THE SCANERS: Alien 'Gonzo-Punks' Plot Second Album Invasion, Drop New 'Galactic' Track

Copy Link

Mar 08, 2019 03:49 GMT THE SCANERS: Alien 'Gonzo-Punks' Plot Second Album Invasion, Drop New 'Galactic' Track France’s favourite gonzo-punks from outer-space return for their second album. The Scaners, lovers of all things extra-terrestrial, return for their second album on Dirty Water Records. Simply titled II, the album builds excellently on their 2018 debut, an album that made many ‘best of 2018’ lists. Whilst they maintain the chaotic synth-punk sound of their first album, their new record also brings in a more new-wave style that suits them perfectly. The result is a record that is as out of control as it is danceable, especially when the instruments align behind the pulsing organ to follow the same grooves and rhythms. X-Ray Glasses: On, one of the stand-out tracks, fits this idea perfectly. Leaving more space in the usually frenetic rhythm, pulling off slightly from the distortion, they are left with a real earworm of a song. Lead song Random City 2099 is another great example of the way, when they pull the instruments together, the band create a catchy groove to follow. View embedded content here Although it seems like this time the band have set out in search of more accessible sounds, they have in no way abandoned the sensation of dense paranoia that characterised and triumphed on their debut. Songs like Please Abduct Me and Don’t Run, We’re Friends maintain the same punk style that won so many fans over in 2018. When they let the guitar take free rein, such as on Galactic Race and Pesticide Kids, they add another dimension of weirdness that spurts out, adding to their ingrained craziness. Watch video on YouTube here Far from creating another concept album about alien abduction, it’s clear that The Scaners are more a concept band: sonic sci-fi miscreants from a future generation hellbent on pulling off an interstellar rock ‘n’ roll attack. So far the idea is working fantastically, and with so many worlds to explore, here’s hoping that they keep on their current trajectory. View embedded content here All words by Nathan Whittle. Find his Louder Than War archive here. The Dirty Water Club started in October 1996 in the Tufnell Park neighbourhood of north London, at a venue called The Boston. The club's name is derived from The Standells' 1966 hit 'Dirty Water' which glorifies the US city of Boston, Massachusetts. Past performers have included The White Stripes (voted by Q Magazine as one of the top 10 gigs of all time, Mojo one of the top 30 and Kerrang one of the top 100!), The Gories, Country Teasers, Black Lips, NOBUNNY, Kid Congo Powers, The Fleshtones, Billy Childish, Radio Birdman, The Dirtbombs, Thee Michelle Gun Elephant, The 5.6.7.8's, The Horrors and The Brian Jonestown Massacre to name just a few. The club has also seen some original '60s performers, such as The Monks, ? and the Mysterians, Kim Fowley, Sky Saxon, GONN, Michael Davis of the MC5 and more grace its stage. Their in-house record label, Dirty Water Records, is one of the leading garage/beat/(real) R&B labels in the world. Contacts Matt Hunter Press Contact Managing Director [email protected] 4802536471.

Recommended publications

Benny's Road to ABBA

Excerpt from the book »Benny’s Road To ABBA« © Premium Publishing 2004 Meeting Björn IN THE MID-SIXTIES there must have been few contrasts greater than that between work- ing in a bank and touring with a rock band. Working days starting and ending at normal office hours, the sound of clattering calculators, discreet financial transactions, low-key conversations – as opposed to »days« that started in the afternoon and ended in the early hours of the morning, shouting and screaming, loud rock’n’roll, long car rides, con- stantly new hotels. But that was the contrast that young Thomas Nordlund had to face when he quit his secure job at the bank in Uppsala to take care of The Hep Stars’ brand new production company, Hep House. For the first thing he did was to throw himself right into events and spend 10 days with the band on their second folkpark tour. A year had passed since Thomas helped The Hep Stars with the Tio i topp »coup«, which resulted in three songs on the chart. Later in 1965, through his friendship with Lennart Hegland, Thomas had got a job at Europa-Produktion for a couple of months. Although his time with the company was brief, he learned a lot about showbusiness from Åke Gerhard and his associates. His task was to book gigs for the acts signed to the pro- duction company, and his own contribution to that procedure was not insignificant. At the time, the folkpark arrangers implemented an extremely severe rule, which stipulated that if an act arrived late, the arrangers could make a deduction on the fee.
Joan Jett & the Blackhearts

Joan Jett & the Blackhearts By Jaan Uhelszki As leader of her hard-rockin’ band, Jett has influenced countless young women to pick up guitars - and play loud. IF YOU HAD TO SIT DOWN AND IMAGINE THE IDEAL female rocker, what would she look like? Tight leather pants, lots of mascara, black (definitely not blond) hair, and she would have to play guitar like Chuck Berry’s long-lost daughter. She wouldn’t look like Madonna or Taylor Swift. Maybe she would look something like Ronnie Spector, a little formidable and dangerous, definitely - androgynous, for sure. In fact, if you close your eyes and think about it, she would be the spitting image of Joan Jett. ^ Jett has always brought danger, defiance, and fierceness to rock & roll. Along with the Blackhearts - Jamaican slang for loner - she has never been afraid to explore her own vulnerabilities or her darker sides, or to speak her mind. It wouldn’t be going too far to call Joan Jett the last American rock star, pursuing her considerable craft for the right reason: a devo tion to the true spirit of the music. She doesn’t just love rock & roll; she honors it. ^ Whether she’s performing in a blue burka for U.S. troops in Afghanistan, working for PETA, or honoring the slain Seattle singer Mia Zapata by recording a live album with Zapata’s band the Gits - and donating the proceeds to help fund the investigation of Zapata’s murder - her motivation is consistent. Over the years, she’s acted as spiritual advisor to Ian MacKaye, Paul Westerberg, and Peaches.
Glam Rock by Barney Hoskyns 1

Glam Rock By Barney Hoskyns There's a new sensation A fabulous creation, A danceable solution To teenage revolution Roxy Music, 1973 1: All the Young Dudes: Dawn of the Teenage Rampage Glamour – a word first used in the 18th Century as a Scottish term connoting "magic" or "enchantment" – has always been a part of pop music. With his mascara and gold suits, Elvis Presley was pure glam. So was Little Richard, with his pencil moustache and towering pompadour hairstyle. The Rolling Stones of the mid-to- late Sixties, swathed in scarves and furs, were unquestionably glam; the group even dressed in drag to push their 1966 single "Have You Seen Your Mother, Baby, Standing in the Shadow?" But it wasn't until 1971 that "glam" as a term became the buzzword for a new teenage subculture that was reacting to the messianic, we-can-change-the-world rhetoric of late Sixties rock. When T. Rex's Marc Bolan sprinkled glitter under his eyes for a TV taping of the group’s "Hot Love," it signaled a revolt into provocative style, an implicit rejection of the music to which stoned older siblings had swayed during the previous decade. "My brother’s back at home with his Beatles and his Stones," Mott the Hoople's Ian Hunter drawled on the anthemic David Bowie song "All the Young Dudes," "we never got it off on that revolution stuff..." As such, glam was a manifestation of pop's cyclical nature, its hedonism and surface show-business fizz offering a pointed contrast to the sometimes po-faced earnestness of the Woodstock era.
Film Review: the Runaways (Floria Sigismondi, 2010)

Film Review: The Runaways (Floria Sigismondi, 2010) By Penny Spirou The first image the film‟s audience is confronted with is fresh menstrual blood hitting the pavement. It is clear that The Runaways (Floria Sigismondi, 2010), a film based on the story of the all-girl band of the same name, is riddled with themes of girls in transition and transgression. The story, which concentrates on band members Cherrie Currie and Joan Jett, hones in on themes of gender and sexuality. Gaining a sense of one‟s own identity is an immensely confusing time in a young woman‟s teenage life, especially when The Runaways are simultaneously thrust into the rock and roll music industry. The Runaways is a musical biopic based on the all-girl rock band active during the late 1970s in Los Angeles, California. Co-founder Joan Jett, at sixteen years old, played rhythm guitar anddid most of the songwriting for the band, including the famous song, “Cherry Bomb”. Jett later went on to form the successful band, Joan Jett and the Blackhearts, as well as developing the independent record company, Blackheart Records.1 Cherrie Currie, inspired by David Bowie‟s Aladdin Sane, is the blonde teenager who auditioned for lead singer of The Runaways at the age of fifteen.2 She sang lead for the first three albums for The Runaways but, after returning from their sold-out shows in Japan, left the band to pursue a solo career.3 Joan Jett was very active in her relationship withThe Runaways, serving as executive producer on the project.
BABY SHAKES: NYC's Power Pop Sensations Headline Dirty Water Club with Abjects and Das Clamps | Moth Club Hackney

Baby Shakes Apr 06, 2018 09:33 BST BABY SHAKES: NYC's power pop sensations headline Dirty Water Club with Abjects and Das Clamps | Moth Club Hackney Press Access DIRTY WATER CLUB #853 APRIL 20TH AT MOTH CLUB ADVANCE NO-FEE TICKETS Baby Shakes are a rock n’ roll-punk band from New York City. Mary on lead vocals and guitar, Judy on lead guitar and vocals, Claudia on bass and vocals, and Ryan on drums. With catchy melodic vocals over dirty guitars and a killer rhythm section, their influences range from The Ramones and Slade to Chuck Berry and 60’s Motown girl groups. View embedded content here Formed in 2005, they’ve released 5 singles, a 10” heart-shaped EP, a singles collection, and 3 full-length albums. They have toured the US, Japan, China, Ireland, UK and Europe. Baby Shakes have shared the stage with The Romantics, The Boys, Shadows of Knight, The Undertones, Barracudas, Protex, Black Lips, Paul Collin’s Beat, among others. Watch video on YouTube here Baby Shakes released their third album, titled "Turn It Up", in the Spring of 2017 and continue touring Internationally. Abjectsare Noemi (guitar/vox), Yuki (bass/vox) and Alice (drums/vox), an international London based trio playing quick, loud and bold edgy garage tunes. Since their emergence in 2013 Abjects have been a prominent garage punk band in the London live circuit. In the first 6 months of their career they supported The Fresh & Onlys, The Fat White Family, Mikal Cronin and went on a UK Tour with PINS, who also released their debut EP ‘Fast Love’ (Haus of Pins).
Rock, Pop, and Roll Rock, Pop, and Roll Turn up the Radio!

T T Music $45.00 U.S. / $50.00 Canada URN URN HARVEY KUBERNIK, a native TURN UP ombining oral and illustrated history TURN UP of Los Angeles, California, with a connective narrative, Turn Up the UP has been a noted music jour- UP CRadio! captures the zeitgeist of the Los nalist for over forty years. Angeles rock and pop music world between the A former West Coast A&R years of 1956 and 1972. T Featuring hundreds of rare and previously director for MCA Records, T Kubernik is the author of five THE RADIO! unpublished photographs and images of memo- books, including This Is Rebel Music, A Perfect THE RADIO! rabilia, this collection highlights dozens of icon- HE Haze: The Illustrated History of the Monterey In- HE ic bands and musicians, including the Doors, ternational Pop Festival (co-authored by Ken- the Beach Boys, Buffalo Springfield, the Byrds, neth Kubernik), and Canyon of Dreams: The CSN, the Monkees, the Rolling Stones, Ike ROCK, POP, AND ROLL Magic and the Music of Laurel Canyon. and Tina Turner, Elvis Presley, Eddie Cochran, RADIO RADIO Ritchie Valens, Sam Cooke, Neil Young, Joni Mitchell, Frank Zappa, Thee Midniters, Barry TOM PEttY is a celebrated American multi- IN LOS ANGELES White, Sonny and Cher, and many others. instrumentalist, songwriter, actor, and lead- But recording artists heard on the AM and er of Tom Petty and the Heartbreakers. Born FM dial are only one part of the rich history of in Gainesville, Florida, he has been a Southern 1956–1972 music in Los Angeles. Turn Up the Radio! digs California resident since the mid-seventies.
Coming out on September 9, 2014

COMING OUT ON SEPTEMBER 9, 2014 new releases from THE SURF TEENS • THE BEACHCOMBER TRIO THE EXPLOSION • PHOBIA • THE BOMBORAS • UNION 13 SYMBOL SIX • SPENCER MOODY • COKE BUST KILLWHITNEYDEAD • APRIL MARCH • GUN CLUB THE NOMADS • OBLIVIONS • REDD KROSS Exclusively Distributed by THE SURF TEENS Surf Mania, LP STREET DATE: BACK IN PRINT! INFORMATION: Artist Hometown: Atascadero, California Key Markets: Los Angeles, San Diego, San Francisco, Portland, Seattle, Las Vegas For Fans of: DICK DALE, THE SURFARIS, THE BOMBORAS, THE BOSS MARTIANS, THE REVELS In the late 90s, Bacchus Archives was put in touch with surf legend Norman Knowles, member of THE REVELS and writer of the surf classic “Church Key” as Norman produced the classic but totally obscure LP that was originally released on the budget Sutton label in 1963, with no liner notes, no inner sleeve, and no distribution beyond the dollar rack at local grocery stores! It was rumored that there were some unreleased tracks and as it turned out, Norman had them! The tracks were taken from the best sources ARTIST: THE SURF TEENS possible with many in stereo. THE SURF TEENS were from the central coast town of Atascadero, TITLE: Surf Mania California and at the time consisted of Jeff Hammond, 16 years old, lead guitar, John Hammon, 13 years LABEL: Bacchus Archives old, drums, Greg Smith, 16, rhythm guitar, Tony Johnson, 20, bass – their ages at the time of recording CAT#: BA1127-1 Surf Mania prove indeed that they were SURF TEENS! FORMAT: LP GENRE: Surf, Garage, Instrumental BOX LOT: 30 MARKETING POINTS: SRLP: $15.98 UPC: 053477112714 EXPORT: NO RESTRICTIONS • This album is presented in all analog – cut in analog using a Scully Lathe with Westrex 2B Cutting Head by Len Horowitz at HRS TRACK LIST: • Produced by surf legend Norman Knowles • Fabulous liner notes 1.
Bad Reputation

Presents BAD REPUTATION A film by Kevin Kerslake 95 mins, USA, 2018 Language: English Distribution Publicity Mongrel Media Inc Bonne Smith 1352 Dundas St. West Star PR Toronto, Ontario, Canada, M6J 1Y2 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com SHORT SYNOPSIS A look at the life of Joan Jett, from her early years as the founder of The Runaways and first meeting collaborator Kenny Laguna in 1980 to her enduring presence in pop culture as a rock ‘n’ roll pioneer. LONG SYNOPSIS When a precocious 13 -year-old girl in a sleepy suburban town put a Sears electric guitar at the top of her Christmas list in 1971, no one could have predicted how the gift would change the course of history. Joan Jett wanted to make some noise. She wanted to start a band. An all -girl band. Never mind that the only viable path forward for aspiring female artists in the male-dominated music industry was as a singer -songwriter on an acoustic guitar. Jett wanted to plug in, and nothing was going to stop her. Bad Reputation chronicles the life of Joan Jett, from her early teenage years as founding member of The Runaways to her enduring presence over four decades later as a rock ‘n’ roll icon. Following the break- up of The Runaways, Jett met songwriting partner and producer Kenny Laguna, and formed Joan Jett & the Blackhearts. After being rejected by twenty three labels, Laguna and Jett formed Blackhearts Records, selling records out of the trunk of Kenny’s Cadillac.
Watch That Man: Gender Representation and Queer Performance in Glam Rock

Watch That Man: Gender Representation and Queer Performance in Glam Rock Hannah Edmondson Honors Thesis Department of English Spring 2019 Thesis Adviser: Dr. Graig Uhlin Second Reader: Dr. Jeff Menne TABLE OF CONTENTS Abstract……………………………………………………………………………………..…… 3 I. Introduction………………………………………………………………………………….… 4 II. “Hang On To Yourself”: Glam Rock’s Persona Play…………………………………….…... 9 III. “Controversy” and Contradictions: Evaluating Prince, Past and Present……………….….. 16 IV. Cracked Actors: Homosexual Stints and Straight Realities………………………………... 23 V. “This Woman’s Work”: Female Foundations of Glam………………………………….….. 27 VI. Electric Ladies: Feminist Possibilities of Futurism and Science Fiction……………….….. 34 VII. Dirty Computer……………………………………………………………………………. 44 VIII. MASSEDUCTION………………………………………………………………………… 53 IX. Conclusion………………………………………………………………………………….. 60 2 Abstract Glam rock, though considered by many music critics chiefly as a historical movement, is a sensibility which is appropriated frequently in the present moment. Its original icons were overwhelmingly male—a pattern being subverted in both contemporary iterations of glam and the music industry as a whole. Fluid portrayals of gender, performative sexuality, camp, and vibrant, eye-catching visuals are among the most identifiable traits which signify the glam style, though science fiction also serves as a common thread between many glam stars, both past and present. The superficial linkages between artists like David Bowie, Prince, Janelle Monáe, and St. Vincent provide
Frankie Valli

Singers and Band Robby Robinson - Music Director - Keyboards Arranged for: Liza Minnelli, Frankie Valli, The Beach Boys, Connie Francis, Buddy Greco, Dorothy Hammill & Ice Capades, Jim Stafford, Phil Driscoll, Ronnie Spector, Martha Reeves, Darlene Love, Denny Correll, Lisa Mordente, The Ventures, The Atlanta Symphony, The Dallas Symphony, The Illinois Symphony, New Jersey Symphony, Rochester Philharmonic, Simi Valley Orchestra, Pacific Symphony, Don Menza, Greg Guidry Musical Conductor for: Frankie Valli, Buddy Greco, Del Shannon, The Drifters, The Coasters, Tommy Leonetti, Steve March, Darlene Love, The Ventures, The Atl\anta Symphony, The Dallas Symphony, The Illinois Symphony, New Jersey Symphony, Rochester Philharmonic, Simi Valley Orchestra, Hershey Symphony, Pacific Symphony, Connie Stevens, Tom Dreesen, Nick Noble Played Keyboards for: Tom Jones, Liza Minnelli, The Commodores, Cheryl Ladd, Sha Na Na, Steven Stills, Charles Calello, Bob Gaudio, Johnny Harris, Harvey Fuqua, Jack Daugherty, Bob Crewe, Jacksonville Symphony Orchestra, Richie Cole, Eddie Harris, Alex Acuna, Bennie Maupin, Gavin Christopher, John B.Williams, Phil Driscoll, Richie Fagan, Frankie Avalon, Gary Lewis & the Playboys, Willie Bobo, Alphonse Mouzon, Morris Albert, The Mills Brothers, Brian Hyland, The Platters, Emmett Chapman, Mamie Van Doran, The Four Tops, Paul Revere & the Raiders, Lou Christy, David Foster, Mike Pinera, Del Shannon, The Ink Spots, Peaches & Herb, Joe Houston, Albert King, Eddie Jefferson, Ernie Watts, Miroslav Vitous, Deniece Williams, Delfonics,
$D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp$

D:\Teora\Radu\R\Pdf\Ghid Pop Rock\Prefata.Vp

DedicaÆie: Lui Vlad Månescu PREFAæÅ Lucrarea de faÆå cuprinde câteva sute de biografii çi discografii ale unor artiçti çi trupe care au abordat diverse stiluri çi genuri muzicale, ca pop, rock, blues, soul, jaz çi altele. Cartea este dedicatå celor care doresc så-çi facå o idee despre muzica çi activitatea celor mai cunoscuÆi artiçti, mai noi çi mai vechi, de la începutul secolului çi pânå în zilele noastre. Totodatå am inclus çi un capitol de termeni muzicali la care cititorul poate apela pentru a înÆelege anumite cuvinte sau expresii care nu îi sunt familiare. Fårå a se dori o lucrare foarte complexå, aceastå micå enciclopedie oferå date esenÆiale din biografia celor mai cunoscuÆi artiçti çi trupe, låsând loc lucrårilor specializate pe un anumit gen sau stil muzical så dezvolte çi så aprofundeze ceea ce am încercat så conturez în câteva rânduri. Discografia fiecårui artist sau trupå cuprinde albumele apårute de la începutul activitåÆii çi pânå în prezent, sau, de la caz la caz, pânå la data desfiinÆårii trupei sau abandonårii carierei. Am numit disc de platinå sau aur acele albume care s-au vândut într-un anumit numår de exemplare (diferit de la Æarå la Æarå, vezi capitolul TERMENI MUZICALI) care le-au adus acest statut. Totodatå, am inclus çi o serie de LP-uri BEST OF sau GREATEST HITS apårute la casele de discuri din întreaga lume. De aceea veÆi observa cå discografia unui artist sau a unei trupe cuprinde mai multe albume decât au apårut în timpul vieÆii sau activitåÆii acestora (vezi Jimi Hendrix, de exemplu) çi asta pentru cå industria muzicalå çi magnaÆii acesteia çi-au protejat contractele çi investiÆiile iniÆiale cât mai mult posibil, profitând la maximum de numele artiçtilor çi trupelor lor.
A Memoir Pdf, Epub, Ebook

LIVING LIKE A RUNAWAY : A MEMOIR PDF, EPUB, EBOOK Lita Ford | 272 pages | 12 Jan 2017 | HarperCollins Publishers Inc | 9780062270658 | English | New York, United States Living Like a Runaway : A Memoir PDF Book You can also send an e-mail to blabbermouthinbox gmail. Publisher: Dey Street Books , Even without the unrelenting abuse, being a Runaway was a tough gig. A page turner. However, it may spark interest also among the gender studies or popular music scholars — even in spite of its tone, which is hardly a scholar one. My parents were awesome. Satisfaction Guaranteed! She claims Gillette manipulated her, kept her captive, abused her mentally and possibly physically , and finally divorced her and took the kids away. She plotted her escape and her freedom cost her the boys she stayed in the marriage to protect. Lita Ford was the lead guitarist of the Runaways before embarking on her platinum-selling, Grammy- nominated solo career. Ford does not address these accusations in her book but heaps scorn on the courts for separating her from her children. And I always have. About the Author Lita Ford was the lead guitarist of the Runaways before embarking on her platinum-selling, Grammy- nominated solo career. Fast Handling. These are the memoirs of Heather Bolton. Lita Ford was the lead guitarist of the Runaways before embarking on her platinum-selling, Grammy-nominated solo career. I wanted to play like Black Sabbath in the early days. NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service.