case study. This thesis draws from rhetorical analyses of media, sci-fi studies, and previously articulated meanings of the gynoid in order to discern how each text interacts with the gendered and technological concerns it presents. The author assesses how the text equips—or fails to equip—the public audience with motives for addressing those concerns. Prior to analysis, each chapter synthesizes popular and scholarly criticisms of the film or series and interacts with their temporal contexts. Each chapter unearths a unique interaction with the meanings of gynoid: The Stepford Wives performs necrophilic fetishism to alleviate anxieties about the Women’s Liberation Movement; Ex Machina redirects technological anxieties towards the surveilling practices of tech industries, simultaneously punishing exploitive masculine fantasies; Westworld utilizes fantasies and anxieties cyclically in order to maximize its serial potential and appeal to impulses of its viewership, ultimately prescribing a rhetorical placebo. -
David Bowie a New Career in a New Town [1977-1982] Mp3, Flac, Wma
David Bowie A New Career In A New Town [1977-1982] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: A New Career In A New Town [1977-1982] Country: UK, Europe & US Released: 2017 Style: Avantgarde, Art Rock, Experimental MP3 version RAR size: 1738 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1377 mb Rating: 4.1 Votes: 572 Other Formats: AIFF AAC MP1 XM VOC MOD VQF Tracklist Hide Credits Low A1 Speed Of Life A2 Breaking Glass What In The World A3 Vocals – Iggy Pop A4 Sound And Vision A5 Always Crashing In The Same Car A6 Be My Wife A7 A New Career In A New Town B1 Warszawa B2 Art Decade B3 Weeping Wall B4 Subterraneans Heroes C1 Beauty And The Beast C2 Joe The Lion C3 “Heroes” C4 Sons Of The Silent Age C5 Blackout D1 V-2 Schneider D2 Sense Of Doubt D3 Moss Garden D4 Neuköln D5 The Secret Life Of Arabia "Heroes" EP E1 “Heroes” / ”Helden” (German Album Version) E2 “Helden” (German Single Version) F1 “Heroes” / ”Héros” (French Album Version) F2 “Héros” (French Single Version) Stage (Original) G1 Hang On To Yourself G2 Ziggy Stardust G3 Five Years G4 Soul Love G5 Star H1 Station To Station H2 Fame H3 TVC 15 I1 Warszawa I2 Speed Of Life I3 Art Decade I4 Sense Of Doubt I5 Breaking Glass J1 “Heroes” J2 What In The World J3 Blackout J4 Beauty And The Beast Stage K1 Warszawa K2 “Heroes” K3 What In The World L1 Be My Wife L2 The Jean Genie L3 Blackout L4 Sense Of Doubt M1 Speed Of Life M2 Breaking Glass M3 Beauty And The Beast M4 Fame N1 Five Years N2 Soul Love N3 Star N4 Hang On To Yourself N5 Ziggy Stardust N6 Suffragette City O1 Art Decade O2 Alabama Song O3 Station To Station P1 Stay P2 TVC 15 Lodger Q1 Fantastic Voyage Q2 African Night Flight Q3 Move On Q4 Yassassin (Turkish For: Long Live) Q5 Red Sails R1 D.J. -
Interview Since Dropping out in Frame of Him Floating in Space, His Lower to the Movie Queens He Always Wanted 1974
The return of the first 'true fairy' ]OBRIA TH REVISITED by Charles Herschberg photos John Michael Cox It was 1973 and the public was cared for. He and his band The Creatures hungry. The man who discovered Carly ("beautiful and talented creatures with Simon and brought the Rolling Stones to fabulous bodies who throw me about America psyched out the mentality of a the stage") continued on Elektra with generation turned off to war and on to light to moderate sales. Peter Frampton drugs, and fed them a billion of the dropped by the recording studio one day sweetest promises ever kissed from a so they put him on a record. Things like Svengali's lips The impresario, one Jerry that. Brandt, presented Iobriath. In the midst of recording' their third Not fond of understatement, Brandt LP, the artist accused the manager of simply described his new find as the sinking the advance money into a per- superstar of the Seventies and the big- sonal venture called the Erotic Circus. gest artist in the world. "It's Sinatra, This take-off on Brandt's own once- Elvis, The Beatles and now [obriath." successful New York rock club the Elec- Brandt announced. "[obriath is a com- tric Circus, folded in virtually one. night. bination of Dietrich, Marceau, Nureyev, [obriath, who had refused to perform for Tchaikovsky, Wagner, Nij in s k i. the opeing. vanished completely from Bernhardt, an astronaut, the best of the music scene. Jagger, Bowie, Dylan, with the glamor of Independently, his Creatures have Garbo. He is a singer, dancer, woman, gone on to other things. -
HUNKY DORY Drums Bass (Including Solos) Guitar Rhythm Acoustic Keys Vocals Backup Vocals Extra Strings - Sean, Horns - ENC CHANGES Jax/Sophia Emily B
Guitar Lead HUNKY DORY Drums Bass (including solos) Guitar Rhythm Acoustic Keys Vocals Backup Vocals Extra Strings - Sean, Horns - ENC CHANGES Jax/Sophia Emily B. Josie A. Guilietta R. Atalia R. Emily B. Willow SD OH! YOU PRETTY THINGS Nina Spencer Nate Kelly Madison Jaden ENC EIGHT LINE POEM Jimmy B. Kaya H. Guilietta R. Willow M. Strings - Elliot, SD LIFE ON MARS Nina Spencer Nate Kaya Kelly Kelly Madison Flutes - Madison Strings - Sean, Horns - ENC KOOKS Jax H. Josie A. Guilietta R. Sean B. Atalia R. Emily Atalia SD QUICKSAND Nina/Jaden Aiden Nate Kelly Madison Kelly SD FILL YOUR HEART Jaden Spencer Kelly Madison Horns - Nate ENC ANDY WARHOL Kaya H. Guilietta R. Jimmy B. Atalia R. Willow M. Sequencer - Jax Piano - Kelly, Electric Piano - SD SONG FOR BOB DYLAN Jaden Spencer Nate Willow Elliot Madison Kelly ENC QUEEN BITCH Sean/Sophia Emily B. Kaya H. Kai M. Jimmy B. Willow M. Atalia R. Tambourine - Jax H. Group vox at the end - Acoustic Emily, Kelly, (electric solo Acoustic lead that chords through Piano with Atalia, lead thing) - starts in 2nd whole song - modulation - Madison, THE BEWLAY BROTHERS Emily B. Kaya verse - Nate Jimmy Kelly Giulietta Willow, ZIGGY STARDUST AND THE SPIDERS Guitar Lead FROM MARS Drums Bass (including solos) Guitar Rhythm Acoustic Keys Vocals Backup Vocals Extra Piano - Kelly, Nate, Spencer, Congas - Nina, Piano SD FIVE YEARS Aiden G. Spencer Nate Strings - ??? Madison Jaden strings strum - ??? Congas - Jaden, Horns - Nate on guitar, SD SOUL LOVE Aiden G. Spencer Nate Jimmy Kelly Kelly Madison Claps - Nina, Madison Flutes - Main melody is Giulietta on guitar and the harmony is ??? on ???, Strings - ENC MOONAGE DAYDREAM Sean Jimmy B. -
CHRISTOPHER PROBST, ASC Director of Photography
CHRISTOPHER PROBST, ASC Director of Photography FEATURES WAR OF THE WORLDS Rich Lee Universal / Staying Safe Productions PORTALS (Segment Director of Photography) Liam O’Donnell BoulderLight Pictures / Screen Media Films BEYOND SKYLINE Liam O’Donnell Hydraulx HANSEL & GRETEL: WITCH HUNTERS Tommy Wirkola Paramount / Gary Sanchez Productions (Additional Photography) FIRE WITH FIRE David Barrett Lionsgate / Emmett/Furla Films DETENTION Joseph Kahn Richard Weager / Detention Films Official Selection, SXSW Film Festival (2011) SKY CAPTAIN AND THE WORLD Kerry Conran Paramount / Brooklyn OF TOMORROW (2nd Unit) TELEVISION ERASE (Pilot) Michael Offer Universal Cable Productions / USA Network MINDHUNTER (Episodes 1 & 2) David Fincher Netflix LIMITLESS (Pilot, 2nd Unit) Marc Webb Relativity Media / CBS BOOMTOWN (2nd Unit) Jon Avnet / Various Dreamworks / NBC DIRECTORS & COMMERCIALS JAN WENTZ Buick, Jeep DAN TRACHTENBERG Xbox, Playstation MANU COSSU Apple Watch ALEXANDRE MOORS New Orleans Tourism CYRIL GUYOT Mercedes, L’Oreal TWIN HP HIRO MURAI Scion LINO RUSSELL Nissan BARNABY ROPER Propel HARALD ZWART Audi STUART PARR Coors Light GRADY HALL Target ALEX AND LEANNE Mercedes JULIEN ROCHER K1664 PHIL BROWN Coors Light JAKE BANKS Toyota GENTLEMEN SCHOLAR Udacity RICH LEE Subaru, Disney Hong Kong, La Gazzetto Dello Sport, Eni Energy, Beats, Special K, Carls Jr., Hyundai, Nissan, Target, Samsung, Sunosi, Honda NIMA NOURIZADEH Adidas BEN MOR Cisco GMUNK YouTube Red, Infiniti MATT OGENS Farmer John MARK PALANSKY Target DAVE MEYERS Ciroc Vodka, Lexus MATT -
Benny's Road to ABBA
Excerpt from the book »Benny’s Road To ABBA« © Premium Publishing 2004 Meeting Björn IN THE MID-SIXTIES there must have been few contrasts greater than that between work- ing in a bank and touring with a rock band. Working days starting and ending at normal office hours, the sound of clattering calculators, discreet financial transactions, low-key conversations – as opposed to »days« that started in the afternoon and ended in the early hours of the morning, shouting and screaming, loud rock’n’roll, long car rides, con- stantly new hotels. But that was the contrast that young Thomas Nordlund had to face when he quit his secure job at the bank in Uppsala to take care of The Hep Stars’ brand new production company, Hep House. For the first thing he did was to throw himself right into events and spend 10 days with the band on their second folkpark tour. A year had passed since Thomas helped The Hep Stars with the Tio i topp »coup«, which resulted in three songs on the chart. Later in 1965, through his friendship with Lennart Hegland, Thomas had got a job at Europa-Produktion for a couple of months. Although his time with the company was brief, he learned a lot about showbusiness from Åke Gerhard and his associates. His task was to book gigs for the acts signed to the pro- duction company, and his own contribution to that procedure was not insignificant. At the time, the folkpark arrangers implemented an extremely severe rule, which stipulated that if an act arrived late, the arrangers could make a deduction on the fee. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
Finding Grace in the Concert Hall: Community and Meaning Among Springsteen Fans
FINDING GRACE IN THE CONCERT HALL: COMMUNITY AND MEANING AMONG SPRINGSTEEN FANS By LINDA RANDALL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY On Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Department of Religion December 2008 Winston Salem, North Carolina Approved By: Lynn Neal, PhD. Advisor _____________________________ Examining Committee: Jeanne Simonelli, Ph.D. Chair _____________________________ LeRhonda S. Manigault, Ph.D _____________________________ ii Acknowledgements First and foremost, my thanks go out to Drs. Neal and Simonelli for encouraging me to follow my passion and my heart. Dr. Neal helped me realize a framework within which I could explore my interests, and Dr. Simonelli kept my spirits alive so I could nurse the project along. My concert-going partner in crime, cruisin’tobruce, also deserves my gratitude, sharing expenses and experiences with me all over the eastern seaboard as well as some mid-America excursions. She tolerated me well, right up until the last time I forgot the tickets. I also must recognize the persistent assistance I received from my pal and companion Zero, my Maine Coon cat, who spent hours hanging over my keyboard as I typed. I attribute all typos and errors to his help, and thank him for the opportunity to lay the blame at his paws. And lastly, my thanks and gratitude goes out to Mr. Bruce Frederick Springsteen, a man of heart and of conscience who constantly keeps me honest and aware that “it ain’t no sin to be glad you’re alive (Badlands).” -
2021 BALTIMORE BUSINESS REVIEW 1 Message from the Dean Message from the President Towson University, College of Business and Economics CFA Society Baltimore
BALTIMORE BUSINESS REVIEW 2021 A MARYLAND JOURNAL 90/0/65/3 80/30/0/0 70/50/0/0 10/10/5/55 PMS 202 - TowsonU CBE Red - 0/100/61/43 Baltimore Business Review A Maryland Journal — 2021 Message from the Dean 2 Produced jointly by the CFA Society Message from the President 3 Baltimore and the Towson University College of Business and Economics Financial Literacy: How Can Adults Help Future Generations? 4 Dave Donahoo, CFA, Board Member & Vice President, CFA Society Baltimore Edited by Lijing Du, Ph.D., Associate Professor, Rachael Gordon, Ph.D., Assistant Managing the Pandemic: How a Maryland Family Business Maintains Professor, Department of Finance, Towson Their Values While Updating Operations 8 University, Zachary C. Reichenbach, R. Gabrielle Swab, Assistant Professor, Department Of Management, Towson University CFA, CPA/ABV/CFF, President of CFA Society Baltimore and Susan Weiner, Short-termism Meets a New Frontier 12 CFA of Investment Writing Matt Orsagh, CFA, CIPM, Senior director, Capital Markets Policy, Americas, CFA Institute 8 Designed by Towson University Creative Live Music Industry Is Poised for a Strong Rebound: Services, Rick S. Pallansch, Director, Evidence from Streaming Trends 16 Chris Komisar, Senior Graphic Designer Finn Christensen, Associate Professor, Department Of Economics, Towson University For more information about the contents of this publication, contact the Towson University U.S. Corporate Leverage —Pressure Is Building Beneath the Surface 21 College of Business and Economics press Farhan Mustafa, CFA, Head of Investment Risk Management and contact, Jian Huang (410) 704-3547, Head of Quantitative Investments, ClearBridge Investments or CFA Society Baltimore press contact, Importance of Data Analysis in Healthcare Industry 26 Robyn Osten (314) 650-8839. -
Collective Memory and the Constructio
Liljedahl: Recalling the (Afro)Future: Collective Memory and the Constructio RECALLING THE (AFRO)FUTURE: COLLECTIVE MEMORY AND THE CONSTRUCTION OF SUBVERSIVE MEANINGS IN JANELLE MONÁE’S METROPOLIS-SUITES Everywhere, the “street” is considered the ground and guarantee of all reality, a compulsory logic explaining all Black Music, conveniently mishearing antisocial surrealism as social realism. Here sound is unglued from such obligations, until it eludes all social responsibility, thereby accentuating its unreality principle. (Eshun 1998: -41) When we listen to music in a non-live setting, we do so via some form of audio reproduction technology. To most listeners, the significant part about the technology is not the technology itself but the data (music) it stores and reverberates into our ears (Sofia 2000). Most of these listeners have memories tied to their favourite songs (DeNora 2000) but if the music is at the centre of the history of a people, can the songs themselves be seen as a form of recollection? In this paper, I suggest that sound reproduction technology can be read as a storage of memories in the context of Black American popular music. I will turn my attention to the critical potential of Afrofuturist narratives in the field of memory- technology in order to focus on how collective memory is performed as Afrofuturist technology in Black American popular music, specifically in the music of Janelle Monáe. At play in the theoretical backdrop of this article are two key concepts: Signifyin(g) and collective memory, the first of which I will describe in simplified terms, while the latter warrants a more thorough discussion. -
W41 PPB-Web.Pdf
The thrilling adventures of... 41 Pocket Program Book May 26-29, 2017 Concourse Hotel Madison Wisconsin #WC41 facebook.com/wisconwiscon.net @wisconsf3 Name/Room No: If you find a named pocket program book, please return it to the registration desk! New! Schedule & Hours Pamphlet—a smaller, condensed version of this Pocket Program Book. Large Print copies of this book are available at the Registration Desk. TheWisSched app is available on Android and iOS. What works for you? What doesn't? Take the post-con survey at wiscon.net/survey to let us know! Contents EVENTS Welcome to WisCon 41! ...........................................1 Art Show/Tiptree Auction Display .........................4 Tiptree Auction ..........................................................6 Dessert Salon ..............................................................7 SPACES Is This Your First WisCon?.......................................8 Workshop Sessions ....................................................8 Childcare .................................................................. 10 Children's and Teens' Programming ..................... 11 Children's Schedule ................................................ 11 Teens' Schedule ....................................................... 12 INFO Con Suite ................................................................. 12 Dealers’ Room .......................................................... 14 Gaming ..................................................................... 15 Quiet Rooms ..........................................................