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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Rock Is Life
Rock Is Life http://www.rock-is-life.com/reviewsinbrief.htm Reviews In Brief (2007) (2006) (2005) (2004) 2007 STARZ Greatest Hits Live MVD Entertainment Group 2007 "The live collection of the 70’s rockers greatest hits seems to capture the band in fine form. The CD is compiled from at least 3 different performances and while I found the sound to be adequate to mediocre, the quality of their material does seem to shine through. While I wouldn’t put the band in my own personal Top 10 of 1970’s rockers, they are pretty good. I think it is a shame I wasn’t musically aware in the 70’s because I probably would have liked the band. They’ve got a lively and energetic sound tied to that particular era and it does keep the ears engaged, even during the first half of the disc where the quality of the recording isn’t even as good as some bootlegs I’ve listened to over the years. The audio quality is the biggest problem I had with the entire disc. I think if you are going to reissue this type of album, you really need to make the sound more Official Site presentable than what a typical bootlegger could accomplish. You want to check out tracks like “Detroit Girls”, “Any Way That You Want It”, and “Cherry Baby” in particular, but surprisingly at least to me, each song is pretty good. Search Amazon: If you like the 70’s rock era, you probably know of the band. You’ll definitely like this release. -
Johnny O'neal
OCTOBER 2017—ISSUE 186 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM BOBDOROUGH from bebop to schoolhouse VOCALS ISSUE JOHNNY JEN RUTH BETTY O’NEAL SHYU PRICE ROCHÉ Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East OCTOBER 2017—ISSUE 186 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 NEw York@Night 4 Laurence Donohue-Greene: Interview : JOHNNY O’NEAL 6 by alex henderson [email protected] Andrey Henkin: [email protected] Artist Feature : JEN SHYU 7 by suzanne lorge General Inquiries: [email protected] ON The Cover : BOB DOROUGH 8 by marilyn lester Advertising: [email protected] Encore : ruth price by andy vélez Calendar: 10 [email protected] VOXNews: Lest We Forget : betty rochÉ 10 by ori dagan [email protected] LAbel Spotlight : southport by alex henderson US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEwS 11 by suzanne lorge money order to the address above or email [email protected] obituaries Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, Festival Report Stuart Broomer, Robert Bush, 13 Thomas Conrad, Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, special feature 14 by andrey henkin Anders Griffen, Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, CD ReviewS 16 Suzanne Lorge, Mark Keresman, Marc Medwin, Russ Musto, John Pietaro, Joel Roberts, Miscellany 41 John Sharpe, Elliott Simon, Andrew Vélez, Scott Yanow Event Calendar Contributing Writers 42 Brian Charette, Ori Dagan, George Kanzler, Jim Motavalli “Think before you speak.” It’s something we teach to our children early on, a most basic lesson for living in a society. -
Stuttgart-Wangen, LKA/Longhorn Gäste
CANNIBAL CORPSE 05. Juli 2019 | Stuttgart-Wangen, LKA/Longhorn Gäste: Traitor Der Name CANNIBAL CORPSE weckt viele Assoziationen, aber nur ein Wort trifft zu ihrer Beschreibung den Nagel auf den Kopf: unaufhaltsam. Die Death-Metal-Veteranen veröffentlichen 2017 ihr monströses 14. Studioalbum „Red Before Black“. Damit wiederkäuen sie keineswegs Altbekanntes, sondern legen die Messlatte einmal mehr höher an als zuvor und stellen eindeutig klar, wer die Standards setzt, wenn es darum geht, zwingende Musik zu machen, die gleichzeitig brutal und komplex ist. Zudem treibt sich die Band immer wieder zu neuen Extremen an, um sicherzugehen, dass ihre jeweils neusten Songs aus ihrem bisherigen Katalog hervorragen. Auch dank der Produktion von Erik Rutan (Hate Eternal, Goatwhore) beweist ‘Red Before Black’, dass die Jungs keineswegs Altbekanntes wiederkäuen, sondern legen die Messlatte einmal mehr höher an als zuvor und stellen eindeutig klar, wer die Standards setzt, wenn es darum geht, zwingende Musik zu machen, die gleichzeitig brutal und komplex ist. Zudem hat sich die Band abermals angespornt, um sicherzugehen, dass die Scheibe aus ihrem bisherigen Katalog hervorsticht. "Im Laufe unserer Karriere versuchten wir immer, uns zu verbessern, sowohl in puncto Präzision beim Zusammenspielen, als auch auf produktionstechnischer Seite, ohne an Aggressivität einzubüßen. 'Red Before Black' setzt diese Tradition fort, ist aber vermutlich noch starker auf das Aggressive hin ausgerichtet. Präzise klingt das Album definitiv, zugleich aber auch so roh wie kaum etwas, das wir in jüngerer Zeit gemacht haben", findet Bassist Alex Webster. "wir haben uns ungeheuer angestrengt, um diese Songs auszuarbeiten, zu proben und auf das Niveau zu hieven, das uns vorschwebte, mehr noch als im Rahmen unserer letzten Alben", fügt Drummer Paul Mazurkiewicz hinzu. -
Lightspeed Magazine, Issue 92 (January 2018)
TABLE OF CONTENTS Issue 92, January 2018 FROM THE EDITOR Editorial: January 2018 SCIENCE FICTION The Streets of Babel Adam-Troy Castro Golubash, Or Wine-Blood-War-Elegy Catherynne M. Valente The Eyes of the Flood Susan Jane Bigelow Someday James Patrick Kelly FANTASY Auburn Joanna Ruocco The Substance of My Lives, the Accidents of Our Births José Pablo Iriarte Divine Madness Roger Zelazny The Court Magician Sarah Pinsker NOVELLA A Thousand Nights Till Morning Will McIntosh EXCERPTS Jonathan Moore | The Night Market Jonathan Moore NONFICTION Book Reviews: January 2018 Christie Yant Media Reviews: January 2018 Christopher East Interview: Fonda Lee Christian A. Coleman AUTHOR SPOTLIGHTS Adam-Troy Castro José Pablo Iriarte Susan Jane Bigelow Sarah Pinsker MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2017 Lightspeed Magazine Cover by Alan Bao www.lightspeedmagazine.com Editorial: January 2018 John Joseph Adams | 1540 words Welcome to issue ninety-two of Lightspeed! Our cover art this month is by Alan Bao, illustrating a new science fiction short by Adam-Troy Castro (“The Streets of Babel”). Susan Jane Bigelow gives us our other piece of original SF (“The Eyes of the Flood”). We also have with SF reprints by Catherynne M. Valente (“Golubash, or Wine-Blood-War-Elegy”) and James Patrick Kelly (“Someday”). Our fantasy originals are from José Pablo Iriarte (“The Substance of My Lives, The Accidents of Our Birth”) and Sarah Pinsker (“The Court Magician”). Our fantasy reprints are by Joanna Ruocco (“Auburn”) and Roger Zelazny (“Divine Madness”). All that, and of course we also have our usual assortment of author spotlights, along with our book and media review columns, and an interview with author Fonda Lee. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
Hammerfall One Crimson Night Mp3, Flac, Wma
HammerFall One Crimson Night mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: One Crimson Night Country: Germany Released: 2003 Style: Heavy Metal, Power Metal MP3 version RAR size: 1738 mb FLAC version RAR size: 1469 mb WMA version RAR size: 1229 mb Rating: 4.8 Votes: 276 Other Formats: DTS MMF MP4 AUD AC3 AAC AU Tracklist 1 Lore Of The Arcane 1:44 2 Riders Of The Storm 4:54 3 Heeding The Call 5:00 4 Stone Cold 7:10 5 Hero's Return 4:37 6 Legacy Of Kings 4:45 7 Bass Solo: Magnus Rosen 3:37 8 At The End Of The Rainbow 4:33 9 The Way Of The Warrior 4:03 10 The Unforgiving Blade 3:49 11 Glory To The Brave 6:35 12 Guitar Solo: Stefan Elmgren 2:43 13 Let The Hammer Fall 5:50 14 Renegade 3:54 15 Steel Meets Steel 4:37 16 Crimson Thunder 7:29 17 Templars Of Steel 6:10 18 Gold Album Award 19 Hearts On Fire 4:03 20 HammerFall 8:24 Companies, etc. Phonographic Copyright (p) – Nuclear Blast Copyright (c) – Nuclear Blast Pressed By – Technicolor Recorded At – Lisebergshallen Mixed At – Studio Fredman Mastered At – Nilento Studio Credits A&R – Matthias Lasch Bass – Magnus Rosén Cover – Samwise Didier Drums, Photography By – Anders Johansson Guitar, Mixed By [Assistant], Photography By – Stefan Elmgren Guitar, Photography By – Oscar Dronjak Layout – Thomas Ewerhard Mastered By – Lars Nilsson Mixed By – Fredrik Nordström Other [Songs Published By] – Warner / Chappell And Prophecies Publishing Photography By – Michael Johansson , Per Stålfors, Sofia Nystedt Recorded By – Mikael Thieme Recorded By [Assistant] – Henke Henriksson Vocals, Photography By – Joacim Cans Notes Recorded live at Lisebergshallen, Göteborg, Sweden, on February 20th, 2003. -
Compilation of Abstracts, March 2015
Calhoun: The NPS Institutional Archive Theses and Dissertations Compilations of Thesis Abstracts, from 2005 2015-03 Compilation of abstracts, March 2015 Monterey, California; Naval Postgraduate School http://hdl.handle.net/10945/45535 NPS-04-15-002 COMPILATION OF ABSTRACTS Unrestricted Theses, Dissertations, and Final Projects NPS Class of March 2015 Office of the Vice President and Dean of Research NAVAL POSTGRADUATE SCHOOL Monterey, California • www.nps.edu ii PREFACE This publication, Compilation of Abstracts, contains abstracts of unrestricted theses, capstone project reports, and dissertations submitted for the master of arts, master of business administration, master of science, and doctor of philosophy degrees for the Naval Postgraduate School’s March 2015 graduating class. This compilation is published to acquaint those interested in the fields represented with the nature and substance of Naval Postgraduate School student research, which covers a wide range of defense-related topics. An online copy of this and previous editions can be found at http://www.nps.edu/Research/MoreThesisAbst. html. Calhoun, the institutional archive of NPS, provides a convenient way to search the content of unrestricted theses. Access Calhoun at http://calhoun.nps.edu/public/handle/10945/6. Restricted theses are available for viewing on the NPS SIPRNet and through the Defense Technical Information Center at http://www.dtic. mil/dtic/customer/. Guidelines for obtaining printed copies of Compilation of Abstracts are outlined on the last page of this volume. Additional Information on NPS Research and Academic Programs Summary of Research, an annual compilation of research projects and publications, is also available online at http://www.nps.edu/Research/SummaryRes.html. -
Weekly Menuwm 09 INHALTSVERZEICHNIS 02.05.08
Soulfood Music Distribution weekly menuWM 09 INHALTSVERZEICHNIS 02.05.08 POP / ROCK 2 - 9 JAZZ / WORLD 9 - 10 HIP HOP/ RAP 11 - 11 DANCE / CLUB / HOUSE 12 - 13 EBM / GOTHIC / DARK WAVE 14 - 17 PUNK / ALTERNATIVE 17 - 19 METAL / HARD ROCK 19 - 33 DVD-Musik 33 - 35 PROMO UPDATES 35 - 37 WEITERE VÖs 37 - 38 ON TOUR 39 - 46 Auftragsannahme Soulfood Music Distribution Tel +49 (0)40 854196 21 WM 09 +49 (0)40 854196 22 Fax +49 (0)40 854196 10 weekly menu [email protected] www.soulfood-music.de Jetzt im VVK erhältlich! 02.05.08 • Interviews: Heavy, Breakout, Coolibri, Gitarre & Bass, Rocks, Berliner Abendblatt POP / ROCK • Stories: Rocks, Berliner Abendblatt, Breakout, Heavy, Rock it • Soundchecks: Rock Hard, Rock it • Reviews: Bass Professor, Berliner Abendblatt, Breakout, Bright Funk / Hard Eyes, Darkscene.at, Evilized Metal Magazin, Fan, Good Times, Rock Hardharderheavy Red. / Poly4Media, Heavy, Metal Inside, Metal2Me- tal, Metalroxx, Obliveon, Piranha, Powermetal.de, Rock Hard, Rock 12/12 It, Rockingboy.de, Rocks , Rocktimes, Scarred For Life, Schweres- PUNKTE IM Metall.de, Sleaze-Metal.com, Squealer-Rocks.de, Stormbringer.at, HEAVY Evilrockshard.de, Heavyhardes.de 09.05.08 Weiterhin erhältlich: Glenn Hughes MUSIC FOR THE DIVINE First Underground Nuclear Kitchen Frontiers 8 024391 028728 Format: CD EXTRA Slipcase PC: B CD - FRCD 287 - Y76 Best.-Nr.: FRCD 371 8 024391 037126 Pressestimmen Heavy 12 von 12 Punkte „Die weißhäutige Reinkarnation eines Rufus Thomas hat wieder zuge- Acoustic / schlagen, und diesmal grandioser denn je…..eine solch explosive Mixtur aus Funk, Soul, Rock und ruhigen Momenten brachte selbst Glenn, den Unplugged Rock Stevie Wonder als seinen `weißen Lieblingssänger` bezeichnete, bislang nicht zustande. -
The Dark Ones
Syracuse University SURFACE Theses - ALL May 2019 Ones Tenebris: The Dark Ones Jason Matthew Cheney Syracuse University Follow this and additional works at: https://surface.syr.edu/thesis Recommended Citation Cheney, Jason Matthew, "Ones Tenebris: The Dark Ones" (2019). Theses - ALL. 327. https://surface.syr.edu/thesis/327 This Thesis is brought to you for free and open access by SURFACE. It has been accepted for inclusion in Theses - ALL by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract Our story takes place in a world deep beyond the veil that connects light and dark. As I bear witness to the times we are in I cannot help but feel that the world is immersed in darkness, a negative energy, heavy and all encompassing. Emerging from the darkness like a predator, the dark ones stalk us. Our collective psychosis in turn leads to the veil between our worlds to thin. These “Dark Ones” as it were, occupy the deepest depths of a world unimaginable, a void of despair and dread so powerful that light and goodness are rumors. The dark ones feed on this negative energy and fear that our world generates, they are drawn to it like moths to a flame. This dark world is a place where the beauty and light are replaced by pain and thorns. The dark ones are a result of our collective dread. The negative energies have spilled forth, opening a chasm between our world and theirs. This work represents a collection of portraits, visual musings of the creatures and their settings that dwell on the threshold of this nightmare world. -
Learning to Rewrite Questions-In-Context
Can You Unpack That? Learning to Rewrite Questions-in-Context Ahmed Elgohary, Denis Peskov, Jordan Boyd-Graber Department of Computer Science, UMIACS, iSchool, Language Science Center University of Maryland, College Park Question-in-Context Rewriting Task Anna Vissi: 1983–1989: Collaboration with Nikos Karvelas History Question Rewriting Stand-alone Utterances In May 1983, she married Nikos Karvelas, a composer, with whom she Rewriting Question (Rewrite) What happened to Anna collaborated in 1975 and in November she gave birth to her daughter Sofia. Target Q1: What happened in 1983? Task Vissi in 1983? After their marriage, she started a close collaboration with Karvelas. Since Question 1975, all her releases ... History Utterances A1: In May 1983, she marries Nikos Karvelas, a composer Question 1: What happened in 1983? Anna Vissi + What happened in 1983 + In May 1983, she marries Nikos Karvelas, a composer Did Anna Vissi and Did they have any Q2: Nikos Karvelas have any Answer 1: In May 1983, she marries Nikos Karvelas, a composer children? children together? Target Question Question 2: Did they have any children? Did they have any children? A2: In November, she gave birth to her daughter Sofia Answer 2: In November, she gave birth to her daughter Sofia Did Anna Vissi have any Did she have any other Rewrite Q3: other children than her children? Question 3: Did she have any other children? Did Anna Vissi and Nikos Karvelas have any daughter Sofia? children together? Answer 3: I don’t know Example from QuAC (Choi et al., 2018) A3: I don’t know Data Collection Interface Dataset Quality I Number of question-rewrite pairs One question is shown at a time to encourage Compact instructions always displayed. -
Renégat Un Jour, Renégat Toujours !
Télécharger gratuitement : www.metalobs.com Renégat un jour, Renégat toujours ! Abonnez vous à metal obs’ (goodies, exclus...) + d’infos : [email protected] Hors série incluant une interview de Joacim Cans à l’occasion de la sortie de live : against the world le 23 octobre 2020 sur Napalm Records «HECTOR LE GRAND» Cela faisait 8 ans que les Suédois n’avaient pas sorti d’album une première version du live. MAIS ils avaient réalisé lune pre- live. Il a fallu attendre les 20 ans de son cultissime Renegade mière version à la manière d’un clip, avec beaucoup de cuts pour les voir nous proposer un nouveau disque en public, etc. Sur un titre, c’est très cool, mais sur deux heures de show, enregistré à la MHP Arena de Ludwigsbourg, en Allemagne. ce n’est pas envisageable. Quand il y a le solo, il faut laisser Un chouette cadeau pour les fans, car, si Hammerfall connait la caméra sur la guitare, ou sur moi, quand je chante certains nos pays voisins comme sa poche, c’est loin d’être le cas passages clés. Cela a bien pris deux mois pour tout reprendre, de notre belle contrée. L’occasion, donc, de le (re)voir sur mais, au final, je trouve que ce live colle parfaitement à l’idée scène, dans notre salon… Une constante en cette année que nous nous en étions faite. Avec ce montage plus cool, cela 2020 me direz-vous. [Entretien avec Joacim Cans (Chant) par donne plus l’impression d’être dans la salle. Julien Meurot, [email protected]] Y a-t-il eu beaucoup de stress ce Comment vas-tu depuis l’arrêt des concerts ? soir-là ? Même si le monde s’est quelque peu arrêté tout va bien.