DISCOGRAPHY MICHAEL ILBERT Producer,Mixer, Engineer
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To Download a PDF of a Letter from Clive Davis, Chief Creative Officer, Sony
Letters From Leaders Life doesn’t just go up, up and up. We all have to confront and deal with adversity at different times in our life. Determination to get through it is very important as is belief that you will get through it. I faced my toughest challenge in my life when both my parents passed away, within a year of each other, when I was 18. I had to leave my home in Brooklyn during my sophomore year at N.Y.U and go to live with my sister, her husband and their one-year-old daughter in Bayside, Queens. Because of them and an active support group of friends at N.Y.U – where I became President of the college’s Student Council – I didn’t face my loneliness and feelings of being an “orphan” until I was living alone at Harvard Law School a few years later. Given I had a lifetime aggregate sum of $4,000 to my name, I was dependent on a full tuition scholarship which I would lose if I didn’t maintain at least a “B” average. With no one from my support group present to help me get through this period of deep anxiety, I turned to the law school’s psychiatrist for a year to help get me through this dark transitional period. During this time, I learned a critical life lesson: it is certainly no sign of weakness to get professional help when needed. My next major life turning point occurred in the year 1960. I was an associate at the law fi rm of Rosenman, Colin, Petschek and Freund servicing clients such as CBS, CBS founder William Paley and other major corporations. -
Here I Played with Various Rhythm Sections in Festivals, Concerts, Clubs, Film Scores, on Record Dates and So on - the List Is Too Long
MICHAEL MANTLER RECORDINGS COMMUNICATION FONTANA 881 011 THE JAZZ COMPOSER'S ORCHESTRA Steve Lacy (soprano saxophone) Jimmy Lyons (alto saxophone) Robin Kenyatta (alto saxophone) Ken Mcintyre (alto saxophone) Bob Carducci (tenor saxophone) Fred Pirtle (baritone saxophone) Mike Mantler (trumpet) Ray Codrington (trumpet) Roswell Rudd (trombone) Paul Bley (piano) Steve Swallow (bass) Kent Carter (bass) Barry Altschul (drums) recorded live, April 10, 1965, New York TITLES Day (Communications No.4) / Communications No.5 (album also includes Roast by Carla Bley) FROM THE ALBUM LINER NOTES The Jazz Composer's Orchestra was formed in the fall of 1964 in New York City as one of the eight groups of the Jazz Composer's Guild. Mike Mantler and Carla Bley, being the only two non-leader members of the Guild, had decided to organize an orchestra made up of musicians both inside and outside the Guild. This group, then known as the Jazz Composer's Guild Orchestra and consisting of eleven musicians, began rehearsals in the downtown loft of painter Mike Snow for its premiere performance at the Guild's Judson Hall series of concerts in December 1964. The orchestra, set up in a large circle in the center of the hall, played "Communications no.3" by Mike Mantler and "Roast" by Carla Bley. The concert was so successful musically that the leaders decided to continue to write for the group and to give performances at the Guild's new headquarters, a triangular studio on top of the Village Vanguard, called the Contemporary Center. In early March 1965 at the first of these concerts, which were presented in a workshop style, the group had been enlarged to fifteen musicians and the pieces played were "Radio" by Carla Bley and "Communications no.4" (subtitled "Day") by Mike Mantler. -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
Fru Skagerrak
FRU SKAGERRAK www.fruskagerrak.com The music of Fru Skagerrak takes you on a journey through Scandinavia; from lowlands to mountains, from slow airs to lively polkas, in major and in minor, and everything in between. Fru Skagerrak- ”Lady Skagerrak” - are three master musicians - one from each Scandinavian country: Maja Kjær Jacobsen from Denmark, Elise Wessel Hildrum from Norway and Anna Lindblad from Sweden. In 2011, these three globetrotting musicians met for the first time at Tønder Festival, Denmark’s biggest Folk Festival, in a roaring session that had engulfed the backstage bar. Through the mayhem of tunes you could feel a certain Scandinavian groove, and in that moment the connection between these three fiddlers was clear. After meeting at Tønder Festival for three consecutive years, Fru Skagerrak finally saw the light of day in August 2014. The trio brings together the diverse traditions from each of their homelands, which surround the Skagerrak strait. Through a repertoire of traditional tunes, new compositions, and songs in their respective languages, they express their kinship and love of their shared heritage. The result is an explosion of the sounds that exist in Scandinavian music today. The self-titled debut album was released in May 2016 and their second album “Ankerdram” was released in April 2018. What the press says about Fru Skagerrak’s albums: "The album brims over with confidence and bravura, and the material and performances to match. There's astonishing power and fire in the unison playing, and even the oddities come out grinning. A definite triumph" - fRoots (UK) Contact: Fru Skagerrak – www.fruskagerrak.com – [email protected] - T: +45 2537 1544 p. -
The Ballad of Lucy Jordan
The ballad of lucy jordan Continue The ballad about Lucy Jordon Single Dr. Hook and The Medicine ShowB-Side Make It EasyRe1974Length3:53LabelCBSSSongwriter (s) Shel SilversteinProducer (s) Ron HaffkineDr. Hook and Medicine Show Singles Chronology Life Ain't Easy (1973) The Ballad of Lucy Jordon (1974) Millionaire (1975) The Ballad of Lucy Jordan is a song by American poet and songwriter Shel Silverstein. It was originally recorded by Dr. Hook and the Medicine Show, titled Jordon. The song describes the frustration and mental deterioration of a suburban housewife who climbs to the roof when laughter becomes too loud. Marianne Faithfull's version of The Ballad of Lucy JordanSingly Marianne Faithfullfrom Album Broken EnglishB-sideBrain DrainSed 26 October 1979 (1979-10-26)RecordedMay-July 1979Matrix Studios, LondonGenreNew waveLength4:09LabelIslandSongwriter (s) Shel SilversteinProducer (s)Mark Miller MundyMarianne Faithfull singles chronology The Way You Want Me To Be (1978) Ballad of Lucy Jordan (1979) Broken English (1980) The song was recorded by English singer Marianne Faytell for her 1979 English album. This version was released as a single in October 1979 and became one of her highest hits. He appears on the soundtracks for the films Montenegro, Tarnation and Thelma and Louise. Fatell also performed the song during an episode of Donkey from the fourth season of Absolutely Fabulous, in which God (Faithl) sings a song in a dream to the hapless, singing Edin. In 2016, faithfull was featured in the finale of American Horror Story: Hotel. In an interview on ITV's The South Bank Show, Weathered on June 24, 2007, Faithfull said that her interpretation was that Lucy was climbing on the roof, but gets taken away by a man who reached and offered her hand in the ambulance (long white car) to a psychiatric hospital, and that the final row (at the age of thirty-seven she knew she had found forever / As she was driving along through Paris with warm winds in her hair ...) was actually in her imagination in the hospital. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, April 26, 2018 NEWS CHART ACTION New On The Chart —Debuting This Week Country Radio Seminar song/artist/label—Chart Position Announces New Agenda Babe/Sugarland feat. Taylor Swift/Big Machine — 56 Committee Members For Keeper of the Flame/Miranda Lambert/Vanner Records/RCA Nashville — 60 Caught Up In The Country/Rodney Atkins/Curb — 69 2018-2019 Something Blue/Sam Shupak/Southern Pine Music — 71 The Country Radio Broadcasters will celebrate Blue Tacoma/Russell Dickerson/Triple Tigers — 74 the organization’s milestone 50th Anniversary Country Radio Seminar on Feb 13-15 2019, and You Came Along/Risa Binder/Warehouse Records — 76 the organization has announced the members of More Of That/Zach Janson/Nashville Nightlife Records — 79 this milestone year’s agenda committee. See the Hook Line & Sinker/Smith & Wesley/Dreamwalkin' Records — 80 committee members here. Greatest Spin Increase song/artist/label—Spin Increase Get Along/Kenny Chesney/Blue Chair Records/Columbia Nashville — 465 Cry Pretty/Carrie Underwood/Capitol — 356 Live Nation Reveals $20 All-In Ticket Offer For Babe/Sugarland feat. Taylor Swift/Big Machine — 349 National Concert Week Life Changes/Thomas Rhett/Valory — 290 Up Down/Morgan Wallen ft. Florida Georgia Line/Big Loud Records — 240 Most Added song/artist/label—No. of Adds Babe/Sugarland feat. Taylor Swift/Big Machine — 32 Life Changes/Thomas Rhett/Valory — 17 Caught Up In The Country/Rodney Atkins/Curb — 16 Keeper of the Flame/Miranda Lambert/Vanner Records/RCA Nashville — 13 Millionaire/Chris Stapleton/Mercury Nashville — 12 On Deck—Soon To Be Charting Live Nation announced ‘National Concert Week’ will take place April 30 song/artist/label—No. -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
2017 Year End Chart!
Brothers Osborne It Ain’t My Fault EMI Records Nashville (UMGN) CONTENTS 2017 Year End Chart! — Charts Dear Readers; It has been yet another extraordinary year of growth for the CDX Traction Mainstream Country. We wish to congratulate Brothers Osborne and all the fine folks atEMI Records (UMGN) for having the top single of the year with “It Ain’t My Fault.” Kudos! Merry Christmas and Happy New Year to all. Onward into 2018! PAGE 2-6 — The CDX-TRACtion weekly newsletter is published on Wed. mornings by CDX, Inc. — Connecting Nashville’s music Stay tuned, industry and country radio for over 25 years. For more information call Joe Kelly 615-292-0123 or email VP/GM Joe CDX VP/GM [email protected] Kelly- [email protected] WWW.CDXCD.COM/CDX-TRACTION “Monitored Radio Airplay” Vol 1. Dec 22, 2017 YTD Wks On POS Track | Artist | Label Chart Chart Spins 1 It Ain't My Fault | Brothers Osborne | EMI Records Nashville (UMGN) 87245 41 2 You Look Good | Lady Antebellum | Capitol Records Nashville (UMGN) 85061 31 3 I Could Use A Love Song | Maren Morris | Columbia Nashville (SMN) 77921 39 4 Drinkin' Problem | Midland | Big Machine Records (BMLG) 76110 30 5 Round Here Buzz | Eric Church | EMI Records Nashville (UMGN) 73121 35 6 Ask Me How I Know | Garth Brooks | Pearl Records Inc. 73061 38 7 A Girl Like You | Easton Corbin | Mercury Records (UMGN) 72066 46 8 Somebody Else Will | Justin Moore | Valory Music Co. (BMLG) 71149 35 9 More Girls Like You | Kip Moore | MCA Nashville 70722 40 10 Yours If You Want It | Rascal Flatts | Big Machine Records (BMLG) 68974 30 11 Fix A Drink | Chris Janson | Warner Bros / WAR 68599 30 12 Black | Dierks Bentley | Capitol Records (UMG) 68364 23 13 Flatliner | Cole Swindell | Warner Bros. -
Why Do Singers Sing in the Way They
Why do singers sing in the way they do? Why, for example, is western classical singing so different from pop singing? How is it that Freddie Mercury and Montserrat Caballe could sing together? These are the kinds of questions which John Potter, a singer of international repute and himself the master of many styles, poses in this fascinating book, which is effectively a history of singing style. He finds the reasons to be primarily ideological rather than specifically musical. His book identifies particular historical 'moments of change' in singing technique and style, and relates these to a three-stage theory of style based on the relationship of singing to text. There is a substantial section on meaning in singing, and a discussion of how the transmission of meaning is enabled or inhibited by different varieties of style or technique. VOCAL AUTHORITY VOCAL AUTHORITY Singing style and ideology JOHN POTTER CAMBRIDGE UNIVERSITY PRESS PUBLISHED BY THE PRESS SYNDICATE OF THE UNIVERSITY OF CAMBRIDGE The Pitt Building, Trumpington Street, Cambridge CB2 IRP, United Kingdom CAMBRIDGE UNIVERSITY PRESS The Edinburgh Building, Cambridge CB2 2RU, United Kingdom 40 West 20th Street, New York, NY 10011-4211, USA 10 Stamford Road, Oakleigh, Melbourne 3166, Australia © Cambridge University Press 1998 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 1998 Typeset in Baskerville 11 /12^ pt [ c E] A catalogue record for this book is available from the British Library library of Congress cataloguing in publication data Potter, John, tenor. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
Whipping Girl
Table of Contents Title Page Dedication Introduction Trans Woman Manifesto PART 1 - Trans/Gender Theory Chapter 1 - Coming to Terms with Transgen- derism and Transsexuality Chapter 2 - Skirt Chasers: Why the Media Depicts the Trans Revolution in ... Trans Woman Archetypes in the Media The Fascination with “Feminization” The Media’s Transgender Gap Feminist Depictions of Trans Women Chapter 3 - Before and After: Class and Body Transformations 3/803 Chapter 4 - Boygasms and Girlgasms: A Frank Discussion About Hormones and ... Chapter 5 - Blind Spots: On Subconscious Sex and Gender Entitlement Chapter 6 - Intrinsic Inclinations: Explaining Gender and Sexual Diversity Reconciling Intrinsic Inclinations with Social Constructs Chapter 7 - Pathological Science: Debunking Sexological and Sociological Models ... Oppositional Sexism and Sex Reassignment Traditional Sexism and Effemimania Critiquing the Critics Moving Beyond Cissexist Models of Transsexuality Chapter 8 - Dismantling Cissexual Privilege Gendering Cissexual Assumption Cissexual Gender Entitlement The Myth of Cissexual Birth Privilege Trans-Facsimilation and Ungendering 4/803 Moving Beyond “Bio Boys” and “Gen- etic Girls” Third-Gendering and Third-Sexing Passing-Centrism Taking One’s Gender for Granted Distinguishing Between Transphobia and Cissexual Privilege Trans-Exclusion Trans-Objectification Trans-Mystification Trans-Interrogation Trans-Erasure Changing Gender Perception, Not Performance Chapter 9 - Ungendering in Art and Academia Capitalizing on Transsexuality and Intersexuality -
Visste Du Att
GYLLENE TIDER Upplev Halmstad genom Gyllene Tiders musik! Tiders Upplev Halmstad genom Gyllene Visste du att... • Bandet bildades 1977 under namnet Grape Rock. • Tre av Gyllene Tiders medlemmar är uppväxta i Harplinge. • Roxette var från början namnet på Gyllene Tiders utlandssatsning. • På Hotel Tylösand, som Per Gessle är delägare i, finns de skivkontrakt-ansökningar som bandet fick avslag på inramade. Här finns även guldskivor och en gammal dörr från en skivstudio täckt av fansens klotter bevarad. • Ringer du till Hotel Tylösands växel får du ”prata med” Per Gessle. • Klubben Leifs Lounge i Tylösand har fått sitt namn och logga efter Gyllene Tiders fiktiva följeslagare, en tecknad figur som heter just Leif. Diskografi studioalbum 1980 – Moderna Tider 1981 – Puls 1982 – The Heartland Café 1990 – Gyllene Tider EP 2000 – Konstpaus 2004 – Finn 5 fel! 2013 – Dags att tänka på refrängen 2019 – Samma skrot och korn destinationhalmstad.se Halmstad Tourist Center Lilla Torg, Halmstad • 035 – 12 02 00 [email protected] Billy, 1978 ”Vi drog till Domus (1) och han fick ut sin lön. Jag ringde min mamma och sa jag sticker nu. 4 Hängde på första tåget som stod inne på stationen (2). Två enkla biljetter till Malmö central och Billy sa, Du fattar va det handlar om.” 5 Småstad, 1989 1 ”Hallå! God dag! Ta ett tag och samla upp stickorna. 3 Det är vår i stan kom följ med och se alla flickorna. Jag väntar vid Picasso (3), kom och möt mig om en stund. April har bara börjat, å luften är salt och nyfiken ung.” 2 På promenad genom stan, 2003 ”Vi passerade Norreport (4) och längre bort där Nissan (5) far.